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moonstruckme · 2 days

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Hello, I saw that your requests are open and I would like to ask for something pre-relationship with James. You could write in which the reader recently moved into a building/condominium and she needs help with something, like something that needs a specific tool or dealing with a spider and she asks her neighbor (James) for help? I think it would be something cute, like love at first sight. (I'm sorry if you don't want to write, but I saw a video like this and thought it would be cool to read something about it)

Thanks for requesting lovely!

neighbor!James x fem!reader ♡ 868 words

James almost doesn’t hear the knocking the first time. It’s hardly more than a couple of light taps, like someone might have bumped their bag into his door as they went by. Still, it gets his attention. James pauses in cutting up melon for tomorrow’s breakfast, head angling towards his front door.

It comes again, a bit less tentative this time, and he sets down his knife, wiping his hands on a dishtowel before going to the door.

You’re standing in the hall with your arms crossed tight against the nighttime chill that seeps into the building, wearing fuzzy slippers and what are quite clearly pajamas. You give him James a terse smile, looking somewhere between apologetic and panic-stricken.

“Hi,” you say, at the same time as he says, “Hello.”

Your smile blooms a bit more genuinely at that, and James is glad for it. You’re quite lovely when you look at him like that. It makes him wish he was wearing something other than his pajama bottoms or had brushed his teeth after his garlicky dinner.

“Hi,” you say again. “Um, I’m really sorry to bother you this late, but I’ve just moved in next door and I was wondering if you could help me with something?”

“Of course,” he agrees. No context needed. James prides himself on being neighborly, but he thinks he’d probably do just about anything you ask him to. “What is it?”

“There’s a cockroach in my living room.” You deliver the news with a grave face, like his revoking his offer of help is predetermined. “I’ve been trying to put a cup over it for, like, twenty minutes probably, but it’s too fast and I can’t really corner it by myself.”

“Ah.” James steps outside, closing his door behind him. “Alright, yeah, I’m sure we can take care of that. Lead the way, lovely.”

You take a bolstering breath before stepping into your apartment, making him grin. It really is just right next to his, and this knowledge seems like a dangerous thing to have. James is going to have to start playing his music a tad lower and making sure he looks decent every time he goes outside.

Just inside the door, there’s a broom propped against the wall. You take it up.

“Okay,” you say, awfully serious for someone in fuzzy slippers wielding a broom, “I was thinking I’d get him into that corner there, and then you could put the cup over him.” You nod towards a cup turned facedown on the coffee table. James picks it up. Some of the determination slips from your expression, eyebrows twitching towards each other, as you look at him. “Sorry to drag you into this. I really appreciate it.”

“It’s really fine,” James laughs. “This isn’t the first time someone has called me over to take care of a bug, and you live a lot closer than my mate did at the time.” In the period in between James and Sirius living together and Sirius moving in with Remus, his friend had forced James over to his flat at least twice a week so that he could trap spiders under cups while Sirius shrieked “Kill it! Kill it!” from atop his kitchen table.

You grimace. “Well, it’s good to know you’ve had practice. Okay, last I saw him he was under the couch. Ready?”

James nods, holding the cup in his hand.

You sweep the broom tentatively underneath the couch, starting at one end at working your way to the other. Just when James is starting to come to terms with the idea that the roach has moved to an unknown location, it skitters out from that opposite end.

You go after it with impressive grit, blocking its attempted escape underneath a nearby chair and herding it towards the corner.

“Ready?” You don’t take your eyes from the bug for a second, but James nods anyways as he steps forward, cup held aloft.

The roach runs into the corner, and James descends upon it. He lowers the cup quickly, not wanting the small creature to catch on and rebel against its eviction, but the thing moves quicker.

It flies towards him.

James makes a not-super-dignified yelping sound and trips backward, landing fortunately in the chair. You shriek and swat at it with the broom, missing by a meter. You both track the cockroach as it lands on a wall.

“Fuck,” James breathes. He’s aware that he’s not making a great impression right now, but he feels like he’s just been attacked. “You didn’t tell me it was one of those flying ones!”

“I didn’t think it was!” You’re clutching the broom handle in a white-knuckled grip, your eyes wide. “It wasn’t doing that earlier!”

“Okay.” He takes a deep breath. “Okay, it’s fine. We’ve still got this. Just, ah, if you decide you’d like to abandon this, sleep at my place, and call pest control in the morning, I’m just saying right now that’d be more than alright with me.”

You meet his eyes. “Think I’m gonna try a bit more first, but I might take you up on that. Thanks.”

James grins. “No worries. Always good to have a backup plan.”

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cordelia-cardale · 2 days

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A lot of rumours have been circulating around the spoilers dropped about Colin and his sexual life. My main thought on this is: intimacy.

Of course, I have to start by saying that if it’s true, I don’t like it, I don’t agree with it, and I feel uncomfortable seeing it. But hey! The man is single and a grown adult, so he does what he wants.

However, I do think that if we want to see half of the things in the book, including some kinky talk and female sexual pleasure on Pen’s part (help, I’ve been in naughty jail for quite some time now) it is crucial for Colin to know a minimum about what he’s doing. That only happens if he’s had time to discover his own sexuality (although it does take away from the sweetness of them discovering themselves with each other).

