More clothing studies, this time from my fic Axis. I was aiming for authenticity while also trying to have each of their personalities show a little bit in their clothing choices. Two for Nicky, to show his layers.
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Hello ms bubble wizard mage maam', I was just wondering what are your thoughts on magolor regarding how he's apparently **highly aware** of all characters to ever exist in the kirbyverse
Also its become a trend where god is replaced with NOVA in the expressions... Do they know?
Ello ello!
I like Magolor a lot, but he is omniscient? That's news to me. Is there a source for that? :O Unless you're talking about that Magoverse trend I saw floating around a while back- I didn't see much but what I did encounter reminded me of all the different Sans Undertale AUs out there. Hehehe Magolor is quite versatile! What fun.
And I know people use Nova as an expletive when writing Kirby characters! It's cool!
I use profanity in real life but I personally try to not associate Kirby characters with it in the works I make. I want to diversify the vernacular of the citizens of Popstar so I made a small list of expletives I thought of, lol. They should have a variety of things to yell out when they stub their feet or an apple falls on their head! So I get randomly inspired out in the world and I make sure to write them down!
I remember seeing someone have the characters use expletives based on food, like for example, "For the love of shortcake!" or things like that. That idea's fun!! (If you are the person who had this headcanon and are reading this please tell me so I can credit you for it!)
Does anyone else have expletives/exclamations they write for Kirby characters? Please share them if you do heehee. It makes the world building feel more fleshed out and creative >:3
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The One-Way Waltz of the Moth and the Wild Flame (and the Incident of the Authorial Intrusion) - A Good Omens Fic
Written by pokimoko
Chapters: 1/1
Word Count: ~25K
Fandom: Good Omens (TV)
Rating: Teen and Up Audiences
Warning: No Archive Warnings Apply
Relationships: Aziraphale/Crowley (Good Omens), Crowley & Muriel (Good Omens), Crowley & Nina (Good Omens), Crowley (Good Omens) & Original Character(s)
Characters: Crowley (Good Omens), Aziraphale (Good Omens), Muriel (Good Omens), Original Characters, (who is technically not an original character but I've got to keep some secrets ;) ), Nina (Good Omens), Background & Cameo Characters
Summary: A story in which Crowley does not prevent forest fires, a radio sends out thoughts and prayers, an angel misuses the emergency contact, the local duck population invents socialism, trees are threatened to varying degrees of success, a waltz is indeed played, and an author considers the nature of tragedies.
Tags: Ineffable Divorce | Aziraphale and Crowley Break Up (Good Omens), Post-Break Up, POV Crowley (Good Omens), Emotional Hurt, He/Him Pronouns For Crowley (Good Omens), They/Them Pronouns for Muriel (Good Omens), Crowley & Muriel Friendship (Good Omens), Angst and Humor, Crowley-centric (Good Omens), Canon Continuation, Post-Season/Series 02, Post-Episode: s02e06 Every Day (Good Omens), Pre-Season/Series 03, No Aziraphale Slander Here but it is also Crowley's POV so expect at least some Thoughts, Angry Crowley (Good Omens), Running Away, Both in the Emotional and Literal Sense, Because You Don't Have to Deal with Your Romantic and Personal Issues in Washington State. Obviously, (incorrect: you very much do), Crowley is a Mess (Good Omens), (even if he won't admit it), Crowley Loves Aziraphale (Good Omens), (another thing he won't admit), Aziraphale Loves Crowley (Good Omens), They're just being stupid, Not A Fix-It, References to God(s), Romantic Angst, America, United States, Fire Lookout, Remember Only You Can Prevent Forest Fires (Unless You Are Anthony J. Crowley), hey is it healthy to repeatedly relive a past trauma to deal with a breakup? asking for a friend, Scene: The Bookshop Fire (Good Omens), Fire, Unhealthy Coping Mechanisms, Isolation, When You're Trying to Cope Badly in the American Wilderness but People Keep Talking to You, Radio, Inspired by Firewatch (Video Game), Character Study, Crowley and the Woes of Being In a Narrative That Won't Let You Go, (Fleabag voice) This is a Tragedy, But oh? What's this?, Angst with a Happy Ending, Ambiguous/Open Ending
