#Emerging Market Countries

[yassangsxr]

#mexico #gentrification #americas #central america #emerging market countries

[indizombie]

In East African countries including Tanzania, solar energy firm Zola Electric has a solution to power supply that ignores national grids. Instead of connecting solar panel farms to nationwide power systems, it wants to create independent "mini-grids" for villages and other communities. Zola's chief executive Bill Lenihan says we need to "move beyond legacy ways of thinking about energy access, especially in Africa". He adds that in emerging markets, alongside moving from fossil fuels to renewables, people are thinking that having a single energy grid may not work. "Everyone in their minds was saying: 'We're going to build a grid.' Well you are not building grids. One hundred years later in places like Africa people don't have access to working grids, and they are not going to get working grids, because it is a flawed technology for emerging markets. This isn't controversial to say this any more."

Julia Fish, ‘South Africa turns to solar to help stop power cuts’, BBC

#BBC #Julia Fish #East African countries #Tanzania #Zola Electric #Bill Lenihan #emerging markets #renewable energy

[greenthestral]

UIIC (USA, Indonesia, India, China): Four Countries Make Up Half the World's Population

In a world where countries are diverse and cultures vary greatly, there are four nations that stand out due to their sheer population size. The United States, Indonesia, India, and China, collectively known as the UIIC countries, are home to approximately half of the world's population. This article delves into the significance of these nations, their impact on global demographics, and the unique challenges and opportunities they face.

The United States: A Melting Pot of Cultures and Ideas

The United States, with a population exceeding 330 million people, remains one of the most influential and economically powerful countries in the world. Renowned for its "melting pot" of cultures and diverse demographics, the U.S. has been a beacon of opportunity for individuals from all walks of life. People flock to its shores in pursuit of the American Dream, seeking better opportunities, freedom, and a chance to contribute to its vibrant society.

Beyond its vast population, the United States has left an indelible mark on global culture, politics, and technology. It has been at the forefront of scientific and technological innovations, fostering advancements in fields such as space exploration, medicine, and information technology. Furthermore, its entertainment industry, centered in Hollywood, has captivated audiences worldwide, shaping popular culture and influencing trends in music, film, and fashion.

Indonesia: A Rising Economic Power in Southeast Asia

With a population of over 270 million people, Indonesia stands as the fourth-most populous nation on the planet. Spanning thousands of islands, Indonesia boasts a rich tapestry of cultures, languages, and traditions. Its diversity is a testament to the country's vibrant heritage and harmonious coexistence.

In recent years, Indonesia has experienced significant economic growth, propelling it to become a rising star in Southeast Asia. The nation's abundant natural resources, strategic location, and young and dynamic workforce have attracted substantial foreign investment. Indonesia's economic trajectory, coupled with its commitment to sustainable development, positions it as an important player in regional and global markets.

India: A Land of Diversity and Rapid Development

India, the world's second-most populous country, surpasses the 1.3 billion mark in population. This vast and diverse nation is a tapestry of languages, religions, and cultural practices. Its ancient civilization and rich history have contributed to a deep sense of cultural pride and identity.

In recent decades, India has undergone remarkable economic growth, transforming itself into one of the fastest-growing major economies. The country's demographic dividend, characterized by a large and young workforce, has been a driving force behind its economic rise. India has emerged as a global leader in the information technology and services sectors, with its bustling cities serving as hubs for innovation and entrepreneurship.

Despite its rapid development, India faces unique challenges related to poverty, inequality, and infrastructure development. However, the government and various stakeholders are actively working towards inclusive growth, social welfare programs, and sustainable development to address these issues.

China: A Giant on the Global Stage

China, with a population approaching 1.4 billion, stands as the most populous country in the world. Its ancient civilization, remarkable cultural heritage, and rapid economic rise have captivated the attention of the international community. China's influence extends far beyond its borders, impacting global trade, geopolitical affairs, and technological advancements.

China's manufacturing capabilities have been unparalleled, making it the world's factory. Its infrastructure development projects, such as the Belt and Road Initiative, have linked nations across continents, fostering connectivity and enhancing global trade. Moreover, China has made significant investments in emerging technologies, including artificial intelligence, renewable energy, and space exploration, positioning itself as a formidable player in the Fourth Industrial Revolution.

Challenges and Opportunities for the UIIC Countries

While the UIIC countries collectively represent a significant portion of the world's population, they also face unique challenges and opportunities:

Managing Urbanization and Infrastructure: As these countries continue to experience population growth and rapid urbanization, managing sustainable infrastructure development becomes paramount. Balancing economic progress with environmental considerations and social stability poses a complex challenge that requires innovative solutions.

Healthcare and Social Welfare: With large populations comes the responsibility of providing adequate healthcare and social welfare services. Ensuring access to quality education, healthcare facilities, and social safety nets is essential to promote overall well-being and reduce disparities within these nations.

Technological Advancements: The UIIC countries are at the forefront of technological innovation and advancement. Embracing emerging technologies such as artificial intelligence, blockchain, renewable energy, and digital connectivity can drive economic growth, increase productivity, and improve the quality of life for their citizens.

Global Cooperation and Diplomacy: As influential nations, the UIIC countries play a vital role in global cooperation and diplomacy. Collaborative efforts in addressing global challenges such as climate change, cybersecurity, and economic inequality are essential for a sustainable and prosperous future.

Conclusion

The UIIC countries, comprising the United States, Indonesia, India, and China, collectively represent an astounding portion of the world's population and exert immense influence on the global stage. Each of these nations brings unique characteristics, challenges, and opportunities to the table, and understanding their significance and fostering cooperation among them can pave the way for a more prosperous and inclusive world. As these countries continue to evolve, their impact on global demographics, economy, and culture is set to be profound.

United States: As the third most populous country globally, the United States holds a prominent position in shaping the global landscape. Its democratic values, entrepreneurial spirit, and cultural diversity have made it a beacon of opportunity and innovation. The United States has long been at the forefront of scientific research, technological advancements, and economic prowess. It boasts some of the world's leading universities, research institutions, and corporations, driving breakthroughs in various fields, including healthcare, information technology, and renewable energy. Additionally, its robust entertainment industry has garnered a global following, exporting music, movies, and popular culture that resonate across borders.

Indonesia: With the fourth-largest population in the world, Indonesia is an archipelago nation that spans thousands of islands, each contributing to its rich cultural heritage. As a rising economic power in Southeast Asia, Indonesia's vibrant markets and burgeoning middle class present significant opportunities for both domestic and international businesses. The country's young and dynamic workforce, coupled with its vast natural resources, make it an attractive destination for foreign investments. However, Indonesia faces challenges in infrastructure development, poverty alleviation, and maintaining environmental sustainability. By addressing these issues and promoting inclusive growth, Indonesia can harness its potential and become an even stronger player in the global economy.

India: As the world's second-most populous country, India's cultural diversity, ancient history, and rapid development make it a force to be reckoned with. India's large and youthful population has propelled it to become one of the fastest-growing major economies. The country has embraced information technology and services, with cities like Bangalore emerging as global technology hubs. India's robust startup ecosystem has given rise to innovative solutions in various sectors, including fintech, e-commerce, and healthcare. However, India grapples with challenges such as poverty, infrastructure gaps, and social inequalities. By addressing these issues, investing in education, and leveraging its demographic dividend, India can chart a course towards sustainable and inclusive development.

China: With the world's largest population, China's rise as a global economic powerhouse has been nothing short of remarkable. Over the past few decades, China has experienced unprecedented economic growth, lifting hundreds of millions of people out of poverty. Its manufacturing capabilities, infrastructure development projects, and investments in technology have made it a major player in the global market. China's Belt and Road Initiative, an ambitious infrastructure program, aims to enhance connectivity and promote economic cooperation across continents. The nation's commitment to research and development has propelled it to the forefront of emerging technologies, such as artificial intelligence and renewable energy. However, China faces challenges related to environmental degradation, social inequality, and human rights concerns. Addressing these challenges while continuing to foster innovation and sustainable development will shape China's role in the global community.

The significance of the UIIC countries extends beyond their sheer population size. Their collective influence spans across various domains, including trade, politics, culture, and technological advancements. Cooperation among these nations can drive progress in addressing global challenges such as climate change, cybersecurity, and economic inequality. By sharing best practices, collaborating on research and development, and promoting cultural exchange, the UIIC countries can foster a more interconnected and harmonious world.

Furthermore, the UIIC countries' impact on global demographics cannot be overstated. Their population dynamics, urbanization patterns, and social trends shape global migration, labor markets, and cultural exchanges. As these countries continue to evolve, their demographic shifts will have ripple effects on regional and global economies, healthcare systems, and social welfare policies.

In terms of the global economy, the UIIC countries serve as major engines of growth and consumption. Their domestic markets and investments influence industries ranging from technology and finance to manufacturing and entertainment. Moreover, their economic policies, trade agreements, and geopolitical relations have far-reaching implications for global trade and financial stability.

Culturally, the UIIC countries contribute to the world's cultural tapestry through their arts, languages, cuisines, and traditions. Their vibrant cultures and diverse populations enrich global cultural exchanges, promoting understanding, tolerance, and appreciation of different perspectives.

In conclusion, the UIIC countries - the United States, Indonesia, India, and China - collectively represent half of the world's population and play a pivotal role in shaping the global landscape. Their unique characteristics, challenges, and opportunities present a rich tapestry of potential for collaboration and progress. By understanding their significance, fostering cooperation, and addressing shared challenges, we can work towards a more prosperous, inclusive, and interconnected world. The impact of the UIIC countries on global demographics, economy, and culture will undoubtedly be profound as they continue to evolve and shape the future of our interconnected world.

#UIIC countries population size #Significance of UIIC nations #UIIC countries' impact on global demographics #United States population and influence #Indonesia's rising economic power in Southeast Asia #India's rapid development and diverse population #China's role as a global giant #Challenges and opportunities for UIIC nations #Cooperation among UIIC countries #UIIC countries shaping the global landscape #United States and its cultural diversity #Indonesia's potential for economic growth #India's demographic dividend #China's manufacturing capabilities and infrastructure development #UIIC countries' impact on global trade #United States' technological advancements #Indonesia's middle class and market opportunities #India's IT and services sector growth #China's investments in emerging technologies #Sustainable development in UIIC countries #UIIC countries' role in global cooperation and diplomacy #Urbanization and infrastructure challenges in UIIC nations #Healthcare and social welfare in UIIC countries #Technological advancements in UIIC nations #Global cooperation for a prosperous future #UIIC countries' influence on global culture #Inclusive growth in UIIC nations #UIIC countries' impact on global economy #Cultural exchanges among UIIC nations #Demographic shifts and global implications of UIIC countries

[ozzgin]

Yandere! Yakuza x Reader

I've been plagued by this idea for a while, so let me know what you think! This is just the character introduction. Your new landlord is a Yakuza boss, and his scary looking underling has been tasked to deal with your tenant needs! Although he didn't expect you to be this cute. And you didn't expect him to be this unhinged.

[Part 1] [Part 2] [Part 3] [Part 4] [Part 5]

Content: Female reader, violence, mentions of stalking

This was the last straw.

You're angrily stuffing your suitcase with necessities before the moving company arrives. Each glimpse around the cramped apartment fills you with outrage, as you're still heavily shaken from the events of last night. 

You first begun to suspect you might have a stalker when you found your outer lock with a fresh dent in it. You then picked a small scrap from the ground nearby and assumed it was leftover damage, but upon further inspection you discovered, disgusted, that it was part of your peephole. Someone must've fiddled with your door a fair amount. You tried to approach your immediate neighbors for help, but they either refused to answer your persistent knocks or downright scurried away when faced with your questions. They didn't want to deal with a foreigner. 

You tried to put it behind you. The police advised you to be cautions, as there was nothing else they could do without concrete evidence. And thankfully, you had several peaceful weeks following the incident. Last night you were suddenly awakened by faint scratches coming from your balcony. You groggily got up and wondered if your recently added bird feeder was attracting nocturnal visitors. You got up without turning on the light, hoping to catch a glimpse of the mysterious animal. As you pulled the drape, however, you were met with the large frame of a man plucking your laundry in a hurry. 

A panicked scream erupted from the depths of your chest and you slapped the light switch, erratically searching for your phone. By the time you dialed emergency, the intruder had vanished. You were sobbing against the wall under the fake reassurances of the operator, eyeing the sliding door that had no lock. Had he wished, the masked man could've easily invited himself in. You were at the mercy of a lunatic and no one seemed to be impressed by your situation. 

No more. Ideally you'd go back to your home country and forget about your plans to build yourself a life in Japan. What were you even thinking? A lonely girl, low on funds, signing a contract to be relocated across the ocean for work. You barely scraped the first months of a mandatory year. 

You close your suitcase with a satisfying click and on your way out you wipe the table of all the newspaper clippings. You've been scanning the potential offers on the market. The ones within your budget, of course, which means you don't have to worry about being picky. Until you find a new place, your belongings can wait in storage. Dusty furniture is a better prospect than waking up with a pervert looming over you. 

By the time the clock hits evening hours, you're sipping on your iced coffee with a defeated sigh. Most of the cheap apartments seem to be given to locals. Not outsiders like you. At least they spared you of the false hopes and curtly told you to not expect any call back, so you can swiftly move on to the next circled address. You pull out the crumbled sheet of paper from your pocket. Reading over your list of crossed out lines like this deflates you greatly. At the very bottom lies your final hope: the ad you'd stumbled upon this morning was too good to be true and the realtor was available for viewing at any time, so you're almost certain it's some sort of scam. Yet you can't afford to skip it, can you? You stand up, pat your jeans and take a deep breath in. 

As you check your phone to confirm the location, you begin to doubt your decision. It's hard to believe no other potential renters have showed up. The apartment is in a convenient area, very close to public transport, at a great price, on what looks like a busy street. Isn't it the dream? So why? You glance around, examining the surroundings. The shops are bustling with people. You try to come up with possible explanations, when a deep voice startles you.

"You must be (Y/N), right? You sure are easy to spot."

You turn around to greet the person. Although the second you spot him, you take an unconscious step back. You'd expected a middle aged man dressed in formal attire with a shy bow and clumsy movements. The one standing before you resembles none of that. He's imposingly tall, with a muscular built and slicked back hair. You can discern the tattoos peeking out from under the rolled up sleeves. His face has multiple deep scars and you can only assume that the pale, discolored eye that's transfixed in one direction is a fake made of glass. One might call him handsome, if you're into the kind of appearance you see in documentaries about the mafia. 

