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#Edda
ashsomethingart · 23 days
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Lokabrenna Tarot - Major Arcana 01 - Vitki (The Magician)
Ash Something Art, Adobe Photoshop CC, 2024 10 Hours All art is created by me and is (C) Ash Something Art No AI was used in the creation of this work.
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broomsick · 5 months
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The young fir-tree withers, that which stands in an unsheltered place; neither bark nor needle shelters it. Such is the man whom no man loves – how should he live long?
The Hávamál, stanza 50.
I hope you all are well surrounded by people who care for you. Remember to treasure your loved ones, and to take care good care of yourselves, as well.
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princemick · 1 year
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ALEX -- sunday, Saudi Arabian gp 2023
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boxofmistakes · 1 month
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My opinions on the enemies of Worldless
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You, I don't like you. You always end up dead.
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You are just a straight up asshole dude.
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I will be stomping on your grave. Perish, dickhead.
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FUCKYOUFUCKYOUFUCKYOUFUCKYOUFUCKYOUFU-
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cookieeks-art · 4 months
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Sorry for the delay, but here it finally is! A synopsis for the superhero au! (please note that details like names of locations can very much change in the future):
The strange case (title pending)
Our story takes place on a fairy tale island which has since long gone through it’s own sort of industrial revolution, and where the stories of kings and queens are for the most part ancient history. F7 is a group of hero’s who’s main headquarters is in Goldcity in the small central country of Mitlandia, which is also the county where the security company White Apple originates and is still mainly situated. White Apple was mainly ran by Mr White, but after Mr White is suddenly placed into a coma it’s taken over by his wife Regina White. As Regina steps into her new role the daughter of Mr White, Snow White, starts to grow suspicious of her stepmother, noticing how dismissive she seems of her fathers situation, and the strange decisions she’s made for the company since taking control.
At the same time a few smaller White Apple facilities have started to experience thefts and break ins by an unidentified masked individual. This individuals civilian identity is that of Dr Edda Andersdotter PhD, a analytical chemist who moved to Mitlandia for work at Silva labs, a small independent lab, and to put some more distance between herself and her relatives.
One day F7 in alerted to a break-in in the main White Apple building, and goes to stop it, in which they begin to uncover what Regina has truly been up to alongside Snow White and has their first encounter with the strange masked individual who introduces themselves as Doctor Hyde.
This, is also a romance.
Now, here’s some small sketches!:
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I might change designs for the super hero suits in the future, as I’m currently going back and forth on if they should have masks or not. I don’t really imagine any of them having any secret identities, so the masks might the sort of pointless, but it’s about the aesthetic you know.
(ID in alt and under cut)
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A collection of pencil sketches that have been photographed and digitally shaded with warm grey tones.
First sketch depicts my oc Edda (A pale chubby woman, with deep eyebags, brown hair and grey eyes) and Snow White from Red shoes and the seven dwarfs, but from my superhero au. Edda’s hair is cut short, and she’s dressed in a dark button up shirt, a knee length office skirt, an open lab coat, and a lanyard with an attached card. She’s standing with her hands inside her pockets. Snow is wearing a blouse with short puffy arms, a belt, an office skirt and a lanyard with an attached card as well. She’s holding a file under her arm as she waves at the viewer. In the right corner there is a signature reading “Cookieek”.
Second sketch depicts my oc Edda and Arthur from Red shoes, in the superhero au. Edda is dressed in a dark button up, belt, dark pants and shoes. Arthur is dressed in full plate armour, carrying a helmet under his arm. He’s holding out a flower to Edda, smiling with hearts in-front of his face, while Edda looks down at the flower in confusion. In the right corner there is a signature reading “Cookieek”.
The third sketch depicts my oc Edda and Arthur from Red shoes, in the superhero au. Edda is dressed in a double-breasted vest, dark shirt, and dark cravat, with her hair pulled back with a hair band. She’s looking at something off screen with a perturbed expression. Arthur is dressed in full plate armour, and is holding a sword in front of Edda, while holding his cape over her back and looking at something off screen. In the right corner there is a signature reading “Cookieek”.
The fourth sketch features Merlin from Red shoes in the superhero au. He’s dressed in a super suit with lightning designs over his shoulders and waist, with the swirl designs from is original outfit on his stomach, along with a belt, a pair of gloves and a mask covering his eyes. He’s smiling at the viewer while making a finger heart. In the right corner there is a signature reading “Cookieek”.
