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aegagrusscholarship · 2 months

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familiarity, the lack thereof, and the only way it could have ended.

the thing is, ultrakill is a very diegetic game. near everything, from the style meter to the bottomless arsenal to the shitass graphics themselves, are explained in some way by some in-universe fact.

so, what with violence and the implication that V1 was designed to counter earthmovers

what with 7-4 and the fact that it is a culmination of this implication

i wonder. when V1 looked up at that earthmover, did it know, with whatever passes for instinct in a machine, exactly what to do? and if it did, then, how is this conveyed to the player?

diegetic as the game is, how does it engineer a situation in which the player, themselves, knows exactly what they have to do?

the biggest factor, i think, is the fact that the earthmover's health bar appears the moment you lay eyes (or camera, or whatever) on it, and it does not leave until you have finally killed this colossus.

but this factor is much more subtle than it appears at first glance. yes, big honkin' boss healthbar on screen for the entire level, what more to it. there's a good deal more, it turns out.

first off- this is the shortest leadup by far to any bossfight in the game. you slide through a single vent, and you are greeted with benjamin right out in the open. even P-1, devoid of any other hazards as it is, gives you a long trek down the spinal staircase before you reach the flesh prison. 7-4 has none of it. you enter the level, you enter the stage, and there you have it. you know exactly what you are up against right from the outset, and it's not quite a feeling of familiarity but it tells you exactly what you have to do. which is the point of this all, isn't it?

7-4 is also... not a bossfight! it is a full level! it is a full level framed as a bossfight. the health bar frames this full complete level as a bossfight.

and on one hand, this is not new news. on the other hand, i think this is the crux of it. the thing is, most bossfights are near-to-entirely new. you do not know how the boss acts. you do not know their attack patterns. you do not know their capabilities. you are learning something new. levels, though, you have done a thousand times over and so the player knows how they need to play through this bossfight in a way that is not quite present with any other boss in the game.

the content of the level is new, of course, because that's how it goes. but you know the motions. you have done this for two acts prior, you know the motions. you know exactly what to do.

also! this level does not exist in a vacuum. what i am saying is this: the rest of violence layer shifts its storytelling and its tone and even its graphics. it is something completely new in contrast to the rest of the game. 7-4, though, returns to environments and graphics more akin to what you have experienced before, bringing you back to familiarity and again knowing what to do here in a way the rest of violence hasn't let the player experience.

one more thing about this level: it plays directly into expectations. which is something that the rest of the game actually does not tend to do.

the game, at base, is just not a typical FPS. it gives you movement like a roguelite or a platformer, it takes guns you expect to know the mechanics of and goes utterly wild with how far the archetype can be changed.

in a smaller scope, here is a comparison of the earthmover and the corpse of king minos as two separate colossal bosses foreshadowed in similar ways. and i mean, minos's bossfight isn't unprecedented in other works. but i think the thing that matters here is that you are not, in fact, the underdog as is the case with so many other bosses of its ilk. riven of many voices, destiny 2, similar bossfight similar scale. you are hiding from her you are a fireteam of many you are triumphing over a dragon larger than life. project gestalt, madness project nexus, you are pulling out every stop you can to take down something so far over your head (both literally and metaphorically). corpse of king minos- V1 looks up, stands its ground, and parries his god damn fist.

and the thing is, the earthmover plays into a different expectation, but it's playing into an expectation nonetheless. you look at this thing and you climb it and you dismantle it from within, like you have done in many games prior. you know what your goal is from the moment you see that healthbar and you hook onto the conspicuously placed hookpoints that tell you- you will climb this machine; you will fight your way up to whatever its core is and you will kill it. you play through the entire level with this expectation and you get exactly this expectation. you destroy its core and it begins a countdown, and so very many games have countdowns before the collapse of whatever level you have just beaten, and you know exactly what you have to do.

i don't know. i love diegetic storytelling. i love this level.

it's just familiarity, i think. this level runs off familiarity. it gives you, the player, things and tropes and designs you are familiar with. it signals to you that you should know what to do, and it lets you do exactly what you expect to do.

if i were any more cheesy i could absolutely end this by restating something about the only way it could've ended, but uh. i am not that cheesy. this time.

aw crud now i don't know how to end this oh well goodbye then

#ultrakill #ultrakill spoilers #idk dude i just saw someone say like. 'when v1 saw the earthmover do you think it knew what to do in a way itd never experienced before'#and i was like 'hmmmm ultrakill is a game that justifies a LOT of its story decisions in gameplay'#'i sure wonder how this one mighta been conveyed to the player'#and then i experienced a category 5 autism event in one of my friends' dms. thanks pory youre a real one #for listening to my giant fucking ramble while i was walkin down from the train station LMFAO #......also fuck i hope no one has written this before i amso sorry if i am just rehashing someone elses already written thoughts fffffuck.

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brandwhorestarscream · 5 months

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SG constructicprowl?

