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#I could write a whole other post though about how the show DOES sort of objectify the men
liquidstar · 28 days
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a friend who'd wait :)
#im posting this very late because i was sort of weary of how it came out and ended up messing w it until it was like 4am oops.#and i have plans tmrw so... oh well! i did my best and ill put it out while i can!#and i tried to make the scene match barnard's colors lol#finn's ocs#finn's art#i know i said id do more sillay stuff with the simpler screentone only style but i had a couple more of these in me#and this is the first piece im making thats like an actual part of the story too rather than just setting stuff for fun#i wanna write something to go with it too but for now ill just sort of briefly explain the context in the tags here:#barnard has a pretty bad case of OCD and his compulsions have made it difficult to make friends in the past#he was never outright bullied or anything but people just didnt really have the patience to deal with it#he has compulsions that include stuff like walking through doors until it feels right and needing things to be perfectly aligned#which in group settings has lead to people having to wait for him to finish his rituals and join them#they might find it tolerable at first but eventually they grow impatient and hes just... not invited to stuff anymore#but juno is a newer member of the guild who ends up frequenting the same library. hes also kinda a little weird#and they dont become fast friends or anything but just sort of naturally spend time in the same place#though they never plan meetups they eventually fall into a routine. around the same time theyd just both be at the library#and read next to each other. and maybe talk a bit. and eventually they end up walking back to the guildhall together#since theyre going to the same place after all. and juno always waits for barnard outside the door#eventually barnard asks if this bothers him. juno kinda just tells him 'of course it does' without any malice or anything. just a statement#barnard is surprised and apologizes and juno says not to. but the next day juno doesnt show up at the usual time.#barnard assumes hes committed somekinda more by bringing it up. he ends up staying there late reading to get his mind off it & not ruminate#but when he leaves juno is in fact still waiting for him down the hall (see pic) having collected a bunch of books literally abt ocd#he fell asleep bc barnard stayed later than expected. and hes an eepy guy generally. and also one very bad at expressing himself#but now barnard gets that juno's 'of course it [bothers me]' had the implication of 'but its worth it' which no friend has previously done.#and from the interaction juno was also able to understand that this isn't something barnard just does for the hell of it so. he studies.#and checks a bunch of stuff out because he thinks it could help his friend too (theres ocd workbooks and such- i remember working w them)#and thats the point where they became more ''friends'' than ''pleasant library acquaintances''#from there on they also do get into juno's problems. whole other bag of worms. but this specific scene is more about bernard from his pov#sorry about when i said briefly explain. i lied </3#but compared to the whole sequence im picturing its brief so shhh
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caeunot · 3 months
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johnnie guilbert x reader
johnnie writing zombie about you
idea by @beansnsoup !
➷ you and johnnie have known each other for almost two years now, you two hang out at least once a week, normally to do a video since everytime you two collab the video gets at least 100k more views.. but also because you guys get along so well. everytime your together you both laugh so hard there are tears and unlike jake you keep your space clean so videos don't need a whole cleaning crew to sort out the mess afterwards. either way you two have become pretty close, and when johnnie told you he was working on a new song you were so excited. you love all his music and you always try to watch every cover post he does on tiktok.
you showed up to jake and johnnies place to sleep over since you live an hour away and you are free both today and tomorrow so you might as well stay longer. you normally sleep in johnnies bed and johnnie sleeps on the couch since they don't have a spare room, you are fine sleeping on couch but johnnie insists everytime that you get his room.
the moment you came in the house something felt a little off, like as if there was an unusual energy in the air or that there's a secret between them that your not let into. you don't let it get to you since you were about to go on jake's live.
"jake no offence but why do you always make me eat the most unhealthy shit ever", you say as the live was ending. " okay y/n that's just mean, this is my diet your talking about ", " next time I'm on your live and you like faint from too much sugar ill refuse to drive you to the hospital, I'll just leave you there and take your room so johnnie doesn't have to sleep on the couch when I stay over" jake rolls his eyes. "so basically what your saying is that you want me dead so you could be roommates with johnnie instead.. I see how it is..." you shove him slightly and he screams dramatically and grabs his arm in fake pain. you laugh and the both of you say goodbye to chat.
"that was great, I think that was our best yet!" jake says cleaning up the mess he made. "I think so too! I wish johnnie could have joined though". you noticed how jake immediately got a massive smile on his face, " hey what's that smile for" you say giggling. "oh nothing" jake says winking before starting to drive you both back to the house.
a few minutes after coming back johnnie comes up to you, wanting to show you something. he leads you to his room and sits down on his bed. he starts petting the spot next to him, letting you know you can sit. as you sat he leaned behind and pulled out his guitar. "oh yay are you going to show me your new song!" you say doing a small clap. "yup! it's the one I've been talking about the past few weeks!" he says, you notice his voice is a little shakey but you figure it's normal when singing to a person alone. he cleared his throat and began singing.
Blood red sheets are my favorite
I could be your greatest weakness
'Cause she's got me so damn nervous
I'm a zombie, baby, what's my purpose?
you were enjoying the song so much you were barely taking note of the lyrics, at the end you gave him a massive hug. "johnnie that was great! I think this is my new favorite song of yours, you better be putting it on Spotify".
he blushed slightly, "I'm glad you like it! but I wana ask like.. what do you think of it". you tilt your head to the side a bit confused, "wait what do you mean?". " it's, uh, never mind don't worry" johnnie says putting his guitar away giving you a weak smile.
the energy was really weird now, the feeling you had before was 10x worse and you had no idea why.
a few hours later you said goodnight to the boys and got into bed, you had sat on your phone for a bit when the events of the day really started to sink in and you hated that there was unresolved issues, so you texted johnnie asking if he's awake. as you sent the text you saw a light flash on the bed. you check and it's johnnies phone
y/n 🧟‍♂️ ♥️:
heyy, i don't want to wake you just incase your asleep but if you aren't can we talk?
you laughed at the fact he put a zombie by your contact name, but as you were about to get out of bed to give him his phone it struck you. johnnies song is literally called zombie, maybe that has something to do with the emoji by your contact name. you immediately tried to recall the lyrics of his song,
I want your heart
I want your brain and that body
'Cause you got me going too insane
You can't control mе
I want your heart
I want your brain and that body
'Cause you got me acting likе a fucking zombie
y/n you absolute dumbass, johnnie wasn't just playing a song for you! he was singing his feelings. it all makes sense now, you know for a fact that johnnie gets really anxious when talking about his feelings and if he ever did want to ask you out he probably would be to shy to say it outright, jake probably knew and that's why the energy was so awkward today!
you immediately jump out of bed and go to the living room, you see johnnie typing something on his laptop but when he notices you he smiles closing his it, "you okay? it's pretty late" he asks as you sit down next to him. "johnnie can I ask you something?" you say biting your lip. "sure what's up".
"who was the person you wrote zombie about?" you said, ripping off the bandaid. at first he opened his mouth but then shut it again looking away, even in the dark you are noticing how he is getting flushed. "johnnie?", he didn't answer and instead put his arms under yours and held you for a soft hug, " it's you y/n, I wrote it about you" the hug lingered for awhile just like the silence in the air.
"johnnie I feel the same" you say after the hug finishes. "wait, really?", you take his hands in your own, "yes, really". he says nothing but then leans in for a soft kiss that you reciprocate, his hands gently fall onto your waist, as your kiss started turning more intense johnnie pulls away taking you off guard, "wait, before we carry on its my turn to ask a question" you make a confused face. "can I call you my girlfriend?" you let out a little laugh, "yes, yes yes yes!!" you say as you leaned in again, and this time you can feel his smile through each and every kiss.
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Comeback Queen - Part 1 (Alexia Putellas x Reader)
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Here you go! I really enjoyed writing this one and I hope you guys like it. Part 2 will be out tomorrow night! Also if you want to share your theories on where reader is going please send them my way. I’m interested to see what you guys think! 🫶
Months. That’s how long it had been since you had been in this position. Month and months and months. Months longer than it should have been too. Alexia had unfortunately had complications with her knee after coming back to playing the first time and this meant that she was side lined for a further few months.
During her time out on the side lines, you had picked up a knock yourself and was now part of the recovery squad. You hated the first month of your recovery purely because if you couldn’t be playing you want to be watching your love do what she does best, but that wasn’t possible either.
So, when Alexia went away with the Spanish squad and phoned you to say even though she wouldn’t be playing she is fit enough to sit on the bench, you knew it wouldn’t be long until that did happen.
You were proven right a couple weeks later. It was
You were sat in the stands with Mapi and a few of the other girls who had some sort of knock or injury, just behind the bench. Alexia had excitedly told you last night that Jona was planning on putting her on in the second half of todays match. This had excited you too as it meant you got to do your second favourite thing to do with football, watching her play. Of course, this was slightly behind playing yourself but that isn’t possible right now.
The first half flew by and with Salma’s hattrick Barca was already cruising towards the win, something that meant slightly less pressure on your loves shoulders when she did come on which you knew would help even if she didn’t really think about it. Alexia had gone through a pretty extensive warm up during the half time break so you had a feeling it wouldn’t be too long until you saw her enter the field. You didn’t leave your seat like the others wanting to make sure you caught every ball touch the woman had. She had just run back down the tunnel to catch the last bit of the half time team talk and probably give her own little captains speech with Irene.
