Pride and Prejudice
Classic and loose adaptions from 1940, 1967, 1980, 1995, 2003, 2004, 2005, 2012, 2016, 2018, 2019
The second of Jane Austen’s novels, first published in 1813, is the most often adapted, inspiring various different takes on it. The ones pictures above are detailed below:
Pride and Prejudice (1940 Film)
This black and white film departs from the original novel in some (or should I say many?) points
Written by Aldous Huxley and Jane Murfin, adapted from the stage adaptation by Helen Jerome; directed by Robert Z. Leonard
Starring Greer Garson as Elizabeth Bennet, Laurence Olivier as Mr. Fitzwilliam Darcy, Edward Ashley Cooper as George Wickham, Maureen O'Sullivan as Jane Bennet, Bruce Lester as Mr. Charles Bingley, Ann Rutherford as Lydia Bennet, Melville Cooper as Mr. William Collins, among others.
Pride and Prejudice (1967 Miniseries)
6 episodes x 24min. Black and White footage
Written by Nemone Lethbridge, directed by Joan Craft
Starring Celia Bannerman as Elizabeth Bennet, Lewis Fiander as Mr. Fitzwilliam Darcy, Richard Hampton as George Wickham, Polly Adams as Jane Bennet, David Savile as Mr. Charles Bingley, Lucy Fleming as Lydia Bennet, Julian Curry as Mr. William Collins, among others.
Pride and Prejudice (1980 Miniseries)
5 episodes x 54 min
Written by Fay Weldon, directed by Cyril Coke
Starring Elizabeth Garvie as Elizabeth Bennet, David Rintoul as Mr. Fitzwilliam Darcy, Peter Settelen as George Wickham, Sabina Franklyn as Jane Bennet, Osmund Bullock as Mr. Charles Bingley, Natalie Ogle as Lydia Bennet, Malcolm Rennie as Mr. William Collins, among others.
Pride and Prejudice (1995 Miniseries)
6 episodes x 54 min
Written by Andrew Davies, directed by Simon Langton
Starring Jennifer Ehle as Elizabeth Bennet, Colin Firth as Mr. Fitzwilliam Darcy, Adrian Lukis as George Wickham, Susannah Harker as Jane Bennet, Crispin Bonham-Carter as Mr. Charles Bingley, Julia Sawalha as Lydia Bennet, David Bamber as Mr. William Collins, among others.
Pride and Prejudice (2003 Indie Film)
Loose adaption set in modern Utah, USA
Written by Anne Black, Jason Faller, Katherine Swigert; directed by Andrew Black
Starring Kam Heskin as Elizabeth Bennet, Orlando Seale as Will Darcy, Henry Maguire as Jack Wickham, Lucila Sola as Jane Vasquez, Ben Gourley as Charles Bingley, Kelly Stables as Lydia Meryton, Hubbel Palmer as William Collins, among others.
Bride and Prejudice (2004 Film)
Bollywood-style Musical. Loose adaption set in modern India and England.
Written by Paul Mayeda Berges, Gurinder Chadha; directed by Gurinder Chadha
Starring Aishwarya Rai as Lalita Bakshi (Elizabeth), Martin Henderson as William "Will" Darcy, Daniel Gillies as Johnny Wickham, Namrata Shirodkar as Jaya Bakshi (Jane), Naveen Andrews as Mr Balraj Uppal (Bingley), Peeya Rai Chowdhary as Lakhi Bakshi (Lydia), Nitin Ganatra as Kohli Saab (Collins), among others.
Pride and Prejudice (2005 Film)
Written by Deborah Moggach, directed by Joe Wright
Starring Keira Knightley as Elizabeth Bennet, Matthew Macfadyen as Mr. Fitzwilliam Darcy, Rupert Friend as George Wickham, Rosamund Pike as Jane Bennet, Simon Woods as Mr. Charles Bingley, Jena Malone as Lydia Bennet, Claudie Blakley as Charlotte Lucas, Tom Hollander as Mr. Collins, Donald Sutherland as Mr. Bennet, Judi Dench as Lady Catherine de Bourgh, among others.
The Lizzie Bennet Diaries (2012–13 Webseries)
160 episodes x 2-8 min, available on Youtube
Loose adaption set in modern US, told in a vlog format
Created by Hank Green and Bernie Su, from Pemberley Digital
Starring Ashley Clements as Elizabeth Bennet, Daniel Vincent Gordh as William Darcy, Wes Aderhold as George Wickham, Laura Spencer as Jane Bennet, Christopher Sean as Bing Lee, Mary Kate Wiles as Lydia Bennet, Julia Cho as Charlotte Lu, Maxwell Glick as Ricky Collins, among others.
