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sihayadunee · 3 days

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🌘 THE ECLIPSE a UNION of OPPOSITES 🌒

an analysis of the mythic motifs in dune part two through the lens of mythologist joseph campbell, and some predictions for dune messiah

• Divine Couple

• Death and Rebirth

• Redemption Through Divine Union

• House of Atreus

• Lunar-Masculine / Solar-Feminine

• Goddesses

THE ECLIPSE

This motif has been connected to Dune since the first film’s promo, especially with the concluding track of Dark Side of the Moon accompanying the initial trailer. Some fans believed this theme had been dropped as it wasn’t very present in the first film. However the eclipse continued throughout the promo of the second film. This was because Part Two is where the real pay off is, already in the first 10 minutes.

This concept is intrinsic to Denis Villeneuve’s adaptation. Since the first film I have been saying that Dune embraces the Lunar-Masculine (Paul) and Solar-Feminine (Chani). However beyond just that, Dune: Part Two showcases multiple pairings of the lunar-solar dynamic.

But before we jump into that, let’s establish the meaning of an eclipses in general mythology. Typically they are a symbol of death and renewal. Common interpretations have a beast devouring the sun, or a celestial couple evading or pursuing one another. These interpretations are consistent over and again in Dune.

What we will see, is that the greater Imperium holds a Solar-Masculine identity, but when it comes to Arrakis there is a distinct shift to the Solar-Feminine archetype.

PAUL as the MOON

There are an innumerable amount of connections. Bull motifs are reoccurring throughout the first film, where he grew up on a water world. After all, the moon is associated with the tides. He takes the name Muad’Dib, and one of the moons of Arrakis has the icon of a Muad’Dib aka Desert Mouse visible on its surface. And ultimately, Paul experiences rebirth in Part Two.

The bull is a figure of sacrifice which aligns very well with the lineage of House Atreides which can be traced back to the House of Atreus and it’s curse of familial murder, betrayal and symbolic consumption. Sacrifice of the children in each new generation.

IRULAN and the GOLDEN LION THRONE

Starting here is a good place, because it shows the transition of the Solar-Masculine of the wider Imperium toward the Solar-Feminine of Arrakis. Irulan Corrino of House Corrino is the daughter of Emperor Shaddam who sits on the Golden Lion Throne. His reign is coming to a close as Paul rises on Arrakis, and with no male heirs Irulan his eldest is the successor destined for marriage. In this way Irulan becomes the embodiment of the Lion Throne, and her determination in Dune Messiah to produce Paul’s heir becomes clear. That function of the Queen Mother and how that feeds back into the Solar-Masculine as the King becomes tied to the lion and the throne once more.

In particular I would say her story is best reflected in the myth of the goddess Cybele who falls for Attis and when he falls for a mortal girl Cybele plots betrayal. Something for which she later feels guilt and tries to make amends for (Children of Dune).

PAUL and JESSICA

Their dynamic is incredibly complicated, but I think the opening of the film during the eclipse sums it up very well. You follow the path of the moon as it covers the sun, and as it meets its full coverage Paul is the one taking action in the fight against the Harkonnen. However as the moon passes by and the sun takes over again, Jessica emerges to save Paul’s life.

This was intentional by the filmmakers, as is revealed in the Art and Soul of Dune Part Two, DP Greig Fraser identified the exact time, date and location in order to shoot the sun as it appears directly behind Rebecca Ferguson.

Jessica represents the sun on Arrakis, and in this scene we see how the moon dies into the sun to be reborn in their dynamic. It also lines up with motifs of the sun goddess giving birth to the sacrificial bull. Sacrifice toward this death and rebirth.

What we see is the separation of mother and son that brings them back together in the same place. Paul takes the lead and rejects his mother’s influence, but she leads him toward the death and rebirth he must experience, and this brings them back to a common understanding.

This is also why having Jessica sit the Atreides “throne” in the finale instead of Paul (who did so in the book) makes mythic sense. Because again we return to the Solar-Feminine mother as the throne, and her son as king. But in a different context here then what Irulan aspires toward.

A SYMBOLIC UNION aka THE BULL SACRIFICE

The House Harkonnen family seal in the books is the griffin, which makes his introduction in a gladiator arena killing Atreides even more appropriate. Feyd’s birthday is also associated with a solar event. Because ultimately Feyd is the matador and Paul is the bull.

What works so fantastically about the dual, is how it is bathed in the sunlight. After all, the sun figure (day) is facing off against the moon (night) figure in this sequence. Plus the bull was the eventual demise of Paul’s grandfather who was a matador. This takes place at sunrise, and it’s a dual for the throne, where whoever is victorious inherits the Golden Lion Throne. The

Denis specially describes the dual as a symbolic union, and it works on multiple layers. This bull sacrifice, is in essence the quote from part one of “when you take a life you take your own” so Paul killing Feyd is penetration, intimacy, it is rebirth.

