#Helmuth Rilling | Explore Tumblr Posts and Blogs

takmiblog · 2 months

Text

J.S.Bach

Motetten

Helmuth Rilling

#j. s. bach #helmuth rilling #vinyl

0 notes

tratadista · 9 months

Text

https://erudita-raa.blogspot.com/2021/02/johann-sebastian-bach-magnificat-bwv.html

#johann sebastian bach #helmuth rilling

0 notes

lboogie1906 · 2 years

Photo

Measha Brueggergosman (born Measha Gosman; June 28, 1977) is a Canadian soprano who performs both as an opera singer and concert artist. She has performed internationally and won numerous awards. Her recordings of both classical and popular music have received awards. She played the lead in the premiere of the opera Beatrice Chancy by James Rolfe and George Elliott Clarke. She has performed with the Toronto Symphony Orchestra, Montreal Symphony Orchestra, the Thunder Bay Symphony Orchestra, and Music Director Geoffrey Moull, National Arts Centre Orchestra under the direction of Pinchas Zukerman, and at Roy Thomson Hall. She has performed internationally, in the US, Germany, and other nations. She was in Elektra, Dead Man Walking, and Turandot with the Cincinnati Opera. She has performed the Verdi Requiem with Sir Andrew Davis and the Toronto Symphony Orchestra, as well as with Helmuth Rilling at the International Beethoven Festival in Bonn. She was a soloist in recording Songs of Innocence and Experience, which won three Grammy awards, including Best Classical Album. She was a new performer at the Royal Nova Scotia International Tattoo, singing in the 'Phantom of the Opera' medley and closing the show with "Ave Maria". She has performed in the US with the Saint Louis Symphony Orchestra, in their performance of Michael Tippett's oratorio A Child of Our Time. She performed the role of Jenny in Rise and Fall of the City of Mahagonny in Madrid's Teatro Real. She performed the Olympic Hymn at the Opening Ceremonies of the Winter Games. She performed an arrangement of the English-sung version of the hymn in English and French to reflect Canada's official languages. #africanhistory365 #africanexcellence https://www.instagram.com/p/CfWYB9Brp4--WDQ9hSC3j1rFVTT9KozGwGZIkE0/?igshid=NGJjMDIxMWI=

#africanhistory365 #africanexcellence

0 notes

sunset-supergirl · 4 years

Text

Happy birthday Helmuth Rilling

#Helmuth Rilling #beethoven #Spotify

0 notes

yagi-mk · 6 years

Video

youtube

Weimarer Bachkantaten-Akademie 2017 | Abschlusskonzert Eisenach

ヨハン・セバスチャン・バッハ (Johann Sebastian Bach)

カンタータ第63番「キリスト者よ、この日を刻みこめ」"Christen, ätzet diesen Tag" BWV63BC,A8

カンタータ65番「彼らはシェバからやって来る」"Sie werden aus nach Saba kommen" BWV 65 BC,A27

カンタータ11番「神をその国々において賛美せよ」(昇天祭オラトリオ) "Lobet Gott in seinen Reichen"

ヴァイマール・バッハ・カンタータ・アカデミー Weimarer Bachkantaten-Akademie

ヘルムート・リリング Helmuth Rilling

#バッハ #カンタータ #ヨハン・セバスチャン・バッハ #Johann Sebastian Bach #キリスト者よ、この日を刻みこめ #BWV63 #BCA8 #彼らはシェバからやって来る #Christen ätzet diesen Tag #BC A27 #BWV 65 #Sie werden aus nach Saba kommen #神をその国々において賛美せよ #Lobet Gott in seinen Reichen #昇天祭オラトリオ #ヴァイマール・バッハ・カンタータ・アカデミー #ヘルムート・リリング #Weimarer Bachkantaten-Akademie #Helmuth Rilling

1 note · View note

gasparodasalo · 3 years

Audio

Johann Sebastian Bach (1685-1750) - Concerto movement (Sinfonia) for Violin and Orchestra in D-Major, BWV 1045. Performed by Isabelle Faust, violin, and Helmuth Rilling/Bach-Collegium Stuttgart.

#Johann Sebastian Bach #baroque #classical music #orchestra #violin #sinfonia #violin concerto #concerto #bach #js bach #violinist #strings #string orchestra #timpani #woodwinds #band #baroque music

39 notes · View notes

1714-konzertmeister · 4 years

Audio

Christmas Oratorio, BWV 248, Pt. 1: Aria: Flösst, mein Heiland, flößt dein Namen

By Composer Johann Sebastian Bach - Conductor Helmuth Rilling, Ingeborg Danz (Alto) And The Bach-Collegium Stuttgart

Bach: Christmas Oratorio, BWV 248 ℗ 2000

#christmas oratorio #bwv 248 #flosst mein heiland flosst dein namen #j.s. bach #johann sebastian bach #german composers #baroque period #baroque music #merry christmas #merry xmas #christmas music #xmas music #audio #audio post

73 notes · View notes

emilymaddison1112 · 2 years

Text

Conversation Concerts by ChorSymphonica

A Conversation Concert is a unique event, where soloists, chorus and orchestra are employed to illustrate points of a pre-performance lecture. In twenty minutes, we explore the musical and historical context of the programmed work, in order to make the composer’s efforts more accessible to our modern ears, and more relevant to our contemporary way of life. For our Wheaton programs, we translate the lectures into Spanish, so that the message of the music reaches more people. Following the introduction, we perform the entire work, uninterrupted.

