DMC Questions Anon here!
A Devil May Cry spinoff that is set to be led by one the female cast has been announced, and they've asked you to make the game. Which of the women of Devil May Cry will you choose to be the main character? What other characters will you want to appear? What's the plot of the game? (You can also go deeper into gameplay mechanics if you desire.)
Hi, dear DMC questions anon!)))
I think my answer is quite obvious) (psss it`s gonna be Patty)
Contradictory I`d like to say some words about other ladies as protagonists:
Lady can get her chance to Finally Get Some Characterisation. This woman is middle-aged and her character has been 'teenage girl with a rocket launcher' The Entire Time, This Is An Actual Crime. Her only bit of character is (1) throwaway line in 5, ONE. Lady has been dealt a very bad hand by the franchise, but if she were to have a spinoff game, maybe she could have gotten at least a good goodbye arc, though it`s hard to give a proper goodbye to a character if she never had any arc in the first place. Lady is kind of doomed by the series at this point, very little can save her, F.
Trish and Lucia are equally good choices here. Both of them have...some character, also they are both demons and demonic culture or lore could have been explored. They have a very basic foundation (which is much stronger than Ladys), but its strong enough to jump-start a good story and give them some light. Personally I would prefer Lucia, just because I like her more.
Now, onto my favourite DMC girl)
As a major cerified Patty Propaganda enjoyer, I would love to see nonsexualised young adult version of Patty! There, however, are some additional reasons why I'd love to see more of her:
no power creep. Patty is not a Sparda, and Spardas are known to suffer from insane power creep, and she just wont be able to handle that. Patty can explore the more down-to-earth struggles of a modern world where demons are an actual thing. She can handle like domestic demon problems or some small infestation, but if she steps into something she cant handle she Needs to get out of there and call in backup (her adopted dad/cousin/uncle will handle everything very thouroughly). DMC is never really afraid of the demons, they are basically a dummy for the player to practise on, and can only make you anxious if youre playing on a harder difficulty. Well, base game difficulty is actually always a DMD mode for Patty and I think that could be a very interesting lens to look through
This same lens can be used to show other human demons hunters or armorers like Nico! 3 Spardas, 2 demon ladies and one rocket launcher schoolgirl cannot handle every possible demon problem, theres gotta be other hunters.
Patty is canon to be a descendant of a sourcerer, and this is a Great segway into gameplay. Because I think Patty's possible gameplay should be V's upgraded and expanded theme and moveset.
Has anyone here seen or heard of Astral Chain???No? Yeah me too, its a nintendo exclusive. Wanna know what it is? A Platinum Game slasher with Pet Demon control, where you have Multiple demons to choose from, you can use them for Mobility to platform around, and customise and it has a banger soundtrack!!!
I believed V has something really good going on when starting out DMC5, and was a little dissapointed when I realised how shallow he is compared to other characters. He is still fun and very very unique to play and I think his gameplay should be improved upon and Astral Chain Proves that too.
Give Patty some magic stuff to bind demons with, let us have a variety of summons to choose from (I Will go through the entire game with a pet Cerberus, just as I did in 5, thanks for asking), but Patty herself should have her own moveset and toolkit. She can't possibly get into melee range with any demon as human speed cannot compare, but she could use some guns (courtesy of Dante probably), and spells or potions. Personally I was not a fan of Breakers', well, breaking mechanic, but it would work really well for an actual human demon hunter who needs additional powerful thingies like that in battle. Also Would love to see Kyrie being proficient in some rare Order magic or stuff like that, they Had to have some other spells or scrolls around, and its a reason to see Kyrie in game) (like how could Nero leave her alone otherwise, she has to have at least some defencive options, and seeing as devout she was I think she could be quite good at them, maybe she just doesnt like exterminating demons herself)
My only issue I dont have a solution for is how to make this sort of theme seem related to the DMC series, as a human protag will be a significant downgrade from sparda powerhouse-losers. Limiting enemy numbers or screen will make the gameplay less interesting, and giving it fast pace like the other entries might destroy the illusion of 'human' demon hunter, who is not as capable as sparpda bois. Buuut that's sort of problem for the game designers to handle and not me soooo I'm gonna use that excuse yeah
tldr: I would choose Patty, she can give the game a down-to-earth viewpoint of how an average DMC series people handle demons, and her gameplay can be an expanded version of V, with some inspiration from the Astral Chain and some original moves mixed in
14 notes
·
View notes
Suzanne Collins is one of the few contemporary writers who realizes the importance of names in her stories and the significance they bear. They add so many layers to the story, additional meanings that otherwise would not have existed.
