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#I NEED TO SCRATCH. BUT I CANT
cloud-ya · 2 years
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the worst thing in stye is the itchiness
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sleepychaika · 6 months
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hobbies include: sketching phos (particularly not having a great time). yeah this is just a sketch dump pretty much!.
the last 3 were done while listening to the most phos-core song ive ever heard: Low – More (discovered thanks to @punpuncake) (no seriously, google the lyrics. mind-blowingly accurate. angst.mp3.)
aaand a bonus sketch from an aggie.io session with friends – blindingly white next to the previous pics, so im putting it under the cut:
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heph · 5 months
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I bought Bloodweave candles from Planeshift Candles and I don't want them to know how much I love and obsess over their candles (we are mutuals) so now I'm yelling about it on tumblr instead of twitter SO!
Gale smells of like a . Sweet masculine cologne and Astarion smells citrusy (bergamot...) and I've been letting them perfume my room for the past few days and yall I'm just thinking about Gale's tent smelling like this 😭😭😭
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avacdavra · 10 months
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Blessed be the Daughters of Cain
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shellxrls · 3 months
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THINKING about fucking modern!snow with the neighbourhood playing in the background ‘n he’s just rolling your hips for you with his big hands & making sure your pace matches the beat of the song.
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puppyeared · 8 months
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When you backread through a fun conversation you had with someone for hours an angel gets its wings
#I was talking to my brother about Norman doors and I had fun in my UX class and he was telling me about demon cores and the trolley problem#in his class. AND I remembered to take my meds today so I can feel every cell in my body. i can feel the neurons rubbing together#and yesterday I infodumped about the specialists bullseye chart to crow and how it ties with witch hat atelier#WHICH I MANAGED TOGET THEM TK READ IM SO HAPPY. I MAKE SQUEALING GUINEA PIG NOISES EVERY TIME THEY TELL ME WHAT THEYVE READ SO FAR. AHH#i might not even be scratching the surface with witch hat there are so many themes i could not possibly fathom or go over my heasd#and thats what makes it so exciting there are so many spaces in between that you can fill with your thoughts and i. i#waves my hands around manically#for anyone interested in my insane ramblings. the bullseye chart is from are we all scientific experts now by harry collins#in my own words its basically saying everything we know about anything is a game of broken telephone#and it discusses how information gets lost in translation between experts and laymen including things that arent in control#one of the main points was how things that happen between experts are complicated including debates and findings#that you can only really understand thru research and experience in that field and cant be smoothly shared without it being reworded#and risking some of those key points. or even concepts that are hard to understand that cant be shared at all#like if you tried to tell me about how DNA works using words scientists are familiar with but i am NOT- i risk missing concepts that i need#to understand to know how it works on the level you understand. or i risk having it reworded and understanding it but not on that level#AND IT DOES TIE TO WITCH HAT THE WITCH AND NORMAL FOLK COMMUNITIES I PROMISE. ITS SO INTERESTING#anyway i spent hours reading back thru that conversation and i might as well admit it goes for almost every fun conversation i have#and it might be the 20mg of adderall in my body but i am in such a state of peace and love i have to verbalize it. ahh#yapping
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cremechees · 5 months
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goodnight, kristen.
alternate versions with less (and no) flowers and no planets
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grimstrawberry · 2 months
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small hs dump
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coatl-cuddles · 9 months
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I started playing Sky and I'm in love...
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jonny-b-meowborn · 9 months
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Ohhhh god I got the motel scene everyone stay calm <- will never have a normal reaction to this scene
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bizarrescribblez · 2 months
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ok everypony wish me luck i have an alarm set for 5am (3 hours from now .) because mini alan plushies are dropping again and i have to get him this time or else . if i reblog this tomorrow morning with a WE ARE SO BACK or ITS SO OVER you guys will know how successful i was
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alteredsilicone · 3 months
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why can you use transference on necramechs... they predated warframes but they're not warframe replacements
waddahell
is it because they have "sentient pulse disablers" which probably are void related (since otherwise sentients would have easily adapted to something technological)
honestly if i start thinking about necramechs my brain is gonna break
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the-kipsabian · 4 months
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idk man
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that doesnt really look like a face of an innocent man i trust is all im saying
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trippol-threat · 5 months
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i want to see professor squidge please!!!!!
