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#Elijah Ambroise
scythesms · 1 year
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Lucas and Minnie Kellan welcomed the Ambroises into their home and garden to begin the planning of Edmund and Rosalyn’s wedding.
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evergreenfern · 4 years
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↠  Following the female names, here is my second list for your sims  ❀
Right here under the cut⤵ 
↠ A
Abraham
Achilles
Adair
Adam
Adrien
Aiden
Alder
Alfie
Alfred
Alistair
Alphonse
Amber
Ambroise
Ambrose
Amos
Anthony
Anton
Arbor
Archie
Arlie
Arnaud
Arthur
Artie
Ash
Aspen
August
Aurelian
Austen
↠ B
Basil
Bastien
Bear
Beck
Benjamin
Benoît
Benton
Bern
Bernadin
Bernard
Bernier
Bernon
Berthelot
↠ C
Caleb
Cassian
Cedrick
Charles
Charlie
Charlot
Clarence
Clove
Clovis
Clément
Constant
Corentin
Corneille
Cornelius
Curtis
Cyprien
Cyrian
Cyrille
↠ D
Daniel
Darcy
Darell
David
Delmore
Denver
Desmond
Dexter
Donovan
Dylan
↠ E
Earl
Edgar
Edison
Edmund
Edouard
Edric
Edwin
Elijah
Elliot
Elm
Elmer
Elowen
Elton
Emerson
Emmet
Emory
Enoch
Ernest
Ethan
Ethelbert
Eugène
Eustache
Evan
Evander
Evrard
Ezra
Éli
Étienne
Ézéchiel
↠ F
Fabien
Fabrice
Fawn
Fern
Finch
Finn
Finnegan
Flavien
Florentin
Forest
Forêt
Fox
François
Félix
↠ G
Gable
Gale
Garson
Gaston
George
Gervais
Gideon
Graham
Grégoire
Guilbert
Guillaume
↠ H
Hadrien
Harrison
Harry
Harvey
Hawthorn
Haze
Henri
Hiram
Holden
Horace
Hubert
Hudson
Hébert
↠ I
Ignace
Indigo
Izzy
↠ J
James
Janvier
Jasmin
Jasper
Javert
Jean
Joachim
Josuah
Joël
Jude
Jules
Julien
Jérôme
↠ K
Keaton
Kieron
↠ L
Lancelot
Landry
Langdon
Lark
Larry
Lars
Laurent
Lewis
Linden
Linnelio
Louis
Lowell
Léandre
Léo
Léon
Léonard
↠ M
Mael
Maple
Marcelin
Marcellus
Marlin
Mason
Mathis
Maurice
Melvin
Merle
Milton
Mordikai
Morgan
↠ N
Nathanaël
Nazaire
Neville
Niven
Noah
Nolan
↠ O
Octave
Octavius
Odell
Odyss
Olivier
Orion
Orson
Orville
Oscar
Owen
↠ P
Percival
Percy
Peverell
Philbert
Philemon
Philibert
Phoenix
Pierre
Preston
↠ Q
Quill
Quintil
Quintin
↠ R
Rain
Renaud
Riley
River
Romain
Rowan
Russell
Rémi
↠ S
Sabien
Sacha
Sage
Silvestre
Sébastien
↠ T
Talon
Tarot
Terrance
Thierry
Thomas
Théodore
Timothée
Tracy
Travis
↠ U
Ulysse
↠ V
Valentin
Valerian
Verion
Victor
Vincent
↠ W
Wallace
Warren
West
Wilem
Wilfred
William
Wilmer
Winston
Wolf
Wolstan
Wren
↠ Z
Zéphir
Zéphirin
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lovely-cryptids · 4 years
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hi lovelies!!
we’ve already passed 1000 followers on the blog so we wanted to make a special post for you! we’re all gonna do some introductions with a face reveal :) and before we start i just want to say that this is so freaking cool! i didn’t think this blog would get this many followers this quickly, and i’m so glad to be part of this community. so thank you all! and thank you especially to all the amazing admins for doing this with me :,)
so i’ll go first!!
