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sad-endings-suck · 1 month

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Blue Eye Samurai: regarding Mizu’s “plot armour” or her “ridiculously over-powered” abilities.

“Mizu is way too overpowered, it doesn’t make sense.”

I feel like a lot of people don’t realize just how much the mind over matter mentality plays a roll in Mizu’s “abilities”. Mizu isn’t the best because she’s physically the strongest, or had the best training, or the most experience, or whatever. Mizu is the best because she has single-minded focus and immense tenacity that borders on psychotic due to how intensely dedicated to revenge she has been for almost all of her life. All the years she spent training, all the time she spends taking out enemies, she is being driven by single minded focus and iron willed determination that never wavers. She has been sharpening and honing not just her body, but her mind, for exactly this. She has dedicated her entire life to her quest for vengeance, and in her own words, there is no room in it for anything else.

People also seem to be making a lot of assumptions about what kind of training and how much training Mizu has or has not had. As the audience, we’ve only been shown bits and pieces of Mizu’s past, which includes her experience learning martial arts. Asking shit like “how is she so good with a sword if she’s only self taught?” is like asking “how can she read and write if Master Eiji is blind?”. The answer is that Mizu has obviously learnt these things from more than one source, but documenting her entire education in detail doesn’t exactly serve a purpose to the narrative. We are explicitly shown in one of Mizu’s flashbacks that she’s been practicing with a wooden sparring sword since she was very young. It’s actually her child self that we see in that brief particular flashback. Not her teen/tween self, her child self. She’s also following the movements and instructions of an older man that is clearly a skilled samurai or warrior of some kind based on context (which y’all love to ignore). Besides, who else would want/need a sword from a master sword-maker besides an expert swordsman? How many skilled fighters from all over Japan have come to Master Eiji’s forge hoping for a blade, and wait with nothing better to do but train while their blade is being made? How many of them have divulged information about certain fighting styles (like Shindo-Ryu, which Mizu was familiar with despite never having been to the dojo before). Or practiced around her and with her? We are clearly shown through Mizu’s flashbacks that receiving training from a visiting client has not been unusual for her throughout her apprenticeship with Master Eiji, and her little spar with Blood Soaked Chiaki was no one time event. Yet Mizu is never given the benefit of the doubt by the audience, despite context clues indicating that she should be.

“Taigen has way more training in an actual dojo, so why is Mizu better?”

Whereas Taigen, while he was determined to become more than just a fisherman’s son and was driven to rise through the ranks of the Dojo and become a skilled samurai, did not have that same desire or determination to hone every part of himself to be the most deadly weapon he could possibly be, like Mizu did. Taigen believes in the samurai code of honor and upholds it in his own way (preventing him from learning how to “fight dirty” so to speak) and he also had a life outside of his training (he had a social life, he drank, he partied, he snuck around a lot to see Akemi presumably, etc). In fact, we actually never see Taigen practice, train, learn, hone his skills, or anything (to my recollection) throughout the whole season, until he’s bested by Mizu in combat. I’m assuming Taigen had to work quite hard for several years to become as good as he is, but I get the sense that ever since he has been regarded as a prodigy he has allowed himself to get cocky and maybe a bit too comfortable. He has always been the best and always thought himself to be the best, so he never needed to give 150% effort when he fought. In fact, as he got older and more practiced, and it became more and more apparent how much better he was than everyone else, he probably stopped giving his 110% and allowed himself to get a bit comfortable putting in 100% effort, and then eventually 80% effort (which is part of the reason why I think he’s so pissed he lost to Mizu in their first fight, because he knows he could have done better: been less cocky, been more tactical, more driven, etc).

We also never see Taigen meditate or mentally or physically prepare himself the way we do with Mizu. Mizu will pray before a major upcoming battle, not because she’s religious, but because she’s mentally, emotionally, and spiritually preparing herself. We even see Mizu submerge herself in very cold ocean water (during the winter mind you) as a ritual/practice of sorts that serves to center herself and prepare mentally and physically for what’s ahead when she feels herself getting “too emotional” or too stressed or unfocused or even just slightly off kilter. Mizu sacrifices every part of her life, so that she can be the deadliest version of herself possible. She has no social life. She has no friends, or significant others (Mikio aside). She has no other activities to participate in, because she’s been completely alienated and thus being anything but the best is not an option in her mind because she has no options. She tried married life. She had the best possible life that she could have had as a biracial woman in Edo era Japan. She did as she was told by her “mother”. She showed her true self to Mikio, just as he desired. Yet the blood and vengeance still caught up with her. She has no other options anymore. Pursuing revenge is the only thing she knows how to do, because every other avenue in life has been cut off from her. So she has to be single-mindedly focused on her vengeance, which means being as skilled and as dangerous as she can possibly be. She has no hobbies or jobs or responsibilities beyond sword-making (which allows her to become as familiar with the blade as possible) and training herself. If she has extra time, she uses it to practice, to train, to improve, to simply maintain peak performance. Such as when she was hacking through those trees in episode 2. Afterwards, we see Taigen attempt to replicate her training (by cutting down trees with his sword). Though even then, it was more about curiosity and trying to suss out Mizu so he could gauge her skill level, then it was about actually honing his own abilities (until episode 3 when he practices with Chiaki’s broken blade). Which does count as training in its own way (assessing your enemy), but my point still stands. Taigen does not have the same unwavering focus and force of will that Mizu does (partially because he does not actually want to kill Mizu, as we do see Taigen go cold blooded with focus when he kills Heiji Shindo, but those are whole other discussions).