"Y-you're the landlord?" You stutter, immediately covering your mouth and regretting your lack of tact. 

"Nuh uh, Boss sent me to deal with it." He flashes you a genuine grin, completely unperturbed by your offhanded implication. "I'm Daitou."

He continues towards the entrance and you follow behind, too awkward to back down now. He describes the living quarters with surprising enthusiasm. If you were to close your eyes and disregard his heavy Kansai accent, you could very well be convinced it's a professional real estate agent hard at work. 

"Excuse me for asking, but..." Once he finishes his marketing presentation, you cannot help the increasing anxiety. "What's the catch?"

"Huh?"

"For something like this to be so cheap...and no one else being interested...may I be frank and ask what's wrong with it? Please understand, I just left my previous apartment because of a stalker. I don't want to be packing again anytime soon."

"Well, isn't it obvious?" He searches your gaze for a moment, before gasping as if remembering something. "Wait, you're a foreigner, so I guess you don't know. Ah, that explains it." 

He lets out a hearty laugh, satisfied with his conclusion. 

"You didn't notice anything strange outside?"

You ponder his question before slowly shaking your head in denial. 

"Really? A bunch of heavily tattooed guys with family pins on their suits...This is a yakuza quarter. Our Family owns most businesses here. But lately we've had a lot of police on our backs, ya know? Bound to happen when the street is swarming with us. So Boss had this great idea - he's smart like that, ya know, I've never been the bright one - anyways, he suggested we rent some of our housing to regular civilians. Less suspicious that way." 

He crosses his arms and nods to himself proudly. 

"I myself think it's a great deal. You won't find anything cheaper for the kind of stuff you're getting. All you have to do is, you know, mind your business. If some weasel questions you, no Sir, you haven't seen or heard anything suspicious. That's all."

You can only stare wide eyed, somewhat taken aback by his honesty.

"Uh...Are you sure you were supposed to tell me all of this? I feel we're skipping some steps before admitting to organized crime."

Now it's his turn to consider your inquiry. 

"Probably not, but I'm not good with words. You look like a smart girl, so I thought I won't sugarcoat it. I'm sure you already know that if you leave and rat us out I'll be throwing your chopped up remains in the nearby river. Or would you want to be shipped home instead? I'm a nice guy like that, hehe."

You return a crooked smile and purse your lips in the process. You'd rather not learn the percentage of truth in his humor anytime soon. 

"You mentioned a stalker? I can guarantee you he won't follow here, miss. And if he's that dumb to wander on our turf, well, me and my guys always hang around the block. Leave him to me and I'll bring you his teeth in a box." 

"I-...Why teeth of all the things?"

"Just easier to pull out, ya know." He winks and reaches for his back pocket, revealing an old pair of pliers with childish delight. "See, I'm a bit of a handyman, so I always have some tools on me."

Strangely enough, you're not as terrified as you would expect from someone in your shoes. Certainly your knees are weaker when compared to your pre-encounter state, but there's something about his demeanor that doesn't feel malicious or threatening. Like conversing with an old friend at a pub. 

"Will I truly not get in trouble? You guys do your thing and I'm 100% not involved?"

"You have my word." And with that, as if closing the sale of his lifetime, he confidently slaps a stack of papers on the nearby counter and hands you a pen. "You already have my number, if anyone pisses you off just hit me up and I'll be at your service. Boss left everything to me."

No perverts and less of your monthly allowance going towards rent. Maybe it's your despair talking, but you've been persuaded nonetheless. You scribble your name in the designated field and shove the documents towards your new acquaintance. 

"Pleasure doing business with you, miss (Y/N)." He cheerfully dangles the keys before dropping them in your hand and heads for the door.

"Oh, is shipping included in the rent?"

He stops and turns to you, mildly confused.

"You said if I mess up you'll ship my remains home. Do I pay for the postage myself, or is that part of the monthly tax?" You ask with a cheeky grin. 

His eyes narrow in delight and you can tell he's greatly amused by your words. 

"Nah, consider it a gift from me. Gotta treat a lady nice, 'specially if it's a pretty one like you."

And with that, you're alone again. You look around the room, trying to visualize your new home. It's already getting dark outside. Now that you've had the situation explained to you, you can definitely see what Daitou meant. There's the occasional police officer patrolling the street, and plenty of men dressed in similar fashion walking in small groups. 

"And?"

Outside the building, a young man is leaning against the wall with a cigarette in his mouth. He seems to have been waiting for Daitou. 

"It's done. Some cute foreigner is moving in." He lifts an arm in a flexing motion, patting his bicep in a congratulatory manner. "Boss will be surprised, eh?"

"You're fucking with me."

"What? You wanna go back upstairs and check?" He responds, appalled. "Might've taken longer than expected, but I told ya I can manage!"

"Are you sure you didn't threaten her or something? I still don't know what Boss was thinking when he asked a nutcase like you to deal with the civvies." 

"Hey hey hey, I may not be all fancy speaking like you or Kazuya, but I'm not dumb. Matter of fact, she already signed the papers."

"I never said you're dumb. Just batshit crazy." The young man sighs and flicks his cigarette butt away, stomping on it.

"Let's go and tell the others."

#yandere #yandere x reader #yandere x you #yandere x darling #female reader #yandere yakuza #yakuza x reader #yandere imagine #yandere imagines #yandere oc #yandere original character #yandere mafia #mafia x reader #original work #oc x reader #male yandere x reader #x reader

[iww-gnv]

American workers are dying, local businesses are reporting a drop in productivity, and the country's economy is losing billions all because of one problem: the heat. July was the hottest month on record on our planet, according to scientists. This entire summer, so far, has been marked by scorching temperatures for much of the U.S. South, with the thermometer reaching triple digits in several places in Texas between June and July. In that same period, at least two people died in the state while working under the stifling heat enveloping Texas, a 35-year-old utility lineman, and a 66-year-old USPS carrier. According to the Bureau of Labor Statistics, there were 36 work-related deaths due to environmental heat exposure in 2021, the latest data available. This was a drop from 56 deaths in 2020, and the lowest number since 2017. "Workers who are exposed to extreme heat or work in hot environments may be at risk of heat stress," Kathleen Conley, a spokesperson for the Centers for Disease Control and Prevention (CDC), told Newsweek. "Heat stress can result in heat stroke, heat exhaustion, heat cramps, or heat rashes. Heat can also increase the risk of injuries in workers as it may result in sweaty palms, fogged-up safety glasses, and dizziness. Burns may also occur as a result of accidental contact with hot surfaces or steam." While there is a minimum working temperature in the U.S., there's no maximum working temperature set by law at a federal level. The CDC makes recommendations for employers to avoid heat stress in the workplace, but these are not legally binding requirements. The Biden administration has tasked the Occupational Safety and Health Administration (OSHA) with updating its worker safety policies in light of the extreme heat. But the federal standards could take years to develop—leaving the issue in the hands of individual states. Things aren't moving nearly as fast as the emergency would require—and it's the politics around the way we look at work, the labor market, and the rights of workers in the U.S. that is slowing things down.

#news #labor rights #worker rights #worker safety #climate change #osha

[rjzimmerman]

Excerpt from this Op-Ed from the New York Times:

At first glance, Xi Jinping seems to have lost the plot.

China’s president appears to be smothering the entrepreneurial dynamism that allowed his country to crawl out of poverty and become the factory of the world. He has brushed aside Deng Xiaoping’s maxim “To get rich is glorious” in favor of centralized planning and Communist-sounding slogans like “ecological civilization” and “new, quality productive forces,” which have prompted predictions of the end of China’s economic miracle.

But Mr. Xi is, in fact, making a decades-long bet that China can dominate the global transition to green energy, with his one-party state acting as the driving force in a way that free markets cannot or will not. His ultimate goal is not just to address one of humanity’s most urgent problems — climate change — but also to position China as the global savior in the process.

It has already begun. In recent years, the transition away from fossil fuels has become Mr. Xi’s mantra and the common thread in China’s industrial policies. It’s yielding results: China is now the world’s leading manufacturer of climate-friendly technologies, such as solar panels, batteries and electric vehicles. Last year the energy transition was China’s single biggest driver of overall investment and economic growth, making it the first large economy to achieve that.

This raises an important question for the United States and all of humanity: Is Mr. Xi right? Is a state-directed system like China’s better positioned to solve a generational crisis like climate change, or is a decentralized market approach — i.e., the American way — the answer?

How this plays out could have serious implications for American power and influence.

Look at what happened in the early 20th century, when fascism posed a global threat. America entered the fight late, but with its industrial power — the arsenal of democracy — it emerged on top. Whoever unlocks the door inherits the kingdom, and the United States set about building a new architecture of trade and international relations. The era of American dominance began.

Climate change is, similarly, a global problem, one that threatens our species and the world’s biodiversity. Where do Brazil, Pakistan, Indonesia and other large developing nations that are already grappling with the effects of climate change find their solutions? It will be in technologies that offer an affordable path to decarbonization, and so far, it’s China that is providing most of the solar panels, electric cars and more. China’s exports, increasingly led by green technology, are booming, and much of the growth involves exports to developing countries.

From the American neoliberal economic viewpoint, a state-led push like this might seem illegitimate or even unfair. The state, with its subsidies and political directives, is making decisions that are better left to the markets, the thinking goes.

But China’s leaders have their own calculations, which prioritize stability decades from now over shareholder returns today. Chinese history is littered with dynasties that fell because of famines, floods or failures to adapt to new realities. The Chinese Communist Party’s centrally planned system values constant struggle for its own sake, and today’s struggle is against climate change. China received a frightening reminder of this in 2022, when vast areas of the country baked for weeks under a record heat wave that dried up rivers, withered crops and was blamed for several heatstroke deaths.

#China #climate change #renewable energy

[hellishjoel]

seven days, six nights

5.6k / pairing: joel miller x f!reader

← masterlist

summary: You get jumped in the QZ after a deal gone south and hide yourself from Joel to keep him safe. After eventually finding you and learning the truth behind your injuries, he heals you and promises revenge. 

warnings/information: MA 18+ (minors DNI), post-outbreak Joel, living in the Boston QZ, somewhat established relationship, mentions of falling ill, mentions of hunger/starvation, mentions of weapons, mentions of sleeplessness, descriptions of a fight/brief assault, descriptions of bodily injury, talking about medical shit (and I ain't no doctor, I used google, don't sue me) thoughts and descriptions of murder (… isn’t he just so dreamy?), angst, light fluff at the end, half-ass edited (apologies in advance)

A/N: So happy to practice some post-outbreak writing! Enjoy this angsty one shot (inspired by this lovely ask!) that I fuckin loved writing. Dedicating this to @macfrog, as I pictured this entire plot with pixel Joel. 

“Joel, I’m so sorry, I lost you the battery-” “Someone stole it from you.” He corrects, shaking his head as a sinking feeling washes over you. Your eyelashes flutter as you feel a droplet of water land on your nose. You glance up at the sky, seeing the clear summer day has turned into dark clouds overhead threatening to flood the city in rain. Joel doesn’t look up, he stays watching you. You can’t seem to meet his eye contact. “But the battery-” “Don’t care about the battery right now, care about you.” 

Joel doesn’t know where you’ve been. You haven’t returned to his apartment in the QZ for days. He keeps track. Every time the sun rises and shines blistering beams of light into the quiet apartment until the moon replaces it and casts light silver streaks between the torn-up pieces of newspaper taped to the windows. Another day gone.

You had a routine. Make the smaller drops or pickups on your own, return to Joel, and report back to him with anything you think he might find useful or interesting. Five days ago, he sent you off to negotiate a truck battery with that West End District piece of shit, Robert. He shouldn’t have let you go alone. Fucking smugglers, you couldn’t trust any of them. Hell, Joel was even surprised you trusted him at first. He regretted not insisting on being by your side, even if it was just as your personal attack dog to keep Robert  on his toes. 

Despite Boston being one of the more “well-managed” QZs to still exist, the black market that emerged from it was just as strong. That’s where Joel came in. He figured if he could smuggle himself into one of the most protected quarantine zones in the country, he could smuggle just about anything else. 

Drugs, weapons, ammunition, illegally forged paperwork, counterfeit ration cards, you name it, and Joel could work it in or out of the city.  Joel’s reputation was usually enough to keep you both out of imminent danger as he became popular with not only the inhabitants of the QZ, but also with fellow smugglers. You all needed each other to stay alive, in one way or another. 

Don’t be mistaken; the Boston QZ wasn’t perfect. It went through its fair share of scares. Food sources dwindled occasionally, leaving people angry, starving, and rebellious. Fireflies were a constant nag on depleting military resources. The fighting never truly stopped. This partially made Joel’s life easier. When times got tough, people searched for Joel to procure particular goods to help keep them afloat or, more importantly, alive. 

That’s the problem Joel ran into after spending a night in FEDRA lock up. He was the one in need of supplies. 

Joel was sick. Not infected sick, not cordyceps sick, some kind of infection he got from poor sanitation in the lock-up that attacked its way through an open wound Joel had gotten. He didn’t know if it was from work duty or from the recent street attacks, hence his stay in the FEDRA lockup. No matter where he got it from, an infection in the bloodstream wasn’t easily curable. 

The doctors, what very few the QZ had, were scarcely treating the sick due to a lack of supplies. And Joel was only getting worse. 

He was fighting a high fever, his breathing was fucked, as was his heart rate. Only a few days into his symptoms, he was crashing. He was damn near on the devil’s doorstep. He wasn’t made for heaven’s gates. 

Joel didn’t have friends in the QZ, but there were certain high-powered people who needed items smuggled, too. And the guards paid him well to keep his mouth shut about what he saw going in and out of those gates after curfew. That’s why when one of his more popular clients heard Joel was an inch from  death, they sent you. 

You burst through his apartment, the door nearly flying off its hinges as you fled to his bedside. He pushed you away with what little strength he had at first, the infection was making him lose his damn mind. His skin was scarlet red, and he was clammy with sweat. He didn’t know you, you didn’t know him. But you weren’t going to let him die. 

“Joel, I’m here to help you, hold still.” 

Then you started your search, tearing Joel’s clothes off one by one until you found the sizeable cut on his upper bicep near his shoulder, a huge scrape from a metal blade that had gotten infected. The man had tons of scars, all in varying sizes, shapes, and places on his body. You didn’t know his past, but his body told his story. He was a fighter. 

Your fear was how far into sepsis Joel was. Any further or even just a few hours later, you might have witnessed his organs begin shutting down. 

Despite his hazy state, Joel was struck by your amount of supplies. You weren’t a Boston QZ doctor, he would remember a face like yours. It took a smuggler to know a smuggler, and you dealt in medical supplies. 