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i’m nev (she/they) and i’m the owner of lovely-cryptids! i decided to start this blog because i was posting alot of cryptid related things on my main, but it didnt really fit in with the fandom stuff i was posting there. i also wanted to meet some other people who are into cryptidcore and related topics! so, anyways, i’m a witch (who secretly wishes they were a vampire). i’m queer, goth/punk, vegan, a huge nerd, and i’m obsessed with horror, taxidermy (i make/collect wet specimens and insect specimens), books and music (mostly horror punk, symphonic black metal and industrial)!! and my life basically revolves around my danger noodles. they are my babies. so you can find me on my main @g-ay-gatsby for nerdy shit or on @i-was-crashing-into-you, which is my booklr! i love you all so much
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Uhh,,, Hi, I'm Elijah. I go by he/him pronouns, I am a neurodivergent, gender non-conforming trans guy, I'm nblm, and I really like Sanrio, Teeth, Taxidermy (especially bones), Fnaf, furbies, and bugs! The cores I'm in are dollcore, goblincore, ghostcore, cryptidcore, feralcore, usedcore, furbycore, kidcore, clowncore, scenecore, rainbowcore, webcore, lovecore, adventurecore, dragoncore, angelcore, and bugcore!! My main tumblr is @awkwardbluelollipop, but you will find me more active on @goblinwitchboy!
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Hey guys ! My name is Charlie (he/him) my second name is Ambroise and my main is @ofdirtandbones​ !! I like nature, goblincore, folklore and traditional witchcraft.
I also draw a lot and take care of animals.
I haven’t posted much on this blog yet because life is pretty stressful currently but I’ll start posting more soon !
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Hi! So my name is Tess, I go by she/her. My personal Tumblr is @confusedocean​ I think I'm one of if not the oldest Mods at an ancient 20 years old. I'm pretty nerdy when it comes to science and got into cryptids and goblin/crowcore cause I spent my childhood exploring the woods and reading! My favorite cryptid is mothman. I'm crazy about animals so feel free to send me fun animal facts. I'm a queer college student studying marine science and sociology. I have a dog! Named Winnie and a love for old Bay.
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hi I'm DeeDee, @lava-goblin​, 15 (she/her) and amm Göblin,, i like to draw, paint read and get on to the cliffs near my house I hoard scraps of plastic, jewlery and ornaments X 
*will be updated with more admins*
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opera-ghosts · 3 years
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Emma Albani, soprano (1847-1930). Marie-Louise-Emma-Cécile Lajeunesse was born on November 1, 1847, in Chambly, Quebec, where she lived until 1851. Emma received her first music lessons from her mother, but began studying music with her father when she turned five. In Paris, Emma studied with Gilbert-Louis Duprez, a teacher at the Paris Conservatoire and principal tenor of the Paris Opera. Six months later, she moved to Italy to study with Francesco Lamperti, a teacher renowned for his mastery of the Italian method of singing. In April of 1870, at the age of 22, Albani debuted in the city of Messina in Vincenzo Bellini's La Sonnambula. As she recalled in her autobiography, the Sicilian audience responded to her debut performance with wild enthusiasm. She wrote, "I was literally loaded with flowers, presents, and poetry, the detached sheets of which were sent fluttering down in every direction on the heads of the audience; and among the numberless bouquets of every shape was a basket in which was concealed a live dove. They had painted it red, and the dear little bird rose and flew all over the theatre." After fulfilling her contract at Messina, Albani returned to Milan to resume her studies with Lamperti. It was not long before she accepted another engagement in Cento, where she appeared in Rigoletto for the first time. Albani next performed in Florence and then in Malta, singing in La Sonnambula, Lucia di Lammermoor, Robert il Diavolo, Il Barbiere di Siviglia and in Meyerbeer's L'Africaine. While in Malta, Albani made the acquaintance of a number of British soldiers who were stationed there, and they persuaded her to go to London to pursue an engagement at Covent Garden. In June of 1871, one year after her debut in Messina, Albani arrived in London to audition at Covent Garden. After hearing her sing, Frederick Gye, the manager of the prestigious opera company, offered the young singer a five-year contract and scheduled her Covent Garden debut for the following spring. While waiting for her debut, Albani attended Covent Garden performances and heard some of the singers (among them opera legend Adelina Patti) with whom she would share the stage in the following season. She remained in London for a short time before returning to Italy to continue her studies with Lamperti. Together they studied Ambroise Thomas' Mignon and Rossini's Conte d'Ory in preparation for