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#Don't get me wrong this Norman is EXTREMELY pretty and I love him so much
So even though I watched it a couple of weeks ago, the TWD final season is still in my head. And I just had some more thoughts about two topics:
1) Leah: While I didn't like Leah as a love interest for Daryl (which they made pretty clear that she was not going to be from the outset of when Daryl saw her again), and while I thought she was...an extreme character, I actually liked this iteration of her compared to when we saw her last. She still had the same issues, wanting Daryl to choose her and be all for her, having that concern about loyalty and I daresay devotion. But, she was an actual badass, until things went to shit. I was stuck on this story I'm trying to write and it actually helped to dissolve that block because she literally physically represented everything that has been in my head for a character for ages but could never find the right visual to represent them. So maybe that's why I'm more kindly inclined towards that part of the season for Daryl (not to mention, imho that faction was way more heart-pounding-terror inducing for Daryl than the Commonwealth arc but that's just my opinion).
2) Caryl: When it comes to Daryl and Carol, I know I've said it before but I really am happy with how they left it. Tbh, Daryl was never one of my favorite characters (Carol was more so). Don't get me wrong, I like him, I like how Norman plays him, he's obviously very important to the story, but I think I personally connected more with Rick's story than I did Daryl's for example, even Negan compared to him I think. But I always loved the Caryl dynamic and it became my OTP. But, with Daryl, I never really looked too closely at his character but considering they never really gave him a romance on the show that included the physical (except Leah and we all saw how that one turned out), I do wonder, considering Daryl's sometimes still wanting to be off on his own, if perhaps the Caryl "I love you" at the end of the finale was as far as Angela Kang felt that she could go with that relationship, along with Norman and Melissa.
The reason I say that is Daryl had Beth, right? While it didn't go canon per se, there was a strong hint there. He lets her in, little by little, but they only get as far as some lingering looks basically, right? Daryl cares about Beth but then he loses her.
Connie comes along and it's obvious that he likes her. Connie cares about him and vice versa, even Carol picks up on it. He loses her but then gets her back, even with Carol encouraging him to do something about it. He never does, and it's clear by the end of the finale that while he cares about Connie, it feels like it's settled more into a friendship, especially for Connie. He's comfortable with where it's at. She's alive, happy, healthy as possible, and living her life safely. That's all he can ask for her, right?
We also have Leah. While he hooked up with Leah and possibly even fell in love with her for a time (I'd have to go back and watch this episode, I don't remember if they had this convo or not), eventually Leah leaves and he doesn't think he'll ever see her again. Even though he made the tough decision to give up his family for her as she had been demanding of him (which as a side note is obviously not healthy). He didn't want to give them up but he cared about her that much that he was going to give it a shot. (again, I really need to rewatch that episode, forgive me if I'm forgetting anything) Then when he sees her again, she's part of this extreme faction, he has to play on their old connection to stay alive and suss out the situation. When he realizes she might not be as extreme as her leader, he trusts her with the truth and very quickly finds out it was the wrong move. Leah still lives by that old ideology: you're either with me or with them, and now it's to the extreme. He mercifully lets her live and then is forced to kill her in order to save Maggie's life later on.
So all in all, Daryl has not had the greatest run when it comes to possibly-romantic (and sexual) relationships with the women he has come to care for in more than a familial or friendship way. The two women who mean the most to him on that scale (Carol, Connie - when in comparison to people like Maggie for example) are yes, still alive and he is able to do something about it, but he chooses not to.
I don't remember the exact explanation about Daryl's character back in the day but we know he's not from the comics and this is obviously not a romance-focus show. That doesn't mean romance can't happen (i.e. Richonne, Cazekiel, Glen x Maggie) but it's not the core that all other events of the show revolve around. My point being, Daryl wasn't created for that reason.
So my thinking on this, after seeing him not doing anything about Connie and thinking back to Beth, and seeing Daryl taking off again in the finale to be on his own (yes, this does set up the spinoff but it's also integral to his character I think, he's still restless, not able to settle in fully), I'm thinking that this is a make-up of his character that AK chose to stay true to. While Daryl lived in Alexandria, he still went out past the gate. He was able to live as he liked, like we see him doing in the finale. When he lived in the Commonwealth, he wasn't able to do as he liked, but he did it for two reasons: Judith and RJ. Those were the roots that were tying him down, meaning that was the only thing he was willing to put roots down for I mean. When things are made better by the end, he no longer has to do that.
