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#I don’t even know if I genuinely think Erik actually knows. but the idea of him knowing and not saying anything because he’s afraid
xmcu-fietro · 2 years
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“...And you?”
The answer should be pretty clear to Erik—Peter is there with Mystique simply because he’s the only member (other than Kurt, who’s busy elsewhere and who Erik doesn’t know about) who can actually travel to where Erik is. From Erik’s perspective, Peter isn’t there to add onto Mystique’s little monologue in some grand way—he’s just there to get her to and from places during this battle.
So why ask Peter this? What purpose does this question serve Erik other than wondering about that somewhat strange, energetic kid who broke him out of jail ten years ago? Why ask him why he’s there after a heartfelt speech about family, if not for confirmation of a decade-long suspicion—“My mom once knew a guy who could do that”—that maybe there’s some connection between them? Erik had to have asked about Peter at some point between the Pentagon and Paris. “Where did you find him? Is he a student? And how many people am I friends with that I apparently knew this kid’s mom?? Wait, his uncommon last name is the same as my ex’s?...How old is he again?”. It wouldn’t be hard to connect the dots after a little questioning. Between this and the look in his eyes after Peter begins saying “I’m your—“, there’s no way Erik didn’t know at that point.
Erik knows who his son is and he isn’t disappointed in who he is like Peter fears—he loves him because that’s his child, even if that child is all grown up and doesn’t really need him anymore. The only reason Erik hasn’t said anything is because he thinks Peter wouldn’t want anything to do with him, and he can’t risk losing anyone else even if he is accepted. Neither of them are willing to open themselves up for potentially experiencing the pain of rejection from the other—it would just be a son being abandoned for the second time and a father effectively losing yet another child—but it means they’re also closing themselves off from a much-needed familial connection.
All that to say—dang it, Fox Studios. This was such a good arc and it was wasted, and I will forever be sad about that.
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becauseimswagman1 · 1 year
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Ruined
A/N: My reader will ALWAYS be black. I may not mention any defining features, but the nice young lady getting her back broken will always be black. Thank you.
The mere thought of making love to you drove Erik wild.
Of course, y'all had sex. He would gladly ruin you on any surface anytime and any place but making love is something you two have yet to do and he thinks it's time.
You've been dating for a while and he wants to switch it up in the bedroom. To prove to nobody else but you that he's an attentive lover. He knows he doesn't have to since you initiate the majority of the quickies you two have, but he wants to. He wants you to know that he loves and cares for you and bringing you to three earth-shattering orgasms back to back on the kitchen counter after your annual date night isn't enough for him.
The night was going amazing. You thought the two of you ended the night by sharing a dessert, but to Erik, the night was just starting.
Y'all got home and rose petals leading to the bedroom (courtesy of T’Challa). He takes you to the room and unzips your dress then pushes you onto the bed and takes your heels off. He rubs your feet and kisses your freshly manicured white toes when he finishes.
"Erik, what is all this? The rose petals? The foot massage? Even though I did love that,” you laugh a little, “yeah you have gotta do that more often but still, this is a lot."
He chuckles and responds, "Baby I want to show you that you are one of the most important women in my life. You make me so happy and I don't think I can wait for another second to prove it to you."
Just as he's about to stand to take off his shirt, you stop him. "E... Before you say anything else I have to make something clear. I'm not ready to get married. I love you I do but we've only been together for a year. That's not very long to get engaged."
Erik genuinely laughs because he can see how you would think he's about to propose.
"Bae, I would never propose while you're in your bra and panties. It would be so much more special and you'd never see it coming." He winks as he stands and kisses your forehead.
He strips his shirt off and stands you up so he can take your place sitting on the bed, “Yeah knowing you, you’d do it at a crazy time like after we just got done fucking or something and I’ve been fucked so dumb that I ain’t got a choice but to say yes.”
He laughed and pulled you into his lap, “That actually sounds like a good idea.”
“Babe don’t take that shit serious. It was a joke! I would so make you-” he cut you off before you go on a tangent about how you’d make him propose again.
"Look forward, baby girl."
And there it was, the stand-up mirror you jokingly suggested to Erik about getting just to have mirror sex.
"I know that me fucking you from behind and forcing you to take it while you watch us is one of your many fantasies so I thought I'd make it come true." He slid his hand into your panties, slowly rubbing your clit, just enough to tease you and leave you breathless. "But for right now you're gonna watch me take you apart and put you right back together."
He smirked at the feeling of you getting wetter.
"Someone's eager, huh."
You gripped the hand that was toying with your emotions and tried to make him go faster.
"Not eager baby. Just want you to make me feel good."
Erik kissed your neck and delivered two quick slaps to your clit, “Do that shit again and Ima have no choice but to knock yo ass out. We don't want you passing out right baby? Keep yo fucking hands to yourself."
All you could do was squirm in his hold while he fingered you with 2 fingers and rubbed your clit with his thumb. You were already close to your first orgasm of the night and all you could do was say his name.
"That's right baby. Let everybody know who's treating you so well."
He left marks on your neck while applying more pressure on your clit. Keeping you constantly feeling the pleasure of coming without actually doing it.
"You close? You gonna come for me for real this time? You've been such a good girl at keeping your hands to yourself so I should let you right?"
You could barely speak and he knew you were almost at your peak so he let you have it. Your first orgasm of the night and your legs were shaking.
After making you come to the point of tears two more times, you thought the mirror stuff was all that was happening tonight.
You laid your head back on his shoulder, outta breath and ready to fall asleep, but Erik wasn’t having it.
“You thought I was finished with you? I’m nowhere near done baby.”
He quickly laid you on the bed and stripped you out of your bra and panties. Placing sweet kisses all over your body than standing to take off the rest of his clothes. He spread your legs and gets in between them, hand shooting out to rub himself against your wetness.
You wrapped your legs around his waist tryna get him to put it in but he wasn't budging.
"Baby keeps doing that and I won't fuck you at all. I wanna please you so let me do that aight?"
All you could do was nod your head.
He leaned towards your face, "Words. Use your words."
The sound of you begging wanted to make him nut then and there, "Please fuck me, Erik. Please"
He smirked, "Patience baby. Okay? Be a good girl for me."
He slid into you and let you adjust.
He leaned down to your ear, "I know I've ruined you for any other man. No one can ever make you feel this good but me and I'm letting you know right now that you're the only one I want screaming my name."
He started to roll his hips into you, making you feel every inch pulling out and pushing right back in. You were losing your mind at the pace since you were used to him fucking into you fast.
You grabbed at his shoulders and started to plead him to go faster. He almost didn’t give in.
He wanted this to last. He wanted you to feel how he felt. How much he loves you, how much he cherishes you, how much he wanted to marry you, and how much he wanted you to have his babies.
But he went a little faster anyway while giving you long deep strokes. All he wanted was for you to feel good.
The pleasure you were feeling was incredible. You felt that this was making love. You felt the love he had for you right here and now. You were overwhelmed with all the emotion.
Erik could feel you clenching around him, "you gonna come, baby? So soon?"
You nodded, not being able to properly form words to tell him that he was making you feel like this, that he was the one that was gonna make you spill all over him.
He reached down and started to rub your clit at the same time as his strokes. "I'm not gonna play with you, baby. Come for me."
Your breath hitched and you came with tears in your eyes and you could barely register that he was still rubbing you and fucking into you faster.
"One more for me then you're done. I know you got one more in you, baby."
You were shaking under him, practically losing your mind. Erik had made you orgasm multiple times before, but this was something new.
He knew you were close and so was he.
"I'm gonna come too, baby. You want me to give it to you? Fill you up so much it’s leaking out?" He kept rubbing and before you knew it, you were screaming his name. So loud that both of you knew you would get noise complaints the next day.
You came all over him, wetting yours and his thighs up. He groaned as he thrust into you one final time and emptied himself into you, making a chill run down your spine.
He pulled out and then got a rag out of the bathroom to clean you up. Erik gave your legs a little massage and kissed your forehead. Telling you to rest for a bit before he ran you two a bath.
All you could tell him was that you loved him before you drifted off to sleep.
He smiled, "I love you too. More than you'll ever know."
Small and hopefully growing taglist:
@itsbackwoodsbby @miyuhpapayuh
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dani-ya-dig · 3 months
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Ok now that I’m fully awake. It’s time try and organize my thoughts on that audio oh my god.
Also trigger warning for mentions of suicide under the cut
That’s actually the first thing I wanna talk about, and is the only gripe I have with the entire video. Why the fuck wasn’t mentions of suicide tagged in the description??
Like I understand the concept wasn’t dwelled on and Sam didn’t outright say “I’m gonna fucking kill myself” but he PRETTY EXPLICITLY talked about how he planned to commit suicide even if he didn’t say those words. idk “chosen morality” doesn’t seem like the right warning for that? I’m not gonna complain abt it like too much, I just was a little confused on why it wasn’t tagged.
But anyways onto my jumbled up thoughts about the actual audio! Because as a member of the Sam Collins fandom, I have thoughttsssssss!!
THIS AUDIO MADE ME SOB! I couldn’t sleep because of how sad I was over it. Sam and Darlin need to be happy just for fucking ONCE, god give them a BREAKKKKKK.
The idea of them just silently holding each other on their roof with the night sky above them, a few tears probably falling from both of them. IM DUHXSJDIJFDJFHFHJ
AND MOTHERFUCKER THE VIDEO ENDING ON “Brown. My eyes were brown” I FELL TO THE FLOOR SHUT THE FUCK UP!
On a happier note about that, I KNEW Sam’s eyes were brown. I feel like almost everyone did tbh. I’ll tell you what gave it away though, the gentle way he says “please” to Darlin in some of his audios. Automatically gave it away that he would have had the biggest brown puppy dog eyes you have ever seen in your life. I’m physically sick over it, it’s not even funny.
Now back to the thing I desperately don’t wanna think about. Sam telling Darlin that he wasn’t planning on living forever.
That’s where the dam broke for me, I started bawling. It totally makes sense, I get it and I can’t say that it’s not a choice that makes sense given that Sam never wanted to be a vampire in the first place.
Do y’all think that he was planning to watch the sunrise on his roof? Because that was my first thought and it hurt real bad. Sam finally getting to feel the sunlight after so many years of having been deprived of it, only to be ash when the sun was fully in the sky.
Also I know damn well he probably would have done it after Darlin died and that’s what hurts so bad. If Darlin chose to be a vampire I think he would happily spend however long their eternity would be by their side, but once they were gone he probably wouldn’t feel a reason to stay. Especially because if Darlin turned into a vampire the two of them probably would have completely pulled away from all mortals before that would happen.
On that note, I don’t think Darlin is gonna want to be turned. I never really thought they would, unless they were under very specific circumstances. Sam telling them to spend time in their wolf form and with their pack before deciding solidified that for me 100%. I don’t think they would be able to lose their wolf which we know is a pretty big part of shifters, talking from Milo’s audio where he breaks down worried he was never going to be able to shift again. I don’t think they would be okay with the idea of watching their friends, and their family all start to wither away and eventually die while they remain.
Now, do I think Darlin is going to want to be turned? No. Do I think the dynamic of Darlin choosing to remain mortal opens a lot of really good angst possibilities? Yes. Do I fully trust Erik to not turn them anyways? Not really no.
If I had to put a bet in for how it would happen if Darlin got turned, it would be by Quinn. Quinn would find out or catch wind of the fact that they chose not to be turned (if he didn’t already know they would chose that) and turn them anyways just to hurt them.
(I think Alexis turning them is an interesting idea to think about, from any angle but I highly doubt that’s gonna happen lmao)
All in all I genuinely think that was the only audio that has affected me that much (aside from maybe listening to the inversion for the first time??)
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vanillaheartzxx · 6 months
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OKAY HI YAY THE PROMISED POST OF MY THOUGHTS AND OPINIONS!!
(very very long post! i tried to section everything incase there is only certain things you care about hearing my opinion on.♡︎) and i did put the name of the video(s) i was mainly talking about at the top, but i’m talking about other videos as well, so please be aware of that! and apologies for any grammar mistakes, i tried to read through it, but i like to have inspiration af late hours of the night where i can barely type 🙂 (i also won’t be talking about project meridian just because i haven’t even caught up to the most recent video, nor vega because i don’t feel like rewatching atm!)
⚠️SPOILERS TO LIKE EVERYTHING⚠️
index…?
1. hush
2. avior
3. brachium
4. solaire clan
1. HUSH⇩
•You Save A Mysterious Stranger’s Life
•There’s A Stranger In Your Apartment
•Getting To Know Your Mysterious Stranger
okay i absolutely adore the voice erik has been using for hush like it’s super like ‘plain’(?) but it’s like perfect for his character. it’s not crazy deep, high, monotone or anything like that. (it’s sweet!)
when his first video came out i wrote some things about it, and here’s what i said (with a couple of edits LOL)
(intial thoughts!)
hush is very, VERY intriguing. but most importantly,
WE’RE EMPOWERED!!!!!!!!
YESSSSS AT FIRST I WAS SCARED WE WERE HUMAN
WE ARE A FUCKING HEALER YESSSS
IM SO SO HAPPY
HE CALLS US DOC YES PLEASEE
(i was feral??)
anyways my hush first episode deep analysis 🤗 (bullshit)
now for hush, i feel like we’ll guess everything under the sun, from that he’s a sovereign, he’s a shade, he’s a demon shade hybrid whatever, and then come to find out he’s actually david’s left asshole hair but i do have some small theories of my own
i feel like he is genuinely a part of the meridian. like a chunk of it. i don’t know what he looks like, (probably a human like body, obviously, or the listener wouldn’t have tried to help). the only reason i say this is because when he was giving the ‘complicated’ answer of what he was, i couldn’t even begin to tell you what the fuck the visuals might have been. (if there were any) i don’t know what the meridian looks like, but maybe that’s what it sounds like? also he has no core.
i would like to mention when the video might have taken place. we have no clue is what i wanted to point out. this could be before the inversion, the day after, the next decade after, the decade before, hundreds of years before, etc. it has become a bit troublesome in that department as erik likes to drop random time and date drops in his story push videos. (ex; avior and elliot, which is very convient i might add)
i’m scared of hush’s intentions like he tied us up after we saved him and i hate when i like evil kind of guys 😭
—————————————————————-
i didn’t finish writing everything i was thinking, but with the most recent videos this is what i have to add on.
hush literally told us straight up ‘i can understand why they think (the articulates, chorus) they have to (send articulates to kill him). oh that’s easy. because they think i’m going to free their god from the prison they’re in. well they think that because that’s *exactly what i’m going to do.*’
UHM OKAY?? huge bomb dropped on us. BUT that solidified to me he was a chunk of meridian. no core, not exactly human, not a demon. (okay thats probably wrong but what the fuck else 😭)
and besides that all i have else to say is for the timing thing, i still have no idea, i want to think it’s after inversion but i’m not sure. (if you have any theories on the timing please let me know what you think!)
but besides all that i think he’s sweet and its cute he’s trying to learn stuff for doc especially cooking 😭💓
2.AVIOR⇩
•Facing a Disaster With Your Demon Lover
there was definitely a lot happening in one episode. (also i watched it when it was released so my memory of every detail is bit iffy, spare me 🙏) it was like heartbreak all over again, hearing lasko stressed out and all the people screaming and yelling definitely wasn’t pleasant, but it was interesting seeing what else happened on the outside besides what we already know.
also, the inversion has been almost two years ago now. so i really wonder how starlight and avior are doing in present time. i would say ‘hopefully peaceful’ but present time isn’t even peaceful 🙃
honestly its been a while since i’ve watched all avior lore, and i think when the next lore(?) video of him comes out i’ll theorize a bit more, this post is definitely long but i don’t want it to be too extensive. (bullshit)
3.BRACHIUM⇩
•What Lies Below
WHY DID HE AGREE WITHOUT KNOWING 😭
my heart broke when he agreed to that ‘deal’ just to find out why blake’s lover would die and HE DIDNT KNOW WHAT HE WAS AGREEING TO. AND THEN TO FIND PUT HE HAS TO HELP THEM?? WHY
now he has to do whatever they say to help?? why 😭
and why do the sovereigns need to use blake and bestie(?) i only ask because is hush not going to free them? well to be fair we have no idea when this thing with hush is even taking place, or when bestie is set to die, or what blake is even going to do when he ‘breaks’ to free them.
and what if his will is strong enough and he doesn’t break? or his listener doesn’t die? 🤗 (wishful thinking guys!)
but actually going back to the audio whoever brachium was talking to DID say,
‘He is a tool. One that has to be broken so that it can be refashioned to a new purpose.’
