#I also really liked the 2004 series babs’ look

[poisonouswritings]

M4 and Horror Movies

GN!reader, fluff, mentions of potentially upsetting movies, imagine trying to Netflix and Chill with someone who has no idea what Netflix is

(This takes place in the Good End AU, where MC and Co. can travel between Earth and Astraea at will)

Felix

I would say,, ghost or witch movies. I think you'd want to go with movies that are like, horror/drama types. Something with more emotions than scares. Also just anything Weird. I think he'd really enjoy movies that don't have a clear story because he can make up his own interpretation.

My suggestions would be IT Chapters 1 & 2 (2017 & 2019), The VVitch (2015), Annihilation (2018), Black Swan (2010), Color Out Of Space (2019) etc.

You guys have A Blanket Lasagna, in the sense that there are layers of different types. Fleece, satin, cotton, flannel, a crocheted throw. Felix gets cold easy. Leave him alone. If you're hot then you can just shove all the blankets onto him. He Will Thrive.

Stella is lurking in the shadows. She keeps randomly hopping onto things or knocking things over. She has insane dramatic timing and basically keeps jumpscaring you guys.

You Will Not be able to talk much. He's really focused on what's happening. Keeps crying at the sad parts. Will hold your hands and be blubbering because in his head he's managed to come with a Significantly Sadder Twist than what actually happens. I hope you have several boxes of tissues at the ready.

Anisa

I'm evil for this but,, Anisa is fascinated with Earth and the amazing things humans here have done?? Show her tales of human horror.

She wouldn't really like much gore, so I'm gonna suggest movies like The Lodge (2019), Platform (2019), The Purge series (2013-present), Candyman (either 1992 or 2021), Midsommar (2019), Silence of the Lambs (1991), etc.

I think it would both depress and fascinate her! The amount of creativity the people of Earth have to torture each other (or depict torture at least) is,, disturbing. But amazing.

Maybe don't let Ayanna find out or else she's gonna continue to distrust you

You guys are definitely cuddling. You're the smol spoon. She's squeezing the hell out of you and hiding her face in your shoulder during the scary parts, but still peeks at the screen.

Her hands are wrapped around your waist,, pick one of her hands up and kiss the inside of her wrist,,, it calms her down

Sage

Definitely horror/comedies or horror/action. Something fast paced to keep his attention a bit!! But he's still not gonna make it through the movie.

I would suggest stuff like Mandy (2018), Funny Games (1997), Jennifer's Body (2009), Rubber (2010), Shaun of the Dead (2004), etc. You could try showing him the Firefly Saga (House of 1000 Corpses, The Devil's Rejects, 3 From Hell) but honestly I think he's gonna like,, zone out except for when Baby is doing stuff. And then get grossed out at the weirder stuff.

Y'know how,, being scared makes your adrenaline go wild and you tend to fall in love/get turned on a lot easier? Yeah so Sage is definitely nuzzling up to you and getting a little handsy.

Although some of the jumpscares actually do startle him, and then he's making a little squeak noise and hiding in your chest and his tail is wrapping around you and the tip is flicking around like crazy. He recovers very quickly and tries to play it off like nothing but for a few minutes after he's gripping you a lot tighter.

If you let him pick the movies then be prepared for him to just choose whatever's title screen looks the brightest/most chaotic

Rime

Am I saying he would like zombie movies? No. Am I saying you should show him zombie movies and be like 'dats you' every time? Yes. But for what he would actually enjoy, I'd say,, anything cultist/religious. I think he'd find the faith aspect both familiar and really really interesting. He'd like getting in the characters heads and understanding why they did what they did

I'd recommend,, Saint Maud (2019), Carrie (1976), The Lodge (2019), The Wicker Man (1973), Rosemary's Baby (1968), The Invitation (2015), Children of the Corn (1984), etc.

Does not get startled by jumpscares. I particularly good one might make him flinch very slightly but overall he's more focused on the story than the scares.

I think it'd be a little weird for him. He worked with cultists so he definitely recognizes a lot of the behaviors and fanaticism. Seeing it from this perspective, it kinda helps him realize how disturbing all that stuff was. It's a long period of introspection.

If he gets a little too deep in his thoughts, try to touch his tail. It surprises him of course but it also kinda shocks him out of his spiral. Being playful and casual with him definitely helps.

Remind him he's no longer like that. Smooch his cheek. Call him Bambi. He rolls his eyes and (affectionately and jokingly) threatens you to knock it off but really he loves it.

