SET SIX - ROUND ONE - MATCH THREE
"Electric Fan (Feel it Motherfuckers): Only Unclaimed Item from the Stephen Earabino Estate" (1997 - John Boskovich) / "Untitled" (Portrait of Ross in L.A.)" (1991 - Félix González-Torres)
ELECTRIC FAN (FEEL IT MOTHERFUCKERS): it makes me literally insane that’s all that’s left of him and he made sure it would stay remembered, something something the last trace of a breath immortalized the only way it could be. Feel it, motherfuckers. (courfeyracs-swordcane) (also submitted by callixton and weeweewhirlwind)
UNTITLED (PORTRAIT OF ROSS IN L.A.): It fucks me up SO MUCH. The artist's partner was named Ross, and died of AIDS in the same year this was created. The ideal weight is roughly the average of an adult man. The allegory there... people taking the candy, decreasing the weight, the same way people took away from Ross and every other victim of the AIDS crisis by refusing to help, to do anything at all. Except this has an "endless supply" of candy. People can take and take and it keeps coming back. They can't get rid of us forever. We will prevail and we will rebuild and I WILL be fucked up about this forever (ceaseless-rambler)
("Electric Fan (Feel It Motherfuckers): Only Unclaimed Item from the Stephen Earabino Estate" is an electric fan encased in plexiglass with vinyl faux etching and a plexiglass base with casters by gay American artist John Boskovich--Stephen Earanbino's partner. It was the last item left in Stephen Earabino's estate after his death by AIDS and measures 56 7/8 x 22 3/4 x 12 1/2 in. (144.5 x 57.8 x 31.8 cm). It is held by The Museum of Contemporary Art in Los Angeles.
"Untitled (Portrait of Ross in LA)" is a modern art installation consisting of wrapped candies (constantly removed and replaced) by gay Cuban-American artist Félix González-Torres after the death of his partner, Ross, by AIDS. The weight is equivalent to a healthy human male - approximately 175 lbs (79kg). It is located at the Art Institute of Chicago, Chicago.)
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au inspired by flight risk where eddie's a celeb and steve is a boyfriend for hire 🥺
(eddie wants to see if the stalking and harrassment from fans and media stops but ends up LIKING liking steve, and doesnt know if steve tolerates him for himself or for his job
and steve ends up liking the eddie behind closed doors, who establishes boundaries with him and respects him, but he doesnt know if he could be loved back when he's just a business. a transaction. nothing more than bullshit Hshsjsjaiav)
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Going insane because I suddenly got obssesed with this au and theory again yesterday
I'm still not into undertale again, but maybe I'll try writing for this au on the side and who knows maybe when I'm back I'll have the main story ready
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I know everyone likes to make fun of Ezra for believing Maul, but I honestly really liked that, because. Like. He's been working so hard to learn to trust people again. His new-found family is teaching him how to open up and how to let himself love others without being too afraid of losing them to connect
And he doesn't immediatly trust Maul, which shows that even if his trust issues are much better now, he's still not stupid and knows to be careful around strangers, especially if you found them inside a Sith Temple
But. Maul shows and tells him what he wants to see; he acts kind with him, reassures him when he's in doubt, and manipulates Ezra (who is a CHILD) into beliving in him so he could get what he wanted
Then he betrays him, and by blinding Kanan, he proves Ezra's 'little me' right
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Is there a cat in cannon who got a good death who you think didn't deserve it? Especially if they committed crimes?
Tom the Wifebeater and his redemption death. No question. It's not even close.
Not only do I reject to the "redemption death" on the grounds of it being Tom the Wifebeater who is bullying others until his dying breath, even taunting Thunder about Turtle Tail is dead and the kits must be very torn up about it, but I reject "redemption through death" entirely. I don't like it in stories. It's a theme I deeply object to.
And again it's fucking wild that every time a character is a father, even if they are a wifebeater or a child abuser, the writers think that it bestows a glimmer of goodness into them which every abused child is forced to appreciate and cry about. Breezepelt, Thunder, Tallstar, Tom's children, all of them forced to reconcile and admit how much they wuv their papa.
Abusive dads in WC regularly get redemption deaths, too. Clear Sky dies saving his grandchild, Sandgorse died saving a rando in a tunnel, Tom the Wifebeater saving his daughter.
But Tom the Wifebeater is the worst example of it. Hands down.
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Rooney Shepard (They/Them): RELIC AU
There are stranger things I've learned on the outside
Separated by an open door
I find it hard to reach the end of my timeline
Salivating 'cause I wanted more
Is this the end or is this the beginning?
-Too Close/Too Late by Spiritbox
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