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#I can provide context if necessary
legionofpotatoes · 1 year
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I played Season over the weekend, which if I had to condense "thematic meandering" into a videogame is probably what I would most closely end up with; but it was still a cozy chill time that targeted my very specific niche of robust cow petting mechanics. Followed by journaling the heck out of them.
I do think cute indies living and dying by their sincere desire to paint the human condition should never ever ever fall into the temptation of obtuse and nebulous worldbuilding that desperately needs to explain itself so it can function as an aesthetic blanket for their vignettes. Just keep it loose and metaphor-heavy, fellas.
Cause if you're not extremely, painfully specific about your intention with a story that centers ignorant tourism and historic preservation, you're gonna beef it, bud
#season a letter to the future#I have so many nitpicks but it feels mean lmao. in a very subjective sense I had a good time with it. I am a boring playstyle guy#scrapbooking and cycling in a pretty world is right up my alley. wish it wasn't so#man idk if I can call it what I want to call it cause it's so unclear of its own optics. the intention feels pure#for whatever good that can do in a context this god damn loaded :D but at least I recorded the froggies on my tapes#(a game like this does not need elaborate lore that it then fails to adequately explain anyway. that is a barrier to many of season's#emotional high points. shit just lacks clarity of purpose and happens as a given and banks on its aesthetic and melancholic context to#provide the necessary backbone for that punch. but then you end up revealing your hand and general flippant disposition towards this#nebulously coded cultural backdrop that you've constructed for ultimately shallow purposes. especially irt to the core ethos#like the game ultimately asks us if dispassionate preservation of a dying culture is more valuable than the vicarious experience of it but#then that binary is never meaningfully weighted since the protagonist survives and succeeds in either option BECAUSE of the journal and?#it all fizzles out in thematic incongruity. maybe it's my own hangups with glorification of legacy to such a manic degree#or maybe it's really just meant to be sort-of aimless and 'human' in that way. which again negates the need for this lore-brain barrier#just keep it simple without the oddly pedestrian mechanics of the literal apocalypse and the mass amnesia prayers and tell#the exact same story. with a tighter grip on the context of who the protagonist is in this land. there's your game)#text
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whysamwhy123 · 1 month
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Weird question, but I'm concocting a very stupid AU that I will probably never write but it's become a necessary survival tactic to get me through several consecutive ''everything is on fire'' days at work and I require some outside input, so! Who on the AEW roster (or any folks in and around that sphere) seem like cops to you?
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the-gayest-sky-kid · 7 months
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'this isnt a hate comment' *says things that are objectively rude*
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peachybutch · 7 months
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oh no
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sprout-fics · 5 months
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Mind the Drop
(Captain Price x F! Reader)
Call of Duty Masterlist
Rating: M Wordcount: 7k Tags: BDSM AU, Dom/Sub, Subdrop, Comfort fic, Non-sexual kink, Non-sexual intimacy, Aftercare, Pet names, Platonic BDSM, Cuddling, Subspace, Sleeping together, Praise kink, Mutual pining, Safe Sane and Consensual Warnings: Subdrop A/N: This is an experimental piece that takes place in a BDSM AU verse, where a certain segment of the population is hormonally disposed to being a submissive or dominant. This is not inherently sexual, as you see in this fic. Dom/Sub negotiation is commonplace, but societal stigmas surrounding these roles persist, such as discouraging subs from entering certain industries, such as the military. For more details on BDSM AU within a CoD context, I highly recommend you read "Surviving You" by WhisperedWords12
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“Do you know why you’re here, sergeant?” 
Price’s voice is calm, firm. There’s not a reprimand there, no gruff warning or the cold, leveled anger of immense displeasure. No, your captain stares at you with his hands folded under his chin, as you stand at a lazy parade rest before his office desk. His eyes are intent, focused in the way he always is, but there’s a concern there hidden by the attentive glint in his eyes.
You don’t look at him, staring down at the surface of his desk instead, not answering. Your eyes rest on a mug of coffee sitting atop a coaster, the steam gone. It’s long since gone cold. It speaks to his own distraction. With what, you’re not really sure. You can’t find yourself to care.
You haven’t slept in days.
It’s nothing to do with your workload. Nothing in regards to any sickness or fever of any sort. In fact, things have been rather quiet recently as the team awaits new marching orders. You’ve all been taking advantage of the downtime as much as possible, relishing the long lapse of respite for your own enjoyment. You’d even taken the chance to recently meet up with someone.
Being a sub requires a certain level of attentiveness to your self regulation. Doms, such as the ones on your team, can go long periods without needing a scene. Eventually they will need to scratch that itch, have someone soft and sweet kneel at their feet and be good for them. The aspect of control, of caretaking and dominance is a necessary part of their existence. It makes them good soldiers, able to take charge and provide insight into their missions.
Subs are uncommon in the military, and the surrounding societal stigma of their existence often relegates them to desk duty or intelligence work. It’s rare to find one in the field, and even then they don’t last long due to the frequent harassment from their dominant counterparts. It’s the reason you’ve concealed yourself for so long, posturing to stand alongside these men who are your comrades, feigning an aura of authority as you go willingly to your duty.
It doesn’t erase the thing inside you- the urge to kneel for someone safe, to listen to their low, rumbling voice as it rocks you into a floaty, warm surrender that relieves you of all tension and stress.
Too long without a scene, without subspace meant you were prone to an itchy, uncomfortable sort of irritation. It manifests as annoyance, a short temper, but eventually transitions into a depressive spiral with little end. Most of the time you can use one of the endorphin injections provided free by the infirmary to even yourself out. Such medical kits, known as SubStop and DomStop, were common in the field, designed to even out the irregular moods and imbalances left by a sudden twist in hormones. You’d gotten used to the nasty side effects, the inevitable crash that came in the wake of the adrenaline. It was easier than dealing with the team knowing your true designation, that you’ve been concealing yourself from them all this time.
Even so, sometimes you required a little extra handling to be able to regulate, feel comfortable and get out of your own head.
In your recent downtime you found someone just like that. A local dom who was calmer, more level headed than younger men on base who were interested purely in the sexual side of submission. You had talked for some time, had explored each other, and had ultimately agreed to meet up for a single session. You had both enjoyed yourself, had a welcome release of rushing endorphins, and for a moment you wondered if perhaps this would lead to something more. It all came crashing down as he began to dress following your scene.
“I don’t do aftercare.” He said blandly, and left.
You haven’t been the same since.
You’d gotten back to base tired, drained, and had curled into your bunk that night to cry yourself to sleep. In the days that have followed you’ve been exhausted, listless, entirely unfocused. Constantly dazed, you try to ignore the whimpering, festering emptiness inside you, feeling as if the world is too big, and you yourself are so very small. You turn into your bunk early in desperate search of sleep, trying vainly to power through the dark loneliness that permeates your entire being.
Subdrop. You knew as soon as your one night stand left, and promptly ghosted you. You knew by the sudden wash of cold, the tremble in your limbs, and the clenching, terrible regret of something wrong. Like tossed into an ice bath straight from the fire, the shock to your system makes you gasp, clutch at your chest at most random moments, wanting to double over due to the phantom pain there.
You know the solution. You know that pure, blissful aftercare will alleviate the effects of your scene gone wrong, but there’s no one to turn to. You can’t disclose to anyone on the team about this. They understand, they know, and they’d be ready to help you. It wasn’t that they weren’t available, but that disclosing yourself might somehow change your rapport with them. The idea that somehow they’d change their view of you, see you as less than was worse than the spiraling side effects of your freefall drop.
Maybe you can find someone to help off base, but even then you don’t trust your own judgment when your insides constantly feel scrubbed cold and raw. If anything, it might make it worse.
You have no choice but to just bite down and deal, and hope that in the coming days that the drop will naturally work its way out of your system. Nevermind the sleepless nights, the hours scrolling mindlessly in the darkness of your bedroom, the way you stare off into space and don’t hear the voices of others. 
The team is concerned about you. You’re not hiding your inability to cope very well. The bags under your eyes deepen with each passing day. You move as if pushing through water. You excuse yourself from the rec room when others enter for fear they’ll pull you aside and ask about your listless, depressive state. It’s all for nothing though, because here you find yourself in Price’s office, glassy eyes avoiding his stare.
“Sergeant?”
You blink as his voice prompts you from your reverie, and force yourself to glance up into his eyes before averting your gaze once more. 
“Apologies, Sir.” You force yourself to rasp, and frown, not knowing what you’re even apologizing for.
Price is silent. Observing. You feel pinned beneath his stare, try not to squirm under his scrutiny. 
“Sit.” He tells you, nudging a chair beside you with his foot. The command itself plucks inside your chest, the needed authority of his voice making something uncomfortable twist inside you. You slide into the seat, perching uncomfortably on the edge, hands folded in your lap. “Look at me.”
You do, you make the effort to look up into his unwavering stare, trying and failing to hide the fatigue in your eyes. 
“You’ve not been yourself lately.” He tells you, voice soft, and you grimace. “You’ve been walking around base like a ghost, barely completing your duties, and you’re clearly ignoring the rest of your team.”
The unsaid “Would you like to explain yourself?” Hangs in the silence that follows as you offer no response. There’s nothing to say, nothing you can say without the repercussions that follow.
“I’ve…just had a rough few days.” You tell him, voice tight. “It’s nothing I can’t manage.”
“You know you can rely on your teammates, love.” He reminds you gently, and you swallow hard at the endearment, feeling your shoulders tense. “Whatever it is, we’ll find a way to help. We all care about you.”
Find a way to help. Of course. With the one thing they can’t help you with.
“You can’t help.” You tell him, composure crumbling. “There’s nothing you can do.”
Price is silent, and if you were to look at him, you’d see the inklings of distress etched into his face. You fiddle with the hem of your shirt, mouth pressed into a bitter frown as you try and hide it from him with little success.
Price rises from his chair, circles the desk to you before hesitantly laying a hand on your shoulder. You shudder a sigh at the contact, feeling yourself relax under the needed contact.
“There’s always something we can do.” He reassures you. “But I can’t help unless you tell me what it is.”
If only he could. If only your unwavering, steadfast captain with his guiding hands and gentle, smoky voice could help you, could alleviate the festering emptiness inside you. If only he could hold you the way you so desperately want, remind you what happened wasn’t your fault, allow himself to comfort you from the hurt clenching deep in your chest.
It all comes crashing down.
It starts as a hiccup, a stifled little sound you try to hide, and then your eyes are warm, wet with tears. They spill down your cheeks as you take an unsteady inhale, trying desperately to rein in your volatile emotions, conceal them from the man you admire so much. Try as you may, it’s without any success, because soon you begin to sob quietly with your head bent, face scrunching in an effort to stop your tears.
“It’s alright.” Price encourages softly, hand squeezing your shoulder. “Let it out.”
You do. It’s not a proper cry, not the true chest squeezing kind of cry that entirely empties you, but it serves a purpose in relieving a bit of the pressure inside you. Price stands beside you throughout, his hand drifting to knead gentle circles into the top of your spine as you shiver.
When you finally manage to get yourself under control, you scrub at your face with your jacket sleeve, heave a final shuddering exhale before summoning your resolve.
“Sorry, Sir.” You try again, voice muted, throat raw. “Truth is I…had a bad experience off base. It just shook me. I’ll get over it.”
You don’t need to go into further detail. It’s common knowledge soldiers hook up off base all the time, and Price knows this.
Yet suddenly his hand is tilting your chin up so you look directly into his grave, serious eyes. 
“Did they hurt you?” He demands, voice suddenly deeper, grim with a scarcely concealed anger. You blink at the sudden change, the fierce protectiveness in his eyes that sets something in your stomach aflutter. 
“N-no.” You manage, realizing what he’s referring to. “No, nothing like that-” You feel warmth crawl across your face, embarrassment prickling your skin. “It was all consensual.”
“Then…?” He presses, and you bite down on the words, refusing to bare this secret to him.
Price pauses then, shifts every so slightly and narrows his eyes. He’s thinking, considering, and you fear he’s seen straight through you. You don’t expect the words that come next.
“Are you dropping?” Price asks, strangely hesitant.
You freeze.
The silence that follows, heavy and persistent, tells Price all he needs to know.
At last, he sighs, letting go of a breath you didn’t realize he was holding.
“Oh love.” He murmurs, voice sad. “Why didn’t you tell us?”
You hunch over at that, hiding yourself from him, curling in on the physical sensation of disappointment that he’s given you. 
Price sees it for what it is instantly, realizing his words have only furthered the festering ache inside you. 
“Easy.” He gentles, and his hand is firm as it strokes between your tight shoulder blades. “I’m not angry.”
You sniffle into your shirt. “You…you’re not angry I hid my designation?” You ask in a raw whisper.
“No.” He replies instantly. “Only that we failed to make you feel safe enough to tell us.”
“...’s not your fault.” You murmur quietly. 
“And what happened isn’t yours.” He offers, just as gently. His hand continues its long, slow strokes between your shoulders, and you feel yourself easing under it, comforted by the mere touch of another person.
“Do you have anyone to…?” He presses carefully, retaining space between you. Not advancing, not without your permission.