#fictif last legacy #last legacy #felix iskandar escellun #felix escellun #fictif felix #felix x reader #anisa anka #fictif anisa #anisa x reader #sage lesath #fictif sage #sage x reader #rime solano varela #rime varela #fictif rime #rime x reader #imagines #ozzy daydreams

[kiragecko]

DC Sidekick Age References

Here’s a dump of all the references I’ve found. Know I’m missing a lot, and quite a few were found on other sites that didn’t give me the most precise info.

If you know of anything else, can correct a mistake you see, or want to discuss comic book aging - please send me an ask, message, or reblog!

?? - means I don’t know where the info is from, “quotes” are direct copies of the wording in the comic

-

?? Parents died when Bruce was 8

Detective Comics #27 (May 1939) – Batman introduced

Detective Comics #38 (Apr 1940)  – Dick is (8 when parents killed/9 when Robin) 12 when he becomes Robin, it's Bruce's 3rd year as Batman

More Fun Comics 73 (Nov 1941) – Green Arrow Introduced

1962 - JLA formed

1964 – Dick teams up with Wally and Garth

Teen Titans 1 (Jan-Feb 1966) – Teen Titans form, Donna is introduced (all 5 are 14ish?)

Detective 359 (Jan 1967) – Babs introduced, has PhD, has graduated

Batman #217 (Dec 1969) – Dick graduates high school, enrolls in University (starts 3 months later)

1971 - Roy discovered using drugs by Ollie and Hal in a drug den (he was trading arrows for drugs), retcon has Wally and Dick discovering him at tower and making him promise to get help

Justice League 116 (Mar-Apr 1975) Charley Parker is 16

Batman Family 10 (Mar-Apr 1977) – Dick is teenager, Babs is 25

Teen Titans 53 (Feb 1978) – Dick, Wally, Donna, Vic all started college at same time

DC Special Series: The Flash Spectacular (May 1978) – Wally graduates high school

New Teen Titans 1 (Nov 1980) – Raven forms New Titans, Gar is 16 during run

New Teen Titans 2 (Dec 1980) – Slade meets team, Grant dies

1981 - Dick drops out of university after 1 semester, he never really was interested

New Teen Titans 20 (June 1982) – Vic turns 19, Donna already is

Tales of the New Teen Titans 2 (July 1982) – Raven turned 18 just before forming Titans

Batman #357 (Mar 1983) – Jason’s first appearance

Detective Comics #526 (May 1983) – Bruce adopts Jason, Dick is there and approving

New Teen Titans 34 (Aug 1983) – Terra turns 16

Batman #368 (Feb 1984) – Dick gives Jason the Robin costume, Jason becomes Robin

Blue Devil(84) – Eddie is 11/12

Tales of the Teen Titans (May 1984) – Joey introduced, Author describes him as 17?

New Teen Titans #39 (Feb 1984) – Dick stops being Robin, Wally quits being a superhero/the team

Tales of the Teen Titans 50 (Feb 1985) – Terry and Donna's wedding (she got married while 19)

New Teen Titans 10 (July 1985) – Kole says she's at least 18

Crisis on Infinite Earths 7 (Oct 1985) – Supergirl dies in Superman’s arms after mostly destroying the Anti-Monitor, who has to flee reality

New Teen Titans 18 (Mar 1986) – Dick turns 20 (“Dick Grayson celebrates his birthday away from home with a traditional Tamaranean feast.” (While sulking because Kory got space-married))

New Teen Titans 20 (May 1986) – Roy locates baby Lian, Terry Long is 29

?? Roy is 22(when he gets Lian)

Batman #404 - Batman Year One (Feb 1987) – Bruce is 25, spent 12 years training, became Batman at 26, Barbara Gordon is pregnant, her and Jim move to Gotham

Detective Comics #571 (Feb 1987) – we see Bruce’s fear gas induced vision of Jason’s tombstone (birth: 1974 – death: 1986, so he’d be 12)

Secret Origins 13 (April 87) – 15 years ago, it was Dick’s 5th birthday. Soon after tenth birthday, parents are killed. [Set during New TT 18])

Batman #409 (July 1987) – Jason becomes Robin (In Detective Comics, Jason has been Robin the whole time, but is still being wwritten with Pre-Crisis personality)

Flash 1 (June 1987) – Wally turns 20

New Teen Titans Ann 3 (Nov 1987) – Danny Chase is 13 and introduced

Batman #416 (Feb 1988) – Dick in Gotham, meets the new Robin on patrol. Confronts Bruce later, says he was ‘fired’ less than a year ago (since then he was briefly in college), makes Bruce admit he missed him. Dick finds Jason again, expose the drug dealers, and Dick gives Jason his old costume (symbolically, since Jason already has one) and a phone number, Dick was Robin for 6 years