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Next fic is gonna be the time travel AU prompt that won the last yotp poll I made only I am making it a This is how you lose the time war AU and I am loving it sooo much, can't wait for you all to read it <3
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stumbled across a ballad of songbirds and snakes critique video and I couldn't even watch it because the person so did not get what the book was doing and saying and the comments were complaining about the unnecessary romance when it's super obvious it's not intended to be a romance. suzanne collins is, yet again, ahead of her time because I remember the hate mockingjay got when it came out for killing prim and having katniss vote for new hunger games when those plot points are crucial and are meant to act as a commentary
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Resisting the urge to carve myself a distaff from one of the evergreen boughs ive dragged home and learn medieval in-hand distaff spinning. Do i need to do any of this ? No. Am i happy with supported spinning ? Yes ! Am i probably gonna do it anyway ? ... also yes
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Words are the closest thing to a way I can make sense of my somewhat-of-a-self-identity-crisis-but-in-writing thing, and even then it can only express a mere fraction of whatever it is that I'm feeling. So bear with me as I try to verbalise this in an at least semi-coherent way.
I've been trying out a variety of writing styles and techniques lately. I've been discovering ways to do more of 'showing' and less of 'telling'.
I like the indirectness of it.
Actually, no -- that's not quite it. That's not it at all.
I think I like telling stories obliquely and only providing vague details not only because I'm a lazy arse who has no idea how to describe things in a direct and clear way but also because-- actually, I have no idea how to explain this in a way that isn't incomprehensible.
I can't quite explain it, but I think I like stories that can only be told in a vague way, like providing the puzzle pieces so that you get to piece things together the way you want it. The resulting picture would just be your own interpretation. I just like being subtle and merely imply the meaning of some things so anyone can interpret my stories their own way.
No, no. That doesn't make any sense either, does it?
And that's only one of the many things I'm still trying out and working on!
It's just. There's so much to try! I don't even know what I want. I've said this in my recent fic's A/N and I'll just say it again here: I'm experimenting with different things in writing the way a child would mix soap and shampoo in a bath. Which is a waste of time (and of shampoo and soap, which clearly does not apply in this scenario, but again, really cba to think of a better analogy here) but I can't help it because it's so fun.
Sometimes I think I don't even *have* a style. Sometimes I think I'll never have one. But I dunno.
Just ignore me as I try to mull this over. I'm just 'in my feels' and screaming this out into the abyss that's in the form of my silly little blog. Thank you for indulging me.
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For anyone wondering what a completely clutter free dashboard looks like thanks to XKit btw...
coupled with the old blue theme of course (whose bright (read: pisspoor) idea was it to change that color?)!
All the information for my blog is under the little person icon in the top right corner as a drop down.
Also, since I have the old blue, it reverts the icon colors to that theme's color too. No goddamn neon colors on my buttons.
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A sickening crack. Gnarled nails scraping along stones. Beings of pestilence and rot. Words full of revulsion.
I hate the ones that cast me here.
I hate those that refused my warnings.
I hate that I have been left here to be forgotten.
I hate that I have been doomed to perish so far from anyone.
I hate this world.
Hate. Hate. Hate. Hate. The only mutual feeling that binds. An emotion that festered within the confines of pit of bones and darkness. So strong that it was engraved within the heart. Grudges that run deep to corrupt an essence that had yet to be. A mantra of malice that could only birth obsession. A promise of destruction... uncaring of whom the victims may be.
Ramblings and ravings. Gaunt face mimicking greyed skulls. A peal like thunder. Whispers and titters. Flames igniting greenery into ash and charcoal. Yanks of dark locks while pebbles and stone dragged across bare skin.