It is also reminiscent of how Campbell describes the sun-moon twins of Navajo myth:

The two, Sun-child and Water-child, antagonistic yet cooperative, represent a single cosmic force, polarized, split, and turned against itself in mutual portions. The life-supporting sap-power, mysterious in the lunar rhythm of its tides, growing and decaying at a time, counters and tempers the solar file of the zenith, life- desiccating it its brilliance, yet by whose heat all lives.

— Joseph Campbell's Commentary from "Where the Two Came to Their Father: A Navaho War Ceremonial" by Jeff King and Maud Oakes

DESERT SPRING TEARS and DIVINE UNION

There is a section in the Dune Encyclopedia that talks about the foundation of the Bene Gesserit beliefs. In particular the teachings of a certain ancestral memory personality, called Inanna (yes that is the name of the Sumerian goddess who was also in a divine union caught between life and death glad you asked) about the Kwisatz Haderach. It basically establishes that the entire premise of the Bene Gesserit and the Kwisatz Haderach is in essence the Divine Couple.

It specifies two mirrored dynamics the son saved/resurrected by the mother and the husband saved/resurrected by the wife. Inanna called them Au Set and Au Sar. The Kemet names for Isis and Osiris. The idea of the Bene Gesserit would have this as the mother of the KH, and the Corrino princess he would have married. But with things thrown off course, it represents outside their control.

In Dune, we see it between Paul and Chani. Like Isis who has the solar disc and Osiris who is tied to water and death, her lover has died and she is the one to revive him.

Furthermore the concept of mythical tears can be found in the goddess Freya (who arguably is compatible with sun-goddess motifs) who weeps when her husband Odin is lost to her.

But perhaps most compatible—the healing tears of a phoenix. A bird archetype similar to Isis as bird. This is where the yin-yang dynamic of Chani and Paul becomes most apparent, since the serpent is synonymous with the bull and therefore Paul who “makes peace with Shai-Hulud” encompasses the dragon (yang) as a complement to Chani’s phoenix (yin).

In the behind the scenes of Dune Part Two, the Maker Temple is said to be designed like the infinity symbol with the two circles (one of sand and one of water). Sand being death and water being life, but also the reverse. As the sandworm thrives in the sand but is drowned in the water. And Paul is stuck between life and death, literally laying between both pools, when Chani comes to resurrect him.

This film literally has three kisses. Their first kiss when Chani says she will show him the way of the Fremen, their second kiss on screen when she says he will never lose her before going South, and the third symbolic kiss of life.

This marriage/death is also foreshadowed in Paul’s visions in Part One when Chani kisses him and then stabs him. Which is where we return to Isis and Osiris because Paul’s death state (dying again as we established, after killing Feyd, similar in a way to Set and Osiris) is where we will eventually get the twins Leto II and Ghanima with Leto II being the Horus in this equation.

As the Pink Floyd lyrics say, the sun is eclipsed by the moon and this is captured in the heartbreak Chani feels over losing Paul and losing her people to the Lisan al Gaib. The Fremen way of life has been eclipsed and over taken by the Atreides and the Bene Gesserit. Here we see more of the concept of that beast devouring the sun from the beginning, verses the celestial couple dynamic.

Chani leaving the residency chamber is also reminiscent of certain myths like Amaterasu going into hiding, or the Inuit folktale about the sun goddess fleeing her moon god brother/lover who pursues her.

However the Dune Encyclopedia also talks about the concept of redemption (which is why in the film Mohiam asks Margot if Feyd is capable of redemption) of the “mate savior”. The Kwisatz Haderach. They would bring about a release from bondage through redemption and rebirth.

Which is relevant to the dynamic of Paul and Chani in Dune Messiah for Denis, because he has said Paul is going to be looking to save his soul in part three, and how Paul and Chani come back together won’t just be explained away off screen between films. It will be that continued cycle of rebirth, through redemptive love. Rebirth as a whole in Dune is worth its own discussion, since all the different Jungian descriptions of it can be found within this universe.

CONCLUSION

The eclipse, a lunar-solar dynamic representing the union of opposites, is very significant in Dune Part Two and sheds a lot of light onto what we can anticipate next in Dune Messiah, particularly in regards to the central romance between Paul and Chani and the changes Denis has made from book to screen.