Lizzie’s videos amount to 100 episodes + 10 Q&A, but shorter series enrich the story by offering other characters’ perspectives, most notably Lydia’s (and also Georgiana’s). A playlist at Pemberley Digital’s Youtube channel features them all in order.
The series has also been adapted into a book, The Secret Diary of Lizzie Bennet (2014), and spawned a sequel novel, The Epic Adventures of Lydia Bennet (2015).
Pride and Prejudice and Zombies (2016 Film)
Loose adaption inspired by the 2009 novel of the same name by Seth Grahame-Smith, which adds zombies to Austen’s original story. The movie makes alterations from the zombie book as well.
Written and directed by Burr Steers
Starring Lily James as Elizabeth Bennet, Sam Riley as Colonel Fitzwilliam Darcy, Jack Huston as George Wickham, Bella Heathcote as Jane Bennet, Douglas Booth as Mr. Charles Bingley, Ellie Bamber as Lydia Bennet, Matt Smith as Parson William Collins, among others.
Orgulho e Paixão (Pride and Passion) (2018 Telenovela)
Brazilian telenovela in Brazilian-Portuguese
162 episodes x 30-40min (original version)
Loose adaption set in 1910s São Paulo state, Brazil
Created by Marcos Bernstein, directed by Fred Mayrink
Starring Nathalia Dill as Elisabeta Benetido, Thiago Lacerda as Sr. Darcy Williamson, Pâmela Tomé as Jane Benedito, Maurício Destri as Camilo Bittencourt (Bingley), Bruna Giphao as Lídia Benedito, Bruno Gissoni as Diogo Uirapuru (Wickham/Willoughby), among others.
The story takes inspiration from all 6 of Austen’s major novels (plus Lady Susan), but mostly from Pride and Prejudice. Others stars include Chandelly Braz as Mariana Benedito (Marianne Dashwood) and Anajú Dorigon as Cecília Benedito (Catherine Morland).
Features 100 episodes in the International cut. The telenovela has been broadcast in other countries and languages (such as Spanish) but as far as I know, not in English.
Pride and Prejudice: Atlanta (2019 TV Film)
Loose adaption set in modern Atlanta, USA. All-black cast.
Written by Tracy McMillan, directed by Rhonda Baraka
Starring Tiffany Hines as Elizabeth Bennet, Juan Antonio as Will Darcy, Raney Branch as Jane Bennet, Brad James as Charles Bingley, Reginae Carter as Lydia Bennet, Carl Anthony Payne as Rev. Collins, among others.
*****
Personal favorites: 2005, then 1995.
But also: The Lizzie Bennet Diaries, Orgulho e Paixão
I also enjoyed Atlanta and, while it’s been a while since I’ve seen Bride and Prejudice, it’s got Indian musical numbers so c’mon, one gotta watch it.
Back to the closer adaptions, despite its age, 1980 is also good! 1940 is...very different, but fun in its own way.
In fact, while I find some of these versions weaker, I could find enjoyment in all of them - but maybe that’s cause I’m a sucker for P&P.
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What are your opinions on Pride and Prejudice 1980 overall?
Would you say that it is a faithful adaptation? Would you recommend it to a P&P fan?
I'm very partial to it and I would rate it over the 1995. I know most people adore the 1995 version, though.
I love it!
I was just talking about my two favorite adaptational takes on P&P here, and the 1980 P&P is one of them.
It definitely has flaws, both as a work in its own right and as an adaptation. You were asking about how it functions as adaptation, so I'm going to focus on that, but the overall aesthetic is extremely 1979 on a limited budget. Some of the visual/narrative choices are very staid adaptationally (like showing Elizabeth reading Darcy's letter by ... literally showing Elizabeth reading the letter).
On the flip side, there are a few improbable divergences, most notably the rushed and peculiar presentation of the second proposal (though getting a glimpse of post-proposal Darcy and Elizabeth's happiness counts for a lot for me!). There's also stuff added that doesn't really change anything, but is arguably not faithful per se. And this is not always acknowledged by the fans it does still have. Personally, I love the weird instrumentation that follows Mr Collins around and Mr Hurst's anti-mountain agenda, but people's mileage may vary.