With Prowl sparked (or the other way around, your choice)

Oooh ok, immediately I'm thinking of Prowl carrying. Normal Prowl is a bit of a bastard but shattered glass Prowl is just an evil, manipulatative mastermind. Even tho the war is over and even tho the constructicons love him very much, he's still incredibly insecure and needs to be in control at all times. He uses the carrying cycle to make them do anything and everything under the sun, and the structies are just big puppies. They're pampering and spoiling him 24/7 and are always at his beck and call. There's nothing they wouldn't do for him

Prowl probably sows at least a little bit of discord in them during this time, especially if one manages to piss him off. A little infighting keeps things spicy, and makes them even more desperate for his approval and attention. I think, in reality, he's got some mental health issues that he should really see a therapist for, and is secretly afraid of losing them and feels like a poser in the gestalt. It's not the healthiest relationship, not by a long shot, but I do think over time he'll soften. Their love never falters or wavers, and in that he becomes more comfortable. They probably know exactly what he's doing and just go along with his little ploys 🤭

#shattered glass #constructiprowl

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ritualcaster · 8 days

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I wanted to run though all the stuff we don't know about objectified.

All of it.

Apocalypse guide:

Starsheet - onset advance, what are all three variants

What is ID: gestalt

Who is ID: symbiote - who's been talking to wagyu through the hive cores - what did they mean by "rocks" and "machines"

Concept art

Who is "Wristwatch" and why is he gone

Turtleshells Journal

Whereabout's for all the characters mentioned in present time

Who the 4 "?" Characters are

Morrigan, just the whole character really.

What are the lawless kings up to / how will they be used in the story

Whats happening in the other countries, and are they working to help the rings (or, why did they abandon them)

Who controls the dread tides

Character refs (I can't belive this needs a section)

The blacked out text in Ghost Peppers ref

Gums scar[s] (basically just "cherry")

From here onward, It's plot speculation, and the sections are labeled after characters rather than the website elements.

CITRUS

Parents / the full story of the flashback in "Venatics"

Why is he like some kind of fucked up vampire

What is his relation to Morrigan

Spool

He's just some guy.

No questions here.

Razor

What happened to the rest of her pack

Her relation to Warhammer (if any?)

Mushroom

Related to "PILOBOLUS" from the story in "Stranded", but how

What happened to Cattail (Fully considering that he probably died of course)

Wheres Mushrooms mother (Mentioned and shown in turtleshells journal) And Is she the relation to "Pilobus"

Why is the entire district empty?

Dynamite

Not much about his past can be used for plot

No questions

Brandy + Minty

Maple syrup (at fort blanket, mainly what happened to her if relevant to plot)

"The old stories from Ankh" - the first had plot relevance with mushroom, if there are more i expect similar things.

There's little depth in their past, namely just their time in marshlight.

Fossil

Her past with Push

Health problems with being a defect object (hinted at in "babs'" ref sheet, confirmed in qna)

Why she checked Painkillers eyes

The water thing she has (its quite possible its just because shes part gator, but i feel something deeper than that)

Painkiller

From marshlight, but we have literally no idea about their past other than that.

Theres no material for questions.

Dragonscale

Past in Demon's diner (namely with the lawless king she half-mentioned in "control")

Ghost pepper being and actual ghost (???)

Wagyu

How did he retain control? And why?

Who's trying to talk to him? And why?

Comet

What's with all the crow foreshadowing? (Probably Morrigan again)

Whats the full story with her 'version' of starsheet [Snowsheet? Onset advance?]

Gum

The story of her exes (all 7 of them)

The scar from "Cherry" (already mentioned this one but i'm curious)

Basically her entire past, (with multiple lawless kings?)

Overarching plot / Parasites

How will three-spines evolve and affect characters?

Who created the parasites, and why?

Where, is everyone? (Cattail, pushpin, turtleshell, everyone in middle ring, the lawless kings, characters from gums past.)

How is starsheet going to affect nearly half the characters, especially the onset advance variants.

If i remember right, in the qna, chester mentioned he had "special quirks" planned for every character. - [Everything that will be in the 'Everything else' category in the apocalypse guide.]

The the next late stage event

___________________________________________

Ok, i mentioned a few things twice, but i think thats all my questions right now.

All i can hope is that i'm asking the right ones.

#objectified comic #objectified #object show comic #if all of these are answered in book 1 i will be very impressed

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drconstellation · 6 months

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More Half-and-Half-A-Miracle Thoughts

Part 1: Miracle Power Ranking

Part 2: The Dark side of Aziraphale is here. Part 3: The Third Archangel

I was originally going to add some comments as a reblog to @nofomogirl's post on why the 25 Lazurii miracle was so powerful, but the initial thought I had on the matter slipped away from me during that day, and I was left looking at a glimpse at the viridian green back panel of Aziraphale's waistcoat and wondering what had sparked my original thought, and any attempt to try and grasp it again was a futile as Muriel trying to open Gabriel's file in Heaven.