It takes you a moment to snap yourself out of the glow beginning to simmer across your senses to understand. He’s asking if you are seeing someone, if you have a partner to provide assistance with your drop. A bitter frown tugs your lips downwards, remembering the words of the man you met before he vanished. 
“He…he said he doesn’t do aftercare.” You confess, voice small.
Price freezes.
You hear him take in a deep breath to steady himself, releasing it just as long in an effort to measure his anger.
“He did not do right by you.” He tells you, and in his voice you hear the ire, the offense on your behalf that clenches his hand atop his knee. Yet he unfurls it, and reaches out gently between you to gingerly rest it on your hand perches in your lap.
“I don’t mean to overstep.” He begins. “However, I can offer some assistance with this. Entirely on your terms. If you need someone to help, I can act as a…stand-in, as it were.”
You blink, face falling open in surprise as you stare down at your lap where his hand is. Reassuring but respectful, not crowding into your space. Asking for permission.
“You mean that?” You ask, finally looking up at him, voice cracking in a whisper that speaks of hope.
Price’s eyes are steady, calm as he regards you, Unflinching, intent, an anchor from the storm of your emotions.
“I do.” He returns easily, voice firm.
You swallow, face pinching as you consider. “And…what about after? Will it…” You trail off, the unspoken thing hovering in the air between you.
Will it change anything?
“No.” He replies quickly. “This is strictly between us. If you want to pretend like it never happened after, that’s what we’ll do.”
You hold his gaze for another minute, finally able to bear the stare of his blue eyes. You look for doubt there, an inkling of hesitation. Yet all you find is resolve and open, offering hands.
“Take some time to consider it.” He tells you in the lapse of silence that follows. “If you decide you’d like some help, you can come to my quarters tonight. If you decide against it, let me know.”
You manage a nod at that, swallowing the thickness in your throat and adjusting your hand under his in a small squeeze of thanks. It seems to be enough for him, because Price offers a smile, one that feels like it eases the tension radiating from your form just a little more. It takes a moment, but you sniffle and return the smile shyly.
“Right.” He announces, and gently withdraws from you to stand, assisting you to your feet as well and gently escorting you to the door of his office. You lean into his touch eagerly, feeling the firm grip of his palm at the small of your back. His voice rumbles with a gentle authority as he guides you forward. “In the meantime I want you to take the rest of the afternoon off, and to visit the infirmary for a check-up. You’re sleep deprived and dehydrated. Let them sort you. Understood?”
“Understood.” You echo dutifully, and once more that hand returns to your shoulder in a familiar grip, offering a small squeeze before he opens the door for you, his voice soft in a parting farewell.
“Take care, love. Let me know what you decide.”
In the end, you come to him.
It’s not a hard decision, but it does take some thought. You know his offer was genuine, with no ulterior motives. Almost clinical, doing his duty as your superior, in a way. You don’t deny that it hurts, considering the beginning of your feelings for him, but the doubt there is pressed down by the need for the assistance he offers. You hesitate only because you’re terribly afraid that things will change despite his words.
Would he try and bench you during missions? Have you hang back, underestimate you because of your designation?
You trust him, and that much is clear to you. You know Price won’t take advantage of you while you’re down. He’s a good man. You’ve handed your life to him in the field any number of times, trusting him to keep you safe and whole. This shouldn’t be any different.
…Right?
You swallow thickly as you knock thrice on his door, and almost instantly you hear his voice beckon you inside.
It’s dim, you notice, warm. There’s several blankets folded at the foot of his bed, a small assortment of snacks and water bottles set out on his dresser. Yellow light from his bedside light paints the room in quiet shadows. There’s a distant scent of cigars that lingers in the air, as if he’s done his best to air out the room before your arrival. It’s comforting in a way, a reminder of his scent in the few instances you’ve gotten physically close to him.
Price himself sits on the edge of the bed, limbs relaxed as much as he’ll allow them. He’s staring at you as the door shuts behind you, and if anything the dim shadows seem to make his eyes glint all the more. 
“How are you feeling?” Is the first question he asks you, and something aches inside you at the purposefully slow, soft tenor of his voice, still accompanied with a hint of his gruff rasp. 
“Shaky.” You tell him honestly, holding your trembling hands before your back. 
Price makes a small, considering sound, examining your rigid, tense posture and letting silence hang heavy between you both for a few moments. You squirm under his gaze, eyes averting shyly at the fixation of his gaze on you. 
Then he stands, takes two steps towards you. He stands just outside your personal space, tilts his head down to examine you with an unwavering, focused gaze. You have to restrain yourself from pushing forward, wanting desperately to fold into his arms, to let him hold you. It pulses inside your chest, tethered to the uncomfortably, empty ache sitting below your ribs.
“Will you let me help you?” He asks, voice a soft lull to your ears. It takes effort to not let your eyes flutter. You can already feel it creeping on you, that floaty, comfortable haze that offers to drown your senses in pillowy softness. You give him a small nod, only for a finger to tip your chin up towards him. It startles a breathy little sound from you, and you bite down on it a moment too late, teeth grazing your bottom lip. 
“Need to use your words, love.” He rumbles, and damn if your knees don’t wobble at that alone, the deep tenor of his voice, the gentle but authoritative force of his words. You can see the shadows of his eyes as he falls easily into his role, a gentle, insistent domination that you can’t help but follow like a moth to a flame.
“Yes.” You manage, heat rising to your face. “Yes.”
He smiles then, and this time you have to use your strength to stay upright, already wanting to go down to the floor in front of him, feel the wood beneath your knees. 
“We’re going to take this slow.” He tells you, his thumb brushing over your chin with a purposeful graze. “Need to work you through it, put you down and then bring you back up again. Can you do that for me? …Words, darling.” He adds when you once again nod silently. 
“Yes, sir.” You offer, trusting, sincere. 
There’s a dark look in Price’s eyes then, a hunger so swift and sharp it steals your breath in the single moment before it’s gone once more. 
“Good girl. Can you tell me your safe word?”
You blink at him a little dopily, distracted by his thumb circling slow circles on your chin. You wonder what it would feel like pressed on your tongue.
“Just colors, please.” You tell him breathily.
Price nods at that, satisfied. 
“Kneeling? Physical touch? Praise? Commands?” He goes on, and you nod eagerly at all of them before remembering to tac on your vocal approval. It seems to amuse him, your distraction, because you hear a chuckle rumble deep in his chest. 
“Very good, darling. Going to keep this nice and slow, get you all sorted. Can you be good for me?”
That does it, and you shudder a little into his touch, tilting your head so your cheek brushes against his knuckles with a whispered little “Yes, sir.”
Maybe it’s the drop, maybe it’s him, but you already feel like you’re gently descending into total relaxation, a surrender and trust to be taken care of. 
“That’s it.” He coos, wrapping one strong arm around your waist and gently guiding you back with him until his knees hit the bed. He sits, keeps you standing, one hand still tucked around your waist, just observing you. After a moment he reaches for a pillow, drops it to the floor just at your feet.
“Go ahead and kneel for me, sweet thing.” 
You try to gracefully lower yourself down, but with your wobbly legs you fall more than you descend. A careful glance up at him proves Price is trying to hide his mild amusement, his hand snaking from your waist up to your shoulder as you sink to your knees. It takes a few moments to settle, and once you do Price’s hand once catches your chin, tilting you to his gaze.
Oh. This…this is nice. You think, eyelashes fluttering. Here, kneeling comfortably, safe in his room, the quiet lull of base a distant murmur in the backdrop. It’s cozy, serene, and you can feel the low, cloudy sensation of subspace slowly wash over your senses. 
“Look at you.” He purrs, tapping your chin once to indicate you remain tilted up to look at him. “So far down for me already. Doing so well.”
The part of you that’s yet to let go, that clings on to that remnant, persistent tension of you swallows down the whine that threatens your throat. He seems to notice, tilting his head a little and blinking slowly, considering. 
“What do you need, love?” He asks, and you shake your head mildly, trying to find your answer amidst the confusion of your clouded senses.
“Don’t know.” You tell him honestly, and begin to fidget. “I…”
“Shh, that’s alright.” he soothes easily, knuckles grazing your cheek. “Need you to listen to me, angel. Can you do that?”
You nod quickly, eager, willing to entrust yourself to him, to listen to whatever commands he has to offer. 
“Good girl.” He returns, pausing to watch the shiver that traces across your limbs. “Go ahead and wrap your arms around my legs…just like that. Put your head right there on my knees. There you go.”
He maneuvers you slowly, gently, shaping you to his command as your arms settle locked behind his calves, chin pressed in the dip between his closed knees. He’s warm, and like this you can drink in the scent of him- smoky, musky, a hint of cologne he’s used to try and smother the smell of cigars.
In the dim, warm light you can see his eyes- dark, focused, unblinking as they gaze down at you settled comfortably at his feet. There’s a hitch in his breathing- a shallow indication of his reaction to the sight of you, with your hazy eyes and parted lips, well on your way down into subspace. 
“Give me a color, darling.”
“Green.” You breathe almost instantaneously. 
“Very good. How are you feeling?”
Your brow pinches at that, feeling the remnant tug of tension still pull as a dull ache in your ribs. 
“...Better?” You offer after an uncertain pause. Price looks a little dismayed at that, with his furrowed brow and down turned lips that tug the corners of his beard. It sends a little bit of alarm pulsing through you, afraid of his disappointment, perhaps a reprimand, and he feels it instantly in the way you stiffen against him.
“Easy, relax.” He gentles, a hand reaching to cup your nape. “Just checking in, love. There’s nothing wrong. You’re safe.”
You ease at that, eyelashes fluttering, sinking back into him once more.
“Good girl.” He purrs, thumb stroking in lazy circles across your nape.
“Thank you, sir.” You reply, voice slurring a little as you sink down.
If his fingers pause on your nape, you don’t notice, too distracted by the warmth and smell of him in your comfortable position.
It’s nice. You can feel yourself unwinding bit by bit, head propped in between his knees as you look up at him in the dim, warm light. There’s the beginnings of a relaxed sort of glaze to his eyes as he stares down at you wordlessly, taking in the soft, sweet sight of your open face. He’s falling into domspace, you can tell, allowing himself to relax into the role of taking care of you.
“We’re going to try some breathing exercises, sweetheart.” He announces after the long silence. “Deep breathe-” He sucks in a long, heavy inhale, and you mirror him, holding as long as he does, before releasing. “And out. Very good. Doing so well for me. Again.”
You mirror him as he breathes, feeling the tension slowly relax from your shoulders. With each inhale you drop your chin further into the cradle of his knees, feeling a warm haze descend over you. Each exhale releases a little more of the stiffness in your limbs, like loosening a knot tied in your chest.
You don’t even notice it when your cheek lolls against one of his knees, eyes half lidded as you gaze up at him. Nor do you notice the purposefully slow, even breaths he forces himself to take at your loose, pliant form crowded so close to him.
“There we go, angel. All the way down. So sweet and soft for me. Tap twice on my leg if you can still hear me.”
A small tap twice to the inside of his knee, and when Price smiles you feel gooey warmth bleed down into your bones.
“Very good.” He coos, knuckles grazing over the cheek not pressed to his knee in a featherlight touch. “Going to let you float for a bit. You can go down as deep as you need. I’ll be right here. Tap on my knee when you’re ready to come up.”
You cast a lingering gaze at him, eyes vaguely worried, but his voice hushes you easily.
“You’re safe. I’m right here, not going to leave. I’ve got you.”
You blink at him, slow, trusting, before you finally allow your head to drape across his knee, arms relaxing but maintaining their hold on his legs. A deep, fulfilling sigh breezes past your lips, and you feel yourself go sweetly down into a blissful haze of warm, dewy softness. Your breaths slow to deep, even inhales and exhales, and you feel your heartbeat pulse low in your ribs, where the ache and emptiness of your drop slowly begins to alleviate.
“There we go.” Price murmurs above you, a hand petting gently at your hair in a tender touch. “Went down nice and easy for me, didn’t you, sweet girl?”
You make a little hum against his leg, too comfortable and floaty to do much more than that. It seems to amuse him, somehow, and when he chuckles the sound warms you right through.
God this is nice. Just sitting here at his feet, pressed up close to his legs, snuggled in as close as you can get. With your cheek pressed against his knee you can drink in the heavy, comforting scent of him, let it cloud your thoughts and drift you further into blissful tranquility.
You don’t need to speak, to think or make decisions. Duties, secrets, resilience, you don’t need any of it. All you need is to just be here, pressed against Price, pliant and sweet as he rumbles soothingly down at you. 
“Doing well, love. Take as much time as you need. You’re safe.”
Yes. You’re safe. You’ve always been safe with him. There’s nobody in the world you trust more than Price. He’s saved your life many times over, has dragged you to safety, has slung your arm across his shoulder as he helped carry you, has offered careful, firm murmurs as he’s wrapped bandages across your wounds. He’s always taken care of you, in his own way. Each debrief comes with a hand across your shoulder, a long, sideways glance that says more than he can. 
You’ve never let yourself get close to him, too afraid of him finding out what you are, too afraid of his prejudice and judgment. 
Now that you’re here, curled up at his feet and drifting serenely, you wonder why you ever worried at all.