The next time you caught her moving was in the 60th minute. She was up on the side lines in her kit, bib over the top to warm up quickly but you knew it wouldn’t be long until she was out on the pitch and the rest of the stadium could tell too. Not even a minute later and she was lined up with .. and .. ready for her much awaited and eagerly anticipated return.
She got given the captains armband and received a loud round of applause as she ran on, you made sure to whoop and cheer as loud as you could. Determined to show your support for your lover.
Alexia had been on the pitch for barely 10 minutes when the ball was crossed into Lucy at the back post, you held your breath as the ball bounced off her and into the middle of the box where your favourite number 11 was waiting. She didn’t catch the shot as cleanly as you knew she would have wished to, but it didn’t matter as it nestled into the bottom right corner.
You were up in a flash jumping with the other injured players as much as physically possible for you all. Of course she was in the right place at the right time, she had been studying tapes her whole life pretty much. She just knew the game and now even more than ever possibly, she knew her team.
The rest of the game went on and even though the opposition scored it didn’t dull the buzz around the stadium, the return of Frido last game and now Ale today just had set the right feeling within the club. Now all that was left was you and Mapi.
Speaking of, Mapi was dragging you by the hand down to the pitch where you greeted Ingrid when she approached, you chatted with them as well as Keira and Aitana for a while, but your eyes never drifted far from Alexia as she made her way round the fans. You were always in awe of how she interacted with them no matter the occasion, she always had time to sign things and take photos.
She had made her way around all the fans she could today and was about to head down the tunnel when she spotted you. Her eyes met yours and you could see the joy in them as soon as they did, the smile widening on her lips to match. She changed direction and headed towards where you were stood with the other women.
As she got closer you excused yourself from the conversation around dinner and made a beeline for her. You instantly wrapped your arms around her and held on with all you had, her arms wrapping around your waist and holding you firmly but not tight. “I’m so proud of you, mi vida. A goal too right away, only you could do that.” She gave you a little extra squeeze before pulling back.
“Had someone to score for didn’t I.” You grinned in her direction and went to reply when Pina jumped into the conversation from behind you both.
“You always score for y/n can’t you dedicate it to someone else for once.” You exchanged a look with your wife at this, you could see the smirk rising on her face, but you gave her a warning look. As much as you loved Claudia you knew she had a big mouth and what you had to share should only come from the two of you, being as it affected those you play with or did play with.
“What can I say, when you love someone this much it’s easy to dedicate a goal to them.” This caused a smile to rise to your face.
Pina walked away with a slightly disturbed look on her face, one that you knew was due to her distaste for the lovey stuff she had just heard from her captain. “You are capi mush when y/n is around.” Was a comment thrown over her shoulder as she walked away, a comment that had your girlfriend giving you a quick peck to the lips before she was off running after her. Causing the young Spaniard to squeal and bolt off in her counterpart Patri’s direction, you wife hot on her heels.
You giggled at their antics and met back up with Mapi to go out to the car, you had picked the couple up today and would be dropping them home on your way back to yours and Alexia’s place.
Mapi and Ingrid had just departed the car with the promise to be ready for when you are due to pick them up later to car share to dinner. Alexia was staring out the passenger side window obviously deep in thought because her eyebrows had the cute crinkle in them, they always had when the gears in her head were working overtime.
“What’s going on in the beautiful mind of your babe?” When she didn’t reply you got a little concerned, Alexia was not normally that far in her head that she couldn’t even hear you. To gain her attention you gently rested your hand on her thigh which caused her to jump slightly. “Lo siento I didn’t mean to make you jump, are you okay?”
Alexia grabbed the hand on her thigh and laced your fingers together and gave your hand a squeeze, “Si no sorry I’m okay just thinking.” This caused you to chuckle slightly which meant you got a confused look from the woman riding shotgun.
“I know you are thinking gupa, that’s why I put my hand on you to get your attention. I asked you what was going on in that beautiful head of yours and you were too far gone.” You squeezed the hand in yours a couple time to give her some comfort.
“I think we should tell them.” She was looking directly at you now and you knew this had been playing on her mind longer than just this car journey. You gave her hand another squeeze before you replied.
“I think we should soon too, but not today. Today is about you amor, I don’t want anything to take away from us celebrating that, you. But yes, I do think soon we need to too.” Alexia was nodding away in the passenger seat as you spoke and gave you a smile as she gripped your hand in 3 successive squeezes, a gesture you knew meant she loved you.
The rest of the journey home was spent talking about how you were going to share your news, you were still not sure how some of the girls would take your departure from the squad.
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batmanschmatman · 3 months
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It’s interesting to me to see how many people have been saying they feel like [character’s] death was too sudden or too early, and while I agree from a writing standpoint we didn’t exactly have a lot of time with him and they COULD have framed the show differently to give us more, I also think it’s sort of The Point that his death is sudden and kind of out of nowhere.
The air war was incredibly fucking brutal. I’m not saying it was more or less so than what the BOB or TP guys went through because they’re all awful, but it’s a well accepted part of the WWII experience that anything to do with flying planes might have seemed glamorous and cool but was actually terrifying and had a sort of uniquely horrible flavor to it when it came to facing the death of your friends.
(And this isn’t even getting into the stuff happening on the ground when cities became viable targets, but that’s for a different post.)
When Hoobler dies, the guys are there, they see it happen, they can try to help him, and then they know after a point that he’s dying. They can sit with the body afterward and take his stuff to send back to his family. Even in the more fast paced deaths like Rob Oswalt, Sledge and the others can look at his body and have a moment - however brief! - to say goodbye. There’s often no mystery of what happened, you’ve seen the wounds and know they’re dead. And you also HAVE to push it down because you’re being shot at and need to keep yourself alive. 
All of that is real important in the grief/mourning process. Guys in the 100th usually didn’t have that unless someone on your bomber died. You’d go up with your friends, you’d see their planes get hit, there’s nothing you can do besides watch for chutes and hope they survive to be taken prisoner. And then you come back, and your friends are gone, there’s no body to bury or sit with or touch. Their stuff is all still in the barracks like nothing happened. Sometimes you’re not even immediately sure if they are dead or not! You don’t know who those chutes belonged to, or if they made it safely to the ground instead of dying on impact or immediately being caught by the Germans and executed. But your friends are gone and you were powerless to do anything to help them.
And then you get to do it all over again knowing it’s going to happen to other friends or to you and there’s basically nothing you can do about it. How do you cope with that? What does it do to you to feel like your friends just literally vanished into thin air even though the last time you saw them, they were healthy and young and alive? And then new guys replace them, and you have to decide if you want to make friends with them or close yourself off, because these guys are going to die too.
(Oh, and if a member of your crew got badly wounded? You could have HOURS before you got back to base, and you have some first aid training but you’re not a surgeon, you don’t have plasma or whole blood to give a guy to help keep him alive until you make it back. So another horrible traumatic thing you get to deal with. Wounds that could’ve been treatable if you’d been at Carentan or Guadalcanal could be fatal.) 
I’m not saying this show is a masterpiece in storytelling by any means, but… You’re supposed to feel shocked and angry and robbed of the chance to get to know these guys? Because that’s literally how their friends felt. It’s a point Miller makes a lot in the book, and a really vital part to understanding why being in the AAF (or other air forces) was such a meat grinder physically and psychologically for these guys. 
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lyrakanefanatic · 4 months
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Thoughts that I wanted to share about the brothers Hawthorne/ the grandest game bc I don’t wanna make a million posts about each one 💀
1: Phone girls dad literally shot himself ON. HER. BIRTHDAY. 😭😭
2: Skye Hawthorne MIGHT be in the grandest game, because when Avery got bombed and Ricky and skye got arrested for it, they found out that it actually wasn’t them which means they prob got out of jail (maybe not Ricky but probably skye) and she might be controlling one of the players
3: WE’LL PROBABLY GET TO SEE A SUNSHINE X GRUMPY TROPE!! (Mathias and Gigi)
4: we’ll see which 7 contestants avery will pick for the game!! (While I was writing that instead of contestants I accidentally put tributes 💀)
5: we might learn more about Toby’s backstory (or just the Hawthorne backstories in general, like Zara’s, nans or Alice’s)
6: speaking of Alice, SOMEHOW THAT OLD GRANDMAS GOING TO BE ALIVE
7: this isn’t really a prediction but more just like a possible hint for the grandest game, but when grayson tells his brothers about the riddle “what begins a bet? Not that”, Jameson says this
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He says “what’s the opposite of a handshake?” And I found a picture online that shows multiple different options of what could be the opposite of a handshake
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Basically most of the words on there kind of show “misinterpretation” or just different words for some sort of mistake, so would that mean that the “beef” (im just gonna call it that bc I don’t rlly know what went down) between tobias and thomas thomas was maybe accidental?? Or maybe they got into a disagreement that ended in thomas ending his life? All the book really shows is that one paragraph (that I highlighted in green) that talks about what Jameson thought of the riddle, and then Jameson was talking to Avery about the game (probs bc jlb didn’t wanna drop too many hints lmao) And then if you add it in with the “abet” theory ⬇️
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It said that one of the opposites of a handshake were “refusal” and “disagreement”, so what if tobias had wanted thomas to aid one of his crimes and thomas refused, and maybe tobias gave him an ultimatum which is why he shot himself?? It’s so confusing bc what would tobias even do that was so horrible that thomas had to shoot himself, I really don’t know. but if anyone has some theory’s on this pls lmk! 🫶
8: holy guacamole 7 was a long one, but anyway i feel like there are definitely more hints on the grandest game in the brothers Hawthorne then there were in the final gambit, even though in (i think tig is the one that clue was from?) the inheritance games “special” edition bc idk what their called it said “hints in the final gambit”. (although one loose end from tig was David Golding, and @riddles-n-games had a good theory about that) But i read the final gambit entirely and didn’t find a single clue other than David, so that’s kinda weird (unless somebody else found something else they found interesting in that book?)