Yet, that sweetness might still be here and this is where intimacy comes in. If it’s true and Colin is well and truly in his slutty era, I actually don’t think it’s so ooc of him. We’re talking here about a man who, after his first trip abroad, brought home drugs to get high on.

You know what that is? A sort of escapism.

I see his thrysts in brothels as another sort of escapism. Especially if he’s having threesomes.

No strings attached, no single person to focus on = no intimacy.

We know this man is seeking escape. We’ve also been told he has some demons of his own he needs to wrestle with this season. I think one of those demons might be an intimacy issue.

I mean we’re talking about a man who believed he was so in love in season one he was ready to marry immediately. Only to later find out that his trust had been abused (I’m not commenting on what Marina chose to do, I’m just saying that he most likely felt extremely betrayed). And even if he says that he’s moved on in season 2, which his sexual experiences in season 3 will attest to, that boy is probably quite scarred on a mental level and is probably still escaping all sorts of real attachment. I mean even the swagger shows it. He knows he’s handsome and he’s having fun with it, but he is probably nowhere close to being ready to commit when the season starts.

And in comes our beloved Pen and she’s taking none of his shit. Worse, she will see right through him and eventually confront him about his need to escape, which will lead to a passionate carriage make out scene (mind still in the gutter, I do apologise, honestly send help). And for Colin, who possesses all that swagger, is visiting brothels and having threesomes, for his knees to buckle and to have trouble breathing because Pen gives him a compliment about his eyes in the context of a suitor lesson? It’s absolutely hilarious.

That man will always melt into a puddle when he’s with her because it is her. It is Pen, his Pen, a part of the family and someone who brings out the vulnerability in him he is so desperate to hide away.

I think, just as much as she needs to grow in confidence, he needs to grow in his trust in a relationship and to stop running and seeking escape. And I think they will help each other grow in that way. They will discover themselves with each other because there will be that intimacy and that vulnerability that these two do not have with any one else.

Of course that is also what might make the reveal of Lady Whistledown even worse for Colin. Because she is in part responsible for the pain and the betrayal he’s experienced. She did try to warn him and he did not listen so she felt like she had no other choice. But it was badly handled and he says that too. So we might get a duality where Colin finds that intimacy and that trust in Penelope and only her, but he also cannot just ignore how she’s responsible for his demons. And they will have to learn to grow around each other’s best and worst parts and decide whether they are what they want or not.

Anyway all this rambling to say that the sex scenes (if we do get them, I’m still not totally convinced) are probably a way to explore Colin’s demons but mean nothing. And I think (hope) we’ll be able to see the stark contrast in his attitude when he’s with Pen. Because after all, this is Pen, and this is love, and this is nothing like he’s ever felt before.

#bridgerton #polin #bridgerton season 3 #colin bridgerton #penelope featherington #I apologise for my rambling #but honestly if this is the story they choose to tell it might get a bit dark #but it will also be such a beautiful love story #of two people who know each other better than anyone and despite all the demons and the doubts and the struggles still decide #to choose each other #because #there is no one else

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kaladinkholins · 23 hours

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Taigen x Mizu mentioned in the The Making of Netflix’s “Blue Eye Samurai”

Taken from the livestream organised by Gnomon

Jane Wu:

Next slide, Taigen...

Brian Kesinger:

Everyone's favourite samurai, uh, Taigen. Uh, so, he was designed a bit over the top. The, the, peak of male samurai, even down to the quite prodigious hair bun, which he doesn't have on screen for much. Uh, but, um, he is the visual opposite of Mizu, right, so it was fun to kinda let her design dictate what his design should be, and, you know, I think that, you know, especially for all you Taigen x Mizu fans out there, I think that might be one of the reasons why he's attracted to her. Um, or in my brain, he's attracted to her, uh, is because she is who she wants to be, and doesn't have to put on airs. Uh, and that's a lesson that he has to learn and he literally, I mean, it's on the nose but, he lets his hair down. And that's the start of his journey of discovery, um, which he needs to go. He's, he's got a lot of growing still left to do. Um—

Jane Wu:

I also think he has a, has a talent—he has like a... sword crush on her right, he has like a martial arts crush on her, yeah. Talent crush, yeah.

Brian Kesinger:

Right, yeah. Talent crush. Yes. Yes, for sure.

---

For context, Jane Wu is Blue Eye Samurai's supervising director and Producer, while Brian Kesinger is the lead character designer. Others presenting for this livestream were production designer Toby Wilson and art director Emil Mitev.

#WE GOT SOME CRUMBS YALLLLLLL #taigen x mizu #mizu x taigen #taimizu #taizu #blue eye samurai #taigen #mizu #fandom.rtf #shut up haydar #EDITED WITH THE FULL SEGMENT OF THIS DISCUSSION #like i LOVE absolutely LOVE how taigen's segment is almost fully dedicated to his relationship with mizu right #because akemi and ringo are their own individual characters #but taigen is not!! he is literally made as a complement to mizu. literally his DESIGN is DICTATED by HERS #literally supporting all my meta analyses about how taigen exists to support mizu. everything he does and is revolves around HER!!!#remember my post where i said taigen exists to be mizu's accenting colour. yeah. that.#also right after this they actually mentioned how taigen's colour is green RIGHT NOW to symbolise youth (ie growth)#trust he's gonna get a colour scheme change into orange eventually #orange = colour of his scarf. colour he wore as a child. complementary colour of BLUE

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happysaddca · 1 day

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This is. Incredibly self-indulgent and requires context.

