aaaAAAAAAHHHH
THEY ARE HERE
AND @antidotesprout INCLUDED THIS LOVELY LIL' ARTWORK 💜💕💕 (the luvdisc)
they fit perfectly into your hand and are around the size of a sitting cutie pokemon plush which is PERFECT because it is ACCURATE as they are also sitting cuties
no hats!!! they are attached by a lil thread on the backs of their heads and the keychain atop their heads fits through the hat through a little slot! and also hides in there if need be!
and the detail for their hair and eyebrows! their lil coats!! ♪(´▽`) these are so well made oh gosh
IN CONCLUSION:
i love them your honor
thank you SO SO SO much again, @antidotesprout, not just for having the giveaway but making them altogether!! you have a HUGE talent for this, and you're going to make so much of the submas fandom overjoyed to have some little guys of their own. suffice to say I would have gladly paid if I hadn't won the giveaway (which is still wild to me), and I will gladly be a repeat customer should you branch out into other plush like you hope to!
(❁´◡`❁) I'm gonna hold these lil guys near and dear for a long time 💜
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I've been thinking a lot about Lunar's different designs, and would love to ramble about them a bit, if you don't mind!
All of this is, of course, completely self-indulgent, and my own interpretation!
Now, Lunar has three official VR models. There's the most iconic one, with the crescent moon, the cuter version of moon, and of course his current one!
For simplicity, I will refer to them as "Crescent", "CutieMoony", and will call his current one "Pastel".
There was one other design, his very first, which was shown in the thumbnail, though in the actual show was just a very pale recoloring of moon, and only shown in reaction videos.
Though it was never canon, I do still have my own interpretation to that as well!
This one, I will refer to as "Pale".
"Crescent" is most important design, as it brings meaning to the rest.
It lays the foundation for everything else, as it is his real design.
It's what he automatically glitches into when he's under high stress.
Most importantly, it's what he's been shown to look like in every other universe.
Lord Lunar, Lunara, swap Lunar, all of them are the same.
Crescent is universally shown to be his real self.
"Pale", on the other hand is, simply put, what Eclipse wanted him to be.
Something easily pushed into the background, something mild.
Something to sit by quietly, to take what is thrown at him.
Pale is the opposite of who Lunar actually is.
Interestingly enough, his design in the thumbnail changed the day Moon returned, the day Lunar finally decided to cut off his puppet strings and reject Eclipse.
That day, he rejected the image Eclipse had crafted for him,
and his design, pale and barely there at all, bloomed into something bright, something noticeable.
Lunar finally became themself, no longer bound to their purpose.
"CutieMoony", is the opposite of Pale, as it's what he chose to be. This design, to me, truly underlines Lunar's relationship and appreciation for old moon.
He already has an actual design, one designed by his brothers, one that's truly him, in this universe and every other, and he can change into everything he wishes to be, yet he chooses to look like old Moon.
Old Moon, who knew him best, right after Monty.
They have shared the same body, and old Moon has seen the dents and hurt left in Eclipse's wake.
He is the one Lunar ran to, when they couldn't bear the abuse anymore, the one they cried their heart out to.
And despite what Lunar did, even under the influence of someone else, he met them with nothing but care and concern.
He listened to them, and visibly tried to reach out, only to hesitate and hover instead, for his hands were only ever used to hurt before, something Lunar knew.
He didn't force them to stay outside, and took their place, didn't even hesitate when Lunar asked him to be his brother.
He is the first one who tried so hard to be a loving brother, arguably trying to be what he couldn't be for Sun, at least not in the beginning.
He actively supported their interests, remembered what they liked.
When Sun scared Lunar in a horror game and made them cry, Sun panicked because Moon would hear, showing just how much of a protective barrier old Moon was for Lunar.
By taking his appearance, Lunar truly showed how much they looked up to him, and how safe he made them feel, considering they took this appearance while they were trapped by KC.