So I wandered off on other tangents, explored other topics I was curious about, and enjoyed reading the new posts that went up, but the ghost of that viridian green panel kept lurking about with a sharp stick to remind me it was there. So I'm here to post some more thoughts in addition to the op's post that I feel might add to the discussion about the little miracle that worked too well.

I also want to say before I get stuck in (and warning - this is going to be a long one!) that I think no matter how much we discuss this or dig at it, ultimately we just don't have enough information to have a definitive answer as to the why at the moment, and, we may never know. But I'm going to speak because I think I there is at least one thing I haven't seen discussed yet in context with this scene, and should be (at least, I haven't seen it yet - if you have, please let me know.)

So if you're in a TL:DR mode and don't want to open links, here is the list of current theories of why two little "half miracles" made one mighty one:

Theory#1: It's love

Theory #2: It's them

Theory#3: It's a fusion

Theory #4: It's Gabriel

Theory #5: It's the portal (that they did it on top of)

To preface my answering ramble the TL:DR again is - its a fusion of "them" i.e. both #2 and #3 together. As in Aziraphale x Gabriel x Crowley. 3x3x3

Hang on, that's 27! Not 25! yeah, yeah, I'm not that bad at math. And I'll admit it doesn't fit - it doesn't "snap" into place. But its either that or 5x5 and I wanted to consider all three elements in this miracle working together for the discussion at the start. And there seems to an emphasis on 3's as well as 7's (Maybe you can cut the middle out at the end, once you can see the bigger picture I'm trying to present, but lets leave it this way for now. Maybe it will give you another idea...)

Firstly, consider the three elements, working in synergy. The whole is greater than the sum of its parts. As Crowley describes it in S2E6: " Apparently, if we do a miracle together, it all works a bit too well." (I was originally thinking of the word "gestalt" but on reflection its probably not the right one.)

"...if we..."

Let's ask who is "we" at this point, and how much miracle power they are contributing to the miracle. Are they contributing equally? Yes? Or no? I want to take a closer look at miracle power: the knowns, the unknowns and the possibilities to explore that.

We've already been told that most day-to-day miracles are down in the mili-Lazurii level, a mere few thousandth of the power of the hiding miracle. And this makes sense - we don't see our protagonists bringing the dead back to life willy-nilly. Aziraphale mentions getting into trouble for doing "too many frivolous miracles." But if its one thing Good Omens stands out for its the conspicuous lack of displays of stupendous power. And this actually doesn't help our understanding of the problem.

Indulge me in a "ranking of power" exercise, if you will.

At the top we have the big three - no, four - er, lets make that five actually! Five ineffably, unarguably, omnipotent entities that every one respects and no one will mess with. They can essentially do what ever they will.

God, and Her (ex-) bestie, Satan.

Azrael, the angel of Death.

Adam Young, the Antichrist, who has retained his powers and is still protecting Tadfield.

And lastly the yet-to be revealed second coming of Jesus Christ.

Lets put them all aside and out of the equation.

Next, we have the Metatron, whom we haven't seen lift a finger, only his voice, yet the mere sight of his face evokes fear. How much miracle power can he wield? That's a big unknown, unfortunately. But being the current right-hand being of the Almighty must give him some serious grunt.

The top brass of the respective bureaucracies starts to raise questions. We have our senior Archangels (the seraphim) and the Dukes of Hell. I have no doubt that Gabriel, as Supreme Archangel of all Heaven, should be capable of performing at least a 1 Lazurii miracle on his own if required, and he could even have the potential to stretch to 25 Lazurii...if he could be bothered.

We know that they can be promoted in an out of those positions, and that raises questions about what happens to their powers when they get promoted or demoted. To gain power when promoted? Or lose it when demoted? Or is it a simply a matter of belief? In which case it might rely on the individual's personality.

When looking for examples of expressed power, in both the book and tv series, it is easier to come up with examples of demonic miracles than angelic miracles, and it makes things look a bit biased, imo. I mean, Crowley aside for the moment (I'll get back to him shortly) you have to be impressed with Hastur's escape from the ansaphone into the call center and manifesting into the mass of maggots, for all he was a bit old fashioned and smelled like poo. Shax playing games with Crowley just outside the shop in S2, manifesting as different characters in rapid succession has to be up there with another good demo of demon power (which it certainly worked to needle Crowley into losing his temper with them.)

What do we see the Archangels do in comparison? Hmm. Bitch and snitch. Gossip with Hell on the back stairs. Pretend to be buying pornography from Aziraphale. Then physically punch our angel in guts for fraternizing with a demon before disappearing back to Heaven . Not much.

OK, so Gabriel arrives on a lightning bolt at Tadfield airbase

and there is that intriguing discussion with Sandalphon regarding Sodom and Gomorrah (just read above the cut, that's the important bit for this meta later on) where he was doing quite a bit of smiting, but its all off screen and in the distant past, we don't actually see them in action.