The fifth sketch is of Jack from Red shoes in the superhero au. He’s wearing a super suit styled like is original clothes from the movie, but with dark accent to the sides, a par of diamonds encrusted gloves, a mask that covers all but his lower face (safe his chin) and the top of his hair, the swirls from his original vest placed on his arms under a dark pair of shoulder pads, and the invisibly cloak which he now carries around his neck. He’s looking at something off screen with a serious expression, lifting up his fist as if readying for a fight. In the right corner there is a signature reading “Cookieek”.
End of ID]
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sydneymack · 1 year
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Manon Blackbeak - Throne of Glass
Artist: @/listening_stars_
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Fenrir howls terribly before the doors to Hel; the wolf will break its bonds and run. I know much wisdom, I see deep in the future, all the way to Ragnarok, a dark day for the gods.
— Voluspa 43
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doorstoplord · 5 months
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My oc Edda being pretty
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h0ped3lusion · 4 months
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I am genuinely so happy to find small Worldless fandom on tumblr, so here are my contributions to the fandom! <333
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Also, a little comic I made:
"Do you think we are friends in every universe?" But Worldless!
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thequeerlibrarian · 2 days
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I bought this pretty book because I'm going to Scandinavia later this year 😍
I know some of my mutuals/followers live or went there so if anyone wants to give me tips what I should visit I'd be happy <3
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rodinia211 · 21 days
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gapi-gapipi · 6 months
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how low
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raffaellopalandri · 11 days
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Book of the Day - Loki and Sigyn
Today’s Book of the Day is Loki and Sigyn: Lessons on Chaos, Laughter & Loyalty from the Norse Gods, written by Lea Svendsen in 2022 and published by Llewellyn Publications. Lea Svendsen is a writer and expert in the Norse pantheon. She has given many presentations and led workshop-style discussions about Loki and Sigyn and their role in the Heathen practices. Loki and Sigyn, by Lea Svendsen I…
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Sleipner
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cookieeks-art · 4 months
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Here’s a little project I worked on last year, but kinda, forgot to post? It’s a fake Red shoes art book spread for Edda! The composition, and art styles used, is mainly based on Snow White first page, and Arthur's second page from the actual art book, including of course the artist featured in them (aka Jeon Mi-jin (전미진) who drew the art that the art on the first page and the drawing to the top right on the second page is based on, Kim Sang-jin (김상진) aka Jin Kim who drew the art that the first drawing and the four lower drawings in the second page are based on, and Choi Minjeong (최민정) who drew the the art that the top middle drawing on the second page is based on.) (I had to use Google translate to get the names in the Latin alphabet, so I apologise if there’s any mistakes, I tried to keep the Korean name order for all the names, with the exception of Jin Kim.) [EDIT: I took a closer look Arthur’s first page today and realised that it served as a bigger inspiration for the first page that I drew then I remembered when first posting this, so shout out to that page as well which have two drawings made by Jeon Mi-jin and Choi Minjeong respectively.]
If you’ve been around for a bit you might also notice that two of the drawings on the second page are redraws of older sketches, which I mostly did as a fun treat for myself, since I find redrawing old art pretty fun. I also took this opportunity to give Harriet’s clothes a small makeover, taking some inspiration from Snow herself, a bit from the shapes of Drottning Kristinas gowns (like the drape around her shoulders and how puffy their arms are, and the general shape of the collar), and most likely from looking at details of other dresses I can’t recall at the moment (I do specifically remember looking up images of historical lace collars to get an idea of how they could look, but I don’t remember if I looked at a specific site or what sites I could have looked at in that case). I tried to keep it relatively simple with some spots for details, but looking at it now I’m not entirely sure how well it would fit the movies vine fashion wise (both Regina’s and Snow’s dresses both feel pretty modern to my amateur eyes looking at the cuts and shapes), then again I guess I can always say that the fashion is different kingdom to kingdom I suppose.
Also small shout out to Kay @the-moonlightknight who was someone who helped years ago to actually put words to Eddas personality back when I had to make a reference sheet for a discords event, which is the reference I went back to and used small parts of when writing the text for the first page.
(ID in alt and under the cut)
[ID:
Two fake Red shoes art-book pages depicting my oc Edda and Harriet (A pale chubby woman, with deep eyebags, brown hair and grey eyes).