“I first learned how to do this by watching Leonard Bernstein and the New York Philharmonic Young People’s Concerts on TV, ” says founder and conductor Richard Allen Roe. “In college, I had a wonderful teacher, Professor Henry Gibbons, who studied in Germany with Helmuth Rilling, himself a pupil of Bernstein. It’s Rilling who really perfected the art and science of Gesprächs-Konzerte. Particularly at the Oregon Bach Festival in the US. But he has been doing them (and still is) for more than 50 years in Germany, and all over the world. Later, when I studied with Rilling myself, singing in the Gächinger Kantorei, we were performing more concerts than we had rehearsals, and many of them were Conversation Concerts. I really learned how to do it from all three: Rilling, Gibbons, Bernstein. But it was my years of study with Rilling that gave me the experiences and insight to forge my own way.”

“The name is a bit misleading. In order to prepare the pre-concert lecture, in my study and preparation I imagine myself having a conversation with the composer. It is there that I ask questions like, why this chord, why this note, why this instrument or voice? Of course, Bach, Mozart, Beethoven, Brahms, Schütz, Stravinsky, Verdi, Poulenc, Fauré, Monteverdi, they are not around to participate in an actual conversation. I must try, based on my experience, knowledge of the composer’s life and work, and of the music at hand, to speak for the composer, from their point of view. To try to get into the head of a composer, to place myself in their shoes, as a conductor, is to create a fuller understanding of the message they were trying to convey. That’s what we, in turn, try to communicate with our audiences always, but especially and in a uniquely verbal way at our Conversation Concerts.”

Here are video excerpts from our “Conversation Concerts,” featuring the cantata Himmelskönig, sei willkommen, BWV 182, by Johann Sebastian Bach.

To Know More, Visit : Chorsymphonica

#choralmusic conversationconcerts musicconcerts

0 notes

freddyliberalyoga · 2 years

Link

0 notes

takmiblog · 10 months

Text

J.S.Bach

Motetten

Helmuth Rilling

Bach-Collegium Stuttgart

#j. s. bach #motetten #helmuth rilling #vinyl

0 notes

khwethemule · 3 years

Text

0 notes

eliasmbvukuta · 3 years

Text

0 notes

lboogie1906 · 3 years

Photo

Measha Brueggergosman (born Measha Gosman; June 28, 1977) is a Canadian soprano who performs both as an opera singer and concert artist. She has performed internationally and won numerous awards. Her recordings of both classical and popular music have received awards. She played the lead in the premiere of the opera Beatrice Chancy by James Rolfe and George Elliott Clarke. She has performed with the Toronto Symphony Orchestra, Montreal Symphony Orchestra, the Thunder Bay Symphony Orchestra, and Music Director Geoffrey Moull, National Arts Centre Orchestra under the direction of Pinchas Zukerman, and at Roy Thomson Hall. She has performed internationally, in the US, Germany, and other nations. She was in Elektra, Dead Man Walking, and Turandot with the Cincinnati Opera. She has performed the Verdi Requiem with Sir Andrew Davis and the Toronto Symphony Orchestra, as well as with Helmuth Rilling at the International Beethoven Festival in Bonn. She was a soloist in recording William Bolcom's Songs of Innocence and Experience, which won three Grammy awards, including Best Classical Album. She was a new performer at the Royal Nova Scotia International Tattoo, singing in the 'Phantom of the Opera' medley and closing the show with "Ave Maria". She has performed in the US with the Saint Louis Symphony Orchestra, in their performance of Michael Tippett's oratorio A Child of Our Time. She performed the role of Jenny in Weill/Brecht Rise and Fall of the City of Mahagonny in Madrid's Teatro Real. She performed the Olympic Hymn at the Opening Ceremonies of the Winter Games. She performed an arrangement of the English sung version of the hymn in English and French to reflect Canada's official languages. #africanhistory365 #africanexcellence https://www.instagram.com/p/CQqS1MULX_Z7XeOEk3KQdPr2o49wzPWm93evIg0/?utm_medium=tumblr

#africanhistory365 #africanexcellence

0 notes

illimitablespaces · 7 years

Video

youtube

Wolfgang Rihm

Deus Passus (St. Luke Passion) Pt. I Pt. II

link to study score, here.

Andreas Schmidt, baritone; Iris Vermillion, mezzo-soprano; Juliane Banse, soprano; Christoph Prégardien, tenor; Cornelia Kallisch, contralto. Gächingen Chorale and the Bach-Collegium Stuttgart directed by Helmuth Rilling

#Wolfgang Rihm #this is a massive piece #admittedly have not heard the entirety so make no claims as to the effectiveness

1 note · View note

1714-konzertmeister · 5 years

Audio

Concerto for 4 Keyboards in A Minor, BWV 1065 (arr. of Vivaldi's, Concerto for 4 Violins in B Minor, Op. 3, No. 10, RV 580) : III. Allegro

By Composer Johann Sebastian Bach - Conductor Helmuth Rilling and The Stuttgart Bach Collegium

Bach, J.S.: Harpsichord Concertos, Bwv 1063-1065 / Bwv 1044, Bwv 1050A ℗ 2000 haenssler CLASSIC

#concertos #j.s. bach #johann sebastian bach #german composers #baroque period #baroque music #audio #audio post

43 notes · View notes

superedsonsoterio · 5 years

Text

Johann Sebastian Bach - Cantatas BWV 1-3

Johann Sebastian Bach – Cantatas BWV 1-3

Wie schön leuchtet der Morgenstern, BWV 1 Total Time BWV 1: 22:55

Ach Gott, vom Himmel sieh darein, BWV 2 Total Time BWV 2: 18:08

Ach Gott, wie manches Herzeleid, BWV 3 Total Time BWV 3: 24:48

Gächinger Kantorei • Bach-Collegium Stuttgart Conductor: Helmuth Rilling

Painting: La Santa Cena (Juan de Juanes)

View On WordPress

0 notes