My LF vinyl came today!
Looks absolutely beautiful, I fucking love this soundtrack so no regrets buying it, but my favorite part is the booklet which had THIS IMAGE IN IT!!
I tired so hard of get less glare on it, so sorry for bad quality but WHAT IS THIS!! Hello brand new image I have NEVER SEEN BEFORE!!
It’s my new favorite image I’m obsessed. People who got the blue ray already can you let me know if this a delete scene, or if they were just being cute.
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i feel like the first time your parents would meet jj is on accident while y’all are in a compromising position, it’s just so on brand for him and he’d try and crack jokes and charm his way out of the situation 😹
4:36 mins to 5:00 mins. that scene. that is JJ.
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Glass Onion and the Mona Lisa
(Major Glass Onion spoilers obviously)
I saw a post yesterday that showed the Mona Lisa next to the final shot of Helen sitting on the beach, posed the exact same way, with that same unreadable smile. I think in that moment everything kind of clicked for me, and I think I understand now how it was used as a motif. I poured things out on twitter and I'm gonna do it here too.
So the Mona Lisa is introduced about thirty minutes into the movie, before anything has technically happened. We are shown that Miles purchased it, had it put in his living room (full of volatile hydrogen gas), behind a glass door, and that he can override the glass just to see her face. He looks at it with some awe, but to do something so arrogant and dangerous is not something that you do when you just admire the art...it's a power move. It's a rich man flaunting a priceless artwork and saying, look at me, I don't give a flying fuck about the consequences.
Then, he talks about how he saw it when he was six, and how he longs to be immortalised like the painting. Smash cut to Andi.
Now, I have only a rough recollection of Da Vinci's story, but something that I do recall is this--we still don't know who was the true subject of the Mona Lisa. There were at least two women who it could have been (as well as Da Vinci's male student/lover and Da Vinci himself). There's even still a fair bit of debate as to whether he painted it at all. The truth has long been obfuscated. Only the physical painting by Da Vinci matters to people. The subject is irrelevant.
Not long after this scene, we discover that 'Andi' is not in fact Cassandra, but Helen, employing the rich bitch voice that the sisters created as kids. An elegant, unreadable woman with an ever-changing mood and smile, and an air of absolute mystery. Her character is framed, in the first half at least, as the real-life Mona Lisa.
As the story goes on, you can see how important this parallel becomes. Miles constantly reiterates how he wants to be mentioned in the same breath as the Mona Lisa. In the same way, he wants to be mentioned in the same breath as Andi Brand. He tries to be like her, cheat her, steal from her, surpass her, and take her life from her. He uses the image and money that he gets from being her partner, and uses it to steal her ideas and kill her. He obfuscates her role in the company's founding, takes it for himself.
Andi as a person is dead, but the world doesn't know that yet. For now, Miles gets to keep her image and everything she's built for himself. Not for admiration, but for power. The world just sees her as the subject of his work. Secondary, and irrelevant.
Enter Helen, who steps into her sister's role and uses her image to get to the truth. The others don't know who she is, but Miles should. It's glaringly obvious, but he never thinks to look beyond the glass between them and see who she truly is or why she's there. And he doesn't let go of his need to show off how powerful he is.
Because like the Mona Lisa, the envelope is in plain sight. The last piece of Andi's work is hidden within the Glass Onion, just behind his fake napkin--the one he took credit for.
Miles loses, in the end, because he's so deeply arrogant and idiotic. He plays dirty to get what he wants, and can't help but mount his prizes on the wall. But Helen understands that, at the end of the day, she is a third grade teacher from Alabama, and a black woman against an absurdly wealthy white man. He will not face consequences for this. He won't even be arrested for Andi's murder.
So what does she do? She literally destroys the glass. She annihilates the illusion of his brilliance. She destroys the layers of the onion, shows the rot in its core--his persona, his wonder fuel--and then, she destroys the Mona Lisa. Because it is a painting, something that he chose to put in danger. And the world will see if it is gone.
She brings down the glass barrier, but he destroyed the painting the moment he set foot in Andi's house. And maybe this way, even if he isn't remembered as the murderer of Andi Brand, he will always be remembered as the destroyer of the Mona Lisa. It's a small sort of justice, but it's the only thing that Miles will answer to.
The dust settles, Helen goes to the beach. She ends the story sitting as the Mona Lisa did, her arms crossed, expression unreadable. There's no illusion anymore, no glass between us and the subject. We can look into her eyes. It's a moment where the subject of the art reclaims the narrative, not unlike OJ's ending shot in Nope. The painting may now be gone, but the Brand sisters have been immortalised in a way. Andi is gone, but Helen is alive and true.
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