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#I LOVE YOU MEG
naissenceart · 1 year
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recorded most of the process of the last drawing I did of Meg (thanks CSP 🙏🏽) and decided to do a lil speedpainting thing.  also the soundtrack for Hades absolutely sLAPS! 
sound: Out Of Tartarus, by Darren Korb from Hades OST
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chaotic-mystery · 10 months
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Good Morning Bunny🥰
What are 6 of your favourite horror movies?🖤
Hi Meg my dear! 🖤
1. Jennifer’s Body (this is debatable but I count it as horror)
2. Evil Dead (2013)
3. Scream franchise
4. House of Wax
5. Queen of the Damned
6. Texas Chainsaw Massacre (2003)
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unhinged-jackles · 1 year
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pastelpaperplanes · 4 months
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Art Dump!
Dwatchet and some Earthspark inspired stuff ✨
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yourdicc · 1 year
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megumi based
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avisisisis · 2 months
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Apollo calling people "my dear" is the best thing that's ever happened in PJO
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evilvalentin3 · 3 months
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gay people can never flirt normally its always gotta be som e shit like thi
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kermitthesog · 4 months
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the fact that when Apollo turns back into a god, he feels more comfortable in his Lester form than his “perfect, muscular” Apollo form. Each person he visits, he visits as Lester. Because it makes him feel comfortable. Compact. Safe. And even he says that a life watching Meg grow up beside him wouldn’t be so bad. He’s genuinely sad.
I’d like to think that he stays in Lester form when doing small, stupid, godly things. To remind him of his six months of pain, suffering, friendship, grief, love, and more pain. To remind himself what it’s like to be human. I’d like to think he visits his old friends a lot, smiling over them as they go along their journey.
what I don’t like to think about, is his life after all of his friends have passed. He spent so much time bonding with his children, Meg, and so much more, and yet I always think about the fact that he will have to see them go. Imagine living for that long after everyone you know and love has gone. Imagine him watching Meg in her last days. Rooting for her. Imagine the grief he goes through when they’re all finally gone. The other gods laugh at him, call him weak. But those six months taught him how to be the best god ever. And that’s why, after TOA, I truly believe he will go through with his promise to Jason, and be more human. Be sensitive. Be caring. Be less arrogant. He knew that when he came back to Olympus, he was different. But he knew that it was in a good way. Part of him was sad to not be Lester anymore.
the character development for Apollo is out of this world. It is phenomenal. I love him so much. He’s my favorite god. He’s human.
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mlobsters · 10 days
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see the danger, always danger endless talking, life rebuilding don't walk away
digital painting, 10 hours - drawing video below
song: atmosphere by joy division
my other spn art
kim manners et al were all about the light through the slats in this episode. i painted another scene from this ep that also had this type of lighting - when john is telling sam and dean he has to leave without them. different location, same kind of light. i feel it though, it's good stuff. i'm also a sucker for it. hence drawing it twice!
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rotisseries · 7 months
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hades fandom dash osmosis had me kind of thinking that than and zag were the nicer friends to lovers romance and that meg was the mean dominatrix type but in my playthrough I've found that meg is distantly polite and than is openly a tsundere bitch. ok
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spocksgotemotions · 2 months
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and in that brief moment I felt it. our periods syncing up like ships passing in the night……
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Meg Ryan Dedicating Her New Movie To Nora 🙌
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lazuliquetzal · 3 months
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I keep on telling people you're the only one who knows how to plot. Can you teach all of us how to plot, please? I love you.
I AM SUMMONED? PLOT BRAIN SUMMONED?
I love plotting. It's my favorite part of the writing process. Plot is "things that happen" and the best part of writing is imagining things that happen. I'm going to assume that whoever may be reading this knows how to imagine The Happenings, so I'm gonna be talking more about structure, but in like, a kinda abstract sense.
A good plot is a little bit more than a string of events. Plot is like music: there's variation in rhythm and sound and melody, but ultimately there's cohesion, because it's all one song. You can have a bunch of wild things happening, but no matter how strange, there should be something that links them all together, because you're telling one story.
Plot structures are patterns in stories. I'm pretty sure most of them were developed as analysis tools (as in, story already exists > look! it follows this pattern) rather than as writing tools, but people use them as writing tools because it's a neat little way to organize the chaos that is "shit happens." Stories follow patterns for the same reasons music follows patterns: we enjoy the certainty of hitting certain beats. But we also like being surprised. A good pop song doesn't sound like a random collection of sounds, but it also doesn't sound like the middle slider of other songs.
There is this shared concept in both music and writing: the idea of tension and release. Basically, you're playing with reader expectation: there's an imbalance in the experience (tension), and we want to see that imbalance resolved (release). All the common plot structures deal with this basic pattern:
You set an expectation
There are complications to the expectation
You meet the expectation
And this rhythm is happening on multiple levels in writing. Scenes follow this structure (we're gonna get past that door, we're gonna find the murder weapon, we're gonna collaborate and come up with a plan) and all those scenes feed into the overarching expectation (we're gonna solve this murder!). I usually think of chapters as their own mini-story, part of the larger whole. And I think of scenes as their own mini-story, part of the larger chapter. I have engineer brain. I see the gears spinning in the clock. That's why all my chapters have at least One Important Thing happening, because that's that particular chapter's Step #3.
And One Last Important Thing:
In music, a delayed resolution is almost always more interesting than the standard resolution. In writing, that means you wanna drag out Step #2 for as long as you can. That's where the bulk of the story is happening, that's how you build tension, that's how you get people to turn the page.
So when you write a fake dating fic, those bitches better not get together until the very end. I came here for fake dating, not for real dating, damn it. If you resolve that expectation early on, you better replace it with a different expectation that's just as engaging.
But also don't drag it out for too long. Sorry. The hard part of writing is learning the difference between too short and too long. Writing is unfortunately a nuanced skill which is why my advice is like "do this but not too much teehee." But tension and resolution is just rhythm, you can build a sense for it if you engage with enough stories.
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ef-1 · 4 months
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burn your village | female rage playlist
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moog-enthusiast · 5 months
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toki sappy drunk lol
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tolerateit · 7 days
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everything is going to be alright i feel it in me bones
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