There was someone singing in the greenhouse, someone with a pitch-perfect deep voice. Revati closed her eyes, pressing her ear against the glass door.
In a field where the paper daisies grow,
Underneath the sun's harsh glow,
I wander through, light and free.
Paper daisies, pink and white,
Your petals so bright.
I sing to you as the world beyond burns.
The smoke coils in the sky far above,
But your petals still dance around me.
Don’t be afraid; soon the rains will come.
Everything lost will grow again.
Paper daisies, pink and white,
Your petals so bright.
I sing to you as the world beyond burns.
The stars begin to rise,
My hands scooping your seeds.
Soon you will take flight
Towards the soft moonlight.
There was an old, prop piano in the abandoned Holly Bush Tavern. The only person who could play it properly was Mr. Gupta. During holiday festivals, he would coax melodies out of the sticky keys while Mrs. Gupta sang in a nasal voice. This was different. The singer’s voice filled Revati in a place she didn’t know was empty. The singing stopped abruptly as Revati’s weight caused the door to creak. Of course, the door creaked. The greenhouse was a wobbling claptrap box made out of welded-together old windows. Miss Grassroots, a tourist who had been dead for almost six years, had built it. Inside lay the heart of Baker Street. The heart had begun as a rose garden. Nanni was the one who began picking up the fallen red petals, drying them, and turning them into tea.
Revati only had vague memories of the first day of the invasion. Mrs. Grasston and Dusk had invaded the kitchens and gift shops. Together they managed to pool together seeds and cuttings in order to grow a small food supply. There was a wall of tomato vines, grown from several seeds found in old slices left in the bin. There were the garden beds where the potatoes and carrots grew. In fact, the potatoes were what kept Baker Street from starving to death. Next to one of the largest windows, the herb and weed boxes grew. Revati’s father was the one who ripped open gourmet tea bags in their home, discovering dried seeds inside. Bridgadeiro Bun was sitting under the lemon tree. “You’re a pretty good singer,” Revati said gruffly. “I was just trying to cheer up Deshia; she’s been feeling a bit depressed lately,” Bridgadeiro said, patting the tree's trunk. “Who’s Deshia?” Revati asked, faintly confused. “The lemon tree, of course! She said nobody's chatted with her for years,” Bridgadeiro said. Suddenly, the tree shook its branches, causing a fresh lemon to fall into Bridgadeiro’s lap. “Thank you for the gift, sweetheart,” Bridgadeiro said, patting the tree again. Revati stared at the lemon tree, not quite sure what to think. Could a tree really be depressed? It would explain why the lemons were so withered and small.
“All Buns speak plant; it's the same gene that causes our pink hair," he said. Revati glanced around, her eyes briefly falling on the giant pumpkin vine near the door.
"Are the plants talking right now?" Revati asked curiously.
"Most of them fell asleep hours ago. When they were awake, they just kept jabbering on about a golden lady," Bridgadeiro remarked.
"So, the lemon tree is depressed? I could get Aurora to come in here and read to her," Revati conceded.
"It's more than that. She misses the lady who planted her; she doesn't understand why she vanished and never came back," Bridgadeiro remarked. Revati found her hands stroking the book of fairy tales nervously.
"If she's talking about Mrs. Grassroots, she died," Revati replied flatly. Six years ago. Six years ago, there were over a hundred tourists living on Baker Street. Nanni, who had spent years living with mother, insisted on moving into an abandoned hat shop near the edge of the park.
The day the tornado hit was the same day Nanni decided to tell Revati all about her family history.
"I always carry the death stone in my handbag, along with everything else I'd ever need in an invasion," Nanni pointed out. Technically that was true; Nanni's giant handbag was filled with almost anything.
Outside, Revati could hear her father trying to roll down metal shutters. There was the sudden horrible roar, and Nanni's wall exploded in a cloud of rubble.
"A lot of people died," Revati finished, her voice trailing off. First came the tornado that caused a gap in the mirror walls. Then the trickle of automatic vegetable cleaners who decided to exploit the crack. Finally, the battle on Mansfield Park between the cleaners and a group of tourists.
"The lady that planted this tree was actually a member of the Lost Princess rebel army; she convinced a bunch of tourists to fight with her," Revati remarked, shaking her head. Then she firmly opened the book of fairy tales.
"It looks like some people survived," Bridgadeiro replied.
"I don't want to talk about it; I just want to read! Here, you can read with me; you might like this story," Revati replied.
Once long ago, in a lost village near the foot of Mount Raya, there lived a special little girl. She was known for her kindness and her deep love for nature. Everyone in the village called her Naisha. Naisha had a special gift; she could talk to plants. The villagers often saw her whispering to the flowers; they adored her magical gift.
