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#I Am a Photograph
meirimerens · 4 months
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Yumna Al-Arashi, Axis of Evil (Yemen, Afghanistan, Iran, Iraq), 2020
in Leica Fotografie International (LFI) magazine:
"This photograph was made for my first European solo show in Berlin, in the gallery Anahita Contemporary. It's a self-portrait alongside Anahita Sadighi, Moshtari Hilal and Susu AbdulMajid. We are respectively from Yemen, Iran, Afghanistan and Iraq. Despite our different roots I noticed that we all share a similar background, having grown up in Western nations that often vilify the places our families are from. I also noticed the strong profiles of each of our faces. So I decided to create this portrait with the title Axis of Evil – a play on the term so frequently used to describe our home countries when we were growing up. It also embraces the beauty of our distinctive noses, which are often treated as ugly, something to be changed. I wanted to embrace these qualities of ours in this image, creating something powerful, defiant."
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thimbleb3rries · 5 months
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In a similar style to this post of mine, more sketches/doodles!
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I mostly do these in class or at home while watching YouTube lmao
I love sketching in that blue colored pencil so muchhhh hfhffb I like how it's both textured but also fun to look at when flipping through my sketchbook
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myxomycota · 1 month
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makes me sad how many people accuse my slime mold posts of being AI even though i list the species and link to the photographer/source like sometimes beauty is real guys. sometimes its real.
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vintagewildlife · 5 months
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I miss film photography. There's some dreamlike quality to it that, paradoxically, makes it feel more real and more evocative. Modern nature photography, while an art in itself, is so crips that it somehow feels hyperreal which makes it difficult for me to connect to it. Only rarely does the composition of a contemporary nature photo strike a chord with me - it's always the subject matter, not the photo itself that resonates with me. It's the opposite with film - the photo can resonate with me regardless of its subject matter. I don't know it's the tint or the grain or the lighting, but there's just something about film photos.
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cipher-the-sidhe · 27 days
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Stay with me, Birdie...
for Apex Polarity by @naffeclipse
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naffeclipse · 3 months
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What if Eclipse from AP was a naga? And this took place in the deep jungle of the amazon, where photographer y/n is trying to take pictures of the wildlife?
I'm vibrating at the speed of sound over this ask while also nudging my naga au
Naga Eclipse from AP would have the tail of a Green Anaconda, with an olive green scaly color dotted with black, framed by burning-like flares of orange along the length of his slithery body. He's also decorated with orange-yellow striping on either side of his long, slipper form. His upper half is scaley with a lithe deadliness to his musculature and decorated by frills surrounding his head with brighter orange-yellow colors, almost hypnotic in their gradient hues. One eye is deep emerald green, and one is midnight blue.
Lucky you—you're out on a once-in-a-lifetime expedition to explore a jungle closed off to the public, funded by Fazco, and occupied by two researchers who will be your bunkmates for the next few weeks. You're itching to take photos of the large river, including swamps, marshes and streams, and whatever wildlife is out there.
The few locals you did meet before you left to hike the rest of the way to what would be your new, isolated home warned you of a dangerous snake—a large, mythical beast. You take note of the local folklore. You understand the truth is hidden in there somewhere, and you are well aware of the dangers and diseases you could be met with in such a harsh environment, but you're determined.
It doesn't take long for you to feel eyes watching you when you first venture out by yourself. You take beautiful pictures of freshwater fish, big and beautiful, unlike any you have ever seen. Of course, you have hundreds of snapshots of the local flora, the trees, the floating meadows, the thick vines that drape each branch and hang thickly about the ground. You almost forget that you eerily don't feel alone.
But you swear something moves in the water—the ripples stop as soon as you look. The stillness is suddenly stiff, lifeless. Even the birds have stopped chirping.
You lower your camera and carefully put it away. A trickle of fear slips into your heart. You turn away from the river's edge only to be met by a low hiss and a creature, unlike anything you witnessed in your travels, spooling itself neatly out of the water, blocking your path to the base. An incredible creature with long arms and a great, serpentine tail that seems to stretch for yards and yards. You can hardly breathe in his presence—he's otherworldly with his frills and scales and fangs.