You stay like that for a long while, simply breathing, thoughts empty as you hug his legs, absorbing his warmth. The room is quiet, and in the soft after hours of base the only sounds you can hear is the slow, steady thump of your heart and Price’s low, measured breathing. 
You wish you could stay here forever, just being sweet and good for him, but eventually your knees begin to cramp up and you shift uncomfortably with a little whine.
“Eyes up, love.” Price tells you, words belaying a hint of firm command, and instantly you prop your chin to look up at him with soft, dewey eyes. 
You’re too lost to notice the way his eyes glint, the unblinking fixation of him as he simply takes in the sight of you- lost in the dopey haze of subspace, lips parted as you stare at him with a glassy, lidded gaze. 
“Look at you.” He breathes with a soft sigh, raising a hand to cup your face. You lean into it with a blissful little sigh. “Gorgeous thing.”
You squirm a little at that, skin warming with the praise. As you move to hide your face in his knees, Price keeps a hold of your chin, forcing you to stare up at him. 
“Mm, eyes on me. Just like that. Good.”
You wonder, amidst the cottony softness of your thoughts, what the purpose of this is, with him taking his time to just drink you in like he’ll drown without the sight. You can see his eyes tinted with the same wayward longing he offers you when you catch his gaze after missions- when he aches for you, longs to make sure you’re safe.
The ache in your knees returns, and a little whine bubbles up your throat, brow pinching with discomfort. 
“Feeling sore?” Price inquiries gently, and you nod into his hand. “Alright angel, sit up for me. Slowly…good. Good girl.”
You raise up a little on your knees, and soon Price leans over you, securing his hands on you to drag you further up and onto the bed. You allow him to arrange your heavy, sluggish limbs so you’re braced with your back against the headboard, nestled in his pillows. You go willingly, easing into his touch, content at letting him maneuver you as he pleases. 
When he moves away from you, however, you startle a little at the sudden absence of his touch. 
Price notices instantly, and once more you feel his hand stroke across your face, thumb descending to press against the plush bed of your bottom lip. 
“Just getting some snacks and water, love. Count to ten for me, I’ll be right back.”
That eases you some, and you nod, slowly counting. You get to eight before Price returns, dropping a bottle and a snack bar on his bedside table. 
“Scoot forward for me.” He instructs, and you obey as best you can, allowing him to shuffle you a little forward  further down the bed. It takes some maneuvering, but soon you find Price sitting up behind you, dragging you back so you sit inside the nest of his legs, back pressed to his front.
If you thought kneeling at his feet was nice, this must be heaven.
He’s so big and warm, and when an arm wraps around your front to keep you from falling too far down the bed, you distantly wonder if you ever want to come up at all.
Price adjusts, and you hear the sound of a wrapper being put aside before the snack bar appears in your line of vision. 
“Just a few bites.” He tells you, but makes no motion indicating for you to take the bar from his hands. 
You lean forward obediently, taking small bites from his hand as he provides them to you, quiet and appreciative, until the entire thing is gone. 
“Very, very good.” He murmurs, chin braced atop your head, huffing a pleased little sound when you squirm a little in his lap at the praise. “Like being told you’re good, don’t you, angel?”
You want to hide your face in his chest, but unable to do so your instead let your head drop forward a little, avoiding his eyes. 
“Shy thing, aren’t you?” He rumbles, pleased, and it only makes a rush of warmth trace across your skin at the deep, purring tenor of his voice in your ear. 
You get the feeling he wants to tease you a little more, but opts instead to wrap a hand under your jaw in a careful grip, lifting you up so he can graze the water bottle across your lips. 
“Just a few sips.” He encourages. “Then we can lay down and take a little snooze. How’s that sound?”
You nod eagerly at that, and readily drink down the water when he offers it to you. You’re about halfway down when you finally tilt your head away, and Price wordlessly deposits the bottle on the table. 
“Tell me a color, love.”
You have to think about it, past the hazy softness of you, brow pinching as your brain turns over the question.
“Green.” You reply with a little sigh, one that Price mirrors behind you. 
“Good girl. You ready to come up yet?”
You shake your head at that, frowning. Honestly, a part of you knows you have to come up at some point, but if you had it your way you’d stay like this forever, caught in his arms, warm and fed and cared for as his chest rises deep with every inhale. 
Price chuckles at your pouting little expression. When he bends forward to reach for a blanket at the bottom of the bed, he’s forced to curl over you, pressing you down with his weight. It’s startling how quickly you have to stifle a moan at the sensation, with his larger frame bracketing you in, engulfing you with the firm line of his body against yours.
He pulls back all too soon, drapes a blanket across your lap and up to your shoulders. It’s soft, a little worn, but it smells like him, and that’s all you need. You snuggle happily into it with a little hum, leaning back against him a little more until you’re completely situated. 
“There we go, angel. How’s that feel?”
“ ‘S nice.” You slur, tucking your head a little further down to nestle into the blanket. “Comfy.”
Price hums a pleased little sound, one hand still wrapped around your front, and now the other resting easily on your thigh, pressing in soft, lazy circles. It’s instantly soothing, and once more you can feel yourself drifting a little further down into that wordless, worriless meditation. 
“Close your eyes for me, love.” Price murmurs gently. “Slow, deep breaths.”
You comply readily, and as you feel his chest rise slow and deep behind you you force yourself to match it, dragging in a warm inhale that’s heavy with his scent. You follow him as he exhales, and then repeats once more. 
“Just like that.” He murmurs as you grow completely limp in his arms. “All the way down. Perfect.”
You’re too far under to even acknowledge him, senses heavy and sated as he curls himself a little further around you, hand stroking lazy patterns along your thigh.
“Rest now, darling. I’ll be here when you come up.”
Regardless of the command, you find yourself drifting easily into stillness, a languid little sigh releasing all the tension in your body before sleep descends dusky and tender over your senses. 
It’s still dark when you finally wake up, sluggish and heavy. The room is still warm and dim, quiet with the low, steady thump of your heartbeat. It’s the first thing you notice aside from the contented weight of your limbs.
The second is the pair of arms wrapped around you, tucking you close into Price’s front as you both lay on your sides. 
“Awake?” He rumbles, and with the soft hoarse of his voice you can tell he’s been dozing as well, not fully asleep, still present for you to wake up and he told you he’d be.
“Mhm.” You mumble, ignoring the self conscious little flutter at being caught in his arms like this. 
“Feeling better?” Price asks, and makes no move to shift away or dislodge you from his hold. 
“Much.” Your eyes are level with his collarbone that peeks beneath his shirt, and there you see an old, silvery scar that snakes up towards his jugular. You wonder about the story there, about how this man has seen so much violence and yet somehow can still be so gentle.
“Thank you.” You whisper, feeling that warm haze now gently ease, and in its place a comfortable awareness free from the empty, clenching side effects of drop. “For all of this.”
Price is silent for a moment, and you wonder if perhaps you said the wrong thing. His voice is low, deep as he speaks.
“He shouldn’t have treated you like that” He rumbles, and there’s a hint of darkness there, one that melds with his hold on you tightening just a fraction, as if he’s too possessive to let you go. “If I-”
He stops himself then, words biting into nothingness. You hold your breath, waiting for more, but it doesn’t come. Instead, the silence envelops you both, soft and warm, a touch bitter with unspoken words. 
“I understand why you didn’t tell us, love.” He speaks at last. “And I trust you’ll understand when I say we will never judge you for anything but yourself.”
Emotion, hot and thick, rises up through your belly. It scrunches your face, warms your eyes as you sniffle against him.
This is what you wanted. The entire time, all of this hiding and secrecy and anxiousness. You wanted to be accepted, to be held, to be cherished, by him.
“I wish it was you.” You whisper, scarcely audible. “The entire time, I wished it was you.”
Price stiffens at that, and you’re certain he’s going to pull away, to declare this scene is over and gently escort you out. You wonder vaguely if you’ll hurtle straight back into drop with his rejection. 
“If I had known-” He murmurs in an echo of his previous words. “I would have offered myself much sooner.”
You look up at that, tilting your head so your eyes no longer look at his chest, but into his eyes. Soft, sincere, achingly tender in a way that plucks the defenseless heart strings inside you.
“You mean that.” You state then, voice scarcely containing your hope. 
Price makes a little rumbling hum down at you, his hand flexing at the small of your back. 
“Only if you’ll have me, angel.”
Angel.
Now, here, out of subspace, away from the cottony softness of him guiding you down. Instead he calls you this beloved endearment because it’s you, because he wants you.
It’s all you’ve ever wanted- to be here, to be in his arms, to entrust yourself to him so wholly and completely that he becomes the only thing for you with his gentle guiding hands and stern, smoke laden words. 
“I’m your captain.” He tells you, one hand grazing your cheek in a beloved touch. “But if you ever need more, all you need to do is ask.”
The words inside you seem to buzz soundlessly in the cavern of your thoughts. There’s so many things you want to say, to confess, to ask of him. Yet here, in this moment, the only thing you can offer him is the thing you’ve said from the beginning.
“Please.”
And- oh. Oh, his smile, the way it tugs at his beard and makes the smile lines crinkle at the corner of his eyes, pleased and soft even as his eyes glint in the darkness. A quiet, profound gratitude of which he speaks little, and yet feels so deeply. 
“Can I stay?” You ask, voice small but hopeful, and Price’s eyes twinkle with an amusement that swoops low in your stomach.
“Who said you were leaving?”
You smile at that, and if anything it makes the corners of his lips tug tighter, a low, pleased rumble vibrating through his chest pressed close to yours. 
“Rest, darling.” He encourages once more. “There will be time in the morning.”
There will be. There will be time come morning, and there will be time after. There will be time for the touches that follow, and the words that precede them. There will be time for his familiar control to settle comfortably over you, for you to slowly but fully surrender to him. There will be time for you to become his entirely, and for you to go willing into his guiding hands. 
Yet here, in his arms, safe and whole, you silently wish that dawn will never come.
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I already posted this over on AO3 but figured I would post this on here as well. Enjoy!
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This post used to hold a poem inspired by the Rev. Munther Isaac's declaration that "God is under the rubble in Gaza."
After a few anons and a conversation with a Jewish friend, I've decided to take the poem down because, regardless of my own intentions with it, it risks feeding the long and extremely harmful history of blood libel, because I included imagery of the infant Jesus and his parents being killed by an Israeli soldier, as many Palestinians are being killed now.
Before talking with that friend, I wrote in this response to an anon about my intentions with the poem — but while I do believe that intentions do matter, they don't matter nearly as much as impact does.
My friend helped me come to the conclusion that while the poem I wrote could be interpreted as I intended by people who already have all the context I wrote it in (see below), it could also all too easily be interpreted much more harmfully by those who lack that context — or worse, who are looking for more fuel for their antisemitism. The poem is not worth that risk, not at all.
___
Ultimately, I hold two things I believe to be true in tension:
that Christians throughout the ages have found deep comfort and encouragement in understanding Jesus as suffering in and with them. I support all Christian Palestinians who, like Rev. Isaac, experience God-with-them in this way — in this horrific time, they deserve any ounce of comfort they can derive. And them personally seeking and finding the Divine presence with them is not antisemitic.
that for Christians like myself in the USA, who live in the beating heart of Empire and Christian Supremacy, it is vital to take care in how we talk about this theology in this current situation, where the oppressors are Jewish. Providing more fuel for Christian antisemitism is inexcusable, and I deeply apologize for writing and sharing a piece that can be used in that way.
Because modern-day Israel is a Jewish state, exploring that Divine solidarity in this context comes with a great risk of perpetuating the long, harmful history of antisemitic blood libel and accusations of deicide. How do we affirm God’s presence with those suffering in Palestine without (implicitly or explicitly) adding to the poisonous lie that “the Jews killed Jesus”?
In wrestling with this complexity, I tried to write this poem to uplift both Jesus’s Jewishness and his solidarity with Palestinians. Jesus was born into a Jewish family, his entire worldview was shaped by his Jewishness, and he shared in his people’s suffering under the Roman Empire. His solidarity with Palestinians of various faiths suffering today does not erase that Jewishness. Nor does it mean that Jewish persons don’t “belong” in the region — only that modern Israel’s occupation of Palestine is in no way necessary for Jews to live and thrive there, or anywhere else in the world.
I also aimed to point out that Israel is by no means acting alone in this attack on Gaza or their decades-long occupation of Palestine. There is a much larger Empire at work, with my own country, the United States, at the helm. Israel is entangled in that imperial mess, and directly backed and funded by those forces — not because of what politicians claim, that we have to back Israel or else we’re antisemitic, but because Israel is our strategic foothold in the so-called Middle East. How do we name our complicity as our tax dollars are funneled into violence across the world, and act to end that violence?
___
I'm sorry this post isn't as articulate as I want it to be. All of this to say: I deeply apologize for any hurt my poem caused. I understand how horrific Christianity's history of — and ongoing present — antisemitism is, and how it poisons and warps so much that could have been beautiful. I'll keep educating myself; I'll keep having hard conversations; I'll keep working to uproot antisemitism in myself and my communities.
___
I'll close with a list of resources for learning about Palestine's history and getting involved.
