#GODDAMN REASON AND NO I WILL NOT BE TAKING CRITICISM

[local-hellhound-steals-spaghetti]

Deconstructing the "Peggy and Molly Friendship" Narrative

Molly the Australian Magpie had been “reunited” with Peggy and the family that stole him as a fledgling and raised him without any wildlife carer license or experience.

Thanks to the Queensland Premier wanting to score some extra points in an election year, he “made it happen.” And legitimised the collective delusion of the public that genuinely thinks that this was a completely okay and reasonable situation. And believed the notion that Molly, a territorial social species of bird that had compromised development and was taken out of his home range, could simply "fly away".

So I went through their Instagram to see how this madness unfolded. It clearly began as a “Peggy” instagram before the stolen fledgling joined in.

These people are so adamant that there were no parents around but I don’t believe it for a second. Molly was a juvenile when he was taken - you always see fledglings around his size and age on the ground foraging for food. Mum and dad are not always around but they are never far away and are critical to a young magpie's developmental period.

They claim that Molly was sick. Yet they never make any mention of taking him to the vet. Molly makes distinctive fledgling feeding calls, the sounds he would have used to beg for food from his parents. It's tragic to see this after seeing how magpies raise their fledglings in my own backyard.

One of their first posts is feeding him what looks to be mealworms next to their pet dog. Aussie Magpie Fledglings at this age are learning everything about how to survive from their parents. They fed Molly WITH their dog. What does that teach? That dogs are not only safe but also a potential source of food/reinforcement.

As Peggy’s Instagram becomes Peggy and Molly’s Instagram, this happens:

Molly gets attacked by other birds. Because guess what? This is a territorial bird who has been removed from his original territory and away from the protection and guidance of his parents.

So, because these people have no idea what they’re doing, they’re Shocked that this would happen and that the wild bird they’re unwittingly conditioning into their pet can’t defend himself.

But yeah I’m sure teaching Molly tug of war with a dog is exactly the survival skills he needs as a wild bird!!!!!!

(I’m losing my goddamn mind)

Another “release attempt” fails because apparently we did a whoopsie and let him fly out in a storm??? Yet again, this poor bird is having traumatic experiences in the wild that he was not prepared for and is, unsurprisingly, seeking humans - which he has now associated heavily with food and safety.

Meanwhile, as they’re “raising” Molly, this insanity happens:

Yeah because that’s why your staffy is spontaneously lactating. She wants to mother a bird. It couldn’t possibly be that she’s had a bird pecking at her nipples and stimulating them or that she might have a serious medical issue. Interestingly, they do take Peggy to the vet. A luxury that doesn’t seem to be afforded to Molly who was also apparently sick (even though he seems to be pretty bright, alert and feeding in all the videos of when he was “rescued”)

Anyway the saga continues with the clear intention of making content now - the socialisation and habituation continues during Molly’s most critical juvenile years. They talk about how Peggy is helping Molly learn how to find food as if they're still intended for him to be a wild bird. But it's clear this bird isn't going anywhere.

At this time, Molly would be learning how to find food, how to socialise with other magpies and he’d eventually be joining a juvenile or bachelor flock where he’d continue to develop his social skills as a social and intelligent bird, wrestling and playing with his flock mates.

But no, he’s learning to mimic barks and is harassing the hell out of this poor staffy. The family just lets it all happen without any sort of support or advocacy for Peggy.

Haha isn't zoonotic disease vectors and a confused bird with no idea of how to interact appropriately with a dog just hilarious? It’s funny because of the silly caption they made, right?

As their "relationship" progresses, Peggy shows more discomfort.

This dog shows multiple stress behaviours. She is not friends with this bird she is TOLERATING this bird as he pecks at her face. She's rarely relaxed in these "play" interactions. She licks her lips, turns her head, yawns and even bares her teeth. But if it has a cute soundtrack behind it, I guess that means they’re having fun, right?

Even the interactions where Peggy's isn't stressed are still uncomfortable to watch. Molly shows immense frustration and confusion, following and wanting to be involved but being ignored or tolerated.

Molly should be with wild birds, playing how they play and not being merely tolerated:

Molly had a chance to be homed with a qualified wildlife rehabber or even get the chance to get to live with other Australian Magpies. But because people fell for the story and the media regurgitated it without questioning it for a second - he'll never get that chance again.

Molly was failed by the Queensland government for not being seized immediately. There were numerous complaints as soon as their story started to become viral that this was sending a bad message to the public and that this bird was not being given the care he needed.

It's too late, now. Molly will live in a confused limbo, not knowing what he's supposed to be and will never get to live with his own species.

And all the people that sent death threats to wildlife carers (who were trying to fix the damage caused) will pat themselves on the back about what a good job they did.

#Molly the Magpie #wildlife rehabilitation #australian magpie #wildlife #birds #canine behaviour #stress behaviour #Peggy and Molly

[captainsparklefingers]

At this point I don't think anyone should take the Shard or its power. That thing has become a goddamn golden apple of discord for the Hells at a time when they need unity and cohesion, to be on the same page about what to do because the stakes are so high.

The power it offers is tempting. I get that. It would give them an edge up on Ludinus and his cronies. But if Ashton literally exploded trying to absorb the shard, what do you think would happen to any of the others? Yes, Ashton was warned multiple times not to take the power and that he physically couldn't handle it. But what would this do to any other member of Bell's Hells, if that's what it did to their member made of solid rock?

And it's a magnet for the power hungry and ambitious. Delilah has become WAAAAY more active and clearly wants it. Nana Morri, for as much as I love her and as cool as I think she is, does have her reputation for a reason, and she was VERY taken in by the Shard.

And look at the strife it's causing! Ashton, obviously, that happened. Laudna and Delilah. The pressure being put on Fearne by her friends to do something she does not want to do and has SAID she doesn't want it and is afraid of it. This thing is just taking issues that were always there for the Hells (both as individuals and as a group) and dragging them to the surface.

It cannot be worth it. No power is worth this sort of discord and physical risk, and just by having the Shard tucked away in a Bag of Holding, they keep it from Ludinus and stop him from using it. It's not much but it's something.

#critical role #cr spoilers #that goddamn shard is driving a wedge into a group of people already full of fractures #people who I think would ALL have negative physical and mental effects from trying to take that power in. #what would that do to the Beast in Chetney? would FCG just straight up melt? we know about Delilah already #EVERY SINGLE ONE OF THEM runs risk taking it in. ashton is just the one who had that told to him multiple times and did it anyway. #(he may have also wanted it for selfish reasons but he at least listened to Fearne when she said she didn't want it)

[doubleca5t]

it's extremely funny to me that people are shitting on JoJo Siwa's rebrand by, among other things, comparing it unfavorably to Miley Cyrus' Bangerz era. I've heard several people give the take that Bangerz Miley was legitimately shocking and effective, while Karma feels like a weak attempt to do something similar and like... I can't help but think that a full decade of distance has completely distorted people's memory of the public reaction to Bangerz. Like I distinctly remember EVERYONE going in on Miley for that era. Literally all parties from all sides of american culture came together for a brief period of time in 2013 to dunk on her for being a white girl with no ass trying to twerk. She was cringe, she was trying too hard, she was too raunchy, she was appropriating black culture, she was using black women as props, the music sounded like shit. I cannot remember anyone in 2013 saying a single good thing about the Bangerz era so it makes absolutely no sense to me that people are acting like JoJo getting relentlessly shitted on, albeit for slightly different reasons, is a sign that her rebrand has failed and her career is over when Miley fully bounced back from that criticism and is now a goddamn grammy winner. What makes you think that JoJo's career arc will be any different? Like yes she's attracting a different kind of negative attention than Miley did but it's still the same principle, it's still just doing some crazy shit with the mindset of "all publicity is good publicity". You're still giving her earned media, you are literally getting played like a fiddle by this woman and giving her exactly what she wants. Oml in a decade's time JoJo will be putting out music people actually like and everyone will pretend like Karma was a genius career move and none of this ever happened because the cultural memory is ipad baby levels of abyssmal

#doubleca5t oc #jojo siwa #miley cyrus

[zarnzarn]

i see all these comments talking about this after the new episode, but. i would like to state for the record that stolitz isn't. toxic.

first off, the concept of a toxic and a healthy relationship are such... vague terms. when you're online, drenched in language and tight moral boundaries, trying to put a nuanced story like helluva boss's into boxes is easy to attempt and impossible to do.

a toxic relationship is one where one or both parties is maliciously affecting the other. I'm talking fetid, nasty, rude interactions where there is more hurt than love. they're unhappy more often than not when they're with their partner, there's no respect or give from the other side.

stolitz is nothing like that.