9: Eve might also be behind one of the players, or just trying to get involved with the game so she could get the cash prize or whatever else it is that that psycho needs 🙄
10: we’ll (most likely, bc I’m 99.9% sure that she’ll be in tgg) see what phone girl looks like and see which one of us were right 😜
11: kinda random but i will bet a whole 5 dollars that phone girls name is either gonna be flower related, or just straight up be lily. Or maybe both, but just think of how ironic that would be (there are calla lilys all over the cover of tgg… 🤷‍♀️)
12: LIBBY NASH WEDDING!!! 🤭🤭🤭💗
13: so off topic but WHERE DO GRAYSON AND JAMESON GET THEIR MONEY FROM??? like I’m sure jameson probably gets some cash from his billionaire girlfriend, but what about grayson?? he says in tbh that he’s “buried in work” but what kind of work does he do?? and who does he work for?? 🤨
14: Okay this is gonna be the last one bc i need to shut up, but does anybody have an idea on what some things in the grandest game cover might symbolize? we know about the lilys and the opal rings, but other than that i CANT seem to figure out anything else on there 😭😭
and okay that’s all thank you for coming to my ted talk 🫶😊🙌
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My Commentary on Rob and Rich Reviewing (4x14) Sex and Violence
I was listening to the latest Supernatural Then and Now Podcast (The Siren Episode) and I had to stop it after the Rob and Rich review to write down my thoughts because it annoyed me so much.
The guys both thought the episode was okay, but a bunch of things “bumped” for them. This is fine, and everyone is entitled to their own opinion about an episode, but some of the things that “bumped” for them “bump” for me.
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My thoughts under the cut …
Bump # 1 - The Siren turning out to be a man
So, both Rs had an issue with the siren being a man since the lore showed them as women, and I think, because in real mythology they are women. Though they conceded that the a male siren could be a thing too, it seemed to really bother them that the siren ended up not being about a sexual connection with the brothers (though Rich saw the flask sharing scene as flirtatious … because no guys have ever shared a flask, including, Dean and Bobby).
I’m sorry, but the siren targeting the brothers, and using a version of an ideal brother to get to Dean isn’t a plot hole or a “stretch” or something, it’s an interesting choice and it’s exactly the point of the episode. While many men are vulnerable to a pretty woman who is into them, Dean just wants Sam. He wants his relationship with Sam to be better. In particular, he’s so worried about Sam and insecure in their bond that he wants a Sam who likes what he likes but, more importantly, one who listens to him and doesn’t hide things from him. And I know I’ve written about this before on a previous post, but Dean doesn’t NEED the siren to be a hot girl; he can find one of those easily. He needs a Sam he can trust. That’s the whole point. The show is drawing the comparison between sexual intimacy/romantic companionship (usually one of the most desired things in literature/media) to the brothers relationship to show how much brotherhood matters to Dean in particular (in this case).
The way the male siren actor portrays its interest in the brothers, to me, is very much like it’s intrigued and excited that it found a high even better than the sexual desire that it usually feeds off of. When the siren feels how desperate Dean is for the bond with Sam to be fixed, it finds him more interesting than it’s usual target. Dean’s longing for Sam (not sexual) is even stronger than the sexual desire or romantic companionship that the siren usually feeds off of, so much so that the siren changes its entire MO to go after the brothers.
Bump # 2 - The Doctor sleeping with Sam (when she isn’t the siren) is weird
So, the Rs disagreed on the “bumpiness” of this one. Rob thought it was weird that the doctor would just decide to sleep with Sam (at work), while it didn’t bother Rich because … Jared Padalecki. Sound argument (in this case), Rich.
Still, the doctor is a little unusual, and her behaviour is clearly intended to be a misdirect, but the show does a good enough job of suggesting she had a bad breakup (or worse) and is now just sort of living in the moment, so her behaviour doesn’t bother me. Also, Sam is hot.
What is stranger than the doctor’s behaviour, for the audience who knows him, is Sam having sex with her I that moment. Not only that, but Sam is very chill when she’s hitting on him, where in the past, Sam has often been a little shy or awkward with women that he’s been attracted to or interested in. So no, this is not Sam’s usual MO to sleep with the doctor, especially when we know he and Ruby are or were also sleeping together. Sam is not acting entirely like his usual self. And he hasn’t been acting entirely like himself for a while now.
Bump # 3 - The Siren telling the boys to fight each other and saying the winner can “be with” him
I don’t know why they had an issue with this. The siren literally explains that it loves the rush of having people willing to do anything for it, even kill people they love. What the siren tells the brothers doesn’t matter because it’s not like it’s really planning to have a relationship with the brother who wins the fight. And the boys are already infected at this point, so it’s just giving them incentive to fight. It’s not sticky about the sexual-ness of people’s need for the siren, it’s about the desperation they have to be with it (in whatever way).
Bump #4 - Sam dismissing the Doctor after sleeping with her.
The guys were both bothered by Sam not bothering to say goodbye to the doctor, and they mentioned that it seemed sort of old-school (womanizing?). Rob said that Sam dismissing her was more like something Dean would do than Sam. I know that I already said this, but this is the whole point. Sam hasn’t been acting like his old self. This isn’t an accidental writing mistake, where the writer accidentally wrote Sam more like Dean. Sam is different now.
It also isn’t like Sam to call Dean weak, or ridicule him for being messed up from his experience in hell. Season 2 Sam would never, and Season 3 Sam wouldn’t either. Season 4 Sam has changed from the trauma of losing Dean, drinking demon blood, and having Ruby in his ear.
Also, to play devils advocate on myself, Sam has actually left towns before without saying goodbye to the girl he had a connection with, maybe not after sleeping with her, but it’s not wholly out of character for him to leave without saying goodbye (I’m not criticizing him for this). Also, I really don’t think that doctor was looking for anything more from Sam beyond hooking up in her office, so this doesn’t bother me much.
Final thoughts
Anyway, I’m not arguing that everyone has to love every episode, or even like all the ones that I do. I’m not even arguing that people need to like Sex and Violence because it really can be a little uncomfortable, and there is a bit of a sexual undercurrent to it all, even though that’s not the sirens intention with the brother. That’s also not exactly new on Supernatural. However, it’s weird to me that so many of the things that “bumped” for Rob and Rich seem to me like very deliberate choices by the writers, not careless mistakes or pointlessly out of character. This episode reveals a lot about where Sam and Dean are at this point in the season, both individually and in their relationship.
Granted, I have the benefit of watching the episode and knowing where it’s all leading, but this is what sort of bothers me about hearing people discuss the show who are doing it for a purpose and are probably only half-invested in the story. They miss things that seem like they should be really clear. Also, it’s funny when they find things uncomfortably sexual in relation to Sam and Dean (they didn’t outright say that, but I think it was implied in what they said) and act like it’s a surprise or out of place. Again, this isn’t new. They obviously listened to too many hellers if they didn’t realize that Sam and Dean are weirdly close at times or that the show makes some pretty blatant parallels between them and couples or makes quasi-incestuous connections between Sam and Dean.
I have nothing else to add here. This was mostly just a rant, but feel free to add your two cents if you made it this far.
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felinecryptid · 3 months
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hoooooooooo boy, tmagp 4 go-
this time its becoming apparent that there are some themes and clues that tmagp wants us to notice, the sections stand out, begging for attention
like the recurring theme of bones, and blood, and gore in general (it might be too soon to tell exactly what themes are leading to, but they are definitely there)
the violin could fit right in grifter's bone with it's affinity to music and violence
(the music feels aligned to circus over spiral or web
tho there are elements of the web what with the mind control, but i fear all fears possess a certain degree of control, as such
the violence feels more of the slaughter variety rather than the hunt, though you could make a valid argument for flesh as the words 'sacrifice', 'payment' and 'creature with needs and purposes of its own' do stick in mind
once again i do not think that tmagp follows the same format as the smirke's fourteen (or 15) , i merely use them as parallels to better explain what aspects of the episode sticks out to me (and for me refer back later on))
as other listeners have noted, another theme that tmagp in general follows, is 'obsession', rather than tma's 'fear'
i feel this is also paralleling (intentionally or not) the audience's own listening habits and motives
we first consumed the magnus archives for its content of horror
and yet we are back for the magnus protocol like we never left, and perhaps
we never did
the statement's first person pov depicts a truly horrific picture of the slaughter, of the violence that the violin demands
and his descriptions of the mania on the audience's faces too
it's eerily reminiscent of the france's dancing plague
enough about the statement, lets talk about my boy sam and his co-workers, and their workplace in general
there's a protocol surrounding the magnus institute? interesting interesting, very similar to the police division daisy and basira were part of, the unofficial supernatural division
is this like the civil servant version of such?
another thing that is interesting; how is freddy getting these statements incidents? like sam asked, how exactly does a letter from the 18th century end up in the system?
