Young Raeda are playing music
Hate drawing guitars, ukuleles and other similar instruments. It's too hard to make right shape of it.
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Eda's Requiem: The Embodiment of Why TOH's Found Family Sucks
Here are the two plot lines for this episode, with no frills or judgements, and you try to figure out the problems with them:
Plot A: Eda, while running from having an actual conversation with King and/or Luz, runs into an old flame who lets her in on a secret criminal group they're a part of that can use her skills. She proceeds to spend the entire episode away from Luz and King, besides small exchanges where she refuses to talk to them due to misunderstandings, until she almost sacrifices herself for her beliefs and the good of the Isles. Raine stops her because of a photo of King, Luz and Eda together showing she has kids. Then she runs off to finally watch the thing that Luz and King have been working on the entire episode. However, she's missed it entirely but she makes up for it by helping King with his goal anyways.
Plot B: King and Luz are preparing for a race together so as to get a chance to broadcast to the entire Isles a message about how King wants to find his family. They also keep talking about a topic that will potentially upset Eda, with heavy implications due to the dialogue that it is him wanting to leave, and keep getting cut off from actually talking to her due to Eda blowing them off because of overhearing parts of these conversations. We then don't get to see the race but find out they lose because King threw up while they were flying. King then makes an impassioned speech to his father about his interests, things he'd like to do as a parent and child and about the symbol on him. He then calls Eda cranky before then saying because she was the one to raise him, he is LEEEEeee-gally changing his name to King Clawthorne, officially making him adopted by Eda so long as she'll have him.
So besides the painful voice acting direction that is the writers admitting to just having straight up lied with their implications as to what King's problem was *eye twitch* Did you see it?
What about this episode is actually about their found family? The relationship between these characters? Especially Eda and King's? Because the two practically do not interact this episode until the very end. Eda spends the entire episode neglecting Luz and King due to her own fears while King's goal ISN'T about Eda. It's about finding his real parents. He even outlines what he thinks a parent/child dynamic should be, what he wants out of it and it's NOT anything we've seen him do with Eda.
In fact, you might expect me to compare this episode to Amphibia's Aquarium episode, which is effectively when the found family there is finalized but there's literally no comparison. TOH doesn't reflect on the relationship or memories that this family has with each other because there's almost nothing there. What, is King going to wax nostalgic about how Eda manipulates him into no win bets and mocks him for his desires and goals in Teenage Abomination? Or how about how Eda, despite living with him since he was an infant, doesn't even try to understand his struggles until body swapping with him? OH! How about when she threatened the eight year old with rent in the second episode? There's the first episode's statement about the two being all they have but there's actually not much else they have done together that ever has them growing genuinely closer.
Then there's simply the emotional focuses of the episode. The things as an audience we are actually told are the stakes of the episode are if Eda and Raine are going to get back together/succeed in their plans and if King is going to win so he can get a message out to his genetic parents. Their goals that they have to overcome don't actually have anything to do with each other or them being a family. Anything about that is just side angst that isn't as important. Even King's speech at the end FAR more heavily weighs on his desire to find his genetic parent than it does Eda. He describes with so much care about what he wants before saying the he's asking to be adopted is because Eda raised him and then stating ZERO other reasons for why he's doing this. That's not a reason to change your name, that's what your mom says to guilt trip when you try to not do what she says.
Found Family is NOT transactional. In fact, one of the big reasons Found Family is so treasured is because you choose it, not because it was forced upon you like, I dunno, some random stranger deciding to take you home from your birthplace because she assumes you've been abandoned. It's because you have such a bond with another person that you would rather them be your own family. It doesn't matter what part or the legalness of it, it never did for Anne, but... When you don't actually show that bond as part of your story, all you have left are labels you can use to tell the audience they have this bond.
And so of course King gets officially adopted because otherwise, why would you ever call Eda King's mom? Because it needs to do SOMETHING to actually sell these people as a found family so people can praise it for having that trope but it also doesn't want to put in the actual time or effort. So... I guess this is all we get alongside King calling Luz his sister.
That's just not enough, not for me at least.
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What's rough with this blog is that I actually still like Eda's Requiem. It's not a bad episode as Eda and Raine's dynamic is good with some good stakes to the action which is a rarity for TOH. It's just that thematically it doesn't function which isn't anything new.
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I noticed that in the first part of FtF’s version of Raine’s Rhapsody/Eda’s Requiem, before the Intro music instruments kick in, the mandolin is replaced by a music box. Pretty fitting, since not only does it show how The Collector is influencing literally everything at that moment, but also you can’t play a mandolin one-handed.
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Eber turning up the volume on his scroll when Eda officially adopts King was probably him finding a way to reassure Raine Eda got away and was okay without Raine noticing yet something was up. Plus, it was also a way to annoy his bestie and older brother. A win-win in Eber’s book!
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