KEY WORD: REFASHIONED. maybe hush is a chunk of meridian, but with blake’s body..? but he has not core. OKAY IDFK BUT he must be related to hush somehow i just don’t know how. i’ll think on it more. but blake is only a seer so i really don’t know what he could do with his current power, but who knows really.
also the entity (that’s just what i’m calling him idk) brachium was talking to said (in response to: ‘Accept a deal that I have no details of?’) ‘You’ve done it before. The blind choice to become a deathwalker.’ that has me so very curious on what the process of becoming a death walker was like. (okay it probably was explained sort of somewhere, but i don’t remember.) the entity also said ‘You say it was in service of lives.’ whose lives? i have no idea! wow great! 😀
but actually i have no ideas so hopefully everything will be explained eventually 😭
4. VINCENT, PORTER, MONARCHAL SUMMIT⇩
•Supporting Your Vampire Prince Lover
•Drawn In By An Alluring Vampire
•The Vampire Boys Have It Out
•The Monarchal Summit
A LOT A STUFF HAPPENED REGARDING THE SOLAIRES
i’ll start with first vincent’s video regarding the summit. WILL IS ACTING FISHY AS FUCK?? he’s hosting the monarchal summit, but he’s just NOT GOING TO BE THERE?? and is leaving everything to vincent?!? how does that even equate?? and then his fishy attitude towards ALEXIS?? that just seems sketch. (i want to get into william more, but talk about porter rq, ig.)
porter solaire. HES BRITISH.(🎊🎉) he’s quite charming, (when he wants to be,) but i can see where vincent and porter’s disagreement came from, but it was semi-resolved (they still have a bit of conflict) so i’m not going to go into and i’m just gonna dissect the summit!
okay the beginning made me so freaking happy to see the boys hanging out with each other!! and especially the friendly banter 😭💓
AND VINCENT GIVING LOVELY A CROWN MY HEART AUGH 💗🥲
and idk if michaela (william’s secretary!) with have anything to do with the story but it’s cool when characters have names even if you don’t know them 👍
anyways into the more not so heartwarming parts, alexis solaire.! SHE HAS THE PERFECT PERSON TO VOICE HER. that is EXACTLY how i’d imagined she’d sound. and honestly how’d she act as well. i didn’t think she’d be nice to darlin, but i was definitely thinking more of a nasty glare, growl, show of teeth or something and not full on banter, and insults, but i guess that’s just how she acts.
WHERE IS WILLIAM SOLAIRE?? WHERE. like there is no way he just was like, ‘yes vincent, take of the entire planning of the summit, that i’m supposed to be hosting. 😊 and also, i’m not even going to tell you why! and the day of i’m not even going to talk to you! let alone on the phone! 🥰’ LIKE?? AND THEN SOMEONE DIES?? (we’ll get to that.) SERIOUSLY?!
and then ‘House of Baz(?) (truly not sure how it’s spelled) starts saying ‘Make sure Quinn burns.’ ‘It’s not only your pack who wants him dead.’ ‘Quinn has friends and you can’t count on William to keep them at bay.’ (not quotes btw just a summary!) EXCUSE ME??? 😭 WHAT DO YOU MEAN?? DROPPING BOMBSHELLS AND WILLIAM ISNT EVEN THERE TO SAY ANYTHING. AND NOT ONLY BUT HE HIS DISSING ALL OF THEM 💀 ‘Even the golden prince Vincent has spent most of his afterlife as a covert risking menace to the region.’ AND THATS A DIRECT QUOTE. HE IS FLAMING THEM 😭 and with each sentence i swear he is backhandedly insults William and he can’t even be there to defend his name LMAO
but, it does say a lot about him. (i guess if this guy is a semi-reliable source.) ‘William is a horrible judge of character.’ ‘He can throw a fabulous party but can’t surround himself with the right people.’ ’He shields and excuses Alexis and her misgivings.’ ’He apparently delights in trusting the wrong ones.’ HE IS VIOLATING HIM. VIOLATING. this is not me saying all that is not potentially true, but damn 😭 i mean he’s 500+, give him a break? but then again WHERE IS HE??? (lowkey concerned for his safety)
a small little thing with alexis and porter, then the main event.
alexis and sam still must have a small little understanding since she decided to leave darlin alone (as she said at least) but alexis full on said that darlin was dog and he didn’t say anything 😭 i mean i guess he wasn’t trying to argue further but i just took notice.
i was trying to theorize where porters info came from, and all i can think of is a seer. (boring way out ik) now if it was a seer he talked to before the event, (which is why he came back in the first place, possibly, maybe.) he knew they were going to have that conversation, and so he told sweetheart to spy, but then im not sure if he knew that death was going to to happen, but im not sure. or maybe he heard rumors, or overheard them saying they may had that conversation which makes more sense, but hopefully more will be revealed.
WHAT WERE THEY TALKING ABOUT??!
‘If we had waited for you to make decisions two years ago “King” then the entire Inversion would have been for nothings” EXCUSE ME??! okay, okay, i kinda don’t believe this. maybe they had some connection to it. and yes i skipped some so let’s talk about them funding closeknit.
okay so they are funding closeknit because they want to people to join, but the amount of people joining and staying are plummeting because the inversion was two years ago. i have a sneaking suspicion that the reason they were like ‘the inversion was for nothing’ was because closeknit had convinced them somehow that they were the cause, and it would draw people in, and then they’d(house of bennett) would have power. there isn’t a lot of context, but definitely eye openers.
the only thing we have right now to go on is that the sovereigns caused the inversion, (releasing the dead ig? idfk too much shit to keep track of) and i don’t know if they have the power, (or closeknit even) to cause the inversion.
also regarding the timing thing i said about hush earlier, i do believe his whole shabang is in present time because nothing is happening. everything inversion related, sovereigns related, whatever is happening is IN THE PAST. which means in present time blake’s listener could already be dead AND he could have already have ‘broke’ and has something to do with hush (possibly) to help free them.
i was trying to think if closeknit didn’t actually cause the inversion (what i think) but tried to convince the house of bennet to fund them, (if they weren’t already,) it would be showing them the shade. idk bro im grasping onto loose strings here 😭 but PLEASE let me know your theories (that might be the case that blake ‘broke’ in maybe 2022 and he was being kept for a while like the articulate who came to doc’s apartment said.)
(back to the summit♡︎)
DEATH OR MURDER??
okay so the obvious suspect is sweetheart right? king of bennett and prince(?) of bennett having a VERY interesting and PRIVATE conversation, sweetheart goes in to spy on said conversation, those two hear a sound, it wasn’t just a mouse, and then the king of bennett is dead. i think it’s easiest to assume murder. and what could have naturally killed him…? nothing. to my knowledge. 😊
MURDER ( only viable option..?)
first i want to quickly talk about porter and vincent’s interaction before i talk about how the king may have died. porter tried to start a fight with vincent which i assume was for one of two reasons. one, to make a distraction so people would pay attention to them and sweetheart had a chance to leave, OR because he had something to do with the murder and maybe a distraction was apart of the plan. i think the latter.
i don’t think alexis is the killer. ‘but she knew he was dead before anyone!’ what motive did she have? none that i know of, and neither did porter(well maybe he knew that conversation was happening could be one but whatever.)
BUT i guess sweetheart may have had a tiny ass motive as they might have been angry at what they heard, (after all milo went through) BUT i don’t think they would do that. and even if they got caught they would have to murder both of them for them not to get in trouble. now my tiny theory is that sweetheart DID get caught spying and maybe the prince thought the king sent someone to assassinate him and then yk but whatever (far fetched 😔) IDFK we don’t even know the cause of death. 😭 Alexis just said he’s dead, not ‘the king of Bennett was killed’ or some shit so we don’t even know. and as a vampire, how many causes of death could he really have? does garlic and wooden stakes apply?? can he get murdered in regular human fashion?? WAS HE EVEN MURDERED??
as you can tell this post has many questions and zero fucking answers. like could he have been poisoned?? what can vampires be killed by in the redacted universe?? i’m guessing the number one suspect is the person who was in the room with him ‘alone’, but i feel that’s too obvious. and i mean we don’t know the exact time jump from when the king was killed, from when porter was trying to instigate a reaction from vincent, from when alexis found the body, when sweetheart went to spy, etc. we don’t even know exactly where the body was found. 😭 so i’m not going to settle on any one person being ‘the killer’ for now until another video is released but i have a feeling it won’t be like an exact continuation of the summit and maybe like an aftermath type video. idk but we’ll wait and see i guess.
Random(er) Thoughts + Conclusion
HE POSTED AN OLLIE VIDEO?? THAT MEANS WE’RE FUCKED‼️
(calm before the storm, great!) 💔
also credits to kilarthmac in the youtube comments!! i don’t know if you have a tumblr but your comments helped with this post immensely, (and many others,) thank you! 💓
im also interested in when the wedding might be!! i know the timing is usually around a year of engagement before marriage so maybe in early spring 2024!! just a thought! (super exciting)
anyways i hope maybe my thoughts and opinions could help you with any of your theories or anything, maybe expand them or something idk. if you read the entire thing thank you for doing so! i hope it was somewhat enjoyable 👍 (and my apologies for it being so long ♡︎) i’m excited to see what comes next with everything, erik is very talented with his writing and acting so we’ll see what’s to come. if you have any comments about anything i said (adding on, reasons why things may or may not be true) PLEASE SHARE THEM WITH ME!! i would truly love to hear them! thank you!!
BYE BYE!! ♡︎
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Note
Hi! I saw ALW’s Phantom of the Opera live a couple of days ago and I haven’t been able to stop consuming Phantom content ever since, which is why I happened to read your interpretation of Leroux’s Phantom of the Opera, and the post is so well thought out I really felt compelled to send you an ask. It’s so hard to find a good book commentary in which Erik is not depicted as the worst man alive or the sweetest angel who did nothing wrong.. I’ll definitely be going through your tags in the next couple of days!
I hope this doesn’t come off as inappropriate, just wanted to say I absolutely love your take on the character, I don’t usually see interpretations I actually like or agree with!
Have a good day 🫶
nonono this was SUPER cool of you and I really appreciate it! and I'm sorry my tags are a mess and you can't find all my Erik thoughts in one place.
I find the current dominant fanon on poto to be...frustrating. It's a bunch of people engaging in the most shallow, deliberately bad faith reading, rehashing the same tired ass takes. I'm off reddit now but for a few months there I had a lovely time on the poto subreddit, with, like, one good reddit friend who was, like me, an adult age fan of gothic literature in general, and we were constantly batting theories back and forth for why the culture is like this--and why only the English speaking portion of an international sensation is like this. We ultimately concluded that some people are just saying shit for the clout, but also the show brings out a TON of repression in people. We are convinced that some of the loudest, most irritating, most condemning voices are the ones also reading absolute filth on a03.
Some people are attracted to Erik and cannot handle the reality of that. It's easier to not admit you like something you "shouldn't," and pop culture has not come nearly as far in this way as it thinks it has. There's a lot of internalized hang ups and even shame about liking something that is, on some level, portrayed as potentially dangerous. Something powerful. Some people are still hung up on power = bad, lust after someone powerful in whatever way as indistinguishable from lust for power = bad.
And some other people are genuinely repulsed by the fact that Erik is canonically physically ugly, and they can't live with the realization that they're that shallow. Therefore: Erik must just be a fuckin loser lol and it's all his fault. And this is where some frustrating distortions of Christine's character happen, imo. The contemporary audience can't handle a female character who is anything but free of judgement. Christine is a perfect angel, a good girl, therefore any hesitation about Erik means that EVERYTHING IS HIS FAULT EVER.
But it's also frustrating, too, like you say, when Erik is seen as a perfect little blorbo who's done nothing wrong in his life. The point of it all, imo, the actual point of gothic horror et all assorted genres, is that the suffering is real and it matters and the actions can still be terrible. The character can be both a monster and a martyr.
And maybe it's just that those ideas are too complex for everyone to hold at once. Erik is absolutely a victim and he's not WRONG about how his face is the problem, and of course that would make anyone bitter. But Erik just as absolutely does some terrible things. It's all very understandable, imo--as long as the audience knows that understandable doesn't automatically mean justifiable.
And he's just such a powerful figure, in and out of his story, and also tragic and so Romantic and so romantic, and it drives me crazy that people reduce him to textbook normal male loser.
Like, don't apply your real life filters to fiction, you guys! Erik is not a normal guy! He's brilliant! He's different! That's why there's such fun tension in story--he's got a lot to offer; it's just also very very complicated.
AND THE MOST FRUSTRATING PART IS THAT IT WASN'T ALWAYS LIKE THIS. The stuff that the phandom seems to think is essential and obvious is not essential nor obvious! Broadway carried the show for decades on the strength of mostly women who were mostly obsessed with the Phantom! That's just the reality of it all.
Or, no. The MOST frustrating part is how some people accuse you of internalized misogyny for being sympathetic to Erik. As if reducing all media to the standard of "does the female character choose the Good Husband?" isn't wildly patronizing.
anyway, preaching to the choir, etc...
getting back to important things, CONGRATS ON SEEING IT LIVE FOR THE FIRST TIME! It's such an experience and so deliciously definitive. Do you mind me asking who you saw? I love looking up new cast members and hearing their takes and quirks.
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Let me propose an idea that lives in my head rent free. Ok so August and Sara😤Majority of the fandom hate them but me..
Ok hear me out; both of them are so complex. When you really pay attention to August you can see that he’s really just lost. He tried talking about his dad with Wille when they’re both outside peeing but Wille ignores him going on about Erik(understandable, he literally just died) and at the parents day lunch when someone assumes his step dad is his dad he gets so defensive. He’s clearly not past his dad committing sewerslide, and possibly hasn’t even had the opportunity to really open up about it. I can’t even imagine what kind of a toll that would take on you and he probably has many different thoughts regarding it. (Guilt,anger, etc) That could be why he started using, I assume. His relationship with his mom clearly isn’t great, and Erik said that Hillerska is basically his entire life now. The combination of the drugs, and School being the only thing going for him makes it very reasonable why he’s so serious and amped up about everything. Especially being apart of the Royal family. Outside of those things he literally doesn’t think he has anything. It makes sense why his character would take it so seriously. Now the whole video thing, I don’t really want to get into that bc I’m really high and I’m already using all the braincells I have to compel this. He did that out of spite of Wille telling everyone he was broke. I think it hit something in him mentally which fused him to leak the video. That in no way justifies it whatsoever. Afterwards though, you can tell he’s guilty. In his little actions/body language, you can tell. He looks like a clown but you can tell. Ok here’s my idea tho I kinda just went into an August deep dive without meaning to.