Batman #427 (Winter 1988) – Jason dies

Batman #436, Batman: Year Three (Aug 1989) – 2 years since Dick stopped being Bruce’s sidekick (When he became Nightwing? Or when he quit?), parents died 10 years earlier

Batman #441, A Lonely Place of Dying (Nov 1989) – Tim 13, was 7 when Dick’s parents died

Robin #1 (Jan 1991) – Tim debuts as Robin

New Titans 84 (March 1992) – Joey dies

Deathstroke, the Terminator #15 (Oct 1992) – Rose introduced

Team Titans 3 (Nov 1992) – Robert Long is born

Adventures of Superman 500 (June 1993) – Kon appears and escapes from Cadmus with Newboy Legion, John Henry Irons first appearance, Eradicator and Cyborg Superman also appear for first time

Batman: BTAS: Robin’s Reckoning (1993) - 'Richard 'Dick' Grayson: Age 10'

Detective Comics 668 (Nov 1993) – Tim gets license (because dad is disabled) even though he hasn’t turned 16 yet, gets beat up by Jean-Paul

Flash 92 (July 1994) – Bart aged to 14

?? Shortly after Knight’s End – Tim is 15 and in the 10th grade

Flash 0 (Oct 1994) – Wally is 23

Damage 1(94) – Grant is 16

Deathstroke, The Terminator Annual 4 (Aug 1995) – Rose is 14, “What would that do to a kid? A fourteen-year-old girl whose father is an assassin she’s never met?”

Wonder Woman 105(95) – Cassie is 14

Tempest 1(96) – Garth spends many months in other dimension

Aquaman 20 (May 1996) – Garth aged 3-4 years in other dimension, now older than other Titans

Teen Titans 1 (Oct 1996) – Argent, Risk, Joto, Prysm all turn 16(they were conceived by seed things on same day)

Superboy Annual 2 – to Kon: “Happy birthday, Kid - - number one in a long successful series, we hope.” “He will effectively remain sixteen years old - - forever!”

Green Lantern 82(97) – Robert Long is 3

Wonder Woman 121(97) – Terry and Robert die

Secret Origins Giant 1(98) – Bart is “Three. Fifteen. Depends.”, “you’re almost 15, Tim.”

Titans 5(99) – Donna is 23

Titans(99) – Lian is 4

Sins of Youth(99) – Kon 16, aging normally again

Aquaman 63 (Jan 2000) – Future Garth tells granddaughter Donna about Cerdian being born (think this is his weird birth issue)

Wonder Woman Secret Files (2002) – „Wonder Girl is a precocious outgoing 15-year-old named Cassandra „Cassie“ Sandsmark.“

Bruce Wayne: Murderer (2002) – Oracle says Tim is 15

Batgirl #37 (April 2003) – “Cain said ... today was ... my birthday.”

Batgirl #39 (June 2003) – “I see an eighteen-year-old girl, who’s out of her depth.” (Babs about Cass)

Robin #116 (Sept 2003) – Dana: “Oh, I’m so glad we’ll all be together on Thursday ... !” Tim: “Why? What’s Thursday?” Jack: “Yeah. What’s Thursday?” Dana: “Wait a minute – seriously? Tim: “Yeah. Tell. Us.” Dana: “It’s nothing – never mind. Just leave your schedules open for a nice family dinner.”| Jack: “Dana, what’s – “ Dana: “Shh! Thursday ...  the 19th of July ... ?” Jack: “Um ... oh! Right!” | Steph: “So – Thursday!! Are you excited? Got any ideas for it, yet? ... Tim ... ?” [Tim is asleep.] | [Ives and Steph come over, with pizza that says “Happy B-Day Tim.”] Ives: “Sixteen spankings – get that boy up!!” | Dana says: “I remember when I was in 11th grade.” | he also gets the first ‘clue’ for Bruce’s ‘birthday present.’

