Propaganda
María Félix (Doña Barbara, La Mujer sin Alma, Rio Escondido, La Cucaracha)—Maria Felix is still possibly the most well-known Mexican film actress. She turned down multiple-roles in Hollywood and a contract with Metro-Goldwyn-Meyer in order to take roles in Mexico, France, and Argentine throughout the 1940s, 50s, 60s. She was so famous and so respected as a dramatic actress that she inspired painters, novelists and poets in their own art--she was painted by Diego Rivera, Jose Orozco, Bridget Tichenor. The novelist Carlos Fuentes used her as inspiration for his protagonist in Zona Sagrada. She inspired an entire collection by Hermes. In the late 1960s Cartier made her a custom collection of reptile themed jewels. She considered herself to be powerful challenger of morality and femininity in Mexico & worldwide--she routinely played powerful women in roles with challenging moral choices and free sexuality. But even still, years after he death, she is celebrated with Google Doodles, and appearances in the movie Coco, and holidays for the anniversary of her death.
Julie Andrews (The Sound of Music, Mary Poppins)—Oh where to start .... I'm not sure I even know how. She's just perfection. And it's not fair I can't bring post 70s work into this, because she just gets better and better, and her drag performance in to die for. But in the era I CAN talk about, she shows she has THE RANGE. Beautiful, feisty, funny, holding her own against Christopher Plummer, Paul Newman, Rock Hudson. Oh she's luminous.
This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.
[additional propaganda submitted under the cut.]
María Félix:
She's Thee Hot Vintage Movie Woman of México. She's absolutely gorgeous and always looks like she's about to step on you. you WILL be thankful if she does.
"María Félix is a woman -- such a woman -- with the audacity to defy the ideas machos have constructed of what a woman should be. She's free like the wind, she disperses the clouds, or illuminates them with the lightning flash of her gaze." - Octavio Paz
María Félix is one of the most iconic actresses of the Golden Era of Mexican Cinema. La Doña, as she was lovingly nicknamed, only had one son, and when her first marriage ended in divorce her ex-husband stole her only child, so she vowed that one day she’d be more influential than her ex and she’d get her son back. AND SHE DID! María Félix rejected a Hollywood acting role to start her acting career in Mexico on her own terms with El Peñón de las Ánimas (The Rock of Souls) starring alongside actor, and future third husband, Jorge Negrete. She quickly rose to incredible heights both in Mexico and abroad, later on rejecting a Hollywood starring role (Duel in the Sun) as she was already committed to the movie Enamorada at the planned filming time. Of this snubbing she said, quote: “I will never regret saying no to Hollywood, because my career in Europe was focused in [high] quality cinema. [My] india* roles are made in my country, and [my] queen roles are abroad.” (Translator notes: here the “india” role means interpreting a lower-class Mexican woman, usually thought of indigenous/native/mixed descent —which she had interpreted and reinvented throughout her acting career in Mexico— and what abroad was typically considered the Mexican woman stereotype, with the braids, long simple skirts, and sandals. This also references the expectation of her possibly helping Hollywood in perpetuating this stereotype for American audiences that lack the cultural and historical contexts of this type of role which would undermine her own efforts against this type of Mexican stereotypes while working in Europe) She was considered one of the most beautiful women in the world of her time by international magazines like Life, París Match, and Esquire, and was a muse to a vast number of songwriters (including her second husband Agustin Lara,), artists, designers, and writers. Muralist Diego Rivera described her as “a monstrously perfect being. She’s an exemplary being that drives all other human beings to put as much effort as possible to be like her”. Playwriter Jean Cocteau, who worked with her in the Spanish film La Corona Negra (The Black Crown) said the following about her, “María, that woman is so beautiful it hurts”. Haute Couture houses like Dior, Givenchy, Yves Saint Laurent, Balenciaga, Hérmes, among others, designed and dressed her throughout her life. She died on her birthday, April 8, 2002, at 88 years old, in Mexico City. She was celebrated by a parade from her home to the Fine Arts Palace in the the city’s Historic Downtown, where a multitude of people paid tribute to her. Her filmography includes 47 movies from 1942 until 1970, and only two television acting roles in 1970. She has 2 music albums, one recorded with her second husband, Agustín Lara, in 1964 titled La Voz de María y la inspiración de Agustín «The voice of María and the inspiration of Augustín», and her solo album Enamorada «In Love» in 1998. Her bespoke Cartier jewelry is exhibited alongside Elizabeth Taylor’s, Grace Kelly’s and Gloria Swanson’s. In 2018, Film Director Martin Scorsese presented a restored and remastered version of her film Enamorada in the Cannes Classics section of the Cannes Festival and Google dedicated a doodle for her 104th birthday. On august 2023 Barbie added her doll to the Tribute Collection.
Julie Andrews propaganda:
"She has such a simple but amazing beauty to her. Not to mention her amazing and melodic singing voice!"