Stolas actively cares about Blitz and actually has no fear or hesitation in ADMITTING IT OUT LOUD TO OZZIE. he has been calling, texting, commenting, laughing and finding ways to spend time with Blitz. he's throwing everything he has to the wind, finding the courage to move forward with the divorce, putting everything he has into trying to keep him. he's been alone in a palace since he was born, on medication, with such less people dear to him that he remembered the circus boy who spent a day with him DECADES ago- so when blitz comes into his life and brings back in laughter and color and sex, he's holding on with everything he's got.

and blitz does care!!! he cares a LOT, the whole series we see him falling in love with stolas through SHOW NOT TELL (his expressions, his choices, his fear, his lashing out) and utterly unable to process that stolas cares about him too when talking to fizz; almost a desperate kind of denial-

cause yknow. the first time he tried to confess something to someone he really liked, he accidentally killed half the people he knew and ruined the lives of the rest?

thats gonna leave just a teensy impact on the will to express your emotions in the future, methinks.

even before that, he clearly felt like on some level that he was unworthy and he's said twice that he despises himself for the accident even though it wasn't actually his fault. being self aware doesn't stop the emotions from emotioning.

he keeps insisting its only sex so urgently to anyone who doesn't ask because he can't even imagine it being anything else. he's both disappointed and relieved when he repeats that stolas sees him as a novelty, because what else can it be?

(there's a whole other spiel of how brave both Stolas and Blitz have to be to say it out loud even when asmodeus can't afford to, considering how publically and completely beaten down both were at the club.)

(there's also another whole spiel about how frustrating it has been for ME to see all these comments over time with such bad takes based on like,, 20 min worth of info of a show that takes months to release an ep. like godDAMN have some patience?? let the story UNFOLD MAYBE? IT WAS ALWAYS GOING TO HAVE AN EXPLANATION WHY WOULD YOU CRITICIZE THINGS THAT ARENT EVEN FINISHED ESPECIALLY AN INDIE ANIMATION- i digress)

mind you, this has NOTHING to do with abuse. an abusive relationship is one where one is actively harming the other with full awareness. Stella is an abuser and their marriage is abusive.

and stolitz isn't that; it isn't even unhealthy or toxic. it's a consensual, transactional fuckbuddy relationship that slid into something more for both of them.

but!!!!! one of the main reasons for the problems that everyone looks over is-

they're in a BDSM relationship.

I can't possibly delve into dynamics without making this a 10k research paper BUT even though we've gotten only hints and costumes and dialogue- they're very clearly and undeniably in a BDSM contract. Behind the scenes of this crazy show is a whole different story, of these two delving into the most hardcore kinks out there- knifeplay, painplay, bondage.

if you've gotten into the community, if you've read a couple dozen particularly good fics by authors who know what they're talking about, hell; even if your only experience is fifty shades or 365 or whatever- you gotta know that BDSM scenes are crazy fucking emotionally heavy. there's so much that has gone down between them during their full moons that helluva can't get into!!

but you know how in so many of these popular medias and fics, the dom in the relationship is also like,, the billionaire/mafia heir/prince, etc, the one with financial and physical power? this isnt that. it has been very clearly stated that stolas is subbing, blitz is domming.

now take a moment and think about how much that fucks up the dynamics.

in stolas' eyes, blitz is a confident, dangerous individual who's an old friend and cherished memory of his, who he's trusted wholly with his safety during sex and he's lucky to have; and he has been in an abusive arranged marriage for the past eighteen Years, he's probably not going to be pushing his luck with his dom that much in the first place. plus, blitz is never cowed by him during their conversations- think back to the first phone call right after he stole the book, completely unafraid.

and for blitz, it's someone trusting him again- but it's also a royal- a blue blood who's nearly untouchable and so much more powerful- who couldn't possibly like a piece of shit like him, apart from the sex he gets out of it. he only flirts once he gets some sort of cue from Stolas; he's desperately trying to view this as only a Goetia trying to get his rocks off, despite all the evidence to the contrary, because anything else is unfathomable to him, no matter how clearly Stolas shows it, because of the ptsd.

both of them thinks the other has the power. both of them aren't expecting the other to keep shut if something's bothering them.

and there's so much conflicting messages from the other too!

stolas calls him a plaything when trying to intimidate the humans; stolas cups his face gently and asks if he's alright

blitz asks him on a date and tells him to get better soon; blitz yells that it's only sex and doesn't reply to his messages

ya see?

bring it to fizzozzie for a second now; even though they do look all good on surface, you can still see fizz's trauma and doubt in all their interactions, they're still forced to keep the relationship secret. do you see his face when Ozzie says in hyperbole that he's never leaving the house again, or when someone accuses him of being a pampered house pet or when he got sexualized in the 7th ep? whatever happened in the interim between the accident with mammon, it fucked him UP. even though oz seems to be well aware of this when he tells him not to apologise and in their general interactions, fizz still visibly has trouble separating plaything/commodity from healthy relationship.

shout the fuck out to Ozzie btw, man knows whats UP. rooting for these two so much omg.

i forgot where I was going with this point, I'll edit it when i remember. but yeah! lovely fucking relationship, but damn what angst filled issues.

anyway, to sum up- stolitz is not a toxic relationship. the relationship is stuck sludging through misunderstandings and careless microaggressions and trauma responses, but it's not unhealthy or toxic because of the simple reason that most of the current hurt comes from... a misunderstanding. stolas didn't realise blitz would need reassurance about what they were and blitz didn't see stolas as someone who could get hurt.

unecessarily calling it toxic, even online, is more impactful than people think too. almost all spindlehorse ARE on all social medias; so MANY YouTube animators i know have found jobs there; they see your words, especially since a lot don't tag posts with "anti hb" correctly to keep them out of the main tag. there are Very few queer medias made BY queer people that haven't gone through heavy corporate revisions- helluva boss is practically a historical landmark in its success. it's very very very fucking easy to forget that not ten years ago some of the only queer videos on YouTube were butter lover (one kiss at the end post credits), dirty paws and welcome to hell (subtext).

the amount of "critical talk" helluva boss gets for what it is is very unprecedented. it's a beautiful show. can't wait for the next episode.

#helluva boss #stolas #blitz #stolitz #fizzarolli #helluva boss ozzie #okay im gonna make SO much content but i had to get this off my chest first #because so many people were like omg fizzozzie is so healthy stolitz take a lesson!! #and theres so much more nuance to it thats its so. frustrating to see a statement like that #meta #anyways #i love this fucjing show

[jkslipppiercing]

Never Been A Friend | Part 1 | Jeon Jk

♧ synopsis: Sneaky glances across the room weighed with a dozen different meanings left to be unsaid; confusion, desire, lust. He was never a friend, was he?

♧ pairing: brother's bsf!jk, bratty!reader.

♧ warnings: y/n is too drunk to form a sentence, jungkook loves cursing, jungkook is jealous out of his mind, kinda enemies but not really, jungkook calls y/n a brat that he cant stand, someone calls y/n a slut, and that's all i can remember 😙

♧ WC: 1.6K

♧ a/n: hello loves! wrote this in one sitting and it's barely edited, but the intention is there lmao i love you all so much please enjoy! dont hesitate to tell me what you think <3 im like the no.1 supporter for constructive criticism lol okay thank you byeeeee

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JK's POV

She whines,

Throws tantrums,

Acts like a goddamn brat for the sake of being annoying,

And I still want her lips around my cock.

Why?

That goes beyond the fucking level of my emotional understanding.

I want her wrapped around my finger. I want her to get on her fucking knees and apologize for all the turbulent feelings she makes me suffer by.

She ruined my night.

I was fucking.

Blowing a girl's back just to lay off some steam. Get the stress of the college life off my shoulders.

But then, she just had to cock-block me.

My best friend’s sister.

Speaking of the twat, he dared to interrupt my one night stand for the sake of his bratty sister.

Usually, I love brats.

My type.

They make sex enjoyable. All the more pleasurable when they try to resist.

Keyword: try.

Because I know for a damn straight fact when a girl wants to be disciplined.

Fucked right and put in her place.

Reminds me of her. Y/L/N Y/N.

Except for one thing, though- she makes my fucking insides churn in all uncomfortable ways.

She doesn’t have a bratty attitude, the bitch has a bratty personality.

Yes, she is indeed a bitch. I can't stand a girl who's always annoying just because she feels like it. She'd never had a valid reason to hate me, and neither did I.

When I first met her, I mean.

She was laughing with her brother having breakfast one time when I came out of my room for painkillers and a glass of water.

Her brother and I were both freshmen in need of a dorm, and we agreed on splitting the rent once in a frat party.

Yes... we were both strangers to each other, but we clicked.

Met through mutuals, and our vibes matched. After living with each other for over six months now, we've grown pretty close.

He's cool, agreed on basic rules like who does the laundry or dishes, helped with assignments, and was always there when needed.

He's a friend. A close one.

A tolerable one.

That can't be said about a certain someone, though.

She scowled at me that day and later told me she didn't like my vibe when I confronted her about it.

Bullshit.

And yet, she's the reason I left a naked girl in my bed and came to this godforsaken club in the first place.

Her brother is here, too, which is why he called me to come pick her up. Said something about her being drunk, and since he had taken a shot or two as well, he couldn't take her home himself.