Teen Titans 1 (Nov 2003) – Gar is 19, Is this Joey’s return?? (He’s puppeting Slade)

Teen Titans ½ (2004) – Rose’s early years, with a ‘6 years ago’ flashback, she was raised in a brothel her mom ran, tutored, never allowed the outside world, but had relationships with kids her age

Detective Comics #790 (Mar 2004) – Jason’s 18th birthday “he would have been 18 today”

Teen Titans 8 (April 2004) – Raven looks 'barely older' than Cassie

TEEN TITANS #1/2 [2004]: The flashback panels totally sync up with my age theories; Flash to 10 years ago: Dick Grayson’s parents die. Flash to 6 years ago: Rose Wilson is schooled at home by her mother, Lili. Flash to 5 years ago: Ravager I is killed. Flash to 3 years ago: Slade is forced to kill Jericho. Flash to 2 years ago: Cadmus attempts to clone Superman. Flash to 18 months ago: Rose deals with the death of her mother. Flash to one week ago: Bart Allen is shot by Slade.

Identity Crisis 4 (Dec 2004) –(Tim still 16)

Green Arrow 47(05) – Mia is 17

Return of Donna Troy 3(05) – Cassie barely 16

Nightwing: Year One(05) – Dick is 26

Batgirl #65 (Aug 2005) – Cass decides to figure out if Shiva is her mom, Jason and Cass roughly the same age

Flash(05/06) – Wally is 26

?? Robin #136 – Tim still 16 ???

Detective Comics #868 (Oct 2010)– Kate is 32 years old??

One Year Later(Mar 06)

Flash 1(06) – Bart 4 years older(20?)

Blue Beetle 2 (June 2006) – Find out Jaime was in space/a pocket dimension for One Year Later

?? Just prior to 52 (July 2006-July 2007)– told Tim is 17 (long before he’s also  17 in Red Robin, 52 is 1 year long)

Teen Titans 42 (Feb 2007) – Eddie is 17

Final Crisis: Legion of 3 Worlds 3-4 (Apr-June 2009) – Bart and Kon back, same as when died

Batman 677 (July 2008) – Batman over 30

Batman: Battle for the Cowl (May-July 2009) – Damian is 10, Ends with Dick and Damian becoming Batman and Robin

Brave & The Bold 2 (May 2007) – Kara is 17, “You have food in the refrigerator older than her, Hal. Who are you, Ollie? No bad thoughts. She’s seventeen.”

Batgirl #1 (Oct 2009) – Steph starting college

Batgirl #7 (Apr 2010) - Damian is "what happens when you work with a 10-year-old."

Red Robin #12 (July 2010) – Tim spent “a few months” looking for evidence before returning to Gotham, becomes emancipated minor

Detective Comics #871 (Jan 2011)– Mention that Dick and Babs went to prom together

Red Robin #25 (Sept 2011) – Tim “and you are only 17”

The Batman Files (Oct 2014) – Jason was 15 at death (seen on death certificate)

?? Rebirth Young Justice series – Cassie: “didn’t mean to end up back in high school feeling - - like I did back when I went to high school.” Later, she says she’s in Metropolis “Working. Going to school in the fall.” So she’s probably starting college.

?? Bart in some Rebirth comic: “Am I six? Am I nineteen? That’s a really freaky thing, right?”

?? At some point: Donna says shes a little older than Kyle

#gecko's lists #dc comics #teen titans #young justice #about 3/4 of these can be compiled into something that makes sence #*sense #but choosing which 3/4 is tricky

[weekendwarriorblog]

WHAT TO WATCH THIS WEEKEND July 26, 2019  - ONCE UPON A TIME … IN HOLLYWOOD, SKIN

Gonna try to make this a lighter column this week since I’m still recovering from a combination of Comic-Con and the heat wave that struck New York last weekend.

Of course, the big movie of the weekend is Quentin Tarantino’s ONCE UPON A TIME IN… HOLLYWOOD (Sony), which has such an amazing concept and trailer and cast that I’m not sure what more I can say about it besides my review below. It does have an amazing cast led by Brad Pitt, Leonardo DiCaprio and Margot Robbie with an amazing supporting cast around them. Oh, just read the review…

My Once Upon a Time… Review

Plus you can read more about the movie’s box office prospects over at The Beat.

LIMITED RELEASES

The one limited release I do recommend is Guy Nattiv’s SKIN (A24/DirecTV), which premiered at the Toronto Film Festival last year and then played Tribeca earlier this year. It stars Jamie Bell as the heavily-tattooed Bryon “Babs” Widner, a violent white supremacist part of a Midwest group led by Vera Farmiga and Bill Camp. When Bryon meets a single mother of three girls played by Danielle Macdonald (Patti Cake$), he starts to realize that his dangerous violent and racist actions are destroying him, so he turns to Mike Colter as a FBI agent looking to turn white supremacists, to save him. Based on the true story of Bryon, who actually did try to get out of the white supremacist ring and had all his tattoos removed surgically. Nattiv is a really talented filmmaker, and if his name or the title of the movie sounds familiar, that’s because he won the Oscar for live action short earlier this year for a semi-related movie with the same title.  More importantly, the film marks a career best for Bell, who just carries himself so differently that it’s hard to believe that it’s the same actor who played Bernie Taupin in Rocketman. I definitely recommend seeking this one out in select theaters and On Demand this Friday.