"Roles like nannies and governesses can make us forget how attractive she was! A perfect combination of elegant and adorable, with the most incredible vocal range to boot!"
"Besides having one of the most amazing singing voices ever to grace the silver screen, Julie always had an understated beauty to her that wasn't always shown off on screen. But it's there nonetheless because her characters managed to pull some of the hottest men ever to grace the screen."
"The juxtaposition between carefree Maria and stern but fun Mary Poppins shows the power of the acting of this HOT VINTAGE MOVIE WOMAN"
"Charming, genteel, incredibly charismatic, beautiful, and has an angelic singing voice to boot. Her screen roles as Maria in The Sound of Music and Mary Poppins are absolutely iconic for a reason and she originated several well-known Broadway roles before those."
"the most beautiful woman 12 year old me had ever seen possibly"
"OMG OMG OMG she’s definitely been submitted before how could she NOT but!!!! I loveeee her so muchhhh rahhhh prebby!!!! cool!!!! mary poppins the beloved <33333 some people dislike it but I love jolly holiday so much because it IS a jolly holiday with Mary!!! no wonder that it’s Mary that we love!!!!!"
"I know many people who were taught in singing lessons "when in doubt, pronounce words how julie andrews would pronounce them." THATS CALLED INFLUENCE. THATS CALLED MOTHERING THOUSANDS."
371 notes
·
View notes
I am saying this with eternal, overflowing love for all of these characters, but it is so funny to me that I have seen people say that Kagami is too apprehensive and practical to fall in love with Félix. As if she did not spend half of season 3 with Marinette at her throat for literally no reason and then season 4 with Adrien ignoring and abandoning her even while they were dating. And then break down crying in the street because she loved them both so much. “She would not love someone who would hurt her just because they have good intensions” she literally already does. At least this time she is aware of how stupid it is. And its stupid enough to be funny. And he’s just as stupid for being in love with her when he also absolutely should not. And i hope they kiss on the lips for me. Hope this helps
1K notes
·
View notes
WIPs of some of my drawings where i made a full little painting for the sketch to nail colours or values first. i thought it would be fun to do a Behind The Scenes and also show u how some drawings changed, what i kept and what i discarded and at what point i just started adding unplanned details
all these were done using a mixture of sai and procreate
more comments on The Process under the cut
eye of the otherworld is inspired by a real photo i took two weeks ago!
i soooo wanted to draw water that looked like this, weeds and all, so the original colours of that sketch were picked direct from the photo. but i wasn’t satisfied with it so i changed it using a gradient map (you can see it’s crunchy on the borders between colours). for the final, i re-painted everything again using the sketch colours as a guide so that i would not end up with the crunchy edges a gradient map will give u, and so that i could add in extra contrast over the top. the black swirl pattern in the final was an ad lib lol but i’m really happy with how it gives the impression of water or liquid even if it’s not realistic... i will try again to recreate something like this photo tho because i am obsessed. the birds were originally swans but the necks were driving me crazy i needed a bird with a shorter neck and grebes are associated with this location in canon so it was perfect. they have very funny feet. the last detail i added to this was the white flashes in their primary flight feathers (which do not occur in nature btw)
hanged man was an interesting one because it’s based on a sketch i made in 2020 when i first wrote this fun impalement scene
here is félix being impaled for the first time in 2020 by a rusted harpoon that essentially rips his human disguise off to reveal the black carapace underneath
for the coloured sketch in the photoset i re-lined this exact sketch in sai to update it to match my current lineart style, but as you can see i realised the pose itself needed work and not just a re-line so i completely redid it in procreate to exaggerate the pose and gestures. i went into this one already knowing exactly what bg colours i wanted so that was no issue but the hardest part was weirdly figuring out what he was going to be standing on. in canon he is standing on top of a very high wall and leaning back over a fatal drop. the black pencil lines in the clouds and the bird were ad libbed but i liked the idea of throwing the bird in as some extra symbol of freedom the likes of which you will not experience if you have been shot with a harpoon. the green was not working at all so the swap out to more purpley pink tones was last minute. i unified the different colours by using a colour-shifting brush (you’ll see that his gaiters are different colours - i didn’t hand pick those, the colour jitter did)
for Big Pascal... originally it was going to be a confrontation between the guy on the ground and pascal but i wasn’t feeling the standing pose and it ended up being... if not restful then at least maybe a little more benevolent than the shadow of colossus shit it was before. the white cracks in the sky were originally going to be black but it just didn’t work. a lot of people tag this one as some form of cowboy aesthetic which is funny to me. there’s no cowboys here
i do like the lens flare effect in the b&w thumbnail tbh and i think i kind of lost the low camera angle effect in the final
i drew a bonus comic of the two characters interacting during this scene (mostly the lil guy just trying to ignore what’s happening in the sky)
4K notes
·
View notes