i don't think gwen's answer is satisfactory (and we weren't meant to either), sure someone might be updating the archives website for reasons unknown but rarely in magpod is something a dead end, every little thing is a clue, a small part of the larger picture
so how exactly does a letter from the 18th century is in freddy's system?
perhaps an 'avatar' or the equivalent (such people are suggested to exist in tmagp universe, like the tattooist from daria's statement)
or maybe the fears themselves manifest in phenomena that upload relevant content to freddy
colin my guy, still being iconic and not trusting tech, hats off to you, the only real character in the whole show
never trust any piece of technology older than paper
the video of lena that gwen got in the end? weird? yeah, fuck yes, but how did she even get it? is there any sort of personal communication available on the ancient system? why gwen?
i have so many questions and so many more thoughts, but this is already so long, im gonna write a separate post about tmagp so far, in general
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blorbingqls · 3 months
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Karan and Achi beyond the mask
okay, so i am not okay from the last episode of Cherry Magic Thailand. i personally relate to Karan and Achi a lot, and i felt like writing something on this.
so, in ep 1, we saw Karan to be this perfect guy in the office: winning the awards, getting better oppurtunities and being a great cheerleader for everyone. but, we saw the "mask" shatter when Achi heard his thoughts.
our thoughts, which are so personal in real life and usually are so restricted to ourselves - its hard to imagine what they might get out of it. and, the fact that Karan, while being so perfect, is so mysterious and private of his feelings, really hits hard when you see him internally squealing over being so close to his crush. And, that is why, his crush made us go:
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(but in a relatable sort of way...)
As we moved on from episode to episode, we are seeing the said mask get shatter every moment or as shrek goes:
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and we first see that reflect once we understand how Karan feels about having those feelings for Achi. which he thinks is beyond shameful. but isn't love something we are told to cherish so fiercely? and thats where i related it with my initial feelings of being queer. societally, we have been told us much on not being gay that when you actually do feel it, it feels guilty. it feels wrong to have these feelings; its a shame to have them because its only just you who has it. (but it is not like that)
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Karan, in his whole life, has only been perceived as a mask. a mask of good looks who somewhat can do the job. he's perfect, mysterious and flawless. but, unknowingly, he's very sad and tired of it. so much so that he was scared for Achi to discover that he reads manga. his life, beyond his office is comparatively lonelier.
then the incident happened. his first year of working with the company: in a meeting with his seniors to learn all about the trade. he has prepared everything, he did the research and practiced what to speak in front of the client, only for his boss to reduce him to "the junior who has good looks."
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Achi noticed that and later, was the only one who saw beyond the mask at his lowest. Achi said things which made sense to him, because he understands how bad it is be reduced to that mask because Achi goes through that low self esteem every day. however his kindness doesn't let him get it to others around him. for him, he is okay to be behind the scenes, as along it makes him feel happy.
cheering up Karan wasn't something Achi did in order to get something out of Karan. he only did it because he wanted Karan to feel better. and Karan saw that.
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to like someone who sees you beyond what anyone is willing to show to the outside world and doesn't demean for it, means a lot to someone like Karan. and that's why, Karan's small acts of care for Achi made sense. because Achi's small acts of kindness towards the office is so similar to what Karan does for Achi. that's why, even though Achi doesn't believe it yet, but, Karan and Achi are similar in a lot more ways than he thinks.
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so when Karan gets so close to Achi, he starts feeling so so special. initially, he was so happy with this small acts, it would make his day when he could just interact with Achi. but as Karan and Achi got to know each other more, with Karan's feelings out there for Achi to know, Karan also started feeling so special to Achi, even though the uncomfort lingered around.
with Achi's mask of being the ordinary, clumsy guy as the world sees him, his esteem made him fear the love Karan gave him, as he got closer to him. but he didn't understand how his ideas of buffers actually left Karan feeling so unacknowledged of his place in Achi's life all of a sudden.
so even if Achi knew Karan's feelings way before than Karan expressed it to him, he still didn't know what to say 'cause his heart couldn't reassure him of the genuinity of the feelings he felt for Karan or Karan's feelings for him.
with that post it note, Achi figured out the sincerity of Karan's love.
and for me, that is both of them reaching out beyond their masks and come out of their comfort zones to embrace the said love.
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lulu-tutu · 1 year
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Midnight Confessions 💕Rise!Leonardo
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A/N: Decided to do Leo, because I enjoy his energy and he's my fav Rise!Turtle lmao Also, sorry for the lack of posts! Been stressed, which doesn’t help me write or get motivated but I managed to get this out! Have a fic coming out soon too that is long overdue! So look out for that :)
Also thank you to everyone that has put in their requests <3 Love you guys!
Pairing(s): Rise!Leonardo x GN!Reader
Warning(s): Sweetness, confessions, all the fluff and softness in the world.
Proof read :)
Anons first request here
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Leo loves to always remind you that it was him who confessed first, just so he could see that flustered yet annoyed look that crosses your face.
It's one of his favourite expressions that you make, and if he was told to draw that exact expression, he would have the best artist in New York (other than Mikey) running for the hills.
It was sometime late at night, and knowing that you would be busy tomorrow, you decided it would be better if you slept in your own bed, as much as you would have loved to have a sleep over with your turtle friends.
Leo offered to take you home, and you were surprised when he didn't wave his Ōdachi through the air to create one of his famous portals.
He instead took you by the hand and began to lead you up to the surface, while you muttered your confusion to him on the way.
"Not getting lazy now, are you?" He teased, the edge of his mask lifting as an eyebrow raise.
You scoffed, narrowing your gaze at him as the moon greeted your figures, trying your best to not let it show how much that look of his had your stomach fluttering, "Says the one who uses his portals to get snacks even though they're only a room away."
You both climbed the nearest building until your feet were planted on the rooftops, the breeze much cooler than down below on the streets.
The walk to your apartment was full of playful banter and laughter, as it usually was when you were with the blue masked turtle, up until your bedroom window was in view, which you picked up on.
Leo gently eases you down onto your balcony, his fingers wrapped so delicately around your wrist until he was absolute sure you were safely behind the balcony railing, where he decided to perch himself, his hold not loosening from your skin.
"Alright, what's the matter?" You could easily pick up that something wasn't right with him, since when does Leo go silent? Where were all his jokes? This was so not Leon like at all, and it concerned you.
His eyes widen in surprise and his hand reels back to keep himself from falling off the railing at the sudden jerky movement, "I have no idea what you're talking about, nothings the matter. Though, if you were talking to Donnie, I'm sure he'd give you a whole speech on that subject. 'Particles this, physical space that, atoms, science, science, science-'
As much as you found his Donnie impersonation hilarious and actually quite accurate, you decided to stop his rambling by lowering one of his outstretched hands that was moving around wildly at his display of character.
"I'm serious Leo, you've been weirdly quiet ever since we got close to my place. What's up with that?" You asked him softly, feeling his fingers curl around your hand until your fingers were woven together.
You noticed how his eyes lingered there, how his grip tightened ever so slightly and his thumb brushed over your knuckles as he lets out a sigh.
"Okay," He begins, his eyes momentarily closing, leaving the air between you silent once again as he sorts out his scrambled thoughts before he opens them to squint at the ground.
"We've been friends for a while now, haven't we?" At his words, you try and pinpoint exactly where this conversation could go, eyebrows slightly furrowed in thought, but you nod and continued to listen.
"We've been through a lot together, some good times and some really bad times." You watch as his mouth curls into a tender smile, his eyes finally lift to meet your own, and something in his gaze has your throat closing in on itself.
"The thing is..." He doesn't let go of your hand, even as he slowly steps off the railing to stand at his full height in front of you, his head bowed to look down at you. It feels like he was only a breath away from your face, his own body heat melting within your own, "I want to continue to be there, for all of the bad and all of the good, but...not as just your friend."
His words were so soft spoken that if you were spaced out, you surely would have missed it, but that's the thing - All you could see was him, all there was, was Leo. His gentle gaze, the feeling of his skin under your fingertips, you were enveloped completely by him.
You sudden silence must have worried him as he ever so slightly loosens his hold on your hand, his smile slipping at the corners of his mouth, "I didn't overstep any boundaries, did I? I didn't know if I explained it properly but...I really like you, Y/n."
"Leo." You breathe out, heart beating erratically against your chest at his sudden confession. You don't know how long he had been keeping it in, but you were glad at least one of you had the nerves to tell the other.
Taking his other hand and grasping it tightly, you brought them both up to your chest, running your own thumb across his skin with a wide smile, "You have no idea how long I've been wanting to hear those words."
His eyes practically light up the night sky, his own grin matching yours as he throws his head back with a sudden laugh, one that has your cheeks burning and heart thrumming.
"Are you kidding?" He finally chuckles out, his head coming down to lay against your shoulder, his body still vibrating from his laughter, "I've been planning this whole night for the past month, only to find out I could have done it so much earlier?"
His breath against your neck sends chills down your spine, and when his arms wrap themselves around your waist, well you could have been considered a human heater.
"I guess I could have said something earlier, but I didn't want to scare you off or make things awkward." You chuckle sheepishly, raising your arm to lock them around his neck, bringing him even closer, which he doesn't complain at. He instead nuzzles his face closer into the crook of your neck, "Also, for the record, I really, really like you too."
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Back in the sewers, the turtle group chat (and April) gets a message from a smitten red-eared slider, stating that he would be spending the night at his partners place.
"No, no!" Donnie throws his head back in horror, his arms raised towards the sky, "You failed me, Y/n! I owe April so much money!"