YES OF COURSE ANY TIME
Okay so I love her and she's adorable
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This was her on the way home
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Last night she was super duper sleepy and sleeping on me all the time
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And this is her this morning. Apparently waking me up at 530am was very tiring for her
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elnotwoods · 1 year
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what’s a bit of workplace punishment between two sapphics?
no women in kinnporsche? that’s okay, hand drawn is fine too
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overleftdown · 4 months
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4th and final part to my farleigh analysis. most of this one is just ranting, since all of these scenes are fairly self-explanatory. i am plagued by thoughts and emotions.
[1:12:45] farleigh: i wouldn't do this! elsbeth: james is very upset. farleigh: you know that i... why would i do this!? elsbeth: i don't know! farleigh: i swear to god, this has to be a- elsbeth: enough! farleigh: there must be some kind of mistake, here.
oliver really did hit farleigh where it hurts, i suppose. farleigh remains committedly in control of himself; he knows when and where to say something, how carefully he needs to act in saltburn. he toes a line, but he somehow manages to stay on the right side of the cattons' affection. this, however, was a breach of that line. oliver attacked the cattons' trust in farleigh, in their confidence of his ability to remain compelling and non-threatening. maybe oliver was expecting this particular offense to be the end of their good graces towards farleigh, although it clearly wasn't.
[1:37:17] felix: i mean, the idiot! he had to have known that dad went to school with the chairman. venetia: i mean, talk about biting the hand. and mum and dad would give him anything he asked for. felix: yeah, well. obviously, he got sick of asking. venetia: that's ridiculous. he's more spoilt than we are. felix: i mean, come on vee, you have to admit. it's a little bit dark, him having to go to mum and dad with a beginning bowl. venetia: oh, boo-fucking-hoo. felix: already yes, fine, it was incredibly fucking stupid.
again, the irony of this situation is that farleigh really would never do this. it's interesting, how nobody questions it.
i also think it's important that venetia assumes the money would be for farleigh himself, and felix neglects to correct her. the conversation he references by specifically saying "begging bowl" had everything to do with farleigh's mother. the lack of familial privilege farleigh has is, also, a supposed racial bias. felix also neglects to mention this. the idea that farleigh could be implicitly discriminated against within saltburn is so deeply uncomfortable, so offensive, that felix can't even mention it as an objective discussion he had with farleigh. that's not surprising, though.
[1:25:30] oliver: have they seen you, yet? farleigh: not yet. oliver: yeah, they'll go ballistic. farleigh: i doubt it. they invited me. oliver: ohhh. farleigh: mmm... mmm. god, the look on your face. oliver: they can't have invited you. farleigh: oh, oliver. you'll never catch on. this place? you know, it's not for you. it is a fucking dream. it's an anecdote you'll bore your fat kids with for christmas. olivers once in a lifetime, handjob on a hay bale, golden big boy summer! and you'll cling onto it, and comb over it, and jerk off to it, and wonder how you could ever... ever, ever, ever get it back. but you don't get it back. because your summer's over. and so you... oh... you catch a train to whatever creepy doll factory they make olivers in. and i come back here. this isn't a dream to me. it's my house. so whatever happens, i always come back. try harder next time, baby.
god, this monologue. so much for me to chat about.