another engagement at the Pergola Theatre in Florence. Whenever she could find a spare moment in her busy schedule of performance and studies, Albani endeavoured to experience other aspects of the rich culture of Milan, Sicily and London by visiting their art galleries and museums. The Pergola Theatre engagement, which included performances of La Sonnambula and Lucia di Lammermoor, was a resounding success and Albani made her way back to London for her first Covent Garden season. On April 2, 1872, Albani debuted at Covent Garden as Amina in La Sonnambula and her performance deeply impressed both the audience and critics. Her admirers showered her with gifts of flowers and jewellery, and one reviewer wrote, "The great event of the month has been the success of Mlle. Albani, who made her debut as Amina in 'La Sonnambula'. With a genuine soprano voice, a facile and unexaggerated execution, and a remarkable power of sostenuto in the higher part of her register, this young vocalist at once secured the good opinion of her audience . . . . there can be no doubt that future performances will fully justify the verdict so unanimously and unmistakably pronounced upon her first appearance." Although only 24 years old when she debuted at Covent Garden, Albani had already performed publicly in as many as eight different operas in five European cities. Albani became interested in oratorio (large-scale musical works on a sacred theme) through two musicians she met during her first season at Covent Garden. Composer/conductor Sir Julius Benedict and Covent Garden organist Joseph Pitman encouraged Albani to perform oratorios in order to
expand her vocal repertoire. Opportunities for singing both oratorio and secular music were in abundance, due to the numerous music festivals held each year throughout the English provinces. So when she was offered a minor role at the Norwich Festival in October of 1872, Albani eagerly accepted. She sang "Angels, ever bright and fair" from Handel's Theodora, and thus began a career in oratorio performance that would endure long after the conclusion of her career in opera. After singing at the Norwich Festival, Albani travelled to Paris for an engagement at the Salle Ventadour and then returned to London for her second season at Covent Garden. During this season, she sang the roles of Ophelia in Hamlet and the Countess in The Marriage of Figaro for the first time. Her next engagement took her far from London—in November of 1873, she departed for Russia, appearing first in Moscow in the operas La Sonnambula, Rigoletto, Hamlet and Lucia di Lammermoor, and then performing in St. Petersburg, where the Tsar attended the performances and personally congratulated the singers. Albani was overwhelmed by the enthusiastic response of the Russian audience who, more than once, applauded Albani through 20 curtain calls in one evening. During her third season at Covent Garden (1874-75), Albani sang much of the same repertoire as in the first two years: La Sonnambula, Lucia di Lammermoor, Linda di Chamounix and Flotow's Marta. Just after the end of her third season at Covent Garden, one such opportunity occurred that especially delighted Albani—Queen Victoria commanded the young singer to perform at Windsor Castle. In July of 1874, Albani met the Queen for the first time and sang "Caro Nome" from Rigoletto, "Robin Adair", "Ave Maria" by Gounod, and "Home, Sweet Home". Queen Victoria was both an appreciative and well-informed patron of music. At one time, Felix Mendelssohn had been her teacher and through her studies, she had developed an interest in a wide variety of musical styles. On subsequent performances for the Queen, Albani was asked to sing French and Scottish songs, as well as works by Brahms, Grieg, Handel and Mendelssohn. In the autumn of 1874, Albani embarked on another ambitious tour, this time to the American cities of New York, Boston, Philadelphia, Baltimore, Washington and Chicago. The highlight of her American engagement was a production of Wagner's Lohengrin, in which Albani appeared in the role of Elsa. The management in New York had decided to produce the opera at the last minute, thus Albani had had only 15 days to study her role. She sang the role in Italian, as was the custom at that time, and a review from the New York paper Republic stated, "The worst enemies of Wagner -- and he has many obdurate ones -- cannot but admit that there is a peculiar spell of fascination about his melodious harmonies, and of these Mlle. Albani looks, acts, and sings as the very priestess of them might.". By the time Albani had started her fourth season at Covent Garden in 1875. For the next 4 years, she continued to appear at Covent Garden, adding to her repertoire such roles as Marguerite from Gounod's Faust, Elisabeth from Wagner's Tannhäuser and Senta in Wagner's Der Fliegende Hollander. In addition to her Covent Garden appearances, Albani continued to tour ambitiously, singing in Venice, Paris, Nice, Ireland, Scotland and the English provinces. She also secured yearly engagements at the English music festivals. In 1875, she appeared at the Norwich festival, singing in Mendelssohn's Hymn of Praise and Sir Julius Benedict's St. Cecilia. She sang in both the Bristol and Birmingham festivals in the following year, appearing in Elijah, Beethoven's Engedi (Mount of Olives) and Handel's Messiah. Other oratorio engagements included performances at the Leeds Festival (1876), the Gloucester Musical Festival (Sept. 1877) and the Worcester Festival (1878). On August 6, 1878, at the age of 30, Albani married Ernest Gye in London. She became pregnant with her first and only child shortly thereafter,