Also, I’ll have an interview with Jamie Bell over at The Beatlater this week and another one with director Guy Nattiv over at Next Best Picture very soon, as well.

There are a number of great docs to check out this week, but one definitely worth checking out is Avi Belkin’s MIKE WALLACE IS HERE (Magnolia), which looks at the controversial career of newsman and interviewer who helped make CBS’s “60 Minutes” one of the hottest news programs on television even while being persecuted for his “Gotcha” tactics with some of the great world leaders. This is a fantastic doc that’s assembled from a lot of archival footage of Wallace’s interview as well as a more recent conversation with his “60 Minutes” co-host Morly Safer.sIt opens at the Landmark at 57 Streetand Angelika in New York on Friday, as well as L.A. Landmark 12 and then expands to other citieson August 2.

Another doc that’s more cinema verité but still interesting is Ljubomir Stefanov & Tamara Kotevska’s HONEYLAND (NEON), which follows a woman named Hatidze, living in the mountains of Macedonia with her ailing mother who makes a living with beekeeping, a practice that runs into issue when a family moves in next door to her who threatens her livelihood.  It opens at the Quad Cinemain New York

Now, we get to the movies I haven’t had a chance to see just yet…

I do want to see Waad al-Kateab and Edward Watts’s FOR SAMA (PBS Distribution), which trades Waad’s life through five years of the Aleppo uprising in Syria, as she falls in love, gets married and gives birth with the conflict around her. It’s told as a message to Waad’s daughter Sama.

Entertainment and The Comedy director Rick Alverson’s The Mountain (Kino Lorber/Vice Studios)starring Jeff Goldblum and Tye Sheridan opens at the IFC Center in New York and Landmark Nuart in L.A. Friday. Sheridan plays an introverted photographer in the ‘50s who joins a legendary lobotomist (Goldblum) on a tour to promote the doctor’s procedure, becoming enamored with a young woman played by Hannah Gross. The movie also stars Denis Lavant and Udo Kier, and I hope to check it out although I have not been a fan of Alverson’s work up until now.

Opening at New York’s Village East Friday and in L.A. at the Laemmle Music Hall is Benjamin Gilmour’s Jirga starring Sam Smith – no, not the singer – as an Australian soldier who returns to his village after being accused of war crimes, so he puts his life at the mercy of the village’s justice system, the Jirga.

James Longley’s documentary Angels are Made of Light (Grasshopper Films), opening at New York’s Film Forum Wednesday, follows three Afghan brothers in war-ton Kabul.

Caper Van Diem from Starship Troopers stars in Chris Helton’s Dead Water (Lionsgate/Saban Films) a man who invites a friend and his beautiful wife onto his new yacht so they can relax, which leads to a deadly game once they’re boarded by a modern-day pirate.  It opens in select theaters and On Demand.

David Mahmoudieh’s See You Soon (Vertical) is a love story between a US soccer star with a career-threatening injury who has a romance with a Russian single mother.

Opening at the IFC Center in New York is Austrian filmmaker Marie Kreutzer’s psychological thriller The Ground Beneath My Feet (Strand Releasing) about a woman named Lola (Valerie Pachner, winner of the Maguery Prize), who is trying to succeed in the business world while having a secret relationship with her boss Elise and dealing with her older sister’s mental illness, which leads to a suicide attempt.  

STREAMING AND CABLE

Karim Amer and Jehane Noujaim’s doc The Great Hack looks at the data company Cambridge Analytica and how it used social media to try to affect (successfully) the 2016 U.S. Presidential election. It streams on Netflix starting Wednesday

Netflix also has three new foreign films streaming this week:

Olivier Afonso’s Girls with Balls is a French horror-comedy about a women’s volleyball team who are terrorized by a group of hunters while stranded in the woods.  Sebastian Schindel’s Spanish psychological thriller El Hijo (The Son)is about a 50-year-old painter who is getting ready to have a baby with his new wife until she becomes obsessed with the baby isolating him. From Spain comes Jorge M. Fontana’s Boiabout a chauffeur who drives two Chinese businessmen around Barcelona and getting caught up in an adventure with them.

