@steddiemas Day 7 - Mall and/or Job
pairing: steddie | word count: 1,884 | rated: G
“Munson Residence, wha'd’ya want?” Eddie groans into the receiver.
Whoever this is better be someone super fucking important to have woken him up with their damn ringing. He’s surprised Wayne didn’t wake up too, but it’d be kinda hard to hear the phone over those snores.
“Eddie! Thank god,”
Oh. Steve! Very important, actually.
“Oh, hey Steve, what’s up?”
“Eddie, can you do me a huge favor?”
“Yeah, of course, what’s wrong?” he immediately spirals into what all could have gone wrong, what could be going wrong. Everything dark blue and cold, vine-y and the flashing of red lightning—
“Nothing, nothing–well, something.. Can you please run to my place later today and grab my lunch? I forgot it this morning and I know I’m not going to be able to run back and get it and get back in time to eat it before my break is over.”
“Your lunch?”
“Yeah, I packed one this morning but left it on the counter. There’s a key under the mat and everything.”
Eddie barks out a laugh, “Tryin’ to get robbed, big guy?”
“I don’t care about any of the shit in that house.” Steve scoffs.
He shrugs even though Steve can’t see him. “Fair enough. Sure Stevie, I’ll bring your lunch; when do you want me there?”
“Dude, you’re the best; My lunch break is right at noon, can you be here just before then?”
“Got it. Five to noon at Family Video.” he drawls out as if he’s writing the information down.
“Uh, actually…not Family Video..”
A short two hours later, Eddie finds himself among a throng of people inside Melvald’s. He has to fight his way forward at first, but the crowd thins out as he gets closer to the registers.
Damn, he’s not even that far into the store and he feels like he’s ran a mile.
“Ms. Byers!”
“Oh! Hello Eddie, what brings you here?”
“Steve called and asked if I could drop off his lunch to him. Do you know where he is? I didn’t even know he was working here.”
Joyce just grins at him. It’s weirdly mischievous. “Only temporarily, he’s near the back of the store. Just head back there and I’m sure you’ll find him.”
“Uh..thanks. See ya later Ms. B.”
He wanders toward the back of the store through the aisles, but stops up short when a fake white picket fence blocks his path.
The whole back corner of the store has been covered in fake felt snow, a couple of those fake plastic trees like Steve’s (though these are a normal size), a candy-striped ‘North Pole’, and dozens of paper snowflakes hang from the ceiling between what seems like hundreds of string lights.
And there, sitting in the middle of it on a throne that looks suspiciously like the one he used to use during Hellfire, is Steve. Dressed in a Santa suit. With long white beard, big ol’ belt and buckle, shiny black boots..
“Psst!”
He’s got something stuffed into his Santa jacket to give him the right shape, and even some small half-moon glasses, but those sparkling eyes, the freckles, that one swoop of brown hair stubbornly sticking out from under the fuzzy brim of his hat, that’s all Steve.
“Eddie!”
Santa Steve is fully enraptured by whatever story the kid on his knee is telling him, their hands waving every which way but somehow missing smacking Santa right in the face. Steve just continues to nod along, then gives them a hearty “Ho Ho Ho!” when they try to squeeze their tiny arms around his fake belly.
“Eddie!!”
He glances over at the sound of his name, and sees Robin waving frantically at him from her spot at old school music stand-turned-podium. She’s got on some sort of outfit that honestly looks like it was supposed to be a jester costume, where’d she even get that from?
His feet start toward her, but his eyes fall back on Steve Claus, now posing for a picture with the kid who’s smiling so wide it looks like his face will split in half.
Managing to take his eyes off Steve for a moment, he sees Jonathan behind the camera, and that Argyle kid is crouched in front of Robin, talking to the next kid in line to see Santa. All three of them are wearing matching jester costumes.
Eddie steps up to her podium after Argyle and the new kid pass in front of him to see Steve, “Family Video not paying enough, Birdie?”
She rolls her eyes, “Well, the extra cash doesn’t hurt. Joyce asked us to help out.”
He nods at her, and finds his eyes drifting back to Santa Steve.
This kid is much more shy than the last one, tilting her head down and taking short glances up at Steve’s face.
Steve is saying something to her, a low comforting sound that Eddie can only make out the tone of. His one hand covers the entirety of her upper back, and his thumb is moving up and down to try and soothe her nerves. His head is ducked down to be more level with her, looking at her over those half-moon glasses.
Suddenly, the girl’s head snaps up and Steve leans back a bit. “Yeah?” he hears him say.
The girl grins, nodding her head like crazy, then she too is squeezing Steve into a hug.
It’s so unfairly endearing, he can actually feel his heart swelling in his chest.
Robin speaks up then, “So..?”
“So?” he repeats dumbly.
“So wha’d’ya think, Munson?”
“Does he need a Mr. Claus?”
He regrets the words as soon as they’re out of his mouth.