How does this all relate to Caryl and their ending? Because AK took it as far as could go without A) betraying Daryl's character & B) keeping his character open for the spinoff. If there wasn't a spinoff, I still think AK would have gone this way. What Daryl has with Carol isn't sexual in nature. Which is interesting when you compare Leah to Carol, where Melissa herself talked about how there was mirroring going on between Carol and Leah in that episode where Daryl meets Leah. And there is: Dog is a big link between the two, for example. So not only do we have that connection between these two women in his life, Carol is the antithesis of Leah if you think about it. Daryl had sex with Leah, and he was giving up his family for her even though he didn't really want to. She made him choose. Carol and Daryl don't have a sexual relationship, and she has never made him choose her over the family, or even wanted him to. While Daryl wasn't happy with Rick when he kicked Carol out back in the earlier seasons, Carol never wanted to find Daryl in order to get him to choose her over the group, even after she came back.
So this ILY scene in the finale actually holds way more meaning than I think some people are giving it credit for. As we know, Carol loves Daryl for who he is, how he is. She doesn't make demands of him or insists he change the core aspects of who he is. Not in the way Leah did for example. Beth and Connie I don't think would have either, but they were never connected to Leah in the way Carol had been.
And if we go further, Carol has always been connected to the other ladies, not just Leah. Beth was stuck in the same hospital as Carol, both taken from Daryl while he was with them solely. Carol is there to see Beth die. Connie was lost due to Carol's actions/choices and she feels guilty due to it, it's why Daryl is so mad at her and it causes friction in their own relationship, and she never stops giving hope to Kelly. Carol has always been connected.
So for her to also mirror/be connected to the one woman we see Daryl get physical with and get the closest he's ever been to a verbal ILY in the show, it means exactly what we've been saying: Daryl loves Carol and vice versa. So that ILY holds way more weight than I think most people realize. Was it a kiss? No. Was it them getting married or them riding off for a makeshift honeymoon? No. But we got the confirmation. In a way that was true to Daryl's character, their relationship (who he has the most intimacy with emotionally and shares tender touches and embraces with), and having an unfinished air about it with hope for the future.
I did not see the Talking Dead so I have no idea if the actors were asked about this scene or not, but considering the story and how this occurred in that story, it completely makes sense why AK decided to go this route for them.
And Daryl being told he can still be happy too (alluding to him having to find it) isn't because Carol isn't it for him or he hasn't fallen in love yet. It's to keep things open for the spinoff while Daryl is still restless. Daryl is a guy, imho, that will always be on the move. Even if he married Carol, let's say, and they had a huge family of their own, there is no way that Daryl won't become restless during that time and still go out beyond the gate, for days at a time. He's not Rick or Negan or Eugene; that's not who he is. I think he even confirms that when telling the story of the hiding spot he used to go to when he was a kid, to hide until his dad fell asleep. While it's sad that he had to do that, it's what he became used to. Even when he had Merle, he was always on his own. I hate to use the word 'drifter' or 'nomad' but that's basically what he is. No matter how happy or settled he might be in other areas of his life. That's another reason why Dog is so appealing for his story line: Dog can go with him anywhere he goes. Dog can settle into Alexandria 3.0 or he can be on the road for days at a time. (not comparing Carol to a dog obviously but you get my point)
So for Carol to be saying goodbye to him, for them to mention how Carol has the new job now (as a reason why she can't go anywhere with him), it isn't just for the spinoff. It's because they're telling you this is why we're doing things this way; this is who they are together. And for them to have both characters saying ILY to each other (yes, even without the kiss), they're telling you all you need to know.
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This is who has taken residence in his heart. And because of who he is, that ILY was as far as they could have taken it at that moment. Or else we would have seen him do something about Connie when she came back, or we would have seen more romance for him in the show. But that's not who he is.
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Posuka Demizu's ilillustration of Norman and Parvus (2021)
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A Letter from Norman reactions
Tonight I was feeling like reorganizing the notes I took after reading the novel for the first time. Just some random personal reactions I had after reading it; if anything catches your attention and you'd like to know more about a particular event from the novel, please feel free to ask and I'll be happy to help!!!
Under the cut because it's l o n g. That is, if Tumblr allows me to add a "read more", which has never happened before, but I'll keep hoping in it.
• Disclaimer: I'm suing anyone who ever said that the novel is all about NorEmma. I've literally put off reading it because I didn't want to get into something overly romantic while there's??? Nearly nothing about it that is romantic??????? Just a slight mention in that last chapter and that's it???????? Why are y'all like this
Prologue
• I need you all to know that the important letter™ through which Norman informed Emma about his plan starts with him describing the weather. I just think it's a relevant information.