The original trilogy:
Katniss: named after a plant of which you can eat the roots. Her father taught her where to find it and told her that “as long as you can find yourself, you’ll survive” (quote may be a little bit off, but it’s from one of the early chapters in THG). Additionally, the leaves are in the shape of an arrowhead, referencing her skills with the bow which her father also taught her how to use.
Peeta: literally bread lmao. But bread is one of the basic nutritions humans need, a little bit goes a long way to keep you alive. Peeta’s presence in Katniss’s life also kept her alive, literally and figuratively—the burned bread he threw her in the flashback and their complicated relationship.
Primrose: a plant with medicinal purposes, even more significant in light of her work as a medic in Mockingjay.
Gale: literally means “strong wind” and considering that in every encounter with Katniss he’s caused some reaction, he pulls her into directions she maybe initially doesn’t want to go in. Additionally, his name also represents his determination and steadfastness in his beliefs.
TBOSAS
Lucy Gray: named after William Wordsworth’s poem “Lucy Gray” which is about the titular character of the poem who got lost during a blizzard. She literally got lost in snow. Rachel Zegler sang this poem in two parts on the original soundtrack of the movie. When Snow asked who the girl in the song is, Lucy answers that she’s a mystery, just like her.
Snow: aside from the obvious snow references, I think his name is most significant in relation to Lucy and the poem. The only one who knows what caused her disappearance is Snow. He is the reason that Lucy is gone. But her traces in the snow are still visible. He will always remember her because the memory of Lucy has manifested itself in every part of his life.
Coriolanus: named after the Roman general (and also the titular character of Shakespeare’s play), Coriolanus wanted to attack Rome and become its ruler. He was scorned and celebrated by the people, only to be later exiled from the city by them. In TBOSAS, Coriolanus is the star pupil at the Capitol’s academy but sent into exile to the districts after he won the Games with Lucy through cheating.
Volumnia: Coriolanus mother who played a part in his ascent to power. In TBOSAS, she almost serves like a mentor to Coriolanus, teaching him how to think in terms of power.
(Edit) Sejanus: a roman soldier who was betrayed by the roman emperor Tiberius, just like the future president betrayed him.
(Edit) Plinth: got this info from here, but it was too good not to include here. A plinth is a base for a statue or vase to stand on. After Sejanus’s death, all of the Plinth fortune was given to Snow for being such a good to friend him. It was this money that skyrocketed the Snow family from poverty to filthy rich. The Plinth money was the foundation upon which Snow built his power.
There are so many other names that have historical (mostly Roman and Greek) connotations—Plutarch, Seneca, Cinna—but also regular names like Trinket and Beetee bear meanings that represent the character beautifully.
Names are important. For any lover of literature or (aspiring) writers, please look closely at them. They can shape your story into something unique.
Feel free to correct me if I’ve said something wrong. I know there are many names missing, but I can only add so many examples ✊🏻😔
12K notes
·
View notes
“I’m a big fan” || Tom Blyth x singer!reader
GIFs by me :)
Summary: in which after Tom reveals that he is a big fan of you, especially after you’re a part of soundtrack of tbosas, you and Tom are caught being awfully close to each other a few weeks after.