Or he just didn't want to, because he was also getting laid tonight.

That's proven to be right when I see him making out with a girl near the bathrooms.

His hands grope her all over as she arches into him, which is enough to make me look away.

Sly motherfucker.

Casting my vision toward the main dance floor, I scan the crowd for a short brunette with soft features.

Annoyingly soft features.

So soft that I want to corrupt her. Tear the bratty exterior and dig through the filthy dark side on the inside.

But those features aren't the only things that infuriate the hell out of me.

It's her innocence.

How can a brat be innocent, you may ask?

When my gaze lands on her, my jaw tenses in annoyance.

She sways her hips sensually, eyes closed and mouth open as she slides her hands down her body to a seductive beat following her movements.

I follow the action, eyes unable to tear away from her figure.

Her fingers skim over her neck down to her breasts and then further, the lightness she seems to be handling her body with attending to a grace she always breathed by.

Fuck, I hate this woman.

Hate everything about her.

How she moves.

How she walks.

How she fucking talks.

Runs her mouth like a brat who needs to be handled.

No- not like- is.

She is a brat.

A brat who's oblivious to all the eyes she's attracting.

Including mine.

Fuck.

Her dancing resumes as her eyes stay closed, feeling every beat.

She's enjoying herself.

Not for long.

I school my expression- which had turned into a scowl the moment I set my eyes on her- and begin my stride towards her.

I spot a man doing the same, but she's absolutely mind-numb as she continues to dance with her damn eyes closed.

I was irritated, but now I'm literally fed up.

He's a couple inches shorter than me, wearing a white tee and skinny ripped jeans.

Not to mention, his hair is slicked back by a disgusting amount of hair gel.

Ew.

He approaches Y/N with predatory eyes and a shit eating grin, his gaze set straight on her perky ass.

Which is just barely covered by the tight little dress she's wearing, inching higher and higher up her thighs as we speak.

My steps quicken when I see him reach out, apparently intending to slap her ass.

My blood boils.

White noise drowns out all available access to the outside world as I break out into a jog and reach her just in time.

My hand swiftly slides onto her tiny waist, and I glare at the man whose shit-eating grin is now gone, replaced with confusion.

Y/N's eyes stay closed as she giggles, and it's now I notice how drunk she is.

Bright crimson tints her cheeks and her breath smells of strong tequila, obviously from having taken too many shots.

Isn't she here with friends?

How could they leave her alone like this?

Her brother's here. Her brother is here.

My breath turns heavy, my heartbeat quickening. I have to stop myself from punching the douchebag in front of me into fucking oblivion because I don't know if i'll ever stop once I start.

Fuck.

I try to focus on anything besides her frame that's barely hanging onto me, all the exhaustion from her dancing catching up to her as she fights to keep her eyes open.

Why the fuck is she here all alone? Why did they- whoever she's here with, except her brother- leave her here like this?

Like she's not even aware of where she is.

Like she's not sober enough to be responsible.

Like she's not fucking strong enough to defend herself if anything happened to her.

I might punch a wall.

My grip tightens around her waist, which makes her drowsily lift her head to stare up at me.

She's still shorter than me with heels on, enough to put her neck in an uncomfortable position whenever she looks up at me.

It's adorable.

But that's none of my concerns as the slimy fuck keeps undressing her with his eyes. Makes me want to claw them out with my bare hands.

Repress.

"Wha..." She starts, growing more and more confused as she tries to wrap her head around where the hell she is. "Jungkook? What are you..."

She trails off into a mindfuck, allowing me to set my full focus on the man still staring between us with wariness.

My gaze hasn't worn off him since I saw him fucking reach for her ass, which makes me want to bash his head against the wall.

My breathing turns heavy again.

Repress.

"Off-limits." I bite out with enough to control to shock myself. I'm even more surprised that this motherfucker is still breathing.

His eyes thin into slits as he eyes me suspiciously. "I haven't seen you here the last couple of hours. Thought her sexy ass came alone." His eyes skim over her body, gaze lingering longer than necessary on her breasts.

Guess someone's leaving with no limbs tonight.

"You thought wrong." It takes almost all the last bits of my control to reply with that before I start turning around to leave, Y/N almost falling asleep on my arm.

She clutches the hem of my shirt with a weak grip, like a toddler would its mom.

If I couldn't get here in time, what would've happened?

I catch myself before I overthink it. If I did, I'm afraid I might commit a crime tonight. One of shameless blood and murder-

Repress.

My back is turned to him when I hear a low whistle, which makes me pause, angry enough for my limbs to shake with adrenaline.

"You know, It's often rare for a slut with such a sweet ass to be out here all alone wearing that. Almost like she's begging for a cock-"

The words are barely out of his mouth before my fist connects with his face. The force of my blow got him on the floor, nose fucked and bleeding. Might be broken.

Good. Bare minimum.

I almost straddle him and punch him to his fucking fortunate death.

Almost.

But I have to get Y/N home.

I can't stand this anymore.

I can't stand her anymore.

Coming here alone? Dressed like that?

I mean yes, she did come here with her idiot brother who thinks with his dick, but he's nowhere to be found.

How can someone be so nonchalant to just leave his sister here all alone?

I'm so goddamn confused.

And infuriated.

And...angry.

Fucking fuck.

I need to get her the fuck out of here before i lose my fucking mind.

Fuck me.

The punch I just delivered did little to satiate my thirst for this slimy fucker's blood.

But again, Y/N's more important.

I turn, my panic spiking so high it reaches levels it had never before when I find Y/N out of my sight.

My breathing starts to go abnormal for the nth time this night.

I might develop heart problems.

A sigh leaves my mouth when I spot her by the bars, trying to convince the bartender to give her another shot. Relief floods my system, and my breaths regulate.

I send a quick text the girl- who i already forgot the name of- and tell her to head home. She sends a crying emoji back but agrees nonetheless, telling me to call her back when everything is sorted out on my end.

I have other things to care for.

Or I guess, in this case, a certain person to tend to.

God, It's gonna be a long night.

@hoseokteardrop @nochuel @kaitieskidmore97 @nays2112 @jksoftii @yu-justme @meadow-in-spring @bunnykoos @looneybleus @fushigurosdarling @alpha-mommy69 @junecat18 @xjiminsthighsx @tanniesdolls @winterbeartaehyungbestboy @whoa-jo @ahgasegotarmy116 @jksusawife @frgetmenotes @baechugff @partyparty-yah @army130613210521 @drugerlime @allisonstone @hopekive @llallaaa @tarahardcore @hopetookmysoul @betysotelo18 @harmonic55 @ecrvea @awesomebabyyoda @peterstarkchrishiddleston @pinkrockstar19 @sweetestseoul @luv--youu @mochminnie @coletaehyung @whitelies2248-blog @ash07128 @bangtans-momma @yourbobaeyestell

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@laylasbunbunny @btsnpniff @olimpiiaa @caro134340lina @ohsweetmimosa @lovingkoalaface @httpjeonlicious @t-alyssa-vvv-blog

#jungkook #jeon jungkook #bts fanfiction #jungkook ff #jungkook fanfic #jungkook x reader #e2l #kinda enemies to lovers lmao #idk if this is a series #jealous jk #jealous jungkook #brothers best friend #brother's best friend #jungkook jeon #jeon jk #yeah idk what else #love you guys sm #ugh #okay #bye #i love you

[olderthannetfic]

Something that frustrates me about the Harry Potter conversation is a lot of people missing the point behind the motivation to boycott it. They seem weirdly focused on the content of HP when it's actually... not that bad? It's not perfect, in fact a lot of aspects are pretty fucking problematic and worthy of discussion, but not uniquely so by the standards of the fantasy genre. Yes, I know the goblins are clearly drawing on anti-semitic tropes. Yes, the house elf situation is fucked. Yes, lots of not-like-other-girls-style misogyny. Yes, Cho Chang was a fucking disaster of racism. I KNOW THIS ALREADY! I'm not an idiot and Harry Potter fans were talking about this for far longer than JKR has been a TERF. But I'm also a fan of the Elder Scrolls and Dragon Age and the Witcher and a shitton of isekai anime and tons of other fantasy medias which are so much worse. Harry Potter is only moderately problematic by the standards of most popular fantasy media, especially for the mainstream standards of the time period it was written. Worthy of criticism, but not dropping it entirely. And actually reading HP and looking back at JKR's behaviour at the time, much of it seems largely unintentional, just that JKR drew on a lot of fantasy tropes that she didn't properly examine as well as her own unexamined biases and she had some flawed understandings of progressivism that were fair for its day but don't fly now, but doesn't seem malicious. The actual authorial intent at least seems to be pretty progressive at least, even if the execution wasn't the best. And sure, it's not a masterwork but there's a reason it connected to so many people, even if a lot of it was luck and timing. We don't have to ignore that and doing so feels dishonest.