One day, Naisha learned about a legendary tree called the Kalpavriksha. The old ladies in the village whispered that it had the ability to grant any wish. Drought, fearsome and terrible, had swept through the land. Flowers withered, no longer able to whisper. Trees forgot their songs. Naisha decided she must seek out the tree and wish for one thing alone: rain.
"Wake up," a voice screeched, and Revati's eyes snapped open, the book of fairy tales tumbling onto the ground. Aurora was standing above her, the bright morning sunlight making her hair glow.
"Morning," Revati yawned and then jumped when she realized Bridgadeiro was asleep next to her.
Bridgadeiro slowly awoke, smacking his lips together.
"Juniper said you were in here; she never mentioned the boy," Aurora remarked coldly as Revati slowly stood up.
"Anna made him sleep in here; I must have passed out while reading," Revati said.
It was then that Revati realized Aurora was holding a tray filled with fresh strawberries.
"Hmph," Aurora said, shooting Bridgadeiro a suspicious look as he also stood up, patting the tree trunk.
"Let me guess, Queen Victoria sent these with an apology?" Revati asked.
"Yes, and a request to fill her vodka order," Aurora said, placing the tray on the ground.
"If she was really sorry, she'd give us a strawberry plant," Revati pointed out.
"Oh, you don't need one of those! You have the fruit," Bridgadeiro remarked.
"You can't just shove a strawberry in the ground and hope for the best; it rots," Revati replied. Bridgadeiro merely leaned down, examining the strawberries. After a few moments of careful examination, he picked up the biggest, brightest berry.
"You can; you just need the right formula," he said. He vaguely walked towards one of the empty garden beds that was going to be turned into an onion patch. Carefully, he dug a small hole and placed the strawberry inside before covering it in earth. Then, he reached into his massive jumpsuit pocket and this time pulled out a small vial of portable perfume.
"One pump should do it," Bridgadeiro remarked before pumping a cloud of perfume onto the soil. The earth began to twitch and vibrate, and Revati gasped as greenery sprouted from the soil. The plants quivered and then twisted as white flowers bloomed. The petals then shriveled and fell off as the center of the flowers grew into green berries. A few seconds later, the berries blossomed into a deep red.
"They shouldn't be doing that! Strawberries take two weeks to grow," Aurora gasped.
"I suppose they would in the wild, but I just gave them a pump of my Gene Grow fusion serum!" Bridgadeiro said, leaning down to examine the strawberries.
"They should produce fruit every day, but only if you talk to them nicely," Bridgadeiro added as he picked a strawberry and handed it to Revati.
Revati sniffed it suspiciously before taking a tiny bite. It tasted just like a strawberry.
"Does that stuff work on all plants?" Revati asked curiously.
"It tends to go a bit haywire when you spray it on legumes; you end up with giant beans that have no nutrients," Bridgadeiro said.
"I saved your life; think it's only fair you spray all the plants in here," Revati said firmly.
"It would be better if I planted their seeds outside and created new crops; otherwise, the rapidly growing plants could burst outside the walls," Bridgadeiro replied. Revati nodded crisply.
"I'll be sending someone to check on your efforts later today; I'll be far too busy working," Revati replied with as much dignity as she could muster in a sleep shirt before marching out of the greenhouse. The book of fairy tales lay abandoned on the ground.
Revati carefully changed into her work uniform. When she was a child, her wardrobe consisted of souvenir t-shirts from the gift shop fashioned into dresses. Now that she was almost an adult, Revati had to get creative.
Most of the gift shop sweatshirts had been swiped long ago. Instead, Revati put on the top half of the cafe's old uniform. It consisted of a magenta and purple striped waistcoat with a navy blue blouse covered in tiny clocks. The bottom half should have been a matching bustle skirt. Revati switched it with the men's purple trousers. Revati then carefully redid her braid and applied some more soot lipstick. Aurora, still wearing the same clothes from yesterday, was waiting for her in the kitchen.
"You're wearing your second best outfit," Aurora remarked.
"I suppose I am," Revati replied as she grabbed her coat.
"I thought you said you were done with romance after that whole mess with Little Hardi last summer," Aurora said, and Revati stopped walking.
"I am!" she protested, and Aurora pressed her thin lips into a disapproving frown.
"You were sleeping with him."
"God forbid I fall asleep next to another human being," Revati said as she marched through the cafe past Nanni, who was sewing something.
"You kept him! You gave him a job," Aurora added knowingly.
"I didn't keep him! He's not a feral child; he can leave whenever he wants," Revati snapped as they stepped outside, and she put on her sunglasses. Olde Landon was always at its worst in the morning. Like all major tourist attractions and cities, Old Landon had an atmospheric blanket high above the park's surface. It meant that nobody in the park froze to death at night, but it also meant the morning light was far too bright.