Another thing to note is the red and yellow accents, very reminiscent of Sun, showing how much their bond has grown since the rocky start.
Last but not least, there is "Pastel".
This design definitly has a lot of interpretation to give, but my favorite to focus on is the raw wrongness of it.
Because we know what Lunar looks like. He's supposed to be vibrant and blue, yet this body is purple and mellow.
Ironically enough, it's very similar to "Pale", the very personification of what Eclipse wanted him to be, showing the permanent mark he has left on them, as well as their mental state.
Their energy isn't genuine anymore, it's a distraction and exaggeration to run from the mess left in their head.
There is also the divinity inside of them, reflected in their eyes, showing them that now, they are more than just Lunar.
They are part of something much bigger than themself.
This body, in every sense of the word, is not their own.
It's something they might never see as a home either.
Another irony is how it once again links them to Eclipse, who himself is in a body not his own.
His body is a literal copy after all, not to forget that his "real self" was universally shown to look like Solar, minus God Eclipse.
This was a rather long ramble, but I really needed to get it out of my system! The brainrot's been growing steadily-
Thank you for reading!
-Stardust
BELOVED STARDUST ANON I'M GOING TO START DOING FLIPS OVER HOW EXCITED I AM ABOUT THIS OH MY GHOD
I don't even know what to say other than these are all a fantastic observations and that I am wholeheartedly accepting these into my soul forever I think
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while only a minority share this view, i do find it somewhat tone deaf when people claim jay's ending is the best outcome for an abuse survivor -- either directly or indirectly implying everyone in the holt house was an abuser that jay, their sole little victim, had to get away from. for starters, none of his endings are happy ones. not even the fugitive path where he's holed up amongst nature, has a dog, and is bathed in solitude. maybe if you close your ears to what jay's saying during that scene you could see this as good for him, but his dialogue is stifled with an achingly loneliness, a sadness. this idea that he craved being alone in the wilderness is not one jay paints himself, it's only something that's said by tyler ; someone who clearly doesn't understand the younger on any level, much less grasps his desires. yes, jay wanted out, he likes nature, though no human can stew in their own space for years without this affecting them mentally. and that's not even taking into account that his entire life is over! he can't travel, he can't visit other countries or get lost in other areas of wood lands or plains, jay is infinitely stuck where he is. it's not a prison cell but it's a cage nonetheless, as the old saying goes : a golden cage is still a cage, after all. he tells zoe these beautiful sights have grown dull on him, laments about missing his family, vanessa, and is so chained by his want for connection he reaches out to a desert dream victim of all people. like, what about this muted cynicism, this barren home, seems happy? maybe he wanted this, some whimsical dream of this, before. now though? it's not what jay thought it'd be, and he lacks any power to change it. this is not some amazing ending for abuse survivors, it's still sad in a melancholy way, simply because jay is visibly unhappy with said circumstances.
but moving on to this, ah, ‘poor little victim in a lion's den’ narrative ... what? i think a lot of people fail to grasp how complex the holt household is in terms of toxicity and abuse. something that's very common nowadays due to how much people project rather than see what's in front of them. and don't get me wrong! projection is fine, you do you, we all consume and parse through media differently -- but this narrative is, by canon evidence, rather fictional. to be completely blunt, jay is not the only victim stuck in the holt house ?? the abusers have always been bear ( physical abuse, verbal degradation ) and sharon ( passive in the face of her kids' abuse, emotional manipulation ) ... and we are literally told point blank by the story itself and another character that these two favored jay immensely compared to their other children. now i'm obviously not saying that he has not faced trauma, he has! favoritism in a house like this does not shield you from the toxicity, sometimes that favor makes things worse, but he was protected to an extent, in ways tyler and dale were not. those two very clearly faced the brunt of bear's physical abuse ; for each other, for jay, and just overall caught their dad's ire more because they stood up to him. tyler takes a beating, a sight that's not at all new by his grim acceptance of this and the fact he states he's been doing this since young :
so, this is normal for tyler. getting beaten by his dad ( which isn't even mentioning the horror story bear can tell to ash, about how he literally threatened to cut tyler's ear or finger off ) and having his mom overall turn a blind eye to it, even going as far as to dismiss this fighting as childish behavior rather than what it is. and dale? we don't see much of him and bear in general, yet the second he steps up to defend tyler, with something as measly as a shove back, bear wastes zero time in hitting him so hard he's practically out of commission for the rest of the fight. he didn't even think about it, merely swung at dale as hard as possible on instinct alone before tyler hastily stepped up to defend him. what happens when jay tries stopping the fight, though?
