LISTEN. If we get a bisexual!Buck arc, I will ACTUALLY LITERALLY CRY, I’m already emotional just thinking about it, it will literally bring me so much joy
BUT
I don’t want it at the expense of an Eddie coming out arc…
Bc listen, I read a post talking abt how the writers probably won’t give both of them a really flushed out Queer Realization Arc bc it would be redundant, which like, okay sure, yes, I can see why you wouldn’t want to have two main, male characters going through the exact same thing, so sure, whatever, BUT -
I feel like, out of Buddie, Eddie is going to be the one that really struggles with coming to terms with his sexuality.
Eddie, who had to be The Man Of The House at 10 years old. Eddie, who grew up in the Deep South. Eddie, whose family is Catholic. Eddie, who already had a strained relationship with his judgmental parents. Eddie, who had a WIFE. Eddie, who says that what he had with Shannon was magic & compares every relationship he had to her. Eddie, who was in the military, which is infamous for DADT. Eddie, whose aunt constantly pushes him at random women because he needs to not be alone. Eddie, who canonically suffers from comp-het, saying that dating women feels like putting on a performance, not that he understands why. Eddie, who dated Ana & was planning on staying with her, even though he was unhappy, for his son.
I think Buck would be way chiller with realizing he’s queer - if he doesn’t already know, which is my fav head-cannon - & I feel like he wouldn’t struggle as much bc it’s Eddie, & Eddie is his best friend, and gender wouldn’t play as big a part for him as I think it would for Eddie.
I would love for them both to have an arc where they worked through their expectations when it comes to relationships & realize that they’re queer, but idk man, I feel like Eddie is going to be the one to really struggle & he deserves to really have that flushed out.
Idk, I’ve been thinking about this ever since I saw that post & nobody I know watches 9-1-1 😭
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COME ON BOARD AND BRING ALONG ALL YOUR HOPES AND DREAMS...! stickers here in my shop until oct 17 🏴☠️
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ROMAN CONTENT‼️
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Out of Touch Turts-day
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Bones. Bones.
How have you NEVER HEARD of The X-Files before? Very popular 90s TV show. Very. Very. Very Popular. Next you'll tell me you haven't heard of Xena: Warrior Princess.
Yes Mulder/Sculley was a ship. it was Such a huge ship that the ship *coined the phrase shipping*.
that is all thank you for coming to my mini-talk, this has been a brief foray into Fandom History. o7
Simply said, I was born in the 2000s, I don’t think I’ve ever heard X files ever mentioned besides in passing.
When I replied saying I was offline as a kiddo I truly meant it, ya girl only had books, the outdoors, and art as things to do. I think X Files is some supernatural/alien type thing right? That’s why it’s “X Files” because it’s what would be in conspiracy theory type censored government documents???
With the “check back for bites” thing, like are the aliens like zombies?
And what it COINED THE PHRASE SHIPPING? That’s so rad I absolutely have to read the history of that, that’s so incredibly neat my dude holy hell
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to be real for a second, i think there is a moment in the show where mike has a ~realization~ of sorts about his feelings but hasn't quite put two and two together yet.... and it's this:
this realization of "hey my feelings for will are actually maybe different than my feelings for my other friends, but i'm not sure why" happens at the end of season two. and then mike spends the entirety of season three acting sort of strange and different around will while having his relationship with him constantly juxtaposed with his relationship with el. reaching the end of that season which, despite all the supernatural shit going on, took the time to focus so heavily on those two relationships (and how fundamentally different they are), and having mike have the same realization he had at the end of season two makes no sense because it would mean he accomplished absolutely nothing in his emotional arc during the course season three
especially to claim that he still believes he has feelings for el going into season 4. especially to claim he still believes he has feelings for el by the end of season 4. it's to claim that he has not made any emotional progress in his relationships for at least two full seasons, that he's been going through all of this for it to not have made any conscious impact on him, and the changes in the way he acts from s2-3 and from s3-4 aren't a product of his character developing (growing, changing, to quote hopper's letter) but rather..... ? i don't know actually. just him feeling weird but not understanding himself at all. still. it just doesn't make sense to me. he's one of the main characters of the show, and to keep him emotionally stagnant for 4 out of 5 seasons (especially when we can see that his behavior is changing, that he has not been stagnant at all but rather deeply affected by everything) would be a disservice to his character, first of all, but also a disservice to the narrative which has been showing us his (as well as the other characters') struggle with growing up and growing into himself every season. and it simply doesn't align with what we're being shown
mike is already having realizations by the end of season two. but by the end of season three, he's starting to be really honest with himself about what they mean
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Sort of a distant tangent off my post about Ashton, but I'm growing more and more suspicious of the fandom claim that there's no time for small RP moments in Campaign 3. I do think that it's been challenging to get deeper party bonding or serious conversations that aren't about the big philosophical questions they're facing, since those do take much more time; but then I think about Calamity, or Candela Obscura. I can genuinely give you at least a couple paragraphs about pretty much every relationship in the two Circles, or in the Ring of Brass. I can also point to no shortage of small moments between characters in the Mighty Nein Aeor or Vox Machina Vecna endgame episodes, which were all extremely plot-heavy and fast-paced, and D20 consistently nails character relationships in a fraction of the time.