Which brings us back to Crowley and Aziraphale. And then more Aziraphale manipulating Crowley into performing miracles for him so he doesn't have to (the little minx.) The list of miracles I can think of that we have seen Crowley do is far longer and seems more impressive than what Aziraphale has done. Oh, but there is the Eldritch Ball, you say? Controlling multiple people at once? (Hold that thought.) He also sent the soldier at the entry gate of the Tadfield airbase all the way back to his home in the USA in an instant (according to the book) and he flew the moped with both Madame Tracey and Shadwell over the top of the Odegra ring of demon fire to get to Tadfield (again, as mentioned in the book.) And as the op back here says, why didn't they just manifest themselves out? Idiots...

On to Part 2: The Dark Side of Aziraphale.

#good omens #good omens 2 #aziraphale #crowley #good omens meta #gabriel #25 lazurii #miracle power #shax #the metatron #Azrael #tadfield #hastur #sandalphon #sodom and gomorrah

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gideon-of-navareth · 2 years

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Not that I want it to happen—it would be so heart-wrenching and bittersweet and I adore them so much as two people. But I’ve become Fashionably Obsessed™ with an actual Griddlehark gestalt.

I’ve been calling her Nova, since Harrow likes that name enough to use it in her Erotic Friend Fiction in HtN, and I think it suits their gem-fusion hellspawn.

Harrow’s bod because it’s currently the least gunched; Gideon’s eyes because I said so.

Made of butch, spite, and everything nice.

Teenage dirtbag pompa-hawk, mirror shades, more bone jewelry than I had the capacity to draw

It’s Horny Gremlin Hours 24/7. Unironically finds bone tiddies and boob armor hot. Digs older women, and deities that have been turned into Lovecraftian horrors by the hubris of man.

Very loving, but shows it in strange and opaque ways. Leaves tasty snacks in drawers for her friends to find, not unlike a squirrel. Leaves notes everywhere with cryptic messages like “they’re lying” (a note to let everyone know the cats have been fed).

Will attempt to befriend wild animals because they’re just misunderstood. Has a statistically fascinating rate of success.

Probably still haunted but in a fun way. Befriends ghosts the same way she befriends wild animals.

Best necromancer of her generation (New Game+ version), uses her powers exclusively for evil. Wields a zweihander. Half feral. Nigh indestructible. Literally unstoppable, be glad she’s on your side.

Bites (affectionate)

Has an ego the size of a planet and unfortunately also has the skill to back it up. Her mouth doesn’t write checks, it swipes an Amex black card.

Adores the shit out of Paul but will shove them in a locker (lovingly) at the slightest provocation.

#ntn spoilers #nona the ninth spoilers #the locked tomb spoilers #griddlehark #this is apparently how I’m coping with The Wait #myart #nova griddlehark #lmao everyone ignore how I put ‘apopneumatosis’ instead of ‘apopneumatism’

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badasstransswag · 1 year

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WELCOME TO THE BADASS TRANS SWAG BRACKET AD 2023, a tournament for canonically trans characters (that we haven't seen in many other polls) to duke it out, presented in a ridiculous and esoteric manner (convoluted as fuck bracket).

VOTING FOR THE FINALS BEGINS 2/27 AT 7 PM EST. MATCHUPS BELOW THE CUT.

ROUND 1:

TESTAMENT (they/them) from GUILTY GEAR vs. SAM NIGHTINGALE (she/her) from DIMENSION 20 (winner will go against CATALYST (she/her) from APEX LEGENDS)

ALEX FIERRO (s/he) from MAGNUS CHASE & THE GODS OF ASGARD vs. ARCEE (she/her) from TRANSFORMERS (winner will go against POISON (she/her) from STREET FIGHTER)

CREMISIUS ACLASSI (he/him) from DRAGON AGE vs. MADELINE (she/her) from CELESTE (winner will go against DORORO (he/him) from DORORO)

ORYX, THE TAKEN KING (he/him) from DESTINY vs. CAGLIOSTRO (she/her) from GRANBLUE FANTASY (winner will go against ROSEMASTER (she/her) from CUCUMBER QUEST)

ROUND 2:

ELEKTRA ABUNDANCE-EVANGELISTA (she/her) from POSE FX vs. ICHIKA SAKURAI (she/her) from HIGH SCHOOL HEROES

PRINCESS SAPPHIRE (she/her) from RIBBON NO KISHI vs. SUN WUKONG (he/him) from JOURNEY TO THE WEST (art by @antidotefortheawkward-art from this post, used with permission)

TAYLOR LEE (they/them) from THERAPY WITH DR. ALBERT KRUEGER vs. ELENDIRA THE CRIMSONNAIL (she/her) from TRIGUN

KAINÉ (she/her) from NIER REPLICANT/GESTALT vs. SYLVIA (she/her) from DRAGON QUEST XI

ROUND 3:

TESTAMENT (they/them) from GUILTY GEAR vs. ELEKTRA ABUNDANCE-EVANGELISTA (she/her) from POSE FX

ARCEE (she/her) from TRANSFORMERS vs. SUN WUKONG (he/him) from JOURNEY TO THE WEST

MADELINE (she/her) from CELESTE vs. ELENDIRA THE CRIMSONNAIL (she/her) from TRIGUN

