It’s midnight and I just spent a fair bit of time / energy on writing a maximum length Reddit comment vouching for Donald O’Connor portraying Buster Keaton in the egregiously inaccurate 1957 film “The Buster Keaton Story,” because he was the only relevant person actually heeding (and soliciting) Keaton’s input—
—and listen, listen, he was the absolute right person to portray Keaton (if one has to portray him), it’s just that Keaton was written by the wrong hands. I pulled out a 1960 WaPo article and linked to that bit in the 1987 Keaton documentary where O’Connor is interviewed None of the writers paid Keaton’s opinions any mind, and Keaton never held the movie against O’Connor, whose efforts he praised, I believe—
—damn good effort, thank you. Listen, O’Connor had the athletic and personable sensibilities to do Keaton justice, and he was undergoing the same personal troubles that Keaton had: didn’t get child custody post-fraught divorce, was imbibing alcohol a fair bit… (they both were born into Vaudeville, by the way), he was just so talented and he remains one of my absolute favorite performers of that crowd.
They had one of the few people who really honestly could have done Keaton justice…and they did an injustice to Buster, Donald, and frankly Buster’s wife Eleanor with that film.
Well, at least it paid for the Keatons’ ‘ranch’ (final home).
I Love Melvin, 1953, Is Playing on TCM on August 6 (USA)
I Love Melvin, 1953, is playing on Turner Classic Movies on Sunday, August 6 at 4:30 p.m. est.
Okay, I Love Melvin isn’t a Robert Taylor movie. It is a fun movie with a delightful cameo by Mr. Taylor.
Robert Taylor and Debbie Reynolds in “I Love Melvin.”
This film is an absolute delight from the pre-credit sequence where Debbie Reynolds writes the title of the film in lipstick on a mirror to…
I'm becoming addicted to slightly shabby old Hollywood musicals and Anything Goes (1956) in particular really tickles me. Just look at them!!! I think they're so fun :)
christopher plummer, the sound of music
fred astaire, you were never lovelier
danny kaye, on the riviera
gene kelly, for me and my gal
donald o’connor, call me madam
bing crosby, here is my heart
Donald O'Connor, left, Gene Kelly and Debbie Reynolds star in the 1952 hit musical 𝑺𝒊𝒏𝒈𝒊𝒏’ 𝒊𝒏 𝒕𝒉𝒆 𝑹𝒂𝒊𝒏.
Debbies breakout role would come in 1952, when she played aspiring actress Kathy Selden opposite Gene Kelly and Donald O’Connor in 𝑺𝒊𝒏𝒈𝒊𝒏’ 𝒊𝒏 𝒕𝒉𝒆 𝑹𝒂𝒊𝒏. That movie catapulted Reynolds, who could barely dance a step when she first met Kelly on set, to stardom. She went on to make movies like 𝑻𝒂𝒎𝒎𝒚 𝒂𝒏𝒅 𝒕𝒉𝒆 𝑩𝒂𝒄𝒉𝒆𝒍𝒐𝒓, in 1957, which gave her a number one hit on the Billboard charts, 𝑯𝒐𝒘 𝒕𝒉𝒆 𝑾𝒆𝒔𝒕 𝑾𝒂𝒔 𝑾𝒐𝒏 in 1962 with Gregory Peck and 𝑻𝒉𝒆 𝑼𝒏𝒔𝒊𝒏𝒌𝒂𝒃𝒍𝒆 𝑴𝒐𝒍𝒍𝒚 𝑩𝒓𝒐𝒘𝒏 in 1964, for which she received an Oscar nod.
I say now’s a good time also to rewatch Danny Kaye on The Muppet Show. I can do that and rewatch The Court Jester on repeat for the rest my life, though this would compete with rewatching Sweeney Todd (for the nth time), and, with respect to Lansbury, Bedknobs and the rest I associate her with.
(I am, I admit, somewhat chagrined that the headlines default to Beauty and the Beast when addressing Lansbury’s legacy. I don’t mean to diminish voice acting roles at all; surely they were meaningful. Perhaps I am flawed to think her live-action roles ought to be mentioned first! I understand the layman would understand BatB; I realize why the reporters lead with the animated Disney film. Of course they do. Most people will know her from the Disney film. I just want Lansbury’s rich career to be….)
…Oh, fiddlesticks. Once Dick van Dyke passes (which won’t be anytime soon, the man’s sprightly as ever; anyways love him), the media headlines will be full of Mary Poppins and Chitty Chitty Bang Bang and maybe Night at the Museum. Not the Dick van Dyke Show.
Give the DvD Show the respect it deserves! Give Angela Lansbury the respect that her lo g career deserves! Yeah yeah, Disney, big company an d all that, saccharine The Court Jester and her other films. Then Sweeney Todd. Which all the theater nerds (moi) know about but you might as well watch. We can put aside all her other acting credentials (except actually go watch The Court Jester and that what she’s been in outside of Disney.))
Sinéad O’Connor Estate Orders Trump to Quit Using Her Music “Immediately” | The New Republic
Sinéad O’Connor has a posthumous message: Fuck Donald Trump.
On Monday, the Irish musician’s estate issued a missive to the GOP front-runner, demanding that Trump never again use her music after he featured her breakout hit, a cover of “Nothing Compares 2 U,” during rallies in Maryland and North Carolina over the weekend.
“Throughout her life, it is well known that Sinéad O’Connor lived by a fierce moral code defined by honesty, kindness, fairness, and decency towards her fellow human beings,” read a joint statement issued by O’Connor’s estate and her longtime label, Chrysalis Records. “It was with outrage therefore that we learned that Donald Trump has been using her iconic performance of Nothing Compares 2 U at his political rallies.”
“It is no exaggeration to say that Sinéad would have been disgusted, hurt and insulted to have her work misrepresented in this way by someone who she herself referred to as a ‘biblical devil,’” they continued.
“As the guardians of her legacy, we demand that Donald Trump and his associates desist from using her music immediately.” ...