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#Harvard Art Museums
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Sarah Miriam Peale (1800-1885) "Still Life with Watermelon" (1822) Oil on panel Located in the Fogg Museum, Cambridge, Massachusetts, United States
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arthistoryanimalia · 1 month
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#TwoForTuesday:
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Pair of Jade Tigers
China, Zhou Dynasty, Warring States or Western Han period, 3rd century BCE
nephrite, L. 19.1 x H. 8.8 x T. 0.5 cm (7 1/2 x 3 7/16 x 3/16 in.)
on display at Harvard Art Museums 1943.50.469 A, B
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lionofchaeronea · 1 year
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Rabbit, Wave, and Full Moon, Kano Tsunenobu, ca. 1683
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pazzesco · 6 months
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Opium pipe - China, Qing dynasty to Republican period, inscribed with cyclical date corresponding to 1868 or 1928. Water buffalo horn, metal, and ceramic. - Harvard Art Museums
It probably wasn't a bequest, it just kept turning up in the House Administrator's residence at Cabot House. 🔽
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Cabot House (above) was built with money donated from Boston's most successful slave-trading, opium-smuggling family, the Cabots. Serously, the house is named in honor of Thomas and Virginia Cabot, benefactors of Harvard and Radcliffe Colleges. The Cabots were part of the Boston Brahmin, also known as the "first families of Boston".
Here's the Cabot family Coat of arms.
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Perhaps the 3 fish represent the ways the family built their fortune at sea:
Slave-trading
Piracy
Opium smuggling
Opulence and Opium: The Legacy of Harvard's Drug Syndicate
Of all the families implicated in the drug trade, Bradley argues, the Cabot family was the most nefarious. The Cabots profited from the slave trade. They sent privateers to attack ships from imperial powers and sell their spoils. Finally, while operating in China, they caught wind of the lucrative opium export business. Elated, they brought the trade back to Boston. Within a few short decades, the Cabots had formed an empire, cementing their status as Boston’s elite, the Boston Brahmins. [...] these families had become deeply embedded in the Harvard hierarchy. At the beginning of the nineteenth century, members of these families were treasurers for Harvard, directors for the Harvard and the Massachusetts Bank, and even the president of Harvard College.
Cabot House's Coat of arms
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Party-time at Cabot House! Harvard students and one of their professors, celebrating the football team's 18-0 victory over rival Dartmouth on November 12th 1910 in one of the Cabot house's dorm rooms.
I'm just kidding about that being a photograph of Harvard students, but they really did beat Dartmouth that year.
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sourkitsch · 6 months
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The Cripple Portfolio, 1920– Heinrich Hoerle
Help the Cripples // Hallucinations
The Father // Friendly Dreams
The Tree of Longing // The Married Couple
The Unemployed Man // End of the Road
The Man with the Wooden Leg Dreams // The Breadwinner
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harvardfineartslib · 1 month
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A Filipino-American artist Pacita Abad (1946-2004) was born in Batanes, Philippines, and lived in Philippines until her parents urged her to leave Manila in 1970. As a law student, Abad had begun to organize demonstrations opposing the dictatorial regime of Ferdinand Marcos. Her organizing activities led her and her family in Manila to become targets of political violence. Abad took her parents’ advice and left Philippines. She enrolled at the University of San Francisco to study Asian history while supporting herself as a seamstress and a typist.
Abad became interested in art and eventually became a global artist. She has lived in many countries, including Bangladesh, Yemen, Sudan, Papua New Guinea, and Indonesia, incorporating many different techniques and styles she encountered in her travels into her artwork. Abad would sew, stitch, and collage objects such as stones, sequins, glass, buttons, shells, and mirrors onto painted canvas to create vibrantly colorful works.
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Fortunate for those who can visit Harvard, Abad’s work is now being shown as a part of “Future Minded: New Works in the Collection” at the Harvard Art Museums, which is free to the public.
Image 1: Pacita Abad featured in the publication, Obsession
Image 2: “The Great Barrier Reef,” 1991. Mixed media. Currently being exhibited at the Harvard Art Museums.
Obsession Pacita Abad; [catalogue edited by Jack Garrity; with essays by Ian Findlay-Brown and Ruben Defeo]. [Singapore : Pacita Abad Foundation], c2004. English HOLLIS number: 990107751490203941
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taf-art · 16 days
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Typewriter (1955). Konrad Klapheck.
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pagansphinx · 7 months
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Albert Joseph Moore (British, 1841 - 1893) Companions • c. 1885 • Harvard Art Museums, Cambridge, Massachusetts
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panicinthestudio · 10 months
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Further reading:
Hyperallergic: The Charges Against a Notorious Suspected Smuggler of Indian Artifacts, August 19, 2019
Hyperallergic: US Authorities Seized 13 Looted Asian Artifacts From Yale University, April 6, 2022
Hyperallergic: Disgraced Art Dealer Subhash Kapoor Hit With 10-Year Prison Sentence, November 3, 2022
Hyperallergic: Looted Antiquities Seized by DA Belonged to Met Trustee, December 2, 2022
Hyperallergic: 1,000+ Objects at The Met Linked to Antiquities Smugglers, March 20, 2023
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ripplefactor · 1 year
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‘details‘, Harvard Art Museums, Cambridge, MA .. by my friend Carter Wentworth, @carterwentworth and @lakeseasky ..
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Jean-Honoré Fragonard (1732-1806) "The Pre-Arranged Flight" (c. 1772-1773) Oil on canvas Rococo Located in the Harvard Art Museums, Cambridge, Massachusetts, United States
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arthistoryanimalia · 18 days
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#MetalMonday:
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Lamp in the form of a bird, 12th c.
Persian, Iran, Khorasan province, Seljuk-Atabeg period
Quaternary alloy, cast & incised, with turquoise inlay
13.34 x 19.05 x 19.05 cm (5 1/4 x 7 1/2 x 7 1/2 in.)
On display at Harvard Art Museums
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lionofchaeronea · 7 months
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Birch Tree in a Landscape, Paula Modersohn-Becker, 1899
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garadinervi · 7 months
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Gunta Stölzl, Tapestry, (cotton, wool, and linen fibers), 1922-1923 [Harvard Art Museums/Busch-Reisinger Museum, Cambridge, MA. © ARS, New York / VG Bild-Kunst, Bonn]
Digital Exhibition: Artisanal Modernism and the Labor of Women (Professor Maria Gough, Spring 2022), Harvard University, Cambridge, MA, Spring 2022
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buddhismnow · 1 year
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Karma: Innocent Action, by Diana St Ruth
The more we contemplate life, the more we realise just how mysterious it is. 'Karma: Innocent Action', by Diana St Ruth
It is our basic attitude which relates to how we deal with life. If we think we can have anything we want and do anything we want, then we will probably live in a state of perpetual frustration and disappointment because most of what we want doesn’t come to us, or comes in a way we hadn’t bargained for. Many of us do eventually notice this. As we get older, we generally get the message that life…
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jijigarden · 2 months
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