but continued to perform, appearing at the Norwich Festival and then embarking on another tour of Russia. While in Russia, Albani was devastated to learn that her father-in-law, Frederick Gye, had passed away as a result of a hunting accident. The manager of Covent Garden never had the opportunity to see his grandson, Frederick Ernest, who was born on June 4, 1879. Albani did not appear in any operas during the year her son was born, but by the spring of 1880, she was back on the Covent Garden stage performing a new role in Herold's Le Pré aux Clercs. Concert tours took Albani to Florence, Nice and Brussels, and in 1881, she was invited to sing in Wagner's Lohengrin at the Royal Opera in Berlin. Emma had sung the role of Elsa on numerous occasions, but only in Italian. For the Berlin performance, she restudied the part in German and gave her first performance in the German language in front of a receptive audience in Berlin. A Berlin correspondent of the Times reported, "Madame Albani appeared to-night as Elsa in Wagner's Lohengrin, singing her part in the native German. The house was crowded to the very ceiling, and extravagant prices were paid for seats. The Emperor and his Court were present, and all the leaders of Berlin society. Madame Albani achieved what may well be called a complete triumph, greater even than any she has won hitherto. After the first and second acts she was recalled thrice, and when the curtain finally dropped, four times, the audience cheering enthusiastically." A few years later, in 1884, Albani sang the part of Elsa in German at Convent Garden. Opera companies had been chastised by critics for their practice of performing all opera in the Italian language and in order to keep up with the changing tide, they had begun to produce operas in their original language. During the 1880s, Albani had a number of encounters with renowned composers. In March of 1886, she met composer/pianist Franz Liszt at a London reception and he expressed his admiration for her talent after she sang the lead in his oratorio The Legend of St. Elisabeth. Albani also had a close relationship with composer Sir Arthur Sullivan (of Gilbert and Sullivan) and sang in his oratorio Golden Legend at the 1886 Leeds Festival. She met Johannes Brahms on a visit to Vienna and her performance of an excerpt from his German Requiem moved the composer to tears. Albani's final season at Covent Garden (1896) included yet another new role -- Isolde from Wagner's Tristan und Isolde. She appeared opposite the famous tenor Jean de Reszke and both received rave reviews. Albani retired from the Covent Garden stage soon after this performance, but her singing career was far from over. She embarked on a nation-wide tour of Canada in 1896, concertizing in Halifax, Montréal, Toronto, Ottawa, Winnipeg and Vancouver. In 1898, she appeared before a crowd of 3,000 in Sydney Australia, before moving on to Brisbane, Melbourne and Adelaide. (Albani, p. 164) She continued to receive invitations from Queen Victoria to sing at Windsor Castle and when the Queen died in January of 1901, Albani was the soloist at the final services at St. George's Chapel. Near the end of her career, Albani's concert engagements brought her to Tasmania, New Zealand, South Africa and India. She also made several recordings dating from around 1904. Included in the recordings are arias by Handel, Gounod's "Ave Maria", and "L'Eté" by composer Cécile Chaminade. Albani was already past her prime when she made these recordings—in fact, as early as 1896, there was evidence that her voice was beginning to deteriorate. A review of a concert that took place at Toronto's Massey Hall described her performance in this way: "Albani is still wondrous in her volume and braviture, but the music has gone a little out of her voice; the fatal hardness that tells of wear and tear and strain is creeping in." On October 14, 1911, at the age of 54, Albani performed publicly for the last time. One year later, she published Forty Years of Song, in which she
recorded her lengthy and eventful career that included over 35 operatic roles. After her retirement, Emma and her husband continued to live in their house in Kensington, but as a result of some poor investments, they experienced devastating financial difficulties. Albani began teaching and even performed in music halls to earn money, but by the mid-1920s, her situation was quite desperate. Fortunately, benefit concerts held in Montréal, London and Emma's hometown of Chambly, raised enough funds to allow the aging singer to live in comfort until she died in 1930.