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bloodbenderz · 28 days
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there was a lot of mistakes made in the live action but the worst one without reservation was that the creators did not understand patriarchy and they did not understand women's liberation outside of an american context ( or any context if we're being honest )
it's easy to see on a surface level how that fucked up katara's whole character how she wasn't allowed to have her character defining moments how she wasn't allowed to be angry or even excited or impulsive but i think it doesn't really become clear how deeply wrong the show's conception of gender & patriarchy is (and the implications for the political landscape of the show) until you get into how they destroyed sokka's character too
sokka's whole Complex is born of patriarchy. i'm not trying to do men's rights advocacy here but in my experience when a people is under constant threat, constant assault, constant violence (much of which is gendered) and the traditional "protectors" or "providers" of that people are men, the masculine role becomes protecting women and children. i am not saying this is a good thing or a bad thing but it is true the narrative of violent resistance is overwhelmingly about men. to be a man in a time & place like this means fighting to protect your women, & to die for them is honorable. that is where sokka gets this idea that he has to be a warrior & he has to fight & if necessary die for katara & the rest of the tribe. it's about duty. everyone has a part to play, a role to fill
everyone including women! which is the other half of this. the duty of women is to keep up the home, to maintain a country worth fighting & dying for, to raise children so that the community can have a future. it becomes especially obvious in the context of the show when you see how the nwt lives & in specific how yue lives and dies.
many women participate in patriarchy. many colonized women participate in patriarchy. most of my family comes from or still lives in a country completely devastated by colonialism & its aftereffects & many women in my family believe wholeheartedly in the idea that everyone in the house has a role to play. it's not because these women are stupid or they hate themselves. but when you grow up believing that men & women are fundamentally different, and seeing that women are in specific danger because of their gender, it actually makes a lot of sense to expect the men in your family to protect you, and to raise your sons that way.
in practice that means that men aren't really expected to do anything around the house, especially when there's no actual danger. my aunt literally 2 days ago told me this lol like she doesn't make her sons do anything bc she wants to let their lives be easy before they have to go out into the world & take care of their wives & children.
what does women's liberation look like when an entire community is under threat? colonized women have been dealing with this question as long as colonialism has existed. the writers of this show don't even pretend to understand the question, much less to formulate a thoughtful response to it. they just say oh, well, katara, yue, & suki are all the exact same type of liberated girlboss for whom patriarchy is no significant obstacle.
which brings us back to sokka lol. sokka, at the beginning of the show, has completely subscribed to patriarchy, has integrated it into his sense of self. he has a lot of flaws, but he also has a lot of really good traits. his bravery, sense of honor, loyalty, work ethic, selflessness, all of this came from him striving to be a good man. he would die to protect katara, because she's his sister. he also has her wash his socks & mend his clothes, because she's his sister. even after he meets suki, humbles himself, & expands his view of the role a woman can play, he doesn't completely disengage from patriarchy. at the end of the day he believes in his soul that a good man's duty is to fight & if necessary die for his people, & that's exactly his plan. this is a very real psychic burden. pre-aang, it's also largely fictional & completely ridiculous. we're SUPPOSED to think it's ridiculous. he's spending his time training babies & working on his little watchtower. the swt hasn't been attacked since their mother was killed because it has been completely stripped of all value or danger it once held for the fire nation, & everybody knows this. there is very little "men's work" left, aside from hunting & fishing, which is so damaging to sokka's self image he resorts to toddler bootcamp to feel useful. the contradiction here is comical. it's also completely devastating. that's supposed to be the fucking POINTTTT like colonialism & patriarchy convinces this young boy he needs to be a soldier & die for his family. & you know what he does? He acts like a young boy about it. they didn't just leave this unexplored in the remake they completely changed the circumstances to 1. make sokka incompetent for some reason 2. make his "preparations" seem less ridiculous. Which ruins the whole character. Possibly the whole show.
all this makes the writing of katara & the other women infinitely more offensive to me. katara is a good character because she believes in revolution. she wants to liberate her people from imperialism, & she wants to liberate women from colonial gendered violence, traditional patriarchy in her own culture, & the complicated ways those things interact. it is LITERALLY the first thing you're supposed to learn about her. she's the PERFECT vehicle to address the question of women's liberation under colonialism. one of the things i was most looking forward to seeing in this show was how labor is distributed in a place where almost everything that needs to get done is "women's work" & how it affects katara & sokka's day to day relationship when their lives weren't at risk constantly. what actually are her responsibilities every day, & how do they compare to sokka's? how does her grandmother enforce these traditions with katara & sokka, & how is that informed by her own experiences in the nwt? what does patriarchy look like in a tribe made up of mostly women & children? it's so important to who katara is & what she believes! but why bother exploring any of that when u could instead make her a shein model who has nothing in common with the source material except her hairstyle lol.
yue is actually even worse to me bc yue is supposed to be sokka's counterpart. she's supposed to show you how destructive it is for women specifically to internalize this gendered duty so completely. it sucks for sokka, but he is a man & thus his prescribed role gives him some agency. yue's role affords her no agency whatsoever, & this is the POINT. to make her someone who's allowed to break things off with her fiance if she likes, who sneaks off to do what she wants when she's feeling stressed, whose will is respected as a monarch, like what is even the point of yue anymore? in the original the whole reason she was even allowed to spend time with sokka was because her father knew she was with a trustworthy boy. her story completely loses all significance when the dimension of patriarchy is removed from it. the crux of her whole story is that she is not just a princess but the literal & spiritual representation of the motherland. that's what women are supposed to represent during wartime, at the cost of their own sense of self. in order to fulfill her duty to her people she gives her life to them in every single way that matters.
it's just so unbelievably frustrating (and WRONG) that the only types of characters for these writers are "soulless misogynistic fuck" and "liberated american-style feminist." there's no nuance at all! they don't bother exploring how real love manifests in patriarchal communities, & how patriarchy defines the limits of that love. or how for so many of these people their idea of goodness, morality, & honor is gendered. or how imperialism affects not just individuals but entire cultures & their conceptions of gender. but why do any actual work when you could completely change sokka & katara's general demeanors, their entire personalities, & their roles in the tribe so you can dodge any & all nuance
Anyways. in conclusion. it was bad
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life-of-an-asexual · 10 months
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Asexual Non-Fiction
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Ace: What Asexuality Reveals About Desire, Society, and the Meaning of Sex by Angela Chen
An engaging exploration of what it means to be asexual in a world that's obsessed with sexual attraction, and what we can all learn about desire and identity by using an ace lens to see the world. Through interviews, cultural criticism, and memoir, ACE invites all readers to consider big-picture issues through the lens of asexuality, because every place that sexuality touches our world, asexuality does too.
The Invisible Orientation: An Introduction to Asexuality by Julie Sondra Decker
In The Invisible Orientation, Julie Sondra Decker outlines what asexuality is, counters misconceptions, provides resources, and puts asexual people's experiences in context as they move through a very sexualized world. It includes information for asexual people to help understand their orientation and what it means for their relationships, as well as tips and facts for those who want to understand their asexual friends and loved ones.
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How to Be Ace: A Memoir of Growing Up Asexual by Rebecca Burgess
In this brave, hilarious and empowering graphic memoir, we follow Rebecca as they navigate a culture obsessed with sex—from being bullied at school and trying to fit in with friends, to forcing themself into relationships and experiencing anxiety and OCD—before coming to understand and embrace their asexual identity.
A Quick & Easy Guide to Asexuality by Molly Mulldoon and Will Hernandez
Writer Molly Muldoon and cartoonist Will Hernandez, both in the ace community, are here to shed light on society’s misconceptions of asexuality and what being ace is really like. This book is for anyone who wants to learn about asexuality, and for Ace people themselves, to validate their experiences. Asexuality is a real identity and it’s time the world recognizes it. Here’s to being invisible no more! 
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Asexualities: Feminist and Queer Perspectives edited by Karli June Cerankowski and Megan Milks
As the first book-length collection of critical essays ever produced on the topic of asexuality, this book serves as a foundational text in a growing field of study. It also aims to reshape the directions of feminist and queer studies, and to radically alter popular conceptions of sex and desire. Including units addressing theories of asexual orientation; the politics of asexuality; asexuality in media culture; masculinity and asexuality; health, disability, and medicalization; and asexual literary theory, Asexualities will be of interest to scholars and students in sexuality, gender, sociology, cultural studies, disability studies, and media culture.
Refusing Compulsory Sexuality: A Black Asexual Lens on Our Sex-Obsessed Culture by Sherronda J. Brown
In this exploration of what it means to be Black and asexual in America today, Sherronda J. Brown offers new perspectives on asexuality. She takes an incisive look at how anti-Blackness, white supremacy, patriarchy, heteronormativity, and capitalism enact harm against asexual people, contextualizing acephobia within a racial framework in the first book of its kind. A necessary and unapologetic reclamation, Refusing Compulsory Sexuality is smart, timely, and an essential read for asexuals, aromantics, queer readers, and anyone looking to better understand sexual politics in America.
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I Am Ace: Advice on Living Your Best Asexual Life by Cody Daigle-Orians
Within these pages lie all the advice you need as a questioning ace teen. Tackling everything from what asexuality is, the asexual spectrum and tips on coming out, to intimacy, relationships, acephobia and finding joy, this guide will help you better understand your asexual identity alongside deeply relatable anecdotes drawn from Cody's personal experience. Whether you are ace, demi, gray-ace or not sure yet, this book will give you the courage and confidence to embrace your authentic self and live your best ace life.
Ace Voices: What it Means to Be Asexual, Aromantic, Demi or Grey-Ace by Eris Young
Drawing upon interviews with a wide range of people across the asexual spectrum, Eris Young is here to take you on an empowering, enriching journey through the rich multitudes of asexual life. With chapters spanning everything from dating, relationships and sex, to mental and emotional health, family, community and joy, the inspirational stories and personal experiences within these pages speak to aces living and loving in unique ways. Find support amongst the diverse narratives of aces sex-repulsed and sex-favourable, alongside voices exploring what it means to be black and ace, to be queer and ace, or ace and multi-partnered - and use it as a springboard for your own ace growth.
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Asexual Erotics: Intimate Readings of Compulsory Sexuality by Ela Przybylo
Through a wide-ranging analysis of pivotal queer, feminist, and anti-racist movements; television and film; art and photography; and fiction, nonfiction, and theoretical texts, each chapter explores asexual erotics and demonstrates how asexuality has been vital to the formulation of intimate ways of knowing and being. Asexual Erotics assembles a compendium of asexual possibilities that speaks against the centralization of sex and sexuality, asking that we consider the ways in which compulsory sexuality is detrimental not only to asexual and nonsexual people but to all.
Ace Notes by Michele Kirichanskaya
As an ace or questioning person in an oh-so-allo world, you're probably in desperate need of a cheat sheet. Covering everything from coming out, explaining asexuality and understanding different types of attraction, to marriage, relationships, sex, consent, gatekeeping, religion, ace culture and more, this is the ultimate arsenal for whatever the allo world throws at you.
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Ace and Aro Journeys: A Guide to Embracing Your Asexual or Aromantic Identity by The Ace and Aro Advocacy Project
Join the The Ace and Aro Advocacy Project (TAAAP) for a deep dive into the process of discovering and embracing your ace and aro identities. Empower yourself to explore the nuances of your identity, find and develop support networks, explore different kinds of partnership, come out to your communities and find real joy within. Combining a rigorous exploration of identity and sexuality models with hundreds of candid and poignant testimonials - this companion vouches for your personal truth, wherever you lie on the aspec spectrum.
Sounds Fake But Okay: An Asexual and Aromantic Perspective on Love, Relationships, Sex, and Pretty Much Anything Else by Sarah Costello and Kayla Kaszyca
Drawing on Sarah and Kayla's personal stories, and those of aspec friends all over the world, prepare to explore your microlabels, investigate different models of partnership, delve into the intersection of gender norms and compulsory sexuality and reconsider the meaning of sex - when allosexual attraction is out of the equation.
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psychologeek · 22 days
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This is Shani Louk, as her family asked people to remember her. Her family asked NOT to spread That Photo. Her family asked people to remember her for the way she lived.
So here's a photo of Shani Louk:
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The man who took the picture of her dead body being kidnapped by terrorists just won a prize for that.
The man who came with those terrorists. Who knew the attack is going to happen. Who took photos and show himself holding weapons.
The man who worked with the people who aimed and killed and raped
That man
Won a photography prize
For taking the photo of
A young murdered woman.
For doing nothing but
Stand aside
And encourage.
Her family didn't even get her Body back.
Shani isn't buried.
I am disgusted. There are no words I can use.
ReneDescartwheel on Reddit wrote:
The content of the photo is a young Israeli woman lying dead and half naked in the back of a pickup truck, bleeding profusely from a hole in her skull, with her murderers using her as a foot rest, en route to be paraded like a hunting trophy in front of cheering mobs of Gazan civilians. And yet, the caption of the award couldn’t have been more dismissive of the October 7th atrocities if Hamas had written it themselves. It paints a picture of a well planned and successful military operation, without a single detail of the brutality of the massacre that is necessary to give context to this photo. The language used is deliberately minimizing. For instance, instead of saying that Hamas took hundreds of hostages, including women and children, they said “…taking dozens of captives”. That’s it. Could be 24, could be 253. Whatever. Somehow, despite the content of the photo, most of the description was dedicated to conveying the details of Israel’s retaliation.