“Uh, wait, I mean Mrs.–Do you have— is someone going to—”
Eddie chances a look over at her…she’s wearing a smug, shit-eating grin. She leans toward him conspiratorially and mumbles out “I wouldn’t mind a Mrs. Claus myself.”
She leans back, still looking smug, but there’s a note of panic in her eyes.
He lets out a breath he didn’t know he was holding. “So would he.” he mumbles out himself, jerking his chin towards Steve.
Robin only shrugs “You never know.”
“You never—what do you know, Buckley?” he asks, stepping closer and pointing an accusing finger into her still smug face.
“I know that there’s some mistletoe hanging above the breakroom door.”
He’s confused for just a moment, then understanding floods through him, “You little—”
A short whistle interrupts his incoming tirade, and Eddie can see Steve Claus moving out of the corner of his eye.
“Sorry folks, it’s time for Santa’s Cookie break!” Robin calls out over the long line of people. “He’ll be back in 30 minutes though, don’t you worry!” the smile falls off her face as soon as she turns her back to them.
Eddie follows her, Jonathan, and Argyle toward the back rooms, “I’m gonna take a nap.” She says, “Tell Santa to grab me before he goes back.” She waves toward a door as she passes it and from the sprig of greenery hanging above it, this must be the breakroom.
Robin takes a right down a turn in the hall, and Jon and Argyle push out the back door of the building.
He expects more of the same when he opens the door to the breakroom, for Steve to huff and grouse about the kids or the parents or something, but when he does, Steve is grinning ear to ear as he combs through his (now removed) fake beard.
“Hey Santa Stevie.”
“Eds!”
“I’ve got your lunch.” he holds up the brown paper bag for Steve to see. Steve nods, and lays the beard out on an empty chair, taking off his hat and glasses too and setting them both on top before stepping forward to grab the bag. “And you have hat hair.” Eddie laughs.
Steve’s free hand jumps to his head and scruffs up the long hairs, making them stick up every which way instead of just being plastered down on his forehead.
“Better?”
“Sure, big guy.” Eddie pokes Steve’s fake belly.
Steve chuckles, then heads to a table in the corner where he dumps out his lunch bag.
“So what’d Past Steve pack for Future Steve?” Eddie asks, plopping down in a chair kitty-corner from Steve’s.
“Bologna and mustard sandwich, Doritos, and half of a leftover Hellfire cookie.”
“And a Coke,” Eddie says, taking a can out of his jacket pocket, “I grabbed one for you from your fridge.”
“Thanks, Eddie.” Steve smiles warmly at him. “You want some?”
“No way dude, you gotta get your energy back after dealing with all those kids, right?” Eddie says, waving him off.
“Eh, some of them are little assholes, but most of them are really well behaved.” he’s ripping his sandwich in half, “Gotta impress Santa, right?”
He offers him one half, and Eddie takes it.
“It’s really not a bad gig, though the beard is itchy as hell…”
Steve starts talking about some of the kids who have come by in the last couple days of them doing this, having started on that past Monday, the 1st.
There were the kids asking for baseball bats, Lincoln Logs, Malibu Barbie, Rockstar Barbie (“Barbie’s a rockstar now?”, “Barbie can be anything, I guess.”), all the usual things.
Then there were kids that asked for actual Santa stuff, “I don’t want my mom and dad to get a divorce.”, “I wish I had some friends.”, “I want my grandpa to get better.”
“Makes me wish I actually was Santa, y’know? Then maybe I could actually help them.”
Eddie’s heart is definitely getting way too fuckin’ big for his chest.
He puts his hand on Steve’s forearm where it’s resting on the table between them. “You are a good man, Steve Harrington.”
Steve’s face flushes nearly as red as his suit. “Thanks, Eddie.” he glances above Eddie’s head then, “I better go wake up Robin, if she naps too long on top of the potatoes, she gets cranky.”
Eddie snorts out a laugh, “Yeah, better get on that.”
Steve stands up and tugs on his hat, not bothering to put on the beard and glasses yet. The fuzzy white band smushes a lock of his hair onto his forehead.
“Hold on,” Eddie stands as well, reaching forward to tuck the hair under the bottom of Steve’s hat. “Now you’ll be ready to see your adoring public.”
“Thanks,” Steve laughs, walking with him toward the door.
And of course, Eddie forgot all about the damn mistletoe until Steve’s arm stops him in the doorway.
‘Jesus H. Christ…’
He glances over at Steve, then up at the offending plant..
Eddie looks back down, out toward the rest of the store where they’d be clearly visible in the doorway.
“I guess you owe me one, huh big boy?” Eddie chuckles, ‘Stupid plant, stupid Robin, stupid Ed–’
His thoughts are cut off when Steve tugs him back into the breakroom, moves him against the wall, and leans down to press a kiss to his cheek. The opposite to the kiss he’d given Steve three weeks ago.