His eyes contain a mesmerizing shine as if staring into a fire as it burns or watching the ocean as it laps up against the beach, drawing your attention, demanding you don't look away. You couldn't anyway. Half-frozen, you struggle to keep from collapsing. He beckons with a sharp talon. He hisses softly for you to come closer, mouse. He wants to see you. You try to beg no without revealing how terribly you tremble. He doesn't let you go. He insists. His eyes flash with an allure. You almost step close when he murmurs that you need to be good.
But then your sense of survival kicks adrenaline into your heart, and you turn to run—
He strikes faster than your eyes can follow. Two loops of his green and orange tail surrounded you in an instant. You're dragged to the ground, your arms pinned under his mass, and the back of your head cradled by his large palm as powerful muscles squeeze you in the slightest—a gentle rebuke for thinking you could get away. You're hyper-aware of the terrifying bulk of muscles as you lie trapped in his coils. One strong twist and your eyes could pop out of your skull, and every bone protecting your heart and lungs would crumble to shards. You gasp. An urge to kick your legs and struggle erupts in your panic; a sinking feeling tells you it would only make things worse.
He coos over you, hissing and humming in an ancient song of the jungle you have no name for. When you whimper, he shushes you and strokes your cheek. He tells you how lovely you'll be. When you talk back to him, somehow finding your tongue amid your horror, you find out his name. Eclipse. He moves you more upright, resting you on his tail so you're not petrified by how vulnerable you feel lying down, but he never loosens his scaly bindings. He hovers over you. You gaze into his stunning frills of yellow-orange and wonder how a being like him came to exist. He studies you as you study him. He grins at how you shiver when he traces your collarbone with a sharp fingertip.
You remind yourself that you can still breathe. He hasn't crushed you—yet—but you don't like how wide his smile is. Sometimes, his jaw stretches a little too long as if dislocating from his skull, ready to devour you. His eyes gleam with a ravenousness as scales twist around you, holding you close enough to smell the slick green water he had been in and deep musk.
He tells you that he'll see you again very soon—away from other humans, lest you bring him a fine gift for a meal. You can only flex your fingers, silently pleading in your heart that he won't unhook his jaw and eat you alive.
Then, he unravels himself from your limbs. But before he lets you go entirely, he leans in close, his serpentine tongue flickering close to your neck and by your hair, tasting the air around you as you muster all your strength to not scream. He inhales deeply, pleased, before he murmurs, "Sweet mouse. You are mine. Say it."
You don't understand, but you echo his command, and when he taps your chin once in what might have been a loving gesture, you force your jelly legs to solidify before you run and run, all the way back to base. You slam the door to your room behind you. You touch your ribs, your arms, still caught in the heavy sensation of his loops as if he were upon you right now.
The stories are true—there is a giant snake in this jungle, and he wants you. You're afraid to discover if Eclipse's intrigue with you is only an exotic way to satisfy his hunger.
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strangersatellites · 1 year
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It had all started in Photography 101. 
All he had needed was one more elective added to his schedule for the fall semester to be considered a full-time student. It was Robin who had suggested photography.
Steve had never had that great of a memory to begin with, the numerous blows to the head from juvenile high school fights certainly doing him no favors. Sometimes the amount of time it took to jog Steve’s memory surpassed the time it would’ve taken to simply tell him the story as if he hadn’t been there himself. 
He was always able to grasp the memory eventually, but sometimes they were slippery in his mind. 
He and Robin had found that his memory was ten times better if he had something to look at. Sometimes that was a souvenir from a trip, sometimes it was a takeout menu with his order circled in red pen, sometimes it was a physical scar on his skin from some silly injury. But most of the time it was pictures. 
Steve took to taking photos of everything. His friends, his food, the landscape, a book with a pretty cover, anything he wanted to be able to remember.
The walls of his room grew to be covered with polaroids and prints, some staged, most not. Many blurry and out of focus, but in the moment just the same. 
So when Robin suggested Photography 101, Steve saw an opportunity to take something he did for his own benefit and turn it into something he really enjoyed, something he was good at. 
The semester was a breeze and Steve flourished under the attention of his professor. He was constantly drowning in compliments about the movement in his photos and his eye for composition. 