"Is that Little Hardi and Queen Victoria standing next to the fountain?" Revati sighed wearily.
"They both arrived at sunrise; I told them you were busy, so your mother made them breakfast," Aurora remarked.
"Sunrise; of course, they sacrificed sleep so they could get here first," Revati remarked, marching towards the two other leaders. Queen Victoria was wearing one of the park's costumes, a stained white lace wedding dress. Little Hardi, on the other hand, was wearing a deep blue doublet with a ruff collar and matching tights.
"Little Hardi, is your brother still unconscious?" Revati greeted him.
"We took a vote last night, and he played Macduff," Little Hardi replied.
Revati, who knew fully well what that meant, had to stop herself from flinching.
"You killed him? That's a little harsh," Revati pointed out.
"It was for the best; we need a strong leader during a time of invasion," Little Hardi remarked practically.
"Time of invasion? Isn't that a little dramatic?" Revati had to ask.
"There must be another crack in the wall; thank Jane, it's probably not too big! You two would be far too young to remember the vegetable cleaner invasion," remarked Queen Victoria.
"I was twelve," Revati said dryly.
"I was fourteen; the tornado destroyed the Hamlet's haunted castle ride, and the appliances killed the actor playing Ophelia," Little Hardi pointed out.
"You're both still tiny children as far as I'm concerned; I can't believe this is who I have to work with," Queen Victoria replied, and Revati brushed past her with annoyance, heading to the dress shop across the street.
The shelves of the dress shop had long ago been stripped bare. All that remained were the three Penny Farthing Bicycles that had been part of the shop's window display. Revati wheeled her Penny Farthing outside only to see Queen Victoria having a heated discussion with Aurora.
"What do you mean she's going to ride to the wall by herself? All representatives from all towns should go!" Queen Victoria was screeching, slapping Aurora's shoulder with her fan.
Revati parked her bicycle and marched towards Queen Victoria, grabbing her hand.
"Slap my assistant again, and I'll break your fingers; you know I can do it," Revati growled.
Little Hardi, who was now sitting by the fountain, laughed.
"I was just speaking the truth! We have a treaty; during times of crisis, we unify," Queen Victoria said, her voice tight and a little frightened.
"I don't see Lady Morganna here," Revati pointed out, referring to the ruler of Medieval faire.
"You know perfectly well Medieval faire cut us all off after the tornado hit! They probably all died off years ago," Queen Victoria snapped back. Queen Victoria was right. Medieval faire was located in the center of a massive fake castle complete with a drawbridge. After the invasion, Lady Morganna had yanked up the bridge and refused to speak to anyone. Anna and Nanni had tried to visit several times with baskets of dried lemons. They were horrified when someone from above threw the contents of their toilets onto the streets.
"My new friend said he saw naked people in the wilderness dancing around a murdered television! Sounds like Lady Morganna to me," Revati merely replied, pointing to Bridgadeiro. Bridgadeiro, who was in the middle of taking several pumpkins out of the greenhouse, waved.
"Could be a coincidence; regardless, you are not going to the wall! We need to have a proper group committee meeting first! Then a vote," Queen Victoria's.
Revati just rolled her eyes and released Queen Victoria's hand, causing her to stumble and fall onto the floor. Revati then reached into her jacket, pulling out her stun gun, shoving it into the queen's stomach. The Queen made a faint whimpering sound as her eyes rolled backward, and she collapsed again. Revati then aimed the gun at Little Hardi, who held his hands up, protesting.
"I'm not going to stop you! I came here to propose marriage," Little Hardi insisted.
"Marriage? To me?" Revati asked dubiously.
"All kings need a consort, and I'm not interested in Big Hardi's husband," Little Hardi said, slowly getting down on one knee.
Revati stared at him and shook her head.
"I'm seventeen," Revati pointed out.
"Well, the wedding wouldn't be for another couple of years," Little Hardi replied.
"I thought we agreed to keep our relationship professional after the handkerchief incident," Revati pointed out, and Little Hardi held a hand to his heart.
"I told you dozens of times I had nothing to do with my brother's plot," Little Hardi insisted.
"He accused me of cheating on you using an old prop handkerchief as evidence, and you believed him despite it being the exact same plot of the play Othello," Revati pointed out. The entire incident occurred over a year ago and ended with Revati kidnapped and tied up on the stage in a white fluffy nightgown.
"I'm a very insecure person," Little Hardi pleaded. Dating while trapped in a fun park during the apocalypse was difficult. Before the feral children came along, Revati was the youngest person on Baker Street. All the teenagers in Whistleton were raised to be incredibly prissy. Most of them refused to do anything more than dance or hold hands. Little Hardi had been a fun, age-appropriate choice. Little Hardi was happy to do far more than hold hands.