Steve leans back, a smirk on his lips and a pink flush on his face. “Now we’re even.” he winks, then turns out the door to wake up Robin.
i may have actually kicked my feet and giggled about this one lmao
also, rockstar barbie mentioned here is from the 1986 Barbie and The Rockers set
also, also, i'm getting rid of the 'pre' before the steddie up top, you all know what's happening and where this is going lol - it's steddie.
other parts!
Pt. 1 (Day 1) | Pt. 2 (Day 2) | Pt. 3 (Day 5) | Pt. 4 (Day 6) | Pt. 5 (Day 7) [YOU ARE HERE] | Pt. 6 (Day 11) | Pt. 7 (Day 13) | Pt. 8 (Day 18) | Pt. 9 (Day 21) | Pt. 10 (Day 25)
also on AO3! this year
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The role of Pryce and Carter's Deep Space Survival Procedure Protocol Manual in the characterisation, symbolism, and themes of Wolf 359
TL;DR: The DSSPPM is used as a tool to help establish and develop Minkowski and Eiffel as characters: Minkowski as a strict Commander who clings to the certainty provided by a rigid source of authority like the DSSPPM, and Eiffel as the anti-authority slacker who strongly objects to the idea that he ought to read the manual. The way their contrasting attitudes towards the DSSPPM manifest through the show reflect their character development and changing dynamic. The DSSPPM can be directly used against the protagonists by those with power over them, and the reveal of its authorship gives a particularly sinister edge to its regular presence in the show. But it can be also be repurposed and seen through an individual interpersonal lens.
Note: There’s plenty that you could say about the DSSPPM through the lens of what it says about Goddard Futuristics as an organisation, or about Pryce and Cutter as people. Or you could talk about Lambert quoting the DSSPPM an absurd number of times in Change of Mind, and Lovelace’s reactions to this. But in this essay, I’ll be analysing on mentions of the DSSPPM with a focus on Minkowski, Eiffel, and their dynamic.
“One of those mandatory mission training things”: the DSSPPM as a tool to establish characterisation
The first mention of Pryce and Carter's Deep Space Survival Procedure Protocol Manual (the DSSPPM) in Wolf 359 is also the very first interaction we hear Eiffel and Minkowski have. In fact, the first time we hear Minkowski's voice at all is her telling Eiffel off for not having read the manual:
[Ep1 Succulent Rat-Killing Tar]
MINKOWSKI Eiffel, did you read your copy of Pryce and Carter?
EIFFEL My copy of what?
MINKOWSKI Pryce and Carter's Deep Space Survival Procedure Protocol Manual.
EIFFEL Was that one of those mandatory mission training things?
MINKOWSKI Yes.
EIFFEL In that case, yes, I definitely did.
MINKOWSKI Did you now? Because I happened to find your copy of the D.S.S.P.P.M. floating in the observation deck.
EIFFEL Oh?
MINKOWSKI Still in its plastic wrapping.
This is an effective way to establish their conflicting personalities right out of the gate. Minkowski's determination to "do things by the book - this book in fact" contrasts clearly with Eiffel's professed ignorance about and clear disregard for "this... Jimmy Carter thing”. Purely through their attitudes to this one book, they slot easily into clear archetypes which inevitably clash. Everything about Eiffel in that opening episode sets him up as a slacker who doesn't care about authority, but the image of his mandatory mission training manual floating in the observation deck "still in its plastic wrapping" provides a particularly striking illustration.
By contrast, we immediately encounter Minkowski as a strict leader who cares deeply about making sure everything is done according to protocol; the intense importance she places on the DSSPPM is one of the very first things we know about her. Her insistence on the importance of the survival manual might seem somewhat understandable at first, if perhaps unhelpfully aggressive, but it starts to feel less sensible as soon as we start to hear some of the tips from this manual:
Deep Space Survival Tip Number Five: Remain positive at all times. Maintain a cheerful attitude even in the face of adversity. Remember: when you are smiling the whole world smiles with you, but when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action.
The strange, controlling, vaguely sinister tone of some of the tips we hear in the first episode is largely played for laughs, emphasised by the exaggeratedly upbeat manner in which Hera reads them. But even these first few tips give us some initial suggestions that the powers behind this mission might not care all that much about the wellbeing of their crew members.
It says something about Minkowski that she places such faith and importance in a book which says things like "Failing to remain calm, could result in your grisly, gruesome death" and "when you're crying you're in violation of fleet-wide morale codes and should report to your superior officer for disciplinary action." (Foreshadowing the Hephaestus Station as the home of immense emotional repression and compartmentalising...) Having those kind of pressures and demands placed on her (and those around her) by people above her in the military hierarchy doesn’t unsettle Minkowski.