Also, the 7thseason of Orange is the New Black – 7thSeason!? Man, I need to catch up – debuts on Friday.

I’m pretty excited thatThe Boys series is beginning on Amazon Prime on Friday, cause I generally like the work of Garth Ennis and artist Darick Robertson, even though I never got as into this Dynamite series as much as I should have.

REPERTORY

METROGRAPH (NYC):

Japanese actor Machiko Kyō, who passed away in May at the age of 95, gets a full-on retrospective running through August 1. I’ve seen Akira Kurosawa’s Rashomonand maybe a couple others but this is mostly focusing on her ‘50s work, including Ozu’s Floating Weeds, and I might have to try to check some of these out. Metrograph is also opening a restoration of Rob Nillson’s 1996 film Chalk, a drama centered around a pool hall with Nillson in person on Friday and Saturday nights. This week’s Late Nites at Metrograph is Pedro Almodovar’s excellent 1989 film Tie Me Up! Tie Me Down!starring Antonio Banderas, whilePlaytime: Family Matinees is screening George Stevens’ 1953 Western Shane.

THE NEW BEVERLY  (L.A.):

Well, it looks like Tarantino has decided to use his own theater to show Once Upon a Time in… Hollywood day and night through the end of the month and most of those shows are sold out so… The couple exceptions are Weds afternoon’s screening of the James Bond movie You Only Live Twice, the Weds. night George Hamilton double feature of Evel Knievel  (1971) and Jack of Diamonds (1967),  the weekend’s KIDDEE MATINEE of Herbie Fully Loaded (yes, the 2005 movie starring Lindsay Lohan) and then Martin Scorsese’s The Aviator(2004) on Monday afternoon.

FILM FORUM (NYC):

The Forum’s amazing Burt Lancaster retrospective continues this weekend with classics like The Sweet Smell of Success (1957) and From Here to Eternity  (1953) on Friday, as well as Criss Cross (1949)on Saturday/Sunday and Luchino Visconti’s The Leopard (1963) on Sunday. Monday is a  1948 double feature of All My Sons &Sorry Wrong Number, while Tuesday is double features of The Crimson Pirate (1952) and Jacques Tournuer’s The Flame and the Arrow (1950). Also the restoration of Robert Siodmak’s The Killers (1946)has been extended for select screenings starting Friday.

EGYPTIAN THEATRE (LA):

On Thursday, this week’s installment of “Highballs and Screwballs” is His Girl Friday (1940) with  Call Northside 777  (1948). On Friday, Helen Slater Jr. will be on  hand for a double feature of Superman  (1978) with Supergirl  (1984). Saturday sees a six-film “Warner Bros. Horror/Sci-Fi Marathon” of House on Haunted Hill (1958), The Thing from Another World (1951), Tod Browning’s Freaks  (1932),Them! (1954), The Haunting  (1953) and Jacques Tourneur’s Cat People(1942) – some real classics in there.

QUAD CINEMA (NYC):

I got to watch three of the six movies in the “Fresh Meat: Giallo Restorations Part II” over the weekend and you can still see a few of them over the next couple days.

IFC CENTER (NYC)

Starting Friday and running through August 15, the IFC Center is running Abbas Kiorastami: A Retrospective (Janus Films), the most comprehensive retrospective of the late Iranian filmmaker with film critic Godfrey Chesire doing a few discussions of Kiorastami’s work including the World Premiere of a restoration of his “Koker Trilogy” AND the theater is offering special Ticket Packs, so you can plan on seeing multiple films in the series.

FILM OF LINCOLN CENTER (NYC):

This is Cinema Now: 21st Century Debuts  continues through the end of the month with a number of highlights including Saturday night’s double feature of Jordan Peele’s Get Out and Jennifer Kent’s The Babadook. (Oddly, Ms. Kent’s second feature The Nightingaleopens next week!)

BAM CINEMATEK (NYC):

I’m going to try to write about BAM’s new series We Can’t Even: Millennials on Film without snickering or being snarky, mainly because I can’t believe it’s taken so long for one of these rep/arthouses to do something like this. Running from July 24 through August 6, the line-up is actually pretty impressive in terms of recent movies, ranging from Natalie Portman’s Vox Lux to the Oscar-winning Moonlight, Greta Gerwig’s Lady Bird, Sofia Coppola’s The Bling Ring, David Fincher’s The Social Network and much more.

Actually, my bud Jordan Hoffman wrote a story on this series for AM New York if you need any more convincing.