Beyond that, I love it as an adaptation that veers away from tapping into accessible (or caricatured) stereotypes the way the 1995 does. The 1980 P&P's characters really do feel to me like very specific and usually more nuanced interpretations of the original characters compared to basically every other version of P&P—not necessarily my interpretations, but I always feel like I can see where the interpretation is coming from, beyond appeals to contemporary audience sensibilities.
Elizabeth Garvie's Elizabeth is the jewel of the production for me—charming, lively, witty, vain, with a distinct tinge of sweetness that I think adaptations often lose sight of. It's honestly difficult to even say much about her because she is simply perfect to me.
David Rintoul's Darcy is probably my favorite Darcy, too. His demeanor isn't exactly what I personally imagine, to be sure (he's not as somberly brooding as Colin Firth's Darcy, but the spirited, smiling cleverness Darcy shares with Elizabeth isn't quite there for me). But I truly respect the choice to retain the general stiffness and formality of his character rather than reducing him to a more palatable love interest/sex object. He's allowed to be odd and to make us uncomfortable in a way I don't think other adaptations are willing to risk with him.
As for the others, Bingley, Jane, and Georgiana all give the impression of more substance to them than they usually get IMO. Mrs Bennet and Caroline are obnoxious but not particularly caricatured (without the adaptation seeming apologetic towards them, either). I love the stylish, younger Mrs Gardiner and Lady Catherine, and the relatively subtle versions of their personalities. Probably the only character choice that doesn't work adaptationally for me is the very harsh Mr Bennet, who lacks much of the endearing wit of the original—though even there, I can appreciate how unwilling the adaptation is to give him a pass (by stark contrast with the much cuddlier Mr Bennets of most other productions).
Would I call it faithful? Not universally, but it is the most engaged with the novel IMO. I don't think anything is so faithful that an adaptation can be a perfect interpretation that shouldn't ever be tried again and done better, but it is the most faithful P&P out there for me, still.
Would I recommend it to a P&P fan? That's a bit harder. It's aesthetically/cinematically dated and in some ways, it's better as interpretation than as television. For people who aren't used to that staid late 70s BBC approach ... idk, it can be a tough sell. I wouldn't casually recommend it, I guess, just because the contrast with the polish of the 1995 and the beauty of the 2005 is so stark. But for people who can look past that 70s BBC period drama baggage, there's a lot that's really interesting and engaging about it.
I certainly prefer it to the 1995, but since I intensely dislike the 1995, that's not saying a whole lot. It's probably more useful on my end to say that I just really love the 1980 P&P, despite having criticisms of it. I don't even know how many times I've watched it. For me, it's a joy.
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Hey there!
You can call me Dane. I want to make friends who like reading too, so please message me because I’m kinda lonely ;)
Also, if any of you have any recommendations based on the lists, please don’t hesitate to message me! I’m always happy to put more books in my very, very long want-to-read list.
Below is a list of books I’m reading, hoping to read soon, my favourites of all time, etc, just so we can compare our taste!
Currently Reading
All the Light We Cannot See • Anthony Doerr
Book Lovers • Emily Henry
Caraval • Stephanie Garber (Caraval #1)
Daughter of the Siren Queen • Tricia Levenseller
2022
Anatomy of a Misfit • Andrea Portes
Cinderella is Dead • Kalynn Bayron
Comics Will Break Your Heart • Faith Erin Hicks
Daughter of the Pirate King (Daughter of the Pirate King, #1) • Tricia Levenseller
Devil in Ohio • Daria Polatin
The Girl He Used to Know • Tracey Garvis Graves
I Am the Messenger • Markus Zusak
I Know What You Did Last Summer • Lois Duncan
Omniscient Reader’s Viewpoint (Omniscient Reader’s Viewpoint, #1) • SingShong
Omniscient Reader’s Viewpoint (Omniscient Reader’s Viewpoint, #2) • SingShong
Omniscient Reader’s Viewpoint (Omniscient Reader’s Viewpoint, #3) • SingShong
Omniscient Reader’s Viewpoint (Omniscient Reader’s Viewpoint, #4) • SingShong
Only Mostly Devastated • Sophie Gonzales
Six Crimson Cranes (Six Crimson Cranes, #1) • Elizabeth Lim
The Suspect (Kate Waters, #3) • Fiona Barton
Turtles All the Way Down • John Green
Tweet Cute • Emma Lord
The Veldt • Ray Bradbury
You’ve Reached Sam • Dustin Thao
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