(Robin would tell him on several occasions that she had never seen him enjoy something this much.)
By the time the semester was coming to a close, he was left with one final project. The professor had been intentionally very vague in her description of it throughout the semester, so Steve was a little on edge. 
Sitting in the front row of the small classroom, he twirled the strap of his camera around his fingers while he daydreamed. The room slowly filled and the professor settled in behind her desk. 
About five minutes after class was supposed to have begun Steve noticed they were all still sitting in silence. Glancing at the professor he saw her brows furrow and a frustrated lilt to her lips as she looked at her watch.
What are we waiting for? 
She stood and dusted off her pants before clapping her hands together.
“Well,” she began, “I guess we can go ahead and get start–”
The door at the back of the room swung open and knocked against the wall with a resounding slam.
“Shit! Fuck! So sorry I’m late. Traffic was a bitch.”
Steve is so caught off guard by the man who just burst into the room that he barely even registers the words he’s saying. 
He’is tall and all lanky muscle, dark curls and jewelry, tattoos and the smell of smoke, chains and leather and everything Steve’s not. Everything nobody in this class is.
He’s even more caught off guard when his professor laughs and pulls the man into a tight hug. There are only five other students in this class, surely he’s not the only person confused.
He keeps an arm around her shoulders as she introduces him to the group.
“Guys, this is Eddie. He’s a family friend and he’s going to be your subject for your final project.”
Steve’s own eyebrows furrow as he tries to understand how this was the project she has been keeping under wraps. They’ve had plenty of portrait sessions this semester, with models and subjects of their choice alike.
The guy, Eddie, claps a hand to his chest in a dramatic show of faux humility. 
“Thank you for having me, Joyce. It's such an honor to be here.”
She smacks at his arm and carries on.
“So, Eddie is your subject and you have no parameters. The only requirement is that he is the inspiration for your shoot. This can look like a standard portrait session, this can be contemporary urban street photography, whatever you like. Eddie does not even have to be in the photo! He just has to be the inspiration for it.”
Steve's brain is already running a mile a minute, conceptualizing shots faster than he can keep up. 
Dingy bars, backseats of cars, details of his eclectic style.
But one idea sticks out from the rest. As Steve lifts his eyes to Eddie once more and meets his own twinkling with mirth and smirking back at him he makes his decision.
He’s going to take his mugshot.
*****
“I want to take your mugshot.”
They’re at the campus coffee shop. Joyce had scheduled a few hours for Eddie to meet with the other students during their class time so they could talk through their projects.
Eddie barks out a laugh. “What, man?”
Steve twirls his straw around his drink and tries not to bristle at the reaction.
“Look,” he starts, running a nervous hand through his hair, “I don’t really know where the idea originated but once I had it, it stuck. I just saw this vision of the shot in my head and it was sick, dude.”
Eddie leans back in the booth, one of his boots knocking into Steve’s foot under the table. He crosses his arms and tilts his head. 
“Thought this shoot was supposed to be inspired by moi,” he says, gesturing a hand towards himself. “You saying I look like I should be in jail?”
Steve groans and puts his head in his hands. “No. I already told you I don't know where i got the idea–”
But that’s a lie isn’t it. He knows exactly where he got the idea. It was somewhere between the chains dangling from Eddie’s jeans and the handcuff belt he was wearing the day they met.
He put his hands together on the table between them. “Okay. No, I’m not saying you look like a criminal, Eddie. I’m saying I think you want to look like one.”
Eddie blinks at him for a moment before his face breaks into a slow smirk. He huffs a quiet laugh and leans closer. “Guilty as charged, Stevie. Besides, I was arrested once actually.”
Steve gawks while Eddie laughs. He is unfairly attractive when his dimples pop and Steve is going to have such a hard time holding it together behind the camera. 
*****
Steve takes his shoots very seriously. Every detail has to be perfect, even the ones not relating to the subject of the photo.
So it is wildly convenient that his professor happens to be married to the chief of police back in Hawkins. 
One quick phone call from Joyce and Steve and Eddie were granted access to the booking room at the police station. You know, for the sake of realism. 