Eiffel groans and sighs as he listens to the tips, but Minkowski seems to see this manual as an essential source of wisdom. The main role the manual plays in this episode is to establish Minkowski and Eiffel as contrasting characters with very different approaches to authority and therefore a potential to clash.
When Minkowski demands that Eiffel reads the DSSPPM, he decides to get Hera to read it to him, asking her to keep this as “a 'just the two of us, totally secret, never tell Commander Minkowski' thing”. Eiffel seems convinced that Minkowski won't be happy with him listening to Hera read the DSSPPM rather than reading it himself. This suggests that (at least in Eiffel's interpretation) Minkowski’s orders are not just about her wanting him to know the contents of the manual, since this could theoretically be accomplished just as well by him listening to it. But she wants him to do things in what she’s deemed to be the correct way, to put in the right amount of effort, and not to take what she might see as a shortcut. It’s not just about the contents of the manual; it’s about the commitment to protocol that reading it represents.
“When in doubt: whip it out”: Hilbert’s use of the DSSPPM
In Season 1, the DSSPPM isn't purely associated with Minkowski. Hilbert actually quotes it more than she does in the first few episodes. In Ep2 Little Revolución, Hilbert's response to Eiffel's toothpaste protest is inspired by "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.”" This tip is absurd in a more direct obvious way than those we heard in Ep1. While this absurdity is partly for humour, it also casts further doubt on the usefulness of this supposedly authoritative survival manual, and therefore on the wisdom of trusting Command.
In Ep4 Cataracts and Hurricanoes, Hilbert starts to quote Tip #4 at Eiffel, who protests "I'm not gonna have one of the last things I hear be some crap from the survival manual". These moments again place Eiffel in clear opposition to the DSSPPM, but also suggest that Hilbert's attitude towards the DSSPPM - and therefore towards Command - is closer to Minkowski's than to Eiffel's.
When Hilbert turns on the Hephaestus crew in his Christmas mutiny, his allegiance to Command is revealed as dangerous. And here the DSSPPM comes up again. As Minkowski dissolves the door between her and Hilbert, she triumphantly echoes his own words back to him: "Pryce and Carter six fourteen: “When in doubt, whip it out - ‘it’ being hydrochloric acid.” Never. Fails." This provides a callback to a previous, more comedic conflict on the Hephaestus, and reminds the listener of a time when Minkowski and Hilbert were working together against Eiffel, in contrast to the current situation of Minkowski and Eiffel versus Hilbert. But it also shows that Minkowski, like Hilbert, is capable of using some of the more absurd DSSPPM tips to defeat an adversary. And it shows Minkowski leaning on those tips in a real moment of crisis.
Once Hilbert has betrayed the crew in order to follow orders from Command, we might look back on his quoting of the DSSPPM as casting the manual in a more sinister light, and again calling into question the wisdom of Minkowski placing such trust in it.
“It's not that I don't believe it, I'm just disgusted by it”: the DSSPPM as an indicator of a changing dynamic
The next mention of the DSSPPM is in Ep17 Bach to the Future:
MINKOWSKI Eiffel's been spot-testing me, Hera. He doesn't believe that I've memorized all of the survival tips in Pryce and Carter.
EIFFEL It's not that I don't believe it, I'm just disgusted by it. I keep hoping to discover it's not true.
MINKOWSKI Well, believe as little as you want, doesn't change the fact that I do know them. And so should you!
I think this provides an interesting illustration of the way in which Minkowski and Eiffel’s dynamic has developed since Ep1. They still have deeply contrasting attitudes to the DSSPPM, but this contrast is now a source of entertainment between them, rather than merely of conflict.
Given that Hera wasn’t aware of Eiffel testing Minkowski on the tips, we can guess that it’s a game they came up with while Hera was offline. In the midst of all the exhaustion and uncertainty and fear they were dealing with after Hilbert’s mutiny, this was a way they found to pass the time. It must have been Eiffel who suggested it; Minkowski cites his disbelief as the reason for the spot-testing. And yet she plays along, responding each time, even though this activity has no real productive value.
Minkowski is keen to demonstrate that she does know the tips and she emphasises that Eiffel ought to know them too, but their interactions about the DSSPPM in this episode have none of the genuine irritation and frustration that they displayed in Ep1. It feels almost playful and teasing. Eiffel still thinks Minkowski is "completely insane" for learning all the tips and is "disgusted" by her commitment to memorising them, but these comments feel much closer to joking about a friend's weird traits than to insulting a hated coworker's personality. It feels like something has shifted since Eiffel responded to Minkowski’s passion for the DSSPPM by saying “I'm so glad that your shrivelled husk of a dictator's heart is as warm as a decompression chamber”.
Another thing to note here is that Minkowski's respect for the DSSPPM has clearly survived Hilbert's Christmas mutiny and Minkowski's resulting distrust of Command. From Hilbert's behaviour at Christmas, it's clear that the crew's survival is not at the top of Command's priority list. But Minkowski still trusts the book that Command told her to read. She still thinks Eiffel should read it too. The main figures of authority above her are dangerous and untrustworthy, but she still clings to the source of guidance they provided her with.