I think he’s redeemable, not forgivable. I’ve watched so many series that go on for a good amount of seasons, where in the last season the most loved character was the most hated in the first one. It happens so often in storytelling. I have a theory that he is actually genuinely gonna fall for Sara. Sara may or may not reciprocate deep feelings, maybe just minor or wanting to be with someone. And rewatching season 1 there’s this scene in I think episode two where August was trying to get Felice to go on a date with him, and she is talking to Stella and Fredrika about it after. They’re talking about how bad August is as a guy and Fredrika says “Real love can actually change you” that kinda seemed like foreshadowing to me idk. I’m so intrigued by Sara and Augusts dynamic. At first it was confusing and kinda icky but after all the rewatches I started to maybe kind of get it. August needs to be heard. I really think that’s it. Sara listened to him when she confronts him, let’s him vent and say how he really feels. And after all of that, after knowing he did something terrible, she tells him how she feels and what she wants, and then kisses him. If I were August in that situation I would feel accepted, heard, and maybe even understood. And like wait you want to kiss me after I just admitted all that? Sara was the first person that we have seen actually listen to his thoughts. It would so make sense if he actually falls for her. He’s clearly intrigued by her before that scene also, as she’s different from other girls he’s been with or talked to. If we have a season 3 or more I wouldn’t be surprised at all if we see a huge arc for him. I don’t think Sara will be his main storyline in this arc, just to make myself clear. It will need to be with Wille. Wille and Simon, as they’re the ones he fucked over. I don’t know where Lisa and the writers are going with him but I wouldn’t be surprised at all if something like this happens with his storyline. Who fucking knows, but if I’m actually onto something I’m gonna eat that shit up. Ok thank you for your time❤️🤩
Ok, hi bestie. I like where your head is. I think a lot of the same, too. In fact, I was just telling people the other day that the reason August is such a good villain is because he's not one. He's just a superbly fucked up kid. He's nuanced. He's not completely bad and not evil. He's just incredibly fucked in the head and he's drowning.
I honestly cannot wait to see where they go with his character. It's bound to be interesting. As much as I hate him, I cannot stop thinking about August and all the different layers of his character.
I've actually had a couple of posts recently about this type of stuff, so I'm going to link them:
Is August redeemable.
my thoughts on Sara/August.
my thoughts on August's attachment issues.
Happy reading, anon.
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caelumsnuff · 1 year
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I wish I could get paid like $16,000 (after taxes) or more a month for mediocre plotting, weak characterization, and once-a-month subpar audio porn like this basic and uninspired creative. This is quite bitter of course lol because his work was a fixation of mine for awhile until I realized how not great a lot of it is if you think about anything for more than two seconds and I also watched a lot of the podcast and realized he’s not a particularly kind person either lol.
It does have a little bite to it, but i don’t disagree with you. once again, under the cut because i am so so opinionated and i love ranting.
God i wish i could get paid that much too like gahddamn.
I sometimes wish i could say that his work was just a hyper fixation of mine, but at some point along the way it became closer to that of a special interest. I have quite a lot of fun criticizing and analyzing his work now, critically engaging with it (both being critical of it and having my brain on while i listen so i realize how bad it is at times lol) has become something i enjoy thoroughly. Good brain exercise.
I never was a patreon and im not going to be so i don’t know about the quality of his audio porn but like. I have GWA for that LMAO.
I agree about the mediocre plotting, ive talked plenty on this blog about how his plots are so often mediocre. I think a lot of them fall through because of the fandom reaction to them, or even their potential reactions. Which is a shame because Im of the opinion that he writes darker stuff better, but he doesn’t even just fumble the ball like he fucking drops it sometimes. (Fucking Marcus. Kody.) (the weak ass shit with inversion having no major consequences. Kill some characters you pussy) I think one of the reasons his plots are mediocre is because of the lack of consequences, of actual gravity and stakes. We never kill anyone. No one sustains permanent injuries. We need some kind of fear lingering over us that is palpable and that feels probable, something that has us sitting on the edge of our seats. But he tiptoes around doing things like this, and it has happened so often that we have settled in our comfort that no one important is going to get hurt, and nothing is going to change radically. Honestly it’d be a great time to do so now that we’re comfortable, but i doubt he will. Kill a listener. Kill a major speaker. Give someone permanent injuries. Fuck up relationships beyond repair. Have some horrible secret be revealed, betrayal and hurt and all that jazz. I havent listened to the Avior finale yet, but from the opinions ive seen from people i respect i dont have my hope very high.
Yeah if you think about any plot related stuff theres a 90% chance the floor is going to collapse out from under you. Its actually genuinely impressive how badly this man can fuck up an allegory, gotta give him props for that.
I feel like his characterization fumbles as well a lot of the time, his characters start off with so much personality and quirks and then he starts really fleshing them out and then……. They get buffed and smoothed out. At least thats what it feels like with all the fluffy, no plot comfort audios with little plot in between for months at a time. I do genuinely enjoy a lot of the characters (or the earlier, more full renditions of them. Or just the idea i have of them in my head) but i still think lately they’ve gone down hill. And i hope thats a trend that ends.
I’ve said it in anons to other people so if thats why this sounds familiar, its because it was me lmao, but i don’t particularly care for Erik’s personality all that much. I tried watching his livestreams way back, but i didnt last long because his chat is fucking annoying ass all hell and he wasn’t entertaining enough to justify me staying (for reference, i watch streams a lot. Ive moderated streams, Ive seen very annoying chats. His is horrible). I watched the podcast for a while but i just got sick of his and odies personalities. Hes kinda boring and comes off as fake to me. I wont assert that i know what hes actually like, i dont know the guy and it literally could just be general dislike (we’re human, it happens). I just tend to separate the artist from the art with this one. Its whateves.
But aside from all that, i hope that you still find some kind of joy in staying here if you choose to do so. Maybe its the fanfics, or you critiquing and analyzing the frankly subpar content, or maybe you make art of your own or play with what these characters could be like little dolls in your head, as long as it brings you joy.
Thank you for the ask anon! 💕
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Double Indemnity | Erik | Trial 2.4 | Re: Legitimately so many people / Attn: Eri, Erika
"...Miss Danger, I'm not sure what you expected me to do here, but I think not revealing information that could potentially get me killed is a pretty good idea," Erik placates diplomatically, even though the irritation is clear on his face. "And if you're talking about just during this trial instead of the days before, I was hesitant to share information that could potentially lead us in the wrong direction. What if I brought Miss Erika up before when all we had to go off on is that her prescribed gummies are the exact same ones that killed Cosette? What if it turned out to just be coincidence and we ended up railroading someone who could've been innocent?"
Though as of now, it's looking like they are anything but.
"Besides, as I've clarified regarding the blurb, I only came to the conclusions I did last night after that was revealed; and in response to Byrne as it is transpiring in this trial, it appears my trust in certain people may be slightly misplaced. While I'll be the first to say I don't have actual evidence that DeLight gummies have been used in a broader medical context, I was crafting my guesswork on the basis of the motive making every crime on the list sound worse than it is. What worse way to frame the creation and presumably testing of euthanasia drugs as a Serial Murder? I don't believe it might have been Miss Erika's intentions to have it been portrayed in such a way, regardless of whether she does or does not remember what it is, but given the context of this murder as-is, I had to bring it up as a genuine possibility. And based on what I knew about Eri, I didn't think it possible she would be guilty of aiding and abetting Miss Erika in this specific instance because of it. Perhaps I was mistaken."
That being said, this entire trial is seriously stressing him out. On top of being relegated to his small little island of death, he now has to deal with several conflicting sides in this fourteen-sided die of interpersonal relationships. The ringing in his ears is rapidly approaching a crescendo, and talking might not stop it but it's the best he's got. "I'm aware of who Eri's talking about specifically. They should not be specifically related to this case unless xe's been keeping even that relationship a secret in plain sight, and if you are, then I am going to be very disappointed. The employee break room monitors have been broken since the day after the last trial, and as far as I can tell, the hosts and AION have not bothered to fix it given that I imagine the door would have been a lot easier to replace first. What else? If Byrne's and Airika's guesses are accurate, then my original suspect for Aiding and Abetting was incorrect. Considering it was based on information that is likely not public, I will deign not to share my initial guess for that, nor my conclusions for the rest of the list."
But he does, apparently, have conclusions for the rest of the list. Just how much thought had he been putting into the motive, even if he wanted no part in contributing to it as a motive?
"I don't think there's anything else I can say given that everyone else is demanding answers from the two of you, but with all sincerity... please just tell us what happened." He looks directly at the two of them. "Maybe I don't know the full relationship between the both of you, or what your individual relationships to Cosette was, but you know she deserves better than this. She wasn't supposed to be in the Pharmacy, and she wasn't supposed to die. And if I have to march over there and wipe off however much makeup there is on you to find justice for them, then I will do what is necessary. But I want to keep that last veneer of trust alive. What is the truth of this afternoon?"
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allthefoolmine · 1 month
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Happy young royals season 3 to all who celebrate.
(It’s me I continue to celebrate.)
Episode 3 tonight, yay!
Under the cut for spoilers.
Amusing myself with some predictions before I get started:
1) August will try to corner Sara when she comes back to Hillerska to say he “misses her” or something equally mature and unselfish (snerk).
[the fool, responding to these predictions post-watch: CALLED THAT, and oh gawd I started howling in *outrage* when he showed up at her father’s apartment. How did he even know where it is? Not cool, not cool at all!]
2) Wilhelm and Simon will continue to talk past each other about issues of privacy, privilege, and freedom of choice. Which is sad, but a very good generator of tension in the plot. And I think they’re both right—Simon can’t see that the privileges of being a royal come with real downsides, Wille has no clue what it’s like to need to get a job. Simon, I think, is more *in the right* when he calls Wille out on saying his life is similar to Rosh’s, but I really don’t see Wilhelm coming around to that point of view any time soon.
[I…kind of called this and kind of didn’t? They’re definitely still talking past each other about social media, but I also don’t think that Wilhelm knows or appreciates how bad things have gotten for Simon. Maybe because this is how it always is for him? The fact that they’re not telling each other things seems to be becoming a bigger and bigger *problem*]
[*the fool clutches his hair and also the edge of his seat* TALK TO EACH OTHER YOU MUPPETS]
3) there will be many and varied displays of impulse control issues. This is, after all, a show about teenagers.
[I give myself maybe 50% here? I really meant impulse control issues in the sense of season 1’s substance abuse but there’s been none of that so far. The impulse control issues in this episode have been…really cute! Simon and Wilhelm sneaking away to make out in the music room made me laugh aloud, and the tryst during Valborg was genuinely sweet. Good for them!]
4) something will come out about Erik’s love life. I hope it’s something nice but I suspect it won’t be.
[GOT THAT ONE WRONG. Very little Erik in this episode!]
5) Vincent is going to saying something boorish about the Great Initiation Mystery. We the viewers will continue to remain oblivious as to who exactly the person talking to the media is. My money is now on August, for the record.
[partial credit. Vincent *was* boorish, just not about initiation. Will need to look up the YouTube channel of Kevin, the lovely Swedish English teacher who made some great reaction videos to season 1 and 2, in a few weeks, and see if he has anything to say about this! I want to learn more about Valborg, and the way Simon and his friends celebrate 1 May. It sounds fun and interesting. Love the idea of taking a day off for community service and also pro-labor protests!]
6) So far I have managed to avoid spoilers by the heroic effort of not engaging with any content on the young royals tag. Except that I know Something Bad happens at the end of Episode 5. Fingers crossed I can continue remain blissfully unaware what that is until I actually watch it…
[read the episode summaries on Netflix, oops. Even more nervous about episode 5 now…]
Final post episode thoughts…
It’s getting harder not to just watch all the available episodes at once, particular since they keep ending on such dramatic notes. Really wrenching to see Simon go from a positive experience with his new life and social media—at least until he talked to Wilhelm—to a fucking rock through the window.
Where do we go from here? Are there more spring or summer holidays the boys can celebrate by sneaking off together? How will Sara handle being back at school? Will August finally get his outing, stalking arse handed to him like he deserves?
Will find out tomorrow! Fijne avond verder!
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upat4amwiththemoon · 3 years
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The Scary People Next Door part 3
Summary: Two women move to the neighborhood, it seems like there’s more to them than meets the eye.
Pairing: Wanda Maximoff x fem!reader
Warnings: nightmare (let me know if there are any!)
Word count: 2299
a/n: Finally a new part! Hope you enjoy, feedback is always appreciated :)
Tags: @madamevirgo @fishlikestuff @hi-i-1 @d14n4ol @simpforwandanat @diaryoflife @emilyprentissslut @idek-5
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Y/N declines Darcy’s call for the fifth time in the span of an hour. She has been trying to call her the whole day, even Monica called her a few times, but Y/N hasn’t answered to any of them. She knew Darcy would eventually end up knocking on her door and possibly breaking in with the help of Monica’s tech if she didn’t answer soon. She couldn’t bring herself to pick up the phone and talk to Darcy, yesterday’s events still clear in her head.
Groaning, Y/N plays a voicemail Darcy just left her. “Listen, I don’t know what is going on with you right now, but I don’t appreciate you ignoring me. So, you better answer my next call or I’m coming over with Monica. And if you even think about not opening the door, I’ll call Jane and drag her here to drag your ass out of the bed!” The voicemail ends.
Jane Foster, Y/N and Darcy’s best friend, who neither of them have seen in years. Y/N met her and Erik Selvig through Darcy while she was helping with Jane’s astronomy research for college credit. Y/N decided to tag along and help as much as possible. They became close, and still are to a certain extent, but things happen. Darcy had to leave to finish college and become an astrophysicist, Jane got a new job at S.H.I.E.L.D and Y/N had to find an actual job that is in her skill set rather than being strung along with different doctors.
Jane was always known to be a bit bossy. It wasn’t always a bad thing, she needed to be bossy as a woman in that field of work to be heard and taken seriously. For Y/N that meant doing things that she didn’t want to do, like getting a job. If it wasn’t for Jane, she'd most likely still follow Darcy around like a lost puppy, which isn’t necessarily a good thing. She is very grateful for Jane pushing her into getting a job. That being said, she knows Jane would come over and make her spit out everything if Darcy did call her.
Her phone goes off. Y/N rubs her eyes frustratedly before picking up the phone and answering it. “Hi.”
“Hi? You ignore my calls the whole day and all you say is hi?”
“I’m sorry.” Y/N sighs. “I really just don’t feel like talking today.” She mumbles while laying in her bed. She has been laying on her bed the whole day, only getting up to go to the bathroom and get something to drink. She tried to convince herself that yesterday didn’t affect her, but it did, a lot more than she’d like to admit.
”That’s usually the time you need to talk to people the most.”
She did need someone to talk to. The feeling of rambling everything she feels to Darcy was strong, but the guilt of making her problems Darcy’s problems was bigger.
“I’m just tired, nothing to worry about.”
“Are you sure you’re okay? Would you like me and Monica to come over?”
Y/N bites her tongue, Darcy’s words bringing her close to tears. The damned question: Are you okay? That one question makes her want to spill out her guts instantly. “No, I’d rather be alone.”
Darcy mumbles something that Y/N can’t hear, probably to Monica. They have a silent conversation while Y/N waits for Darcy to answer her. “We’ll come over tomorrow.”