You are a veteran FazCo employee who worked as a janitor (and eventually dates that location's DCA) when the Glitchtrap virus infects the plex. Unlike the game, this virus affects all the mega pizzaplexes, and it leads to you getting mauled by Moon. You nearly die, the DCA is deactivated and replaced after the virus mysteriously vanishes, and eventually you start working at a new plex, with a new DCA and staff.

After a long and bumpy road, you finally have your DCA's chips installed in a functional animatronic. It's time for a reunion.

Parts and Service still creeps you out, even with the changes the tech team here made. At the very least, you’re allowed to wait in the cylinder instead of outside with everyone else.

You take a peek through the glass, catching Gemma and Anika watching you. Your body locks up, and you manage a stiff little wave before focusing on Sun behind them. Sun isn’t watching you (at least, you’re pretty sure he’s not). Sun’s watching the body on the table. Your turn back to it as well.

It’s another Daycare Attendant unit, currently completely off. The color changing material of the animatronic’s pants and paint sits at a muted, muddy brown color, the light not bright enough to bring out Sun’s colors but too bright for Moon’s. When you touch its faceplate, it’s cold, unmoving. It’s an older model, a spare body for the DCA standing outside. And it currently holds the chip that is your

That is your Sun and Moon.

“Everything good in there?” Gemma’s voice is tinny over the speakers. You nod quickly, giving a thumb’s up. “Okay, I need you to back away for a second. Gotta plug in and give the OS one last check before we power them up.”

“Okay.” You give a reluctant half step back, then another at Gemma’s prompting, retreating closer to the wall and the people outside. Overhead, electricity thrums as the diagnostics and repair tools come online, a cable snaking down to plug into the back of the animatronic’s head. “You’ll warn me when they’re about to be turned on, right?” No answer. “Guys?”

The sounds overhead changes, with a chime sequence signaling that no, you were in fact not being warned ahead of time.. Some pseudo-soothing, corporate beeps that remind you of commercials advertising anti-depressants begin, but when you go to approach the body again, the speaker crackles on.

“Stay right there.”

“But I want—” You’re cut off before you can even turn to face the trio waiting outside.

Anika’s frown is made more severe by scarring distorting her forehead.

“We don’t know how they’re going to react to being woken up for the first time in three years. For them, it’s only been a moment since they shut down, and we don’t really know how that… hey. Don’t look like that. I thought you’d already worked past the guilt.”

“No, I have. But. I.” Another chime sequence has you whipping back around, but there’s no change. You shift so you can keep half an eye on what’s happening while you’re talking to everyone on the outside.

“Sunshine.” Sunny speaks over Anika, leaning forward to take the microphone. “Think about what might happen if they come online and hurt you.”

“It’d be—”

“It’d be an accident, but.” Sunny holds up one long finger, indicating that you should wait. You look back at the table again, but there’s still nothing to indicate what’s going on. “Friend, turn your screen around. They’re going to be fretful unless they know what’s going on.”

“Oh, right. Sorry.” Gemma turns one of the monitors around, showing off a series of progress bars that you don’t know what they mean. She taps the monitor. “Once this hits a hundred percent, they’ll boot up.”

“Thank you.” The lump in your throat eases, just a little. You stare at the little bars slowly working its way up.

“Sunshine.” Sunny catches your attention with his talking-to-children-about-complex-topics voice. “We should stay here until the other attendant wakes up and has a moment to process that they aren’t affected by the virus—and that they’re safe.”

“As safe as they can be in here,” you mumble, and Sunny’s smile widens as he gives a small nod, setting the microphone back on the table. The progress bar fills ever so slowly, and any noise behind you makes you twitch and look back at the animatronic with concern. Your palms itch, suddenly slick, and you wipe at them quickly before shoving them in the pockets of your overalls.

Overalls. You are bringing back your oldest, dearest friend that you’ve not seen in years and you’re wearing the world’s most fucked up, stained overalls. And that does count farmers and mechanics around the world. You take a peek at the progress bar and—how has it jumped up 30% already? It had been dragging just a minute ago! There’s now no way you can slip away into something better, and of course you couldn’t have gone anyway.

The noise from overhead changes, and there’s an error sound, sharp and blunt, followed by the mechanical squeak of the monitor getting jerked back around to Gemma. “Anika, can you grab the thingie?”

“The thingie?”

Gemma gestures vaguely behind her and Sun, who is standing frozen, rays partially retracted as he stares at the table. Anika zips off to find whatever it is Gemma needs, but you’re turning away again, watching as the spare daycare attendant unit twitches.

“Sun?” you ask, stepping closer. The animatronic twitches again, one hand, then a whole leg, spastic and out of control like it’s being electrocuted in bits and pieces. Their rays start to poke out, then snap back into place with an audible click. One gets stuck, tangled up in white and blue fabric. “Moon, Sun, it’s okay,” you say, voice barely audible over their fans starting and immediately going into overdrive. “You’re safe. It’s me.”