Steve’s setting up his tripod while Eddie takes a chalk marker to the placard and writes up his own booking ID, a long series of random numbers with E.M at the end. 
Steve would be lying if he said Eddie’s choice of clothing wasn’t exactly what he’d had in mind. 
He’s wearing a ratty, old band t-shirt for some group Steve’s never heard of. There’s his usual black leather jacket and the silver chain around his neck. His ripped black jeans and fingers covered in rings and black nail polish. 
It's perfect for the shoot. But Steve’s sanity is struggling.
He gets the camera and the lighting set up just as Eddie steps into place in front of the height measurement wall. 
Steve puts his hands on his hips and gives instructions.
“Okay, so I know you’ve done this before–”
“Hey! It was one time!”
“So you know how this goes. We’ll do one forward and then one to each side.”
Eddie shakes out his hair and rolls his shoulders back. He holds the placard up in front of him and levels the camera with a dead-eyed stare.
He looks good. 
Steve is less than shocked that he looks even better on camera.
He lines up his shot. Click.
Eddie turns to his left. Steve gets a little distracted by the line of his jaw.
Click.
He turns to the right and of course only now does Steve notice his ear piercings. 
Steve takes a deep breath and focuses.
Click.
Before he can even look through his shots Eddie is dropping the placard on the desk.
He’s halfway out the door before he grabs the frame and leans back in. “One second pretty boy, I have an idea.”
He’s back before Steve snaps out of his stupor at the nickname. This time, he has a pair of handcuffs swinging from his index finger.
Steve snatches them out of his hand. “Where did you get these?”
Eddie crosses his arms over his chest and shrugs. “I know a guy.”
He rolls his eyes. 
He’s already picking up the placard and setting up some detail shots when Eddie grabs his wrist and stops him. He freezes for more than one reason.
“Hey, uh. Not to step on your toes or anything, but I actually have another idea.”
Steve is about to start on his spiel about ‘not messing up his flow’ when Eddie rubs his thumb over the inside of his wrist. Gentle and reassuring. 
“Do you trust me?”
Honestly Steve has no reason to trust him, he’s basically a stranger.
A pretty one. His brain supplies.
But he does. Trusts him enough to let him take Steve’s creative liberties and throw them out the window apparently.
“Yeah. Yeah, okay.”
Eddie’s smile is blinding. He turns Steve’s hand over and drops the handcuff key into it.
“Don’t lose this big boy,” he says as he snaps the cuffs around each of his own wrists.
Steve laughs, loud and shocked. He waggles his eyebrows at Eddie. 
“Well, now didn’t this take a turn.”
Eddie rolls his eyes this time and lifts his hands as much as he can.
“Don’t try to sexualize my creative prowess, Steve. I am a professional.”
He nearly trips on his way back to his place in front of the wall and Steve has to hide his laugh into a cough.
Steve’s back behind the camera, hands back on his hips when he asks, “Alright, what’s the plan?”
Eddie smiles and says, “You just shoot, Harrington. I’ll do the rest.”
He leans down to finalize his camera settings and line up his shot. When he finally looks through the viewfinder his jaw drops. Because while Eddie was clearly joking about being a professional, if Steve didn’t know any better, this shot would have him believing it.
Eddie’s got both of his pinky fingers tucked in the corners of his smile, tongue bitten between his teeth. His thumbs are raised along with his middle fingers, while he’s got his nose scrunched and one eye squeezed shut. The cuffs hang right under his chin and accentuate his silver jewelry in a way Steve never would have anticipated.
Click.
Click. 
Click.
The next is a close-up of the booking placard between his teeth.
His hands twisting to unlock his own cuffs.
He’s a natural, and Steve’s camera roll can attest to the fact.
It wouldn’t be until Steve was reviewing and editing the shots that he caught on. The booking ID on the placard looked long because it was. It was Eddie’s number.
*****
Steve got an A. 
He got an A, an endless stream of compliments from Joyce and a dorky hot boyfriend. 
The rest of the class went the route Steve expected them to.
Dingy bars, backseats of cars, details of his eclectic style.
But Steve’s mugshot series stood leagues above the rest.
Later in their lives, when one of their friends would see the photo in Steve’s wallet they would ask when Eddie got arrested and why.