It's also worth noting that Minkowski has not just learnt the advice in each of the 1001 tips, but she has memorised (nearly) all of them by number. If it was just about the information that the manual provides to inform responses to potentially life-or-death situations, then knowing the numbers wouldn't be necessary. Nor would it be particularly useful to know them all exactly word-for-word. Minkowski's reliance on the DSSPPM is again suggested to be about more than the potential practical use of its content. It's about showing that she is committed and disciplined and up to the task of leading. She does have some awareness of the strangeness of many of the tips, but this doesn't diminish the value of her adherence to the manual for her:
EIFFEL You're insane.
MINKOWSKI I'm disciplined. Although I will admit they do get more... esoteric as you go higher up the list.
There's only one tip Minkowski doesn't seem to remember, and that's revealing too:
EIFFEL 555?
Minkowski DRAWS BREATH - and STOPS SHORT. [...]
MINKOWSKI Hold on a second, I know this. (beat) Dammit.
EIFFEL Hey, look at that! Looks like there may be hope for you yet.
MINKOWSKI Quiet, Eiffel. Hera, what's D.S.S.P.P.M. 555?
HERA "Good communication habits are key to continued subsistence. Be in touch with other crew members about shipboard activities. Interfacing about possible problems or dangers is the best way to anticipate and prevent them."
This hangs in the air for a second. Then –
EIFFEL So you forget the one tip in the entire manual that's actually helpful?
MINKOWSKI Shut up.
Communication is a key theme of this show, so it’s interesting that this is the one tip Minkowski can’t remember, perhaps indicating an aspect of leadership and teamwork that she doesn’t always prioritise or find easy.
Eiffel saying “Looks like there may be hope for you yet” seems like just a throwaway teasing line, but it’s got a profound edge to it. A lot of Minkowski’s arc is about learning how to provide her own direction and support her crew outside of the systems of authority and hierarchy that she’s grown so attached to. So perhaps Eiffel is right to see a kind of hope in her failure to remember every single DSSPPM tip – she has the potential to break free of her reliance on external authority.
“Which one was 897, what was the exact phrasing of that Deep Space Survival Tip?”: the DSSPPM in interactions with Cutter
The Wolf 359 liveshow, Deep Space Survival Procedure and Protocol, is literally named after the manual. This suggests, before we’ve even heard/watched the episode, that the DSSPPM will be a key symbol here. Which is interesting because I'd say the liveshow has two main plot points: (a) Eiffel's failure to read the DSSPPM or follow orders in general, the resulting disruption to the mission, and his crewmates' frustration with this; and (b) the looming threat of Cutter, the necessity of keeping information from Command, and the risk of fatal mission termination.
Even without the knowledge that Cutter is one of the co-authors of the DSSPPM (which neither the Hephaestus crew nor a first-time listener knows at this point), there's a kind of irony in the contrast between these two plotlines. On the one hand, Minkowski repeatedly berates Eiffel for not having read Pryce and Carter's Deep Space Survival Procedure and Protocol Manual, which was made mandatory by Command. On the other hand, she is aware that Command in general - and Cutter specifically - represents the biggest threat to the safety and survival of her crew.
Cutter uses the DSSPPM against each of the Hephaestus crew in their one-on-one conversations with him. For Minkowski, he uses it as a way of emphasising the expectations and responsibility placed on her:
MINKOWSKI There are always gaps between expectation and reality, but--
CUTTER But it's our job as leaders to close that gap, isn't it? Pryce and Carter...?
MINKOWSKI 414, yes. Yes, sir, I know.
Cutter knows that Minkowski will know those tips and he knows abiding by them is important to her. She's quick to demonstrate her knowledge of the DSSPPM and agree with the tip. There's something deeply sinister to me about Cutter's use of the word 'our' here. His phrasing includes them both as leaders who should be ensuring that things are exactly as expected. It’s almost a kind of flattery at her authority, but it comes with impossibly high expectations. This way of emphasising the importance and responsibilities of her role as Commander is a targeted strategy by Cutter at manipulating Minkowski, designed to appeal to her values.
In Hera's one-on-one, Cutter uses a DSSPPM tip to interpret her behaviour and claim that he can read her motives:
CUTTER This thing you're doing. Asking questions while you get your bearings.
HERA Sir, I'm just curious about--
CUTTER Pryce and Carter 588: Shows of courtesy and polite queries are an efficient way to gain time necessary to strategize.
Unlike with Minkowski (or Eiffel), Cutter doesn't prompt Hera to demonstrate her knowledge of the manual. That wouldn't work as a power play against Hera, who would be able to recall the manual (or, rather, retrieve the file, however that distinction works within her memory) but who doesn't care about the DSSPPM like Minkowski does. Instead, Cutter implies that Hera’s behaviour can be predicted - or at the very least seen through - by the DSSPPM, which seems like a cruel attempt by Cutter at belittling her.