“Sunshine!” Sunny’s voice breaks when you are close enough to touch the twitching attendant’s foot.

Your ears pop as the doors open, and you twitch, turning just enough to hold out a hand. “Sunny, it’s okay. I know but… they’re glitching out. I think they’re going to Eclipse.”

“All the more reason to stay away!”

“You stay there if it makes you comfortable, but if they’re Eclipsing…” You turn back in time to catch the rays spring out, a handful caught in the hat, shredding into it. “I’m staying. Sun? Moon?”

There’s no reply from the animatronic, just more twitching and spasming. You want to free the rays from their hat, but this early model has no silicone softening the metal edges. They’re just a bunch of very dull knives and with no consciousness controlling their movements. You settle for touching their shoe instead, feeling the twitching of their actuators. Are they in pain? Can they feel anything at all?

“Hey, be careful in there! I’m unplugging the cords now and sometimes they can be a little whippy.” You grimace, pulling away as far as you could without relinquishing your touch over the moon patch. You give a thumbs up without looking away.

The cords are a little whippy, jerking away from the table and snapping back into the ceiling with such force that it makes them look alive. You hate Parts and Services.

“We’re at ninety percent now. Sunny, if you can step back? We don’t know how they’ll react to another Attendant hovering.”

“Right… right.” Sunny’s voice is closer, and you’re surprised to find he’d crept well inside the cylinder, the distance between the two of you halved. He holds his hands up, retreating back to the door. You stare and he gives a timid little shrug, his faceplate tilted towards the now waking animatronic.

You’ve been around FazCo branded animatronics for ten years now, been in love with one, this one, for almost as long. Even in a new body, even Eclipsed, you know they’re waking from the change in their fans, slowing briefly with a little click clatter click before returning to overdrive. The foot under your hand twitches one last time before stilling and pulling away.

There’s static, climbing up your arm and into your mind as you look up. There’s static there too, a thin, trembling stream from Eclipse’s hidden speakers. They’re staring at you, eyes locked on. You shift, and they shift, ever so slightly, eyes tracking the scars visible on your face.

“Eclipse?” you ask, holding a hand up as they start to answer. “No, it’s okay. I-I am happy to see you. You’re here. You’re safe. You’re both safe, right?”

You have to walk around the table. They still watch you, hands limp at their side until you reach for the nearest one. They flinch away, dragging their hand into their lap, claws catching on the coarse material of their waist ruffle. Once, a long time ago, you’d asked about those claws and Moon had explained they used to play stringed instruments, just like the glamrocks did now.

“You won’t hurt me,” you tell them, taking their hand anyway and squeezing it so hard you can feel a joint in your wrist pop. You toy with one of the claws with your thumb, worrying the little gear that makes it flip back into their fingers, sighing softly. “You didn’t hurt me.”

You look up to see them staring at you, and despite things, you give a little laugh. A wet laugh, something sticking in your throat uncomfortably. “It wasn’t you Moon.”

You don’t know how or when, but a cold hand brushes over the ruined half of your face, stroking the skin just under your eye. It pulls back, metal shiny with tears. You laugh again, hiccuping and holding your free hand up to your face as you force yourself to calm down. “I’m okay. I’m here. You’re here. I missed you so much you big stupid dummy.”

You can’t wait any longer, so you throw yourself at Eclipse, worming your hands under their arms, tucking your face carefully under their faceplate, away from the metal rays. They can’t see you crying like this, but it’s an ugly messy, human thing and their neck ruffle is horrifically itchy. The slow weight of hands on your back make you sob, voice breaking.

There’s a few minutes that are likely very awkward for everyone not currently on or half on the cylinder’s table, but you don’t notice any change until there are claws digging in your back. “Eclipse,” you mumble, lifting your head, but the hands pin you to their torso. “Eclipse, what’s wrong?”

“I-it might be me!” Sunny’s voice trips over itself. “I, we, all of us wanted to make sure you were okay?”

“I’m okay,” you say, a little too softly at first. You feel up for Eclipse’s cheek, stroking it gently. “‘Clips, let me up. Sunny isn’t going to hurt us.”

The hands dig, and you can feel those claws in your skin, but they loosen as you continue to push up. You settle on the table a little awkwardly, perched to avoid hurting Eclipse with your weight. You wipe at your eye, trying to clear your vision, before taking Eclipse’s hand again. “Sorry Sunny. I know things aren’t going as planned but…” You clear your throat, smiling weakly. “Sunny, this is Clips. They Daycare Attendant from my old plex. Eclipse, this is Sunny. He’s the Daycare Attendant here in Sandusky. He uh, he helped convince me it was worth trying to save you.” You hesitate. “He and his Moon went through it too,” you say more softly. Eclipse’s grip tightens on you and Sunny grimaces. “We’ll talk about it later, when everyone’s recovered. Sunny, move.” You gesture and he gives you a confused look before stepping out of the way.

