listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded psychopath happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.
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(edited for spoiler warnings jjk spoilers ch236) gojo and geto now having the same death anniversary, megumi's body being used to kill someone he loves AGAIN, gojo's students all watching him get sliced in half, gojo wishing geto was a teacher, the fever dream conversation with Geto, Haibara and Nanami, oh gege we are in your walls for real this time you were cruel for this...
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Honestly I cannot overstate how much seeing Hayden as TCW Anakin changed EVERYTHING. Matt Lanter's Anakin is a frat dude. He wears a backwards baseball hat and says vaguely offensive things without realizing, while being a fundamentally chill and outgoing guy at heart. Hayden's Anakin is... not that. His voice. His expressions. His physical presence. It's off somehow. It's just left of normal. It's completely unremarkable and yet deeply uncanny for reasons you can't quite describe. TCW Anakin was always a flatter, blander portrayal, but I don't think I realized until now what exactly was missing: the serial killer energy. The inarticulable conviction that SOMETHING unhinged is going on behind those eyes.
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BTS of #RWRBMovie: interview room
Neil Floyd via Big Gay Energy:
That's the weird part, no one got that in all of the Twitter that I've seen for the entire film about every detail in the film. I guess because we just kinda made it up, it wasn't part of the book, but we decided the interview room could be an homage to Richard Curtis who wrote all the romantic comedies, you know for the past 20 years.
That was our nod to 'Notting Hill', because in 'Notting Hill', Julia Roberts was the American and Hugh Grant was the Brit, and they sort of do the whole interview thing with Horse & Hound. So we actually rented the exact same furniture. The sofa is different, because the one that Julia Roberts was on was a bit smaller, and for the two boys' size, we couldn't fit them on that sofa, so we had a different sofa. But the coffee table, everything – the flower arrangements, they were done by our florist who knew the original florist who did 'Notting Hill'. So we did this whole thing, so that was kinda our fun, cheeky little set because we wanted to see "oh, would anyone get it?" But it was our homage to you know, classic romcoms from our days and now we're doing a gay version so it was great.
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