For Eiffel, Cutter uses the manual as a weapon in a different way again. He asks Eiffel, "which one was 897, what was the exact phrasing of that Deep Space Survival Tip?", something which Eiffel clearly doesn't know, but Cutter of course does. This puts Eiffel on the back foot, trying to defend and justify himself, allowing Cutter to emphasise his position of power yet again.
The DSSPPM plays a double role in the liveshow. On the one hand, as Minkowski reminds Eiffel, proper knowledge of the manual "would've saved [the crew] from these problems with the nav computer" – some of the tips can potentially save the crew a great deal of hassle, stress, and risk. On the other hand, the same manual is used by Cutter to manipulate, unsettle, and intimidate the crew. There are these two sides to the information given to the crew by Command - two sides to the manual which Minkowski still values.
In another duality for the DSSPM, the manual is sometimes used as a symbol of the relationship between the crew members and Command, and sometimes used to indicate the dynamics between the individual crew members, usually Minkowski and Eiffel. Before Cutter’s appearance in the liveshow, Minkowski and Eiffel’s discussions of the DSSPPM reflect interpersonal disagreements between two people with fundamentally different attitudes:
MINKOWSKI Oh come on, why do you think I keep trying to get you to go over these things? Do you think I enjoy going through them?
EIFFEL Yes.
MINKOWSKI Well, alright, I do. But this knowledge could save your life.
Minkowski enjoys rules, regulations, and certainty, for their own sake as much as for any practical usefulness. Eiffel very much does not. This is a simple clash of individuals, in which the link between the DSSPPM and Command is implicit. Minkowski doesn't seem to question the idea that the information in the DSSPPM is potentially life-saving, even though she knows Command don't care about their lives. But Cutter’s repeated references to the DSSPPM remind us who made that book a mandatory part of mission training – it certainly wasn’t Minkowski, even if she’s often the one attempting to enforce this rule.
At the end of the liveshow, in a desperate attempt to prevent mission termination, Eiffel promises Cutter that he will read the DSSPPM (the liveshow transcript notes that him saying this is "like pulling teeth"), an instance of the manual being used in negotiations between the Hephaestus crew and Command. All Minkowski’s orders weren’t enough to get Eiffel to read that book, but a genuine life-or-death threat might just about be enough. Perhaps it's ironic that Eiffel reads the survival manual out of a desire for survival, not because he thinks the contents of the book will help him survive, but because he’s grasping anything he can offer to buy the crew’s survival from those who created that same book.
In the final scene of the liveshow, Minkowski catches Eiffel reading the DSSPPM, and he fumbles to hide that he's been reading it, a humorous reversal of all the times that he's lied to her that he has read it. Perhaps admitting that he's reading it would be like letting Minkowski win. Minkowski seems to find both surprise and amusement in seeing Eiffel finally reading the manual, but she doesn't push him to admit it. There's some slightly smug but still friendly teasing in the way Minkowski says "were you now?" when Eiffel says that he was just reading something useful. In that final scene, the manual is viewed again through the lens of Minkowski and Eiffel’s dynamic – Command’s relation to the DSSPPM becomes secondary.
“The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one”: the DSSPPM as a tool of survival
In Ep30 Mayday, when Eiffel is stranded alone on Lovelace’s shuttle, he hallucinates Minkowski to bring him out of his helpless panic and force him into action. And this hallucination also brings with it one of Minkowski’s interests:
MINKOWSKI Eiffel... I worked on this shuttle. Reprogramming that console.
EIFFEL So? How does that help –
MINKOWSKI Think about it.
BEAT. And then he gets it.
EIFFEL Oh goddammit.
MINKOWSKI What's the first thing that I would do when programming a flight computer? The first thing I'd make damn sure was hard wired into anything that might end up in a situation like this one?
EIFFEL Pyrce and Carter's Deep Space Survival Procedure and Protocol Manual.
Again, a conversation about the DSSPPM gives us an indication of the development of Minkowski and Eiffel’s relationship. Not only does Eiffel imagine Minkowski as a figure of (fairly aggressive) support when he’s stranded and alone, he thinks about what advice she’d give him and he follows it. Rather than dismissing the manual entirely, he looks for tips that are relevant to his situation. He’s not pleased about his hallucinated-Minkowski trying to get him to read the DSSPPM, but that was what his mind gave him in an almost hopeless situation. Some part of him now empathises with Minkowski’s priorities in a way that he definitely wasn’t doing in Ep1. He thinks that the DSSPPM might be on the shuttle because he knows the manual is important to Minkowski. It’s by imagining Minkowski that he gets himself to read the manual in order to see if it can help him survive – he certainly doesn’t think about what Cutter or anyone else from Command would tell him to do.