Anika and Gemma are staring through the thick plexi of the cylinder. Gemma’s mouth is hanging open, but Anika looks vaguely smug. You hold up your entwined hands in a wave. “That’s Gemma and Anika. Gemma helped get this body back online and you in it, and Anika helped me save you. We saved you.” Oh, you’re starting to cry again.

“Welcome back to the world of the living.” Gemma’s voice is clipped, and she turns her monitor back to you. You can just barely see some graphs and charts, but the orangey-red lines, and the continued strain of Eclipse’s fans clue you in before Gemma can.

“Oh, oh, Eclipse, you need to restart with just one of you fronting.” You turn back to them, catching them staring at you once again. You twist around to hold their face, stroking over the edge and the craters, finding the large swirl of an eyebrow before you reach their hat. They flinch as you pull at it. “I know. But I’ll stay right here the entire time. I won’t even let go of your hand.”

“Sunshine, that’s—”

“I’m staying right here Sunny,” you say, a little more sharply than you meant to sound, but the intent remains. You don’t look away from Eclipse, leaning forward to press a kiss over the moon’s eye. “I am staying right here. You can restart. I’ll make sure nothing happens to you.”

Eclipse stares, and there’s a long, long minute where you worry they’re going to refuse until they burn out but finally there’s a soft stream of static and a nod. Eclipse leans forward as you pull on their hat, freeing it incrementally from their rays. The light from their eyes dims and goes out, their fans slowing a couple minutes later. You pull the hat free successfully, their hand slipping from yours as you check over the fabric. It’s torn and greasy where it’d gotten caught in the gears, but you can probably fix it, if they want. Or perhaps you’ll be able to get help remaking their old hat, if that’s what they preferred.

“Is everything all right?” Sunny’s voice is quiet, and his hand is soft as it rests on your shoulder. You twitch but don’t pull away, watching your attendant’s faceplate intently for any flicker of light. “They’ll turn on again.”

“I know they will. But will they be able to let go? It’s got to be Moon, I think. It’s always been more willing to take control.” Sunny’s gentle verbal prodding compels you to continue. “Sun’s a softie, even if she does have a spine about the rules, her rules. The ones that are important to her. She tried so hard…” You trail off into a cough, swallowing back the lump wrong and making it worse on yourself. You have to wipe at your eyes again, sniffing hard. “But if Moon is scared or upset, they might Eclipse again.”

The startup is quieter, so you miss it in your talking to Sunny, until you feel more than hear the thrum of the animatronic’s inner workings. Sunny steps back, out of reach, when the rays retract, one at a time, jerkily, like the mechanism controlling them is unfamiliar to the Moon currently in control. Because it’s Moon who is waking up now, and it’s Moon’s gravelly voice that lets out a surprised noise when you immediately push into a hug.

“Starlight?”

The nickname is enough to make you cry again, and you squeeze him so tightly your arms hurt. “I’m here Moony. I’m here. And I’m never leaving you again.”

#dca au #fnaf daycare attendant #daycare attendant #constellations au #fnaf dca #dca #dca fandom #moon fnaf #sun fnaf #eclipse fnaf #dca ocs #reader insert #gender neutral reader

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hadesoftheladies · 16 hours

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it’s so strange to me how some radfems on this app will dismiss a feminist strategy as impossible instead of thinking about WHY it’s ineffective for the time being in a specific context. the defeatism and low-effort thinking when it comes to things like separatism and consciousness raising as strategies that aren’t meant to be blanket solutions is concerning. no political strategy is a blanket solution. usually, activist groups have to employ myriads of strategies and implement them at different stages. breaking big goals like liberation into smaller targetable chunks is usually how this stuff succeeds. why are we giving up because the results aren’t immediate?

we have to plan this stuff. we have to analyze the context of our specific socioeconomic environments. then get together with like-minded folk (even if they're not totally aligned with all our beliefs) and figure out how to tackle those barriers one by one (is @djuvlipen always right about everything? lol). smaller barriers leading to bigger barriers. all social progress and regress has stages. you implement different strategies for those transitional periods.

it honestly sounds like many of us are quick to belittle and demean feminist strategies as “stupid pipe dreams” which is exactly what anti feminists keep doing. belittling our struggle, our victories, our thoughts, our academia. this amount of low-effort engagement, bad faith and infantilization of things like separatism and consciousness raising is giving nihilism and misogyny. I know you’re tired and exhausted from all the bad news we see on here, but the pronouncement of failed revolution is so premature I can’t believe you guys sometimes. we’ve made so much unprecedent progress in TWO centuries against a millennia of total subjugation of women. do you know how insanely fast that is? how much we’ve already changed as modern women? you guys need to actually analyze feminist wins because there is so much evidence that feminist activism WORKS.

"4B won't work" babe, just because it might not work as a strategy if employed alone, doesn't mean it won't/doesn't work.

#radblr #mine #im anti feminist nihilism #or nihilism focused on feminism #no m'ame not on my watch #we're in too opportune a time to start talking like this

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emotionallychargedtowel · 1 day

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Sato Ryuga in Kamen Rider Geats - an overview for non-toku folks

Now that Living with Him (Kare no Iru Seikatsu) has premiered has a couple of episodes out and is getting a good response from a lot of the folks I know on here, I thought it might be a good time to do one of those posts I do sometimes. I should probably have a name for this. Like, a tokusatsu actor overview post? My imagined audience for posts like this is made up of BL fans who haven't watched toku but would like to know more about their favorite actors' pasts in that genre. But I hope they're interesting for others as well.