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sir-adamus · 6 years
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RWBY Name Meanings
gonna just give a quick run down of the name meanings for most of the major cast - this isn’t gonna be comprehensive or in-depth because i’m just looking up the names and words. i may have put an incorrect origin on some of these so i apologise in advance if i have and please let me know so i can correct it
Ruby Rose
Ruby - a precious stone that is a red corundum
Rose - a prickly bush or shrub that typically bears red, pink, yellow, or white fragrant flowers 
Weiss Schnee
Weiss - German for ‘white’
Schnee - German for ‘snow’
Blake Belladonna
Blake - a surname or a given name which originated from Old English. Its derivation is uncertain; it could come from "blac", a nickname for someone who had dark hair or skin, or from "blaac", a nickname for someone with pale hair or skin
Belladonna - deadly nightshade; from Italian bella donna ‘fair lady’
Yang Xiao Long
Yang - from Chinese, "sun” or “daylight”
Xiao Long - from Chinese, “little dragon”
Jaune Arc
Jaune - French for ‘yellow’
Arc - From Middle English, borrowed from Old French arc, from Latin arcus (“a bow, arc, arch”).
Nora Valkyrie
Nora - originates as a short form of Honora (also Honoria), a common Anglo-Norman name, ultimately derived from the Latin word Honor
Valkyrie - a host of female figures who choose those who may die in battle and those who may live. Selecting among half of those who die in battle (the other half go to the goddess Freyja's afterlife field Fólkvangr), the valkyries bring their chosen to the afterlife hall of the slain, Valhalla
Pyrrha Nikos
Pyrrha - In Latin the word pyrrhus means red from the Greek adjective πυρρός, purrhos, i.e. "flame coloured", "the colour of fire" or simply "red" or "reddish"
Nikos - a Greek common given name. It originates from Greek Nikolaos, which means "victory of the people"
Lie Ren
Lie - Chinese for "ardent"
Ren - Japanese kanji for "lotus"
Penny Polendina
Penny - diminutive of Penelope, which is possibly derived from Greek πηνελοψ (penelops), a type of duck. Alternatively it could be from πηνη (pene) "threads, weft" and ωψ (ops) "face, eye"
Polendina - a type of cornmeal mush
Ilia Amitola
Ilia - a Slavic form of the Hebrew name "Elijah"
Amitola - the Sioux word for “rainbow”
Ozpin
Ozpin - taken from the initials of the full name of the Wizard of Oz, Oscar Zoroaster Phadrig Isaac Norman Henkle Emmannuel Ambroise Diggs (OZPINHEAD)
Salem
Salem - a name of Arabic origin meaning “peaceful” or “complete”
Qrow Branwen
Qrow - a variant on ‘Crow’, a large perching bird with mostly glossy black plumage, a heavy bill, and a raucous voice
Branwen - From Welsh bran "raven" and gwen "fair, white, blessed", means something like “beautiful raven”
Oscar Pine
Oscar - of either Irish or Proto-Germanic origin, it means “Friend of Deer” or “Spear of God” respectively
Pine - an evergreen coniferous tree
Zwei
Zwei - German for ‘two’
Sun Wukong
Sun - from the mythological figure Sūn Wùkōng - The surname Sūn was given as an in-joke about the monkey, as monkeys are also called húsūn (猢猻), and can mean either a literal or a figurative "monkey" (or "macaque"). The surname sūn (孫) and the "monkey" sūn (猻) only differ in that the latter carries an extra "dog" (quǎn) radical to highlight that 猻 refers to an animal.