• Ok I'm at freaking page 1 of “A letter from Norman” and. NORMAN IT'S A FREAKING LETTER TO EMMA NOT A SHAKESPEAREAN PLAY THERE'S LITERALLY NO REASON TO BE THIS POETIC
Maybe, I would get it if it was directed to Ray, but to Emma?????
Chapter 1
• Emma in 2038: Let's befriend ghosts
Emma in 2047: let's befriend demons
Seems like a logic consecution to me
• Ok but why has nobody ever mentioned the extremely precious Emma / Gilda moments in the novel???? My heart was completely melting that was the most adorable thing I've ever read??????
• The way Norman is constantly in awe of Ray is so adorable... Baby is so sweet I swear, he deserves the world
Chapter 2
• OK BUT THE SWEET EXCHANGE between Ray and Isabella before him and Emma go out at night?????? Ray is so pure is swear... He's a precious baby who didn't deserve all the shit he went through.
Reporting it in case anyone's curious; for context, Norman is sick, and Emma wants to go out look for a flower that she's read is going to help him feel better. Emma and Ray are convinced that Norman is going to die because babies are just that dramatic, and easily impressionable as well. They're seven here.
“ «Ray, I'm counting on you!»
Isabella pressed an hand on the boy's shoulder, who turned his face to her and diligently nodded, before continuing: «Differently from Emma, I don't think the flower is going to help Norman heal».
«What do you mean?»
«However, it's better than having to sit back and watch without doing anything. I too, like her, want him to heal as soon as possible.»
«Sure, I understand...» ”
NOW that hits so hard. You have to understand, this is after Ray had made the deal with Isabella. He had already started to plan the escape. In this occasion, he was on a very thin line: alone at night with Emma, outside the House, a child who knew the truth. Isabella knew those were the right conditions for him to attempt an escape, so she decided to test his loyalty; one misstep, and their deal - which was fundamental for the escape Ray was planning - would have ended.
But at the same time, Ray needed to go. Because, just like Emma, he just couldn't stand to lose Norman. And to see these three children caring so deeply about each other even at such a young age makes me honestly bawl. This is quite certainly my favorite thing from this series. And Ray deserves the world.
• Ray was so determined to save his two friends, he even considered for a moment, in the woods, to tell Emma the truth about the orphanage. I find it very nice how the novel hinted of all these times Ray almost revealed the truth, it really puts emphasis on how he was trying to find the best moment for the escape- but it also hints to how desperate he was to share this grievous burden he was forced to carry for the longest time.
• “ Ray, you must keep on living, Norman whispered to himself like a prayer. ”
I'm... I'M 🥺🥺🥺🥺🥺
Doesn't help the fact that this bit was literally at the end of pages of Norman praising Ray and how brave he had been for so long.
• “ Nobody in the House would have wanted for Ray to pay with his life to amend the silence of all those years. ”
I love this bit. Nobody between the children ever hated Ray for speechlessly assisting to dozens of his siblings being lead to death, because they all immediately understood how much he was suffering, how powerless he must had felt, and also, even though it only led to him being even more hurt, how deeply he loved them all. It's really nice to realize that no children ever hated Ray- no one besides from himself. His siblings love him unconditionally, and that's precisely what he deserves 🤧🤧💕💕💕
• Norman: *adventures in a detailed description of Ray's features and gestures for no other apparent reason than the fact that he finds him pretty*
Chapter 3
• Ok I know people use to see Ray and Susan's interactions under the light of Ray having a crush on her but honestly? I think they make the cutest brotp. I never knew how much I needed Ray-having-an-older-sister content untill now.
• For real though!! What hits you really hard is to find out, even though he would had never ever showed it, how desperate he was to have somebody care about him, and to be loved. He literally grieves for losing someone that looks after him and is there to check on him in his lowest days- we know it's the thing Isabella never gave him. Man, this boy didn't deserve all the shit that happened to him. Tpn may have become an old known story for me, but Ray's sufferings in his early age will never stop tearing my heart apart.
• Ok, I wasn't ready for all this angst on Ray's part. I mean, I obviously know GF were hard times for him, but I didn't expect for him to take over the pov. Sis, how wrong I was. Now I'm crying.
• Coming to the realization that Ray's initial plan actually was to bring everyone in the escape, but he clearly had to give up on it after having realized it would have been impossible to save them 🥺🥺🥺
(I mean it was not impossible. He believed it was. But it wasn't.)