Joel passed out not long after you got there. You caught him up in the morning, you never left his side. You monitored him, kept checking his vitals, pumped him with water, shoved antibiotics down his throat, cleaned his wound before it could fester anymore, and tried to regulate his body temperature. This could have been a lot worse. It should have been a lot worse. 

This was your first time experiencing Joel Miller’s tenacious stubbornness. He wouldn’t fucking die, not last night, and not today. 

A few weeks later, with Joel improving, he picked up on you around town. The way you blended in with just about everyone else. Not much slipped past Joel these days with his eyes like that of an eagle. But you slipped right through his fingers, didn’t even know you existed,  despite running the same territory. 

That’s when he decided he wanted someone like you on his team. Not just for your medical skills, but the type of supplies you ran was in high demand. You never did tell him where you got it, or how it was funded, all he had to know was that you were in. And you have been in ever since. 

Joel introduced you to heavier smuggling, like weapons and bundles of cash. Even people for the right price. He taught you how to make fake documents of verification and how to forge other paperwork. This was a lot bigger compared to your clean syringes and medicine. 

You learned a lot from each other. You taught Joel patience, and to thank you for saving his life, he taught you how to orgasm in less than five minutes. 

The relationship you shared, if you could even call it that, wasn’t strictly a romantic one. Both of you were too guarded for something like that. But also, life was too short and unpredictable right now not to crave pleasure to erase the pain from the past. 

It was hard to admit, considering how independent you’ve grown since being accepted into the Boston QZ, but you were thinking about Joel in ways far beyond a slightly romantic relationship. He had protected you and cared for you in the Joel sort of way that’s hard to read but you know exists. 

Joel worked extra hours to hand you off extra ration cards, shaking his head and not looking at you when he said it was no big deal, just take’em. Or when he didn’t want you to stay in spare housing, he offered to let you live with him in his nicer, non-shared apartment. It was a small slice of heaven in this fucked up world. You liked him, hell, maybe it was more than like. 

That’s why when you got jumped by Robert’s guys on the way back to Joel’s with the truck battery, they damn near killed you. They left you passed out in the alley. Robbed you of your ration cards, stole back the battery, smashed your head so hard into the brick wall you had passed out. All you wanted to do when you came to was crawl to Joel. So you did. You were outside his door, beaten and bruised, about to knock. Then you just stood there and spiraled. 

You listened from the other side of Joel’s door to the floorboards creaking as he paced the old wooden beams. You were late and left him worried. He was waiting for you to come home. 

The thought made your stomach twist. You looked like shit. You knew what Joel was capable of. One look at your bruised and bloodied face would send him flying down the street with a rifle in his hands and a pistol shoved in the back of his jeans.  You couldn’t bear the thought of him getting hurt in a war with Robert. 

Joel was smart, a hell of a lot smarter than Robert, but their smuggling operations varied greatly. Robert was an arms dealer, with henchmen all around the QZ. Joel only worked with a handful of people, he kept his circle small. If Joel went after Robert, you were more likely to find him dead in the street than anything else. And you couldn’t do that to Joel, not after all he’s done for you. 

If Joel saw you hurt, he would kill Robert. He’d kill anyone that laid a finger on you. No one touches what’s Joel’s. Not merchandise, not weapons, not the pills he smuggles in and out of the QZ, and certainly not you. 

So you tiptoe back down the stairs and run to the spare housing blocks just before the curfew alarm sounds. What Joel doesn’t know won’t get him killed. 

---

Joel stands in line during the heat of summer, ration cards stuffed in his back pocket as he waits with others in the queue for a tray and some food. The dining hall was packed, and by the looks of other people’s trays, the food was low again. All he can think about is how he worked extra shifts all last week to get more ration cards for both of you. Without these cards, you were going hungry. You were supposed to be by his side, where were you? 

By day six, Joel was restless. He didn’t realize how accustomed he had grown to having you in bed beside him. All he could picture during his sleepless nights was his body spooned in behind yours, the heavy weight of his arm curled around your waist, being able to sense even the tiniest of movements. You’d push off his arm in the middle of the night, telling him that you just needed to use the bathroom or get some water. 

It wasn’t always like that, though. Sometimes, you have nightmares. Ones that left you shooting up straight in the middle of the night, gasping for breath, crawling backward in bed like something or someone was chasing you. Joel didn’t know everything about your past and vice versa, but he knew wherever you came from before Boston was a different form of hell. He would hold you in his arms, console you, wipe your hot tears, lay your head on the warmth of his chest, and tell you to level out your breathing by listening to the beat of his heart. He held you in his arms until you eventually fell back asleep. Most of the time, you’d wake up and wouldn’t remember a thing. 

What if nothing was wrong with you, and you just realized you didn’t want to be with someone as broken and battered as Joel? He didn’t make being in his company easy. He gave you a lot of shit, pushed you to the limits, told you on more than a handful of occasions he just wanted to be left alone. You’d ask about his daughter, the one he sparsely spoke about, and he’d bark at you until you regretted even thinking about her. He didn’t make things easy on you, but Joel did care about you. Even if he was shit at showing it. 

He pushed you away, maybe you took the hint and left him. 

On day seven, he started asking around about you, something he saved as a last resort. The less you two were seen together, the better. You had him worried sick, and he was damn near ready to raid Robert’s warehouse to see if he had taken you, made you his girl against your will.  

That was until he caught a glimpse of you going past the market. It didn’t take much, he recognized your figure and trailed you with his eyes.  You were walking towards spare housing, with a heavy backpack and a sweatshirt on. Your arms were wrapped securely around you, and your head was down. 

He navigated through the crowds, jaw tight, putting down heavy steps on the broken gravel road as he pushed people out of his way with a guided hand on their shoulder. He followed you out of the crowd and down the street lined with stone barricades and rubble from a recent building that was raided by patrol on the hunt for Fireflies. You turned sharply down an alleyway, and Joel followed you, needing to see if you were okay, looking for answers. 

As soon as Joel took the alley, he was attacked and harshly shoved backward, his shoulder blades smacking the red brick wall behind him. A small switchblade was then shoved against the protruding vein in his neck, heated puffs of breath leaving him. He initially panicked in the moment, his hand tightening around the wrist that held him there.

“Why the hell are you following me?” You bark at him, head still lowered. Joel’s eyes narrow at the sound of your voice. 

He speaks your name.

Your strength relaxes, and you lift your head up to see you had pinned Joel. Shit, you thought one of Robert’s men was following you from town. You let out an exhausted breath of relief. 

“You’re really holdin’ me up with the knife I gave you?” Joel asks. He smacks the back of your hand, reflexes making your fist open up and lose the grip on your switchblade. Joel snags it with his free hand and glares at you. He takes the opportunity to shove your forearm off his chest, the one that was pinning him against the wall, and sending you a few paces back from the force he exerts. He hesitates but folds the blade back into the handle, and offers it back to you.

You let out a sigh of relief to see that it was just Joel. But this was still a problem. 

You retrieve the switchblade you accidentally surrendered to him and stuff it into your sweatshirt pocket. You cross your arms and look away to the entrance of the alley. “What the hell are you doing following me, Joel?”

He lets out a scoff through his nose and shoots daggers out of his eyes that you won’t meet. “What the hell am I doin’? Where the hell have you been?” He tries not to bark so loud. You won’t stop staring at the entrance of the alley, and Joel’s not sure if you’re thinking about running or thinking about being ambushed. 

He grabs your arm and drags you further into the alley, sunset on the horizon. He brings you to the back of an old school that was ready to collapse. He pushes you back against the wall and stands close, too close. 

“Answer me, what the hell happened to you?” His voice shoots goosebumps across your skin, low and growling for answers. 

The grip he has on your arm tightens and washes a flood of heat over your injured arm. Your mouth hisses with hurt, trying to breathe through the pain. You shake him off of you and clutch your arm lightly. “‘M fine, Joel, I can manage.” 

You’re speaking with a break in your voice that Joel can’t quite place. The hood you’re wearing is working overtime to shield your face. 

He pauses before he slowly looks over you. “Why are you wearin’ a sweatshirt in the middle of summer?” 

The silence he’s met with only leaves him more curious. What are you hiding? He swiftly pushes the hood off your head before you can stop him, and he’s not prepared for what he sees. 

“Fuck,” he mutters, his large hands delicately coming up and caressing your cheeks.

You sigh and roll your eyes. The skin around your right eye is blueish-purple. You lightly twinged at the contact, no matter how delicate he was being. “It’s not as bad as it seems, it doesn’t hurt-”

“Like hell it doesn’t,” Joel mutters, lightly taking your chin between his thumb and index finger as he angles your face from left to right, allowing him to get a full look at the damage done to you. You glance down at his broken watch for comfort, the band fraying and the glass shattered, but he still wore it. 

You can’t exactly explain why your lower lip starts to wobble. It was so hard to stay away from Joel, to distance yourself, but it was all for keeping him safe. Your small fists lightly clutch the button-up shirt he’s wearing around his abdomen, finally feeling a slight sense of security. 

“Joel, I’m so sorry, I lost you the battery.”

“Someone stole it from you.” He corrects, shaking his head as a sinking feeling washes over you. Your eyelashes flutter as you feel a droplet of water land on your nose. You glance up at the sky, seeing the clear summer day has turned into dark clouds overhead threatening to flood the city in rain. Joel doesn’t look up, he stays watching you. 

You can’t seem to meet his eye contact. “But the battery-”

“Don’t care about the battery right now, care about you.” His thumb gently examines the cut on your lip. You curl it inwards to stray from his touch. “Robert do this to you? His guys?” Joel’s asking accusingly, and you know better than to lie to him. You swallow the growing lump in your throat and gently nod, blinking back tears. 

His face grows taut with anger, his brows furrowing and the creases in his forehead are set in stone. His jaw is clamped shut while he grits his teeth. Joel’s probably thinking of a million scenarios of how to put Robert down. Which way would last the longest, string out the torture, make him apologize to you, and beg for his life. Make him apologize to Joel for ever touching a hand on what was his. 

“Joel, you need to take a breath. Focus.” The last thing you wanted was for Joel to go on a rampage tonight in search of Robert. “I’m fine, this shit happens. We’ll get back on track and-”

“Can’t believe they let you live.” He murmurs, taking a look at the damage that he can visibly see before lightly sighing and releasing your face. You’re quick to pull the hood back up and cross your arms in front of you as some sort of shield. 

His eyes are sunken in, his chest is lightly heaving as he tries to sort through his muddled thoughts. The rain is starting to scatter more, hitting your muddy sneakers and Joel’s dark denim shirt. The setting sun meant curfew was just around the corner. 

“Come on. We’re goin’ home. Need to take a look at you in the light." You hesitate but his eyes are pleading for you to just let him take care of you.  So you let him. 

---

You travel up the same staircase you did just a week ago, limping and injured, broken and feeling guilty. Joel needed that battery for the truck. He was going to leave Boston and go to find his brother, Tommy. Neither of you had discussed if you would come with. For Joel, you think you might do just about anything for him if he asked. 

He stabs his key into the lock of his door. You hear a crying baby in a neighboring apartment, it was probably startled awake by the blaring of the curfew alarm. Lightning and thunder crack outside as Joel pushes open the door. You follow him inside and set down your backpack by the door like you usually do. Another strike of lightning makes his apartment flood itself with white-silver streaks of light, if only for a moment. Joel flips the lock back into place and hits the switch to the one overhead light in between the kitchen and the living room. You’re sweating up a storm in your sweatshirt. 

Though living in Boston’s QZ wasn’t great, you had to admit that not every quarantine zone had clean water and electricity. Joel had an old standing oscillating fan that was stationed at the foot of his bed during the summers since he ran so warm all the time. He said he traded about four or five meals worth of ration cards to get it, said that it was considered a steal. You shed the heavy material of your sweatshirt and sit tiredly down at the end of his bed, closing your eyes as the fan wicks away your sweat and cools your face. 

Living in spare housing the past week was hell. You barely slept. The homeless, sick, and injured all found their way to spare housing. You weren’t safe there. And you didn’t have any ration cards to your name. You had to trade one singular, perfectly clean syringe to afford four rolls of bread. It was all you could get at the time being. Everyone was fighting for work, knowing ration cards and food were low. Since you were still somewhat new to the QZ, you weren’t given privileges. You laid on a nasty, old cot for a week. Joel’s small apartment was heaven. The solitude was peaceful. 

Joel was standing at the sink, water running over a cloth as he stared down at the water circling the drain. He needed to take a breath, set his anger aside, and get you to talk. 

Joel wrings out the rag, loose droplets of water splattering in the sink before he sits down at his small wooden kitchen table. “C’mere.” He whispers, taking your attention away from the fan. You slowly stand up and make your way to the table under the central light in his living room, sighing softly as you slowly sink into the accompanying chair. Now in the light, he observes your injuries closer. 

Without your sweatshirt on, he can see bruises and scrapes along your arms, residual blood on your knuckles and under your nails. His little fighter. He notes that your tanktop is a bit shredded, and he fears the worst. 

You catch him staring and intervene. “Don’t worry. I didn’t let them get close enough to touch me like that.” You glance down at the sweaty tank top and lightly tug on the hole. “Just got this while I was running away, trying to hop a fence.” 

Joel frowns and slowly works his eyes over you. “‘S not like you to get caught. You’re pretty damn fast.”

You held down a bubble of laughter as your fingers played with the fraying material of your top. “Yeah, well, they already got one or two good hits on me, so I was a little hazy.” Your words don’t settle him. They infuriate him. 

He brings his attention to your face. Your eye must have been swollen at one point, but it wasn’t anymore. The puffiness had gone down, and the bruises were in their final stages of healing. You have another more prominent bruise on your cheekbone, black and blue, but it’s not broken. That’s good. The cut on your eyebrow and the matching one on your lip catches his attention. A man with a ring. 

“Red hair? Crooked nose, missing a front tooth?” 

You blink a few times rapidly, curious as to how the hell Joel knew the characteristics of one of your attackers. 

“How did you…” You start to say until your words trail off, shaking your head in confusion. 

Joel sneers lightly and brings the wet rag up to gently dab at the cut on your lip. “Not a lot of men are stupid enough to wear a ring that basically signs their name on whoever’s face they’re knocking in.” How he describes your fight makes you flinch and shift uncomfortably in your chair, evading his eye contact. “Sorry.” He mutters quietly. “His name is Chase, Jase, somethin’ stupid like that. One of Robert’s guys.” Joel’s words lightly flitter off as he shifts his attention to your lip once more. 