MadUmbrella added:
TIL that initially on 10/7 the image sold by Ali Mahmud to AP of the abduction of Shani Louk’s body was identified by AP as “the body of an Israeli soldier”, so AP took the words of Ali Mahmud, a palestinian terrorist, and called Shani Louk “an Israeli soldier” while she was a civilian tortured and killed at Nova music festival. AP shared the photo on their newsfeed on 10/7 at 7:41 am, just a few minutes after the photo was taken and added the caption provided by Ali Mahmud who knew that his friends were kidnapping, torturing and murdering civilians at the Nova festival. This is complicity in the crimes committed by the palestinians on 10/7. AP’s journalistic ethics are completely gone, that’s why they’re paying palestinian terrorists for the images of their crimes. AP corrected their initial story only on November 2.
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solaariia · 1 month
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the self-concept
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hellour! this is gonna be a long post!
.・。.・゜✭・.・✫・゜・。.
i was studying for my social psychology course today (for context i'm a psych major) and read something that might be helpful for everyone who's been having doubts about manifestation subconsciously being part of our everyday lives—as opposed to something made up by the internet.
the information i'm about to provide is from actual sociologists and psychologists, so this is rooted in studies. i promise i'm not about to pull info out of my ass! this is mainly just a very very brief summary of the self concept chapter we're reading about in class.
side note, i named all the researchers in case you wanna check out their work yourself! i made this post to provide insight about our self-concept and clear limiting beliefs. :)
what is self-concept?
so we hear the term self-concept a lot in the manifestation community. Neville, Edward, Sammy, Dr Joe Dispenza, bloggers on tumblr… all of them talk about it all the time. but what does it actually mean?
the self-concept refers to the total sum of beliefs that people have about themselves. it consists of cognitive molecules that social psychologist Hazel Markus called self-schemas. these are the beliefs about ourselves that guide the processing of self relevant information. but what does this actually mean?
well, self-schemas are to the self-concept what books are to a library. if someone asks about yourself, you will probably answer with something quick like: “i am a woman” or “i am a student.” those simple attributes are part of your self-schema; if we want to go deeper, body weight is also a self-schema. for people who regard weight as a crucial part of their beliefs, something simple like a gym trip with friends or buying stuff at the supermarket may trigger thoughts about the self. but if a person is aschematic (not concerned by a certain attribute) about body weight, no thoughts will pop up.
we already know that the self is a special object of our attention. whether its a thought or a song, our consciousness is like a spotlight. this means that it can shine on one object at one point in time, yet shift rapidly from one object to another and process information outside of awareness. in this spotlight, the self is at the forefront of our minds. its what's most important to us at that moment. keep this in mind for later!
to finish with the explanations, neurologist Oliver Sacks highlighted two important points about the self:
🩷 there is a private “inner” self, and an “outer” self we show to others. if we don’t self reflect to understand how were feeling, how will we understand our emotions and actions?
🩷 the self is heavily influenced by social factors.
now–what does that last point mean? well, what we think about ourselves is rooted from childhood. if we grow up hearing “you’ll never amount to anything” or “you’re my favorite child” (extreme examples i know), then that's what we’ll ingrain in our self-concept. this notion brings me to the fun stuff–the studies!
is self-concept scientifically proven?
psychologist Gordon Gallup performed a series of studies where he put animals in front of a mirror to test if they could recognize themselves. at first, they vocalized and greeted themselves in the mirror (my dog did this too when he was a pup, he would bark at his own reflection and play with it), but after several days, only great apes seemed capable of self recognition, using the mirror just like any other human would. grooming themselves, making faces… in short, they recognized themselves!
why do i bring this experiment up? well, this proves that the concept of “me” is necessary to define our self-concept. we must first recognize ourselves as Something to become Someone.
using that same study in humans, this process of self-recognition begins between 18-24 months. which means that from this point onwards we start to define Self (consciousness).
you might read this and–admittedly–think: “oh this blog post hasn’t said anything about manifestation!” true, but i want to present the basics or self-concept first to understand how it affects our daily thoughts!
there was another experiment we talked about in one of my lectures (i do not remember who performed this study specifically, but Dr Patrick Heck did one similar to this one and the results were the same), where participants were told to take a test. half of them were told to boast about themselves, and the rest were instructed to describe themselves modestly. naturally, participants who spoke highly of themselves scored higher on these tests than participants who didn’t. so… you all see where i’m going with this.
remember how i said to keep the “consciousness is a spotlight” paragraph in mind? i’ll finally touch on it with this next and last thing i’m gonna talk about (in this post at least!).
we already established that the first step in the evolution of our self-concept is the ability to recognize ourselves as Someone. the second step, however, involves social factors. sociologist Charles Horton Cooley introduced the term looking-glass self to suggest that other people serve as a mirror in which we see ourselves. and another sociologist by the name of George Herbert added that the only way to know ourselves is by imagining the opinions of our significant others and applying them to our self-concepts. sounds familiar?
how do i change my self-concept?
Neville mentioned the “mirror-self” on his conferences too. he said that one of his favorite techniques to better his Self was to imagine a loved one speaking kindly of himself. in his book Your Faith is Your Fortune, Neville wrote: “Stop trying to change the world since it is only the mirror. Man’s attempt to change the world by force is as fruitless as breaking a mirror in the hope of changing his face. Leave the mirror and change your face. Leave the world alone and change your conceptions of yourself. The reflection then will be satisfactory.”
since the self-concept is a library (our perception of Self) made out of self-schemas (books brought to us by our peers), we can see that sometimes, what we think of ourselves is just an amalgamation of beliefs implanted to us by the people in our lives. so if we were given these books we don’t like, why should we keep them in our library?
to change these negative beliefs we have about ourselves, all we have to do is replace them with positive ones. i know, i know, this is what every person who studies loa and manifestation regurgitates over and over. its nothing that hasn’t been posted to numerous blogs or twitter threads before.
however, the point about this whole post is to tell you why that is the only way to change your self-concept. if your daily thoughts are filled with phrases like: “my sp doesn’t want me” and “i’m so broke” or “what’s the point? this is all worthless anyways.” STOP. DROP. CHANGE.
journal. write your limiting beliefs in your ipad, paper, wood, stone–whatever.
use your hands to apply muscle memory. once you have them, CROSS THEM OUT!
i can’t manifest = I CAN MANIFEST EVERYTHING I WANT
i hope i shift tonight = I KNOW I SHIFT EVERY NIGHT
i wish i had money = I HAVE ALL THE MONEY I WANT AND MORE
just those small changes are enough to rewire your entire self-concept. also, exposure. the more exposure you have to something, the more insecure it will make you. if you’re having a hard time manifesting, remove all blogs, twitter accounts, and people that limit your beliefs. less exposure to negativity = less negativity reflected in your self-concept.
problems with the Self will always be there. if you remove a negative belief, another will pop up. all you can do is learn more about your “inner” self and recognize how you’re feeling. what you can do is focus on the positives, and automatically, your self-concept will change.
persist in the assumption until it becomes your reality!
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.・。.・゜✭・.・✫・゜・。.
thank you all for making it this far! just in case, the book i got this information from is Social Psychology 11th Edition authored by Kassin, Fein and, H.R. Markus. there’s a lot of interesting information on this academic book that is similar to the ones Dr Joe Dispenza has written, so i could make another post like this in the future! take care!
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cheapshrimpysheep · 6 months
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Falling Asleep on Them 2
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SUMMARY: How would they react to you falling asleep on them?
CHARACTERS: Side Characters (Diavolo; Barbatos; Luke (platonic); Simeon & Solomon)
TAGS: Fluff; GN Reader; Bullet Points
WORD COUNT: An average of 290 words per character.
COMMENTS: Initially I was going to make this post theme just for the Demon Brothers, but I like to give all the characters the same rights, so I wrote this one. Just a little bullet points' list. But I hope you enjoy. ⭐️
⭐️ Falling Asleep on Them - Demon Brothers
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CONTEXT: This takes place in the original time-line of Obey Me! One master to rule them all! So you were living with the Brothers in the House of Lamentation, but they asked you to go to the Castle/Purgatory Hall.
Except for Solomon’s part that takes place in the Nightbringer time-line because it's easier if you live with him. 😅
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Diavolo asked you to go to the Castle because he needed some information about the human world for his paperwork, or whatever plan he wanted to keep for a surprise.
He ended up entertaining himself talking to you to the point that it got late and he hadn't finished his work yet.
So you ended up giving in to his puppy dog eyes and helping him with the paperwork before Barbatos found out and got upset.
You two made it! And to thank you, he asked Barbatos to make your favourite tea and your cake to accompany it.
The tea made you even more sleepy and you ended up laying your head on the Diavolo's arm. He let you rest until he realized, by your slow breathing, that you had fallen asleep.
He couldn't help but smile, you were so cute. He asked Barbatos to inform the brothers that it was better for you to sleep in the castle that night.
But when Barbatos asked if he wanted him to take you to the guest bedroom, Diavolo said it wasn't necessary because he wanted to be the one to take you.
He took you to the bedroom carefully, but without worrying about it. He knew he could get you safely to bed.
He laid you on the bed as if you were more royalty than himself.
He enjoys the sight of you sleeping for a moment before kissing your forehead.
He wishes he could take you to his bed, which is the most comfortable in the castle, but of course he doesn't want to do that without your permission. So he leaves a note next to you saying that if you wanted, you would be more than welcome to sleep with him.
If you do, Barbatos will pretend he didn't see you, and Diavolo will wake up to your presence and welcome you with open arms.
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Barbatos noticed that you have been tired. He's even seen you run your hand over the back of your neck and shoulders as if you had muscle pain.
So, one day, he invited you to the Demon Lord's Castle and offered to give you a massage. You deserved it after all your work.
Diavolo had gone to the human world with Lucifer, something to do with the Hotel Corvo. So, Barbatos was in the castle to serve only you. You couldn't feel more like royalty.
Needless to say, the massage Barbatos gave your shoulders and back, plus the relaxing environment he provided had you falling asleep in no time.
He chuckles. He knew perfectly well what he was doing. That's why he suggested massaging you on one of the guests' beds.
He covers you with a blanket ready for this very event, kisses you on the cheek, and leaves a note on the bedside table next to you, saying that if you need anything, whatever it may be, you can go to his room and enter at will.
If you wake up in the middle of the night and do this, Barbatos will ask you what you need, as if he was already ready to receive you and was just waiting.
If you say you'd like to sleep with him, he'll chuckle with a smile. And tell you: “Of course, master. This will even make it easier for me to meet your needs whenever.” and he will chuckle again when he sees your reaction to calling you master.
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After another tiring day sorting out the brothers' messes, Luke invites you to dinner at Purgatory Hall. He made a new dessert and he really wanted you to try it.
After dinner, Simeon had to continue a certain writing work he was working on. And Solomon had a new magical experiment that he wanted to keep working on. So you stayed with Luke in the living room playing some board games for two.
Meanwhile, the cooking show that Luke liked to watch started. so you stopped the games and watched it together. As you were tired and wanted to rest your head a little, Luke insisted that you lie down on the sofa while he would be fine in the armchair.
You ended up falling asleep, and he only notices when he says something to you and you don't respond.
He goes silent and turns down the sound on the TV.
He saw that you were a little shrunken, so he went to his room, brought a blanket and covered you carefully.
He went to talk to Simeon to ask what to do, whether to let you sleep or wake you up.
Simeon suggested that they let you sleep for a while and that when you woke up, which might not take long, they asked if you wanted to sleep there. Luke's bed was really big and the two of you could pretend it was a little slumber party.
If you accept, Luke will ask, slightly embarrassed, if you would like to sleep with a sheep plushie he had. You know, to sleep better. Not that he does the same, of course.
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After another tiring day sorting out the brothers' messes, Luke invites you to dinner at Purgatory Hall. He's been practicing making one of your favourite dishes from the human world that you said you miss.
Dinner was wonderful! Luke even made a special dessert for you. After it, Solomon had a new magical experiment that he wanted to keep working on, and Luke had to write a report for Michael before going to sleep.
Simeon says there was a movie he wanted to watch with you and he needed your help to play it on the computer.
Lying comfortably in his bed, snuggling together, watching a movie without much action while you're already tired from the day you've had, you end up falling asleep on Simeon’s pretty shoulder.
He realized you had fallen asleep when he felt your head slightly heavier on his shoulder. He chuckles. He moves to close the computer which makes you wake up a little.
“If you are too tired, you can sleep here tonight.” He says in such a soft tone that it only makes you want to go back to sleep even more. “I can send a message to Lucifer to explain the situation. You looked very comfortable. And if you want to sleep alone, that's okay, my bed is yours. Ha ha.”
If you show that you want to sleep with him, he will smile, maybe make a little comment to himself about sins, and lay down next to you.
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It wouldn't be unusual, when you live with Solomon in Cocytus Hall, for you to fall asleep on each other.
When it's you falling asleep on him, it would be very late at night. Either he would be teaching you something, or you would be helping him with some experiment.