Warnings: fem!reader
Wc: 643
A/n: Sorry I haven't uploaded a tom blyth x singer!reader fic in abit! I've got another one sitting in my drafts that I need to finish :)
Tom Blyth x singer!reader au masterlist
divider by @pommecita
“Tom and Hunter on…. Y/n Abrams’ Hunger Games single” “So good. It's so good,” Tom says immediately. Hunter squeals, throwing her hands up in the air.
"I love Y/n Abrams," Hunter fangirls, a huge smile plastered on her face. "Yeah, I'm a big fan of her honestly. I hope I get to meet her someday," Tom has never mentioned you on the internet before.
Truthfully, he has always been a fan of your music since you first released your first album and has stayed a loyal fan. He would be lying if he said he didn't have a crush on you, I mean who wouldn't, you are Y/n Abrams.
So when he saw your post on instagram announcing that you were going to be a part of tbosas soundtrack with 'Can't catch me now' Tom was absolutely fangirling
Of course you were familiar with Tom but the two of you have yet to meet. You remember seeing him on screen for the first time when your sister had Billy the Kid playing on your tv at home, and you were hooked.
You understood why the girlies were head over heels for Tom, he was crazy attractive, a gentleman, and an absolute sweetheart. When you saw the interview that mentioned him, you were dying to meet him as well.
Little did he know that you would be attending the LA premiere for the tbosas and would see him for sure. “Y/n, any one in particular your excited to see today?” A woman asks as she directs her mic at you.
“Uh- yeah actually, I’m excited to finally meet Tom!” You couldn’t help but feel the corners of your mouth rise. “Really? Well I interviewed just a couple moments ago and he said the same with you!” Your eyes slightly widen as your eyes look around.
“I think he’s over there,” The woman points to the other side as you thank her before making your way that way. You were whisked into another interview before you could go any further.
As you were talking, you felt a hand on your shoulder as you jump. “Shit-“ “Sorry-“ You turn your head and was pleasantly surprised seeing those pair of blue eyes stare straight back at you. "Tom!" Your smile widens as you grip his biceps, his hands politely gripping your waist.
"Y/n! Finally we meet!" He chuckles as you could feel the rumble coming from his chest. "It's so lovely to meet you," You pull him in for a hug, all the while the camera still focused on the two of you. All though the two of you just met, you felt so comfortable around him, and he felt the exact same way.
"I'm such a big fan, Y/n," He says against the side of your head, his hand rubbing your back before you pull back. "Oh stop, I'm such a big fan of you too, Tom!" You exclaim before you remember you were still mid interview. "Oh! I'm so sorry," You sheepishly smile at the girl who laughed.
"Sorry, It's my fault for interrupting you. I'll see you soon?" Tom butts in, his arm around your shoulder as he pulls you into his chest. It didn't feel awkward or uncomfortable the way the two of you interacted with each other, it was more natural and familiar.
"Yeah of course, I'll see you then," You look up at him, you nearly stopped breathing at how close he was to you. "Bye, darling," He bids you goodbye as you watch his tall figure leaving. "No way the two of you met just then," The young woman asked, shock evident in her tone.
A breathy laugh escapes your lips, "Yep, it feel's like I've known him my entire life!" "It looked like it!" The woman exclaims as the two of you laugh.
2K notes
·
View notes
The Lightning Scene, How Azula Targeted Katara (of All People), and the Doylist Reason Why That Matters
Mention Zuko's sacrifice for Katara in Sozin's Comet Part 3 as part of a pro-Zutara talking point, and invariably you'll get a Pavlovian response of:
"But Zuko would have taken the lightning for anyone."
(Not to be confused with the similar-sounding Pavlovan response, which is "Zuko's sacrifice ain't shit compared to a mouth-watering, strawberry-topped meringue dessert"*, which is actually the only valid counter-argument to how the lightning scene is a bona fide Zutara treasure, but I digress.)
Now, I've talked in depth about how the lightning scene is framed far more romantically than it had any right to be, regardless of how you might interpret the subject on paper; this is an argument which I still stand by 100%. That Zuko would have gotten barbecued for anyone, and that he was at the stage of his arc where his royal kebab-ness represented his final act of redemption, doesn't change the fact that the animators/soundtrack artists decided to pull out all the stops with making this scene hit romantic film tropes bingo by the time it played out on screen.