The first shows Harriet, dressed in a blue dress with lace and snowflake themed embroidery, wearing a crown and matching necklace, with her hair up in a ponytail, is looking forlornly at the viewer, her hands held before her. Edda, dressed in her casual while fluffy shirt, dark muddy red skirt and bodice, and brown leather boots, is looking to the side with a lopsided smile and holding out her knife. Cookieek is written under both of them. Behind them is a wavy dark red graphic with a pattern of thin leaves. In the bottom right corner is two patterns running side by side, one of simple tight stitches, and a more detailed snowflake inspired embroidery pattern. To the upper right of the page is a block of text titled “Edda & Harriet”, and reading: “Edda is a wise woman in the woods that Arthur stumbles upon after entering Frode kingdom to search for it’s missing princess. Edda is also the identity taken on by said missing Princess Harriet after she was able to leave the castle behind. Her life as a mistreated princess has left her jaded and with a distain for nobility and royalty, but her escape has given her hope for a better life. In leaving the identity as Harriet Edda has made a big change in her way of dress, as well as letting the mask she’d been forced into as a royal slip. She’s determined, eccentric, and considerate, with a hunger for magic knowledge. At first she doesn’t realise she’s falling for Arthur, taken in by his ridiculous yet sensitive personality and his way of smiling, but when she does she’s sure she can’t tell him at risk of making things uncomfortable between them. She doesn’t realise that a lot of the ridiculous things Arthur has done has been to show love for her, and that they are both just as willing to sacrifice themselves for the other.”
The second is a page with drawings of Edda and Harriet. The first is a grey scale drawing Harriet looking mentally exhausted, with a thousand yard stare in a profile view. Second is a head shot of Harriet crying in a blue frilly nightgown as pale hands with long nails grip the sides of her face, tips of light brown hair hovering above her. Third is a drawing of Edda sitting and talking to someone while smiling as if she’s about to laugh. Fourth is a collection of greyscale drawings of Edda making a few expressions, such as: 1, looking intrigued while grinning sinisterly with a shadow over her eyes as she holds her chin, 2, looking in awe of something with shine in her eyes, her hands hovering in front of her, 3, looking embarrassed and startled, a blush across her face and her fist held to her chest, 4, scowling deeply with a dark shadow over her eyes. Cookieek is written under all of the images.
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chillysbrainrot · 8 months
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I just watched Ragnarok Season 3 and have some thoughts about it. Most of all, this is about Magne, and what I had in mind watching him throughout the series. Come scream at me with your own thoughts.
Keep in mind, this has some major spoilers of season 3.
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Magne
I totally get him, I get why the writers had us living through everything and then just to end it without the huge fight everyone expected.
Magne himself: he is the lone, strange kid. Too big, too silent. Maybe he could be considered to be on the neurodiverse spectrum. He also struggles with being dyslexic and seems to be behind his peers. That alone makes him a pariah for most. Season 3 with the comics and Turid‘s speech made a lot of things clear. (Maybe Magne never really understood or worked through the death of his father Asbjorn. He had somehow to cope.) Magne used to flee into whatever he could to feel like he belongs, to escape reality and not feel „worthless/powerless“ all the time.
Turid: She wants to be helpful but can’t to seem understand either Magne or Laurits. The death of Asbjorn has forced her to be the sole provider for their family, she struggles with the problems they have and while she sees her children struggle, she doesn’t take the time needed to fully listen to them, thinking it’s just a phase most of the time we see her. It takes tragic accidents (and whatever really happened to Trym) for her to finally understand that something is really bad, that Magne needs help.
Isolde: She is an outsider herself, but it seems to be partially by choice. She is the one to see Magne, not his problems, but him, and really wants him to come out of his shell and learn to life. She sees him and he latched onto that, because for once someone doesn’t see the kid with problems but Magne as a human being. She seems to be the first.
Isolde‘s death: A major trigger. Magne began to feel human around Isolde and maybe blamed himself for her death because he was supposed to be with her. It also seemed to have triggered the episode of Magne falling back into the pseudo-reality he built to cope with the accident. The Jutuls were an easy target to blame.