"Donnie owes April so much money!" Mikey's loud giggles ring across the lair, only making Donnie's defeat that much worse.
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MC's Neverending Sleep Overs
Hello I am back again. I decided to continue the little sleep over post. Make it big. This is like, before the relationship of Polyam!Mc. They aren't dating yet but it's flirtatious.
I hope you enjoyed! Idk how I feel about the flow, but I want to write a more platonic version and a more romantic version.
If you liked this and are able to, please consider contributing to my Ko-fi! No pressure though.
In the beginning the dorm was a lot more empty than you felt comfortable with.
Yeah, sure, you liked your space. In fact, one could say you were ecstatic to learn you got to have your own space despite quite literally showing up out of no where. However, that's all you can actually keep up with in such a large dormitory.
Besides your room, the small bathroom you use, and the living area -all of which had seen better days- the rest of the house started off as a mystery to you. One you were a bit to scared to actually solve
(^This was mostly due to your fear of what you may find hidden behind the many doors of Ramshackle, as well as your desperate desire to avoid the ghosts at all costs.)
It didn't remain that way for very long though, as soon you were being joined by the first years of Heartslabyul, who were starting to be thrown out of their own dorm at an alarming rate.
Ace pretty much spent his first two weeks sleeping on the dorm's ratty old couch, sometimes having to fight Deuce for the position whenever the other began to rebel.
When Cater (or one of the Caters, you weren't ever too sure of who you were talking to at first) started showing up just to "check in" on the freshmen, you knew things had to change.
"Stop showing up at my dorm uninvited!"
No one actually acknowledges your rage, but you let it slide. There's a lot going on and honestly you're more concerned with learning potions then keeping Ace from stealing your good blankets.
And besides, with all the time you invested in making the tart for the dorm leader, be should be out of your hair soon enough, right?
That's what you were thinking, up until Riddle overblots.
In those moments you don't think you'll be making it back to the dorm period.
Fortunately you were wrong, but the event was so jarring that nightmare begin to haunt you everytime you drift off.
You quickly come to miss Ace and Deuce's presence.
And you learn quickly that they miss yours as well! Both for varying reasons, of course, but it quickly returns to that familiar state before Riddle's breakdown. One where you couldn't shake them even if you tried.
Cater comes by a lot more now too. At first he used to make up an excuse to stop by -then crash- but he gave up on that excuse rather quickly. He definitely sleeps in his dorm uniform half the time.
^Or at least, whatever he is wearing. Definitely the type to sleep in jeans whenever he's feeling too tired to get pajamas on
Trey visits with food (and Riddle, occasionally. He's still a little embarrassed about the whole rampage overblot thing) but doesn't find himself joining in the sleepover often.
When he does though he always makes everyone clean up their messes. What a king.
Jack is the next to join your merry band.
He doesn't often spend the night -only coming over when needed- and he's usually gone before you wake up.
He might be your favorite tbh.
(Around this time you also start to get the occasional visit from the tweels and Kalim. They never stay, but both parties are far too nosey to ignore such a large gathering)
It stays this way for a while whilst you attempt to sort out the whole issue with Leona.
Riddle only starts joining the crew after the whole savanaclaw incident.
This is mostly because his shame has kinda melted away since he's no longer the only one who has lost control. Also because Leona has no shame and immediately claims your couch afterwards. Rip.
From here it really just spirals.
The most common visitors are usually the first years.
Epel comes to escape Vil, Deuce and Ace have just decided your dorm is their home, and Jack tends to show up out of fear someone is going to do something stupid. He's usually right.
(Sebek is the odd man out here. He'll come over during the day but he's got a stick up his ass most the time.)
Rook and Vil do not sleep over. However, Rook will usually join in the morning to get (you) ready. Probably video chats with Vil the whole time. Epel is in hell.
Idia doesn't come over ever but Ortho does on occasion. You'd think people would be calmer with the android child around but for some reason that just creates more chaos.
Lilia has a habit of just sleeping places and it scares nearly everyone. Malleus finds it funny.
Crowley occasionally shows up to look for people because your dorm has become the Lost and Found for students.
Azul never comes into your room and has only stayed the the night maybe once or twice. Never at the same time as Leona though and he's usually incredibly nervous.
The tweels will come into your room and they will go through your stuff. They have no care whatsoever.
Everyone else is fairly respectful. But Pomefiore and Diasomnia are full of judgy brats that will subtly question your home. Thankv goodness most of them are not everyday visitors.
Jamil and Deuce seem like the type that will just start cleaning absentmindedly when they start to recognize some place as one they like to be in. Which you are incredibly thankful for. Deuce especially since he was not helpful at first.
Kalim always likes to try and make every night less of a sleep over and more of a slumber party. This is never good.
^ Reasons why: 1) Ruggie has been banned from playing Simon says because everytime he is Simon he makes people copy him, so that they lose. 2) Sebek always throws a hissy fit at the commotion whilst his emo dorm stands in the corner watching the chaos 3) Floyd has bitten someone during twister 4) MC has broken down crying at midnight multiple times because they just want to sleep and now the music club is doing karaoke.
But when everyone leaves for vacation, admittedly you do miss the chaos.
Oh well just gives Grim more room to bug you
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intotheelliwoods · 1 year
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@kinky-asexual I love myself having certain colors represent certain themes/events/occasions :) TYSM by the way!!
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I bring you this doodle! @greentrickster
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Dont know why I drew this but here you go. @wraenata Have an emotional support peepaw.
Anyways, Marcus Moncrief was on Saturday Night Live, live!! Donnie was rambling to Leo about the concept of freezing time by reaching absolute 0 in Kelvin :)
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Oh I have been waiting for someone to ask me something like this, you have no idea. Putting this ESSAY under a cut oops I wrote a ton (if the cut even works, sometimes they dont)
I am very aware of the norm of the usual take of Future Leo AU's, it was all those AU's and fics that mad inspired me after all! They are all so good and play on a very interesting concept! Issue is, it ended up being the only take I ended up seeing. With the whole future and present self having some form of resentment towards eachother even if it was just a little bit, or for only a short period of time. I honestly needed a fresh breath of air and it came to my attention as time went on that other readers also needed a breath of fresh air. So uh, I very much saw the opportunity here and took it, with the added bonus of it being in comic form since theres so many fics out there.
Yes my comic is absolutely the opposite of the norm and I plan on keeping it like that, I made it the opposite of the norm for a reason, and the reason definitely shows through the sheer numbers and attention I have been getting on this thing! I am so happy so many people are enjoying the series! I am so glad to heal everyones wounds from the anguish of the usual plotlines haha!
Sidenote, I would actually highly recommend this post by pinetreevillain, read the tags, words things better than I ever could. Not just the OP's tags, all the reblog tags too.
(There may have been fics were the Leos were actually nice to eachother, but either I did not hear of them/see them, or they were just overall not popular enough to be well known and recognized for the good relationship)
I understand that such a fast change in character meanwhile does not happen overnight. This here is probably the biggest issue I have within the series, though I do have a little bit of reasoning.
I am just going to be flat out honest, I personally find it hard for myself to sit and read through something about characters arguing, it makes me weirdly uneasy. Something something about characters who love eachother yelling it out just hits me in a way I try to avoid whoops. So if I find it hard to read something like that, it is even harder for me to write and draw it out myself, there will be no forms of these sorts situations in the series because of that. Though this does tie back into me trying to avoid the norm, having everyone be kind to Leo after the movie is a take you do not see often.
I actually attempted addressing the movie aftermath with Raph and Leo with this comic, it was the whole point on why I made the comic! Because yes! I These two really did need some new take, my own take, on the aftermath. I wanted to show in that comic that Raph is not mad, happy actually, that Leo managed to pull himself together for such an act. Leo proved on that day that he knew what he was doing, how to care for a team, and that he was truly meant for his role as the leader.
Final little point: Lets be honest I dont think anyone will have the guts to even be mad at Leo after he sacrificed himself and his arm to save everyone. How could anyone be mad at that? Outside the fear of loosing him of course
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thebeesareback · 6 months
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The big Robert Baratheon thoughts
There are several characters within the ASOIAF universe who could comfortably be the protagonist of their own book/series, and GRRM has spoken about how, when writing a character, he tries to see all the major events through their eyes and how it would have affected their lives. Dany and Oberyn are good examples of this, and a shorter book/series could comfortably have either one of them as the main character. If a fic writer is looking for any inspiration, I think a lot could be drawn from Dany in Vaes Toloro.
Another of them is a character who almost seems like a false protagonist in GOT: King Robert Baratheon. The people who don't know him think he's amazing, the people who do know him despise him. He has a fleshed-out backstory, character and the power to influence the plot in many different ways. Yet he's killed off quickly, and I think the fan community often overlooks him as a simple drunken idiot. So I'd like to dig a little deeper.
Robert's life can easily be sectioned into three parts: pre-rebellion era, the rebellion era and the post-rebellion era. Most of what we see comes from Ned Stark, and later we have flashbacks from Cersei which show a much darker and thoroughly rotten man.
To start: Robert is the first born son of House Baratheon, a clan with significant power and influence. He's exactly the kind of young man the Westerosi patriarchal "might makes right" system rewards -- the sort of son Randyl Tarly would love to have. He's an excellent fighter, charming, good looking ("muscled like a maiden's fantasy", oh Ned). There's also a kindness there. When he's fostered at the Eeire he sends for a gift of oranges for Jon Arryn, and although the fruit goes bad, he's not upset and instead plays with the other teenagers. It's silly and funny and the most childish we ever see him.