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musing-druidess · 2 years

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#cows #animals #brigid #goddesses #celtic

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evermore-grimoire · 7 months

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The Evermore Grimoire: Greek Mythology

Melinoë (Μηλινοη meaning ‘Dark-Minded’) was the goddess of ghosts, nightmares and funerary rites in Greek mythology. At night she wandered the earth with her train of ghosts, striking fear into the hearts of men. Her limbs were black on one side and white on the other, a manifestation of her dual chthonic and heavenly nature. Melinoë's presence was also believed to be the reason why dogs would bark at seemingly-nothing at night. According to one myth, she was known to be the daughter of Persephone (queen of the underworld) and Zeus (king of the gods) which seems quite simple but really is not. At the time, Zeus was incarcerated in the Underworld and had multiple facets. Persephone was impregnated by Zeus in disguise as one of Hades avatars, a Plouton. When Hades (king of the underworld) discovered the pregnancy, he tore Melinoë's body apart. Despite this violent beginning, she emerged as a powerful figure in Greek mythology, appearing in the Hymns of Orpheus and being revered as a bringer of nightmares and madness.

artwork by Yliade

#MythEdit #MythologyEdit #FYeahMyths #FantasyEdit #Greek Mythology #Goddess of Ghosts #Goddesses #My Edit

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madcat-world · 11 days

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Age of Pantheons: Chantico (2 of 4) - Federica Costantini

#Age of Pantheons #Chantico #Quaxolotl #Federica Costantini #Aztec #myths #goddesses #giant #fire #volcano #guardian #game art #fantasy art #digital art

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shattered-stars-lonely-hearts · 2 months

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Apollo: Pick a card, any card Hermes: Okay Apollo: Apollo: Any card did not include my credit card, kindly hand it back

#incorrect quotes #incorrect greek mythology #greek mythology #greek gods #greek tumblr #greek posts #ancient greek #apollo #hermes #gods #goddesses #incorrect #greek myth memes

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classyfruit · 1 year

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"The goddess of the moon and the goddess of the sun do not often meet. But when they do, it is a spectacle worth beholding."

Belatedly, I want to wish all of you a HAPPY, HEALTHY, COLOURFUL NEW YEAR, my dear ones. And I will help you stay healthy by feeding you a big helping of juicy fruit. 😏

#character design #goddess #goddesses #sun goddess #moon goddess #wlw #wlw art #digitalart #art #artwork #oc #classyfruit #classyfruit art #classyfruit oc

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blackswaneuroparedux · 2 years

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Some of us have great runways already built for us. If you have one, take off. But if you don't have one, realize it is your responsibility to grab a shovel and build one for yourself and for those who will follow after you.

- Amelia Earhart

When iconic aviatrix Amelia Earhart “the Queen of the Air” met Hollywood icon, Mary Pickford “the Muse of the Movies”.

#earhart #amelia earhart #quote #mary pickford #aviator #flying #pioneer #cinema #hollywood #goddesses #icons #society #america #class #culture

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dandthegods · 1 year

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Limitless

The Gods are everywhere, you just have to look. They’re not trapped stagnant in the myths and stories, nor in the stale histories of cultures long past. Omnipresent in their own ways, the Gods can connect with anyone at any time.

Athena can be found walking the aisles of a Harvard library, in the study room with a first generation college student, or in between the cardboard pages of a child’s first board book. Knowledge isn’t limited to the elite or the privileged, and neither is Athena.

Apollo can be found in the galleries of prestigious art museums, in the bedroom of an aspiring anime artist, or in the imagination of a child scribbling with crayons. He is on the stage of a sold out stadium as well as in the back row of the cheapest seats. Art and creativity isn’t limited to those with influence or connections, and neither is Apollo.

Hephaestus can be found in the offices of any corporate building, under the machinery of a blue collar factory, or in the joy of a teenager as they receive their first paycheck. He is found in the Paralympics, boosting the athletes onward, and he is also sitting with the hospital and rehab rooms of those recently disabled. Hard work is not limited to anyone’s status or abilities, and neither is Hephaestus.

Aphrodite can be found on the covers of fashion magazines, in the dreams of an hopeful makeup artist, and in the playfulness of a child playing with their mother’s lipstick. Aphrodite can be in the appeal of sexy fishnets or the allure of a well tailored suit. Beauty and love are not limited to one’s gender or skills, and neither is Aphrodite.

Hermes can be found flying alongside the highest reaching airplanes, the fastest driving cars, and on a seat on public transit in rush hour. He is the luck that saves the lives of a vehicular accident, and the thrill in that first payment on a used car. Luck and speed are not limited to how far or how fancy your transportation can go, and neither is Hermes.

Zeus can be found behind the bench of a supreme court case, in the office of an overworked pubic defender, and in the thunderous laughter of a new father. He is in the welcoming smile of a stranger to those in need, and in the homeless being invited in. Justice and hospitality are not limited to one’s power or status, and neither is Zeus.