"No," Revati said firmly.
"No? Really?" he asked, sounding faintly surprised.
"First of all, your legal system involves killing criminals on stage in the middle of plays, which is horrifying," Revati pointed out, and Little Hardi shrugged.
"Secondly, I'm not an idiot! You just want to marry me so you can take over our greenhouse," Revati pointed out, and Little Hardi gasped as if looking deeply insulted.
"That's not true! If hairs be wires, black wires grow on her head. I have seen roses damasked, red and white, but no such roses see I in her cheeks," Little Hardi pleaded as Revati climbed onto the penny farthing.
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I once heard someone say that because Arknights' disability representation is mostly tied to their fantasy turbo-cancer, then it doesn't feel like real disabled representation, and I've been unable to get it out of my head, like a piece of popcorn stuck in my teeth. So, rather than doing my homework like I'm supposed to be, I want to talk about why I disagree and why I love Arknights' approach to disability.
So, for those who are unaware, Arknights has a shockingly high amount of disabled characters, and characters who are disabled in a lot of different ways, both caused by being Infected and just being disabled in the way that normal people are. Nightingale has chronic pain, Lemuen is the best sniper in Laterano while being in a wheelchair, Akafuyu is mostly blind, Eyja has severe hearing loss, Rosmontis has severe memory loss, Amiya has very severe PTSD, I could go on and on.
And of course there'd be a lot of operators with disabilities! Rhodes Island is a medical organization dedicated towards long-term care of terminally ill patients. Of course many of them would develop disabilities, and of course Rhodes would have the resources and facilities to help them. They even make notes of how to treat them in their medical files, like how Ejyafjalla's has a little guide on how to best have a conversation with her. It makes perfect sense, but I can't say a lot of games would think about it on that level.
And that why I like this game's approach to disability so much. A lot of video games just treat disability as "someone missing an arm" or "someone in a wheelchair because of Their Injuries From Combat. It's usually treated as an individual thing, just someone who got hurt, or who maybe has a frail constitution or whatever. But in Arknights, disability isn't simply treated as a character trait for individuals, but as part of the worldbuilding itself. The world is largely defined by Oripathy, this fatal degenerative disease with no cure. And the Infected are treated as second-class citizens, considered free labor that they don't have to treat ethically because they're dying anyway. The writers realized that this would cause severe disability, both real and fantastical, and worked it into the story and world.
This runs the other way, too! Arknights' worldbuilding follows a sort of social model of disability, in a way. There's a lot of fantasy stories that treat the inability to use magic as a sort of disability, but to Arknights, it's... not. Because Arts require specialized training, and so a lot of people just don't know how to use them, and might not even know they can't use Arts. So it's not treated as such, even though it is still a physical inability to perform things other people can.
But on the other end, Laterano's culture is based around the Sankta having empathic communication between each other. Mostima, as a fallen angel, can't use this telepathy anymore, and she speaks about how othering it feels sometimes, to be physically unable to engage with an important part of her culture. While it's not explicitly stated as a disability to the Lateran culture, I certainly feel like it's treated as one to some degree. Namely that it's explicitly contrasted with Fiametta's PTSD rendering her unwilling to empathize with the people around her, as opposed to Mostima's physical inability. It's the fantasy disability treated with the same weight as real world disability, because within the world of Terra, they're the same thing.
And of course there's just some of the more fucked up fantasy stuff like "On top of her existing narcolepsy, Ptilopsis was forced to become plural after she had to have part of her brain replaced with a computer that forces her to speak and think like a computer or else it causes her severe mental stress to the point of physical pain." Which uh. I don't know where that fits in the conversation but jesus christ someone hug that owl
Of course, its representation isn't always perfect. Just off the top of my head, Nightmare is a pretty rough stereotype, with the whole "Oripathy gave her multiple personality disorder with a violent personality trying to take control of her body!!" trope. And, of course, I'm sure other people have complaints with the representation of their disability in ways that I'm not aware of because I only have the perspective I have.
But... what I remember about this game's treatment of disability isn't when it fails. What I remember is reading Glaucus' module for the first time, the story of the first time she ever put on the mechanical exo-suit legs that allowed her to walk for the first time in her life. And I started bawling my fucking eyes out. I cried because, even though I don't know the specific feeling of walking for the first time in years, I know well what she felt. That feeling of liberation from something you secretly feared was just who you are now. Even though you know it won't be a perfect solution, the physically choking emotion that you're able to get a little closer to a normalcy you've always wanted. The feeling that right now, the only thing you can do is run like the wind.
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