MUSEUM OF THE MOVING IMAGE (NYC):

Astoria’s premiere arthouses continues the series “Barbara Hammer: Superdyke” through the weekend, and they’re showing the Oscar-nominated animated film The Secret of the Kellsthrough the weekend. This weekend also is a series called “Verneuil Populaire: Vintage Thrillers from France’s Genre Maestro” which includes The Sicilian Clan (1969) on Friday, A Monkey in Winter (1962) and two more on Saturday, and The Burglars (1971) and Fear over the City (1975) on Sunday.

ROXY CINEMA (NYC)

Wednesday night is another screening of The Fearless Vampire Killers (1967), starring Roman Polanski and Sharon Tate – the film on which they met – plus Friday and Sunday, the Roxy is showing Valley of the Dolls (1967), also starring Tate. Could this be meant as a tie-in to Tarantino’s film? Could be…

LANDMARK THEATRES NUART (LA):

Friday’s midnight movie is Steven Spielberg’s Jurassic Park.

AEROin L.A. and MOMAin New York are both going through renovations.

Next week… Fast and Furious Presents: Hobbs and Shaw!

#WhatToWatchThisWeekend #Movies OnceUPonATimeInHollywood Skin

[topbeautifulwomens]

#Sonny #Rollins #Biography #Photos #Wallpapers #clouds #fashiondesigner #fashionkids #food #girlpower #instagram #night #star #water #youtube

Theodore Walter Rollins was born on September 7, 1930 in New York City. He grew up in Harlem not far from the Savoy Ballroom, the Apollo Theatre, and the doorstep of his idol, Coleman Hawkins. After early discovery of Fats Waller and Louis Armstrong, he started out on alto saxophone, inspired by Louis Jordan. At the age of sixteen, he switched to tenor, trying to emulate Hawkins. He also fell under the spell of the musical revolution that surrounded him, Bebop.

He began to follow Charlie Parker, and soon came under the wing of Thelonious Monk, who became his musical mentor and guru. Living in Sugar Hill, his neighborhood musical peers included Jackie McLean, Kenny Drew and Art Taylor, but it was young Sonny who was first out of the pack, working and listing with Babs Gonzales, J.J. Johnson, Bud Powell and Miles Davis before he turned twenty.

“Of course, these people are there to be called on because I think I represent them in a way,” Rollins said recently of his peers and mentors. “They’re not here now so I come to feel like I’m sort of representing all of them, all of the guys. Remember, I’m one of the last guys left, as I’m constantly being told, so I feel a holy obligation sometimes to evoke these people.”

In the early fifties, he established a reputation first among musicians, then the public, as the most brash and creative young tenor on the scene, through his work with Miles, Monk, and the MJQ.

Miles Davis was an early Sonny Rollins fan and in his autobiography wrote that he “began to hang out with Sonny Rollins and his Sugar Hill Harlem crowd…anyway, Sonny had a big reputation among a lot of the younger musicians in Harlem. People loved Sonny Rollins up in Harlem and everywhere else. He was a legend, almost a god to a lot of the younger musicians. Some thought he was playing the saxophone on the level of Bird. I know one thing–he was close. He was an aggressive, innovative player who always had fresh musical ideas. I loved him back then as a player and he could also write his ass off…” Sonny moved to Chicago for a few years to remove himself from the surrounding ingredients of negativity around the Jazz scene. He reemerged at the end of 1955 as a member of the Clifford Brown-Max Roach Quintet, with an even more authoritative presence. His trademarks became a caustic, often humorous flavor of melodic invention, a command of everything from the most arcane ballads to calypsos, and an overriding logic in his playing that located him hailed for models of thematic improvisation.

It was during this time that Sonny acquired a nickname,”Newk.” As Miles Davis explains in his autobiography: “Sonny had just got back from playing a gig out in Chicago. He knew Bird, and Bird really liked Sonny, or “Newk” as we called him, because he looked like the Brooklyn Dodgers’ pitcher Don Newcombe. One day, me and Sonny were in a cab…when the white cabdriver turned around and looked at Sonny and said, `Damn, you’re Don Newcombe!” Man, the guy was totally excited. I was amazed, because I hadn’t thought about it before. We just put that cabdriver on something terrible. Sonny started talking about what kind of pitches he was going to throw Stan Musial, the amazing hitter for the St. Louis Cardinals, that evening…”