Hera can be found in a fabulous wedding with hundreds of guests, in the celebration of a long lasting marriage, or officiating the ceremony in a courthouse. She is in the “I love you”’s before bed, the hands held in the car after a first date, and in the hospital room of an elderly couple saying goodbye for the last time. Love is not limited to the length of one’s relationship, and neither is Hera.

Artemis can be found in the fields and forests of nature, in the calm breath of a hunter, or in the tears of grief for a lost pet. She is the courage in the voices fighting for respect and in the cheer of progress made. Equal treatment peace is not limited to those who hold the power, and neither is Artemis.

Hestia can be found in the jingle of a first-time homeowners’ new keys, in the shared dinner of a multi-generational home, or in the exhausted smile of a single parent. She is the warmth of a household and the love shared within its walls. Family and support is not limited to those you share blood with or in the size of your dwelling, and neither is Hestia.

Ares can be found in the measured steps of a solider over seas, in the joyous tears of a spouse when their loved one comes home, and in the flag wrapped around a coffin. He is in the voices of those calling for change, in the recovery rooms of the wounded, and in the minds of those struggling with trauma. Safety and wellness are not limited to one’s demographics and neither is Ares.

Hades can be found in the grief left behind after a death, in the weight of responsibility of leaders, and in the darkness of winter. He is with those who cry and fear for their lives, and in the scars left behind the pain can be too much. Loss and recovery is not limited to those strong enough to withstand it and neither is Hades.

Persephone can be found in the joy at the first warm day, in the love bridging distance between lovers, and in the will of those daring to strive for their dreams. She is the wonderment of a child at a honeybee, and the beauty found in the darkness. Energy and strength is not limited to the times of light and color, and neither is Persephone.

Demeter can be found in the engines of the machines in a field, in the bounty of a community garden harvest, and in the first sprouts of an amateur gardener. She is the change of the seasons and the rebirth of the new year. Change and plenty are not limited to those with capital or land, and neither is Demeter.

Dionysus can be found on the floats of a pride parade, in the movements pushing for equality, and in the bedroom of a closeted teenager. He is both the euphoria and dysphoria felt by some in their bodies, and in the community embracing those who feel lost. Rights and identity are not limited to those who one loves or how one looks, and neither is Dionysus.

Poseidon can be found on the decks of a ship in a storm, on the docks with a father teaching his son to fish, or in the serenity on a sandy beach. He is the joyful screams of children running from the waves and the persistence in one learning how to swim. Power and possibility is not limited to the oceans and or one’s skills, and neither is Poseidon.

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jadeseadragon · 6 months

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Harmonia Rosales @honeiee

"A small portion of a larger painting. This is Olokun, the god of the primordial waters. Angered that Obatala created the lands without her consent, Olokun sought to reclaim her dominion with a great flood. To stop the floods Obatala chains her to the bottom of the ocean…this is the very moment before she is imprisoned within her own kingdom. She stands as a symbol of the chaos that bubbles beneath our calm surface, a profound reminder of the lesser-known parts of ourselves we often retreat from."

#harmonia rosales #olokun #goddesses #edo #yoruba #nigeria #folklore #mythology #orisha

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shamelmuts · 3 months

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Originally posted by Cassie Clare on insta/Tiktok 🤗

#tissaia de vries #tissaia #the witcher tissaia #myanna buring #gorgeous #sorceresses #goddesses #🔥🙌🏾🥰

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evermore-grimoire · 7 months

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The Evermore Grimoire: Greek Mythology

Astraea (Ἀστραία, meaning 'star-maiden') was the virgin goddess of justice, innocence, purity and precision in greek mythology. She was also associated with Dike (goddess of justice) but not to be confused with Asteria (goddess of the stars). Astraea, the celestial virgin, was the last of the immortals to live with humans during the Golden Age, one of the old Greek religion's five deteriorating Ages of Man. According to Ovid, she abandoned the earth during the Iron Age. Fleeing from the new wickedness of humanity, she ascended to heaven to become the constellation Virgo. The nearby constellation Libra reflected her symbolic association with Dike, who in Latin culture as Justitia is said to preside over the constellation. In the Tarot, the 8th card, Justice, with a figure of Justitia, can be considered related to the figure of Astraea on historical iconographic grounds. According to legend, Astraea will one day come back to Earth, bringing with her the return of the utopian Golden Age of which she was the ambassador.

#MythEdit #MythologyEdit #FYeahMyths #FantasyEdit #Greek Mythology #Goddess of Justice #Goddesses #My Edit

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madcat-world · 4 months

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