I'm just so annoyed when people try to shit on the contents because they're missing the point and confuse the actual problem in a way that weakens their argument. I don't give Harry Potter money anymore because JKR crossed some lines for me in real life, totally separate from Harry Potter as a piece of media, and I don't want to fund her bullshit because she is so influential it is hurting people. The content of her books is utterly irrelevant to this decision. She could have penned a goddamn magnum opus and it wouldn't have mattered. So I'm sick of people bringing up books that are "better" or ragging on the contents of Harry Potter because none of that is the point and never was the point and it comes across as just taking advantage of a shitty situations to dunk on a popular thing or those who enjoyed it. Yeah, it was a mediocre fantasy series. But it hit the right emotional escapist buttons in a lot of kids even if it had the moral nuance and depth of a Teenage Mutant Ninja Turtles anti-drug PSA. Having to drop it sucked for a lot of people because it can't be replaced and yelling about how bad the writing was doesn't change that because it never was about quality. JKR's TERF transformation was in many ways a betrayal of JKR's intended audience considering how the text preached acceptance and love and starred an abused, unwanted child getting to go to magic school where he's special. Pretending Harry Potter should be dropped because its content has issues obscures the actual problem of a raging transphobic having money and influence and that not everything created by bad people is poor quality so boycotts might require giving up access to things you actually like or are valuable and that's not always an easy decision to make.

JKR was a probably decent person with fairly liberal politics when she wrote Harry Potter. The books, while imperfect, are not more horrible or full of problems a dozen other popular fantasy properties. JKR become a TERF later in life and while she may have had ingrained transphobia prior to this when she wrote Harry Potter, that is not the same as the virulent hate-movement she's part of now and we should recognize how easy it is for people to get drawn into hate-movements. Any argument to boycott should be about how she's using her money and influence to affect real life laws and attitudes unless you want to try and get people to also drop half the fantasy genre.

--

[deramin2]

I don't know how to really express this except to come across as a "kids these days" scold, but so much of the criticism of queerness in Good Omens would simply not be a thing if kids these days watched more 20th century queer media. Or more complex indie queer media in general.

People seem to want a show that's like the straight stories they grew up with but gay. Or the gay fanfiction they grew up with. But that's not really the tradition it's coming from. First off the novel was released in 1990. Queer film classics of the time are Dead Poet's Society (1989) and Torch Song Trilogy (1988). The TV miniseries Tales of the City (1993) wasn't made until 3 years later and it was so far out there it never had a huge audience. Philadelphia (1993) is also 3 years out and was basically the first big studio queer film. The first fluffy queer Hallmark-style romcom wasn't until Big Eden in 2000, a full 10 years after publication.

Queer stories from the time it was written were about complex and often fraught relationships between people who the world was trying to force apart. There is an incredibly strong tradition in queer films of relationships with no guarantees they will work out both in the face of their personal baggage and the weight of the world. Take a film like Torch Song Trilogy that's about the two great loves of Arnold Beckoff's life over 9 years and how homophobia shapes them. Both externally (especially Allen) and internally like Ed struggling with his bisexuality and being terrified of being publicly out. Written and starred in by Harvey Fierstein, who identified as a gay man at the time and only came out as nonbinary last year.

The Boys In The Band (1968 play, filmed 1970 and 2020) was a monumental moment in Broadway history where finally there was a play about gay men in their own words where no one died and very strongly showed that homosexuality doesn't make people miserable but homophobia sure does. But that homophobia also throws their personal lives into constant turmoil and none of them are in happy relationships, although Hank and Larry are devoted to each other in their own fucked up way.

"Relationships are complicated and hard to make work and sometimes a struggle against the odds" is an aesthetic of classic queer film making. Partly it was influenced by the Hays Code (although independent films were not bound to it), partly influenced by the rampant queerphobia in society at the time that was inescapable. But it's also an aesthetic choice to resist the banal and unrealistic relationship depictions of straight media. There are actual stakes to the relationship. Queer people were actively resisting a world that said "Romance is seeing someone across the room and instantly falling in love with each other and little conflicts happen along the way but ultimately they're destined to be together and everything is happily ever after." Recall that "stalking as romance" was a completely inescapable trope in 1980s straight romance films, and every goddamn movie was being turned into a romance film.

So queer people in film and television when they can make what they please have a long tradition of saying instead "People don't always realize the feelings they've developed for a queer partner right away. They may have reasons for denying those feelings that are both a reflection of the cruelty in society and of their own insecurities. People struggle with where they belong and their relationships reflect that. Loving someone doesn't mean they don't also drive you crazy and you might fight with them constantly. But that doesn't negate the love or that feeling that even if things aren't okay, they're better with that person around. But maybe that person can't stay around. The world may be against you. And also maybe you don't just want that one person in your life. Soulmates is a very flawed model. Sometimes the strongest love is a struggle with yourself and the world and your person. You have to overcome yourself first. Happily ever after is a lie. You may be happy for a while, and hopefully for a long while, but everything ends. And you have to be ready to love again. Also your platonic bonds are just as important and life-altering as your romantic ones. Sometimes those platonic bonds include fucking if you want them to. Real life isn't a bunch of platitudes and world-altering moments, it's daily work to better yourself and the world around you. Especially when things just fucking suck. But also remember to have fun and fuck the haters. People who don't support you can eat rocks and you should yell at them more to shut the fuck up."

That is a fundamentally different outlook on what a "good relationship depiction" looks like. Personally, I thought I hated romance movies and then I started watching queer romance movies and discovered I love them and watch them all the time. Because it turns out what I hated was relationships being shown that had nothing at all to do with reality and privileged incredibly toxic ideals. Finally there was complexity, there were stakes, and there were people who had to truly want to be together enough to fight the world for it and not because they happened to be there. There were people actually talking out their problems and looking for resolutions. (And sometimes that resolutions was "I can't fucking deal with this bullshit anymore and I'm out.") For the first time it felt real.

I'm an aroace trans gay man. Nothing about relationships or being in relationships has come easy to me, and the whole paradigm of straight patriarchal romance depictions makes absolutely no sense to me. It's completely alien. Queer romance stories actually feel human.

And that's the tradition Good Omens is coming from, even as it's being retold in 2019-2023 and hopefully beyond. Gaiman's work has always been based in that queer media paradigm. (I've been remiss and daunted and haven't read Pratchett but from what I do know his work also seems to sit more in that world view.) It's a beautiful cinematic tradition and it's baffling to me that people would resist it instead of embracing it for being honest.

And that's when I turn into a crotchety old man complaining about the youth not connecting with the history of their beautiful culture and instead begging for assimilation into a shithole allocishet media landscape that doesn't actually want them except for their money and has nothing at all interesting or valuable to say. But it's very funny (annoying) to me when people claim Good Omens is someone against queer culture when it's so thoroughly bathed in the best of queer media's storytelling traditions and what people are asking for is straight media with the serial numbers filed off. Like, stop being boring please and know literally anything about the culture the adults in the room lived through and were influenced by. The world didn't begin in 2015.

EDIT: I also want to add that in straight media arcs are linear. Traditionally in queer media arcs are cyclical. Queer media very often depicts people going around in circles relearning the same lesson over and over as they inch towards it sinking in. But every time they go through the cycle they gain just a little bit more enlightenment and slowly move towards a better place. From the comments this is an immensely important distinction. People don't actually have cathartic moments where suddenly all their past bad programming is shed and they saunter forward a new person with none of their old baggage. In reality people fall into the same patterns over and over even though they have had every opportunity to learn better. "People magically get better" is a trope of straight media that's an outright and frankly dangerous lie. Again, Good Omens follows the queer tradition not the straight one and it's depicted 6,000 years of that cycle. The world didn't end, and the wheel keeps turning, as it always has and always will. That's so fundamental to queer storytelling traditions I forgot to even mention it.

#good omens #good omens season 2 #good omens spoilers #go s2 spoilers #good omens discourse #queer media #queer history #discourse #I have been a crotchety old man against the youths since middle school to be clear #if you don't know where you've been you have no hope of knowing where you should go next #I didn't sit all the way through deeply homophobic Brokeback Mountain or Tár just to hear people complain that honest rep is bad rep #This is also why I'm a critchety old man about most Critical Role Shadowgast haters #Liam and Matt have not only watched but copiously reference older queer media and Shadowgast is so clearly that tradition

[animebw]

So! In order to keep myself from losing my goddamn mind in the aftermath of that G-Witch episode (how are we supposed to wait two weeks for the next episode I swear to fuck), I want to take a second and focus on something this show has done exceptionally well, but that I haven’t really seen talked about at all. Namely, the fact that Suletta is one of the best examples of an overpowered protagonist I’ve ever seen.

And yes, she is canonically overpowered. As long as she has Aerial by her side, she can curb-stomp pretty much every opponent without breaking a sweat. Time and again, she goes up against impossible odds and wipes the floor with them The best duelist at school? Chump. Facing multiple opponents alone and outnumbered? Child’s play. And honestly, I was starting to get annoyed by it around the end of the first season. How are we supposed to believe Suletta’s ever going to be in danger if she’s so ludicrously stronger than everyone else?