In 1956, Sonny began recording the first of a series of landmark recordings issued under his own name: Valse Hot introduced the practice, now common, of playing bop in 3/4 meter; St. Thomas initiated his explorations of calypso patterns; and Blue 7 was hailed by Gunther Schuller as demonstrating a new manner of “thematic improvisation,” in which the soloist develops motifs extracted from his theme. Way Out West (1957), Rollins’s first album utilizing a trio of saxophone, double bass, and drums, offered a solution to his longstanding difficulties with incompatible pianists, and exemplified his witty ability to improvise on hackneyed material (Wagon Wheels, I’m an Old Cowhand). It Could Happen to You (also 1957) was the first in a long series of unaccompanied solo recordings, and The Freedom Suite (1958) foreshadowed the political stances taken in jazz in the 1960s. During the years 1956 to 1958 Rollins was widely regarded as the most talented and innovative tenor saxophonist in jazz.Rollins’s first examples of the unaccompanied solo playing that would become a specialty also appeared in this period; yet the perpetually dissatisfied saxophonist questioned the acclaim his music was attracting, and between 1959 and late `61 withdrew from public performance.

Sonny remembers that he took his leave of absence from the scene because “I was getting very famous at the time and I felt I essential to brush up on various aspects of my craft. I felt I was getting too much, too soon, so I said, wait a minute, I’m going to do it my way. I wasn’t going to let people push me out there, so I could fall down. I wanted to get myself together, on my own. I used to practice on the Bridge, the Williamsburg Bridge because I was living on the Lower East Side at the time.”

When he returned to action in early `62, his first recording was appropriately titled The Bridge. By the mid 60’s, his live sets became grand, marathon stream-of-consciousness solos where he would call forth melodies from his encyclopedic knowledge of popular songs, including startling segues and sometimes barely visiting one theme before surging into dazzling variations upon the next. Rollins was brilliant, yet restless. The period between 1962 and `66 saw him returning to action and striking productive relationships with Jim Hall, Don Cherry, Paul Bley, and his idol Hawkins, yet he grew dissatisfied with the music business once again and started yet another sabbatical in `66. “I was getting into eastern religions,” he remembers. “I’ve always been my own man. I’ve always done, tried to do, what I wanted to do for myself. So these are things I wanted to do. I wanted to go on the Bridge. I wanted to get into religion. But also, the Jazz music business is always bad. It truly is never good. So that led me to stop playing in public for a while, again. During the second sabbatical, I worked in Japan a little bit, and went to India after that and spent a lot of time in a monastery. I resurfaced in the early 70s, and made my first record in `72. I took some time off to get myself together and I think it’s a good thing for anybody to do.In 1972, with the encouragement and support of his wife Lucille, who had become his business manager, Rollins returned to performing and recording, signing with Milestone and releasing Next Album. (Working at first with Orrin Keepnews, Sonny was by the early â€80s producing his own Milestone sessions with Lucille.) His lengthy association with the Berkeley-based label created two dozen albums in various settings – from his working groups to all-star ensembles (Tommy Flanagan, Jack DeJohnette, Stanley Clarke, Tony Williams); from a solo recital to tour recordings with the Milestone Jazzstars (Ron Carter, McCoy Tyner); in the studio and on the concert stage (Montreux, San Francisco, New York, Boston). Sonny was also the subject of a mid-â€80s documentary by Robert Mugge entitled Saxophone Colossus; part of its soundtrack is available as G-Man.

He won his first performance Grammy for This Is What I Do (2000), and his second for 2004â€s Without a Song (The 9/11 Concert), in the Best Jazz Instrumental Solo category (for “Why Was I Born”). In addition, Sonny received a Lifetime Achievement Award from the National Academy of Recording Arts and Sciences in 2004.

In June 2006 Rollins was inducted into the Academy of Achievement – and gave a solo performance – at the International Achievement Summit in Los Angeles. The event was hosted by George Lucas and Steven Spielberg and attended by world leaders as well as distinguished figures in the arts and sciences.

“I am convinced that all art has the desire to leave the ordinary,” Rollins said in a recent interview for the Catalan magazine Jaç, “and to say it one way, at a spiritual level, a state of the exaltation at existence. All art has this in common. But jazz, the world of improvisation, is perhaps the highest, because we do not have the opportunity to make changes. Itâ€s as if we were painting before the public, and the following morning we cannot go back and correct that blue color or change that red. We have to have the blues and reds very well placed before going out to play. So for me, jazz is probably the most demanding art.” And Sonny Rollins – seeker and grand master – is jazzâ€s most exacting, exhilarating, and inspiring practitioner.

Name Sonny Rollins Height Naionality American Date of Birth 07-Sep-1930 Place of Birth America Famous for

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