In the end, the tips Eiffel picks out aren’t all that helpful or informative: “Confront reality head-on”; “In an emergency, take stock of the tools at your disposal. Then take stock again. Restock. Repurpose. Reuse. Recycle."; and “"In times of trouble, an idle mind is your worst enemy”. But Eiffel does use these tips to structure his initial thinking about how to survive on Lovelace’s shuttle. In an almost entirely hopeless situation, Eiffel finds some value in the DSSPPM. But since the tips he picks out are mostly platitudes, the actual wisdom that allows him to survive all comes from his own mind; the tips, like his hallucinations, are just a tool he uses to externalise his process of figuring out what to do.
“Wasn't there something about this in the survival manual?”: Minkowski potentially moving away from the DSSPPM
Given the significance of the DSSPPM in Season 1 and 2 to Minkowski in particular, it feels notable when the manual isn’t referenced. Unless I've missed something (and please let me know if I have), Minkowski – the real one, not Eiffel’s hallucination - doesn't bring up the manual of her own accord at all in Seasons 3 or 4. This might make us wonder if she’s moved away from her trust in and reliance on that book provided by Command.
Perhaps the arrival of the SI-5, which highlights to Minkowski that the chain of command is not a good indicator of trustworthy authority, was the final straw. Or perhaps the apparent loss of Eiffel - and any subsequent questioning of her leadership approach, or realisations about the valuable perspective Eiffel provided - were what finally broke down her faith in that book.
Alternatively, perhaps Minkowski still trusts the DSSPPM as much as ever, but trying to get Eiffel or any of the other crew members to listen to it is a losing battle that she no longer sees as a priority. Either way, Minkowski’s apparent reluctance to bring up the DSSPPM feels like a shift in her approach.
The associations between Minkowski and the DSSPPM are still there in Season 3, but they are raised by other characters, not by Minkowski herself. The manual is used to emphasise Eiffel’s difficulties when he’s put in charge of trying to get Maxwell and Hera to fill out a survey in Ep32 Controlled Demolition. Trying to force other people to be productive pushes Eiffel into some very uncharacteristic behaviour:
EIFFEL Jesus Christ, what is wrong with you? It's like you've never even read Pryce and Carter! Tip #490 very clearly states that –
He trails off. After a BEAT –
HERA Officer Eiffel?
MAXWELL You, uh, all right there?
EIFFEL (the horror) What have I become?
[...]
Eiffel, now wrapped up in a blanket, is next to Lovelace. He is still very clearly shaken.
EIFFEL ... and... it was like an episode of the Twilight Zone. I was slowly transforming into Commander Minkowski. [...] It was a nightmare! A terrifying, bureaucratic nightmare!
This is a funny role reversal, but it shows us the strength of Eiffel’s association between Minkowski and the DSSPPM, as well his extreme aversion to finding himself in a strict bureaucratic leadership position. It also suggests that becoming extremely frustrated when trying to get other people to do what you want might make anyone resort to relying on an external source of authority, such as the manual. I don’t know whether this experience helps Eiffel empathise with Minkowski, but perhaps it might give us some insight into how her need for authority and control in the leadership role she occupied might have reinforced her deference to the DSSPPM.
In Ep34, we get a suggestion of another character having a strong association between the DSSPPM and Minkowski. After the discovery of Funzo, Hera asks Minkowski what the manual says about it:
HERA Umm... I don't know if this is a good idea. Lieutenant, wasn't there something about this in the survival manual?
MINKOWSKI Pryce and Carter 792: Of all the dangers that you will face in the void of space, nothing compares to the existential terror that is Funzo.
It’s interesting to me that Hera asks Minkowski here. We know from Ep1 that “Pryce and Carter's Deep Space Survival Procedure Protocol Manual is among the files [Hera has] access to”. Two possible reasons occur to me for why Hera might ask Minkowski about the DSSPPM tip here. One possibility is that Hera thinks that retrieving the manual from her databanks and finding the correct tip would take her more time than it would take for Minkowski to just remember the tip. Which suggests interesting things about the nature of Hera’s memory, but also implies that - at least in Hera's view -Minkowski’s knowledge of the DSSPPM is more reliable than that of a supercomputer.
The other possibility is that Hera could have recalled the relevant DSSPPM tip incredibly quickly but she doesn’t want to, maybe because she resents having that manual in her head in the first place, or maybe because she wants to show respect for Minkowski’s knowledge as a Commander. Either way, we can see that Hera – like Eiffel – strongly associates Minkowski with the DSSPPM.
And Minkowski, even if she wasn’t the one to bring up the manual here, recalls the relevant tip immediately. Perhaps she is moving away from her trust in that manual, but everything that she learned as part of her old deference to the authority of Command is still there in her head. She might want to forget it by the end of the mission, but that’s not easily achieved. The way Minkowski’s friends/crewmates associate the manual with her emphasises the difficulty she’ll face if she tries to move away from it.