Slaps and digging nails. Tell me your name. Bare feet running through unfamiliar sights and creatures. A hammer shattering bone. A vision of a far off place of a man he doesn't know. A spark. Of inspiration and flame.
Run. Hide. Observe. Learn. Never hesitate. Do what you must. A gnawing like an insatiable hunger from within. Do what you must. Do not forget why you were born. Fulfill what you were meant to do. By any means, you must.
Wake up, child of the starless sky.
Wake up, my last hope and prayer.
Wake up, you beautiful and pitiful dreamer.
Wake up, union of malice and embodiment of ruin.
Wake up
"...one of those nights it seems," he mused to no one but himself as his eyes opened. His head swarmed with words no longer coherent but known to his mind. A dull ache radiated from the crown of his head. His heart had not stirred from its deathly slow pace despite the dread that filled him. The vise that comprised his soul remained steadfast, its entrenched claws a vexatious reminder.
The emptiness of his chamber only amplified his yearning. And yet he tempered his desire against the need for clarity. He had hoped that this--this regalia, this title--all of this would be enough to satiate the entity that was his core. But a hollowness remained, its echoes presenting a hunger. A hunger...he was starting to wonder...if it could ever be appeased.
Balmoral dressed lightly with the only adornments to obscure his eye and pull back his hair. Exiting the room, he startled the attending guard. The king didn't wait as he ordered, "Do not bother me. And do not rouse anyone on my behalf. I shall be in the library."
He hadn't waited for response as he navigated the halls. It would not be a night for rest. After all, he had been brought from the realm of sleep. It was what was asked of him and yet...
"And how unfortunate for I to have opened these eyes once more."
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i’m trying to read every unread book on my bookshelf before the end of the year and the problem is. a lot of the reasons i abandoned certain books is because they are . not good but lord im trying 🙏
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God I could and should write a whole fucking book by the end of this life here on Lev and his symbols
ill write it then burn it before anyone else gets a copy. or i wont. im supposed to be helping him this incarnation here to get a better anchor in this plane so maybe it would help more than itd be weird - im just getting from him the energy of "yeah no people already effectively have these things, people on my plane already know me inside and out to an extensive degree, may as well have it here too" you know. fair
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What do you think of Jamie Bell's version of Tintin in the 2011 movie? I personally find Jamie's delievery of his lines and the facial expressions he makes to be satisfying and attractive so I love it. However, I do recognize some differences in the way movie Tintin acts compared to the comic version.
In the comics Tintin has an easygoing personality and is rarely annoyed. He's very patient yknow. While the movie Tintin looks very done with everyone lol. He's patient too, except that it's the bitch-im-this-close-to-snap kind of patience lol. I don't have a problem with it, I think it adds great comedy, plus it's a realistic & relatable reaction considering how the guy is surrounded by airheaded/distracted characters.
They got his curiosity/obsession and quick-thinking and some other tiny personality details right though. The movie Tintin doesn't feel far away from the original one, it just seems less "childish" and more relatable? Movie Tintin feels 25+ years old to me, meanwhile comic Tintin feels 15-20 years old because of how happy/energetic and "unbothered" he seems with many problems? (Although I think Tintin being 25+ makes more sense even though I know Herge thinks of him as 16-17, smth like that)
A scene I can think of where Jamie's Tintin acted so much like the comic version was when the captain asked him how much he knew about the unicorn and he replied with "Not a lot, that's why I'm asking you" he looked & sounded so cute and very comic Tintin-ish imo.
All in all I love Jamie's Tintin and ngl watching him makes me feel butterflies lol. But I can't help compare him to the comic Tintin and be reminded of their differences. I wonder if that's because of the script or just Jamie's way of portraying him?
Anyways, I wanted to know what you think. Maybe you can write a comparison post about Jamie Bell and Jean Pierre's portrayals of Tintin? Not like a "this one is better" comparison, just an analysis. Yeah just a suggestion.