Knowing Darcy wasn’t asking her whether or not that’s okay, Y/N just hums in confirmation before saying her goodbyes and hanging up the phone. After throwing her phone somewhere to the table, she closes her eyes, ready to fall asleep.
“Hello!” She yells to the abyss, her voice echoing through the never ending emptiness. “Anyone there?” When Y/N’s only answer is her own voice bouncing back to her, she starts walking. At least she thinks she is walking. The space she’s in is pitch black, so Y/N wasn’t sure if she was moving anywhere.
Suddenly she starts falling. Y/N screams as her body flies down with no signs of stopping. She desperately tries to hold on to something, anything to stop her from falling, but to no avail. There’s nothing around her to grasp onto, only darkness and quiet apart from her screams.
A punch to the face changes her scenery. She groans, trying to lift her hand up to her face but gasping when she isn’t able to. Y/N’s eyes snap open in panic. She looks at her surroundings, noticing it’s the same room she was in not too long ago. However, now it was just a little more unsettling. She didn’t know what it was that made her feel so different from the real thing, nothing was visibly wrong. It just felt bad. Perhaps it was because she knew she was in a dream and she had gone through this already.
“Pay attention!” A very distorted voice shouts, punching Y/N to the face once again. She lifts up her head. The what’s supposed to be one of the men that hurt her definitely didn’t look like one. Its whole body was blurry and it moved to every direction. Its voice sounded like someone spoke through a broken megaphone, the voice cracking every now and then.
“What the fuck are you?” Y/N’s voice was a mere whisper compared to the creature.
The thing doesn’t answer, simply smirks, or at least it looks like a smirk. It starts walking around her, glitching when it takes a step forward. As it stops behind the chair, it sets a hand on top of Y/N’s head. She screams, all the pain she felt during that day going through her body in seconds.
Y/N screams as she sits up and looks around her, hands swatting away any remaining feelings of the thing. Her room is darker now, the clock being almost 11 pm. She stands up, runs downstairs and out the front door. This most likely isn’t the best idea, but Wanda did ask her if she wanted to stay at their place. If the question was genuine or not wasn’t clear to Y/N, but right now she’d like to think Wanda meant it.
She didn’t even know why Wanda and Natasha’s house was the first place she thought of. Maybe it was because she felt weirdly comforted by Wanda’s presence, or because they simply were the only people who know what happened.
Knocking on their front door, Y/N starts doubting herself. She almost turns around and leaves, but Wanda opens the door before she can.
“Hey, are you okay?” Wanda’s concern fills her ears. And so the waterworks start. Wanda gasps lightly, pulling Y/N into her arms as she sobs. She whispers sweet nothings to her ear while guiding her inside to sit on the couch. “It’s okay. I’m here.”
Y/N leans more into Wanda, putting her head on Wanda’s shoulder. “I’m sorry.” She mumbles. “I couldn’t sleep, I just can’t be alone.” She sniffles, backing away from the hug as she tries to stop crying.
“That’s okay.” Wanda has a gentle smile on her face that melts Y/N inside.
The feeling makes her question everything. Why is she feeling this way? She met Wanda only a week ago. These kinds of feelings weren’t supposed to awaken so soon.
“What’s going on here?” Natasha, who neither of the two noticed coming in, asks.
Y/N looks down, letting Wanda take control of the situation. “She’s staying the night.” She says as if it was obvious, which makes Y/N frown. It wasn’t her plan to stay the whole night, not wanting to bother the two, but she isn’t opposed to the idea.
“Only if that’s okay.” Y/N adds, lifting her head to look at Natasha, who only glances at her before turning to Wanda. They seem to have a silent conversation going on. It wouldn’t be the weirdest thing for Y/N if they were talking telepathically, knowing Wanda did have some kind of powers.
Her eyes widen. Is she able to read minds? Has she ever read her mind?
Wanda pulls Y/N up from the couch, bringing her back to the present. “Come on. You seem tired.” She leads her upstairs to her room. “You can sleep in my bed, I’ll take the floor.”
“What? No, I can’t let you do that.”
Wanda smiles, taking Y/N’s hands to her own. “You’re my guest.”
Y/N stares at Wanda’s green eyes, finding herself mesmerised by them. They are beautiful, she could look at them all day. It feels like Y/N is transferred into a whole new world as she feels herself falling deeper into her gaze. Soon she starts relaxing her muscles, Wanda’s gentle smile and sparkling eyes bringing her comfort. Y/N glances at her lips, wondering if they are as soft as they look. Judging by Wanda’s widening grin, she is listening to her thoughts. Y/N averts her eyes back to Wanda’s.
“Go ahead.” Wanda says with a playful tint in her voice. Y/N frowns, making Wanda giggle. “Ask what you want to ask. I don’t mind”
She blushes, trying to drop her head down to look at the floor, but Wanda’s hand on her chin stops her. Wanda knowing what she wanted should have scared her more than it did, but right now she didn’t care.
Y/N gives Wanda a shy smile. “Can I kiss you?” She whispers. If Wanda hadn’t been so close to her, she would’ve missed it. When Wanda nods, Y/N pulls her closer and kisses her. Wanda sets her hands on Y/N’s waist, while her hands travel through Wanda’s hair.
Wanda pulls back, tightening her grasp on Y/N’s hips. Her eyes are a darker shade of green as she kisses Y/N again and again.
For the next two weeks Wanda and Y/N take it publicly slow, hiding whatever they have going on from their friends. Of course, Natasha being a literal spy, she caught on pretty quick. Not that the couple were that good at hiding it. Wanda spent a lot more time at Y/N’s house, sometimes even nights. Natasha wasn’t mad per se, Wanda was so much happier now, but she was hesitant. Dating someone outside of their field of job always proved to be difficult, no matter how many times one of them tried to have a successful relationship. It always failed one way or another.
Wanda didn’t want to think about that. She had heard a lot of dating horror stories from the other Avengers, but she knew she could make it work. She just needed to be careful and choose the best approach of telling Y/N what she really did. She already knew she had magic, that’s one difficult conversation out of the way, and she knew Wanda’s job is something dangerous because of the kidnapping. Not the way Wanda would’ve wanted Y/N to find out, but it’ll make the actual telling easier.
“I’m going to check up on Y/N!” Wanda tells Natasha as she opens the door. She had different excuses to tell Natasha. Checking up on Y/N, helping her cook or fix something, comforting her through hard times and so on. Sometimes they were true. Wanda did help Y/N during a nightmare or a difficult day many times after the unfortunate event.
Natasha hums, her eyes never leaving the television. “Make sure to check her neck better this time, it had quite many bruises on it last time.” Her voice was completely monotone, but she had the tiniest smirk on her face.
Wanda freezes, almost dropping the piece of cake in her hand. “I’m sorry?” She squeaks out.
“I’m just saying.” Natasha turns to look at Wanda. “You two are doing an awful job hiding the signs.”
“I-I have no idea what you’re talking about.”
“Oh, so someone else must’ve done them. Or perhaps a mosquito, hair straightener, a match... I know all the tricks, Wanda.”
Wanda closes the door, sighing. “Fine, you’re right. What now?”
“That’s not up to me, it’s your call. Just be careful. These kinds of pairings don’t usually last.” Natasha didn’t want to be so pessimistic of their relationship, she has actually started liking Y/N, not that she’d ever let either of them know. She still wanted Wanda to know the hardships these kinds of situations brought into their lives. “Besides, we can’t live here forever, the mission is almost over, then we go back.”
“I know, Nat, I do. I’m not letting that stop me though, because I really want this to work.”
Natasha nods with a smile. “Then I’m rooting for you two.”
“Thank you.” Wanda’s smile returns to her face as she opens the door again. “Now, I’m going to go and spend some quality time with Y/N, don’t wait up.” She steps outside and closes the door, not waiting for Natasha’s answer. It would’ve been something witty.
Wanda knocks on Y/N’s door, feeling nervous. Natasha was right. Soon they’d have to go back to the Avengers compound and she couldn’t see Y/N whenever she wanted. It also meant going back to no contact missions. They could last months. Wanda didn’t want to disappear for months with Y/N having no way of knowing whether she was okay or not.
Y/N opens the door, but not with the excited look Wanda was waiting for. Her brows were furrowed and she looked almost angry. “Why didn’t you tell me you are an Avenger?”
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maleyanderecafe · 3 years
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Hey there was a mobile game I wanted to recommend you check out! It’s called MazM: The Phantom of the Opera. Obviously the phantom himself is a well-known character and prime example of a yandere, and this version’s Raoul also takes on that trait a little (although it’s mostly because Christine is in a life or death situation and this he’s protective over her), he’s very sweet and doesn’t wait a moment to shower her with praise. Anyway it’s a pretty faithful retelling of the original book and was extra fun for me as a yandere-lover as you play as Christine caught in between the yandere and the actual boyfriend. I think it’s coming to the switch soon as well if you want to wait for that.
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...Are you sure that Raoul just takes on this trait a bit...?
Joking aside, sorry it took me so long to answer this ask. I was originally going to watch a walkthrough on youtube, but then I realized that you said it would be on switch and since I just got my switch emulator, I ended up playing with a friend. I will say that there is a lot for me to say about this game, so this will be a long read.
First things first, I'll admit that I've never actually read or watched the Phantom of the Opera before, so I genuinely have no idea what happens in the story. This is where my friend who I was streaming for comes in because she has read the story so she helped fill me in on what happens (she's also making a yandere vn in the future which I will be spamming the heck out of because yandere vn). I think from what she told me, most of the story is relatively accurate, though some parts are changed for one reason or another (for instance, The Persian has a name in this game, but in the original, he doesn't), which has some pros and cons for some characters. Overall though, the story was pretty good for a first timer like me since it really let me experience what the Phantom of the Opera is truly about. I think the creator Mazm did a good job for historical detail, which makes sense considering their platform is about creating games that reinterpret famous stories (they've also done one for Wizard of Oz and Jekyll and Hyde which I sort of want to play), and there are a lot of different notes the player can collect in the game that give more historical insight into what is going on.
The story for the most part is pretty linear. There are some choices you can choose, but except for two, they don't really affect the story. For the most part, the game plays as a visual novel, though you do have to walk around to talk or interact with things to proceed the story. There are cats and notes that lie around the game too, with the notes giving more historical insight and the cats being used as hints in case you don't know where to go. The story is about a detective trying to find out the truth of the Phantom of the Opera at a request of a client whos husband was a victim of him, but most of the story is played through a flashback.
There are also small minigames as well that aren't too difficult, though I honestly felt like some of the minigames got to be tedious at times, specifically the one minigame where you have to press the order of the mirror combo which I found really annoying because besides the fact that I'm bad at those games, you had to do it every time you wanted to enter under the Opera house, which was just... ugh. The game itself seems much more optimized for mobile than it was for switch considering how slow the characters move (and its really slow walking to different places sometimes) as well as the fact that it takes forever to load between different scenes and there's no touch screen option for switch (that I know of). Plus the buttons for moving and pressing hints were annoying to deal with (though this could just be because I'm using an emulator). I also kept getting confused when I was playing, since sometimes I would walk around the entire opera house trying to figure out what to do next, only to learn that I was suppose to talk to someone that was literally five steps from where I spawned. The last thing I found annoying was the fact that there's no option to skip dialogue which is really annoying when I wanted to replay a specific part of the story to take some screenshots. If you play this game, it's probably better to play it on mobile than on switch.
In terms of artwork, Mazm's Phantom of the Opera is really gorgeous, from the overworld sprites to the dialogue sprites to the background and CGs. I love how cute the overworld sprites are (I think Jammes and Raoul's are my favorite, they're both so cute) and every background is really nice to walk through and gives a good atmosphere of what it's trying to show. The character sprites for each characters are nice and varied. I can always appreciate characters that have recognizable faces and shapes, since a lot of times I have face blindness when it comes to characters that look way too similar. The CGs of course are super well done and I love all of them. Overall, the artstyle of this game is very solid and I love the way it looks.
The main character of the story was Christine, who looks really good ( I really love her hair), was for the most part alright initially. While I found her to be a bit naive (because she believed that there was an actual Angel of Music when it was just... the Phantom), she was for the most part alright, and even ended up saving another character from the phantom. However, I found her actions annoying after she met the phantom, specifically the part where she agreed to stay underground with the phantom for two days and would be released as long as she didn't touch his mask, and guess what. Right as she was literally about to leave, SHE TAKES OFF HIS MASK, AND FOR WHAT? YOU WERE JUST ABOUT TO LEAVE?? The other thing that bothered me was the after being trapped with the Phantom for about a month, she is given free reign to go back above ground, under the conditions that she only goes to the opera house and at home. During this time, she's expected to break it off with Raoul, so she fakes a honeymoon with him before he leaves for the artic. However, during this time, she doesn't tell anyone, not even Raoul about what the Phantom is up to. She has an entire month, an ENTIRE MONTH to tell someone that the Phantom is likely to hurt people (as previously he had dropped a chandelier on top of the audience) and she just... didn't. Understandably, she might have been afraid that the Phantom might have heard her, but still, what is he going to do to the possible 100 people that Christine could have told about him. She could have saved people from death if something like that were to happen. Near the end, she does get proper character development and learns to choose things for her sake and not others, which was pretty nice and does stand up to the Phantom after all the trauma (and doesn't get stockholm sydrome, thank goodness), but I still think that a lot of her actions could have probably been written better to make her less naive (since apparently in the original she was about 16ish while in this remake she's about 20 so it's less awkward between her and the phantom).
Raoul is the next character I'll be talking about, because even though he is very adorable, he also has one braincell and talks about Christine way too much. My friend and I actually decided to make a counter on how many times Erik and Raoul say "Christine." Erik says Christines name 128 times and Raoul... says it 340 times. This isn't even counting his introduction and only starts up to when Erik is introduced as a formal character and also doesn't count any time he says it in the overworld. 340! My friend kept on joking around that because Raoul says Christine so much, his brother Phillipe became an alcoholic because he's so tired of Raoul talking about Christine. Raoul only really has like three things going for him: the fact that he was in the military, the fact that he's part of the Chagny household and Christine, and that's it. Throughout the story, his goals are pretty much always related to Christine, whether it be to give gifts to Christine, being worried about her or trying to protect Christine from the Phantom. When the chandelier drops on half the crowd during one of the performances, instead of being worried for them or trying to get out of the Opera House, he instead looks for Christine, who is on stage and quite literally in the safest location within the theater. I would consider him a redeemed/protective yandere though, considering his priority is always Christine (he even gives up his own family name to be with her) and he's always trying to protect her. There's a part of the story where Raoul becomes really unhinged when it comes to protecting Christine, lashing out her her friends and other members of the Opera house. He does some really dumb stuff because of the Phantom, specifically throwing away Christine's ring that she got from the Phantom (that she also literally told him before that as long as she's wearing the ring she wouldn't be harmed by the phantom and he just...?? okay??). When he's tortured in the mirror room, he hallucinates Christine blaming him for her capture, and he even cries while hallucinating that Christine friendzones him (which I though was actually really funny, even if it was a tad bit stupid). His redemption comes near the end of the story where he apologizes for being so emotional and realizing that he was a bit of an obsessive beast, and in one ending he lets Christine go to travel the world. To be honest, I don't know if Raoul would continue to be as protective and obsessed with her even after the Phantom's death, but I guess there's not really any way to know.