It quickly became a game between the two.
He’s been arrested in high school for selling drugs (True.)
When he was twenty for public indecency.
At twenty-two for arson.
Thirty for contract killing. This one was followed up with the claim that he was in witsec and was now going to have to change his identity and flee the country.
But the real when and why Eddie got arrested is because when he was twenty-one Joyce told him there was a nice boy in her class that she thought he should meet.
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deltoidlover · 2 months
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the new hire
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beaft · 10 months
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this photo i took of my friend on a hike looks weirdly like a screenshot from fellowship of the ring
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charmed-n-zesty · 1 month
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There's no rush to get to spring.
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sunandflame · 9 months
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I was again trapped in my very personal Pinterest hell when I saw this beauty here and now I can't stop thinking about an AU where Kyojuro is a photographer.
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Because just imagine how he takes pictures of a building or something of his interest on a open street and suddenly you appear in front of his lenses and the only thing he can do is lower his camera and just look at you with his own eyes just to confirm himself that he is not dreaming or hallucinating. You are legit an angel with your white summer dress that flows in the wind. He stands there perplex for a second and baths in your beauty before the noises of the street hit him again. And before he lost sight of you, he takes his camera and makes pictures of you. How you walked along the street and before he could even realize it, he was following you.
And you were not only beautiful from the outside, but also on the inside. He saw how you knelt down to caress some stray kitten, that begged for your love. How you searched for a coin in your purse to give it to the people in need. Always with a smile on your lips.
Kyojuro feeling weirdly drawn to you and he did not realize how many pictures he had made of you until your head turns directly to him, noticing that he was taking pictures of you. But you were not angry, you gave him a smile and waved which took him so by surprise that he nearly drops his camera.
And while he catches his camera in an awkward and embarrassing way you were already on your way to him. Should he flee or wait for you? He was not sure, but he knew he was running hot as a flush increased on his cheek.
EDIT: Here is part 2
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soupacool · 2 months
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psssst look under the cut
surprise I actually screen printed this poster
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sorry I only have the one process pic but it was finals when I made this so I was in a rush
14x17, 5 color screen print- one for each type of skill + black. getting the layering and registration just right was a bitch and a half but I love how it came out <333
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turnipoddity · 2 months
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‘Some people are so ungrateful to be a bear. But not you. Not anymore.’
SO happy bear profile pic won her game and is finally free!!
saur true she is now free and applying apprenticeship ❤️
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ikiprian · 2 months
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Tim Drake’s got a history with cloning. So does Vlad Masters.
Tim is past his “cloning-deceased-best-friends-in-the-basement” phase. Really, he is. But back when he wasn’t, he’d had all sorts of research compiled, on every type of cloning tech ever recorded.
One company, VladCo, had negotiated itself an amount of Cadmus’ exclusive resources to study the interactions between cloned tissue and recently-discovered ectoplasm. The quasi-sentient abilities of ectoplasm, in theory, might help fill a host body with a real soul.
The contract Tim had dug up is frankly insane. VladCo is in no way beholden to share the results of its study, nor does it need to return any of the equipment, and VladCo’s relationship with Cadmus is under a strictly worded gag order. Nobody in their right mind would’ve signed it. Cadmus did, and aside from a few million dollars, Vlad Masters got his machines gratis.
And now, a couple years after the contract was signed, fulfilled, and buried away, VladCo has done a grand total of nothing with it.
The guy’s rich. And a genius. There’s no way all that tech’s been left to collect dust in storage with how aggressively it was acquired. Masters was going to do something with it, and it was going to be revolutionary. (Tim had actually planned to steal into VladCo for notes, before the thing with the Brain, and Cassie finding out, and the intervention that followed… yeah. He’s over it.)
It’s suspicious as all get out. Eventually, though, the whole Masters deal took a back burner to a crisis (followed by a crisis… followed by a crisis).
But now with Kon and Bart back, and a few less things on his plate, Tim thinks the responsible thing to do is finally head a classic Team investigation to Master’s Manor, Wisconsin.
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spoiledskullz · 2 months
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elvenferretots · 7 months
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Hobbes does not approve of this pointy black dog trend.
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