Wukong - from the mythological figure Sūn Wùkōng - The given name Wùkōng means "awakened to emptiness", sometimes translated as Aware of Vacuity.
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scythesms · 1 year
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To Edmund’s great pleasure, he and his father were glad to present Ambroise Community Railroad to Windenburg. While the addition of the railway station, alone, fascinated the townsfolk, they rejoiced over its finest feature: its direct route to Harlem. 
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scythesms · 1 year
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The official portraits from Edmund and Rosalyn’s wedding.
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scythesms · 1 year
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Edmund,
While it pains me to miss your wedding, I hope you’ve married for the right reasons and I wish you luck.
Your loving cousin, Alma
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scythesms · 1 year
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Celia and Elijah mourned the loss of their only daughter while Edmund and Edwin mourned their youngest sister.
They had no choice but to walk the halls she’d never run through or track mud down again. The silence within the manor grew heavier than it’d been during her sickness. Sounds of her laughter followed by a persistent cough were now longed for. 
The family spent their days mourning the death of Elsie Ambroise, a period they were unable to presume the end of.
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scythesms · 1 year
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The family gathered at St. Vaughn Cemetery to mourn the tragic loss of Elsie Ambroise.
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scythesms · 1 year
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The anticipated ball thrown by Dinah Owens and Elyse Ambroise has begun, and the families have arrived.
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scythesms · 1 year
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Family, friends, and neighbors of Elyse Ambroise gathered at her burial in St. Vaughn Cemetery.
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scythesms · 1 year
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The close family of Elijah Ambroise gathered at his burial, where he was laid to rest beside his late daughter, Elsie.
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scythesms · 1 year
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The official portraits from Elijah and Celia-Mae’s wedding.
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scythesms · 1 year
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Elijah acquired a routine of walking the manor’s halls simply because he could after being bedridden for so long. He’d admire the wallpapers his wife and daughter-in-law compromised on and count the scuffs on the floors made by his children and grandchildren. He found that one of his favorite pastimes was stopping by the study he’d spent so much of his time in - now occupied by his son hard at work. 
Edmund couldn’t have left his chair sooner when Elijah asked him to join him on his walk. He was just as glad to be taken away from study as he was to accompany his father. 
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As they walked, Elijah expressed his gratitude toward Edmund for taking temporary control of the family’s business affairs. He proceeded to apologize for leaving him with so much to do during his father and wife's healing and the mourning process of his sister. Although his dedication to his family pleased Elijah like none other, it made him just as guilty. To be forced to work under the pressure and stress he’d been dealt with, no matter the obligation, was unfair. 
Edmund dismissed his father’s apology. He only admitted his anticipation of being relieved of some of his father’s workload. He couldn’t wait to work alongside him, again, and not for him.
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Elijah adored his children. Both Edmund and Edwin had made him exceptionally proud. He only wished Elsie was given more time to carry out their family’s legacy with her brothers. Still, he smiled. Spirits in the manor were high with his recovery and the birth of Elaine. Everyone presumed it was only an amount of time before Rosalyn’s health was restored and all would be well again. 
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scythesms · 1 year
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Elijah and Rosalyn were cleared as noncontagious a month after their diagnosis, and their loved ones wasted no time before embracing them once more. The patients remained in the sick house, per doctor’s orders, but were now allowed to occupy smaller spaces with their families; although everyone had agreed to keep their distance from the children until the illness was but a distant memory. Still, they wore masks as a precaution - also suggested by Alfred, their physician.
During Celia and Elijah’s return from a short stimulating walk, Rosalyn shared her concerns with Edmund and Alfred, worried about her pregnancy. Edmund tried to convince his wife to listen to Alfred, whose efforts at easing her fears concerning her pregnancy fell upon her deaf ears. He *declared that she and the baby should both be okay. Still, the possibility of any other consequence would only continue to frighten her until proven otherwise.
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