The Phantom, or Erik (which I know is his cannon name but it makes me laugh because he really doesn't look like an Erik) is the main villain of the story. Unfortunately, in this version, I don't think I can call him a yandere, for one simple character: Melek. Melek, as far as I know isn't in the original story, is a prisoner that Erik has after she refused to marry her. As a character, I do actually like Melek since she's the one of the more sensible characters in the story and she's the more rational one between her and Christine, but her role in the story basically deconfirms Erik as a yandere, at least in this version. For one, Melek is a blind maid of Erik that he did fall in love with and trap, similar to how Christine was, which kind of comes off as Erik being the kind of person who would trap any girl that he likes. Even if this is the case, I don't understand why Erik would keep her alive even after she fell for Christine. Supposedly the reason is that Erik wanted to make Christine feel despair and he did attempt to kill her, but Melek survives and he just... doesn't do anything with her. Honestly, if Melek were straight up not in the story, I would have put him as a yandere because pretty much all of his other actions point to a more possessive/worship type of yandere, but because of Melek it's just not possible in my eyes. Besides that Erik sort of reminds me of a chunni in this version (he's like this absolute darkness is my curse! Like people with 7th grade syndrom seem to have), it was kind of hard for me to take him seriously in certain times. He is very intimidating when he threatens Christine, but his overdramatic nature (which I know is something he's always known for, just this version is uh...) really makes him seem like a child. Erik is for sure suppose to be more antagonistic in this version, considering the addition of Melek and his general actions of possession towards Christine and his disdain for Raoul, but near the end we do see more of his story and we see just how devastating his life is from the moment of birth. I did feel really bad for him when Hatim/The Persian keeps on mentioning the prince he used to work with because its really obvious that he still has trauma from it (and he keeps begging him to not talk about his past and the Persian just... keeps traumatizing him I guess) and the fact that he was treated so badly because of his appearance, but this doesn't excuse his actions in the story. Christine does try to sympathize with him using her own tragic backstory, which Erik kind of pushes away (like bro, we're not trying to see whose parents are worse, she's just trying to sympathize with you, dang) as not being tragic. I think that Mazm did present him pretty well in this story, not showing just his antagonistic side but also his more tragic side. Sadly, like I said, I can't consider him a yandere because of the addition of Melek, at least not in this version.
In terms of other characters, I really like the trio of Meg Giry, Sorelli and Jammes- the friends of Christine. From what I can tell, they're all a bit more aged up in this version, with Sorelli being the oldest and Jammes being the youngest and I feel like they gave more character to them than in the original version. Sorelli is the head of the dancers and the dating partner of Phillip de Chagny, Raoul's older brother and she's the mature and strong willed one of the group, wielding a blade that she uses to protect her friends. I like the fact that they made her a bit more protective and in one of the overworld sprites its mentioned via rumor that Phillip fell in love with her after he saw Sorelli swing her dagger, which I thought was pretty cute. At the end though, after Phillips death, she realizes that she was struggling too hard to climb up the social ladder and decides to forge her own path. In the beginning she attempts to protect her and her friends from the Phantom, declaring that she'll stab him if she sees him. Next is Meg Giry, and from what my friend told me, she was very young in the original books and kind of scardy cat. In this version, she's a bit older but maintains the scardy cat position, and is very terrified of the Phantom. She does gain more character development during the story, standing up to her mother and the managers and overall being a more assertive and confident person, which I thought was a nice touch. Last but certainly not least is my best girl Jammes. In the original story, she barely makes an appearance, but in Mazm they made her quite literally the best character. For one, the canonical reason why there are so many cats hanging out in the opera house is that Jammes keeps on feeding them and letting them in and she has named all of them after the Opera House staff. Jammes loves to spin and has a cute animation and while she can be loud and a bit strange sometimes, she can be smart and assertive when she needs to. Jammes always pushes the other three into being better and protects them when needed (for instance, when Phillip lashes out at Sorelli, she steps in and demands that he apologize for his actions) and can be really smart at times (she's the only character that attempts to at least cover her mouth when the Phantom's fragrance, a hallucinogenic gas, starts to fill up the box seat, despite others who have been in there not even trying) and is the one who stands up for Christine's abuse as well as for the dancers at the opera house being treated unfairly by the manager as she organizes a strike against them. She also becomes part of the women's suffrage after the events of the story. I could go on and on about Jammes, but instead I'll leave a cute picture of her at the end of this entire analysis. Besides those three, I did like Carlotta, the original singing lead of the opera house. Originally, she became an antagonist towards Christine after she became the lead singer, however, she did apologize to her afterwards and befriended her once more before traveling the world. I love her interactions with Raoul because she basically said that Raoul only has Christine and military training and when he gets angry and lashes out, Carlotta glares and him, causing him to cower (this actually does happen multiple times), and I just found that really, really funny. Mifoid, though useless in the story is actually pretty cute as well, I love his bouncing animation. The last character I'll talk about is Phillip because he became meme material for me and my friend considering he probably is so tired of Raoul talking about Christine (we joked that the reason he was sent to military was so that he didn't have to hear her name again) and while he is mostly a decent but strict character in the story, his last appearance really makes him out as a jerk. I did think it was kind of weird that Phillip was so willing to let Raoul go to the Artic mission considering nobody that has gone there has ever returned, and he was rather elitest towards him, not letting him marry Christine because she's of lower
class but during his last chapter before he dies, he goes on a frenzy after he and Raoul have a fight, revealing to Sorelli that he only dated her for fun and not to actually settle down with her, which is just horrible. It's a bit sad though that Raoul only saw him as someone who tried to get rid of him considering that Phillip did raise Raoul and that his last actions were an attempt to save Phillip from the phantom, and yet Raoul barely has a reaction after seeing his body and doesn't even go to his funeral. It's really sad that Raoul didn't even really cry after seeing Phillip's body, considering that he was basically his father figure.
Overall, it's a good game to play and a good retelling of the Phantom of the Opera. I wouldn't consider the Phantom to be a yandere in this game, but I do think that Raoul is one. Thank you for this recommendation!
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kinktae · 4 years
Text
bitchin’ || pt. 10 (FINAL)
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The 80s were a time of choices. Which perm was right for you? What color neon would you wear next? None of these choices, however, were more questionable than a certain deal you made with Jeon Jungkook.
pairing: fratboy!jungkook x reader
word count: 5.1k
genre: 1980s au, eventual smut, e2l
warnings: angst
A/N: This fic was inspired by To All The Boys I’ve Loved Before. Thank you to @junqkook for letting me use her likeness! Thank you all for sticking with this story and these characters <3
01 | 02 | 03 | 04 | 05 | 06 | 07 | 08 | 09 | 10
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PART TEN (FINAL) 
Jungkook wasn't looking for you when he finally found you that day on campus. He had just come from the student services building, leaving the meeting with his counselor feeling somewhat content. He had officially changed his major to digital communications and multimedia. He never would have done it if it weren’t for you making him feel like he could, of course.
It had a full week since break had ended, and he felt like he was in hell, knowing you were somewhere nearby on campus, but not knowing whether or not you’d want to see him yet. If ever.
He had just finished buying his lunch and was heading to find a table to sit outside when he finally saw you.
You looked just as lovely as he remembered you, your hair braided prettily with your torso bundled up tight in your oversized jacket. You always hated the cold weather, he remembered.
You weren’t by yourself, though, Yara and Taehyung sat with you, laughing amongst themselves. The three of you together looked so normal that before he could stop himself; he found himself walking over to your table, his heart in his throat.
“Hey, guys.”
All conversation came to a halt, the three students turning to face the cautious frat boy, looking familiar yet different all the same.
Jungkook’s words sung awkwardly in the air for a moment as Yara and Taehyung exchanged a quick look. You didn’t need to see Jungkook to know the words had come from him. You recognized the soft timbre of his voice immediately, your eyes locking down on the denim material of your jeans.
Fuck.
For a moment, Jungkook worried that his greeting might go by ignored altogether. The idea made him feel sick, that he had lost the three most important people to him within three weeks.
Taehyung broke away from Yara’s stare, thankfully flashing a genuine smile at him, “Sup, JK. Long time no see. How was your break?”
You let yourself steal a glance at Jungkook as Taehyung sat up and offered him a hug, which he returned gratefully.
You were surprised. His hair was no longer shaggy and long like you remembered it. Instead, it had been freshly cut, looking healthy and neatly styled for the first time since you met Jungkook.
But despite his clean look, there was something off about him. Something that made you feel guilty.
“It was fine.” Jungkook responded halfheartedly, eyes flickering over to you experimentally. You were the whole reason he had come over after all. His stomach sank as he found your eyes jerking away from him, directing your attention to anywhere but him.
“Take a seat, man.” Taehyung invited, ignored the deadly glare being drilled into the side of his face by your best friend.
Jungkook contemplated for a moment, but nodded, joining the table hesitantly.
“Hey, Yara.” He began politely, blatantly aware of the way the girl in question was looking at him as if he were the gum on her shoe that she had stepped in.
“Jockstrap.” The petite girl acknowledged him dryly.
You could feel his attention shift over to you.
God, please don’t.
“Y/N.” His voice was soft and apologetic, and you wanted to scream. You’d be lying if you hadn’t been toying with the idea of possibly meeting up with him once back in school, but as he sat across from you; looking at you as if you were the only person in this room, you felt yourself begin to panic.
Yara could feel the way you had tensed beside her, every alarm in her protective best friend system going off. She turned to you immediately.
“So, Y/N, you never finished your story. How was Erik?” She began casually as if the two of you had been discussing this topic before Jungkook arrived.
“Um...” You blinked, confused at the sudden change of conversation by your scheming best friend.
“Was it weird to catch up with him after all this time?” She continued, words loud and clear as her lips wrapping around the straw of her drink.
“Oh, um...” you caught on, mind racing as you caught Jungkook’s eyes widening at Yara’s words from the corner of your eye.
You knew exactly what your best friend was trying to do. She knew how Jungkook felt about your ex and was using that against him. Two weeks ago, you would’ve gladly rubbed Erik in Jungkook’s face, but after weeks of contemplation, you just felt crummy.
“Erik as in… you ex-fiancé Erik?” You heard Jungkook speak up finally, not even bothering to hide the disbelief in his tone.
And then, you made the mistake of meeting his eyes. All the nerve you could have possibly called upon at that moment dissipating the moment you saw the disquiet confusion in his eyes.
“I, um…”
He didn’t have to say a word. You knew exactly how he felt, his face said it all.
“...have to go.” You finished weakly, chair dragging against the tile floor as you stood up abruptly.
Jungkook was the next up on his feet, “Y/N.”
Any effort he had planned on going after you was halted by an angry-looking Yara, who was throwing her bag over her shoulder as she hurried after you.
“Back off, shit head.” She scowled as she jogged off, leaving Jungkook feeling terrible, sinking back into his seat with a defeated breath.
Taehyung couldn’t help but stare at his best friend with pity. And as much as he wanted to offer some words of comfort, he had none, caught in between friends.
“Fries?” He finally spoke up, a sheepish smile on his handsome face.
Jungkook turned to face his brother slowly, eyes falling on the tray of the potato treat on the table before reaching for one, offering Taehyung a grateful smile that didn’t seem to reach his eyes.
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Jungkook had no idea what he was doing. In fact, standing in front of the dorm door of two girls who he knew most definitely hated him had him feeling like a real tool.
Of course, Jungkook wanted everything to go back to the way it was, with you and him still spending every second together and with Yara as your abrasive, but supportive cheerleader. But he had given up on the idea after the first 15 unanswered phone calls. He had given up on you ever returning his feelings, and that wasn’t why he was here.
As he rapped his knuckles against the door, he knew that he had come to apologize. You were owed at least that much. If you listened, he would tell you how sorry he was and just how much he would take it all back if he could. How he didn’t want to keep bothering you, but couldn’t leave you alone until you got the apology you deserved.
All courage seeped out of him, however, the second he was met with a tiny stature and auburn hair, the scarier of the dorm’s residents answering the door. Meaning he had seconds to get his point across before Yara shut the door in his face.
“I know you don’t want to talk to me right now—”
To his surprise, however, the scary girl walked out into the hall to face him, shutting the dorm door behind her.
Jungkook took a step back as a precaution, knowing better than to piss off an already angry Yara.
“Oh no, I’ve got loads to say to you, actually." Yara said once she was sure the door was closed, her voice low and hard. "Like how you’re a jerk. A tool. A coward. Not to mention a total scumbag–”
Jungkook nodded, interrupting her without thinking, "I know, and I–"
"Oh, I'm not done!” She huffed, and the meathead fell quiet. “A fool. A buffoon. A pathetic excuse for a man. A lecherous ape. A salacious, prurient degenerate!"
Jungkook flinched at Yara’s words. And what colorful words they were too. She was making good use of that English degree, he supposed.
A few silent, tense moments ticked by, neither of them saying a word.
"Anything else?" Jungkook offered, rubbing at the back of his neck nervously. Yara glared at him, arms crossed over her chest defensively.
"...Bedswerver."
He blinked, "Is that even a word?"
"I dunno, I read it in Shakespeare's Winter's Tale the other day. Just felt right, not gonna lie." She shrugged passively.
"Well... I guess I deserved that."
"You think?" She scoffed, clearly still heated. “You’ve been fooling around with Y/N all this time like it’s nothing, and at the first chance, you fuck your ex… only to sleep with Y/N again immediately after! Do you realize what a fucking douche move that is? To both Y/N and Kiri?”
Jungkook could feel his cheeks turning red, very much feeling like a child getting reprimanded by their parent. A child who was undoubtedly in the wrong.
“You're right. I fucked up. Majorly. And I know we can't ever go back to the way we were, that's not why I’m here. I hurt her. She deserves so much – far more than I could ever give her – but at least this... at least I can give her the apology she deserves."
Yara pressed her lips together, letting out a huff if agreement, “I'm surprised your itty bitty, underdeveloped, primitive ant-brain could figure that much out."
Jungkook frowned. She really was laying on the insults thick, wasn’t she?
“Ok, fine, sorry, I'm done now.” She sighed, arms coming back to her sides.
Of course, she was pissed. This entire situation was so entirely frustrating. From the moment those two had shook hands, it was evident that their relationship was heading down a path that neither of them was ready for.
Staring down the dark-haired boy, Yara wondered if this all could have been avoided if these two boneheads were just honest with one another from the beginning. But no, instead, feelings went left unsaid, and her best friend got dirty dicked in the process.
Relationships – even fake ones – were way too much drama for Yara.
Jungkook had remained quiet for now, allowing the door keeper to stare him down, trying to decipher his sincerity in his intentions. She let out a hum.
“You have 15 minutes.”
Jungkook felt his shoulders relax.
“She’s in the living room. I’ll be standing out here the entire time, and if I hear you as so much as raise your voice even a single decibel, I will rip off your dick.”
Of course Yara was going to let Jungkook in; she knew there was a lot still needed to be said between the two of them, and Y/N deserved a chance to speak her mind as well. Besides, Y/N had been rambling all week about reaching out to Jungkook herself. It was the closure both of them needed, and she wasn’t bitter enough to deny him that opportunity. She was just currently enjoying the way he squirmed under her stare.
“Thank you, Yara.”
“I'm serious. You will be penis-less. You'll go crying to the doctors to try and reattach it, but it'll be all in vain as I'll have ripped it to shreds by the time you reach them, way past the point of reconstruction. Do you understand?" She deadpanned.
Jungkook swallowed, head nodding rapidly, "I understand.”
Letting out a sigh, Yara stepped aside, clearing the path to the door.
“Don't fuck this up, jockstrap." She warned, an unexpected softness in her tone.
Holding her stare for a moment, he sent her one final grateful nod, reaching out and pushing the door open.