You would be sitting next to him while he reviewed some papers. Being so sleepy and hearing him mumble sentences to himself, you end up falling asleep, laying your head on his shoulder.
In neither scenario would he be upset with you for not paying attention. He knows it's his fault, that he was demanding too much of you by robbing you of the hours of sleep you deserved. And he would feel a little bad about it.
He stops everything he was doing to focus only on you. He picks you up, being very careful not to wake you up, even if to do so he needs to cast a small, short-term spell until he can lay you down on the bed.
You were in his room, so he lays you down on his bed. It's all yours now.
He'll leave you sleeping while he goes back to work on his experiment. But before that, he kneels next to you, laying his head down to admire your sleeping face. How he wanted to drop everything to sleep with you right then and there. But he first needed to know if you wanted that too.
There's a good chance he'll take some pictures of you sleeping.
If you wake up in the middle of the night, you'll probably see Solomon sleeping at his desk.
If you get up to wake him up, he'll smile happy to see you before showing discomfort because his back hurts. But he would still be smiling at you anyway.
If you tell him that you would like him to sleep with you, he will be delighted! That's exactly what he most wanted to hear you say.
And he will return to bed with you, without being able to break his smile at any point, and pampering you until you fall asleep again in his arms.
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If you would like to read more from me, you can find it in my pinned post: INDEX
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prythianpages · 6 months
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A Court of Shadows & Moonlight
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A Court of Shadows & Moonlight | azriel x rhy's sister (OC)
Summary: Daughter of the Night Court's High Lord. Half Illyrian. Half High Fae. Rhysand's little sister. A Dreamer. Only few know her as Valeria and only one knows her truth. She is the moon, a lonely girl cratered by imperfections, and he is her night, the one who helps her shine bright.
-a story in which Azriel and Valeria are mates-
A/N: I am going through ACOTAR withdrawals after finishing ACOSF. Rhysand's sister is a character I think of a lot and I love Azriel so when I saw a theory/imagine of her and Azriel being mates, I couldn't help myself. This was originally just meant to be a collection of imagines but I decided to expand further on the love story between Val and Az. Below you can find “Val’s Early Life,” which consists of stories about her upbringing and early adulthood. It’s not necessary to read them to follow the story but it is a nice backstory and provides context as there is already somewhat of an established relationship between Val and Az. I made another masterlist for the actual story, which you can find below.
I made a playlist for this and you can find it here, if interested.
angst= ♥️ fluff = ☁︎ smut= ☪︎
*the ones that have no symbol are neutral or have subtle hints of angst/fluff and are put at the top of the imagine.
˚*•̩̩͙✩•̩̩͙*˚*Val's Early Life˚*•̩̩͙✩•̩̩͙*˚*
-> The Night she was born
-> The Night her powers came
-> The Night she met Cassian
-> The Night she met the shadowsinger ☁︎
-> The Night Azriel took his first flight ☁︎
-> The Night she made her first friend ☁︎
-> The Night she caught Cassian
-> The Night of their first solstice in Velaris ☁︎
-> The Night she asked about Love
-> The Night Azriel found out her secret ♥️
-> The Night she gets her heartbroken ♥️
-> The Night she met Noctis ☁︎
-> The Night of her 18th Birthday ♥️
-> The Night they join the Bloodrite ♥️
-> The Night they return from the Bloodrite ♥️
-> The Night she left Windhaven ♥️
-> The Night she made Azriel dance
-> The Night she made Azriel lose control ☪︎
-> The Night she played the violin for her father ♥️
-> The Night they all went to Rita’s ☪︎
-> The Night Mor was hurt ♥️
-> The Night the High Lord found out her secret ♥️
->The Night Azriel helped her heal ☁︎ ♥️
-> The Night she decided to join the Bloodrite
˚*•̩̩͙✩•̩̩͙*˚*Val's & Az's story˚*•̩̩͙✩•̩̩͙*˚*
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azrielgreen · 1 month
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Once again back on my "Please write whatever the fuck you want especially if it's unhinged" bullshit.
I feel like fandom doesn't talk enough about contrast to understand how important it is and how human nature will always inevitably seek it out to some degree. One of the BEST things about a pairing in fandom is that you get to read fic about them in all different ways. From Canon typical meet cutes and happy ending fix its to serial killers AU and dead doves ahoy. Contrast and multifaceted expression is necessary. It will always exist. It needs to. It should. It MUST.
I say this because the suppression of "contrast" (I.e anything the loudest people in fandom don't vibe with) is especially rampant where the pairing becomes an extension OF the people engaging with it. The inability to separate and share space securely without needing to dominate through bullying and harassment is behind so much of what's wrong in fandoms now.
But see, most people don't understand what fucking contrast IS. They can only imagine someone doing what they are doing: trying to dominate and suppress by asserting superiority, when in fact that's not the case at all.
Contrast is a good thing. A fic that's different and weird and provocative might inspire something new in a reader. Art doesn't only come from happy hyperfixations and an echo chamber of agreement. Salt tastes AMAZING after chocolate. Everyone's tastes can be expressed and contrast is what's responsible for so much of creative expression that we barely realise it. Contrast is Eddie Munson DYING in SE4. Did anyone like it? Fuck no. Did it trigger a mass movement? Hell yes, at least in part. If everything in fandom is "Happy and Safe and Approved By The Self Selected Voices of Fandom TM" then everything will become a replica of everything else. There must always be space for the new, challenging and downright dark explorations because they provide balance, they trigger reactionary imagination, they provide context and critical thought and that's without even touching upon catharsis or human experience in a narrative frame.
Contrast is necessary. Anyone can write ANYTHING. AO3 is an archive, it's for everyone and anyone but not any ONE person to try to control.
No cruelty or discourse will be worth it in 5 years time. Only the art will remain.
💜💜💜
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urhoneycombwitch · 3 days
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my baby puts his mouth on me
foreword: okay this is kind of written as a bonus scene for i know what they call you bc that version of reader deals with being quiet, too! (not necessary to read that one first but does provide a bit of context as far as interpersonal setting.) sort-of AU that ignores most s4 events. anon request can b found here 💖
wc: 2.2k
cw: discussions of college, shy!reader, oral + fingering (R receiving), R has breasts and a V, weed usage, softdom!Eddie, shifting POV a bit soz 
___
Somewhere between Eddie’s late nights at band rehearsal and your early morning diner shifts, you’ve both been too exhausted to properly fuck when you do see each other, barely time for a spare handjob in the past week. You’re crawling out of your skin by the weekend, missing and craving Eddie in equal measure.
So when your Saturday off happens to line up with his, Eddie makes an afternoon of it- picnic lunch on the shore of Lover’s Lake, lazing around in the August sun while your food settles, then stripping down to your underclothes (even though the spot Eddie scored was totally isolated, you’re still leery about skinny dipping) and cooling off with a quick dip in the lake.
You’re both sprawled out in the blanketed back of Eddie’s van, sun-warmed bodies pressed together, legs dangling out of the open rear door; smoke hangs hazy in the air from the joint being shared. 
“Almost end of summer,” Eddie says, nestling his nose into your neck, arms wrapping around your middle. He can’t look at you, dread unfurling in his stomach but needing to ask, to clear the air, to prepare in case this is one of the last times he gets to touch you like this- “Thinkin’ of going to any colleges?”
”Maybe.” One of your hands slides into Eddie’s hair, scratching gently at his scalp while the other lifts the joint to your lips for a long drag. “They love me at the diner and I make good tips, so I’ll prob’ly keep doing that. Can’t afford anything fancy, anyways- I’ll likely just go to Hawkins Community.”
You still haven’t told him the full story of the mall fire, yet- or about the underground world simmering beneath the surface. He never pushes you to share more than you’re comfortable, which you’re grateful for, but he knows something happened: something that paints your sleep with dark night terrors, something that causes you to slip in the middle of conversations, mind spiraling where he can’t follow. 
For reasons you can’t fully explain to Eddie, college is real low on your priority list- you’ve dedicated this summer to reconnecting with base instincts (weed and Pretty Boy being at the top of the list).
Meanwhile, Eddie tries to still the vibrant thrum of his heart at the news of you staying local, possibly for the next few years; he lifts his head to press his lips against your collarbone. “You should go to college. Jus’ try it out, at least. You’re certainly smart enough.”
“Mmm-” you hum around the joint, another inhale-exhale of smoke before murmuring, “So are you. For the record. We could apply to be nerds together, if you want-”
With a sharp gasp, your sentence drops out of midair when Eddie kisses over your nipple, already peaking through the thin material of your bra. In his hair, your grip tightens, and Eddie groans.
In one fluid movement, he props himself into his elbows on either side of your torso, bottom half of his weight pinning you in place, plucking the smoldering joint from your grasp to dampen it into a nearby ashtray.
“Gonna be my little student,” Eddie says, wet kisses trailing down your neck, flash of teeth making you squirm. “Get you some academic… skirts. The ones with the pleats. Maybe some stockings…”
“You’re so- oh, fuck- dirty…” It’s hard to keep the admonishment in your voice as Eddie noses between your thighs, bumping at your clit through the thin cover of high-cut cotton.
“Mm-hmm.” He seems pleased with the already-visible wet patch, your core leaking steadily as he burrows deeper, until all his senses are blacked-out with nothing but the sharp tang of your honeyed arousal- who needs weed. He could get high off your smell alone.
Eddie suckles at your throbbing clit, purring encouragement low in his throat when your hips jolt forward. “And you love it.”
He’s one deep inhale from being completely pussy-drunk, mouthing sloppily at the junction where thigh meets pelvis, nibble fingers toying at the band of your underwear. He slides them down and off your legs, and you let him, wiggling in anticipation against the pressure he’s keeping you pinned with.
“Could take an electrician course.” Well aware of how close to the wire this conversation is sliding, you let the crown of your head tip back, staring at the van’s ceiling, handfuls of the flannel floor blanket squeezed into fists as you try getting one last word in- “You’re good with your h- hands.”
Said hand is cupping your bare sex, warm and wide between the V of your legs, other hand pushing your thigh back to spread you wide, obscene and on display how Eddie likes; embarrassment blooms hot in your chest as he runs a finger through your folds, slick practically loud against the far-off backdrop of forest sounds.
“What was that about my hands?” He’s teasing now, can hear it in his voice even though you can’t see the lazy grin it’s paired with; a long middle finger breaches your entrance, wet warmth swallowing the length greedily.
Your eyes flutter shut, sighing. There will be a time for arguments again but right now, with a second finger addition and Eddie’s mouth working you up, there’s no room for speech.
On your end, at least- Eddie’s proven on multiple occasions to be a master at multitasking, talking you through it while managing your pleasure, and this afternoon is no exception. His fingers curl expertly into the gummy front wall of your cunt, mouth running every second it’s not latched on to your pulsing button, dirty talk smooth and easy in his low timbre.
“Yeah, honey, that’s it. Fuck, you’re so hot. Can feel you squeezin’ around my fingers, y’so tight, angel, shit… like that- there you go…”
Etcetera. Until he’s bullied his way completely into the cradle of your legs, lying flat on his stomach to get as close as possible; until your cunt is spasming around the push and pull of his fingers, wet dripping and pooling into his palm and down your ass to the blanket below.
There’s a familiar tightness coiling in your stomach, thighs bracing around Eddie’s ears in anticipation of the unraveling. A pleasure-soaked sob gets caught in your throat, dull whine escaping instead through clenched teeth, grip on the flannel doubling until your knuckles creak in protest.
“Hey.” 
There’s a confusing lack of authority or command in Eddie’s voice; you sift through the brain fog of arousal, propping your weight up into your elbows to look down at him.
Eddie looks crazy. Debauched. Lips pink and spit-soaked, chin shimmering, pupils blown out with lust as he presses a chaste kiss to the wiry curls at your mound. “Kinda quiet up there. Everything okay?”
His thumb sweeps a comforting path up the soft skin of your thigh, the abrupt switch from animal to gentleness making your head swim. He’s still looking at you with those puppy-brown eyes, fingers still buried to the hilt but unmoving; you stammer out an excuse.
“Um- yeah. M’sorry. It’s just been awhile, since you’ve had me… like this.”
It’s the truth; over the last busy week in your lives, time has eroded some of what Eddie’s been working on building with you, bravery at making noise faded with the lessened practice time.
“No one else out here, ‘cept you and me, sweetheart.” Eddie’s coaxing his fingers back into steady rhythm, watching your face carefully for any signs of withholding. “Can make as much noise as you want. Lemme hear. Please?”
Usually, Eddie’s not so soft- a sharp crack of palm to ass, flesh jiggling as he draws all the noises he wants from you- but here, in the back of the van, heady weed and warm sun an intoxicating mixture as he asks you to melt for him. 
You obey. Let the floor take your upper body’s weight again as you fuck yourself on his fingers, hips lifted and seeking release. His mouth seals over your clit again, tip of his tongue lashing quick and precise against it, frizz of his curls tickling the insides of your legs as he shakes his head.