ORYX, THE TAKEN KING (he/him) from DESTINY vs. KAINÉ (she/her) from NIER REPLICANT/GESTALT

SEMIFINALS:

ELEKTRA ABUNDANCE-EVANGELISTA (she/her) from POSE FX vs. SUN WUKONG (he/him) from JOURNEY TO THE WEST

MADELINE (she/her) from CELESTE vs. ORYX, THE TAKEN KING (he/him) from DESTINY

FINALS:

SUN WUKONG (he/him) from JOURNEY TO THE WEST vs. ORYX, THE TAKEN KING (he/him) from DESTINY

#polls #badass trans swag poll #transgender

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canmom · 3 months

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Last season's anime: Frieren episode 7-10

Shit I guess I'm full on liveblogging this one now.

This time we have episode 7 dir. Naoto Uchida (known for work on Mob Psycho 100), episode 8 dir. Tomoya Kitagawa (who also directed ep. 2), episode 9 dir. Kōki Fujimoto (key animator on a whole buncha stuff, this is his debut as an episode director), and episode 10 dir. Nobihide Kariya (who debuted not so long before as an episode director on Bocchi).

So at the end of the last post about Frieren, I commented that I found the demons underwhelming as antagonists, and hoped they would have their motivations fleshed out some more beyond 'ontologically evil baddies'. Well.

lmao.

So Frieren and the gang are travelling. We get a lot more on the Great Mage Flamme, who is Frieren's mentor figure. At this rate... she's probably gonna turn out to still be alive or some shit.

They roll up in another ridiculously picturesque town. The backgrounds in this show are apparently based heavily on the concept art paintings of Seiko Yoshioka, who gets credited under various roles including 'layout designer' and even 'worldview illustrator'. She did a crazy amount of work to design all the different settings, giving them distinctive cultural motifs and architectures and colour palettes and so on.

Since this town covers a whole four-episode arc, we get a number of different views of it. There's definitely a reasonable amount of historical care put into the design of those city walls - even sketchy and in the distance you can spot the hoardings and appropriately narrow crenellations, as well as the machicolations on the tops of the towers. (Though unfortunatelly some of those details seem to get forgotten in the later episodes.)

The streets in the town seem kinda wide and clean but it fits the austere vibe. The main thing I'm wondering is what exactly they eat in this town - it's triple-walled in hostile territory without much in the way of farmland in sight, or indeed roads that aren't tiny.

I'm pretty sure they built a model of at least parts of this town in 3D, because as well as certain 3D tracking shots (unfortunately hampered by the lack of any parallax mapping on the floor)...

...we also get shots like this one, which feature a crazy 3-point perspective:

I wouldn't say it's impossible to draw this, but it would be a hell of a lot easier to block it out roughly in 3D and then paint in the details.

Mind you, that's not even the wildest perspective we get in this episode. Check this out:

Absolutely bananas. I love it.

But tbh the praise I have for this arc is pretty limited to this kind of technical stuff. Let's get into the story. (Though you can be sure I'll have more to say about the animation!)

At this point the story shifts gears from this fairly low-key exploration of grief and the passing of time, into more standard action anime territory.

Shortly after arriving in this town, our heroes discover that it has been infiltrated by demons in the guise of peace emissaries. Frieren attempts to attack immediately, but she allows herself to be subdued rather than harm the guards, so off she goes to jail.

Luckily, wizard jail still has pretty generous visiting hours, so she's able to explain the deal with demons to the gang. Frieren declares that demons always lie to gain an advantage over humans, illustrated through a flashback in which a young girl demon begged for mercy, only to betray the townspeople a bit later. Having been proven right, Frieren summarily executes the girl.

I think it's worth comparing this storyline to a couple of other similar storylines in other works of fiction.

First of all, in NieR Replicant/Gestalt, there is the story 'The Little Mermaid', which was adapted into a segment in the game in the remake. A postman takes pity on a girl on a shipwreck, not realising that she is a terribly powerful monster who is struggling to maintain her human appearance. The girl starts killing people to try to maintain her connection with the postman. Eventually, the player shows up and discovers what's been going on. Their intervention provokes the girl to revert to monster state and there's a big boss fight. However, at stake in the fight is the girl's identity. Depending on how you play the boss fight, there are two possible endings, and both of them make overt parallels between the monster girl and your party member Kainé, and one portrays the grief of the postman who cannot let go of his affection for the monster.

Secondly, the second episode of last year's Tengoku Daimakyou features a woman who is trying to protect a monster which she believed to have taken on the consciousness of her son after it ate him. The monster has been curiously non-hostile to the woman - she persuades our protagonists to back off, and they agree. Then it abruptly kills her! Oh shit. Fight scene, they kill the monster, etc.

But as they depart, the protagonists are left discussing whether the monster could really have had the son affecting its actions, whether it was just drawn to prey etc. The monster's motivations are left distinctly unclear, and the protagonists conclude there's no way to know the truth. Throughout the rest of the season, the exact nature of the monsters remains an open question.