He isn't always lovely, of course. In Stannis' memory, Robert is unpleasant. He mocks Stannis' falcon and, therefore, Stannis himself. However, Stannis is a miserable shit, and this comment comes after they've spent years disliking each other, so there's obvious bias. Robert seemed to be happy to be away from his family, and so some alienation from his brothers does make sense. Robert and Stannis go through the ordeal of watching their parents die, and it's understandable that this would cause issues in their relationship. Perhaps that's why they pushed each other away. Having a walking, whining reminder of that trauma can't have been pleasant, and the desire to pretend that everything is ok and ignore problems gets more persistent as the years go on.
The third thing we hear about from Robert's pre-rebellion era is his relationship with Mya Stone. I'm not totally clear on the timeline, so I don't know if it's 1. parents' death > 2. Mya's birth > 3. the rebellion or if 1 and 2 are the other way around. Either way, Robert seems to adore his daughter. Ned thinks about how frequently they visited her, and how much Robert enjoyed spending time with her. In a kinder story, Robert would have always been close to Mya. Then the rebellion starts.
There are, of course, lots of things which lead to the rebellion. I don't think Tywin was going to put up with the Mad King for much longer, and Rhaegar felt the same way. Then you have the coalition between the Starks, Baratheons, Tullys and Arryns, and at some point Varys and "Young Griff" would have popped up. For Robert, though, things were straightforward: he wanted Lyanna, and Rhaegar took her away. He remarks to Ned that "Seven Kingdoms couldn't fill the whole she left". It's clear that he didn't actually know Lyanna that well, and it could easily be argued that the reason he worshipped her memory was a mix of affection for Ned and a desire to return to a time where he wasn't traumatised.
Obviously, war is traumatic. That's kind of the point of the series. Everyone who fought in Robert's Rebellion is changed in some way and the scars, literal and metaphorical, run deep. Stannis broods over his "rewards". Ned misses his sister, brother and father. Catelyn is aware of the loss of her betrothed, and Lady Dustin crystalises her rage. Jamie is ostracised and bitter. Jon Connington promises more violence. The list goes on. The things Robert sees during the campaign clearly change him, and this brings us back to Mya.
One of the key themes of the series, most prominently in the first book, is the idea that the innocent should not be sacrificed. That's why Ned works so hard to protect Jon and why he resigns his handship when Robert wants to kill Dany. Something happened to Robert during the rebellion, where his hatred of the Targaryens solidifies so much that it becomes the only thing he really wants. Other things, like his love of his daughter or the belief that children should be protected, all go and he's left with Tywin Lannister and the corpses of Rhaenys and Aegon.
Robert doesn't have to make peace with the Lannisters. In fact, lots of people (the Starks, the Dornish and the people of King's Landing) would be much happier if he didn't. Tywin ordered a horrific thing, and Robert rewarded him. For me, this is where Robert becomes the man we meet in Game of Thrones. He's so broken inside that he does nothing, and tries to pretend that he's still the person he was as a teenager.
After the rebellion, Robert goes on to have plenty more children. If he loved Mya and wanted to see her all the time, after the rebellion he forgets her. And she's the lucky one! Robert must know that Cersei has his twins drowned, he ignores Barra and Gendry, and he only acknowledges Edric Storm because he has to. Then there are the kids who are legally "his", even if biologically they're not. I don't think we ever see him interact with Tommen or Myrecella, and his relationship with Joffrey isn't good. Sure, Joffrey is a little shit, but you could argue that it's partially because of Robert's treatment. Stannis thinks, at one point, that Robert might have killed Joffrey because he hit him so hard.
Why does Robert detach? Well, there's the trauma, the general depression, the loneliness, the disconnect between *conceiving* children and *the actual children*. I think, as well, there's the knowledge that, by allowing Tywin to get away with the murder of the Targaryen children, he's set a precedent whereby the same thing could easily happen to his own kids. If someone needed to get rid of Robert -- and there are people who would like him gone -- they would come after Joffrey, Tommen and Myrecella, and perhaps his bastards, too. He can't protect them, and it shames his chivalric ideals, so he disconnects, doesn't care, and drinks excessively. It might be a way of dealing with guilt, or a way he protects himself from losing anyone else. Ultimately, Joffrey, Tommen and Myrecella are doomed; Edric only escaped sacrifice because of Pylos and Davos, and might well get mixed up in a Varys/"Young Griff" scheme; all of the bastards in King's Landing are killed; and if Gendry survives, it's because of plot armour. Nobody cares about Mya, really.
There's plenty to say about the Robert/Cersei match. Firstly, I'd like to mention how much I enjoy the show-only scene where the two discuss their marriage. It's heartbreaking, well written and beautifully acted, and gives some depth which makes the experience richer.
None of the Lannisters like Robert, with the exception of Tyrion. Tyrion likes Robert because Cersei doesn't, but their creepy and destructive bond is a whole other issue. Ned thinks that Robert was a man with "big appetites", and a clear desire to be loved. It probably means he wasn't ever going to be a good husband, which Lyanna points out (in a line which I cannot imagine a 14-year old ever saying, but I digress). Robert loved the thrill of the chase and the first few weeks of a relationship, but wasn't willing to really emotionally attach to anyone. Perhaps it's because, like with his children, he had to keep people away in case he lost them, like Lyanna.
Cersei is her own woman and, to be honest, not a very good wife. Robert thinks he would have been happy with Lyanna, Cersei thinks she would have been happy with Rhaegar: both are wrong. She starts her wedding day by having sex with her brother; she regularly cuckolds her husband, and then she finishes off by murdering her husband. You could argue that her behaviour is driven by Robert's physical and sexual abuse, and his emotional distance and obvious disdain. I don't think that's incorrect, per se, I just think there's a nasty mix with the two of them. They're bad alone and worse together. They're a toxic, unhappy, traumatised mix, and a solid argument for Westerosi divorce.
Finally, there's Robert's alcoholism and his love of food. There are a number of reasons for this -- the genre's enthusiasm for descriptions of feasts; parallels with Henry VIII of England; possibly GRRM simply likes adding his favourite meals, similar to how he created House Estermont so there could be turtles, because he had pet turtles. Obesity is the sort of thing that's pretty common in middle age men who used to be very physically active, because they had to eat lots to make up their calorie deficit, and when the exercise stopped, the food continued. As for alcohol, it gives Robert an opportunity to forget his (admittedly plentiful) responsibilities and woes, makes him feel like a hero, and gives him an excuse for his abuse of Cersei. He rapes her, and when she brings it up, he says "it was not me, but the wine", then REACHES FOR A BEER. I'm certainly not qualified to talk about addiction and trauma, so if anyone has thoughts on this, please add a comment.
In Shakespeare's Macbeth, the eponymous character snatches the crown at his wife's goading, and then finds that things disintegrate around him. There's a scene in the play where two servants talk about what's going on in Scotland, and one says that two horses fought, and one ate the other. When a monarch is usurped, in literature, nature goes against itself. In real life, revolutions are messy and complicated and difficult. Robert Baratheon fought a rebellion to get his fiance back, whilst others used him and worked alongside him for their own reasons. He was left holding a rotten crown. Abused and abuser, surrounded by toxicity and exuding his own hatred, one could easily create a novel about his disillusionment.
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swordsandarms · 9 months
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This is a reply in regards to this post, which highlights the high likelihood that, whether people are fine with the author's choices or not, RxL is written by him with romantic nuance as far as the text goes. @sahtinekryze
And I think this fandom really needs to have a honest analysis of the idea of "selfishness" in narrative choices such as this, which is that when it comes to how the whole "duty vs love" scenarios Martin writes, he does not actually writes it with some wide spectrum ranging from selfish to sacrificial. There are usually no other choices than the two.
Could one define the alleged choice of breaking a noble marriage contract that would have negative political influence at the least, had it been the best case scenario (which one would logically assume the two might have hoped for instead of very lots of people dying including themselves) as 'selfish', which in its very definition is doing something for one's self, though it may not be advantageous for others? Yes.
But as I said, Martin doesn't write a middle ground. There's that, or Lyanna marries an unwanted man and is hence forced to have a non-consensual relationship with him, and forced to carry children out of a noncon relationship, so that her male relatives can reap benefits of political power, as well as her groom through her womb. And as shows inspired by these books love to show us very graphic such cases (like Daenerys in GOT, or the storyline given to show!Sansa, or the changes for show!Alicent in HOTD), I am sure fans should have learnt better about the accusations usually thrown at Lyanna in fandom spaces in regards to being another woman marrying against her will in a society where a woman cannot say no, marital rape isn't recognised, and a husband is "just taking his rights": that "this is just being whiny". (There are many other examples in the books; the author is also not holding back on what unwanted or unsuitable marriages mean to women.)
Against the fanon idea that she is some wild, demanding, conceited girl, she doesn't rage, she doesn't bite. She has a tentative, soft spoken conversation with her brother about it and her reluctance in the matter, and is (nicely) dismissed.
Had she not (allegedly, while all is unconfirmed) fallen for the Crown Prince and he for her, there is no one else powerful enough to extract her from her situation (her male relatives having made up their own minds in the matter), nor anyone else to go from where she cannot be recovered by a powerful and connected family and fiance. No one else she could marry/sleep with that wouldn't be shut down and covered (as seen with Tyrion or Lysa) to preserve the higher price for which her womb can be bartered. Just no other viable choice that wasn't the other end of the scale: a woman being sacrificed by men, for men's uses.