“One thousand and one pains in my ass”: The authorship of the DSSPPM
In Ep55 A Place for Everything, Eiffel effectively expresses his long-held dislike of the DSSPPM when he comes face-to-face with both of its authors:
EIFFEL What? What the hell are - wait a minute - Pryce? As in one thousand and one pains in my ass, Pryce? (sudden realization) Which... makes you...?
MR. CUTTER (holding out his hand) W.S. Carter, pleased to meet you.
It’s significant that the two ‘big bads’ of the whole series are the authors of the manual which Minkowski and Eiffel were bickering about all the way back in Ep1. It’s not the only way in which the message of this show positions itself firmly against just accepting externally imposed authority and hierarchy without question or evidence, but it does reinforce this ethos.
By being the authors of the manual, Cutter and Pryce have had a sinister hidden presence throughout the show. Long before we know who Pryce is and even before we hear Cutter’s name, their manual is there, occupying a prominent place in Minkowski’s motivations and priorities, and in her arguments with Eiffel. It’s not at all comparable to what Pryce put in Hera’s mind, but it is another way in which these antagonists have wormed their way into the heads of our protagonists.
Minkowski will have to come to terms with the fact that the 1001 tips she spent hours memorising and reciting were written by two people who would have killed her, her crew, and even the whole human race without hesitation if it served their purposes. We never get to hear Minkowski’s reaction to learning the identities of Pryce and Carter, but I think processing the role of their manual in her life will be a long and difficult road that’ll tie into a lot of other emotional processing she needs to do. Her assertion to Cutter that, without him, she is “Renée Minkowski... and that is more than enough to kick your ass!” feels like part of that journey. She doesn’t mention the DSSPPM at all in Season 4. She’s growing beyond it.
"Doug Eiffel's Deep Space Survival Guide": The DSSPPM as a weapon against those who wrote it
Last but not least, I couldn’t write about Eiffel and the DSSPPM without mentioning this scene from Ep58 Quiet, Please:
EIFFEL As someone once told me: "Pryce and Carter 754: In an emergency, take stock of the tools at your disposal, then take stock again. Repurpose, reuse, recycle." And right now? You know what I got? I got this lighter from when Cutter was using me as his personal cabana boy. [...] and I've got myself this big, fat copy of the Deep Space Survival Manual, and you know what I'm gonna do with it? [...]
Eiffel STRIKES THE LIGHTER. And LIGHTS THE BOOK ON FIRE, revealing Pryce just a few feet away from him!
EIFFEL I am going to repurpose it... and reuse it... and recycle it into a GIANT FIREBALL OF DEATH!
And he swings the flaming book forward, HITTING PRYCE ON THE SIDE OF THE HEAD. [...]
EIFFEL That's right! Doug Eiffel's Deep Space Survival Guide, B-
No one other than Doug Eiffel could pull off the chaotic energy of this moment. It doesn’t get much more anti-authority than lighting the mandatory mission manual on fire and using it as a weapon against one of its malevolent authors. It might not be the wisest move safety-wise, and it certainly doesn’t improve the situation when the node gets jettisoned into space. But there is still a powerful symbolism in taking a symbol of the hierarchical forces that have tried to constrain you for years and setting it alight to fight back against those forces. Eiffel takes his own approach to survival and puts his own name into the title, an assertion of his agency and rejection of Command's authority.
The DSSPPM tip that he uses here is one of those he considers when stranded on Lovelace’s shuttle. It’s understandable that after that experience it might have stuck in his memory.
I can’t help feeling that the line “as someone once told me” has a double meaning here. The immediate implication is to interpret “someone” as being Pryce and Cutter – it’s their manual after all – which makes this line a fairly effective ‘fuck you’ gesture, emphasising how Eiffel is using Pryce’s manual against her in both an abstract and a physical sense.
But I think “someone” could also mean Minkowski. Eiffel uses a singular rather than plural term, there’s already an association established between Minkowski and the DSSPPM, and, in Mayday, it’s his hallucination of Minkowski that gets him to read this tip. She's probably also recited this tip to him at other points as well. Under this interpretation, this line is as much a gesture of solidarity with Minkowski as it is a taunt to Pryce. I like the idea that these two interpretations can run alongside each other, reflecting the duality of the use of the DSSPPM that I talked about in relation to the liveshow.
Conclusion
The DSSPPM is a symbol of external rules imposed on people by those with power over them. These rules can be strange, arbitrary, and even sinister, but for those with a desire for certainty and control, like Minkowski, they can be tempting. And they can have their uses, as well as the potential to be repurposed. Attitudes towards these rules provide an effective shorthand as part of Minkowski and Eiffel’s characterisation. And the clash between these attitudes, and how that clash manifests, can tell us something about how the dynamic between those characters develops and changes.
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