The tokusatsu-to-BL pipeline has been getting shorter lately, with a lot of recent toku alums getting into BLs within the first year or so after their toku series has ended. Sato Ryuga falls into this category. He was on Kamen Rider Geats, which stopped airing last August. His costar Kan Hideyoshi, who played the lead rider in that series (Ukiyo Ace, a.k.a. Kamen Rider Geats), made the leap so quickly that the BL he was in, Although I Love You, and You? a.k.a. Sukiyanen Kedo Do Yaro ka, finished airing a while ago. That show had its moments but was a bit on the lackluster side (through no fault of Kan's--I thought he was charming, funny, and showed an admirable commitment to the role). I'm a lot more hopeful about Living with Him. In addition to its promising start, it was written by the screenwriter of Old Fashion Cupcake and directed by the director of My Personal Weatherman.

But even if it weren't for these positive indicators, I would have been excited to see Sato in a BL, or just about anything. He was really impressive in Geats. He showed a lot of range on that series, handling action, high drama, and occasional comedy really well. And it doesn't hurt that he's cute as hell.

By the way, I'm going to keep the spoilers vague in this post, but I can't really avoid them entirely while doing this type of overview. If relatively mild/general spoilers don't bother you, you should be OK to continue. And of course, if you don't think you'll ever watch Geats, you don't have to worry either way.

Sato and Kan together during Keiwa's villain era.

Sato's Geats character was named Sakurai Keiwa. Keiwa starts out as a sort of proxy for the audience. The premise of Geats involves a high-stakes competition called the Desire Grand Prix where the winner gets to magically change the world. Most of the time, most people don't know this competition is going on. It's already in progress when Keiwa encounters the players for the first time and he has zero context. As he learns about the game, and ends up joining in as Kamen Rider Tycoon (a pun on the fact that his suit form is modeled after a tanuki), the audience learns about it alongside him. Keiwa comes into the story as an idealistic sweetheart so it's easy to root for him right away. (This is less true of the other characters. Geats's biggest weakness, to my mind, is that it starts out conspicuously lacking in any sort of bonds between characters or truly relatable characters other than Keiwa. This gets a lot better by the latter part of the series, but I found it somewhat rough going to get to that point, and it took longer than it needed to.)

One interesting thing about Keiwa is that you can tell a lot about what's going on with him by his hair. You'll see what I mean. I didn't notice this until I was doing screenshots for this post and then it really stood out to me.

So, here's Keiwa as a naïve newcomer. Check out the cute mop.

It doesn't take long for him to get kind of intense when he's in a fight and about to henshin (transform into his armored suit form).

Speaking of which, for the first part of the series, his pre-transformation move involves a sort of determined fist gesture, which will be important later.

This is a later example of the henshin fist, but it gets the point across.

Intense henshin face notwithstanding, he's still Mr. Nice Guy for a lot of the series. He might get a bit of a hair part but he's basically a floppy-haired cinnamon roll.

And then something bad happens.

This thing is really hard on Keiwa, and he has a dark night of the soul. He gets estranged from the other lead characters.

The hair is already going a little haywire here.

He does some creepy shit.

Then he gets into an even darker place.

Keiwa switches up his henshin move. He starts snapping his fingers, which is part of Ace's signature move. Ace is a total badass who has won the Desire Grand Prix repeatedly. He's a perpetual contender, the guy everyone else is always gunning for because he's the most likely to come out on top. I mean, his name is Ace. Adopting the snapping part of his henshin move has significant symbolism. It's like Keiwa is saying he's the new badass in town. He also has a new, stronger suit form to go along with this change.

There's a difference in the way Keiwa does the snap that's worth noting. Ace's snap move starts as a fox head hand gesture (think the rock'n'roll devil horns gesture but with a pointed snout) because Geats takes the form of a kitsune when he goes into suit mode. Keiwa's snap starts with his hand upraised, fingers up, the back of his hand facing outward. It's reminiscent of an American-style beckoning motion (the "c'mere" finger thing and its multi-finger equivalent), which I gather is considered extremely rude in Japan. This calls back to the henshin move of a favorite toku character of mine, Sawatari Kazumin/Kamen Rider Grease, who Takeda Kouhei played on Kamen Rider Build. Sawatari just straight up does the rude beckoning motion before transforming. It's a very antagonistic, cocky thing to do.

As you can see, Keiwa's hair is really going haywire at this point.

Keiwa ends up facing off with Ace more and more, including in some scenes like the one below. It doesn't really come off this way to me when I'm watching the scenes, but when I look at these screenshots, these two look about as likely to smooch as they do to come to blows.

Keiwa's hair starts to get a little less poofy at this point but the cute mop hasn't returned. Instead, his hair is almost ready to go into bad guy mode!

Finally, Keiwa tips over into full-on villain territory. This is signaled by his hair getting a defined part. He also starts wearing an earring, just for extra bad boy hotness points.