The weed is certainly a help as trapped noises heave from your chest, mouth falling open, lax and pliant with moans. “Oh, my god, Eddie. Fuck. Holy shit. Hah- right there, please, don’t stop-”
As if he would. Eddie moans in tandem with you, his own hips chasing the maddening pressure of the floorboards against the hard jut of his cock, leaking through the front of his boxers as he adds a third finger, spurred on by the fountain of breathy words this pulls from you-
“Oh god, oh god- f-fuck- Eddie, Eddie Eddie Eddie-”
Your speech devolves into a mindless, babbling chant of his name. That coil pulls taut, has you crunching forward in a half sit-up, hands fisting at the roots of Eddie’s hair to hold him in place (perhaps harsher than you intend but based on the way his hips stutter and grind, you can safely hazard a guess that he’s into it). 
The pattern breaks when he grazes his teeth against the pulsing nub in his mouth; you have just enough time to gasp out, “I- I’m coming, Eddie, shit, m’gonna come-” before the orgasm hits you full-force.
There isn’t room in your brain to hide all the noise that threatens to suffocate, so you let them all out, muscles tightening and flexing around every bright point of pleasure that he fucks you through. High-pitched whines, panting that wracks your lungs, a moan to top it all off that feels like it comes from your toes. 
“Jesus christ.” Eddie swipes the back of his hand over his mouth, sounding wrecked himself as he climbs back over your body, silver chain necklace and dark curls swinging in front of your blissed-out face. “Fuck, princess. That was so hot.”
“Yeah?” Bashfulness hasn’t fully settled in yet, you’re still loopy from the force of your pleasure, arms slipping over the boy’s freckled shoulders as he leans down to kiss you.
His tongue has a bright tang of you, as you lick into his mouth, one hand leaving his shoulder to trail down his chest. Dark ink whorls beneath your fingertips as you reach the scratchy trail of hair just before his boxers-
“Shit.” Eddie hisses, forehead thunking into yours when you palm the hard length of him, precum soaking through the fabric, softness of your palm contrasting with the damp and rough drag of cotton. His long lashes tickle your cheek, eyes fluttering closed, soft exhale magnified by close proximity as he slowly pushes into your hand. 
You’re mildly surprised he hasn’t come, yet- usually Eddie gets off on getting you off, then uses the rest of his energy to make you both come again, together. 
What Eddie hasn’t told you yet is that he’s done some prep of his own, this week: every night you haven’t spent in his bed, his own spit-slicked fist has taken him right to the edge, stopping just short of coming with a choking grip at the base. The idea was to build up his stamina a bit, to take advantage of lonely evenings in service to a future you.
A very noble cause that is quickly being forgotten as your hand moves with more intent and pressure against his aching cock- the drug haze is almost enough to have him completely at your mercy, to tuck his nose into the curve of your neck and find sweet release by way of your pretty palm.
But he recovers. Get just enough distance from the warmth of you to clear his mind and snake his own hand down between your bodies to capture your twisting wrist. 
The protest dies on your lips when Eddie brings your hand to his mouth, sucking your middle and index finger against the pad of his tongue, saturating your digits in spit.
“Here’s what you’re gonna do.” His eyes stay locked on yours, even as he guides your newly-wet fingers back down your bodies to rest atop your cunt. “You’re gonna touch yourself until you come. Again. And if I feel like you’re holding out on me with your noises, I’m gonna make it real difficult for you to make any noise. At all.”
A thrilling shiver races up your spine, goosebumps prickling in response to the shift in Eddie’s tone. His eyes flick to your lower lip, which he bites, unable to help himself, before following the path of your hand south.
There will be time for unwinding the past, for dreaming about the future. For now, there’s a boy between your legs and the feverish glow of summer calling your name. 
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yuri-is-online · 3 months
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Love and Deepspace Timeline: Xavier
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This is all speculation and should not be taken as fact, I have made a previous post about Zayne, but as stated there I do not have the necessary cards to make one for Rafayel and will direct you to this post by u/joonmin on the love and deepspace subreddit. This post is being made before I have managed to complete the Myths date (as soon as I hit level 55 it is over for you hos) and will be updated at some point once I have finished it, but I think I have enough information to explain Xav's overall timeline and hopefully clear up a few things for people missing his cards.
I have included a TL;DR at the end of the post for people who don't want to get lost in the weeds of theorizing.
Some information from that post about Zayne will be re-hashed here to help provide context about the game's setting. SPOILERS FOR ALL IN GAME CONTENT UP TO CHAPTER 8, VARIOUS MOMENTS, AND ANECDOTES, PROCEED WITH CARE.
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Current Timeline
The current timeline where the main story of LAD takes place is set in the year 2048 in a place called Linkon City. We are told that the Deepspace Tunnel opened 14 years prior and that is when wanderers started invading earth. There is a lack of understanding about why this has happened, and it has sparked an interest in space exploration in the hopes of finding a solution.
The Hunters Association is sort of like an adventurers guild? It's supervised by the government, and is sort of split between Hunters like MC and researchers attempting to understand what makes the wanderers tick.
This includes researching protocores, currently the only thing the hunter's association knows for sure is that they contain a great deal of energy, and that they can cause disease in humans based off of which category the protocore falls into. This is confirmed the be what is wrong with MC, and appears to be a problem all versions of her share.
The events immediately following the opening of the Deepspace Tunnel are referred to as the Catastrophe due to the amount of destruction caused by the influx of wanderers. This is what birthed the N109 Zone. According to the in game Spacepedia, it is surrounded by various other "no-hunt" zones, which it further clarifies as being places with "a chaotic Protofield and frequent Wanderer appearances," i.e. really dangerous places for people to live let alone go to. Civilians are outright banned and hunters need special permission to enter because of just how dangerous these places are considered to be.
Unlike Zayne and Rafayel, Xavier does not have an alternate self yet. The versions of him in his myths card and all of his anecdotes are all the same person, just at various points in his long life. The technicality of this is addressed in one of the shareable posts: Immortality No Longer A Dream! The article goes into detail about how a new biotech company using protocores to regenerate the heart. You can share this article with each of the three boys, who have different types of reactions, but Xavier's is not one of surprise or skepticism, but of acceptance. The article itself talks about immortality as something everyone will one day be able to accomplish, but Xavier disagrees.
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Xavier's first two anecdotes, A Special Vacation and Passing By, both establish how exactly he has been living his life on earth since his arrival. We learn that he has been doing his best to keep a low profile by moving between various jobs and tries to avoid making friends. As mentioned by @exactlycleverpirate in the replies of this post (who has made their own timeline you can check out here) "Xavier says he has been on Earth for 214 years, and that this will be his last. That means he arrived in 1834. We also see in one of his Tender Moments, that he rented a book from the library 30 years ago. So he has definitely been on Earth longer than the Deepspace tunnel has been around." Chapter 8 ends tells us that soon Earth and Philos will be in alignment for the first time in billions of years, which is likely why Xavier says this year will be his last, but I am unclear about what exactly that will cause.
We learn that there are other immortals from the same place as Xavier living in Linkon City, and that some of the see him as a traitor. We can assume that many of these immortals are involved with Onychinus due to Xavier's knowledge of and interest in their organization.
It's not clear how or when Xavier chose to start working as a Deepspace Hunter, but the other jobs he's taken all seem to be related to the military/evol combat. He is also very keen on fighting wanderers, so being a hunter is a good way for him to hide in plain sight. Which is what he has been trying to do.
His Precious Bonfire date suggests he has been a hunter longer than MC and has a reputation of not participating in team events. He has the highest level of access to the Hunters Association database and seems to have a good working relationship with Jenna, who seems content to let him do his own thing. She also attempted to assign MC as his partner, in part seemingly because she wants to protect MC's evol.
There is of course also the concept of Lumiere, a legendary hunter who appears during the catastrophe caused by the Deepspace Tunnel and wreaked any wanderer he came across. He has a light evol, a giant bounty on his head, and looks exactly like Xavier when we see his wanted poster in Chapter 8. While MC might have her doubts, since we the reader know Xavier is immortal, it's not much of a jump to say these two hunters are the same person.
Chapter 8 gives us more detailed look at the exact dynamics these immortals have with each other, but I think it makes sense to talk about Xavier's origins first so we know where he is coming from.
Philos Timeline
As I said on my other post, all of the Myths cards take place on the planet of Philos. In the present timeline, Philos is no longer a planet, just a lonely core floating in deepspace at the other end of the deepspace tunnel. In Xavier's third anecdote, When Shooting Stars Fall, we finally learn what Philos is: it's Earth. An Earth that has been reborn by substituting the planet's old core with an artificial one and with a different name.
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Now this anecdote takes place in the year 214, which is explained to us as meaning 214 years has passed since Earth was destroyed and reborn as Philos. How does that make sense if we are currently on a very much alive earth with a very dead Philos on the other end of the Deepspace Tunnel? No clue, but I think that's going to be one of the main focuses of the story. Something had to happen to Earth to make it become Philos, and then something happened to Philos to make it uninhabitable. Given what we know, both are likely related to wanderers.
I also want to briefly mention that in Rafayel's myths card, it is mentioned that the sea is missing so the Lemurians have no home. Based off of MC's description of the weather and how "fragmented landmasses" are being held together, I wonder if the re-birth of Earth as Philos is what caused the seas to dry up? And if so what role did MC have in the creation of Philos if any?
This anecdote is from the pov of MC who is studying at a school she simply refers to as "The Academy." It is unclear if this is the same school as she and Xavier are attending in his Lightseeker cards, but based off the uniform he wears and the sword he carries I think this is likely meant to be a highschool of some sort, and the Astria Knyght Academy is a form of military school equivalent to a college.
Xavier's words about immortality being a privilege come into play here as we learn something about MC: she always seems to have heart problems, specifically she always seems to have Protocore Syndrome, the exact same disease she currently has. In this anecdote she explains it as being a birth defect that has only one cure, a special protocore. One that supposedly can cure any illness.
Protocore disease prevents the patient from living forever, something Xavier finds very hard to accept. He abandons MC for a month without telling her where he is going to try and find this Protocore that she needs to live, but comes back too late. By the time he finds her, the core can't save her and he holds her as she dies. She asks if he thinks they will meet in her next life and he promises to always wait for her.
We know current timeline MC has shards of an Aether core in her heart, and that her heart is currently stable. While the anecdote does not outright say that the cure to Protocore Syndrome is an Aether core, Xavier's knowledge of them and his emotions when MC brings them up to him makes me think it probably is. Currently we do not know how an Aether core can be obtained, other than (assuming that is what he brought MC) Xavier was injured getting one. The MC here says she is unable to live for more that a century, something that has changed in her next re-incarnation but we don't know why.
When MC re-incarnates she is brought under the tutelage of the Grandis Knight, the personal knight and retainer to the King of Philos. Xavier is the Crown Prince of Philos, and is also studying under swordplay under the Grandis Knight. She has no memories of Xaveir, who does not tell her about their shared past despite holding on to the gift she made for him: a star sword tassel. This doesn't seem to bother him as much as you might expect, he mostly just seems happy to have her alive again.
She is stupid jealous of that tassel because Xavier openly admits to being in love with the girl who gave it to him. But he also speaks about her and the MC in the same sentence if that makes any sense? He sees both versions of her as her, and just as he promised he intends to wait for her so they can be together.
Xavier is an interesting character (to me anyway) because he has a pretty clear arc to his attitude towards his relationship with MC as he ages. He starts off as being shy in the third anecdote, then he moves to being openly teasing and affectionate (outright asking to elope and saying things that make it sounds like they might have been betrothed) in his lightseeker cards, to how he is at the end of his myths date and currently with MC: restrained in his interactions with her but unable to completely keep himself away. Why he has become restrained, why he thinks he needs to distance himself from MC is unclear. What is clear is that he has no interest in taking the throne from his father, a man he actively hates and does not seem to see eye to eye with. While their relationship seems to have always been tense, the breaking point is during Xavier's Gladius Ceremony.
The Gladius Ceremony is a sort of coming of age ceremony where the heir proves their ability to ascend the throne by killing a wanderer with nothing but their lightblade. Something happened during that trial that Xavier does not want to talk about and MC mentions he has "changed" since then. Like he left part of himself behind????
As an interesting note this trial takes place in a forest, a sentient forest much like No-Hunt Zone 7 in chapter three.
Xavier says he cannot be the man his father wants. What his father wants is not clear, but I personally think it has something to do with what wanderers are as Xavier seems to have a degree of sympathy towards them if they show a degree of sentience. It also might have something to do with how Philos was made, as both MC and Xavier acknowledge that the planet is dying.
The MC mentions that Xavier leaves her a lot but always comes back within a specified time frame. He goes on expeditions into Deepspace, but never tells MC what he is looking for and we as a reader do not learn. He does, however, mention finding a newborn planet filled with flowers and offers to take MC there if she will give up on being a knight. She is confused, as her entire life's purpose has been to be his knight, and doesn't fully comprehend a world where Xavier isn't going to be king.
But the card story starts with MC being crowned Queen, with Xavier as her Grandis knight, so we know that's what will happen. So neither of them got what they wanted in the end.