It was still swollen and angry. You probably tried to eat with it still agitated and delayed its healing. But you know this already. You ate because you didn’t have a choice. It was that, or starve. He hated knowing you were roaming the streets in a horrible hunger, especially when he had ration cards waiting for you at home. 

Your eyes twitch closed as Joel’s wet rag rinses the blood out of the cut on your lip, the old excess blood lightly trickling into your mouth. Your tastebuds catch the tang of metallic and salt. You did what you could with the medical supplies you had, but you didn’t want to waste on yourself what you could potentially sell. If you were avoiding Joel for a while, you needed to be able to make trades of your own. You did use some supplies to clean the cut on your head. You were lucky the wall you were thrown into didn’t leave you with a concussion. 

Joel is still wrestling with why the hell you didn’t come home, why he had to go out and find you. Why, why, why? Why did he let you go alone? Why did the deal go south? A terrible feeling soured his stomach.  Robert’s men were ruthless, they must have felt kind enough to let you live. Or it was a message to Joel from Robert. You’re next. 

Joel wasn’t scared of Robert, but for them to be scared of a young woman was a mystery for the masses. 

He tosses the rag down on the table and stands up. “I’ll fuckin’ kill ‘em.” He grunts up, his lips snarling and his nostrils flaring in heated fury. 

He storms to the kitchen and impatiently fills up a glass of water. Joel was fantasizing about plunging his thumbs into Robert’s eye sockets and squeezing until his head turned into mush. Or maybe Joel could take him to the Eastern district, throw him in the Massachusetts Bay, and hold him underwater, only bringing him up from the brink of drowning before pushing him down again. And again. And again. 

Your sweet voice breaks Joel’s murderous thoughts. “Joel, I owe you the battery, and I promise I’ll find another one. Just give me a little time and-”

Joel slams the glass of water on the counter, the clatter of it echoing around the room. “Don’t care about the damn battery!” His back is to you, broad and strong shoulders heaving lightly as his head hangs low. His hands are gripping the edge of the counter. “Thought they fuckin’ kidnapped you! Or worse!”

You shift uncomfortably in your chair, your lower lip wobbling once more as he slowly starts shaking his head. 

“I almost lost you, and it’s my fault.” 

Your eyes soften at his words. He’s felt this way before, and he’s been haunted by the mistake ever since. His daughter, you think. 

His low, southern drawl makes you focus on him once more. “Tell me why you hid. Why didn’t you come to me? We could have figured things out, for fuck’s sake!” He shouts as he turns to face you, his body falling back into the counter as he crosses his arms. 

Your chest swells with heavy emotion. You stand up so fast from your chair that its sent scraping backward. “I did come here! I did! I heard you inside and I..” you pause and shake your head, still finding your voice. 

“I was scared you’d be upset with me letting someone steal the battery, I was afraid you’d go after Robert and get yourself fucking-- killed, Joel! I don’t want you to die, okay? I need you!” 

“And I need you!” He shouts back, lips parted with heavy breaths, both of you trying to settle with the newly shared revelation. 

You both stare at each other from across the room, watching as Joel’s jaw slowly begins to click loose. He shoves himself up off the counter and closes the distance between you two. You hesitantly take a step back, and he pauses his footsteps. His eyes soften, and he looks as broken as you do. 

“Please,” he pleads, gently shaking his head. “Would never hurt you, baby.” He puts his hand out, a gesture of kindness and warmth that you’d missed all week, yet you still hesitate. You almost wait too long, he’s already reeling his hand back into his side. 

“Joel,” you whisper with soft relief. You eagerly take a few steps forward, ignoring his hand, and gently settle your head on his chest as you tightly squeeze your arms around his lower back. You close your eyes and melt into him, finding solace in Joel’s embrace. 

Joel’s arms stay hovering in the air for a moment, lips parted as he looks down at the top of your head. He shames himself for even hesitating. He puts one hand on the side of your head and holds you to his chest, while the other settles low on your back. He breaths peacefully for the first time in a week. 

You stay like that for who knows how long. He’s warm, and you feel protected. You sink into his arms, he takes on your weight. He walks you backward to the foot of his bed once more, letting you delicately fall back into the mattress. You watch with tired eyes as he unties the laces of your sneakers, one after the other. He shucks down your jeans, making you giggle. 

“Joel, you don’t wanna fuck me right now, I smell like spare housing.” 

The right side of his mouth twitches up as he shakes his head at you. “I know you do. ‘M takin’ you to shower.” 

You sit up on your elbows as you smile a bit bashfully at him. “Good. Because I’m too sore to fool around anyway.” You whisper with a teasing smile as you grab the bottom of your tank top, peeling it up and off of your sticky skin. Joel tries not to stare. You’re not sure if he’s clocking your naked figure or the bruising around your ribs and legs. 

You’d need some time to heal. Joel knows you do. While you shower, he makes you as big of a feast he can muster up with the canned goods he has in his cupboards. You try to eat the first real meal you’ve had in a week slowly, to savor the taste, but you end up shoveling your spoon into the bowl and scraping it clean.  

Joel’s eyes are on you the whole time, watching you, observing you. He won’t let you out of his sight for a while, but maybe that’s what’s good for you. You meet his gaze and he speaks a silent vow. We’ll find Robert, steal the battery back, then kill him and anyone else who laid a finger on you. He nods. You nod too. 

Joel’s not sure how late it is by the time you two fall into bed together. He doesn’t know how to tell you how much you mean to him, but he says it in the way he holds you. Back in his arms, he’s more alert of how sore you are from your fight. He gently cups your face, watching your eyes slowly flutter closed with long blinks. You must be so tired. And he doesn’t want to keep you awake. He’s afraid to look away, like if he lets you out of his sight, you’ll disappear again. 

He speaks your name and gently stirs you awake. “Hm?” You softly murmur, bringing your hand up and gently feeling over the planes of Joel’s chest, fingers lightly grazing his chest hair. 

He looks down at you for a moment, choosing his next words carefully. “Don’t run away like that again.” His words are stern before he pauses again,  lightly pushing some hair behind your ear and touching you like a delicate flower. You watch him attentively. He cups your jawline and angles you to look up at him.  “We’re takin’ that battery back, and we’re gettin’ the hell out of here. You hear me?” 

Your heart swells at his words. We. You slowly nod in agreement. You feel Joel’s gentle kisses on your forehead and the tip of your nose. You lean up to capture his lips, but he falters by an inch. A confused expression crosses your face. 

“You’re hurt.” He mutters, referring to the cut on your lip. Don’t wanna hurt ya, sweet girl.

You roll your eyes and take his face in your small hands. “Don’t care.” You whisper before you pull him in, and the two of you share a featherlight kiss. You let it last, both of you soaking it in after a week apart. A week too long. 

Joel’s the first to pull away, giving you a playful little glare. The bruising on your face reminds him of the boxing movies he grew up watching. “Easy, Rocky.” 

You look at him confused and cock your head. “Who?”

He rolls his eyes at you and sighs, gently running his hand down your side. “Go to sleep. I’ll teach you about Rocky one through five tomorrow. D’you at least get a few good hits on Robert or his guys?”

You hum quietly and let your eyes dip closed. “Mhm.”

“Like I taught ya?”

“Just like you taught me. Gave ‘em the ole left, right, goodnight." You bring up your fists to demonstrate. "Made Robert’s nose bleed, think I broke it.”  

Your head falls into Joel’s chest, feeling it rumble with laughter and a sense of pride. “That’s my girl.”

His body shields you from the outside world. You sleep like a rock for the rest of the night. You live another day, and so does Joel. But with Joel’s promise, you know Robert’s days are numbered. You’ll be sure of it. 

---

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[lqveharrington]

Dust Storm | W.H.B.

summary: You and Billy get caught up in a dust storm while on a horse ride.

pairing: William H. Bonney x fem!reader

includes: slight angst, fluff, you and billy are engaged, not a lot of warnings 🤷‍♀️ let me know if i missed any !!

a/n: i had this sitting in my drafts for a billion years 😭 my bad bookies

It had been days since that last dust storm blew in and the spirits in the small county of Talihina, Oklahoma were high. However, there was no rain insight. And with no rain, it left many farmers with empty fields, covered in dried-out dirt and sand. It especially hit the Ashford farm and ranch the hardest.

The Ashfords were the wealthiest family in Talihina. They were well known for being able to run a horse ranch and a healthy farm. The father, James Ashford, was in charge of both the ranch and farm, making sure everything ran smoothly. His wife, Josephina Ashford, better known as Jo, was known for helping around the town and giving to those in need. Luckily for the couple, they had two children who helped them with their work. They had a daughter and a son. You were the eldest Ashford child, and you had a bright future. You resemble your mother in all ways. You were the kind of woman to make young men turn their heads just by walking by. Unfortunately for them, you were happily engaged to one William H. Bonney. On the other hand, your younger brother looked like a replica of your father. Adam Ashford was eight years old with the same determination as his father, hoping to take over the farm and ranch when he got older.

But because of the dust storms starting up two years ago, it was harder to tend to the crops that would grow and bring the horses out of their stables. Before, you would help your father to tend to the horses when you weren't doing volunteer work, but with the constant dust blowing around the whole country, he banned you from leaving the house unless it was absolutely clear from dust. And for the first time in two years, James let his daughter out of the house. Only to run her mother’s errands, of course.

“In case of emergencies,” James tied a red bandana around your wrist as you took your mother’s list and woven basket from the kitchen table. “Wrap this around your head and cover your mouth and nose. I don’t want you to get hurt. And remember to come straight back from the markets—”

“Pa, I’ll be fine.” You squeezed her father’s forearm, kissing his cheek. “I’ll be back before you know it.”

He sighed and shook his head, “Okay.”

You squeezed his arm again before leaving, silently reassuring her safety. You took quick strides to the town center and watched the dust kick up with every step you took. The walk going to town wasn’t bad. The only downside was that there was no shelter for any incoming dust storms. Fortunately, the blazing sun was beating down on the earth and the wind was seemingly absent.

Upon reaching the town center you smiled at the sight in front of you. You found children running around with wooden toys their fathers made and their mothers gossiping about the recent family who left for California. It felt normal. For the first time in years, it felt normal to see mothers scolding their children for messing with drunkards sitting outside of the bars.

You shook your head before entering the town’s only grocery, the bell above the door ringing to alert the storekeeper. “Mr. Taylor?”

“Miss Ashford!” The storekeeper beamed at the young woman. “What brings you into town? I haven’t seen you and your folks for a while.”

You gave him a tight-lipped smile, “With all this dust, I would hardly expect anyone to be hustlin’ ‘round town.”

“What can I do for you?” He dismissed the comment.

“I’m in need of some of your delicious Fuji apples. My ma s'been craving them ever since Adam read a book about them to her.” You looked around the empty store. “Other than that, I can grab the res’ of the things myself.”

“I’ll be right back.” He knocked the wood on the counter, heading toward the back of the store. You watched him leave before heading into the different aisles, glancing at the brands and prices of the different items. In fact, you were so immersed in deciding which brand of vegetable oil would be best that you hadn’t realized someone new had entered the store until a pair of strong arms wrapped around you and spun you off the ground.

“Oh my god!” You clung onto the stranger’s arm, not wanting to fall face-first onto the ground. You glanced back at the stranger before gasping, eyes lighting up at the male. “Billy!”

“Afternoon, gorgeous.” He put you down and kissed your cheek.

You felt your face warm at the name and action, tucking a stray piece of hair behind your ear. “What are you doing here?”

“My ma sent me into town to get money from the bank.” Billy followed you around the store, his gaze flickering across your face. “Then I saw my favorite woman walk into town. I decided I could spare some time to talk to her.”

“Uh-huh.” You spun on your heel and peered into his eyes. “Did you get the money for your folks? Or did you forget?”

“You think so low of me, sweetheart.” He tilted your head up with his finger. “Of course I got the money.”

You hummed, giving him a proper look now. William H. Bonney was once a lanky boy in grade school. But he had definitely grown into himself. He got stronger and taller over the course of two years. The loose clothes he once wore now perfectly fit him, making you flush red each time you saw him. Your eyes then traveled from his fit shirt to his tattered, dust-covered boots. You frowned at the state they were in, but no one could do any better from the current weather the states were currently facing. Finally, you shifted your gaze to meet his eyes once more. His crystal blue eyes were such a beautiful contrast to the dust coating his dark jeans and his wavy brown hair. You swore you could get lost in them if it weren’t for him pulling you back to reality each time.

“You’re staring, gorgeous.” Billy grinned, earning a small scoff from his beloved.

“You’re impossible.” You shoved two bars of soap into your basket, heading toward the counter where the apples were waiting.

Mr. Taylor suppressed a laugh at the young couple, taking the basket from your arms. “That all for today, Miss Ashford?”

You hummed as you took your wallet out of your dress pocket, “How much?”

“$3.42 is the total.” He read off the cash register as you handed him the exact amount, trading it for the baskets of groceries and apples.

“Thank you, Mr. Taylor.” You smiled at him and moved to grab Billy’s hand as you left the store, intertwining them. “What’ve you been up to since I’ve last seen you?”

“Since last week?” Billy pulled you closer to him, squeezing your hand. “ Not much has happened since I visited your place. Just helping my ma in the fields like always.”

You nodded and looked toward the ground, watching the dust cling onto your leather boots and the bottom of your maroon dress. “The dust storm affecting your folks’ farm badly?”

“It’s affecting everyone, sweetheart.” He pulled you away from a stampede of running children. “No one can get any crops.”

“I know…” You muttered, rubbing small circles into his palm. You peered up at the bright sun, squinting at the beam. “You know what I wish for?”

“What?”

“I wish for everything to go back to normal.” You adjusted your hat, the Ashford ranch coming into view. “The dust storms have ruined everyone’s crops. I can barely step foot out of my own house. There hasn’t been any rain since god knows when. My pa won’t let me tend to the horses. It’s madness, Billy.”

“M’sorry, sweetheart.” He kissed the side of your head. “I can’t promise everything will go back to normal, but in the meantime, I can find a way to ride horses with you. ”

“William, what’s that supposed to mean?” You squinted at him, his piercing gaze meeting yours. “Whatever you’re thinking, it’s probably not a good idea—!”

“Come on. We can ride the horses and be back before your folks worry.” He pulled you into the Ashford stables, taking the baskets from your arms and tucking them safely in a corner.

You bit your lip, looking at the groceries and then back at the brunette, cursing him for being so convincing. “Fine.”