And then The Slap happened, and everything turns upside-down.

See, what makes season 1′s cliffhanger ending so goddamn powerful isn’t just the sight of our cheerful bumbling protagonist liquifying a living person into red paste in front of her horrified fiance. It’s not just the realization of how deep Prospera’s manipulation has twisted Suletta’s sense of identity. No, the real secret behind The Slap’s brilliance is that it retroactively makes every single moment of Overpowered Suletta fucking terrifying. Suddenly, we realize that her overwhelming strength in battle is a direct result of Prospera’s influence, raising her to be the perfect pawn in her little scheme. The reason she’s able to knock the socks off every single opponent she faces isn’t just Latent Protag Syndrome; it’s because her mother crafted her into a relentless warrior with the strength to destroy any obstacle in the path to her revenge. Suletta’s strength in battle isn’t just overwhelming; it’s dangerous, to herself and everyone around her. And the second she has to unleash that strength in a situation more serious than a no-casualties school sporting match, it becomes instantly, horrifyingly clear that she is in no way ready to grapple with the great responsibility that comes with such great power.

In other words, what first seemed like just a case of another anime protagonist winning every fight because reasons turns on its head and makes that overpowered nature a source of fear, both for the audience and for Miorine. So instead of ending up a boring tension-killer where we’re never afraid for Suletta’s safety, the fact that she’s capable of such force becomes the most critical source of tension and conflict driving her and Miorine’s story in the second season. Suletta being so overpowered is an explicit character flaw, at least as long as Prospera’s claws are in her. Because just because she can punch away any physical threat in her path doesn’t mean she’s not vulnerable in countless other areas. She may be the strongest in a fight, but she has nowhere near the strength of character to deal with the political schemes and emotional burdens that come about as a result of that strength. All that skill on the battlefield doesn’t mean shit when you can’t see how that skill is being manipulated for dark ends, or causing you to take on stress and trauma you have no healthy way of coping with. Suletta can smash her way to victory in any fight, and yet she’s the most vulnerable, least protected person in the entire cast, in no small part thanks to the forces that made her so strong in the first place.

There’s a reason characters like Saitama from One Punch Man and Mob from Mob Psycho 100 are so beloved, despite being so overpowered. ONE knows that in order to make an overpowered character interesting, you need to give them struggles beyond the scope of their powers to fix. Saitama can punch a mountain in half, but he can’t punch his way out of existential ennui; that’s just as much of a struggle for him as any normal person. Mob’s psychic powers can’t solve his emotional turmoil or provide him the perfect path toward maturity; he has to figure that out himself. They are overwhelmingly strong in fights, but the primary conflict of their stories has very little to do with those fights and everything to do with their growth as people. They’re stories about how even being the strongest person alive doesn’t protect you from the challenges of life that everyone on this planet faces, and their journeys to self-actualization are enormously compelling as a result. No one remembers the overpowered exploits of Isekai Harem Protagonist du jour; everyone remembers watching Saitama and Mob slowly find their way forward in life, one simple step at a time.

Suletta, in my eyes, is very much in the same vein. Like Saitama and Mob and all the best overpowered protagonists, her writing understands that being incredibly skilled in one area doesn’t mean you can’t be challenged in others- and in Mob’s case especially, how that incredible skill can actually be the biggest obstacle for the challenge you actually need to overcome. Suletta’s skill in battle is made compelling by her lack of that same skill in other areas, and the ultimate conflict of Gundam Witch is a conflict she cannot punch her way out of. If she’s going to survive this chaos and live happily every after with Miorine, she will need to struggle to overcome her years of conditioning and emotional uncertainty. She will need to struggle just as Mob struggled, just as Saitama struggled, not just to learn the skills she hasn’t developed yet, but to push back against the influence that resulted in her being so freakishly strong in the first place. Suletta is an overpowered protagonist who’s overpowered nature is, itself, the greatest challenge she will have to overcome in order to truly save herself and the people she loves. And I think that’s really damn neat.

#anime #the anime binge-watcher #tabw #mobile suit gundam: the witch from mercury #gundam witch #gundam witch from mercury #g-witch #suletta mercury #miorine rembran #suletta x miorine #prospera mercury

[weepylucifer]

Disco Elysium if it was a Hollywood Blockbuster

(inspired by the trailer by @brainrotdotorg)

Harry has to have a glowup arc where he regains his faith in his job and ability to be a good cop. The police isn't criticized here apart from maybe some handwaves at "a few bad apples" rhetoric. In the climactic moment, the phasmid appears and tells him it is his duty and his destiny... to reform the RCM

Because we don't have time for a nuanced take on addiction in this 90-minute movie, the narrative just turns on a dime halfway through to portraying Harry's alcoholism as rugged and badass instead of pathetic, or he suddenly stops drinking when he gets his groove back, with no withdrawal effects shown. The whole thing about speed helping him be better at his job doesn't factor in; Harry drinks and does drugs because he's sad about Dora and there's nothing more to it. All he needed was to buck up and focus on being the best cop in all of Revachol

Klaasje is portrayed as a one-dimensional scheming femme fatale. Her backstory doesn't really come up. She's dumbed down so that Harry can triumph over her, and is also genuinely attracted to him for some reason, "I am Sherlocked" style

Ruby is either cut entirely, or she's genuinely a predatory lesbian and that's it. If the latter, she shoots herself in the head in front of Harry and Kim and they make a MCU-style "Well that happened" quip about it

No political quests! We don't have time for that. Actually, both communism and fascism are only mentioned once in a backstory dump as stuff that happened in a bygone era. If anything, the film ends up really riding for moralism by complete accident

The film makers don't really know what to do with Kim, so he gets reduced to a guy that stands around and delivers snarky one-liners

The Hardie Boys are in one short interrogation scene, not quite enough to make casual moviegoers care when half of them are gunned down

Fan-favorite characters such as Cindy, Cuno or the Speedfreaks can be seen once in the background of a group scene, but have no lines (you KNOW hollywood couldn't handle the Cuno). It's announced on the director's insta as "a little easter egg for eagle-eyed fans"

Joyce has a way more active role, but also her character turns into an utterly flat "milf girlboss" type who gives Harry and Kim direct instructions on what to do, Madame Director style. The movie writers pat themselves on the backs for being more progressive and feminist than the source material. Also she has nothing to do with the mercs, they just sort of... appeared. Don't think about it too hard! It's stressed repeatedly that they're "rogue agents" and it's really nobody's fault that they're there

Evrart is a corrupt mob boss and that's it. He will be played by a skinny actor in a fatsuit. He also doesn't help find Harry's gun, Joyce has someone retrieve it offscreen so she can gravely and meaningfully hand it to him just in time for the mercenary tribunal

The Deserter just kinda being a shitty sad old man would be too anticlimactic for our summer blockbuster, so he is rewritten to be some kind of evil mastermind. Maybe he even directly communicates with Klaasje and tells her what to do, again "I am Sherlocked" style

The tribunal absolutely does end with RCM backup triumphantly arriving to save the day, led by Jean who underwent a mini-arc offscreen about putting his differences with Harry aside because at the end of the day, they're both cops, and goddamn it, cops help each other. He dramatically takes the wig off and chucks it on the ground to signal his character growth, and everything

No homo-sexual underground thought. The Smoker on the Balcony is allowed to show up in one scene, where he flirtily waves at Kim and Harry. Kim nods at him. Disney's first gay character--

There's a moment where Kim talks to Jean, expressing doubt about Harry. Cut to Harry doing something goofy across the room from them. Jean briefly glances at it, shakes his head, turns back to Kim and says gruffly: "He's a loose cannon... but he gets the job done." This is supposed to be a good thing

#posts by me #i have more i could do this all night #remember those blogs that were like ''[x series] if it was written by moffat''?? i guess this is DE if it was written by moffat #disco elysium

[britcision]

Someone on reddit was talking about not liking Laios in episode 6 and all that wasting time with the living paintings and people were explaining about the death mechanics and why they’re actually hurrying for what they’re trying to do, and the Shuro talk later

And like. Yup. Yup those are the none spoiler reasons we have for this episode and taking so much time in the living paintings. And yup it shows Laios’ monster knowledge is not absolute

You know why this was a whole manga chapter though? Why this was such a big part of the episode?

BECAUSE THE LIVING PAINTINGS CONTAIN CRITICAL FUCKING BACKGROUND INFORMATION THAT IS GOING TO BE IMPORTANT AS SHIT LATER ON LIKE WHO THE KING OF THE GOLDEN FUCKING COUNTRY IS AND THAT GODDAMN ELF

That’s our intro to THE LORD OF THE FUCKING DUNGEON

The guy who RECOGNISED Laios between paintings (and holy shit the implication that Thistle just spends his time inside those paintings reliving the glory days???)