both parties grab for him so they can toss him out of the way so he doesn't possibly get hurt. you can speculate bear was only doing this in order to finish his punishment on tyler, he'd deal with jay later whatever, although why not punch him like dale? why, out of all the moves on his belt, does he do the more merciful option? bear, who is nothing if not made of violence and has been molded to respect it? his fist that's raised in the air isn't for jay, since the next frame is jay shoved out of the way and him hitting tyler again ... hell, in dialogue where bear and jay are sitting on their porch, the youngest can even say bear beats on tyler and dale specifically. why not say “you beat on us”? like, the game is heavily implying that while jay is traumatized, there are some methods of abuse he simply did not face. one of them being the physical abuse prominent at home. and no, i'm not counting whatever pranks dale's pulled on jay ( like shooting him six times with a bb gun lmao ) because honestly? that's just older brother behavior, and we know that despite the morbid pranks, he still looked out for jay in the ways that counted. like protecting him from pa and to an extent tyler, something which, again, jay says himself!
back on topic a bit, the notion people seem to have of jay and his family seems overly simplified to me. people just looked at dale being his usual asshole self and went ‘abuser’, people looked at tyler's rather drastic and not usually like himself reactions to a high stress situation and went ‘abuser’, and that's a bit ridiculous to me. can't say i'm shocked! since so many people nowadays just see someone mean to their favorite character and decide woobifying said fave while demonizing their opposing force is exactly what canon intended. as dusk falls couldn't be a game more clear about it's main theme of family and the fact there's no purely good or bad people in this world, two statements that correspond directly to the holt family. are they bad for each other? probably! but that's a different discussion compared to, say, every single soul in that house violently abused poor jay and they should reap the consequences of that. dale and tyler, like their beloved younger brother, are also victims of abusive parents and a toxic home life. in turn, they both show signs of this abuse in ways that aren't entirely sympathetic or easy to swallow, especially when they've been dealing with it longer than jay and have never had their parents' favor the way he did. i see people get angry at tyler for the famous cabin scene, but nobody turns a critical eye to sharon ; who for all intents and purposes is watching this unfold without a care. she never physically stops tyler and her attempts to kill the fight are weak compared to her previously steely commands. and, honestly, the fact that tyler was that stressed about sharon getting on that bike so she can be protected, when she's the most capable out of the three of them, is way more strange than tyler's outburst -- when he's in a high stress situation, his baby brother's dead, and his life as he knows it is over. a life he didn't even have to begin with, since it was stolen due to his abusive upbringing.