In both cases, we either know or it is strongly implied that the monsters are fundamentally human, or derived from humans somehow. A certain amount of effort is spared to try and at least raise the question of the monster's subjectivity, and even if a monster has to die, they play it for tragedy.

So, let's return to Frieren. We're introduced to the demon girl. She ate a kid, but she staves off execution by pleading for her mother.

The villagers decide to give her a chance to atone. Before long, she kills the village chief who took pity on her. Frieren's party show up and she does small Shaft head tilt...

She's no longer pretending and talks in a much more level voice. She explains that she wanted to give a replacement daughter to the family of the girl she ate, by removing the village chief, for the sake of living in peace. This goes down about how you'd expect. Frieren goes ahead and kills her. As she's dying, Frieren asks why she called for her mother when demons don't raise kids. The answer she gets:

She is surprisingly forthcoming on this front, and honestly, self-preservation is something like an understandable motivation. The impression you get from this flashback sequence is a being that is amoral, and encountering humans as something alien and, honestly, kinda threatening. Why she killed the girl in the first place is an open question - they explicitly say that the demons don't have to eat humans. Even if she kinda felt like it, you'd think she'd be able to figure out it would be an unwise move.

But as far as the show is concerned, the point of this flashback is to establish one thing: demons are lying liars who lie. Frieren is the only one who knows the truth, which is that you must shoot them on sight.

You might think the show would leave some doubt about whether Frieren is justified in having such a severe attitude towards the demons - is she just prejudiced? But nah we go pretty much straight into the demons saying 'Frieren is right about everything, now let'ss discuss our evil plan'.

Props to this guy (he has some longish German name I can't remember) for making this random bench feel like a throne though. Like on some level he's just soft-voiced evil anime aristocrat guy but he does pull it off.

Anyway, one thing definitely doesn't seem to add up. Frieren says that demons are solitary creatures who speak in a human voice only to deceive, but the demons seem to be pretty happy to natter away to each other when no humans are around and express all sorts of thoughts and even express (fairly reserved) emotions. The boy is arrogant, the girl is protective of her boss, etc. The guy is a smooth liar and manages to wriggle out of being killed by the earl by playing the 'we're the same, let's put an end to this' card. But we're constantly reminded it's fake, he's a lying liar who's ontologically evil.

I think the super-deceptive adversary with no qualms about telling any lie is something that can be done well to create an incredibly paranoid scenario. I can't believe I'm mentioning ratfic again in the space of two posts, but this is something Worth The Candle performed very effectively. Though honestly the fantasy of the perfect manipulator who plays everyone like a fiddle is a recurring device in fantasy.

Here... the acting is strong on our main sussy demon dude. But as a worthy adversary, he's not super convincing. He lets his underling run off and get killed, and his response when the jig is up is to reveal that he's super OP and kill everyone nearby, except the governor, who he tortures. So the manipulation angle seems questionably motivated, like he wants the earl to lower the barrier so the demon army can come in... but you're kind of left wondering why he didn't already just go and kill everyone in the city since nobody who isn't Fern or Frieren can touch him. I guess he's trying to get that low chaos route.

I won't continue the beat-by-beat summary. There is a cool fight scene in Frieren's jail cell though, which has some well-integrated 3D. Frieren totally no-sells the boy's attack and cuts his arms off. Lotta dismemberment in these episodes! The main demon guy has some tasty blood-based powers, lots of monofilament whip slicing imagery (also a thing in Tengoku Daimakyou oddly enough). In general the action scenes in this show continue to be super tight. There is a pretty cute bit where Stark is trying to free the earl and can't cut through the rope holding him to a chair, the earl is going 'leave me', and I was sitting there going like 'why not destroy the chair', and then Stark does. So props for that.

Towards the end of ep 8, we learn that Frieren is actually a suuuuper scary battle mage. She was the one who researched the demon killing spell. OOooooohhh.

Seems our demon guy hasn't changed his style in 80 years lol.

And she did not think it too many.

So we already knew that Frieren was part of the party that killed the demon king, the last living person who knew Flamme, etc. etc., so it's not exactly surprising to see once again that she's kind of a big deal. What we seem to be setting up here - or at least maybe I'm just hoping for something more than 'only our hero is wise enough to know coexistence is impossible and a war of annihilation is the only option' - is to suggest a parallel between Frieren and the demons. They're incredibly long-lived, they love to obsessively study magic, they both have a very cold affect, they're calm under fire. If it turned out that Frieren is a demon that would be a fun angle, but I don't think it really tracks. Rather, the framing is suggesting that, when confronted with demons, Frieren is not so different...

We get a title drop in any case - turns out the anime title is an in-story title for its main character. In Japanese: 葬送のフリーレン Sousou no Frieren. 葬送 is translated by jisho.org as

attending a funeral procession; seeing off the deceased; burial of someone's remains; observing a burial

The fansub I'm watching translate it (when used for the character) as 'Frieren the Elegy', which has about the right vibe! In the context for the show title, they translate the same phrase as Frieren: An Ageless Elegy which involves a little more interpolation, but I think it works. The official English title is Frieren: Beyond Journey's End, which is very direct but not a bad subtitle at all. Then again, maybe the bar is in the floor since 'Delicious in Dungeon'.