Thanks for reading this far and I'm excited to read your thoughts on this topic!
sorry it took a little while for me to answer this! it was hard to organize my thoughts – which, it turns out, i have a lot of, so i’m putting this under a cut.
overall, i liked his performance, yeah! i think he’s a fine tintin. i think they did some things really well with him, like his curiosity and drive, as you mentioned, as well as his confidence and self-assuredness (the scene that comes to mind for these is the “we’ve got one bullet” scene). i know jamie bell is a dancer, too, which helped him nail the physical aspects of playing the character.
as for the differences, i think the main ones you listed – his impatience, annoyance, and less easygoing nature – just have to do with the stories they chose to adapt. in crab with the golden claws, tintin is indeed often shown losing his patience with the captain; in unicorn he gets cranky when barnaby and sakharine don’t stop pestering him, and when the woman hogs the phone booth in the rain. it wouldn’t be my personal go-to for a tintin portrayal to have these traits so forefront, but it provides more depth to his character/gives him more of a personality and makes him more well-rounded.
bc like. tintin in the comics is kind of bland LOL. which i'm pretty sure was mostly by design. we see him develop and gain more of a personality as the series progresses but for a lot of it he is kind of left blank. so the script writers had to fill in these gaps and round out the character in order to make the sort of protagonist that could carry a feature-length film. and i think they did a decent job! generally i think movie-tintin’s traits make sense and feel like a natural progression of the comics character. he is still recognizable as tintin, but just an older and more grown-up version of his comics counterpart, like you said.
that being said . there is just something about this version of tintin that is just a little bit off. and i cannot put my finger on it. this section will be more incoherent because i'm really struggling to put it into words lol. but he just doesn’t Feel like tintin to me... like. i think he’s a little too serious tbh . i wish they had let him get a little playful with it, but tonally i dont think it would have worked. and i think there’s just a lightness and a warmth that’s missing from this portrayal. not that i wanted him to be happy all the time or whatever, but he feels closed off in a way that tintin never has to me, so it feels just a little off to see him portrayed like this. like there’s a difference between closed off and reserved, and i think movie-tintin is closed off, whereas comics-tintin is just reserved. i don’t know if that makes any sense. at this point i'm just going off vibe rather than anything concrete that i can cite lol im sorry this is so nebulous
AND HONESTLY i think for me it also has to do with the fact that they made him do that posh english accent 😭😭😭 it just feels so wrong to me. like maybe i'm just too used to hearing him with a canadian accent (shoutout to the 90s cartoon) but. yeah. and i know that’s not jamie bell’s natural accent either, so it feels doubly weird
all this to say yes, i do like jamie bell as tintin and i think he did a wonderful job, and i think that this version of tintin makes sense, even though he doesn’t quite fully Feel like tintin to me
i don’t know that i'll write a comparison post, just because it seems kind of daunting and because i'm not super confident in my grasp of tintin as a character. which i know is ironic to say, given that i just wrote a bunch about tintin as a character, but this post is largely just opinion, and for something as “official” as a comparison analysis i’d definitely have to go back and reread/rewatch to be able to say anything with any confidence. it's certainly something i'd like to do at some point! i have a lot of thoughts about jean-pierre’s tintin as well and would love any excuse to talk about him. (spoiler alert: i think jean-pierre feels like tintin way more)
but anyway, thanks for your question!
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as much as i hate it sometimes you do just gotta start rewriting a thing from memory to get it where you want to be
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i’m not of the school of all classics suck tiktok literary theory. however what i CAN say recounting my literary adventures of this year is. i was fucking stunned how jane eyre had a certain watt pad 1st person POV my mom sold me to one direction je ne sais quoi about it that i found surprising, hysterically funny, and also nigh unreadable
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i do plan on getting a tattoo of juno on my arm
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also occasionally i’ll write a line in one of my fics that i think is just so good but i don’t wanna be an insufferable prick about it and talk about my own work like i’m such hot shit lol
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