(I mean, we stan.)
There's also a deeper level to this conundrum, a layer which creeps up on you when you're standing in your kitchen at night, the fridge door open in front of you, your hungry, sleep-deprived brain trying to decide on what to grab for a midnight snack, and quite inexcusably you're struck with the question: Okay, Zuko may indeed have taken the lightning for just anyone, but would Azula have shot the lightning at just anyone?
But there's yet a deeper layer to this question, that I don't recall ever seeing anyone discuss (though if somebody has, mea culpa). And that is: would you have written Zuko taking the lightning for anyone else?
Or in other words, who Zuko would have taken the lightning for is the wrong question to be asking; the question we ought to be asking is who Zuko should have taken the lightning for, instead.
Get your pens out, your Doylist hats on, and turn to page 394. It's time to think like an author for a hot minute.
(If you don't know what I mean by Watsonian vs. Doylist analyses, and/or if you need a refresher course, go have a skim of the first section of this 'ere post and then scoot your ass back to this one.)
So. You're the author. You've written almost the entirety of an animated series (look at you!!) and now you're at the climax, which you've decided is going to be an epic, hero-villain showdown. Classic. Unlike previous battles between these two characters, your hero is going to have a significant advantage in this fight - partly due to his own development as a hero at the height of his strength and moral conviction, and partly because your villain has gone through a bit of a Britney Spears 2007 fiasco, and isn't quite at the top of her game here. If things keep going at this pace, your hero is going to win the fight fairly easily - actually, maybe even too easily. That's okay though, you're a talented writer and you know just what will raise the stakes and give the audience a well-timed "oh shit" moment: you're going to have the villain suddenly switch targets and aim for somebody else. The hero will be thrown off his groove, the villain will gain the upper hand, the turns will have indubitably tabled. Villains playing dirty is the number 1 rule in every villain handbook after all, and each of the last two times your hero's braved this sort of fight he's faced an opponent who ended up fighting dishonourably, so you've got a lovely Rule of Three perfectly lined up for the taking. Impeccable. The warm glow of triumph shines upon you, cherubs sing, your English teachers clap and shed tears of pride. (Except for that one teacher you had in year 8 who hated everybody, but she's a right bitch and we're not talking about her today.)
Now here's the thing: your hero is a hero. Maybe he wasn't always a hero, but he certainly is one now. If the villain goes after an innocent third party, there's basically no-one your hero wouldn't sacrifice himself for. He's a hero! Heroes do be like that, it's kind of their thing. The villain could shoot a bolt of lightning at Bildad the Shuhite, and the only thing that'd stop our boy Redeemed Paladin Bravesoul McGee from shielding his foxy ass is the fact that Bildad the Shuhite has the audacity to exist in a totally different show (disgusten.)
But. You're holding the writer's pen. Minus crossover shenanigans you don't have the licensing or time-travel technology to achieve, you have full control over how this scene plays out. You get to decide which character to target to deliver the greatest emotional impact, the juiciest angst, the most powerful cinematic suspense. You get to decide whose life you'll put at risk, to make this scene the most intense spine-chilling heart-stopper it can possibly be.
This is the climax we're talking about, after all - now is not the time to go easy on the drama.
So.
Do you make the villain target just anyone?
Or do you make the villain target someone the hero cares about?
Perhaps, someone he cares about... a lot?
Maybe even, someone he cares about... more than anybody else?
You are the author. You are the God of this universe. You get to choose.
What would deliver the strongest punch?