I think it really does come down to, as Brennan Lee Mulligan always says, the character creation phase. Laying down a solid groundwork in which everyone has a detailed, rich backstory and sense of personality and relationship history (in the case of characters who knew each other prior to the start of the series) is absolutely crucial, and even in the case of characters who don't know each other before going in, a good amount of time spent in character creation ensures that it's easier for them to develop those interpersonal relationships on the fly. I know in actual play there's some degree of finding the character as you play, but there are games for which there is a very short runway, and I don't think it ever hurts to do more extensive character prep than the bare minimum. And if there are gaps, I think it also helps to go back and fill those in mid-way, away from the table - Travis clarifying Chetney's backstory being a great example that allowed the history of Chetney and Deanna to feel realized and full, despite only a few episodes.
I'll also be blunt: most of the time when people complain that there aren't moments because the plot keeps moving...they're mad about shipping. Which has always rung hollow to me. It was a common complaint in C2, that no time was taken for character relationships, despite them taking an entire half of an episode for the Beauyasha date and despite no shortage of moments for all three of the other couples (and plenty of platonic moments between friends). The issue was never a lack of time; it was that the characters they wanted to talk to each other didn't actually have the relationship in canon that the fans had dreamed up, and so, when the chips were down, they went to other people.
It takes two seconds to say something like "I hold their hand", even in the middle of plot-heavy adventuring. If someone doesn't say it, it's rarely the GM rushing them; it's the player either choosing not to do so, or not remembering to do so, and either of those is quite revealing regarding how the player feels about that relationship and where it stands in their priorities.
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There really are people out here saying that “sometimes what you want isn’t what you need” is bad story telling and like damn, you must like really boring shit
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anime adachi and kurosawa are making out in a storage room at the office!!!! im highkey losing my mind!!!!!!
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three seconds away from drawing atla fanart for the sole purpose of making zuko actually cool
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I think it’s so funny to see fics and takes on Scully that imply Scully is prudish or sexually repressed or shy or any such similar stance. She’s repressed in other ways and she has daddy issues but the show has made it very clear that Dana Katherine Scully fucks.
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Really is such a shame that Cumberbatch and Freeman are Like That (tm) because Youtube just put BBC Sherlock on my suggesteds and the thing is I literally joined tumblr back in college so I could talk to my friend about it more in a fandom space that encouraged squealing and watching these clips made me remember how much I enjoyed the first two seasons and how much I wanted it to be good
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i feel like i’ve been WAITING for the other shoe to drop wrt people’s opinions about watcher for this very reason. not that i think the reaction is completely not understandable but the greater the parasocial relationship, the greater the fallout as soon as public opinion shifts. you don’t have a relationship with these people they’re just content creators, chill
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it's been over 2 weeks and this thing (unfortunately) still has a grip on me
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your tags are SO true like it was one thing to bring tennant back pre-ncuti, since the whole point of that was quite transparently to increase viewership FOR ncuti, but to be like "actually tennant!doctor gets to go have his own life and ncuti is a totally different offshoot" is like ....... well.
i'm screaming a lot in the tags but i'm guessing you meant these ones?
#honestly. horrible horrible flex to set ncuti up across from the most beloved doctor from the start?#like i (and im guessing a lot of other people!) will /always/ be drawn to 10 and feel like he's our doctor#don't set ncuti up like that!! deny us dt and MAKE US LOOK AT HIM. this is so SO weird rtd wtf did you do
because yeah. it actually makes me a bit furious because leaving a spare doctor hanging around and sending Ncuti off as a double is just handing the perfect excuse to every bigot who wants to claim that Ncuti isn't the real doctor, the real doctor is back on earth in Donna Noble's garden. Why do that? Why make it easy for fans who want to drop the show now and pretend it's always the old way, forever?
i can think of reasons for doing it this way—like i'm 95% certain this was just a convoluted way to give Donna her happy ending—but none of the possible reasons i can think of justify going about it like this. I love Ten, and Tennant, I could watch him go on adventures forever, but the point should be I DON'T GET TO because because here's A WHOLE NEW WONDERFUL DOCTOR to go on adventures with! The whole constant point in Who is that change and death DO happen, and one of the joys is grieving the old while embracing the new!
But this episode doing this weird little pivot where you can die but still live, where a separate form of you can rest* so you can go on adventures....idk what moral RTD was aiming for here but it feels like he just shot his own next era in the foot for no particular reason beyond "we love Ten" (and we do but. come on)
*(what does that even mean?? canonically we know the doctor is restless and always running into trouble so what was the point of that?? it's confirmed he's going to mars on fun little trips!! this is the same man and you gave him a tardis and apparently there's no sacrifice at all?? what is this!! why!!)
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I've always like the Barbiere overture but after last night where i was able to be ON STAGE while a LIVE ORCHESTRA PLAYED IT it is now The Greatest Overture In The World
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