It’s almost like there is information about things OTHER than the main party and most basic level of story that could be picked up on with the most basic level of curiosity about anything other than “sister in dragon”

And I’m not making a reddit account about it it is just baffling to me that no one even hinted that these Living Paintings Depicting Important Events From The History Of The Kingdom might possibly contain extra information about the goddamn kingdom

Or The Character That Was In All Three And Specifically Interacted With Laios And That He Brought Up To The Others might just possibly be relevant later on

I just. The lack of curiosity. It baffles me

#delicious in dungeon #dungeon meshi #delicious in dungeon anime ep 6 #dungeon meshi spoilers #i guess

[sir-adamus]

whenever i think of Ironwood's 'grand plan' after he gets spooked by a piece from a board game i always have to laugh because it was never gonna work, it was unsustainable from jump and only got progressively more unfeasible as volume 8 progressed

"we're going to use the staff to lift Atlas into the atmosphere where Grimm can't reach and leave everyone in Mantle to rot because if the poors didn't want to die they should've been born with money like the rest of us"

yeah cool bro, so given what we (finally) see of Atlas in volume 8 they've got some atmospheric control to accommodate for the temperature and presumably thinner air at the height Atlas is already floating at

and what powers that again? right, Dust. cos Dust powers everything

and you would have to assume that to maintain the current level of atmospheric control in a much higher altitude, that machinery would have to be cranked well the fuck up, which means more Dust is needed. and they can't mine for more because... they're up in the atmosphere, and their supply chain and underpaid exploited labourers got left to die on the ground

so power's gonna run out real fast and everyone's gonna suffocate and die slowly (guess Jimmy really wants to beat out Mountain Glenn on 'World's Largest Tomb')

but let's say by some miracle they do last longer than a week up there - food's gonna run out and they're not gonna be able to keep up supply and demand because they can't import any, supply chain is gone and they abandoned the rest of the planet to die to Salem. hell, water is gonna run out

and then the most ridiculous argument for the plan "Grimm can't fly that high". cos like. no. Grimm don't fly that high, because they don't need to. none of y'all were up there. just like none of y'all lived in the snowy tundras of the north so there weren't Grimm up there. until there were - funny how that works. and Salem's specifically been shown to be able to alter the Grimm without much issue - this wouldn't be a "one day the Grimm will adapt and fly that high" it's "give Salem maybe an hour and she'll make something that can get that high"

so yeah, the whole plan is stupid and it's basically just handing Salem the Staff because all she would have to do is wait out everyone dying from lack of air and then just going up there and taking the damn thing (and then dropping Atlas and causing mass devastation on a global scale)

and then volume 8 makes it worse - the shields go down and Monstra gets parked on Atlas. the plan was dead right there, she's already on the goddamn rock my dude - if you lift the rock now then she's still going to be on it and you will die even faster than you were already going to; like even after Oscar blew up Monstra and Salem was reforming, The Coward in Chief wasn't making any effort to scrape her off the side of Atlas before leaving, he just went back to making threats (which included the baffling logic of "Penny, unless you give yourself up now, i am going to blow up Mantle, and then you won't have any reason to not do what i say anymore anyway" as if Penny wouldn't have justifiable reason to decapitate him for doing that)

'the great general Ironwood' who grew up and came into power in peace time - strategically unsound, incapable of taking criticism and dumber than a bag of hammers

what a hero

#RWBY #if there's a lesson to be learned from this #it's that Jimmy's a dumbass #couldn't be trusted with a bag of cupcakes let alone a kingdom

[badass-queer-couples-battle]

Sword gays showdown, round 4 of bracket one

Propaganda:

For Yasha:

Big somft goth Viking barbarian lesbian who fights with a zweihander (and other big swords)

She's huge, she fights with a giant sword, looks intimidating but loves her friends and (eventual) gf so so much

For Zoro:

Literally training to be the greatest swordsman in the world. Has a special three swords technique (one blade in each hand plus one with the handle held in his teeth). I haven't read the manga or watched the anime but the live action adaptation gives me extremely gay vibes and based on the fandom things I've seen I'm not the only one

bro uses three swords. has one in his mouth. dont ask how the HELL he manages that. one day he will be the worlds greatest swordsman....after he beats the current greatest for both the titles of greatest swordsman and fruitiest swordsman. he's dramatic as FUUUCK like bro what the hell. has homoerotic fights with the local twink like everyday. directionally challenged, can and will get lost in a paper bag, doesnt know left from right...he probably cant read, too. hes too silly ngl

First of all, im in like episode 250 and so far he hasnt been shown attracted to any woman at all during the whole show so far, not even when one changed clothes in the same room as him and this is anime so you know there were other characters with bloody noses and shit. With that out of the way he wields three swords at once [two in his hands, one is his goddamn mouth dude. Its cool af trust me.] When he was little he made a promise to his best friend that he'd be the best swordsman in the world. Later she died in a tragic accident and left her sword which he still uses today. He also carries a cursed sword but he overpowers the curse with a combination of skill and sheer luck. He got stuck in a chimney. While his crewmates sail their ship he takes naps. He learned how to cut through metal by fighting a guy who could turn his body into metal blades. That's metal. He refuses to fight this liberal marine officer because she looks like his childhood best friend and its just understandably really awkward for him. He's autistic. He's a he/him bisexual lesbian. He's a gay man. He's ace/aro. He's whatever you want him to be babey!!

he has 3 swords, wields one in his mouth sometimes, his dream is to be the greatest swordsman in the world

three swords and big aroace-spec gay vibes

He not only has a sword he has *three* swords. He's absolutely gay there's no way to see this man as straight. Also one time he licked his sword for no reason and that was really funny to me so I had to mention it

Look, this man thinks about three things: Swords, His Captain, and Booze. He’s on a quest to be the worlds greatest swordsman. The Live action has a scene where he declares his undying, unwavering loyalty to his captain WHILE reaffirming his promise to be the worlds greatest swordsman. At this point His dream and his Captain are so intertwined it’s crazy. Man is so sword-y he’s got three of them. When one of his swords broke he carried its empty scabbard until he was able to give it a SWORD FUNERAL. He hears a sword is cursed and takes that as a challenge. He will literally tell his swords off for “bad behavior” when they “act up” due to being straight up cursed. He tests one by throwing it in the air and sticking his arm out to see if it is so blood thirsty and ill tempered that it will cut him. Even though he’s literally the first mate if you ask him what his role is he’s going to answer Swordsman.

He's dedicated his life to two things: becoming the greatest swordsman in the world and his captain, Luffy. 

He mastered the three sword style. Its his style. It would've been more swords but he could only fit one sword in each hand and one in his mouth. He wants to be the world's greatest swordsman, a deal he made with his childhood best frenemy (before she died falling down the stairs). He thought he was All That at the start and was almost completely decimated by the actual Worlds Greatest Swordsman. Now, after two years forced training with that guy, he's probably in the top tier no-doubt, and honestly could already be the best but we just don't know for sure yet. Also, did I mention: he's got the whole demon/devil imagery going on at times. And he has absolutely no sense of direction! plus is a total softie when it comes to Chopper and all the children who somehow gravitate towards him. And he loves naps!

One of the guy's main goals in life is to be the best sword fighter and he fights with three swords which I think is telling enough of his skill.

#sword gays showdown #yasha nydoorin #critical role #roronoa zoro #one piece #critical role campaign 2 #the mighty nein

[qcomicsy]

Hi

Can you recommend me Bat-family comics to read? Which ones do you like?

Heyyyy

I would love it!

DISCLAIMER Keep it in mind I'm a casual reader so my recs might not be the most "this is every issue they are together" or the longer ones!

Let's go!

Nightwing Annual (2021)

Dick & Jason focused

This is one of my favorites ones, it focuses both on Dick's and Jason's relationship as Nightwing and Robin and Nightwing and Redhood.

The dialogue is great, it has both it's really funny bits but also it's really wholesome ones too and it's full of heartwarming moments.

I absolutely adore the way they handled Jason's Robin and acknowledges his violent tendencies without judging him for it.

He's not portrayed as overly violent and reckless, but as a normal teenager having normal reactions given the things he had to deal in his past.

My only criticism is Jason still using that damn crowbar and how they kept drawing Jason shorter the Nightwing for some reason. I think it was to accentuate the "younger brother" feelings so I forgive the artist.

But it's pretty funny.

He looks like short king

Robin & Batman

Dick and Bruce focused

Oh this one, this one it's so good, so good that almost got me crying on main. It's really beautiful, I wasn't the happiest about how Bruce behaved in the comic but it sat in a fine line between Batdad and Bruce being a terrible father/person.

He is too hard on Robin, but it does show how he is trying.

The art is goddamn beautiful, it has this watercolor look and Dick looks adorable on it.

It also goes deep in Dick's feelings about being Robin and what the whole jig means to him, it respects Dick's relationship with Bruce but without forgetting the love and the moments he had with his biological parents.

It's just really, really beautiful a goddamn gem between the many mistakes DC made with them two over those years.