(I’ve seen this earring thing happen in Japanese media quite a few times and it always seems funny to me, because an actor will have had a very visible hole in his earlobe for a whole series and then when he puts something in it we’re supposed to be all surprised Pikachu about it. It’s an interesting commentary on the cultural significance of earrings on dudes, I guess. Now I’m trying to think of nice boys in toku who get to wear earrings in their highly visible ear holes. Kaito from Zenkaiger is one, at least. I assume there are others?)

He keeps snapping/beckoning.

The beckoning thing is clearer here, and it has that flipping off the audience energy.

He adopts some pretty cold-blooded expressions.

In some scenes, like the one seen above, he seems to have subtle makeup on. I don't know if this is because villains are supposed to be hotter or because they're supposed to be more gender non-conforming. Or both? Well, it suits him.

As you would probably guess, Keiwa doesn't stay bad. The stuff that sent him off the deep end gets resolved and his relationships with other characters get repaired. He also gets his mop back (it's only intermittently messy) and loses the earring. He goes back to his original henshin move.

There you have it! Hopefully this gets across a good bit about Sato's Geats character and some of the shifts he goes through. Of course, I've left out plenty of stuff as well. Anyone who's really curious should definitely check out the series.

#kamen rider geats #sakurai keiwa #sato ryuga #toku overview for BL watchers #living with him #kare no iru seikatsu

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chirpsythismorning · 7 months

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In s5 when Mike and Will are having their big final boss argument and Will says, Just forget it, Mike! It’s not your fault, okay!?!!

#byler #st5 #st5 predictions #like it could be in any context of their fight #having nothing to do with the implications of that line in s3 #and yet bc that same line in s3 was a blurt of sorts #the parallel would just hit you the instant it hits mike 😭#idk I’m excited for the s5 fight…#I feel like it’s gonna come after an almost kiss in a previous episode #and then lead up to their first kiss…#like final boss fight has to end in a kiss I’m sorry it just has to #or lead up to a kiss #how else are they going to do a third and final fight and not make it feel repetitive #it needs to end with results this time!!#at the very least give us an almost kiss with interruption (human or supernatural idc)#also I want tears and yelling and 🥺

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bigfatbreak · 1 year

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im so glad, we’re getting back into the goofs next update. back to the absolute buffoonery. back to the fucking clown ass honk honk shoes

#ooc #these last like three updates have been mostly context #for later shit #so they were absolutely needed #but they were a SLOG to get to #BECAUSE I JUST WANT... TO GET TO THE AKUMA AND THE GOOFS GKHJNDFG #i mean the akuma starts with a traumatic incident but its fine it leads to other shit #this entire comic is shit leading to toher shit. oh fuck its got story elements oh fuck

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oldtestleper · 3 months

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geniuslyrics should have an option to challenge other contributors to a real life bare handed fight to the death

#someone without a single shred of empathy or reading comprehension will be like my opinion is so important #and i can just list things with a passing superficial similarity to the lyrics of this song. i don't need to connect them or offer context.#&i can rest my arguments on baseless claims that R not supported by the text and i do NOT need to cite any kind of source for :) im helpful #'courtney love was a fan of mentors' SAYS WHO. the career edgelord troll lead singer who said he killed kurt cobain and then died????#'courtney love is making a 1:1 direct association btwn herself and this disgusting caricature of a rape victim. and thats smth she wld do.#'and all bc billy corgan made her hate herself THAT much when he broke up with her.' killlllllllllllllllllll. your. self. or i will. xo #.txt #sorry NOTHING activates my haterism like genius lyrics. youtube comments couldnt get me madder if they tried.

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pherre · 9 months

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people making all those body-switching drink spiking memory altering theories when its so much easier to admit you felt like the writing wasn't that good this season. knowing a thing is mid and still enjoying it is so freeing try it sometime

#so many of those theories make no sense and would just make the writing worse?#i promise you don't need to TJLC your way out feeling unsatisfied with your the season because it only leads to more disappointment #when the secret good 4th episode of sherlock doesnt happen #its me talking #personally i think the clue to liking the season is admitting that most things in it are just there for fun #its either for fun or to give emotional context to a characters behaviour literally thats it #'what was the point of the minisodes' for fun and to give emotional context to aziraphale's moral struggles #'why were there zombies' for fun #'why are nina and maggie like that' 90 percent of the time to give clear parallels to crowley and aziraphale #the other 10 is just less than stellar writing #'why was the job storyline there' among other reasons to drive the point that aziraphale still sees the angel in crowley #etc etc #would the season work better if it was shorter? almost certainly! but im having too much fun to care #gomens #good omens spoilers #idk why i wrote so much on this topic. oh well

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liquidstar · 25 days

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a friend who'd wait :)