The "Lightseeker" title of Xavier's card refers to a unit of knights that are commanded by the Crown Prince and answer only to the royal family. Their duty is to keep Philos safe from Wanderers, much like the modern day Hunter's Association. Both the MC and Xavier are training to become Lightseekers, and have a sort of rivalry for the spot. MC keeps beating Xavier when they spar but he seems to have the stronger Evol so they're quite equally matched. It's stupid cute how everyone but Jeremiah thinks they hate each other, speaking of which:
Jeremiah is a friend of MC's in the same class as her. He's also her wingman who keeps trying to help set her and Xavier up, something Xav doesn't seem fully aware of. He's stupid jealous of their friendship which Jeremiah seems to find really funny (he's the only one who knows how delulu they are for each other and seems to find a lot of enjoyment in teasing them.)
Jeremiah also ends up being a knight under MC's command after they graduate the academy. Xavier however... goes missing after a meeting with his father and does not reappear even after he dies. He is missing for a period of 200 years until MC finds him again in the same forest that his Galdius Ceremony took place in. He saves her from... something. An illusion? A cosmic vortex? Whatever it was Xavier has discovered something that affects the health of people's hearts. And he seems determined to not get close to MC or let MC get close to him because of it.
I think it might just be because she is about to die from her disease, which she doesn't seem aware she has but always does, and Xavier doesn't want to have to watch her die again. But I haven't finished the card yet so I don't know.
He also seems to be under the impression the whole world is going to end now, and not just Philos.
The last thing we need to take from all of this information about Philos is the existence of a group called the Backtrackers. Xavier was with them once, but he isn't anymore. MC was seemingly under their care and, according to his Passing By anecdote, traveled through the Deepspace Tunnel with them but was lost. I'll explain more about what I think about them now that we're ready to return to the present timeline, but just know that the Backtrackers are A) from the Philos timeline and B) likely immortal just like Xavier is.
Back to the Present
In Chapter 8 you are either introduced or re-introduced to Jeremiah, who now owns a flower shop called Philo, likely named after his home planet of Philos. He is a friend of Xavier's and they both share the same current goals, which includes protecting the MC. Jer's job in this chapter is to provide MC with a fake identity to use in the N109 zone, but he does provide us with some information to try and tie up some loose ends with Xavier's timeline.
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While the Nonintervention principal he refers to probably does have something to do with MC, it also likely just refers the fact that since both Xavier and Jeremiah are from Philos and therefore the future they are trying not to interfere with the timeline too much. Something that whoever blew up MC's house does not care about anymore, implying that if that was indeed Onychinus then we can assume they likely are also immortals from Philos who want MC and her Aether core for something.
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When MC finds Xavier again after his 200 year disappearing act he is leading a squad of Lightseekers from various units. I think these are probably the Backtrackers, and that there was a split in the group after the MC and the Aether core went missing during their journey into the Deepspace Tunnel. We know that at least Xavier has been here longer than the Deepspace Tunnel has been, but there is room for speculation around Jeremiah and the others. As Pirate again pointed out in the comments, whatever disaster during the travel the Backtrackers took into the Deepspace Tunnel likely caused them to arrive at a bunch of different points in time.
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While this confirms that Xavier and Jeremiah are not from this timeline it raises a lot of questions about MC. Her memory is constantly spotty, and I had wondered if that had something to do with the Aether core... but now.
With the way Xavier tries to limit his interactions with her and says he's the last person who should be trying to get close to her I wonder if Xavier is worried MC is being erased from time? Or if she belongs to this timeline so while he loves her, while he wants to be the one she chooses, he subconsciously knows he's from a doomed timeline and therefore unable to stay with her. This also raises questions about the other two love interests; we know MC has forgotten things about Rafayel and I theorized she has forgotten something about Zayne. Is this because they also don't belong? Does MC not belong? Or is it something related to the trauma MC experienced from being experimented on?
TL;DR
This was all pretty complicated so I thought I would sum up the basic points because I felt a bit incoherent.
Xavier is the Crown Prince of Philos, a future version of Earth that was created by replacing Earth's core with a fake one.
This fake core allowed the citizens of Philos to live forever unless they had the rare heart condition know as Protocore Syndrome, something the MC always has no matter how many times she is reborn.
The cure to Protocore Syndrome is a rare Protocore that Xavier tries to get for her but gets back with too late. He watches her die and while he was already shown dislike seeing her injured, this seems to turn it into a genuine trauma of his. He is shown to be deeply distraught seeing her gravely injured or sick in multiple moments/dates and is determined to take care of her. In a rare decision by the writers, this does not appear to manifest itself as a desire to not see her engage in combat as he trusts her ability to take care of herself, just maybe not her willingness.
MC is reborn and begins military training with Xavier intending to become his knight, but Xavier refuses to take the throne of Philos for reasons he does not share with MC. He also begins disappearing for long periods of time on journeys into space. On one of these journeys he finds a young planet filled with flowers and attempts to convince MC to elope with him and abandon her dreams of being a knight. He seems uncertain if MC's desire to be with him is just because she has been told she is to be his knight or if it is because she genuinely loves him; Xavier knows which one he wants it to be though.
After talking with his father he disappears for 200 years and founds a group of knights investigating a forest with an unstable Protofeild where killed Wanderers simply don't stay dead. It is my theory that these are the Backtrackers mentioned by past MC, Jeremiah, and Xavier.
Xavier arrives in this current timeline in year 1834. Other immortals from Philos begin to arrive in the current timeline at different points and agree upon something they call the Nonintervention Principal, likely to keep from destroying the spacetime continuum too much. What they are refusing to intervene in is unclear.
The Backtrackers made a journey through the Deepspace Tunnel with future past MC and an Aether core, but something goes wrong and she disappears. Xavier has been waiting to see her again ever since he got here, and intends to wait forever.
There are more immortals than just Xavier and Jeremiah living in Current Timeline Linkon City, some of which are very likely allied with Onychinus and searching for the MC. Why is related to the Aether core in her heart, but might also have something to do with her Evol.
It is my personal belief that many of these citizens of Philos used to be in the Backtrackers, but even if they didn't they see Xavier as a traitor to his people and more importantly to them. Why is unclear, but I imagine it might be because of their goals for the MC and her Aether core. In a broader sense it might be because they intend to do something to current earth to save their home, and Xavier disagrees with that but the two things do not seem mutually exclusive.
Earth and Philos are about to be in very close alignment, and both Xavier and Jeremiah expect something bad to happen around that time.
Final Thoughts
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I would be interested in knowing the direct Chinese translation of these particular lines from precious bonfire to see if there is any difference to them... but honestly this is one of the things that sold me on him. She dies and he follows the traces of her light until he finds her again, and he tries to keep her alive but he fails and so he follows her again.
I saw at least one post wondering of Xavier will betray MC and rip the Aether core out of her heart, and I want to clear that up here. I understand why people might think this if they haven't read any of his anecdotes but no, that's not going to happen unless it's the only way to save MC's life. Xavier very much wants to keep MC alive, his efforts to distance himself and withhold information from her are always done to serve that goal.
Rafayel is the one who has a pretty good reason to want to cut out MC's heart, not Xavier. And I do mean good reason I don't really hate him for it and am not trying to imply he's a bad character or a bad romance option for it.
One of Xavier's immortal friends is name Noah. There is always a chance that this is a coincidence, but there's a part of me that wonders if he shares the same name as Dr Noah because they are the same person. The anecdote he appears in involves Xavier getting him a new identity so I don't think they're likely to be related.
I actually really like MC , Xavier, and Jeremiah's friendship and sort of hope it gets some focus in some small way in the future. Jer and Xav had to have bonded over losing MC, not to mention Jeremiah spent 200 years fighting Wanderers with MC under her command. She talks about him as being her best friend!!! I want to see more of him!!! (if he doesn't have a partner and if I can't have Tara x Jenna I should be allowed Tara x Jeremiah)
I'm worried there might be a plot point that involves Xavier dying in the future and then maybe we get to meet a different timeline version of him and end up on the opposite side of the "can't tell this ghost wearing your face how I really feel" spectrum.
Speaking of which I like how Xav seems to respect MC's current life and doesn't expect her to be a carbon copy of her past selves. It's nice (stares at critically acclaimed mmorpg villain Emet Selch)
Anyway that's it. I'll update the post when I finish the Myths card, which I fully expect to make me cry like a baby. If anything confused you my askbox is open, just because I write for twst doesn't mean I am not open to talking about this if I made mistakes or if you feel like any of this was unclear.
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rejectedfables · 1 year
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Lan Xichen is clearly shaken by what WWX and LWJ tell him about NMJ’s death after the discussion conference. He has doubts, he is concerned, and in response to this he decides to USE THE EVIL SPIRIT AFFECTING MUSIC ON HIMSELF to SEE IF IT HARMS HIM. 
(A normal and hinged thing to do)
(it harmed him)
If we use Nie Mingjue’s behavior as a metric for what this selection from the Collection of Spirit Turmoil does to a person, we can reasonably assume it causes or exacerbates at least SOME of the following:
Disrupts spiritual energy such that a person progresses towards qi deviation
Emotional instability
Violent outbursts
Prone to suspicion or paranoia
Nie Mingjue is already prone to literally all of these things, but they ARE also the things the seem notably exacerbated at the end of his life. Whether it was The Song itself or merely the proximity to qi deviation which caused/exacerbated these things, we cannot be sure, but as the latter is caused by the former, there is no functional difference.
In Guanyin Temple, very shortly after Lan Xichen would have used the song on himself, he is notably distressed, his faith in JGY is further shaken, and he’s manipulated by Huaisang into killing Jin Guangyao-- something that is both understandable in context AND clearly horrifies him for the rest of his life.
Given the circumstances (learning what he’s just learned about JGY’s involvement in NMJ’s death, and then learning everything else he does during this scene), he was going to be upset with Jin Guangyao regardless. He was going to have questions, he was going to have doubts. But I do think it’s WORTH REMEMBERING that this man had JUST used the same song ON HIMSELF that Jin Guangyao used to speed up/cause Nie Mingjue’s qi deviation and death. It provides additional context for his reactions, both within the scene and after it.
Lan Xichen has spent over a decade on the same page with Jin Guangyao about JGY’s motivations, goals, and often even the unfortunate but necessary methods he needed to use to achieve said goals. LXC is not NMJ; he absolutely understood that JGY going undercover during Sunshot involved killing some of their own people, and he understands that that was unfortunate but necessary. He understood JGY’s situation with his father, understood that JGY was not in a position to do anything about JGS’s decisions wrt Xue Yang, supported JGY through everything it took to make the watchtowers a reality. NMJ told LXC about JGY killing his superior officer, and LXC went “I’m sure he had a good reason” and just MOVED ON. He’s not under the impression that JGY has never hurt anyone, broken the rules, or committed a crime-- he just does not care, because he truly believes that JGY is a smart, capable, and well intentioned person and therefore those are things to be understood and compassionate about, rather than condemn and scorn him for. He may not have been aware of the extent of JGY’s crimes, but he didn’t feel like he NEEDED to be. He knew JGY, and that was enough.
Under normal circumstances, Lan Xichen’s wish when finding out something that upsets him (especially with regards to his friends), is clearly to talk about it. The greatest example is when Nie Mingjue loudly and repeatedly threatened Jin Guangyao’s life-- Lan Xichen wanted to talk it out. FOREVER, if need be. This is a man who understands that mitigating circumstances exist (especially when it comes to JGY) but solves problems with people he KNOWS with words.
So he finds out JGY killed NMJ, and his response is horror. And his solution to that horror is that he wants answers. He wants to talk about it. Why didn’t you tell me? If you felt you were backed into a corner, why didn’t you tell me that either?? Why didn’t you come to me??? TALK to me???? It could have all been delayed even longer solved if only--!!!
And yet, despite more than a decade of defending JGY in the face of an entire society blaming JGY for everything they could, in Guanyin Temple he’s swept up in the mood of the scene and condemns JGY with the rest. He knows JGY better than anyone else, but is made to doubt this. He’s left wondering if he ever knew the man at all, simply because he’s shown a new side of him.
And he responds to that feeling with violence.
He lives in a world and holds a position in said world that necessitates and normalizes violence, but he himself is not prone to it, especially with loved ones. Yet he doesn’t threaten to tie JGY up, magically mute him, have him tried for his crimes, nor does he SIMPLY react instinctively in perceived self defense-- it’s notable that he threatens death. While the circumstances are different, he does the same thing Nie Mingjue did (threaten JGY’s life), and I don’t think it’s irrelevant that he must be not entirely himself to get to that point.
In the Untamed, during the Guanyin Temple scene, he even slaps Jin Guangyao. And while I believe this is not canon to the book, I don’t personally think it’s out of character BECAUSE I think it’s a further nod to there being something wrong with him in this scene. 
And his actions in that temple is, again, something he struggles to grapple with and regrets for, as far as we know, the REST OF HIS LIFE. 
Right until the last moment, Guanyin Temple is a scene in which Lan Xichen is made to suspect that he’s never known Jin Guangyao at all, and Jin Guangyao is made to believe that he’s never mattered to Lan Xichen like Lan Xichen does to him. And in the very VERY end, when Lan Xichen chooses to die with him and Jin Guangyao doesn’t let him, they’re both shown that that doubt was unfounded. Jin Guangyao may be many things Lan Xichen was never willing or permitted to see, but he is also, fundamentally, everything Lan Xichen has known him to be. 
And Lan Xichen never, ever, wanted to harm Jin Guangyao
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