Laughter filled the air as you raced Billy through the back trails of Talihina, the generated wind blowing through your hair. It felt like you were both young teenagers who had no idea they were in love with one another, doing reckless activities until they were caught by one’s parents.

“Pick up the pace, Bonney!” You shouted as you saw Billy catching up, urging your horse to move faster.

A huge amount of dust kicked up with every stride the horses took, and if you looked back, you wouldn’t be able to see anything. Billy shook his head with a smile and copied you, finally riding beside the pair.

“Sweetheart, you know I can beat you in any horse race.” He chuckles as he brings his horse to a stop, wiping the sweat off his forehead. “You feel any better?”

You nodded and glanced to your left as you tugged on your horse’s reins, meeting his blue eyes. “I do feel better. Thank you.”

“Anytime.” He tipped his hat in your direction. “Ready to go back?”

Your smile slowly faded but nodded, “Yeah.”

“Hey, we don’t need to rush. We can take as long as we want to go back if you want.”

“I’d like that.” You guided your horse to head back toward the ranch. “In the meantime, you can tell me all about what you’re gonna do when your ma finds out where you’ve been all day.”

“I can tell her I’ve been with my girl all day.” He bit back a smirk when he saw your cheeks tint pink. “I think my folks love you more than me.”

You shoved his shoulder, your engagement ring glistening in the sun. “They should love me more than you. I think my Pa loves you more than me.”

“Impossible.” Billy took your hand and kissed the back of it.

The young couple took short strides on their horses as the sun slowly faded away. One could argue that the sun was setting, but it was still much too early for the sun to set.

“What time do you have on your watch?” You looked back at the darkening sky, picking up the pace.

“3 PM,” Billy muttered, looking into your panicked eyes. “We gotta go.”

The both of you started to rush your horses back as the wind picked up, dust blowing around them which impaired your vision. You hastily removed the bandana from your wrist and tied it around your head, keeping your balance. Billy kept one hand on the reins and shoved his own bandana up, covering his nose and mouth. The sky was now covered with dust clouds and the wind blew harshly against your backs, the mix of dry dirt and sand hitting their exposed skin.

“Are you okay over there?” Billy shouted over the blowing wind. “Y/N?”

“I’m fine!” You blinked away tears from the dirt that stung your eyes, squeezing your legs to make your horse move faster. You could just barely make out your family’s farm, but with each passing second it became more and more obscure.

“Sweetheart, we have to go to the stables! It’s closer to us than your house!” He veered his horse over to the left.

“I can’t! My folks will worry and—”

“Y/N!” He snaps you out of your spiraling thoughts. “Please!”

You quickly followed him and turned toward the stables. Billy slammed the front doors open, causing chaos to erupt inside. The other horses stood on their hind legs, thrashing as the harsh wind blew the dust inside. You raced inside as Billy jumped off his horse and slammed the stable doors shut, grabbing bales of wheat and shoving them by the front. You took deep breaths as you tried calming your own horse, resting your forehead against the head of your horse.

“This dust storm ain’t gonna go away anytime soon.” Billy rubbed dust off his face, removing his mask. “We’ll be fine in here.”

You nodded weakly, combing your fingers through your horse’s dusty hair. “We shouldn’t have gone out— I-I promised my pa that I’d be back—”

“Hey, look at me.” He went over and took your fidgeting hand. “They’ll be fine. We’ll be fine. When the storm eventually calms down, we'll head over to your place.” He slowly helped you off the horse and held your dirtied face in his hands, slipping your bandana off and wiping your muddy tears. “Okay?”

“Okay.” You took a breath, holding onto his wrists, following his breathing pattern. You rested your forehead on his, shutting your eyes. “Okay.”

The dust storm only accumulated as time progressed. The field and crops were covered in piles of dust once more and the automobiles were suddenly buried underneath the dried dirt. Those who were inside any buildings had dust seeping through the smallest slivers, despite the taped downed windows and towels blocking the doors. It was as if the storm would never stop, deeply worrying the Ashford family for their daughter’s safety.

“James, you can’t leave!” Jo whispered toward her husband, arms crossed over her chest in disbelief. “It’s late and you wouldn’t be able to see anything with all of that dust blowin’. Adam worries for his sister, but imagine the grief if he lost his pa and his sister?”

“I can’t sleep without knowin’ if my little girl is fine, Jo,” James argued, tightly tying a handkerchief around his head. “If Adam wakes, don’t tell him where his pa went—”

“James!” She held his arm in desperation, holding eye contact. “The storm might end soon, don’t risk it.” She looked between his eyes as he glanced toward the backdoor. “Please.”

His gaze softened at his wife’s demeanor and pulled her into a hug. “I’ll wait.”

“Thank you.” She murmured, wrapping her arms around him. “When the storm dies down, you can go. I won’t stop you then… I worry about our little girl too.”

The storm kept blowing until early morning. The crops were now either torn out of the ground or buried deep within dry dirt and families had given up on keeping the dust out of their homes. James and Josephina Ashford fell asleep at their kitchen table waiting for the storm to pipe down while you fell asleep in the stables in the security of your lover’s arms. William H. Bonney, on the other hand, stayed awake. He was constantly listening for the winds to quiet to let you know you could head home. In the early hours of the new day, Billy gently shook the woman beside him awake.

“Sweetheart, wake up.” He brushed the dust off that had fallen on you overnight, watching you shift closer to him. “Gorgeous.”

“Give me a minute, William.” You groaned, using his government name as a threat.

He chuckled and sat up straight, bringing you along with him. “The storm stopped, you can go home now.”

Your eyes shot open and you looked over at the male incredulously. “You should’ve said that first, idiot. Let’s go.”

Billy smiled as he stood, helping you up. He shook the final bits of dust off as best as he could and moved the hay bales away from the doors. Billy tilted his head toward you, silently signaling you to head home. You grinned and picked up your dress, racing over to the house without stumbling. You burst into the house and discarded the dust entering as well, finding your parents standing by the kitchen’s backdoor. James had his handkerchief tied across his face, triggering your tears.

“Y/N.” Her father let out a breath of relief and engulfed you in a tight hug. “You’re safe. You’re okay.”

“I’m sorry.” You sobbed into your father’s shirt, clinging onto him. “I’m so sorry, pa.”

“Why are you crying, sweet girl?” He rubbed your face. “What’s wrong?”

“I didn’t go straight home. I wanted to be out more, so I-I rode on the horses with Billy an-and then the storm started up. I shouldn’t have gone. I should’ve gone home right away. I should’ve stayed home. I shouldn’t have—”

“Hey, you’re alright.” James sat you down in one of the wooden chairs, removing his handkerchief from his face. “You’re safe. You’re home.”

You sniffled, looking up at your mother who had tears in her eyes too. “I’m sorry, mama. I didn’t wanna worry you…”

“My baby,” She knelt on the ground, taking your hands in her own. “I’m just glad you’re safe. The worst didn’t happen. You’re here. You aren’t hurt.”

Billy knocked on the side of the wall, making his presence known. In return, all heads whipped over to him. “I brought the groceries your daughter bought the other day.”

“William, come over here.” Your father beckoned him over.

“Yes, sir?” Billy stood by your side, removing his hat.

James sighed, putting his hand out. “Thank you for watching over my daughter.”

“Anytime.” Billy shook his hand, bringing him in for a hug. “I would risk my life for your daughter every single time.”

You lightly sock his arm at the mention, lacing your hands together. “Thank you.”

“I mean, now that you’re here, why don’t you help clear the dust out of our house? I’m sure my daughter has brought in heaps of it from runnin’ in here.” Jo patted her future son-in-law’s shoulder.

You flushed red as Billy chuckled, feeling him squeeze your hand at the comment. “Of course, Mrs. Ashford.”

The young couple got to work clearing out the dust while Jo and James started preparing breakfast for the day. It would be a while until all the dust would clear out of the house completely, but it wasn’t the worst problem they had. The dust storm that day might have ended, but little did the Ashford family know that it would only be the true beginning of their hardships.

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#august’s works 🫧 #billy the kid blurb #billy the kid drabble #billy the kid angst #billy the kid mgm #billy the kid x you #billy the kid x y/n #billy the kid imagine #billy the kid x reader #billy the kid #billy the kid tom blyth #billy the kid fanfiction #billy the kid fluff #billy the kid fic #billy the kid hc #william h bonney #william h bonney x reader #william h bonney x you #tom blyth x fem!reader #tom blyth x yn #tom blyth x you #tom blyth x reader #tom blyth #coriolanus snow imagine #the ballad of songbirds and snakes #the hunger games x reader #tbosas #coriolanus snow fanfiction #coriolanus imagine #coriolanus snow x reader

[zvaigzdelasas]

The Communist Party’s main theoretical journal has laid out a new ideological framework for the financial system that emphasizes the primacy of China’s top leader and Marxist principles. [...]

The Communist Party issued a detailed ideological statement on Friday in Qiushi, the party’s main official theoretical journal, that made clear that it expected banks, pension funds, insurers and other financial organizations in China to follow Marxist principles [...]

The Qiushi paper, which was being closely studied by bankers and economists in China, could cut against efforts by Beijing to show that the economy is open to investment even as it places a heavier hand on business.

Barry Naughton, an economist at the University of California at San Diego who has long studied China’s transition to a market economy, said that the document signaled that the finance sector would be subject to ever-tighter oversight and forced to serve government policies more actively.

“The financial sector will not be expected to push for market-oriented reforms or even necessarily maximize profit,” he said. “As a program for the financial sector, it is ambitious, disappointing and somewhat ominous.”[...]

“Politics will for sure further dictate China’s finance, effectively moving China even closer to how it was before the reforms started in 1978,” said Chen Zhiwu, a finance professor at the University of Hong Kong.

Some of the policy targets set forth in the essay would not be unusual as regulatory goals in the West. For example, it calls for banks to emphasize financial services for the “real economy,” which the party has long interpreted to include ample financing for the country’s industrial base.

But it also calls for a strong role in finance for [...] Marxist ideology generally. That follows a pattern that emerged for other sectors during the national congress of China’s Communist Party a year ago, but has been less apparent in finance — until now. [...]

Moody’s, the credit rating agency, announced on Tuesday that it was lowering its credit outlook for the Chinese government to negative. It had previously assigned a stable outlook for the country’s credit rating, which remains at A1, near the top of the ratings scale. [...]

Qiushi is the main journal providing pronouncements on China’s current ideology, which is known as Xi Jinping Thought on Socialism with Chinese Characteristics for a New Era. The statement on Friday said that Mr. Xi’s speech to the financial conference, “is a valuable ideological crystallization formed by our party’s unremitting exploration of the path of financial development with Chinese characteristics.” [...]

“Politics affects all important areas, and economic or financial issues are themselves political issues,” he said. Indeed, Communist Party control over finance comes up repeatedly in the Qiushi statement. “We must unswervingly adhere to the centralized and unified leadership of the party Central Committee over financial work, uphold and strengthen the party’s overall leadership over financial work,” it said.

5 Dec 23

[ohgaylor]

In 2006, the year Taylor Swift released her first single, a closeted country singer named Chely Wright, then 35, held a 9-millimeter pistol to her mouth. Queer identity was still taboo enough in mainstream America that speaking about her love for another woman would have spelled the end of a country music career. But in suppressing her identity, Ms. Wright had risked her life.

In 2010, she came out to the public, releasing a confessional memoir, “Like Me,” in which she wrote that country music was characterized by culturally enforced closeting, where queer stars would be seen as unworthy of investment unless they lied about their lives. “Country music,” she wrote, “is like the military — don’t ask, don’t tell.”

The culture in which Ms. Wright picked up that gun — the same one in which Ms. Swift first became a star — was stunningly different from today’s. It’s dizzying to think about the strides that have been made in Americans’ acceptance of the L.G.B.T.Q. community over the past decade: marriage equality, queer themes dominating teen entertainment, anti-discrimination laws in housing and, for now, in the workplace. But in recent years, a steady drip of now-out stars — Cara Delevingne, Colton Haynes, Elliot Page, Kristen Stewart, Raven-Symoné and Sam Smith among them — have disclosed that they had been encouraged to suppress their queerness in order to market projects or remain bankable.

The culture of country music hasn’t changed so much that homophobia is gone. Just this past summer, Adam Mac, an openly gay country artist, was shamed out of playing at a festival in his hometown because of his sexual orientation. In September, the singer Maren Morris stepped away from country music; she said she did so in part because of the industry’s lingering anti-queerness. If country music hasn’t changed enough, what’s to say that the larger entertainment industry — and, by extension, our broader culture — has?

Periodically, I return to a video, recorded by a shaky hand more than a decade ago, of Ms. Wright answering questions at a Borders bookstore about her coming out. She likens closeted stardom to a blender, an “insane” and “inhumane” heteronormative machine in which queer artists are chewed to bits.

“It’s going to keep going,” Ms. Wright says, “until someone who has something to lose stands up and just says ‘I’m gay.’ Somebody big.” She continues: “We need our heroes.”

What if someone had already tried, at least once, to change the culture by becoming such a hero? What if, because our culture had yet to come to terms with homophobia, it wasn’t ready for her?

What if that hero’s name was Taylor Alison Swift?

In the world of Taylor Swift, the start of a new “era” means the release of new art (an album and the paratexts — music videos, promotional ephemera, narratives — that supplement it) and a wholesale remaking of the aesthetics that will accompany its promotion, release and memorializing. In recent years, Ms. Swift has dominated pop culture to such a degree that these transformations often end up altering American culture in the process.

In 2019, she was set to release a new album, “Lover,” the first since she left Big Machine Records, her old Nashville-based label, which she has since said limited her creative freedom. The aesthetic of what would be known as the “Lover Era” emerged as rainbows, butterflies and pastel shades of blue, purple and pink, colors that subtly evoke the bisexual pride flag.

On April 26, Lesbian Visibility Day, Ms. Swift released the album’s lead single, “ME!,” in which she sings about self-love and self-acceptance. She co-directed a campy music video to accompany it, which she would later describe as depicting “everything that makes me, me.” It features Ms. Swift dancing at a pride parade, dripping in rainbow paint and turning down a man’s marriage proposal in exchange for a … pussy cat.

At the end of June, the L.G.B.T.Q. community would celebrate the 50th anniversary of the Stonewall Riots. On June 14, Ms. Swift released the video for her attempt at a pride anthem, “You Need to Calm Down,” in which she and an army of queer celebrities from across generations — the “Queer Eye” hosts, Ellen DeGeneres, Billy Porter, Hayley Kiyoko, to name a few — resist homophobia by living openly. Ms. Swift sings that outrage against queer visibility is a waste of time and energy: “Why are you mad, when you could be GLAAD?”

