Artemis, goddess of the hunt.
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Superman (2016) #39
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Details, part I; 🍃 Diana after the Hunt, 1745, by François Boucher.
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Bernardino Cametti (1669–1736) "Diana as Huntress" (1717-1720) Marble Baroque Located in the Bode Museum, Berlin, Germany
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You know in hindsight I probably should've expected this much heartbreak from a series named the dark artifices
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Details, part II; 🍃 Diana after the Hunt, 1745, by François Boucher.
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diana and gwyn are honestly the most underrated power couple rb if you agree
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Angelo Von Courten (1848-1925), 'Diana', '’Moderne Kunst'', 1913-14
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Disclaimer: I do not own the pictures I used for the aesthetic (except my own illustration).
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Louis Maurice Boutet de Monvel (1850-1913), 'Young Diana', ''Salon of 1893''
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Peter Paul Rubens (1577-1640)
“Diana Returning from Hunt” (1615)
Oil on canvas
Located in the Gemäldegalerie, Dresden, Germany
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Diane, déesse de la chasse (Diana, Goddess of the Hunt)
Auteur inconnu, ca. 1900
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tda characters as “Shit I’ve Heard High Schoolers Say”
• Julian: “We’re in adult limbo. I’m not a teen, and I’m not an adult. I’M SUFFERING, THAT’S WHAT I AM!”
• Cristina: “If all of your friends jumped off a bridge, wou-”
• Mark: “Look at my…(swings leg up to show shorts) not pants.”
• Kieran: “Why stop at capitalism? Destroy everything.”
• Diana: “Your calculator isn’t broken, you’re broken.”
• Kit: “At least we have memes to dull the pain of existence.”
• Ty: “If cows ruled the world, would they drink human milk?”
• Livvy: “Oh my god I thought seven was less than six.”
• Dru: (filling a water bottle cap with water) “SHOTS SHOTS SHOTS SHOTS SHOTS SHOTS SHOTS”
• Tavvy: “Guys it’s been three weeks since I’ve eaten a vegetable.”
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Diana: I wasn't listening. But I strongly disagree.
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Steven Soderbergh on ON HER MAJESTY'S SECRET SERVICE (1969)
For me there’s no question that cinematically ON HER MAJESTY’S SECRET SERVICE is the best Bond film and the only one worth watching repeatedly for reasons other than pure entertainment (certainly it’s the only Bond film I look at and think: I’m stealing that shit). Shot to shot, this movie is beautiful in a way none of the other Bond films are—the anamorphic compositions are relentlessly arresting—and the editing patterns of the action sequences are totally bananas it’s like Peter Hunt (who cut the first five Bond films) took all the ideas of the French new wave and blended them with Eisenstein in a Cuisinart to create a grammar that still tops today’s how fast can you cut aesthetic, because the difference here is that each of the shots—no matter how short—are real shots, not just additional coverage from the hosing-it-down school of action, so there is a unification of the aesthetic of the first unit and the second unit that doesn’t exist in any other Bond film.
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Diana: But the Blackthorns are dear to me, they’re like my children.
Gwyn, sympathetically: They stole your youth and made you boring?
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By clicking on the source link you will find that there are 56 gifs of Diana Silvers as Camille in the film Ava. All gifs were made from scratch by me please don’t claim them as your own, resize, add to other gif hunts, or use them for crackship gifs. Please like or reblog if using!!
tw: guns, fighting.
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Diana of Versailles, 1st-2nd century
Michelangelo Buonarroti, Holy Family, known as the “Tondo Doni”, 1505-1506
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“We could together slay a frost giant, or devour a deer.”
“I don’t want to do either of those things,” said Diana after a moment.
Gwyn looked crestfallen.
“But I will go out with you,” she said, blushing. “Preferably to a nice restaurant. Bring flowers, and not the helmet.”
-Lord of Shadows
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