• Ok but. The last part of the Ner chapter. I really don't want to spoil it for anyone because it really was a beautiful chapter but I really need to say: Emma and Norman. The way it wasn't just Ray always being there for them, protecting them from afar; no matter their blissful ignorance, they have always been there for him too. They never abandoned that lonely boy, and they made it so that he could have a last reason not to give up. A single, dim light of hope in that pitch black, devastating world he was born in. I may or may not be crying my eyes out.
(Btw I had written this before the Ray special chapter came out, and it's kinda funny to look back at it now)
• The thing with the Ner chapter is: you enter in it after reading two chapters of normal, wholesome children's stories. There's a dark undertune in it, but it's very subtle and it doesn't interfere with the happy, cheerful atmosphere of these children facing adventures together with each other. But then the Ner chapter strikes, and the Ray pov arrives, and it's like being beaten with a bat in the stomach several times. Deep down, you had always known it; but you suddenly realize that all these children are going to die. And, even worse, there's one child who knows. There's one child who has to assist to everything powerlessly. There's one child, one freaking-nine-years-old who knows that all his siblings are going to die, and there's nothing he can do. That a single mistake could ruin the chances of making just two of his siblings survive, which is everything he's hanging to right now. One child who only needs to be loved. Well that... That hits hard.
Me expressing my thoughts: girl this form is shit you can't write something that is understandable to save your life can you
• Also can we please appreciate Norman taking so long to get out of the forest as it's a recurrent characterizzation of his character to be desperately willing to live just *French chef kiss*
• I really like how the novel underlined how Norman's choice of sacrificing himself corresponded to a betrayal toward his friends (when you think about it, Emma definitely felt betrayed). It's almost like in his last moments Norman chose to switch roles with Ray, taking on his shoulders the burden of being both the traitor and the sacrifice.
Chapter 4
• Norman: * “ He instinctively closed his eyes and abandoned himself to the sweet memory of that time he understood how deeply loved he was. ” *
Somewhere, Ray: Can't relate
• Emma: Norman, what you want to do when you grow up?
Norman: It's a secret.
Me:
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• “ Ray woke up before everyone, as usual. ”
A remarkable detail. You'd think Ray, as a good depressed person as he is, would sleep more than the average. The truth is: he doesn't sleep at all.
• Norman: There's... Another person I like
Me:
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• OK NOW WHY did none tell me about the nine (9) lines of Norman / Don interacting it was worth reading the novel solely for that.
• WHY DID NONE TELL ME ABOUT DON ALMOST STRANGLING NORMAN AND MAKING HIM LITERALLY PASS AWAY IT WAS TOTALLY WORTH READING THE NOVEL SOLELY FOR THAT
• Reading about Conny being there hurts a lot but reading about Sadie and Hao brings up a totally different kind of pain. Also who the hell is Cindy?
• Norman: Oh yes, Emma and Ray, my most dear friends, my closest siblings, the reason I wake up in the morning, my only reason to live, the ones I'd entrust my life with,
Also Norman: Dunnot in the last thirteen hours and six minutes they have been acting pretty sus, I'm kinda sure they're betraying me somehow ://
• “ «I agree, but it feels like you've fallen down a rabbit hole. You're restless, you constantly look off...» said the raven haired boy, distorting his mouth in an hardly intelligible grimace and giving his friend a meaningful look.
«Norman, about that mysterious girl...»
«No, you're mistaken! I...»
Norman, filled with frustration, raised up his voice, starting to lose the coolness that was usually characteristic of him.
«But I haven't said anything yet!»
That being said Ray, with slightly mocking doing, turned on his feet and went away, leaving Norman like that. ”
I LOVE THIS BIT SO INEXPLICABLY MUCH I'm always *so* in for Oreo finishing each other sentences / reading each other's thoughts. Here, Norman answered Ray's question before he could even expose it, because he already knew what it would have been. Equally, Ray knew what Norman was going to say even though he cut his answer halfway through.
I love how much on the same page they are, they really... Totally and fully understand each other even without words, and I find it so sweet. Seriously, their dynamic is so wholesome
• Norman's last birthday gift: the thing that matters the most to him: his family's happiness
Emma's reward: the thing that matters the most to her: her family's happiness
Some things hit harder than others.
• I don't know like. When you read the novel after the series has ended, everything hurts so much more, because you know these are all memories Emma has lost forever.
• So you made colorful clothing by "coloring old clothes"? Have fun realizing y'all have celebrated Norman's birthday wearing your dead siblings' clothes
Bonus this epic note I randomly took I completely forgot the context of:
• Isabella is a bitch. I don't give a fuck about your dramatic past woman, leave that boy alone
(When the protect Ray mood hits™)
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