Entering the dorm, there was a weird sense of melancholy to the space. What once was a place where he spent most of his time, now just felt like an unfamiliar dorm– one in which he wasn’t particularly welcomed.
"Y/N?”
You weren’t propped up on the couch like he had expected you to be. In fact, as Jungkook scanned the space, he realized you weren’t in the common area at all.
Were you in your room? He wasn’t exactly sure how comfortable he felt walking into your room without your permission, given the current circumstances.
Whatever inner debate he was having, however, stopped off quickly as he took note of the light coming from within the shot door of the bathroom. And most notably, the shadow of two feet from underneath the door.
You had panicked.
Naturally, at the sound of Jungkook’s voice, you scurried over to press your ear to the door, hung on his and Yara’s every word. When you heard that he was coming in, you were sent scrambling for a place to hide. The bathroom was merely the best you could do with such a short time frame.
You cursed internally as his footsteps neared your way, stopping once he had reached the locked door. 
"I know you're in there."
You tutted, “So? Am I not allowed to use the bathroom in my own dorm?"
"You aren't using the bathroom." His voice called out from the other side of the door.
"Yes, I am."
"No, you're not. You’re pee shy and there is no way you'd be using the restroom with me in the room."
You grimaced. In all the time you had spent with Jungkook, you had timed all your bathroom activities skillfully so that there was no chance he could hear you. This bathroom habit wasn’t only with him. Even Yara had to be tucked away in her room for you to pee comfortably. It was an odd, insignificant quirk of yours and frankly, a stupid thing for him to remember.
“Please… can we talk?”
“Just leave me alone, Jungkook.” You leaned your back into the door, voice void of emotion.
“I can't. Not with how we left things.” He placed a hand against the door, wishing it was your face he was holding instead. “You’re my best friend, Y/N.”
Bitterly, you thought back when Jungkook had called Kiri his best friend the night the two of you first slept together. One way or another, it always seemed to come back to her. 
God, did it piss you off.
Angry now, you pushed yourself off the door, turning to face it as you imagining it was Jungkook's stupid face your eyes were burrowing into.
“You said Kiri came over asking for you back, yet you still came over and slept with me the next day. Even though the two of you had sex the night before. Do you understand how that makes me feel?”
“I’m—”
“Like garbage!" You emphasized, the white paint of the door somehow irritating you further. "I felt like I was something you threw away and picked back up whenever you felt like getting your dick wet.”
Your chest was rising and falling rapidly, and you tried your hardest to not let your emotions get the best of you.
“Not to mention to everyone else, it looks like you cheated on me. Which makes me look like a fucking idiot." You scoffed.
Jungkook said nothing in reply, which somehow made it easier to say all you should have said that day in your room.
“It just sucks to realize that someone you once cared about sees you as nothing more than a toy. It fucking sucks.”
Your words were small now, clearly hurt, and it made Jungkook’s heart sink.
“Fuck, Y/N, you’re right, you’re totally right. It was fucked upand gross and disrespectful, and I'm so fucking sorry I did that to you. I’m so sorry I hurt you like that. Y/N, you’re not just a toy to me. You’re more. You are so much fucking more.”
“...Why did you sleep with her?” You muttered pathetically, selfishly wanting to know.
Jungkook pressed his lips together. He had been asking himself that very question every day since he did it.
"I just... I thought it was what I wanted. It was what I was supposed to want.” His eyebrows furrowed. "The entire time, I kept telling myself... This is it. I got what I wanted. Y/N was right. We're both gonna be happy now. But that’s not what happened. And that scared me."
God, how he wished he could see you right now.
"I didn't come over the next day to sleep with you. I just saw you... that was not... my head went blank and– ah, fuck, I practiced what I was gonna say on the way here. What am I even saying right now?" Jungkook groaned out to himself suddenly, hands entangling themselves in his hair.
How was he supposed to tell you that the second you opened that door that morning, all logical thinking stopped, and all he could think about was the fact how much he had missed you last night and how badly he needed to feel your lips again to forget hers. How he lost himself in the way you felt and tasted wasn't strong enough to stop himself.
In fact, he had nearly forgotten all about his terrible mistake when you suddenly brought up spending Christmas together, realization sinking over him. Of course, he wanted to spend it together, but there was no way he could lie to you for any longer. No way he could meet your parents after what he had done.
There was no sugarcoating it. He really was pathetic. And there is no easy way to tell you that.
"Why are you here? Honestly, Jungkook, what do you want from me?" Your words rang out suddenly, taking Jungkook by surprise.
What did he want from you?
What didn't he want from you? He wanted all of you. He wanted to tell you that you were the only thing he thought about all winter break. How you could take his heart and do whatever you deemed fit with it. That you had him wrapped around your finger, and there wasn't a damn thing he could do about it.
But none of that mattered now.
"I know we can never go back to how we were before. What we had is ruined and that's because of me. I just wanted to apologize for ever making you feel like all I ever wanted was sex from you. I'm so fucking sorry."
You had your hands buried in your palms, wishing this wasn’t all so hard. That you had just broken the contract off the second you realized you had real feelings for him.
"The night at the roller rink, you told me that if I love something and it inspires me then I should go after it, right?”
Lifting your head from your hands, you frowned at Jungkook’s words.
Your roller skating date? God, that felt like ages ago...
“Yeah. So?”
“S-So, um–" Jungkook stuttered, ears turning red as he contemplated his next words, "so, for me... you're that something. And I couldn't just let you go with at least letting you know how sorry I was. Fuck, that was so lame, sorry, I probably sound like such a wastoid right now."
You wanted to cry, not because you weren’t happy but because you were so tired of hating Jungkook and pretending like you didn't just want to run back to him. You had spent the last three weeks rejecting his calls yet wondering all the same what he was doing. Your heart and mind were in constant paradox, torn between wanting him back and wanting him to know just how much he had hurt you.
Your mind ultimately won the battle, of course, but as Jungkook stood just a few inches of drywood apart pouring his heart out, it was hard to say which major organ was responsible for your next words.
The creak of the door being pushed open sent Jungkook's eyes wide, revealing your hesitant form. You had your arms crossed over your chest as if to guard the contents inside of it.
You looked like an angel underneath the bathroom's blue fluorescent lights, beautiful and lovely, a stark contrast from your next crushing sentence.
“I slept with Erik.”
You weren’t expecting the news to go over well with him, but what you weren’t expecting was the way Jungkook’s face fell entirely slack as if he had just witnessed his world fall in front of him.
You weren’t exactly proud of what you had done. You and Erik had gone out for dinner, admittedly enjoying each other’s company and catching up on all the years you spent apart. You didn’t have plans on sleeping with Erik when you first called him up. Honestly, it was Jungkook’s name being continuously brought up during the car ride home that spurred on the impulsive decision to kiss Erik, just to get him to shut up really. But more than that, you knew precisely where kissing him would lead.
As always, Erik was predictable, and he fed into your request without question, and you felt terrible about it. It was a mistake at worst and a distraction at best.
Hardly even a distraction, as Jungkook was inescapable. He was in the back of your mind the entire time, looking at you with sad doe eyes that you were trying your hardest to ignore.
Even as you slipped back on your shirt when the deed was done, code brown starting to set in as the reality of what you had done hit you, you couldn’t escape him, as Erik wished you well and that he hoped things between the frat boy and you worked out.
Needless to say, you spent the rest of you break absolutely miserable — hating yourself using Erik in the same way Jungkook had used you.
The sound of Jungkook swallowing dryly brought you back from your thoughts. “Did you… I mean, are you two back together?”
He placed a hand into the front of his jean’s pocket as you contemplated your next words.
He continued on, “If… if he makes you happy..."
A gross feeling washed over you, watching as the boy you loved tried to hide the way his breath was trembling. You bit down on your bottom lip.
“When Erik and I…” you paused as you watched Jungkook’s expression fall further, “I was expecting it to be all intense and emotional. Because I once loved him.”
You frowned, the memory still somewhat fresh, “But I wasn’t. It felt foreign and detached and—”
“Wrong.” Jungkook finished for you, a melancholic shine in his eyes. You nodded.
“I didn’t understand at first. I have been having casual sex with you for all this time, but it felt nothing like that.”
“I know exactly what you mean.” He breathed.
You turned away from him a moment, trying to grab hold of your wit before you could once again flee from the scene, leaving your meathead ex fake boyfriend in your dust.
"I'm not saying what you did was justifiable, because it's not, but... I guess I'm not exactly in any position to not forgive you. Because I used Erik to forget about you. And it felt horrible."
"What are you saying?" Jungkook didn’t know what to make of what your cautious words.
Turning back towards him, you held his stare with certainty.
"I'm saying that... I forgive you."
A sharp breath came tumbling out of the boy’s mouth, eyes growing wide as he tried to make sense of how he had ever earned your forgiveness after what he had done to you.
He took a step towards you instinctively, only to be stopped as you held out a hand to halt him.
“I need you to understand something.” Your arms tightened around yourself, growing shaky. “I don’t need you. I had a life before you, and I know I'll have one after you.”
Jungkook nodded at you, despite how much it hurt him. He understood. You had given him forgiveness; he wasn’t owed anything more.
All you had to do was say the word, and he’d be out of your hair forever. He’d do anything you’d ask him to, despite the way every part of him was screaming for you.
“I don’t need you… but I don’t think I want a life without you.” You finished shyly.
Your eyes were locked with his when suddenly a small noise escaped him, eyes pulling away from yours as his head moved to attempt to hide the way his eyes had grown wet.
At the sight of a tear rolling down the side of his face, you were by his side, hands gripping his jacket worriedly.
"Wha– Why are you crying?!" You panicked, never having dealt with a crying meathead before. This was uncharted territory.
"Fuck, I'm sorry. I just..." your heart lurched at his broken tone, watching as he wiped at his cheeks with the back of his hands. "Didn't think I'd ever see you again after this. I missed you so much. I'm so fucking sorry for hurting you."
“I missed you, too.” You cooed softly, tugging at his jacket so that he’d face you again.
And suddenly, the sound of paper hitting the floor rang out, the two of you pulling back to look at what had come tumbling out of Jungkook’s pocket.
“What’s that?” You asked innocently, not seeing the way his cheeks had gone pink.
“N-Nothing.” He was quick to reach for it, cursing lowly as you beat him to it, taking the crumpled up paper in your hands.
He watched miserably as you pried it back open, scanning through the paper in confusion.
“Jungkook… What is this?” You muttered.
Jungkook’s face was positively burning, time moving slowly as he realized what was about to happen.
“I, um, wrote it one night when I couldn’t sleep... I forgot I put it in this jacket. I meant to throw it away.”
Your face held an expression of uncertainty, as if unsure how to proceed. It was undoubtedly addressed to you, an affectionate “Nerd” up on the top.
So you opened the paper further, flatting it out with your hands as you began to read.
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“Do you mean what you wrote?” You finally spoke, voice wavering.
Jungkook wished he could disappear into the floor right now. Never in this wildest dreams did he imagine a scenario where you would find out about his feelings for you through a sappy love note he had written when he was moping around late one night.
“Yeah, I do.” He told you honestly, your heart skipping several beats.
In that case, it was time you were honest as well.
“You're right when you say things can't go back to the way things were.” You began, cheeks warm. “Not because you ruined it but because I'm not putting myself through that again. I'm sick of half-assing shit and tired of lying to you and to myself. I know what I want, and it's you… not because I have something to prove, not because I want to make Kiri jealous but because of the sole reason that you make me happy." Your strong facade began to crumble as insecurity began to suddenly sink in. “But if you don’t want that, if you don’t want something real... then nevermind, I guess.”
And all at once, Jungkook realized that all this time it hadn’t been just him.
Two arms made their way around you, and suddenly, you were engulfed in warmth, Jungkook’s close proximity pulling a wave of emotions out of you.
“I love you, nerd. I don't why it took me so long to realize that, but I know without a doubt that you are it for me. Nothing could change the way I feel about you.”
And finally, you let out a cry, breaking down all the walls you had built up to keep Jungkook from perceiving you as weak. Because maybe you were. Maybe you were weak for this boy, but as you buried your wet face into his chest, you no longer cared, the weight of everything you had felt these past three weeks crushing down on you.
“I’m sorry. I’m so, so sorry.” Jungkook cooed softly, chin coming up to rest upon your head.
"I love you, too." Was your weepy reply.
Jungkook’s eyes fluttered shut, tears rolling down his cheeks as he pressed a kiss into your head, wanting nothing more than to stay like this with you forever.
"Are you two dorks done crying?" Yara’s voice rang out suddenly, causing both of you to jump apart.
"Yara, you creep! Privacy, dude! Ever try knocking?" You sniffed, wiping at your face hurriedly.
How long had she been standing there?
"What? Like you were peeing with Jungkook in the bathroom? Please." She waved you off, walking back into the living room to give you two some privacy. She did say Jungkook had 15 minutes before she’d have to come back in after all. "Anyway, Tae will be over in 10 minutes for the Saved By The Bell marathon that’s on so you guys are more than welcomed to join." She called out from her newly seated position on the couch.
"Sure, whatever..." You huffed back, flashing Jungkook an exasperated look. So much for that special moment.
Jungkook didn’t seem too bothered though, the fullest, most boyish grin on his lips, taking in the puffy-eyed girl in front of him that he could now with full confidence call his.
And that girl couldn’t help but smile back at him just as stupidly because for once, there was nothing fake about your boyfriend.
"How is it that a piece of paper is the start of both our real and fake relationship?" He mused suddenly, hands reaching to take yours. You hummed, taking in the way your fingers intertwined.
“Funnily enough, we broke, like, every rule of our contract." You quirked up a brow.
“You know…” Jungkook began, flashing you a mischievous look, “it states very clearly on the bottom that the contract will be terminated upon completion. We can’t terminate the contract if we never completed it.”
“What are you saying? We keep the contract going?” You laughed.
“I’m saying that you are contractually stuck with me.”
“That contract is in desperate need of some amendments.” You rolled your eyes.
“Yeah? And what did you have in mind?” His hands found your waist, pulling you into him.
“Rule number one has gotta go. The one kiss policy just won’t slide with me.”
Jungkook let out a laugh, his palm finding your cheek, eyes locked on your lips. You were preening for his kiss, mouth parting slightly as you anticipated it.
“Partners?”
The question took you by surprise, eyes widening at your not so pretend lover.
Idiot.
“Partners.” You smiled softly, eyes shiny and brimming with tears as he kissed you for what must have been the millionth time, but still somehow felt like the first.
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And just like that, bitchin’ is over :’( thank u all for ur support, seriously I was not expecting this kind of response (consistent too!) to this story and I'm so beyond grateful and I hope you all know I never take your engagement for granted. thank you for letting me share my stories <3
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nugnthopkns · 3 years
Text
dance me to the end of love (ii)
word count: 3.3k
warnings: fem!oc, alcohol consumption, cursing
series masterpost: here
a/n: part two baby! thanks for all the love on part one, it means the absolute world. i have so much love for this story and i hope people are enjoying it :))
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Life is settling into a comfortable rhythm.
After spending a good chunk of her young adult life being incredibly studious, Magdalene can finally have the social life of someone in their mid-twenties. Though she’s still spending a fair amount of time by herself in the basements of the University of Denver’s library, Bette convinces her to go out more. Magdalene tries to fight, citing extra work or a good book as an excuse to stay home, but it doesn’t work very often. The pleas of her friend are how Magdalene finds herself currently lounging poolside at Erik Johnson’s house on a Sunday afternoon.
“How’s the new career treating you?” Tyson asks. “I feel like we haven’t seen you in a while.”