For Tim and Dick I really recomend

Batman Prodigal (1997)

Note: The whole Kightfell series is great for a Bruce, Dick and Tim read. But for the Batfam feelings you can just focus on the prodigal parts.

Dick & Tim focused

The only thing you have to know to catch up is:

1. Bane broke Bruce's back and dignity, so he couldn't still be Batman.

2. Bruce found this guy called Jean Paul to fill for him.

3. Jean Paul is really fond of punishment and violence and the good ol' catholic guilt and goes a little bit too rogue as Batman for everyone's liking.

4. Bruce takes the mantle from Jean Paul and Nightwing fills in as the new Batman.

I wouldn't call exactly brotherly, because Tim wasn't adopted yet in the timeline this was published but they have their moments.

New talent show case DC #2017

Duke and Jason focused

This is also a favorite. It's a short story (unfortunately) but every single panel is worth it.

It's basically Jason and Duke bonding moment between fighting some baddies and trying to clown each other on the way. 10/10 will always recommend.

Robin War

Jason & Duke & Tim & Damian

This one I've read recently (thanks for the asks people send to me y'all are fucking great) and it's a fucking gem!

It shows a lot their chemistry on the battlefield and how fucking insufferable they are around each other. It also shows how Duke fits as a glove in this family of misfits even before he was an "official member".

Red Hood and the Outlaws Annual (2016)

Another Dick and Jason focused!

Oh this one is a blast! It's also short but so goddamn worth it.

Basically Jason and the Outlaws take a gig in a circus to track a Russian bad guy (gotta love how comic books have unresolved beef with Russians until this day) and well it's a circus so how can you not call Dick Grayson?

It's so goddamn funny and it has no right to be, it still very close in the timeline where Dick and Jason were definitely not in good terms, so their interaction it's all so awkward it's a joy really.

We also got a flashback from Dick and younger Jason as Robin and even the flashback is goddamn hilarious, I had such a good time reading it that it's a must read!

Now If you're here for the angst and general feeling's™

I would highly recomend.

- Nightwing Year One (Dick & Bruce)

- Death in the Family (Jason & Bruce & Dick)

- Red Robin (Tim & Dick / Tim & Damian / minor Tim & Cass / Minor Bruce & Tim)

Note: They don't interact much in this run but when they do it hurts. It also can help you understand the beef between Tim and Damian better.

- DCeased (Damian & Steph / minor Damian & Jason)

Note: It's one of the many, many DC aus but this one it's 'pretty' good (it's decent). Definitely not Batfam focused but it has one one of my favorite Damian & Steph and Damian & Jason moments. It's also one of my favorites interpretations of Damian, he gets so sweet and mature over the years that passes in the comic and his reencounter with Jason rewrote my entirety brain chemistry.

Also unfortunately it's the only time we get to see Damian and Jon growing up together :')

- DC vs Vampires ( Batfam (except Duke because the author is a coward) specially Tim & Damian / Tim & Bruce / Dick & Almost everybody )

Note: Okay this one is a fucking car ride, a rollercoaster if you will. And it's ANOTHER DC au but with yeah VAMPIRES so buckle-up.

It has major Batfam moments in the beginning and one of my favorites Damian and Tim interactions ( I'm going to reblog this with photos because Tumblr is homophobic and isn't letting me add more photos in this shit >:( ). Then it goes hard on betrayal (trying not to add spoilers) and feelings so get ready for that.

I unfortunately haven't finished (casual reader remember that) but the much I've read was really, really good.

It gets very silly very quickly as anything made with vampires generally get (unfortunately they butchered a lot of characters in the process) but if you go head empty no thoughts you're going to get a lot of fun and maybe cry a little if that gets to you.

So this is it. I'm sure it has more of it, and oh I'm sure I forgot a lot of it but those are the one's I could get from the top of my head, so I hope you and all of the people who want to follow it have fun!

Also if someone has more recommendations feel free to add on the Reblogs, I'm sure I will eat it up anyway.

#Also Batman & Robin Eternal has been sitting on my reading list for a while (lies) #I've read a couple of panels today and seems really promising a lot of Dick & Tim & Jason interactions! Harpey my dear is also there to! #so if someone wants to check go for it I for now have no idea of it's good or not #but I will (eventually (*I hope*)) #q asks #q recommendations #batfamily #batfam #dick grayson #jason todd #bruce wayne #tim drake #damian wayne #duke thomas #stephanie brown #cassandra cain #alfred pennyworth

[youkaiyume]

So, Rise of the Beasts!!

I saw it twice of the weekend, and I want to put down my honest thoughts.

Overall, I had a great time and I definitely think it's worth watching. Ignore the critic reviews for some reason they are offended that a Transformers movie exists to sell toys. You know, their sole purpose since the very beginning of inception. But OF COURSE I have THOUGHTS so...

Spoilers under the cut!

I liked the human characters for the most part. Noah's sudden onboard motives for going with the autobots to Peru was not as convincing but adventure needs to happen so I gave it a pass.

Mirage is like, DTF with Noah. Like he is SO ready for that tiny bf bff. It's obvious that Bee spoke so much about Charlie (cuz it seemed he was the only one who did talk positively about humans in their group) that Mirage was just. HIS BODY WAS READY.

CHARLIE WAS MENTIONED!!! AHHHHH!!! That was the one tiny smidgeon of a crumb that I wanted and they gave it to me. Granted it was implied when Optimus says "I know one was good to you, Bee" But I was told that the Latin America dub had him say Charlie's actual name. There was a SCENE that was cut out according to the Hollywood Reporter--that Bumblebee had also pulled out a polaroid pic that Charlie took of them together from the first movie here to show OP. HE'S BEEN CARRYING AROUND HER PICTURE ALL THESE YEARS I DIE WHY DID YOU CUT THIS OUT!!!

Mirage's abilities seem very arbitrary. And I do not like this. He can turn into several alt modes which seems to be only a thing that he can do... he can mass shift--which I know mass shifting is a thing but when he turns into a truck to sneak past the museum security I was like??? I was always under the impression that the bots could turn into a vehicle relative to their own actual size so this just confuses me. There is supposedly an earlier cut of the film where it was more clear that the trailer was another illusion. which I wish they kept in. Also when he becomes Noah's symbiote suit at the end?? Like, as a shipper and rule of cool I am into it, but as a person who wants rules to ground my science fiction I don't like how Mirage is just a swiss army knife for the writer's convenience. It feels lazy instead of taking the time to actually worldbuild. Nobody else can do these things.

The arbitrary mass shifting of him being as big or as small as he wants (like when he becomes Noah's exosuit) really falls apart when they keep insisting that they need the humans because only they can fit into small spaces. Well, clearly not cuz you can just do it yourself. AGAIN, PLEASE BE CONSISTENT WITH YOUR RULES.

Airazor x Elena. Anyone else????

speaking of which, I am very upset about what happens to Airazor. And we never even got to see her transform. tragic.

Optimus sure was a negative nancy which--I understand why but I hope they ease up on edgy "i will rip everyone's faces off" Optimus because it feels disingenuous to his character to keep it going for too long. Like I get it, they killed your fave child so I will forgive you but also I want more of "Be strong enough to be gentle" Optimus. Not the edgelord Bayverse Optimus that they are clearly going for cuz the know certain :ahem: fans like that.

Beeeee. They put him out of commission which again, according to interviews they did just so they could make sure he doesn't steal the spotlight and give a chance for the other characters to shine lmao. He is too powerful. But also because we shots of him in the trailers, I was not too worried about Bee staying out of commission. But goddamn when if I still wasn't hyped as hell when he made his comeback. 10/10 he proves he's still the GOAT.

I hate Pablo/Wheeljack. No, after seeing the movie my opinion of him did not improve in fact it got so much worse. His design was the LEAST of his problems. Every moment he was on screen was deeply cringe. And he barely did anything!! He could have not been in the movie at all and it wouldn't have made a difference and I genuinely believe it would have been a better film. All this hullaballoo over Pablo and this is what we got. Wheeljack fans lost hard after all that defense I'm sorry this ain't it.

Hey speaking of bots that barely got any lines or screentime, wtf was up with Rhinox and Cheetor? My boys got shafted :(

There was a moment where OP is asking the bots if they detected the terrorcons and Arcee WHO IS SITTING in the pablo van was like "lol nope" and I was like GURL how could you, you're in a van. And it made no sense because don't you also have an altmode??? Shouldn't you be scouting outside to cover more ground???

I firmly believe the only had Arcee sitting in there like a dumb duck because they wanted Wheeljack to make a dumb joke in the original cut about how it was a long time since she was inside him. UGHUGHUGH.

Did I mention how glad I am that they cut the majority of Wheeljack's screentime since it was so awful especially his and Arcee's implied romance? Especially since they killed off the other femmes so the only one we got now has to have a mandatory romance. No thanks. Glad that nonsense is gone.

The Maximals' robot modes were very minimal. and they went by so fast I never got a good look at their designs.