The video ends with a plea: “Let’s show our pride by demanding that, on a national level, our laws truly treat all of our citizens equally.” Many, in the press and otherwise, saw the video as, at best, a misguided attempt at allyship and, at worst, a straight woman co-opting queer aesthetics and narratives to promote a commercial product.

Then, Ms. Swift performed “Shake It Off” as a surprise for patrons at the Stonewall Inn. Rumors — that were, perhaps, little more than fantasies — swirled in the queerer corners of her fandom, stoked by a suggestive post by the fashion designer Christian Siriano. Would Ms. Swift attend New York City’s WorldPride march on June 30? Would she wear a dress spun from a rainbow? Would she give a speech? If she did, what would she declare about herself?

The Sunday of the march, those fantasies stopped. She announced that the music executive Scooter Braun, who she described as an “incessant, manipulative” bully, had purchased her masters, the lucrative original recordings of her work.

Ms. Swift’s “Lover” was the first record that she created with nearly unchecked creative freedom. Lacking her old label’s constraints, she specifically chose to feature activism for and the aesthetics of the L.G.B.T.Q. community in her confessional, self-expressive art. Even before the sale of her masters, she appeared to be stepping into a new identity — not just an aesthetic — that was distinct from that associated with her past six albums.

When looking back on the artifacts of the months before that album’s release, any close reader of Ms. Swift has a choice. We can consider the album’s aesthetics and activism as performative allyship, as they were largely considered to be at the time. Or we can ask a question, knowing full well that we may never learn the answer: What if the “Lover Era” was merely Ms. Swift’s attempt to douse her work — and herself — in rainbows, as so many baby queers feel compelled to do as they come out to the world?

There’s no way of knowing what could have happened if Ms. Swift’s masters hadn’t been sold. All we know is what happened next. In early August, Ms. Swift posted a rainbow-glazed photo of a series of friendship bracelets, one of which says “PROUD” with beads in the color of the bisexual pride flag. Queer people recognize that this word, deployed this way, typically means that someone is proud of their own identity. But the public did not widely view this as Ms. Swift’s coming out.

Then, Vogue released an interview with Ms. Swift that had been conducted in early June. When discussing her motivations for releasing “You Need to Calm Down,” Ms. Swift said, “Rights are being stripped from basically everyone who isn’t a straight white cisgender male.” She continued: “I didn’t realize until recently that I could advocate for a community that I’m not a part of.” That statement suggests that Ms. Swift did not, in early June, consider herself part of the L.G.B.T.Q. community; it does not illuminate whether that is because she was a straight, cis ally or because she was stuck in the shadowy, solitary recesses of the closet.

On Aug. 22, Ms. Swift publicly committed herself to the as-of-then-unproven project of rerecording and rereleasing her first six albums. The next day, she finally released “Lover,” which raises more questions than it answers. Why does she have to keep secrets just to keep her muse, as all her fans still sing-scream on “Cruel Summer”? About what are the “hundred thrown-out speeches I almost said to you,” in her chronicle of self-doubt, “The Archer,” if not her identity? And what could the album’s closing words, which come at the conclusion of “Daylight,” a song about stepping out of a 20-year darkness and choosing to “let it go,” possibly signal?

I want to be defined by the things that I love,

Not the things I hate,

Not the things that I’m afraid of, I’m afraid of,

Not the things that haunt me in the middle of the night,

I just think that,

You are what you love.

The first time I viewed “Lover” through the prism of queerness, I felt delirious, almost insane. I kept wondering whether what I was perceiving in her work was truly there or if it was merely a mirage, born of earnest projection.

My longtime reading of Ms. Swift’s celebrity — like that of a majority of her fan base — had been stuck in the lingering assumptions left by a period that began more than a decade and a half ago, when a girl with an overexaggerated twang, Shirley Temple curls and Georgia stars in her eyes became famous. Then, she presented as all that was to be expected of a young starlet: attractive yet virginal, knowing yet naïve, not talented enough to be formidable, not commanding enough to be threatening, confessional, eager to please. Her songs earnestly depicted the fantasies of a girl raised in a traditional culture: high school crushes and backwoods drives, princelings and wedding rings, declarations of love that climax only in a kiss — ideally in the pouring rain.

When Ms. Swift was trying to sell albums in that late-2000s media environment, her songwriting didn’t match the image of a sex object, the usual role reserved for female celebrities in our culture. Instead, the story the public told about her was that she laundered her affection to a litter of promising grown men, in exchange for songwriting inspiration. A young Ms. Swift contributed to this narrative by hiding easy-to-decode clues in liner notes that suggested a certain someone was her songs’ inspiration (“SAM SAM SAM SAM SAM SAM,” “ADAM,” “TAY”) or calling out an ex-boyfriend on the “Ellen” show and “Saturday Night Live.” Despite the expansive storytelling in Ms. Swift’s early records, her public image often cast a man’s interest as her greatest ambition.

As Ms. Swift’s career progressed, she began to remake that image: changing her style and presentation, leaving country music for pop and moving from Nashville to New York. By 2019, her celebrity no longer reflected traditional culture; it had instead become a girlboss-y mirror for another dominant culture — that of white, cosmopolitan, neoliberal America.

But in every incarnation, the public has largely seen those songs — especially those for which she doesn’t directly state her inspiration — as cantos about her most recent heterosexual love, whether that idea is substantiated by evidence or not. A large portion of her base still relishes debating what might have happened with the gentleman caller who supposedly inspired her latest album. Feverish discussions of her escapades with the latest yassified London Boy or mustachioed Mr. Americana fuel the tabloid press — and, embarrassingly, much of traditional media — that courts fan engagement by relentlessly, unquestioningly chronicling Ms. Swift’s love life.

Even in 2023, public discussion about the romantic entanglements of Ms. Swift, 34, presumes that the right man will “finally” mean the end of her persistent husbandlessness and childlessness. Whatever you make of Ms. Swift’s extracurricular activities involving a certain football star (romance for the ages? strategic brand partnership? performance art for entertainment’s sake?), the public’s obsession with the relationship has been attention-grabbing, if not lucrative, for all parties, while reinforcing a story that America has long loved to tell about Ms. Swift, and by extension, itself.

Because Ms. Swift hasn’t undeniably subverted our culture’s traditional expectations, she has managed, in an increasingly fractured cultural environment, to simultaneously capture two dominant cultures — traditional and cosmopolitan. To maintain the stranglehold she has on pop culture, Ms. Swift must continue to tell a story that those audiences expect to consume; she falls in love with a man or she gets revenge. As a result, her confessional songs languish in a place of presumed stasis; even as their meaning has grown deeper and their craft more intricate, a substantial portion of her audience’s understanding of them remains wedded to the same old narratives.

But if interpretations of Ms. Swift’s art often languish in stasis, so do the millions upon millions of people who love to play with the dollhouse she has constructed for them. Her dominance in pop culture and the success of her business have given her the rare ability to influence not only her industry but also the worldview of a substantial portion of America. How might her industry, our culture and we, ourselves, change if we made space for Ms. Swift to burn that dollhouse to the ground?

Anyone considering the whole of Ms. Swift’s artistry — the way that her brilliantly calculated celebrity mixes with her soul-baring art — can find discrepancies between the story that underpins her celebrity and the one captured by her songs. One such gap can be found in her “Lover” era. Others appear alongside “dropped hairpins,” or the covert ways someone can signal queer identity to those in the know while leaving others comfortable in their ignorance. Ms. Swift dropped hairpins before “Lover” and has continued to do so since.

Sometimes, Ms. Swift communicates through explicit sartorial choices — hair the colors of the bisexual pride flag or a recurring motif of rainbow dresses. She frequently depicts herself as trapped in glass closets or, well, in regular closets. She drops hairpins on tour as well, paying tribute to the Serpentine Dance of the lesbian artist Loie Fuller during the Reputation Tour or referencing “The Ladder,” one of the earliest lesbian publications in the United States, in her Eras Tour visuals.

During the Eras Tour, Ms. Swift traps her past selves — including those from her “Lover” era — in glass closets.

Dropped hairpins also appear in Ms. Swift’s songwriting. Sometimes, the description of a muse — the subject of her song, or to whom she sings — seems to fit only a woman, as it does in “It’s Nice to Have a Friend,” “Maroon” or “Hits Different.” Sometimes she suggests a female muse through unfulfilled rhyme schemes, as she does in “The Very First Night,” when she sings “didn’t read the note on the Polaroid picture / they don’t know how much I miss you” (“her,” instead of that pesky little “you,” would rhyme). Her songwriting also noticeably alludes to poets whose muses the historical record incorrectly cast as men — Emily Dickinson chief among them — as if to suggest the same fate awaits her art. Stunningly, she even explicitly refers to dropping hairpins, not once, but twice, on two separate albums.

In isolation, a single dropped hairpin is perhaps meaningless or accidental, but considered together, they’re the unfurling of a ballerina bun after a long performance. Those dropped hairpins began to appear in Ms. Swift’s artistry long before queer identity was undeniably marketable to mainstream America. They suggest to queer people that she is one of us. They also suggest that her art may be far more complex than the eclipsing nature of her celebrity may allow, even now.

Since at least her “Lover” era, Ms. Swift has explicitly encouraged her fans to read into the coded messages (which she calls “Easter eggs”) she leaves in music videos, social media posts and interviews with traditional media outlets, but a majority of those fans largely ignore or discount the dropped hairpins that might hint at queer identity. For them, acknowledging even the possibility that Ms. Swift could be queer would irrevocably alter the way they connect with her celebrity, the true product they’re consuming.

There is such public devotion to the traditional narrative Ms. Swift embodies because American culture enshrines male power. In her sweeping essay, “Compulsory Heterosexuality and Lesbian Existence,” the lesbian feminist poet Adrienne Rich identified the way that male power cramps, hinders or devalues women’s creativity. All of the sexist undertones with which Ms. Swift’s work can be discussed (often, even, by fans) flow from compulsory heterosexuality, or the way patriarchy draws power from the presumption that women naturally desire men. She must write about men she surely loves or be unbankable; she must marry and bear children or remain a child herself; she must look like, in her words, a “sexy baby” or be undesirable, “a monster on the hill.”

A woman who loves women is most certainly a monster to a society that prizes male power. She can fulfill none of the functions that a traditional culture imagines — wife, mother, maid, mistress, whore — so she has few places in the historical record. The Sapphic possibility of her work is ignored, censored or lost to time. If there is queerness earnestly implied in Ms. Swift’s work, then it’s no wonder that it, like that of so many other artists before her, is so often rendered invisible in the public imagination.

While Ms. Swift’s songs, largely written from her own perspective, cannot always conform to the idea of a woman our culture expects, her celebrity can. That separation, between Swift the songwriter and Swift the star, allows Ms. Swift to press against the golden birdcage in which she has found herself. She can write about women’s complexity in her confessional songs, but if ever she chooses not to publicly comply with the dominant culture’s fantasy, she will remain uncategorizable, and therefore, unsellable.

Her star — as bright as it is now — would surely dim.

Whether she is conscious of it or not, Ms. Swift signals to queer people — in the language we use to communicate with one another — that she has some affinity for queer identity. There are some queer people who would say that through this sort of signaling, she has already come out, at least to us. But what about coming out in a language the rest of the public will understand?

The difference between any person coming out and a celebrity doing so is the difference between a toy mallet and a sledgehammer. It’s reasonable for celebrities to be reticent; by coming out, they potentially invite death threats, a dogged tabloid press that will track their lovers instead of their beards, the excavation of their past lives, a torrent of public criticism and the implosion of their careers. In a culture of compulsory heterosexuality, to stop lying — by omission or otherwise — is to risk everything.

American culture still expects that stars are cis and straight until they confess themselves guilty. So, when our culture imagines a celebrity’s coming out, it expects an Ellen-style announcement that will submerge the past life in phoenix fire and rebirth the celebrity in a new image. In an ideal culture, wearing a bracelet that says “PROUD,” waving a pride flag onstage, placing a rainbow in album artwork or suggestively answering fan questions on Instagram would be enough. But our current reality expects a supernova.

Because of that expectation, stars end up trapped behind glass, which is reinforced by the tabloid press’s subtle social control. That press shapes the public’s expectations of others’ identities, even when those identities are chasms away from reality. Celebrities who master this press environment — Ms. Swift included — can bolster their business, but in doing so, they reinforce a heteronormative culture that obsesses over pregnancy, women’s bodies and their relationships with men.

That environment is at odds with the American movement for L.G.B.T.Q. equality, which still has fights to win — most pressingly, enshrining trans rights and squashing nonsensical culture wars. But lately I’ve heard many of my young queer contemporaries — and the occasional star — wonder whether the movement has come far enough to dispense with the often messy, often uncomfortable process of coming out, over and over again.

That questioning speaks to an earnest conundrum that queer people confront regularly: Do we live in this world, or the world to which we ought to aspire?

Living in aspiration means ignoring the convention of coming out in favor of just … existing. This is easier for those who can pass as cis and straight if need be, those who are so wealthy or white that the burden of hiding falls to others and those who live in accepting urban enclaves. This is a queer life without friction; coming out in a way straight people can see is no longer a prerequisite for acceptance, fulfillment and equality.

This aspiration is tremendous, but in our current culture, it is available only to a privileged few. Should such an inequality of access to aspiration become the accepted state of affairs, it would leave those who can’t hide to face society’s cruelest actors without the backing of a vocal, activated community. So every queer person who takes issue with the idea that we must come out ought to ask a simple question — what do we owe one another?

If coming out is primarily supposed to be an act of self-actualization, to form our own identities, then we owe one another nothing. This posture recognizes that the act of coming out implicitly reinforces straight and cis identities as default, which is not worth the rewards of outness.

But if coming out is supposed to be a radical act of resistance that seeks to change the way our society imagines people to be, then undeniable visibility is essential to make space for those without power. In this posture, queer people who can live in aspiration owe those who cannot a real world in which our expansive views of love and gender aren’t merely tolerated but celebrated. We have no choice but to actively, vocally press against the world we’re in, until no one is stuck in it.

And so just for a little while longer, we need our heroes.

But if queer people spend all of our time holding out for a guiding light, we might forgo a more pressing question that if answered, just might inch all of us a bit closer to aspiration. The next time heroes appear, are we ready to receive them?

It takes neither a genius nor a radical to see queerness implied by Ms. Swift’s work. But figuring out how to talk about it before the star labels herself is another matter. Right now, those who do so must inject our perceptions with caveats and doubt or pretend we cannot see it (a lie!) — implicitly acquiescing to convention’s constraints in the name of solidarity.