"this place? you know, it's not for you." farleigh has this obsession with the fact that oliver is an outsider. it's intentional, it's instinctive, because farleigh is an outsider all the same. it's strange, though, because this is still farleigh's family. this is his aunt, his uncle, his cousins, and the house he's lived in for at least a couple years. he shouldn't, reasonably, be an outsider. yet, he's treated as one. something kills me about how hard farleigh is fighting for a place to belong. and sure, the money, the lavish lifestyle, it's all great. i don't disagree that farleigh is motivated by the fact that he's never experienced the life of lesser wealth that he fears so much. but there's also so much love for felix and venetia and i'm sure, for elsbeth and james.
this makes the final portion of farleigh's monologue so relevant. this is that kind of foreshadowing where a character implies a happy ending before receiving the opposite of that. farleigh says "this isn't a dream to me. it's my house. so whatever, happens, i always come back." and he... doesn't! he does not come back, at least at the invitation of elsbeth or james. this was a dream for him, too. oliver just had to prove it, how easy it is to destroy everything farleigh has worked for since arriving at saltburn. the pocket in time that farleigh runs to when he doesn't want to go back to america and his mom.
[1:35:58] (they find felix's body, in the maze). farleigh and venetia destroy me, in this scene. the way farleigh reaches for her hand and pulls her into him. at 1:36:56, he pulls her into him again. they cling onto each other. sometimes i think about how much farleigh must have loved them and grieved them alone. how in the world do you cope with that?
[1:37:12] (pre-curtains closing) it's the way farleigh glances to felix's empty chair. it's the way that, even now, it's farleigh sitting next to felix's ghost. and he's trying his hardest, in this moment, to be very english about his emotions. great effort.
[1:39:28] farleigh: oh, my god. may i be excused, please? james: no. we haven't finished lunch. farleigh: the lunch is cold! what, you want me to just eat it like nothing's happening? elsbeth: what else is there to do, darling? farleigh: anything! anything! james: farleigh! will you be quiet!? sit down and eat the bloody pie! just eat it! eat it and shut up! eat the bloody pie! you're not the only person here with feelings. none of us wants your bloody american feelings.
i don't know if there's any singificance to this, but the same moment that farleigh cracks is the same moment that the footman behind him cracks.
of course, english repression vs american... normal...ness. "none of us wants your bloody american feelings" is, again, such a strong indication of how differrent farleigh is. he's family, yes. but he's different for a multitude of reasons. i also find it heartbreaking, how elsbeth speaks to him in this scene. she is visibly trying so hard to keep herself together and maintain a calmness while speaking to him. i really do wonder how close they were.
[1:40:10] farleigh: what the fuck are you still doing here? what, does no one else find it weird? no one else finds that weird? oliver: i wouldn't throw stones if i were you, farleigh. farleigh: excuse me? venetia: please, stop. james: what is he saying? farleigh: i, i have no idea. oliver: what i'm saying is, i would feel guilty, too. farleigh: guilty? oliver: if i was the one racking up lines on the night that someone died. farleigh: fuck you. oliver: that's not a denial. james: is that true? search farleigh's room. farleigh: no- james: get out. farleigh: no, wait- elsbeth: what's happening? farleigh: aunt elsbeth? elsbeth? james: don't you dare look at her. get out. i won't mention to this to the police, but that's all you'll get. nothing more, ever again.
and here is all it took to ruin farleigh. archie's acting in this scene is so potent it's kind of vomit inducing. the way he fidgets with his sleeves, the way he flinches and his lip quivers. farleigh is buried in a sweater. now, more than anywhere else, he looks so young.
for the first time in this movie, farleigh refers to elsbeth as his aunt. gah. not that elsbeth seems any more motherly than what i imagine farleigh's own mother to be, but goodness, he's begging for affection. i realize there's not much else to say about this scene other than how heartbreaking it is. i'm basically writing this post for my own self benefit; i gotta rant somehow! i wonder if farleigh did feel guilty for his actions that night. if he regrets sticking to his own agenda, avoiding felix and the rest of his family like the plague. if he regrets the competitive nature of it all; how quickly his need to be accepted took precedent over the genuine connection he had with felix. there's something so hopeless about learning how to lie.
i think, out of all the cattons, farleigh understood how much it all mattered. the money, the ease of summer, the companionship during school. just like oliver, he knew how to work, in his own way. farleigh knew what it felt like to be loved and ignored by the cattons, and by his own family in america. rararararararara.
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