If you happen to make the inadvisable decision of browsing through these tropes on TV tropes, aside from wasting the rest of your afternoon (you're welcome), you'll find that the examples listed are littered with threatened and dead love interests, and, well, there's a reason for that. For better or worse, romantic love is often portrayed by authors, and perceived by audiences, as a "true" form of love (often even, "the" true form of love). Which is responsible for the other is a chicken/egg situation, one I'm not going to go into for this post - and while I'm certainly not here to defend this perspective as objectively good, I do think it's worth acknowledging that it not only exists but is culturally rather ubiquitous. (If you're playing the love interest in a story with a hero v. a villain, you might wanna watch your back, is what I'm saying.)
Regardless of whether the vibe you're aiming for is romantic or platonic however, one thing is for certain: if you want maximum oomph, the way to achieve that is by making the villain go after the player whose death would hit the hero the hardest.
And like I said, this doesn't have to be played romantically (although it so often is). There are platonic examples in those trope pages, though it's also important to note that many of the platonic ones do show up in stories where a love interest isn't depicted/available/there's a strong "bromance" element/the hero is low-key ace - and keep in mind too that going that route sometimes runs a related risk of falling into queer-bait territory *coughJohnLockcough*
That said, if there is a canon love-interest available, one who's confessed her love for the hero, one who has since been imprisoned by the villain, one who can easily be written as being at the villain's disposal, and who could quite conveniently be whipped out for a mid-battle surprise round - you might find you have some explaining to do if you choose to wield your authorly powers to have the villain go after... idk, some other sheila instead.
(The fact that this ends up taking the hero out of the fight, and the person he sacrifices himself for subsequently throws herself into the arena risking life and limb to defeat the villain and rescue her saviour, also means the most satisfying way this plays out, narratively speaking, is if both of these characters happen to be the most important person in each other's lives - at least, as of that moment, anyway - but I think this post has gone on long enough, lol)
This is, by and large, a rebuttal post more than anything else, but the tl;dr here is - regardless of whether you want to read the scene as shippy or not, to downplay Zuko's sacrifice for Katara specifically as "not that deep™" because "Zuko would have taken the lightning for anyone anyway", suggests either that a) nobody should be reading into the implications of Katara being chosen as the person nearest and dearest to Zuko, so that putting her life in jeopardy can deliver the most powerful impact possible for an audience you'd bloody well hope are on the edge of their seats during the climax of your story or b) the writers made the inexplicable decision of having the villain threaten the life of... literally who the fuck ever, and ultimately landed on someone who's actually not all that important to the hero in the grand scheme of things - which is a cardinal writing sin if I ever saw one (even disregarding the Choice to then season it with mood lighting and sad violin music, on top of it all), and altogether something I'd be legitimately pissed about if my Zuko-OTP ship paired him with Mai, Sokka, or just about anybody else 😂
Most importantly c) I'm hungry, and I want snacks.
*The Aussies in the fandom will get this one. Everyone else can suffer in united confusion.
565 notes
·
View notes
Small things that changed my life
Complimenting people. If you think someone looks good, tell them!!
Prioritising self-care!! I always do my nails, take care of my hair, skin-care. Non-negotiable.
Taking more pictures. Capturing all the little fun and lovely moments and being able to look back at them is one of my favourite things!! <33
Making time to call my friends/family. Catching up with my friends or my Mom, who travels for work, is a must!!
Finding hobbies that don't include my phone or computer. Reading, baking, working out, shopping, journaling, making collages, planning outfits <3
Stretching and working out regularly. Feeling good and looking good? Win-win.
Smiling more. Forced happiness. Kinda like manifesting, lol..
Listening to more music. I always listen to music. Life is a movie; obviously, you need a soundtrack?? Follow me on Spotify, lol <33
Going on long walks. I started two years ago when the whole 'hot girl walk' thing was trendy, and now I can't live without it!! I look forward to my walk all day long lmao.
Hydrating >>> exfoliating. I used to exfoliate my face every day… big mistake… HYDRATION.
Annotating. I've always been an avid reader, but annotating my books has completely changed my reading experience. Love it!!
Self obsessing. In a good way. I'm so in love with myself and you should be too. <33
As always, please feel free to share your own little tips in the comments; I'd love to read them!! <3
3K notes
·
View notes