Everyone against Magne: Teachers, the police, even his own mother seemed to be against him. Magne couldn’t understand the world anymore, He couldn’t understand why Isolde’s death wasn’t “as big of a deal” for everyone else as it had been for him. He felt betrayed by Erik especially because he was Isolde’s father and seemed to take it as it was. It didn’t make sense for him, because Isolde told him she was a good paraglider and why would she make the mistake to fly down in a thunderstorm? The police seemed to change their opinion again and again. He lashes out, flees into being Thor because then he could be strong, and look for the real reason.
Laurits seemed to be the first to understand that his brother really has some problems, and that he should stand with him (cue the Ran/Jutul-Parody). Laurits is also portrayed as hopping sides whenever Magne escalates because I think he is one of the few to call/disrupts Magne out of his parade/pseudo-reality
Police, Hospital and Medication: Magne visiting the psychiatrist and getting medication as a paranoid schizophrenic. Magne has lived through a traumatic experience with Isolde’s death and can’t seem to cope with it at all. They said he seemed to believe he needed to be a hero and to protect Edda from the evil of the Jutuls. He seemed to realize himself fleeing into the “Thor-identity” because he said: “I wasn’t myself” but fell right back into it. Did he ever take the medication, after the fight with Vidar, didn’t Turid ever force him to take it? Didn’t a doctor ever check in if Magne took his medication? Or did Magne already flee so far into this pseudo reality that he kept living it? (Maybe it is a major plothole)
Wench and Isolde’s words: Wench might be a bit strange, I would say she, while being a “strange old lady” somehow get’s Magne and means to be helpful to guid him along the way when others couldn’t. The vision of her turning to Isolde, saying she would always be with him (in his heart), is for me a step forward for him, because while he still seems to be trapped in his pseudo reality he starts to open up to others. The other gods come into play, Signy, and the other local kids. He becomes approachable but the war in his head is not over.
The other gods/friends: They became Magne’s friends along the journey but also fight with each other so often, or become strangers along the way again. Totally natural. Magne is more open to them, maybe even relates to them but a lot of it depends on his behavior. Whenever he seems to withdraw back into the “war in his head” he becomes unapproachable, even hurtful.
The Jutuls: They are, in his head, the enemy and source of all evil. An target to put his anger, instead to eat it up and let it fester. For him, they are at fault for everything bad that happens in Edda. Maybe they are for some of these: certainly a big company into mining rare resources has some skeletons in the closets.
Mjolnir: A power-fantasy. Magne felt useless, a loser. When everyone who was “hurt” by Jutul Industries turned him down on the rightful way, and people kept dying from the neglect by the Jutuls, he snapped and turned to the one thing that gave him power. It made him feel strong, but enstranged him to Signy and his brother, even the other gods/friends who at first enabled him to get stronger through it. It’s why it helped to have it at first. He had some sense of power because his friends helped him to believe in himself, he was strong, and didn’t need that “fantasy” for the time being. But when he felt helpless again? He needed that hammer, and needed to feel strong against the “Jutul threat”. Maybe he had a lawsuit that could stand in for the hammer, people certainly could be weary. The woman Magne found was the best example that Jutul Industries neglected their (former) workers. Maybe even after the death of the woman they had an ongoing lawsuit, up until it either got maybe dissolved, left for the time being or something else happened. Magne “lost” his weapon in the Fjord and the Jutuls had the hammer for a short moment, maybe the offered compensation in the “real world” and the family of the woman thought about accepting? Magne regained the hammer but got a reality check.
Wotan’s/Odin’s reality check: Wotan took Magne out of the escalating situation before more people could get hurt. He forced Magne to come back to himself and realize why he was behaving like he did. It is the point that finally brought Magne to himself, to understand while the death of Isolde, his fear to have disappointed her, it was what fed the pseudo reality into what it was festering into. That he needed to come back to the “real” world. It is why he, even if we expected the fight to happen, he finally let it go. He forgave himself, the Jutuls (to an extent), and let it, and symbolic the hammer with its power, go. Because, and that is why we see the fight in the pseudo-reality in the last episode, he has to move forward at some point, and not loose himself and the others forever.
Thor’s death: Thor needed to die for Magne to life. Magne finally found his way out, and realized that he had escaped into a wrong reality. Thor had to die, so Magne could become himself. He was a young man about to graduate from school, and had scared the girl he lived away with how he behaved. We are how Ragnarok plays out, how Thor does, but Magne lives and ends it with throwing the comics away. He no longer needs to flee reality and was ready to rebuild his relationship and strengthen those he made on his way to recovery.
Thor dies so Magne could life.
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