As I said at the start, this is simply how Martin writes these conflicts of "mind and heart". He corners the characters. There is no light at the end of the tunnel that isn't also sort of "selfish" and "dumb" looking on the surface.
This can be applied to more such situations in the text-
Catelyn undoes the already precarious state of her son's campaign by releasing their most valuable captive. She has not even a guarantee that her 'selfish' act for love will work. But there are no options she's given. No one else cares to make it a priority to get her daughters back. The only other choice is to let it be and let 2 girls be sacrificed in marriages of ill intent to use their wombs and discard them, unsure if she will find anything left of them but Lannister named babies when this is over. It is "selfish". It is "dumb". Yet she's cornered.
Jon makes the decision to go fight Ramsay Bolton because he's run out of options and he's cornered. Arya is allegedly in the hands of the family that have viciously killed a number of Starks and taken Winterfell. She is 11 and allegedly married. He is made sick at the thought of what is being done to her. He's tried the "lesser" tactics of getting her rescued without being seen as trespassing the status quo of the NW publicly, by sending others for her. But it was always going to come to this. Ramsay guesses (or finds out) that his escaped bride would make it to the Wall. Keeping "peace" and "doing his duty" instead of "being selfish and dumb" is handing over "Arya" himself if she even makes it to appease the Lord of Winterfell, sacrificing a girl to an unwanted marriage meant to use her for her womb and discard her.
There are no actual choices when there is no actual scale in between "selfish and dumb" and the sacrifice of a girl (or, you know, 2,3, as many as Westeros would swallow as it did for millennia for this or that Lord or King to amass and keep power), whether they are Lannisters trying to get Winterfell, or Starks extinguishing the line of the Warg King.
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writing-for-life · 8 months
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So, you mentioned something about Thessaly in a 90s context in one of your responses to another post, and I was wondering if you could expand on that. Because yeah, I have no problem with her *existing* as a character, because obviously she has a role in the narrative, but I highly suspect that her perceived role has changed a LOT in the intervening years since the initial writing.
As someone who first read Sandman in 2022, I figured that her character role was to get us to question what we think we know about Morpheus. Can we really trust that he's changed or improved, or that he's even all that likeable, if he's literally jumping into bed with this thoroughly unpleasant woman who likes violent murder *way* too much and also seems to be transphobic to boot?
At the same time, though, I got the uncomfortable sense that we were supposed to *like* Thessaly. In a sort of, "You go girl, be a #girlboss, let's show these boys we can be JUST as good at killing as them!" sort of way. Which I rationalized as "well, that probably was progressive in the 90s, but the idea of cold blooded violence and emphasis on the possession of a womb being feminist ideals has aged poorly."
So, yeah, I'm wondering if that is anywhere close to how she seemed in the "intended" context.
[As always: Send me asks about everything Sandman-related!]
This is such a good ask, and I feel there are a lot of bases to cover here. Not sure if I’ll do it justice, but here goes…
Disclaimer straightaway: I absolutely detest Thessaly and everything she’s done narratively, and I’m neither a Thessaly-apologist, nor someone who loves her as a character. But I think we need to discuss her with a bit more nuance than I see in lot of fandom spaces.
I think first of all, we need to look at:
Thessaly as a fictional character
As you already pointed out, she naturally has a role in the narrative. I also think parts of her role in said narrative are sometimes a bit misunderstood. One prime example would be the idea she never loved Morpheus. And yes, she absolutely always put herself and her own interests first, so from that angle, she loved herself more than she loved him. That doesn’t mean she never loved him at any point though. Many people quote her saying that she never did as proof that she didn’t. But what people say doesn’t always align with what they feel or do: She says at his wake she swore she’ll never cry over him again—and cries while she’s saying it. That tells us two things: She *did* cry because of him before. And she *does* cry now.
Again, she is a selfish, utterly horrid bitch, but she loved him at some point, and she was mad at him for neglecting her and not paying her enough attention. That’s when it turned sour (and we know how absolutely shit at communicating with women Morpheus is, so they’re both as bad as each other in that regard).
I see her as someone who is totally disconnected/dissociated from her emotions, to the extent that she probably really believes what she says, out of some deep-rooted fear of any kind of vulnerability. Why that is—we can only speculate, because Neil never went into it, hence nothing we assume will ever be canon.
What can be considered canon, however, is that Neil has confirmed the fact that she *did* love him at some point—most notably in the Sandman Companion:
Hy Bender: […] Of course, she’s lying when she says she never loved the Sandman.
Neil Gaiman: Of course; I think that’s made explicit by the final panel, where she says, `I swore I would never shed another tear for him’ while crying. But after he’s won her and then returned to his duties, he wasn’t enough for her anymore. She wanted attention; and when she wasn’t getting it, she said, “Right. We’re done,” and walked out on him.”
I’d also like to point out that the most trans-exclusionary prick in the whole of AGoY is actually George, just that he’s not a woman, and hence, no one ever seems to mention it (he’s actually the one egging Wanda on, not Thessaly). Plus, walking the moon road is maiden, mother and crone to a T, and consciously so. Foxglove is the maiden, Hazel is pregnant, and Thessaly is ancient. So Thessaly’s choice was also based on that, and the only one who Wanda really could have *potentially* replaced would have been Foxglove; she presumably never had penetrative sex, unlike Hazel (in the archaic definition of what penetration means, so we don’t need to argue about lesbian sex practices now). We don’t know that about Wanda, no matter if someone sees her as a man or a woman. I didn’t mean to get that explicit about maiden status, but I guess it *is* important in this context (although yes, of course Thessaly said Wanda is a man, and I’m not arguing that either, but I still think it was grounded in her belief how moon magic works).
Which brings me to a very important point: Thessaly is ancient. Culturally, we can’t compare her to someone who grew up in the 20th century, also with regard to her violent inclinations. She is thousands of years old. She’s seen it all. She has a fierce sense of self-preservation, maybe even rooted in some fears or trauma of her own. All not very nice character traits, no, but that’s not the yardstick, and probably was never supposed to be. I also remember Neil saying he consciously wanted to oppose neopaganism and the watered down, new wave witchcraft of the time (late 1980s/early 1990s, and that, I really remember), which was all about the “divine feminine”, female empowerment, tarot cards and incense sticks. I’m being a bit flippant now, but it isn’t far off. It was more of a trend than anything. He wanted to consciously oppose it with someone who would still act according to ancient, rather violent codes and rules. And Morpheus will have known those, and probably found them less surprising than we do (doesn’t necessarily mean he’d condone them either).
The fact whether Thessaly should make us question Morpheus in the comics is a tricky one. What she definitely *should* make us question is: Morpheus could have quite easily broken some rules in the Kindly Ones when Thessaly had set up the protection circle for Lyta, and the consequences probably would have been less disastrous than playing by said rules. And we can safely presume he knew. We are also supposed to question the same when he lets Nuala call in her boon and doesn’t just say: “This isn’t really a good time, can we do this later?” (and he absolutely COULD have done that), but actually follows through with going ,“Well, what gives, I basically grant you your boon now and leave the Dreaming, even though I know the potential consequences.” So yes, Thessaly is supposed to make us question Dream’s choices, but probably not the way we think. And for that, we perhaps should look deeper into…
Thessaly the TERF and Feminism in the late 1980s/early 1990s
This might get a bit longwinded, and I am showing my age here. I grew up at the intersection of second wave and third wave feminism, and as a bisexual woman, I made a lot of experiences during the early 90s that feel wholly aligned with the plot of AGoY (which was written during that time). I don’t want to write a whole essay about feminism here, but second wave feminism was on its way out in the late 80s. A lot of the bad associations some people have with feminism today stem from that time (not always justified, because a lot of good was achieved during that period. But parts of it in specific sub-communities—definitely problematic). Equality vs equity discussions within the feminist movement were dominating everything, and the divide between radfems and libfems was getting deeper. People like Audre Lorde IMHO rightly criticised that failing to understand that not all women start on equal footing, that not all women are the same, is problematic (so you could easily see how this is incorporated into the narrative of AGoY).
Second wave feminism wasn’t just about making sure women had rights. It was very much about “all of us can do everything men do, and we want the same a man gets”. It was all about the workspace (so often very white, CIS, middle class), not being at home with the kids etc (of course there were also other topics, but this one was really quite dominant). You could even see it fashion (massive shoulder pads etc). All the while, actually *being* a man was vilified (again, just in certain quarters).
So I feel you’re on to something with your #girlboss comment, only that I don’t think it was intentionally set up to like her, but rather as a criticism of what certain quarters of the feminist movement were like at the time.
Personal anecdote: I got that type of schtick from WITHIN the LGBT community at the time. Bi-erasure was big. And there were radfem lesbians that would actually tell you that being bi doesn’t exist, that you are basically a traitor to your “sisters” and just a lesbian who isn’t fully out. The same shite they used to criticise about men who would say you’re only a lesbian because you haven’t found the right guy yet. And here they went, telling you that you can’t be attracted to men if you’re also attracted to women.
Third wave feminism has a much stronger focus on the individual woman and what it means to be a woman to HER. This also included trans women, much more than during the second wave. Judith Butler’s work is actually exemplary for this (in essence, there is no such woman as “the” woman—we’re all different despite sharing common traits and problems. Trying to make us all the same will only harm us in the long run).