I loved how the Maximals were harmoniously living with the native tribe--and speaking their language!

Scourge's face reveal seemed to be treated like it was a big deal but when we saw him it was just... guy without his wig on. Literally the surprise is that he is bald.

Noah x Mirage is very strong good. I have no doubt the fandom will be all over it since they seem to eat up BL romance much more readily and I am all for it. They also have all the great ingredients for it--flirting, drift compatibility, self sacrifice for the other. Another human x transformer ship for the books.

I'm sure there are some ppl who like the ending. but I.... did not. I do not want to see G.I.Joes in my transformers I'm sorry. I don't want the return of military propaganda or more introductions to several human characters that take away from the transformers. I don't want to see them exploited or used for our own human affairs--even if it's a fictional cult-- when they could be literally fighting Decepticons or Unicron or whatever. People might have wanted them in Bayverse cuz it was heavily skewed Military in those films but I don't want to see it again. It was a terrible, dark time. the Joes might be presented as good guys but I don't trust the military in general and I don't see their motives as altruistic--especially if their goal is to use them for their own purposes. Why would they help them get home? They wouldn't, if just to keep their best weapons--and Noah is bait. He is bait and he will fall for it hook line and sinker because they are bribing him with his brother's healthcare and the fact that he is struggling to find work elsewhere.I hope if they are to be involved at all it will be relegated to characters here and there but they stay in their own movies if they have to ride on Transformers coattails to revive an irrelevant struggling franchise.

There was minimal human injuries/death and I appreciate that. They did the DBZ thing where they took their fight to remote locations. This probably won't keep up if they introduce the Joes :/

Overall, 8/10. I had a fun time. I didn't love it as much as Bumblebee but it was definitely miles better than Bayverse (a low bar I know). The action was clear, the characters likable, the CGI mostly stellar. I have hope that they will bring back Charlie maybe. But hey, I took my parents to it the second time around and my Mom liked Mirage and my Dad did not fall asleep so I will consider that a stamp of approval.

#transformers #rise of the beasts #ROTB #text post #long post #read more under the cut #not so much a review as all of the thoughts i had while watching it

[orchidbreezefc]

edgar woe.begone: low empathy, high masking

THESIS: my reading of edgar woe.begone is that he's a low empathy autistic who has no innate intuition for social cues and has had to teach himself everything about social interaction from scratch, which is an interpretation that i think explains a lot about him.

now, i am very critical of edgar as a person. i think he's a less than good person and a bad boyfriend. but let me be VERY clear right off the bat: these symptoms don't make anyone a bad person. these symptoms aren't even bad per se. theyre all disabling symptoms that make social interaction more difficult for the person who has them. like any symptom, they have to be managed and compensated for.

some people under the neurodivergent/mentally ill umbrella, as with any group of people, are bad people. being a bad person flavors one's approach to their mental illness, and mental illness in turn flavors the manner in which they're a bad person. the mental illness isn't what makes you bad, but it does affect how your shittiness manifests.

disclaimers done, a good place to start is the way edgar speaks, especially with jeremy's performance. edgar always sounds very reasonable, approachable, and agreeable, and there is never an ounce of genuine emotion in his voice. he talks like an autistic person with zero innate intuition for social interaction who has taught himself to speak in the way that he's learned will get the best response.

edgar's customer service voice is the only one we hear and likely the only one he uses if he can help it. we know edgar's a tactician, a persuader. why use any other voice than the one he's carefully fine-tuned to make people like him and be receptive to what he's saying? this isn't even necessarily cynical: what do you want him to do, talk in a more uncontrolled, emotional way--that he's not used to managing--that will make people like him less?? what good would that do?

edgar likes control. he's more comfortable when things are in his hands, and only his. propagation definitely factors in here--if [link: my theory] that propagation is what solidified the certainty of edgar's death is true, it's no wonder he wants to control and limit the spread of information. edgar prefers to be in charge of making the plans, ideally alone.

this is part of why mike is perpetually out of the loop, even regarding decisions that concern him--which is pretty damn paternalistic. but there's a more wholesome aspect as well: edgar genuinely thinks he's doing mike a favor.

edgar knows mike has undergone and is undergoing a lot, and that he's terrible with plans and a major blabbermouth. if edgar can take care of a problem without mike having to worry his pretty head and perfect eyebrows about what to do, without knowing it ever existed, isn't that so much better? that's edgar being a good boyfriend, actually. he's helping!

it probably doesn't even occur to edgar how much this limits mike's agency, how much it hurts mike that edgar refuses to let him in, how this puts them on unequal footing, how fucking patronizing it is to not let your boyfriend make his own decisions about his own life. oh, how the tables have tabled since him originally telling mike that keeping the story of woe.begone from him didn't protect him, it impeded his ability to make informed choices.

here's where the low empathy creates problems--edgar doesn't have that innate intuition for how mike's feeling, and he doesn't (effectively) manage or compensate for it, and he definitely doesn't communicate with mike enough to know how he's affected by this shit (avoiding too much information sharing is good, remember?)

and mike certainly isn't going to tell him! mike is a goddamn simp. he's not going to establish boundaries. he's not going to put his foot down and demand better treatment. as if he fucking deserves that in the first place, pshaw. the only time he pushes back is in season 10 when he doesn't remember their relationship, and edgar is deeply shaken.

edgar is devastated to learn he hurt mikey, because he does genuinely adore that man. he would get lasso lessons from michael and rope him the moon if he could. his low empathy and efforts to manage everything himself keep him from realizing that mikey, a hyperempathetic mess who gets sentimental about pens, seriously suffers from being shut out like this.

edgar's thought process must be equally inscrutable to mikey, who just figures it would be asking too much to be an active and equal participant in his own relationship and life. edgar's perfect and great, so if mikey deserved that, he would already be giving it to him. if mikey's unhappy with any part of their relationship, no he isn't. he's lucky he has edgar at all. he's lucky he has anyone.

recall michael's agonized admission that "everything is about rugby, dammit" 10(++++) years and edgar's literal death later. we can only guess at how bad his rugby was, but we do know michael never talked it through with edgar. he tells mike this was him 'letting it go' actually, when the fact that theyre having this conversation at all is proof that he extremely hasn't. this is what 'letting it go' looks like to michael: burying an issue forever and giving up on ever getting closure.

so yes, edgar does authentically deeply love his mikey-bear. unfortunately, if you never establish the communication to bridge the differences between your own methods of operating and that of your partner, love will only get you so far. and the first time around, where it got them was michael fighting back tears in an apartment in latvia over a wound from edgar that he suffered in silence until the day he died.

#edgar woe.begone #edgar w.bg #mike walters #mikey walters #michael walters #woe.begone #w.bg #woe.begone meta #w.bg meta #long post #w.bg spoilers through uhhh season 11 sometime #sage original post #sage speaks #let's talk about edgar! i don't like him! #as a person. as a character he's great #as a person i'm like stay back slut. i don't trust that bitch. be a better boyfriend!!! #it's fascinating how mike doesnt deserve edgar in both directions at once #edgar is out of mike's league and better than him in every conceivable way #but also he doesn't treat mike right. mike deserves better. which is saying a lot because he's mike walters #one wonders if being with sly has prompted michael to start unpacking this shit. i want to know why he's fighting with mikey's edgar #please tell me dylan i need to know

[mymarifae]

the more time that goes by the less tolerant i become of people using they/them pronouns for mizuki. like... man come on. look, i get it. the official english translation and 90% of fan translations use they/them (though it is Extremely worth noting that the official english translation did initially use she/her! but the backlash from people who didn't like the blatant confirmation that she's a trans girl was so bad they switched to using they/them) - first impressions might make you think the intent is an actual nonbinary character but the problem is that is not the intent at all.

they/them pronouns are used in official content and in translation solely to "obscure" mizuki's gender. these pronouns have no bearing on canon because if you think about it for more than 2 goddamn seconds ... if mizuki's secret is supposed to be the fact that she's nonbinary and really uses they/them pronouns why the fuck does everyone already know this 😭 what's actually happening is everyone is assuming mizuki is a cis girl - rui and, as a lot of dialogue seems to suggest, an are the only people who know she's trans. and the Secret and Truth she's spent all this time wrestling with is "should i tell my friends i'm trans? will they stop seeing me as a girl once i do? will they think i'm a disgusting freak? will they hate me? ... am i a liar and a bad person if i don't tell them?"

the only reason she/her is not used in english texts is to appeal to the raging transmisogynists who want to view her as a cross-dressing boy. and because they realized they can make more money by roping in unwitting english-speaking fans who aren't thinking critically about how the they/them pronouns are being used and just take it as nonbinary representation. which it really, really, reallyyyyyy is not. i don't think i need to explain how transmisogynistic it is to degender a trans girl

#there's always so much resistance to letting the fuck go of the they/them pronouns too #'she/they nonbinary transfem mizuki' would it kill you to just accept her as a binary trans girl and just use the she/her pronouns already #God.