Anyway, after all that setup, we finally get the big fight episode. Because you see, in contrast to the earlier story which skipped over decades in a montage, this arc spans a whole four episodes. It's not badly done, but it's definitely feeling much more like a standard fight-driven show at this point.

We also meet Aura, one of the demon generals. She looks like a youngish girl and has a habit of doing the sanpaku eye smirk.

Her schtick is that she has magic scales that let her dominate people. Then she cuts their heads off and walks their corpses around. This is represented by a big army of suits of armour, mostly rendered in CG. They've done some kind of filter to make the linework less even, but the difference in shading style is quite noticeable.

From there it's a lot of 'my gambit vs your gambit' and 'who has more mana'. The fights are, without doubt very nicely animated, although the CG castle set used for the big camera moves feels a bit... lacking in detail compared to the gorgeous painted backgrounds. Anyway, Stark wins his fight by the power of GUTS and DETERMINATION, and Fern wins her fight by being a fast analytical type who can stay cool under fire and also knows Frieren's special demonbuster spell. Though a lot of Fern's fight is just kind of both participants standing still with impassive expressions shooting either blood or big laser beams at each other or zipping all around the castle.

Of course, the major turning points in the fight hinge on flashbacks to moments with mentor figures. This is an anime, and more specifically, it's Frieren.

One thing that is interesting is that the 'point of view' indicated by internal monologue often moves from Fern to the demon guy. We get to see him try to think through how to beat her, unsuccessfully. By contrast Stark's fight takes Stark's POV. I don't think we're expected to sympathise with the demon exactly, it's a way of underlining just how badass Fern has now become thanks to Frieren's levelling up regime.

I admit Frieren has lost me a bit by this point. It's not that it's bad at being a fight anime, it hits us with a whole series of stylishly composed and strongly animated cuts. Not novel necessarily, but absolutely well-executed. But it's not a very interesting direction to take the story! I don't care about this town, we'll be leaving it in an episode or two anyway, and the only named character in it is the earl. I wanna know more about the demons but what we get is kinda just a succession of Guys With Powers. He can make his blood fly around and stab people. She can copy anyone's moveset. He has a monofilament wire. She has a magic scale that mind controls you if she has more mana.

So how does Frieren beat the magic scales? ez. It's kind of spelled out as soon as they introduce the scales, but they spend a whole episode explaining how she's been using a relentless mana retention regimen for the last thousand years to hide her power level so that demons underestimate her. It kinda belabours the point lol. Like it kinda has to because if it doesn't try to make a big deal out of the mana hiding thing, you're just left with 'Frieren wins because her number is bigger'. But... Frieren wins because her number is bigger.

I don't hate fight-driven anime. They can be a ton of fun. But honestly, after the emotional impact of the first few episodes, taking it this way seems like it's wasting the early show's strengths. But, I hear episode 11 sees the return of Keiichirō Saitō as enshutsu, and it's said to be one of the best episodes in the show, so I'm not gonna drop it! It's certainly more than pretty enough to be worth watching through to the end.

There is a good amount of nice stuff in this last episode. The pseudo-Roman town is a cool depiction of a different material culture a thousand years prior to the main story. The 'field of flowers' magic is called back as a specific invention of Flamme - Frieren's whole deal is to kind of go around doing things to commemorate dead people and it turns out the flowers thing lets her do it twice over! We get to set up some parallels - Frieren could intuit that Flamme was a super OP mage, and Himmel could do the same for her.

We also get some worldbuilding stuff about the demons: they have to constantly display their power level to determine their place in the demon pecking order bc they're soooo individualistic. This seems a little dubious to me - like are the demons really so dumb? Is 'hide your power level' such an incomprehensible concept? It seems like it would lead to some kind of Diplomacy-like situation where other demons would team up to take you down.

Honestly, I think what bothers me about all this is like... I don't like the concept of an ontologically evil monster at the best of times, but the demons are obviously not mindlessly malevolent with no inner lives. They talk and scheme and feel things (such as 'proud of their magic'). They have an honour system. But the narrative doesn't quite seem to be able to acknowledge that this is what it's doing. Besides levelling up their magic, we have no idea what the demons want, still, except that it seems to involve killing humans sometimes.

Anyway! kvin has an article about this section, so if you'd like to read about who did which bit and how they worked together resourcefully and where the storyboard creates imagery of separation and so on, there ya go! It sounds from this article like the manga gets a better handle on what it's trying to do with the demons later on, so I'll hold out hope.

