moonlit date
(first fanrt finished on my iPad wahoo!)
this was meant to be posted last Friday, as a little something to celebrate Mid-Autumn Festival while I steal everyone’s mooncakes. unfortunately my exams thought otherwise and I got my iPad confiscated. whoops.
extra time did make this look a lot better, so I’m not saying that’s a bad thing
gotta love how an inside joke between me and my IRLs about drawing Jekyll in a traditional Chinese outfit got carried so far, it still looks lovely tho
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Ok I know nai used the 1st weapon he saw, but as someone who has learned a bit about guns recently (aka got sucked into tarvok again) I wanna say: was the revolver supposed to be forever?
What I mean is that it makes sense why vash uses it throughout the show. It can kill people but it's mainly for self defense. There are other weapons more effective if you wanted to yeet lives left and right. So, was vash supposed to use that for a while and then get something more lethal like a machine gun or was he supposed to lowkey always use a weapon that is not as good as his brother's?
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Once more playing in @daisychainsandbowties LB-verse ‘cause brainrot
A mural of The Ones, the living embodiments of the Force. the Son, the Fanged God. the Daughter, the Winged Goddess. the Father, the Keeper of the Balance. Emblazoned on the walls of the Lothal Jedi Temple, this painting of the Gods of Mortis serves as a gateway to the World Between Worlds.
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how will we ever get the spark to wonder, question, and think deeply about art when someone says a prompt or two into a generator, and out comes a painting that doesnt mean anything, because nobody took the time to tell a story within it? how can anybody do that if the art has no meaning like with ai art? when it isnt meticulously crafted by the complex mind of a creative human?
you cant tell an ai to convey the hurt and betrayal of a mortal against their own hubris as they fall off of the high horse they pitched themselves upon the way that a human would, because ai isnt human. it will never be human. and to compare ai art to human art and call them equals is dehumanization, and it strips art of every power it has ever had across the whole of human history.
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Quite often you might hear Raum complain about the quality of people’s clothes -- yours, his, or anyone's, really. It’s actually not something out of snobbish intentions (for once) rather a genuine comment on how the standard for clothing, especially materials and craftmanship, has declined over the years.
Especially in the modern era, lots of the clothes an average person wears are made of, well, plastic, or other derivative material. They are no longer a product of skilled labour. They are made quickly and cheaply by machines, or people rushed, overworked and certainly not paid enough. They aren’t made to fit, they don’t have even basic things like pockets or buttons, and they wear out in a couple of years or even less. All that, and half the time they aren’t even cheap. Slap a designer’s name onto an utterly generic t-shirt and it can be exorbitantly priced. Considering it’s something Raum is passionate about, he finds it such a shame how modern trends developed.
This is part of the reason why Raum learned to make his own clothes. Firstly, it was due to interest and passion, a hobby. But it was also foresighted, as the skill slowly began to disappear from the average person, he eventually came to the conclusion that if he wanted something done right, there was no one better to trust than himself (as he often does).
If Raum associates with someone, enjoys their company, and so on, eventually he will extend this offer to them too. He enjoys the process of making a garment for somebody else, especially if he has already had any ideas brewing, and he will take great care in anything he produces for them.
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