Lying is familiar to queer people; we teach ourselves to do it from an early age, shrouding our identities from others, and ourselves. It’s not without good reason. To maintain the safety (and sometimes the comfort) of the closet, we lie to others, and, most crucially, we allow others to believe lies about us, seeing us as something other than ourselves. Lying is doubly familiar to those of us who are women. To reduce friction, so many of us still shrink life to its barest version in the name of honor or safety, rendering our lives incomplete, our minds lobotomized and our identities unexplored.

By maintaining a culture of lying about what we, uniquely, have the knowledge and experience to see, we commit ourselves to a vow of silence. That vow may protect someone’s safety, but when it is applied to works of culture, it stymies our ability to receive art that has the potential to change or disrupt us. As those with queer identity amass the power of commonplaceness, it’s worth questioning whether the purpose of one of the last great taboos that constrains us befits its cost.

In every case, is the best form of solidarity still silence?

I know that discussing the potential of a star’s queerness before a formal declaration of identity feels, to some, too salacious and gossip-fueled to be worthy of discussion. They might point to the viciousness of the discourse around “queerbaiting” (in which I have participated); to the harm caused by the tabloid press’s dalliances with outing; and, most crucially, to the real material sacrifices that queer stars make to come out, again and again, as reasons to stay silent.

I share many of these reservations. But the stories that dominate our collective imagination shape what our culture permits artists and their audiences to say and be. Every time an artist signals queerness and that transmission falls on deaf ears, that signal dies. Recognizing the possibility of queerness — while being conscious of the difference between possibility and certainty — keeps that signal alive.

So, whatever you make of Ms. Swift’s sexual orientation or gender identity (something that is knowable, perhaps, only to her) or the exact identity of her muses (something better left a mystery), choosing to acknowledge the Sapphic possibility of her work has the potential to cut an audience that is too often constrained by history, expectation and capital loose from the burdens of our culture.

To start, consider what Ms. Swift wrote in the liner notes of her 2017 album, “reputation”: “When this album comes out, gossip blogs will scour the lyrics for the men they can attribute to each song, as if the inspiration for music is as simple and basic as a paternity test.”

Listen to her. At the very least, resist the urge to assume that when Ms. Swift calls the object of her affection “you” in a song, she’s talking about a man with whom she’s been photographed. Just that simple choice opens up a world of Swiftian wordplay. She often plays with pronouns, trading “you” and “him” so that only someone looking for a distinction between two characters might find one. Turns of phrase often contain double or even triple meanings. Her work is a feast laid specifically for the close listener.

Choosing to read closely can also train the mind to resist the image of an unmarried woman that compulsory heterosexuality expects. And even if it is only her audience who points at rainbows, reading Ms. Swift’s work as queer is still worthwhile, for it undermines the assumption that queer identity impedes pop superstardom, paving the way for an out artist to have the success Ms. Swift has.

After all, would it truly be better to wait to talk about any of this for 50, 60, 70 years, until Ms. Swift whispers her life story to a biographer? Or for a century or more, when Ms. Swift’s grandniece donates her diaries to some academic library, for scholars to pore over? To ensure that mea culpas come only when Ms. Swift’s bones have turned to dust and fragments of her songs float away on memory’s summer breeze?

I think not. And so, I must say, as loudly as I can, “I can see you,” even if I risk foolishness for doing so.

I remember the first time I knew I had seen Taylor Alison Swift break free from the trap of stardom. I wasn’t sitting in a crowded stadium in the pouring rain or cuddled up in a movie theater with a bag of popcorn. I was watching a grainy, crackling livestream of the Eras Tour, captured on a fan’s phone.

It’s late at night, the beginning of her acoustic set of surprise songs, this time performed in a yellow dress. She begins playing “Hits Different.” It’s a new song, full of puns, double entendres and wordplay, that toys with the glittering identities in which Ms. Swift indulges.

She’s rushing, as if stopping, even for a second, will cause her to lose her nerve. She stumbles at the bridge, pauses and starts again; the queen of bridges will not mess this up, not tonight.

There it is, at the bridge’s end: “Bet I could still melt your world; argumentative, antithetical dream girl.” An undeniable declaration of love to a woman. As soon as those words leave her lips, she lets out a whoop, pacing around the stage with a grin that cannot be contained.

For a moment, Ms. Swift was out of the woods she had created for herself as a teenager, floating above the trees. The future was within reach; she would, and will, soon take back the rest of her words, her reputation, her name. Maybe the world would see her, maybe it wouldn’t.

But on that stage, she found herself. I was there. Through a fuzzy fancam, I saw it.

And somehow, that was everything.

#ooooh my word this was BREATHTAKING and so well-said #because coming out is in fact a very delicate thing #full article here for the tumblr crowd! #taylor swift #articles #new york times #gaylor swift #gaylor #lover #chely wright

[gatheringbones]

[“To understand the shortage of beds, it helps to think of just-in-time delivery. Companies like to have just enough space for what they need, work with, and sell, not more and not less. For a hospital, the human body is the object that is to be delivered, altered, and shipped away just in time. There should never be too many bodies, or too few bodies. There should be just the right number of bodies on just the right number of beds.

Good doctors, good nurses, and good assistants resist this logic all the time, but they are pushing a boulder up a mountain. Maintaining beds costs money. No hospital, in American commercial medicine, is going to maintain a reserve of beds when other hospitals do not do so. Since financial logic dominates medical logic, the country must always be unprepared for epidemics. There can never be a reserve of beds, nor for that matter a reserve of protective equipment or ventilators. Managers counting on a quarterly profit cannot factor in pandemics, which arrive about once a decade. Each time a plague comes, the situation will be defined as exceptional, and the shortages will make the emergency even worse than it had to be. Then money will fly around: not to where the doctors might want, since they will not be asked, but to the sectors of the economy with the loudest voices. This just happened, and with commercial medicine it will keep happening.

In the hospital, sad to say, a body is a widget. Kindly assistants, competent nurses, and decent physicians try to humanize the widget, but they are constrained by a system. A body creates revenue if the body is the right kind of sick for the right length of time. Certain kinds of illnesses, especially ones treatable (or reputed to be treatable) with surgery and drugs, make money. No one has an economic incentive to keep you healthy, to get you well, or for that matter to keep you alive. Health and life are human values, not financial ones; an unregulated market in the treatment of our bodies generates profitable sickness rather than human thriving.”]

timothy snyder, from our malady: lessons in liberty from a hospital diary, 2020

#timothy snyder #currently reading #horror! horror! horror! #a body creates the revenue

[tomorrowusa]

Four years ago today (March 13th), then President Donald Trump got around to declaring a national state of emergency for the COVID-19 pandemic. The administration had been downplaying the danger to the United States for 51 days since the first US infection was confirmed on January 22nd.

From an ABC News article dated 25 February 2020...

CDC warns Americans of 'significant disruption' from coronavirus

Until now, health officials said they'd hoped to prevent community spread in the United States. But following community transmissions in Italy, Iran and South Korea, health officials believe the virus may not be able to be contained at the border and that Americans should prepare for a "significant disruption." This comes in contrast to statements from the Trump administration. Acting Department of Homeland Security Secretary Chad Wolf said Tuesday the threat to the United States from coronavirus "remains low," despite the White House seeking $1.25 billion in emergency funding to combat the virus. Larry Kudlow, director of the National Economic Council, told CNBC’s Kelly Evans on “The Exchange” Tuesday evening, "We have contained the virus very well here in the U.S." [ ... ] House Speaker Nancy Pelosi called the request "long overdue and completely inadequate to the scale of this emergency." She also accused President Trump of leaving "critical positions in charge of managing pandemics at the National Security Council and the Department of Homeland Security vacant." "The president's most recent budget called for slashing funding for the Centers for Disease Control, which is on the front lines of this emergency. And now, he is compounding our vulnerabilities by seeking to ransack funds still needed to keep Ebola in check," Pelosi said in a statement Tuesday morning. "Our state and local governments need serious funding to be ready to respond effectively to any outbreak in the United States. The president should not be raiding money that Congress has appropriated for other life-or-death public health priorities." She added that lawmakers in the House of Representatives "will swiftly advance a strong, strategic funding package that fully addresses the scale and seriousness of this public health crisis." Senate Minority Leader Chuck Schumer also called the Trump administration's request "too little too late." "That President Trump is trying to steal funds dedicated to fight Ebola -- which is still considered an epidemic in the Democratic Republic of the Congo -- is indicative of his towering incompetence and further proof that he and his administration aren't taking the coronavirus crisis as seriously as they need to be," Schumer said in a statement.

A reminder that Trump had been leaving many positions vacant – part of a Republican strategy to undermine the federal government.

Here's a picture from that ABC piece from a nearly empty restaurant in San Francisco's Chinatown. The screen displays a Trump tweet still downplaying COVID-19 with him seeming more concerned about the effect of the Dow Jones on his re-election bid.

People were not buying Trump's claims but they were buying PPE.

I took this picture at CVS on February 26th that year.

The stock market which Trump in his February tweet claimed looked "very good" was tanking on March 12th – the day before his state of emergency declaration.

Trump succeeded in sending the US economy into recession much faster than George W. Bush did at the end of his term – quite a feat!. (As an aside, every recession in the US since 1981 has been triggered by Republican presidents.)

Of course Trump never stopped trying to downplay the pandemic nor did he ever take responsibility for it. The US ended up with the highest per capita death rate of any technologically advanced country.

Precious time was lost while Trump dawdled. Orange on this map indicates COVID infections while red indicates COVID deaths. At the time Trump declared a state of emergency, the virus had already spread to 49 states.

The United States could have done far better and it had the tools to do so.

The Obama administration had limited the number of US cases of Ebola to under one dozen during that pandemic in the 2010s. Based on their success, they compiled a guide on how the federal government could limit future pandemics.

Obama team left pandemic playbook for Trump administration, officials confirm

Of course Trump ignored it.

Unlike those boxes of nuclear secrets in Trump's bathroom, the Obama pandemic limitation document is not classified. Anybody can read it – even if Trump didn't. This copy comes from the Stanford University Libraries.

TOWARDS EPIDEMIC PREDICTION: FEDERAL EFFORTS AND OPPORTUNITIES IN OUTBREAK MODELING

Feel free to share this post with anybody who still feels nostalgic about the Trump White House years!

#covid-19 #coronavirus #pandemic #public health #donald trump #trump's incompetent response to the pandemic #covid state of emergency #2020 #trump recession #51 days of trump pandemic dawdling #obama pandemic playbook #2010s ebola outbreak #nostalgia for trump administration #republicans #election 2024 #vote blue no matter who

[scarefox]

The way some people straight up deny soft criticism of the BL industry (stuff that isn't even a secret if you don't close your eyes and ears!!!) Criticism by literally LGBTq people working in said BL industry in Thailand..... basically one of the only ones who's voice are most valid here in this discourse. That's not hypocrism of people working in the industry to open their mouth! That's called self-awareness and using this genre to convey a message and trying to fix issues. This is about Step by Step and Lovely Writer atm. But those are not the only dramas who brought up some critic but somehow people get salty now about that little poke from SbS? Did you sleep the past 3 years?? And it's not a coincident that it's always the same topics certain BL dramas brought up!

I feel like some people here don't get that you can criticize your own work place, your own industry, your own country WITHOUT hating, shaming or demonizing it completely! Yall need stop this black & white thinking and the constant urge to feel personally attacked by something like this...

Especially the message of LW (the same people who make SbS now) was that there is nothing wrong about loving BL stories and they do like producing them. BUT that there are some things in the industry that are bad and harmful NOT ALL OF IT, SOME THINGS! Like the treatment of actors and certain topics by companies and producers. And the main theme of LW: the toxic overstepping and overcontrolling shipping culture that can (and did) destroy real life relationships / friendships under the weight of the pretend relationship (pretend as in they are not dating for real (everyone knows that! or should know that! this is also not even a secret if you watch interviews outside of the fun and couple game shows) at least in most of the cases.... in some rare ones yes, in some very rare cases some actors actually date but they are too afraid to come out due to homophobia and the way the industry & fandom treats those cases (source Dr. Thomas Baudinette who studies the industry as a form of queer asian media and interviewed companies and actors since years... somewhere in this he talks about actor relationships, I can't find the time stamp atm))

ALSO the point about exploiting the LGBTq community is NOT about the fans or LGBTq audience who love these dramas. But about businesses and literal Thailand itself. For using those stories and actors / couples for advertising, for marketing, for tourism even. BUT at the same time some don't care for real life LGBTq issues and rights or the fact that Thailand is still not agreeing on equal marriage (which is not just about them not being able to marry but they get denied a lot of things married couples get. alone the fact that they can't see their partner in the case of an emergency in the hospital because 'they are not family'). In the said SbS scene they were literally discussing which pretend couple has the most fans and how they could use their fandom and fan clubs to gain profit. Don't you guys get how fucking frustrating this is for the LGBTq people and allies who work in the BL industry, to get paraded in front of the camera for money and image but still don't get treated equally??? THAT is what they mean with exploiting.... And it's a lot of producers, writers and some actors who voice those points, not just these few self-aware BL dramas. But doing it through the medium they adress is the best way to reach the right people, to make the right people aware and ask for their support. Since they can't say such things directly (even though they should) unless they want to lose their job, they still like to a degree.

And I am sorry but the opinion of actual thai people who are inside that industry is more valid than some random fan who just doesn't want to understand those things in order to enjoy their shows without feeling bad.... What if I tell you that you can do both and that this is not about shaming you or making you feel guilty (unless you participate in toxic overstepping behavior or are actually LGBTq-phobic, then yes feel guilty)! Acknowledging issues, supporting to fix those issues and still have fun with these dramas and actors.... Those things can and do coexist and nobody said otherwise!!

#damn i said i stay away from discourse and I am not here to discuss but I have to say something about this since I saw some bs #sorry my patience is very thin the past months and I am so damn tired of stupid discourse #rant #bl drama #bl actors #step by step the series #Tee Bundit Sintanaparadee #tee bundit #salt post

[ghelgheli]

According to Marx, metabolic rift appears in three different levels and forms. First and most fundamentally, metabolic rift is the material disruption of cyclical processes in natural metabolism under the regime of capital. Marx’s favourite example is the exhaustion of the soil by modern agriculture. Modern large-scale, industrial agriculture makes plants absorb soil nutrition as much as and as fast as possible so that they can be sold to customers in large cities even beyond national borders. It was Justus von Liebig’s Agricultural Chemistry (1862) and his theory of metabolism that prompted Marx to integrate an analysis of the ‘robbery’ system of agriculture into Capital. [...]