#anime #sousou no frieren

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apixellife · 11 months

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phlve · 7 months

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Enneagram Defence Mechanisms

2: Repression

Repression is a defense mechanism by which individuals hide information about themselves from themselves – for example, feelings, desires, wishes, aversions, fears, and needs – that are too difficult to acknowledge consciously. However, the repressed information doesn’t disappear; instead, expression of the repressed data is controlled or held down while it continues to influence the individual’s behavior. For example, Twos may feel anxious and need reassurance, but they may be only minimally aware of this. Instead of exploring these feelings or seeking comfort, the Two reassures another person who appears to be in distress.

3: Identification

Identification is a psychological defense mechanism in which a person unconsciously incorporates attributes and characteristics of another person into his or her own personality and sense of self. Identification is a way of bolstering one’s self-esteem by forming an imaginary or real alliance with an admired person, then taking on that person’s characteristics. When Threes model their own behavior after someone else or the idea they have of someone, they are usually not aware they are doing so. For this reason, it becomes complicated for them to untangle who they really are from this image. In particular, Threes identify most with images of individuals who are admired in the Three’s desired social context, and the image with which Threes identify often changes as their context changes.

4: Introjection

Introjection is a counter-intuitive defense mechanism. Instead of repelling critical information and negative experiences that can cause a person anxiety or pain, individuals introject the information – that is, they fully absorb, internalize, and incorporate these data into their sense of self. Fritz Perls, the father of Gestalt Therapy, refers to this phenomenon as swallowing something whole without being able to differentiate between information that is true from information that is untrue. Fours introject negative information – and repel positive data – about themselves as a way of coping with painful information and neutralizing external threats. They prefer to deal with self-inflicted damage rather than having to respond to criticism or rejection from others.

5: Isolation

Isolation occurs in Fives as a way for them to avoid feeling overwhelmed and empty. Fives isolate themselves by retreating into their minds, cutting themselves off from their feelings, and compartmentalizing – that is, isolating each part of themselves from the whole or the related parts. For example, Fives separate their thoughts from their feelings and/or feelings from behaviors, as well as separating their personal and work lives. Fives may also isolate themselves from other people and separate their relationships so that their friends never meet one another; in fact, some Fives even have secret lives.

6: Projection

Projection is a psychological defense mechanism in which individuals unconsciously attribute their own unacceptable, unwanted, or disowned thoughts, emotions, motivations, attributes, and/or behaviors to others. While the projection may be positive, negative, or neutral, it occurs because the individuals who are projecting perceive the projected attributes as difficult to acknowledge or threatening to believe about themselves. Because Sixes make these attributions unconsciously, they imagine that they are true, although at a deeper level they are not entirely certain about this. Although Sixes use projection as a way to create some certainty and thus reduce their anxiety in ambiguous, uncertain, or potentially dangerous situations, these projections – particularly if they are negative in nature – ironically raise the Six’s anxiety level. In addition, when Sixes project either something negative or positive that is untrue, they create a false reality without knowing they are doing so.

7: Rationalization

Rationalization is a defense mechanism by which individuals explain unacceptable thoughts, feelings, and behaviors in a way that entirely avoids or obscures their true motivations, intentions, or the effects of the behavior. When Sevens rationalize, they do so by positive reframing, justifying their behavior by explaining it in highly positive terms. Sevens use reframing to avoid pain, discomfort, sadness, guilt, and anxiety, as well as to avoid taking personal responsibility for what has occurred.

8: Denial

Denial is a defense mechanism by which individuals unconsciously negate something that makes them feel anxious by disavowing its very existence. These can include thoughts, feelings, wishes, sensations, needs, and other external factors that are unacceptable to the Eight for some reason. Denial comes in a variety of forms. A person may deny the reality of the unpleasant information altogether, admit that something is true but deny or minimize its seriousness, or admit that both the information and its severity are true but deny any personal responsibility for it.

9: Narcotization

Narcotization is a psychological defense mechanism in which individuals unconsciously numb themselves to avoid something that feels too large, complex, difficult, or uncomfortable to handle. Nines narcotize and distract themselves by engaging in prolonged rhythmic activities that are familiar, require very little attention, and provide comfort – for example, washing the dishes; working in the garden; continuous pleasure reading of books by the same author or within the same genre; going for a walk or a bike ride; engaging in frequent or extended casual conversations; or continuously changing channels on the TV. Nines also use daily routines such as morning or evening rituals to immunize themselves from being fully aware, and they feel agitated, irritated, or disoriented when these repetitive activities become disrupted.

1: Reaction Formation

Reaction Formation is a defense mechanism by which individuals reduce or try to eliminate anxiety caused by their own thoughts, feelings, or behaviors that they consider unacceptable by responding in a manner that is the exact opposite of their real responses. The One’s active inner critic dictates what is acceptable based on social mores, contextual expectations, and moral principles, and reaction formation becomes a defensive remedy when Ones experience what they deem “unacceptable” reactions. A subtle example often seen in Ones is when they dislike someone yet are especially nice and polite to this person. A more blatant example – one that is not exclusive to Enneagram style Ones – is an individual who crusades against corporate corruption, only to be discovered later as having embezzled money from the organization.

Source: The Enneagram In Business

#personality theory #personality types #typology #enneagram

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