And with AGoY and Thessaly, we are exactly at the moment in time (in the comics) where that shift happens. I think Neil got it right for the time, and understood a lot of what was going on. Many people in queer communities felt really understood and seen, myself included. I absolutely see how that translates differently today. But it always saddens me when the historical context gets completely stripped away, and people don’t take the time a work of fiction was written into consideration and only measure it from today’s viewpoint. We can, and absolutely have to be critical if the TV shows fails to address these points and just translates everything 1-2-1. Which I am fairly certain won’t happen, because Thessaly has already been stripped off a lot of her obvious TERFiness in the Audible. I’m not even sure if we’ll get her in the show—we’ll hopefully find out.
Phew, that was long, I’m gonna lie down 😂
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smallestapplin · 1 year
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[request]
Let’s goooooooooo
How about some theme based gym leader S/O headcanons, Authors choice on characters, go wild, feel free to make them yandere if you’d like just have fun with this one!
- Pierced Anon
Anything for you broski! I used this opportunity to write about less loved characters. ^^
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💙Blue💙
- Power couple? Power couple! With Blue’s history with being a champion and a gym leader, aside from being a legend, you two are THE power couple.
- The finale gym leader to beat, strong with your typing, and strong in your theme, with your very loving boyfriend who stops by to cheer you on.
- I’m so sorry if you are a dark or ghost type gym leader, with your dark and spooky aesthetics. Blue is going to be in your gym, bright clothes, looking so out of place, as he acts as your personal cheerleader.
- “That’s right! That’s my partner! Heh, aren’t they just amazing?”
- He posts a fair bit online, and respects if you don’t want to have pictures of you posted. But he does have an entire slumber dedicated to you, and of you and your Pokémon training.
- He will make memes of the trainers you defeat, cause he’s recording the whole match, and some expressions or moments are just too funny not to!
- Buys or produces all sorts of merch themed around you, to show his love and support of his honey!
- Plus, Blue makes the perfect sparring partner. He changes up his teams, has good strategies, strong well trained Pokémon, battling against him easily prepares you for others.
- He accidentally ruins you for normal challengers, cause not many pose as much of a challenge as your boyfriend does.
- Be careful and watch which pokeballs you pick up! There have been several times you grabbed the wrong one, and brought one of his Pokémon to work instead.
- Though his Pokémon like you, so they were at least chill. You, however, we’re not chill-
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👻Morty👻
- another match up! You two are quick to become a hot topic, and what most want in a relationship.
- Morty is so relaxed, so calm, but so attentive and caring, loving to hear you talk about work.
- Meanwhile you’re just opposite enough to complete him, being everything he needs and wants in a lover. Especially with the job!
- You being a gym leader is relieving, as you’ll understand his complaints, or comments on how he can improve his gym, or train.
- And since he’s a gym leader too, he can help you out a lot more than most could!
- Half the time he only had to say one word, and you’ll completely understand what he’s talking about. He loves it!
- He likes surprising you at work, when he’s in his lunch break, or day off. He’s stealthy without even realizing it, and sneaks up on everyone, scaring the daylights out of challengers and employees alike.
- But, while a subtle change, you’ll notice how his smile softens, and eyes brighten at the sight of you, as he walks over with a lunch box in hand for you.
- You both have hectic schedules, with managing your respective gyms, meetings, and taking care of the gyms upkeep. But Morty makes all the time he care for you. He’s always stopping by.
- He’s scared trainers, cause sometimes he’s the first person they will see, and think they are at the wrong gym. Only for you to pop up and greet them, making the trainer sigh in relief.
- It’s pretty common knowledge around Johto that you’re with Morty, even new people are quick to find out. Especially since you steal his scarf every chance you get.
- But Morty likes it when you steal his clothes, he thinks it’s so cute.
- He’s a decent person to train against too! He’s the fourth gym leader, and his ghosts come with a good amount of power.
- But he’s never upset when he loses, in fact he’s happy to cause that means he gets to give you kisses, for winning of course.
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♠️Grimsley♦️
- this man is constantly texting you to come down to the league, just so he can get his affection, but shhh he’ll never admit it and call you the needy one.
- Both of you live pretty busy lives, but mostly you, as Grimsley mainly just sits and waits for a challenger. So you get many calls and texts from him, as you work.
- He likes face timing you and watching you battle, he likes seeing the show you put in at work. He’s your number one fan from the shadows.
- Though everyone knows.
- He’s more salty about the other league members and champion adoring you, cause they have told him if you two ever break up, they are taking your side.
- He was more offended they even thought of you two breaking up! How rude!
- His Pokémon are babies for you, and you’ve taken his Krookodile to work, cause she wouldn’t stop following you, and would sulk when you’d tell her to go back. So you were stuck with an oversized lizardy lillipup for most of the day, your challengers found it hilarious.
- Until Grimsley called you, asking for his Pokémon back.
- “Babe, I’d love to give her back to you, but you’re gonna have come down here and get her yourself. She’s cuddling me right now.”
- “Oh of course, when my Pokémon want to cuddle is ‘oh of course sweet baby’ but when I want to cuddle it’s ‘no Grimsley, you bite too much.’ How cruel.”
- “Grimmy, sweetie, I know you bite to show affection, but your teeth are sharp and biting my forearm isn’t very sexy of you.”
- Yes, these types of conversations happen regularly.
- He’s fun to train with, however he will be making it a bet, mainly cause if kisses are on the table he is not going easy, he wants his kisses damn it.
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bomberqueen17 · 6 months
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assorted, and snippet
it is a rainy sunday. we had a glorious last-gasp-of-summer week, 70s and sunny and lovely, and then last night as the sun went down it suddenly got cold and is going to stay that way.
today's my late father's birthday. he'd've been 79 today. farmsister asked the family groupchat if we wanted to do anything special but like, what? no, so we're just having our normal sunday family dinner. she decided to make enchiladas because while the tomatoes are done, there are still tomatillos, so she's roasting those. i decided to thaw a pork butt and i'll make a sort of al pastor kind of pulled pork for the filling, later. but at the moment i'm out in my cabin, which is a disaster area and needs cleaning. but at the moment i'm just listening to the rain on the metal roof, and i have the propane stove on to get it up to room temperature in here, and i'm dying to take a nap but probably won't.
i told myself i could sit for an hour and maybe write. I sorta don't want to write, I sorta want to fuck around and nap, lol. I'm at a bit in Peace-Tied where I'm trying to fold in stuff I wrote ahead that doesn't quite fit now, so that's complicated-- I've been resorting to using two monitors to have the old doc open in a window so I don't have to tab back and forth. But Fit For Thrones is also in an awkward spot where I wrote stuff ahead and like not a lot has changed, but I realized there needed to be a new thread introduced, so I've got to work that in, and I'm realizing a scene I wrote ages ago that was just fluffy and didn't show a lot of character development is going to have to get overhauled to fit the new concept in, which at this point is just a slight complication but later I wanna hang like a whole plot off it, so it's gotta be here-- if I put it in later it won't have any support and might not really properly hold all the weight it needs to, so. And this scene was just fluff anyway and needs more stuff in it. So that's fine. But it's hard. Because of course all I want to do is skip ahead and write the juicy weighty scene this is gonna support. But if I do that (again, as i've been doing a lot in this series, ugh) i'll get there and it won't fit and i'll have to do more of this fiddly kind of work.
I did only miss Friday's update because I was physically too busy at the time, though. It's the wind-down of the farm season but that just means people have started to peel away to do other things, there's not actually a lot less work, and so those of us left are kind of juggling a lot more balls, even if they're less heavy than they were. (more wittering specifically about FFP behind the cut, and a snippet)
So I have a bunch of stuff allllllmost ready to post, but a bunch of tricky work to do for the continuations of them. There has been a spate lately of very nice comments, some rereaders and some new readers, and I appreciate all of you and it keeps me going, really it does.
I can't find the one, though, someone commented on the latest FFT that they thought Morvran might wind up a bit subby perhaps, and I literally cackled out loud. (Someone else was speculating that he's more traumatized/demi/gray than pure ace, which I also have been trying to convey-- he's ace-spec for sure but gray, is where I'm headed with him.)
I don't think Ciri is going to wind up being particularly domme-y in her preferences-- she also would like a pretty lady to push her around please-- but understand she was raised by a bunch of dommes all around, so I had a very early slightly-cracky notion that she thinks this is how het relationships have to work (this did bear fruit in an outside-of-series published work on AO3 thanks to the Smubbles folks, here: What Every Young Woman Needs)-- but there's an excerpt here I haven't quite yet fit into the FFP continuity, which I suppose I'll put here for everyone's delectation (Ciri POV, of Morvran):
He glanced up only briefly at her arrival, flashing her a quick smile but returning to whatever he was writing, clearly intently focused. She propped a hip on the edge of the desk, waiting, and he finished writing the line and looked up at her.  There was something about the way he looked up at her, like this, something open in his expression that usually wasn’t. It sort of made her want to pull his hair, and made her suddenly understand some things about the way her-- Geralt and Yennefer had acted, around one another. She’d always thought Yennefer was perhaps too mean to Geralt, but she could suddenly understand Yennefer’s perspective, and see that maybe it… well maybe it wasn’t being mean.  But. She didn’t know Morvran near well enough to offer to pull his hair.
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