Liebig harshly criticized modern ‘robbery agriculture’ (Raubbau), which only aims at the maximization of short-term profit and lets plants absorb as many nutrients from the soil as possible without replenishing them. Market competition drives farmers to large-scale agriculture, intensifying land usage without sufficient management and care. As a consequence, modern capitalist agriculture created a dangerous disruption in the metabolic cycle of soil nutrients. [...]

Marx formulated the problem of soil exhaustion as a contradiction created by capitalist production in the metabolism between humans and nature. Insofar as value cannot fully take the metabolism between humans and nature into account and capitalist production prioritizes the infinite accumulation of value, the realization of sustainable production within capitalism faces insurmountable barriers.

This fundamental level of metabolic rift in the form of the disruption of material flow cannot occur without being supplemented and reinforced by two further dimensions. The second dimension of metabolic rift is the spatial rift. Marx highly valued Liebig in Capital because his Agricultural Chemistry provided a scientific foundation for his earlier critical analysis of the social division of labour, which he conceptualized as the ‘contradiction between town and country’ in The German Ideology. Liebig lamented that those crops that are sold in modern large cities do not return to the original soil after they are consumed by the workers. Instead, they flow into the rivers as sewage via water closets, only strengthening the tendency towards soil exhaustion.

This antagonistic spatial relationship between town and country – it can be called ‘spatial rift’ – is founded upon a violent process of so-called primitive accumulation accompanied by depeasantization and massive urban growth of the working-class population concentrated in large cities. This not only necessitates the long-distance transport of products but also significantly increases the demand for agricultural products in large cities, leading to continuous cropping without fallowing under large-scale agriculture, which is intensified even more through market competition. In other words, robbery agriculture does not exist without the social division of labour unique to capitalist production, which is based upon the concentration of the working class in large cities and the corresponding necessity for the constant transport of their food from the countryside. [...]

The third dimension of metabolic rift is the temporal rift. As is obvious from the slow formation of soil nutrients and fossil fuels and the accelerating circulation of capital, there emerges a rift between nature’s time and capital’s time. Capital constantly attempts to shorten its turnover time and maximize valorization in a given time – the shortening of turnover time is an effective way of increasing the quantity of profit in the face of the decreasing rate of profit. This process is accompanied by increasing demands for floating capital in the form of cheap and abundant raw and auxiliary materials. Furthermore, capital constantly revolutionizes the production process, augmenting productive forces with an unprecedented speed compared with precapitalist societies. Productive forces can double or triple with the introduction of new machines, but nature cannot change its formation processes of phosphor or fossil fuel, so ‘it was likely that productivity in the production of raw materials would tend not to increase as rapidly as productivity in general (and, accordingly, the growing requirements for raw materials)’ (Lebowitz 2009: 138). This tendency can never be fully suspended because natural cycles exist independently of capital’s demands. Capital cannot produce without nature, but it also wishes that nature would vanish. [...]

The contradiction of capitalist accumulation is that increases in the social productivity are accompanied by a decrease in natural productivity due to robbery [... i]t is thus essential for capital to secure stable access to cheap resources, energy and food. [...]

The exploration of the earth and the invention of new technologies cannot repair the rift. The rift remains ‘irreparable’ in capitalism. This is because capital attempts to overcome rifts without recognizing its own absolute limits, which it cannot do. Instead, it simply attempts to relativize the absolute. This is what Marx meant when he wrote ‘every limit appears a barrier to overcome’ (Grundrisse: 408). Capital constantly invents new technologies, develops means of transportation, discovers new use-values and expands markets to overcome natural limits. [...]

Corresponding to the three dimensions of metabolic rifts, there are also three ways of shifting them. First, there is technological shift. Although Liebig warned about the collapse of European civilization due to robbery agriculture in the 19th century, his prediction apparently did not come true. This is largely thanks to Fritz Haber and Carl Bosch, who invented the so-called Haber-Bosch process in 1906 that enabled the industrial mass production of ammonia (NH3) by fixing nitrogen from the air, and thus of chemical fertilizer to maintain soil fertility. Historically speaking, the problem of soil exhaustion due to a lack of inorganic substances was largely resolved thanks to this invention. Nevertheless, the Haber-Bosch process did not heal the rift but only shifted, generating other problems on a larger scale.

The production of NH3 uses a massive amount of natural gas as a source of hydrogen (H). In other words, it squanders another limited resource in order to produce ammonia as a remedy to soil exhaustion, but it is also quite energy intensive, producing a lot of carbon dioxide (CO2) (responsible for 1 per cent of the total carbon emission in the world). Furthermore, excessive applications of chemical fertilizer leach into the environment, causing eutrophication and red tide, while nitrogen oxide pollutes water. Overdependence on chemical fertilizer disrupts soil ecology, so that it results in soil erosion, low water- and nutrient-holding capacity, and increased vulnerability to diseases and insects. Consequently, more frequent irrigation, a larger amount of fertilizer and more powerful equipment become necessary, together with pesticides. This kind of industrial agriculture consumes not just water but large quantities of oil also, which makes agriculture a serious driver of climate change. [...]

[T]here remains a constant need to shift the rift under capitalism, which continues to bring about new problems. This contradiction becomes more discernible in considering the second type of shifting the metabolic rift – that is, spatial shift, which expands the antagonism of the city and the countryside to a global scale in favour of the Global North. Spatial shift creates externality by a geographic displacement of ecological burdens to another social group living somewhere else. Again, Marx discussed this issue in relation to soil exhaustion in core capitalist countries in the 19th century. On the coast of Peru there were small islands consisting of the excrement of seabirds called guano that had accumulated over many years to form ‘guano islands’. [...]

In the 19th century, guano became ‘necessary’ to sustain soil fertility in Europe. Millions of tons of guano were dug up and continuously exported to Europe, resulting in its rapid exhaustion. Extractivism was accompanied by the brutal oppression of Indigenous people and the severe exploitation of thousands of Chinese ‘c**lies’ working under cruel conditions. Ultimately, the exhaustion of guano reserves provoked the Guano War (1865–6) and the Saltpetre War (1879–84) in the battle for the remaining guano reserves. As John Bellamy Foster and Brett Clark (2009) argue, such a solution in favour of the Global North resulted in ‘ecological imperialism’. Although ecological imperialism shifts the rift to the peripheries and makes its imminent violence invisible in the centre, the metabolic rift only deepens on a global scale through long-distance trade, and the nutrient cycle becomes even more severely disrupted.

The third dimension of metabolic shift is the temporal shift. The discrepancy between nature’s time and capital’s time does not immediately bring about an ecological disaster because nature possesses ‘elasticity’. Its limits are not static but modifiable to a great extent. Climate crisis is a representative case of this metabolic shift. Massive CO2 emissions due to the excessive usage of fossil fuels is an apparent cause of climate change, but the emission of greenhouse gas does not immediately crystallize as climate breakdown. Capital exploits the opportunities opened up by this time lag to secure more profits from previous investments in drills and pipelines. Since capital reflects the voice of current shareholders, but not that of future generations, the costs are shifted onto the latter. As a result, future generations suffer from consequences for which they are not responsible. Marx characterized such an attitude inherent to capitalist development with the slogan ‘Après moi le déluge!’ (Capital I: 381).

This time lag generated by a temporal shift also induces a hope that it would be possible to invent new epoch-making technologies to combat against the ecological crisis in the future. In fact, one may think that it is better to continue economic growth which promotes technological development, rather than over-reducing carbon dioxide emissions and adversely affecting the economy. However, even if new negative emission technologies such as carbon capture and storage (CCS) are invented, it will take a long time for them to spread throughout society and replace the old ones. In the meantime, the environmental crisis will continue to worsen due to our current inaction. As a result, the expected effects of the new technology can be cancelled out.

Kohei Saito, Marx in the Anthropocene

#reading #kohei saito #as promised #long post

[lilyliveredlittlerichboy]

it's time now. it's time to imagine the brightest future you can, and talk about it.

a future where people only work 8 hours a week and everyone's basic needs are met. a future where we are more connected to nature and eat seasonal, local produce. a future where you look out for your neighbours and they look out for you. a future where you actually know who your neighbours are. a future where everyone is just a lot more relaxed and able to do whatever they want to do - this 8 hour working week has given people their lives back and now they're able to make community events, work in community gardens, sing and dance and spend time with their kids, play whatever sport they want, travel, read, create art and music.

People are interacting with each other in good faith again because money as an ulterior motive has all but disappeared. Cus you see a few decades ago they made profits illegal. All money has to be put back into the company and CEOs can take home a salary only, no bonuses and it can't be more than 3x what the lowest paid employee makes. You can go to jail if your company is found to make profits, advertise on a large scale or pay its high ranking members more than what's allowed.

Jail still exists but mostly people go in for financial crimes (greed still exists); drugs are decriminalised and available to use safely. people are not as desperate now so there's been a massive reduction of violent and petty crime and most of the people who still do this are teenagers who get away with a slap on the wrist. police are not armed anymore and are heavily penalised if they abuse their power or hurt a civilian, and their role is more that of mediator, signposter (to community services, social services, and free and accessible healthcare including for mental health) and security. together with the former military they make up an "emergency task force" which are called upon in times of need and crisis, for floods, fires, other such disasters.

the stock market completely collapsed after profits were made illegal and people had to find other ways to figure out what a company was worth: such as how they treat their staff or how accessible their processes are. as a result of this, as well as more widespread disability thanks to Covid and an ageing population, accessibility is fucking incredible now. most places are accessible to the vast majority of disabled people even without them having to ask for a single thing. If they have to ask, accommodations are made quickly and without fuss and this is completely normal now. disabled people are more visible than ever in public life and this has led to a generally kinder, more tolerant public life.

Everything is slower now. Social media as we know it died decades ago and Internet 4.0 is efficient, will find you accurate answers and the websites you're looking for very easily and fast. there's monopoly laws restricting how large companies operate online. online ads are all but illegal - there's "phone book" esque pages where you can promote your business or service and that's allowed but not anywhere else. Lots of people are still annoying and some of them are still cruel but overall living together as humans has gotten so much more chill. We've tackled climate change and reversed much of it, now it's a global day of mourning whenever a species is found to be extinct through human intervention. these days used to happen much more frequently but it's very rare these days. Most everyone gets the day off and is encouraged to read about the lost species or hold themed funerals. Globally everything has gotten better - there's much more global equality now after a bunch of western/formerly colonising countries almost self destructed and then instead decided to own up for colonialism, pay reparations to a lot of countries in Africa Asia and Latin America, as well as indigenous nations of North America, Oceania, even in Europe. The USA doesn't exist anymore instead its a whole host of separate nations all managed by the native people whose land it is. The UK doesn't exist anymore. England is still sad about it but Wales, Scotland, Ireland and Cornwall are called Cymru, Alba, Eire and Kernow again and they've formed a Celtic Union for better collective bargaining power in the EU (which still exists, somehow. Its better now. England may still be out of the EU I'm not sure). Migration is common and foreigners are welcomed into any country with open arms.

I may try to write something about this. I have a vision for a future and it's so lovely. Here, on earth, with the starting point being now. We have a lot to work with and only a few changes could make such a difference. Demilitarisation, UBI and maximum working hours, greedy financial practices made illegal. Conservation and education on local plants and nature and food. Community building on every level. Giving people their lives back.

This is all extremely possible. If it were up to me, very little in society would be left unchanged but it would all be people friendly changes. changes that aim to support the poorest and most marginalised, changes that aim to punish greed and exploitation. It's a work in progress of course. But I have a vision for a better world and dammit if I'm not going to share it with you.

#i need a tag for my own rambles #hopepunk #solarpunk #community building #decolonialism #demilitarize #ubi #universal basic income #defund the police #public healthcare #free healthcare #please feel free to add on #i need to expand on this more cus i have so many thoughts on this

[zvaigzdelasas]

[Al Jazeera is Qatari State Media]

A powerful Haitian gang leader has rejected attempts by foreign nations for an electoral road map and a path to peace as the country plunges deeper into violent chaos and armed groups control most of the capital following the resignation of Prime Minister Ariel Henry.

Regional leaders of the Caribbean Community and Common Market (CARICOM) held an emergency summit last week to discuss a framework for a political transition, which the United States had urged to be “expedited” as gangs wrought chaos in the capital, Port-au-Prince, amid repeatedly postponed elections.

“We’re not going to recognise the decisions that CARICOM takes,” Jimmy “Barbecue” Cherizier, a former police officer whose gang rules vast swaths of Port-au-Prince, told Al Jazeera. Rights groups [including those funded by the NED] have accused his gang alliance of committing atrocities, including killings and rape.

“I’m going to say to the traditional politicians that are sitting down with CARICOM, since they went with their families abroad, we who stayed in Haiti have to take the decisions,” Cherizier said, flanked by gang members wearing face masks, adding that he rejected plans for a transitional council made up of the country’s political parties.

“It’s not just people with guns who’ve damaged the country but the politicians too,” he added.[...]

Haitian civil society leaders welcomed the resignation of Henry, an unelected leader who was named for the post in 2021 shortly before the assassination of President Jovenel Moise, as a long overdue step.[...]

While some political groups are putting their names forward for the council, seeing it as a way out of Haiti’s current power vacuum, Cherizier said he wants a revolution.

“Now our fight will enter another phase – to overthrow the whole system, the system that is five percent of people who control 95 percent of the country’s wealth,” he told Al Jazeera.

According to Robert Fatton, a Haiti expert at the University of Virginia, Cherizier likes to compare himself to historical figures like South Africa’s Nelson Mandela or Cuba’s longtime President Fidel Castro.

“And he likes to say that he’s essentially a revolutionary … and he’s going to redistribute wealth,” Fatton told Al Jazeera this week.

While Cherizier has distributed some food and resources to people in areas under the control of his G9 gang, “that’s hardly a vision of the future or some sort of revolutionary [act]”, he added.

Once a transitional government is in place it could pave the way for a multinational police force on the ground in Haiti, funded by the US and Canada.[...]

Kenya’s President William Ruto said his country would lead such a force, which Cherizier rejected.

The UN has estimated that gangs currently control more than 80 percent of Port-au-Prince.

Reporting from the Dominican Republic, Al Jazeera’s John Holman said the two rival gangs – the G9 and G-PEP – have formed an alliance called Viva Ensemble to try and prevent foreign troops from entering Haiti.

16 Mar 24