Magdalene laughs. “I’ve seen Bette plenty,” she says, “She thinks I won’t take a lunch break unless she shows up.”
“Would you?” the blonde girl questions with a quirked brow.
“Probably not.”
“I rest my case.”
A small crowd gathers around as Magdalene begins to detail the specifics of her job, but she doesn’t feel as uncomfortable as she once would have. In the month or so since graduating school she’s found herself slowly being incorporated into the Avalanche family. It’s almost certainly because Bette and Tyson championed her case, explaining that she doesn’t have much of a support system beyond the two of them, but she doesn’t mind. A few of the guys ask her questions about her work, curious as to why someone would want to spend their life combing through piles of old things. Everyone stays engaged in the conversation until there’s a shout from the kitchen that dinner is ready.
Magdalene shuffles in line behind André, filling her plate with various pasta salads and a hamburger. Once situated with enough food for two meals she returns to the pool deck, sitting on the edge and dipping her toes into the cool water. Bette comes and finds her a minute later and the two of them begin to eat.
She’s still relatively new to the group’s dynamic, but Magdalene can’t help but notice that Ryan is never around. In fact, Magdalene hasn’t seen him since her graduation party. Taking a casual sip of her wine cooler, she asks her friend about the man’s absence.
“Why is Ryan never at these sorts of things?”
Bette shrugs. “Isn’t a huge one for parties. He was supposed to come today, but I guess something came up.”
“I’m not huge on parties,” Magdalene huffs, “But that doesn’t stop you from dragging me to every single one.”
“Unlike you, Gravy gets enough regular social interaction that his absence is permissible. If Tyson and I didn’t take you out you’d talk to your cat more than normal.”
She wants to fight back, but knows it’s pointless. Bette has a point – if it weren’t for her the only people Magdalene would interact with are her boss and her cat. Instead, she grumbles under her breath and changes the subject to the trip Bette is in the middle of planning. It’s coming up in a few weeks, and Magdalene wants to hear a bit more about it before she commits. Despite what she thought about taking time off so close to starting work, it was encouraged by June, but she's refraining from telling Bette that. If it doesn’t sound like she'll enjoy it, Magdalene is banking on being able to use the excuse.
Bette explains that she’s renting a large lake house that is perfect for a relaxing week away from adult responsibilities. The property has kayaks and a hot tub, which pretty much ensures that Magdalene will want to be in attendance. She’ll hold onto that information for a little while longer though, if for no other reason to make Bette squirm a little. At some point Tyson comes to sweep his girlfriend away and leaves Magdalene at the party alone. She makes polite conversation with some other players for a while before heading home herself. Ryan never shows up, despite how much Magdalene hopes he will. At the very least she wants to properly thank him for doing her a favour, though her hoping to see him is much more selfish. He intrigues her and she wants to know more about the tall man with the dazzling smile and a proclivity for wearing all black.
☼☼☼☼
Barn Owl Book Company is filled to the brim when Magdalene approaches the store from the side street it annexes. She should’ve expected it – it’s the first of the month and their newest books are hitting the shelves. However, Magdalene doesn’t exactly have time to wait in line. June gave her only fifteen minutes to run and grab them coffee before they continue the massive task of digitizing a private collection that has just been donated to the university. She estimates it will take almost a month of extended hours to get everything done, and Magdalene believes it. There’s so much to wade through but she knows the end result will be satisfying.
Luckily the café line is fairly short, and Magdalene reaches the counter in a timely manner. “Hey,” she greets the barista warmly, “Could I just grab two medium iced cappuccinos?”
“Anything else?”
“No, that's everything. It’ll be on debit,” she smiles. Magdalene reaches into her backpack to grab her wallet only to find that it’s missing. Shit. The barista has already left to make the drinks, completely unaware that her customer is unable to pay.
Magdalene hears a voice from behind her say, “I’ve got it, don’t worry.” She turns around to find Ryan Graves standing there with a book tucked under his right arm.
“You’re a lifesaver,” she mumbles appreciatively. “I don’t know how my boss would take it if I showed up empty handed.”
Ryan laughs shyly as he pulls his card away from the machine. “I get it, everyone needs a little caffeine this time of year.” The barista comes back with Magdalene’s drinks, which she takes with a smile and a wish for a good day. The two of them head towards the exit, and Ryan pauses once they’re on the sidewalk. “Which way are you headed?”
“Back to work,” Magdalene says, nodding her head in the direction of campus. “I’ve got approximately five minutes to get there before June rips me a new one.”
“June?”
“She’s my boss,” she explains.
Ryan nods in understanding. “I’ll see you around Magdalene,” he smiles, turning on his heel and heading the opposite direction.
In a moment of bravery, Magdalene yells at his retreating figure. “Will you? We never seem to cross paths.”
“I’ll be at Bette and Tyson’s this weekend, and I’m counting on your company.”
Magdalene finds it incredibly hard to focus the rest of the afternoon. She keeps thinking about what Ryan said, which makes her a rather lousy archivist. June sends her home just after seven even though they had plans to stay until ten, citing the fact that she’s scanned the same photo three times before noticing. Caligula’s meowing for pets when she gets home isn’t even enough to distract her from the comment. The absentmindedness continues for another day or so, and it’s becoming so bad Magdalene is worried that June is going to fire her for incompetence.
It’s only when Bette calls to invite her over for dinner and drinks that her mind levels out. “I was wondering when I was going to get the call,” she chuckles absentmindedly.
“What’s that supposed to mean?” is the response Magdalene receives.
“Well,” she explains, “I ran into Ryan at Barn Owl the other day and he paid for my drinks because I left my wallet on the table at work, and he said he expected to see me at your place this weekend. So if you never invited me I was just going to show up.”
Bette is smiling, that much Magdalene can infer by the lull in conversation. “I haven’t got the time to call you yet,” she concedes, “But consider this the official invitation to our house for a small party.”
“Anything we’re celebrating?”
“Nope. Have you ever needed a reason to party?”
Magdalene laughs. “Yes. Need one almost every time actually.”
The rest of the week passes fairly quickly. To make up for her blundering earlier in the week Magdalene offers to work a full day on Saturday, by herself, to get the project back on track. June accepts the proposition eagerly, and Magdalene lets Bette know she’ll be coming directly from work. Saturday rolls around and she spends most of her time getting lost in the past lives of the artefacts she’s dealing with. If someone were to ask Magdalene what her favourite part of archiving is, that’s the answer she’d give. There’s nothing more satisfying to her than holding a piece of history in her hands and imagining all the stories it would be able to tell if it could speak.
By the time she’s put in a full work day and finishes locking up the basement floor her department occupies, Magdalene is pretty sure they’re ahead of schedule on the project. She genuinely feels terrible about her misperformance and hopes June will be able to forgive her. On the way to Bette and Tyson’s Magdalene listens to the Leonard Cohen greatest hits cd that came with her car. The previous owner was presumably a big fan, and over the years Magdalene has come to appreciate the folk singer. She never got to see him in concert before his death but turns to his music when she needs to relax. Right now is the perfect time to listen to ‘Hallelujah’ on repeat because she’s seriously freaking out about the idea of spending the night talking to Ryan. Though she still wants to properly thank him and possibly become friends, something about him makes Magdalene nervous.
There’s no way for her to tell if Ryan is there when she parks in front of the house. She doesn’t know what kind of car he drives, or if he caught a ride with someone. Magdalene debates texting Bette to see if he’s there already but decides against it, knowing she’s an adult who is more than capable of pushing down nerves.
She doesn’t bother knocking and just steps into the respectably sized home. The music is loud enough that no one would have heard her anyways. It’s much more of a party than Magdalene was expecting – Bette invited her for dinner and drinks, not a gathering that could pass as a frat party. There are bodies everywhere, and she isn’t sure if she’ll ever catch a glimpse of her friend.
“You seem to be dressed for the wrong kind of party,” a voice chuckles from behind her.
Magdalene turns to see Ryan leaning against the wall, eyeing her business casual attire. “I came from work,” she explains, “And didn’t know it was this kind of party to begin with. I would’ve at least brought a change of clothes.”
“You look terribly out of place,” he agrees. “Can I grab you a drink? The hosts are too busy playing beer pong to, you know, be hosts.”
A giggle escapes Magdalene’s lips at the comment. Ryan seems to have a similar sense of humor to her, which will be beneficial for passing the time if Bette is already on her way to being wasted. “A glass of red wine would be nice.”
Ryan pushes off from his perch and heads towards the kitchen. The crowd parts for the six-foot-five hockey player, and Magdalene follows in his wake quite easily. Knowing the space as well as her, Ryan grabs a wine glass from the cupboard Bette keeps them in and pours the dark red liquid into it. He waits until Magdalene has situated herself on the island before handing her the cup. She takes it with an appreciative hum and waits until he’s grabbed a beer for himself before raising her glass in toast. Ryan does the same, and their glasses clink before each of them take a sip.
“What exactly is it that you do? I bet it’s something super cool and studious, but I seriously don’t know what the hell being an archivist means.”
Magdalene explains her job to Ryan, who is extremely interested. He asks nearly a hundred follow-up questions that she answers sincerely, throwing in a few jokes that luckily crack him up. Conversation moves to his career and then life. Magdalene learns that he’s from Nova Scotia, though he stays around Denver these days, and that if he wasn’t playing professional hockey he’d like to have a career in publishing. Ryan doesn’t press too hard when Magdalene refuses to open up about her family, which she appreciates. It’s a delicate subject that she keeps guarded close to her chest, and a friend’s kitchen in the middle of a party isn’t the place for her to divulge her deepest secrets.
The two of them get refills before exiting the room. Even more people seemed to arrive since Magdalene walked through the door, and the kitchen is no longer an empty safe haven. The music is so loud she can feel the bass thumping in her chest, giving the living room a club-like atmosphere, and it’s too much. Magdalene tugs at the hem of Ryan’s sweater to catch his attention. “Want to go somewhere quiet?”
“I doubt there is such a place,” he yells over the crowd going crazy over some early 2000s hip-hop track.
“Follow me,” she says with a smile, pointing over her shoulder in the direction of the staircase to the second floor.
It takes a minute for them to wade through the throngs of people, but it goes much faster once Ryan takes Magdalene’s hand and splits the crowd. A few boys, who don’t look older than twenty-one and almost certainly snuck into the party, notice where the pair are going and shout congratulations. Ryan shoots them a glare so sharp it could cut stone but doesn’t drop Magdalene’s hand. Once safely on the much quieter second floor, Magdalene makes a beeline for the bathroom.
“Are you coming or what?” she asks when there doesn’t seem to be footsteps following her.
Ryan hesitates. “I, uh, can just wait out here while you’re in there,” he stammers.
Magdalene’s laugh rings out through the empty hallway. “I’m not going to the bathroom. We’re going out the window.”
He isn’t sure how that’s any better, but Ryan follows the brown-haired girl into the room. It takes considerably more work for him to fit through the frame, but after some directions from Magdalene he makes it onto the roof. She sits down and pats the space beside her, encouraging Ryan to do the same. They stay out there, discussing anything that comes to their heads, until the party’s numbers dwindle drastically. Magdalene makes sure to properly thank him for both attending her graduation and spotting her coffee money, and she thinks Ryan might blush a little when she offers to get the next round. He asks about her love of The West Wing, and they launch into a long conversation about the show and cast. The sun fades to black and the cold sets in, and Magdalene finds herself wrapped in Ryan’s sweater without asking. It’s only when she notices it’s approaching midnight that Magdalene clues into how tired she is.
“I think I’m going to head out,” she yawns. Ryan nods in agreement and holds the window open for her to slip in through. Once downstairs, Magdalene goes to lift the sweater from her frame but Ryan stops her.
“Keep it for drive home. I’ll get it back next time we see each other.”
Still feeling bold from the alcohol that left her system hours ago, she reaches out to poke him in the chest. “And when will that be, hm? You seem to enjoy leaving our meetings up to chance.”
It’s Ryan’s turn to laugh. “Think you can swing an extended lunch break on Wednesday? I’ll be at Barn Owl all afternoon. Maybe you can join me for a coffee.”
Magdalene likes the sound of that and agrees. She leaves without seeing Bette or Tyson once, but she doesn’t mind. They’d be happy for her blooming friendship – or at least she’s pretty sure they will be once she calls to fill them in on the details.
☼☼☼☼
Wednesday rolls around without incident, and Magdalene is given a full hour to eat instead of thirty minutes. Walking time has to be accounted for, of course, but she should have nearly forty-five minutes to spend with Ryan if she plays her cards right. There’s no crowd this time, and it’s incredibly easy to spot Ryan sitting in the window she loves to claim as her own.
“Hey,” Magdalene greets, “Did Bette tell you to sit here?”
He shakes his head, perplexed at the question. “No, why?”
“It’s just my favourite seat in the store, that’s all. I thought she told you how to gain some extra brownie points.”
“Should I be concerned about the amount of points I have?” Ryan teases, sliding a cup and pastry bag across the table and into her hands.
Magdalene shakes her head, smiling widely. “You’re doing alright so far. Keep up the good work.”
They eat at a comfortable pace, taking breaks to engage in interesting topics of conversation or take sips of their drinks. Ryan insists his life is boring, but Magdalene is enthralled by the stories he tells. It’s completely different from hers and she feels as though she can live vicariously through the tales of walking through the historic downs of the east coast and swimming in the Pacific Ocean on days off in California. After squeezing every story possible from the man Magdalene shifts gears slightly.
“So, are you going on the trip in a couple of weeks?”
“It’s looking that way,” Ryan shrugs with relative indifference, “Nate doesn’t think he’ll be able to come back, something about a development camp he’s running having the dates switched. He’s asked me to take his spot.”
His neutral mood confuses her. When Bette mentioned his probable attendance months ago, it sounded like he was enthusiastic about spending a week with friends doing nothing to swimming and drinking. “You don’t want to go?” Magdalene probes.
“It’s not that I don’t want to, but sometimes the group parties a little harder than I like to,” he sighs, raising a hand and running it through his hair. That’s something she understands completely, having spent a few too many nights being the sober one out.
“I’ll be there.” It’s Magdalene’s turn to shrug, but the comment holds an incredible amount of hope.
“Well then, that changes everything.”
Was Ryan flirting with her? She spends the rest of lunch thinking about the possibility, and truthfully, it occupies her brain for the rest of the day. However, she keeps her focus and June is none the wiser to the butterflies in her stomach. Work finishes without much fanfare, and her dinner is silent save for the few meows of conversation Caligula offers. It’s late by the time Magdalene falls into bed, cat snuggled into the pillow beside her. On a whim she decides to check Instagram and sees a message request from none other than the man who’s smile has been replaying in her mind. A follow request accompanies it.
Thought that maybe we could quit leaving our meetings to chance and plan something next time :)
He has to be flirting. There’s no other explanation for the witty banter they’ve shared this week, or why he’s reaching out to her on social media. The butterflies in her stomach multiply tenfold as Magdalene types out a reply.
I don’t know, it’s kind of fun being shrouded in mystery. However, I now have the opportunity to stalk your profile ;)
Before she can overthink her use of the emoji, Magdalene shoves her phone in the drawer of her nightstand and rolls over. A slight smile can’t help but appear on her features as she falls asleep, already curious about what his reply will be.
☼☼☼☼
taglist: @scrunchmakar @marcoscandellas @toplinetommy @samsteel @lovethepreds (add yourself to the taglist!)
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starfanatic · 3 years
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Me analyzing every scene with Charles and Erik in First Class.