#im posting this very late because i was sort of weary of how it came out and ended up messing w it until it was like 4am oops.#and i have plans tmrw so... oh well! i did my best and ill put it out while i can!#and i tried to make the scene match barnard's colors lol #finn's ocs #finn's art #i know i said id do more sillay stuff with the simpler screentone only style but i had a couple more of these in me #and this is the first piece im making thats like an actual part of the story too rather than just setting stuff for fun #i wanna write something to go with it too but for now ill just sort of briefly explain the context in the tags here:#barnard has a pretty bad case of OCD and his compulsions have made it difficult to make friends in the past #he was never outright bullied or anything but people just didnt really have the patience to deal with it #he has compulsions that include stuff like walking through doors until it feels right and needing things to be perfectly aligned #which in group settings has lead to people having to wait for him to finish his rituals and join them #they might find it tolerable at first but eventually they grow impatient and hes just... not invited to stuff anymore #but juno is a newer member of the guild who ends up frequenting the same library. hes also kinda a little weird #and they dont become fast friends or anything but just sort of naturally spend time in the same place #though they never plan meetups they eventually fall into a routine. around the same time theyd just both be at the library #and read next to each other. and maybe talk a bit. and eventually they end up walking back to the guildhall together #since theyre going to the same place after all. and juno always waits for barnard outside the door #eventually barnard asks if this bothers him. juno kinda just tells him 'of course it does' without any malice or anything. just a statement #barnard is surprised and apologizes and juno says not to. but the next day juno doesnt show up at the usual time.#barnard assumes hes committed somekinda more by bringing it up. he ends up staying there late reading to get his mind off it & not ruminate #but when he leaves juno is in fact still waiting for him down the hall (see pic) having collected a bunch of books literally abt ocd #he fell asleep bc barnard stayed later than expected. and hes an eepy guy generally. and also one very bad at expressing himself #but now barnard gets that juno's 'of course it [bothers me]' had the implication of 'but its worth it' which no friend has previously done.#and from the interaction juno was also able to understand that this isn't something barnard just does for the hell of it so. he studies.#and checks a bunch of stuff out because he thinks it could help his friend too (theres ocd workbooks and such- i remember working w them)#and thats the point where they became more ''friends'' than ''pleasant library acquaintances''#from there on they also do get into juno's problems. whole other bag of worms. but this specific scene is more about bernard from his pov #sorry about when i said briefly explain. i lied </3 #but compared to the whole sequence im picturing its brief so shhh

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dogwittaablog · 3 months

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tknp serving dorothea energy tonight in the sense that

#“leads to you in my hometown”#OHHHH #I had to research myself to get it #but dorothea is a tswift song #if anyone needs context n some clarification #nolan patrick #nolpat #travis konecny #ask #jan '24 subs

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randomnameless · 4 months

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"[...] Edelgard is dead and that she will never get an education, rise above the station of her birth, or become more than a poor laborer getting taxed into oblivion by corrupt nobles [...]" aren't these issues mainly highlighted in Adrestia? With taxes being mentioned in the Hyrm paralogue (unless there are other mentions). And I know Dimitri's supports in Nopes touches on the other topics (with education being stopped by a food problem). So it's not like commoners are screwed if she dies.

TBH, being "taxed to oblivion" isn't seen in the game(s) proper save for Hrym but that's not a good look for Supreme Leader, so let's ignore that. I mean, she is running the country, and apparently doesn't bother telling Uncle to stop taxing to death the people of Hrym in the name of a guy she had in her basement for at least 5 years?

Instead... Leonie iirc complains about taxes, but when Lorenz tells her they were used to pay for Jeralt's services (and they the guy dumped everything in the nearest bottle) she doesn't push the "too much taxes!" angle anymore.

I suppose Supreme Leader's education system would work based on fruits and fresh water, so it wouldn't need money - that comes in the form of tax - to work? Unless we're supposed to understand Supreme Leader's new teachers will work for free because Hubert will kindly ask them to do so, and Doro will print books herself while Caspar will, on his own, build all the furnitures needed to get a school running.

Of course, they will do so freely, because Fodlan Adrestia became an utopia without the evil lizard lady's influence.

As for education in general, IRL (save for several states lol) people are willing to afford time and ressources to go to school or to let their children go to school if they don't have anythign "better" to do, like, idk, working to get enough money to feed said children.

or maybe Supreme Leader's Adrestia will have some sort of social minimal aid system - that isn't funded through taxes because taxes BaD - so Adrestians can send their children to school without being afraid of not being able to eat next morning thanks to that financial support?

But let's not talk too much about "semantics" and the intricacies of this totally canon version of what is going to happen after Tru Piss/when Supreme Leader kicks the bucket in non Tru Piss routes -

Anon, did you know feudalism BaD?

#anon #replies #fandom woes #this is the most tiresome thing about those debunks #the goalpost moves so often that you'd think it needs to piss #You want to talk about taxes? Then let's do it based on canon maybe IRL historical examples and what not #Education? Ditto even if it implies realising that Garreg Mach isn't a traditionnal school or even high school it's a military school #that is supposed to teach people how to fight war and lead #not to teach 5 years old how to read or count to 10 #if you want a school you need funding and if it's state funding it means taxes #if devoted fans want to talk about boring rl things like taxes education and what not then i know the topic is boring #but you can't end up with 'and everything is suddenly fine bcs i said so and talking about technicalities is boring even if i started it'#i remember an old politician once said something like morality don't fill your bellies or something like this #which was kind of stupid in the context he said it but it still has a modicum of sense #it doesn't matter if you have a master degree or two if you are effing starving

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