whether this excuses what he did or not is entirely up to the player! i personally don't think it does, though i also understand where this is coming from and the game makes it clear this is not usual tyler behavior. throughout other people's views it's hammered into us that tyler has a cool head relatively, is the most sensible and smart out of his brothers. so, no, i do not think he was choking jay out all the time for his misplaced resentment -- i think his obvious disliking came from his stilted interactions with jay, and his lack of bond with him at all. we see in book one two times he reaches out to jay, demanding that he eats ( a minor, small thing to fret and worry about ) as well as panicking when he sees jay away from the rest of them during a shoot out. dale constantly looks out for jay as well, going as far as to take the heat from romero if they get caught and something as small as taking blame for jay's mistake in the barn scene. are his brothers more prone to violence and apathy? sure! yet they clearly love jay regardless. abusive households are not easy and see through. in fact in many cases the different levels of abuse the kids suffer does breed life altering resentment later on, envy that can damage these bonds permanently. honestly the holt family intrigues me deeply because of how well written they were as a unit, the effects of abuse and toxicity subtle and not overt in a ‘psa message’ kinda way. and these horrible relationships and ideals shared do not negate from the even more horrible fact that there is love in this messed up family, even bear clearly loves his sons, but that doesn't make it better. it almost makes it worse, seeing all the good intentions and care. knowing it doesn't excuse what they've done to each other nor does it make them better. they're a picture perfect family of an ugly wound! which is fascinating! i only wish more people saw that wonderfully shown depth rather than this bland and lukewarm take on the holts overall.
jay is a victim, he is traumatized, he deserved to one day spread his wings and put some distance between himself and his family ... but he was not the only one who deserved that ending, and he was not the only victim there. he was merely the only one with easy to parse trauma responses.
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hi! I was winding down after school stuff and rereading some of the reverse Batman au (awesome by the way. You understand so many things) and am I tripping or did u make a Batman fic rec post a while ago? I can’t find it, but it’s also been a long time. I crave the sustenance. Also I honestly didn’t realize it’s literally been three years until you pointed it out in your newest fic (Incredible btw) guess I can finally officially declare myself a long time fan. Cheers!!
HAH Hello thank you for being a long time reader! That story certainly reads like it was written a long time ago...I put up the Cass story just so I could love the AU on a more adept note jkaljd. That being said, I'm now thinking about The Secret Life Of Jason Todd, so....
I can't find the post either :(. I think it was a rec lists specifically for good Tim Drakes, and as a result it was extremely skimpy. Literally, it was just Chirp by Amari_T, The Bat's Crest, and Red Raven (the most bonkers fanfic ever written, and one of my favorites). I have a lot more Batman fanfics in general I like, but most of them escape me now - it's mostly classics, like lowflyingfruit's stuff.
Every so often when I need fuel in my tank to go back to writing The Stupidest Magnum Opus Of All Time, I crack open the Batfam fanfic and plow through a bunch. I am then angry enough that I tackle my fic again and produce the best fic I've ever written in my life.
To be a little less negative (for once.), I do want to highlight something specific - All I Have by Janie_Loops is a really nice story, and although a LOT of stories try to do what it does, it's one of the few ones that succeeds. It helps that it's a series of snapshot chapters, which relieves you from having to do a lot of plotting (shoves someone will remember us under the bed), but there's a lot of reasons why it works. Each chapter is very much Bruce vs. Something, whether it's one of his kids or the JL or The World. The conflicts are baby sized, but they always feel very big and World Ending to Bruce, no matter the actual conflict. Everything is equally sized in this story, from the intra-baby problems to the Justice League issues. Bruce's characterization is very consistent and he's reliably forced to grow and change over the course of the fic. And every kid has a stand-out personality (that's so grounded - I was totally Jason!) that creates specific dynamics with each other, they all have different relationships and favorites between each other and Bruce, and their bond is a family is shown not through, like, bonding moments, but how they tackle problems together and how they're always on the same side. It's also deeply funny.
I think the author's a kiddo (who takes suggestions from their baby brother - ADORABLE), and there's still some ways for them to grow in prose and technical skill and a few other things like that. But even if the writer's a relative beginner writer, and you can see where they'll grow, you immedietly understand when reading that this person understands how a story works. That's way, way more important than having beautiful prose. I'm just saying all of this to hopefully demonstrate that, as writers, technical skill and prose will happen naturally with enough work & reading. Don't stress about that. Prose isn't what makes your story enjoyable and a good read. It's if you get what makes a story go. Everything else can come in time.
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