Charles and Erik's experiences
Now in the beginning of the movie, Charles and Erik don't have a scene together but it compares their lives, side by side, and in a way explains why they are so different from one another.
Even as kids there is some clear differences:
The first mutant Erik ever met was Shaw. A nazi who murdered the only person who loved him. Then Shaw experimented and tortured him until Erik inevitably broke out. Shaw made Erik believes his power can only be unlocked through pain and anger. The first mutant Charles ever met is Raven. Raven and Charles became close, basically becoming siblings. Charles was never alone, he had Raven and vice versa.
At such a young age, Charles knew how to use his power efficiently, without needing to be angry to do it. Erik however only could do it (at that age when he's in extremely stressful situations).
Now as adults there is still big differences:
When we first meet Charles he's at a bar, flirting with a woman. It's clear he's very intelligent and talks about mutations. Then in the next scene, hes celebrating after his graduation. This is a good time in Charles' life. Erik however is still plotting revenge against Shaw, hurting people for information or straight up murdering them.
Something I noticed is that Charles seem to have a lot of positive interactions with humans, like Moira for example while Erik seems to only have negative interactions with them.
Erik’s power is naturally more destructive then Charles. Charles can communicate with people and understand their emotions and feelings. Erik destroys the environment around him, to do whatever he’s going to do.
Drowning Scene
Let's talk about Erik's mental state in this scene. He is pumped with adrenaline and anger. The man who made his life a living hell is escaping and he needs to stop and make him pay for what he has done. So he desperately tries to bring the submarine back, and he was going to do it or die trying. This is a once in a lifetime opportunity for Erik, who has been wanting revenge against Shaw since the day he killed his mother. Its symbolic, because in a way he's drowning in his own hate and anger. His hate and anger is what almost killed him. Then Charles jumps in to save him. This is the first time someone wanted to genuinely help him since his mother. Charles was willing to jump in ice cold water just to save him. Immediately Charles knew what Erik has gone through, and as usual he wants to help him. Erik says "I thought I was alone" and he was. I don't think he was only talking about just mutants, but just being alone in general. And then Charles responds with "You are not alone". This can symbolize Charles saving Erik from drowning in his own anger and revenge. He thought he was by himself until Charles came in.
Note: There is multiple times where the main character jumps into the water to save their love interest from drowning. Think about the Little Mermaid where Ariel stopped... Eric from drowning. Think about Wonder Woman, where Diana jumped in the water to save Steve. Just saying....
"Surprised you've managed to stay this long"
This scene basically speaks on it's own so I don't have a lot to say here. But first, Charles was already outside before Erik left. I'm not sure why he was outside in the first place or if he was expecting Erik to leave and catch him on the way out. But Charles is literally the first person (i'm going to assume) that actually cares if Erik leaves. He wants Erik to stay because he cares about him, knows him and what he's gone through, and desperately want to help him. When Charles offers his help, Erik scoffs thinking its a completely ridiculous idea that he can be saved. But instead of saying that he says "I don't need your help". Well... we all know that's a lie. Erik is so used to being alone and working for himself, it's a foreign feeling to be around people who don't want to hurt him. This also can symbolize that despite Erik appearing to want to be alone, Charles won't let him. Then Charles says "I won't stop you from leaving. I could, but i won't" Unlike probably everyone Erik ever encountered in his life, Charles gives him a choice. He treats him like a person (fuck you Shaw).
Cerebro
When Erik walks in the room, Charles is surprised but visibly happy to see Erik. Then Erik says that mutants should be found by its own people, no suits. Charles looks at him for a minute and agrees with him. I’m not sure Charles thought about that in that very moment but listened when given the suggestion. Erik gives Charles a look that also shows visible happiness. They are just so damn happy to be with each other it’s adorable. Then they exchange witty banter. As I said before, A D O R A B L E.
Road Trip
This is the time Erik and Charles bond together even more.I don’t have much to say on the montage besides... it’s nice to see those two bond together and have fun.
Realist vs Optimist
Erik and Charles are playing chess together and Charles starts talking about how he will be able to help the mutants out there. How they can do it together. However Erik points out how they might not be able to. Once the government doesn’t need them, they will discard them or experiment on them.
I would call Erik a pessimist but that’s not entirely true. He’s not thinking the worse of ever situation he’s being realistic. The government would be scared of their power and once they don’t need them, they will try to get rid of them. He’s not even wrong at the end. Another scene is another one where they are playing chess. It seems whenever they start playing chess they start debating. Charles being the optimist, seeing the good in humans while Erik being the realist (but close to the optimist) by seeing the obvious evil humans have in them.
Russia
Something to point out, when dealing with the Russians, Charles tries to deal with them in the least violent way possible. When Erik deals with the Russians, he’s more violent, attacking them directly.
When Erik starts to lose control, Charles stop him. That seems to happen quite often in this movie. Charles is basically Erik’s restraint.
“Brightest Memory in Your Memory Bank” (aka the best Cherik scene ever)
Charles doesn’t want to shoot Erik (Guns probably make him nervous and the possibility of Erik not saving himself in time is scary.) So Charles pushes Erik more. Erik explains how he needs a specific situation, the anger, to be able to move something that big. That’s what he’s been told his whole life but Charles knows that’s not true. Charles contradicts everything that Shaw is, everything that Shaw believes in and says. He knows that there is more power Erik has, that Erik is just not aware of yet.
When you think about it, Charles is the serenity to Erik’s rage. Charles gave the serenity that Erik needed by unlocking a memory, Erik doesn’t even know he had. It’s such a beautiful moment that it brings both Charles and Erik to tears. This is the moment Charles and Erik truly connect completely. Charles understands a part of Erik nobody ever has since his mother.
Then Erik tries again and he succeeds. Both of them laughing in joy, Erik for being able to do it and Charles for being genuinely joyed that Erik succeeded.
Cuba Beach Divorce
This is the moment when things start becoming dark between them. While Shaw was talking to Erik, he managed to basically do the opposite of what Charles was trying to do for Erik. Bringing back his trauma and pain. Making him believe he was a weapon, instead of a person. When he put the helmet on, that symbolizes the disconnect he now had with Charles. Charles main power is communicating with people between minds. Erik putting on the anti-telepathy helmet symbolized the communication they no longer had with each other. Sure they can still speak to each other, but Erik is no longer listening to Charles. He no longer has serenity, only rage. When Erik slowly puts the coin through Shaw’s head, he makes Charles endure through the same pain. Symbolically showing that Erik’s revenge only caused Charles pain and the destruction of the beautiful relationship they had.
As Erik expected, the humans banded together to destroy a race they feel threatened by. Erik attempts to send them back the missles they intended to use to blow them up, but then Charles tries to stop him.
There is multiple times throughout the movie that Charles stops Erik from doing something and Erik stops, relunctantly, but he does. But now there relationship is strained and broken. When Charles tries to stop him he fails, Erik continues to do it, even hurting Charles to do it, until...
The bullet Erik deflected shot Charles in the back. When people usually say “shot in the back” or “stabbed in the back” it usually means betrayal. In Charles’ mind, Erik probably did betray him. Charles will do anything to protect people, even at the cost of hurting HIMSELF. Erik seems to constantly hurt the people around him, no matter how much he loves them.
The whole speech they have with each other is self-explanatory but their eyes show so much pain. They obviously don’t want to let each other go, but they are simply too different.
Erik holds a special type of pain, because he hurt the first man who genuinely loved and cared about him since his mother. The man who didn’t see him as a weapon to be used but a friend. The first mutant Erik has a positive interaction with. The only person who was able to unlock a side of Erik, even he didn’t know exist. In a way, he disappointed Charles and proved him wrong, that there is no good in him and he cannot be helped.
When he looks up he looks angry and hurt because he knows he won’t be able to change his mind. He know lost someone he considered a... (*cherik iykyk*) fRiEnD.
And Erik leaves Charles alone on the beach. Bleeding from the wound he gave him. Hurt from losing his bEsT fRienD and sister.
In conclusion: P A I N
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aaronhotchstuff · 2 years
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On your age gap apologist day post, you chose a quote that seems to insinuate a dynamic where one of them is a "monster". Given the discourse regarding age gaps being toxic in its entirety (which I do not agree with), what made you choose that specific quote? And if it reflects on the relationships you included on your edit? Also I'm asking this because I am just genuinely curious, I hope you don't mind! :)
oh i don’t mind at all, this is actually a very interesting question so thank you!! said post
okay so i didn’t really choose the quote first, originally i was just gonna do gif manips of which ships of mine have age gaps, but i realized two of them are established to be quite toxic (negan x mattie, jude x peter) while the other two has dynamics where one person does not want to love the other (kady x jack, amanda x russ)
so then i went to find a quote and that one pretty much stuck, but for the purpose of the edit i had to find/make another ship, which is how we now have birdie x erik!! (birdie is a variant of betty whose love interest is pietro so originally i paired birdie with peter, but idk i kinda like the idea of her and erik whsjakdj)
and then it hit me; we’ve established that age gap relationships can be (and are) healthy, but not how they can be toxic without their ages having a role in the matter, and i just think that it’s just as important!!
like so: jude and peter are toxic because peter hale is a bad person who has murdered a lot of people and betrayed the pack many times, yet jude still finds herself attracted to him and tends to defend him from her friends and family. when they get together, jude started having this mentality that peter needs her, and that she needs him, which we all know does not end well. things get worse when jude goes evil, which is a whole nother thing we won’t get into rn (also in case u wondered, jude is at least 25 when she got together with peter!)
i’m not entirely sure how negan and mattie are toxic exactly because i really haven’t seen negan in action yet, but from what i’ve seen through gifs and other people’s works, having a relationship with him is bound to be toxic, and i’d really like to explore that!
kady x jack and russ x amanda aren’t entirely toxic, but the idea is there!
russ taylor has questionable morals, which has something to do with his messy breakup with amanda. even then, she loved him so much, and when they crossed paths and he’s supposedly saving the world, she finds him pretty hard to resist. she knew better though; although he’s changed somehow, it wasn’t his morals and/or beliefs. but she stays with him anyway, and they pretty much fight a lot and are on and off
kady has done a lot of bad shit and once jack is made aware of this, he refuses to believe that that’s all she is and continues to try and prove that she’s still a good person, which kady really doesn’t believe in. jack mostly goes “see?! murderous psychopaths don’t do that!!!” over and over again, which kady really hates. she doesn’t see herself as a good person and doesn’t think she ever will, and jack forcing his point of view on her is just really annoying the shit out of her, which is where the mild toxicity comes in. this is why she doesn’t want to be with him or to fall in love with him, but jack is such a good fucking person and a total lovable dork that she ends up doing so anyway
in terms of birdie and erik, i’m not quite sure yet, but it has something to do with erik’s different way of doing things but her still staying with him all throughout
so yes, the quote does reflect the ships!! i hope that answered your question <3
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caelumsnuff · 2 years
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you have a lot of complaints and criticisms for mostly everything erik does, do you enjoy any of the storys? not every piece of media is gonna be how you like and some things are gonna get handled differently than what you'd prefer, long as it isnt problematic then like whats the problem?
I wasn’t going to at first, but i think i'll actually assume good faith with this ask and respond to it genuinely.
I understand why you would think I don't like anything about his content. I’m not here to gush about his characters, or talk about my fanfic ideas, or make friends with other people in this fandom; I made this blog exclusively to complain about it, so that’s going to be the majority of what you see on here, me complaining. And if i'm being honest, critique and criticism, or just complaining about the media not being as good as it could be, is a normal part of being in fandoms. This is a part of fandom culture, one that is just somehow remarkably absent from this fandom, which is still very surprising to me.
You're right about one part of this ask. No, not everything is going to be written exactly the way i want it written, and thats because I didn’t write it. But again, complaining about writing, and brainstorming how things could have been written, and even retconning the writing of the content is a part of fandom culture. Do you know how many fan rewrites i have seen and read in my day??? This is just A Thing that people do. 
There are plenty of things that i enjoy about Redacted’s content, im just not usually here to talk about them, but I guess ill take this chance and do it now. I think Redacted has a beautiful voice, and it has been really fun to see him get better at using it in these past two years. In my opinion, the improvement he’s made is kinda remarkable. In the first videos of David’s, he was just using a grumpy tone of voice, but now he’s able to push his voice down into that lower octave and add vocal fry, and it’s gorgeous. He’s gotten better at using accents, which you can really tell with Sam (how he sounded in his first appearance versus now), and the emotion that he’s able to convey with his voice is something i admire (as someone who talks with a very flat tone most of the time). I even think some aspects of his writing are genuinely good. He writes characters that are easy to fall in love with, including the “bad guys” (Regulus, Marcus, my beloveds), and i think a few of them even have complex personalities. And like, yes, i did complain about the way the d(a)emons are written, but only because they’re part of a racism allegory. I still love even them, there are very few characters that bore me or that i hate. And I have said it before on this blog, but i think Redacted’s writing really shines when he’s diving into dark territory; When he is writing gaslighting, and manipulation, and darker content like that he excells and that’s when i think he has moments of genuinely good writing. I also think the man is good with words, he writes beautiful, emotionally impactful lines sometimes. This man is good at writing and delivering lines in a way that makes my heart beat a little faster. Every once in a while i might slip into a post how much i love a character or plotline or aspect of Redacted’s writing, but like i said, im not here to talk about all this, so i don’t do it often.
I really am confused about the last part of this ask though, because half of the things im talking about are ‘problematic’ (as much as i hate using that word). Like…… the entire reason i made that post specifically about the racism allegory is because it is ‘problematic’, its downright offensive and quite frankly racist. The only reason I refused to use the word ‘problematic’ in that post because i think its dismissive for just how bad that allegory is. There’s also a reason i didn’t explicitly call that allegory racist in that post, because of the way this fandom is and how it has a tendency of idoling Redacted. I didn’t do these things to avoid invoking emotional reactions, and i figured that my point would come across without me doing them, but apparently it didn’t for some. I keep talking about and bringing up the bridging SA allegory because its also offensive, and quite dismissive to victims of SA. I keep talking about all of these things he has put in his videos, the racism allegory, the bridging SA allegory, the possibility of Marcus/Love being an allegory for anything, for a reason. Because they are offensive, and thats the problem with them.
Now not all of the things I'm talking about are ‘problematic’, some of them are just the previously mentioned changes that I would make to the writing. Not that these things are bad in the same way the SA and racism allegories are, but some of them are just subpar in terms of writing quality. Again, critique like this is a normal thing that people in a lot of fandoms do.
I'm clearly not the only person to feel these things, but with this fandom the way it is, people don't often openly talk about things wrong (using this word loosely) with the content. There’s this strange idea that has become very popular in recent years, and its that if you have any complaints about or can critique any part of something you're engaging with, that you hate it and should stop consuming it. This idea is so prevalent in this fandom and it’s honestly ridiculous. I have been watching Redacted’s videos for two years, and even though they have dropped in writing quality, I’m invested and I want to see him get better again. And it's not even like this isn't a thing that a lot of people do when they get really into something, this is the exact reason people sit through 8-14 seasons of a show even long after the quality of the writing has gone to shit. I very clearly enjoy his videos enough to continue listening through them, and i’m going to keep doing so. 
With all this said, I am also going to continue posting my criticism/critiques in the main tags when I write them with intent and seriousness. My posts that are just “waaaaahhhh my poor little meow meow’s writing sucks” aren’t going to be in there. If seeing either of these types of posts is going to ruin or otherwise negatively affect your experience, I do politely ask that you do us both a favor and just block me. 
I hope this answered your questions. Thank you for the ask anon, have a nice day
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