“Mizu just has ridiculous plot armour, that’s the real reason she survives every encounter.”

I feel like people that think Mizu has ridiculous plot armour are just not at all familiar with the Samurai or Western/Cowboy sub-genres at all, or even action as an overarching genre on its own. I don’t believe I have ever engaged in a single piece of action media in which the protagonist didn’t have “plot armour” in some way. Basically half of all male protagonists from any and all modern western action movies ever, have been way too over-powered and been able to take a ridiculous amount of damage that should have killed them multiple times over. These action heroes (who in western media are almost always cis-het white men) have ridiculous plot armour in the most classic sense. Yet no one complains when it’s a white man. Only when it’s a queer-coded biracial woman of colour. Shocking.

In fact, you could argue that every main character in every fictional story ever told has plot armour to a certain degree, because having an entire narrative revolve around one character is inherently “unrealistic” and therefore the main character has plot armour, yes? No? Yeah, that’s what I thought. Oh, and on the topic of the samurai genre specifically (and many martial arts based action media) there are certain genre specific tropes that are nearly integral to the genre. One of the most prominent being the samurai/ronin/warrior/martial arts master that is “ridiculously over powered”. It’s literally part of the genre. In fact, the western/cowboy genre is quite similar to the classic samurai genre. Now, how many westerns have you watched in which Clint Eastwood or John Wayne shoot 5+ guys with one pistol before any of the guys they shoot even get a shot off? A lot I bet. Is that not the definition of “over-powered” and “unrealistic”? Or is it just a genre trope, or even perhaps, a genre staple? No one thinks Arthur Morgan (Red Dead Redemption 2) is over-powered. No one thinks that Joel (The Last of Us) is over-powered. In fact, when the TLOU show came out, people actually complained that Joel, the fifty-something year old man that has been living in a post apocalyptic wasteland for 20 years, was not badass or strong enough (he kills dozens of humans and super zombies and he’s legally a senior). So, who is the “judge” of what is and is not realistic in action media that borders on sci-fi/fantasy based on how “over-powered” the protagonists “realistically” are?

“It’s just weird that Mizu is so powerful when other characters within the story are not. It makes Mizu such a Mary Sue.”

Okay… so, with all that in mind, let’s circle back to where I started when referring to Mizu as someone driven by unwavering determination, and how that affects her “abilities”. That facet of her personality and motivation is nothing new when it comes to the action genre, especially for protagonists of revenge storylines. Think of Kill Bill or John Wick. Why does John or the Bride keep going and keep winning even when they are constantly getting injured and always fighting. Is it because they are simply that much better than everyone else? Yes and no. No, because they are not superheroes (technically), but also yes. Because their single minded determination and need for revenge drives them to push that much harder than anyone else on their skill level. They are the best, but they win against everyone else that is also “the best” because they want it more. They need it more. Mind over matter. They are willing to endure what others are not through sheer will and pure cold rage. Mizu, Beatrice Kiddo, John Wick, and so many more similar protagonists in action-revenge narratives don’t keep winning and keep getting back up no matter how inured they get because they are just “that much stronger and more talented than everyone else”. Yes, they are extremely skilled and would probably be one of the strongest and most deadly combatants/killers in their respective universes regardless… but their refined skill and raw talent and power are not the only reason they win. Their unwavering force of will, extreme determination, ice cold fury, and single-minded focus on revenge is what drive them to be that much tougher. Their tenacity is their superpower. They want to win more than their opponent does. They need to win, because this is their one and only goal in life as of now. Mizu (Blue Eye Samurai) Beatrice (Kill Bill), John (John Wick), they all share a philosophy in life when it comes to their revenge, which basically boils down to “Either I kill you, or I die trying. There is no middle ground, there is no negotiating, no other choice, no path of least resistance, no other goal or motivation. You will die, because I ain’t fucking dying until you do.”

Mizu doesn’t have plot armour and she’s not over-powered. She is an archetypical protagonist of the action-revenge narrative and the samurai/western genre as well. She arguably even has better reason to be completing the feats that she does than John Wick or The Bride, because the medium of Blue Eye Samurai is animation and not live action, and the genre borders on magical realism far more than Kill Bill or John Wick. Now, how many anime protagonists (probably almost all male) can you think of that are “ridiculously over-powered” especially compared to any live action counterparts, but no one complains about it? Why does no one complain about it (aside from misogyny)? Because the medium of animation inherently has different “rules”, expectations, and set standards for suspension of disbelief, than the medium of live action film or television. For example, is it ridiculous and unrealistic when you’re watching a Looney Tunes cartoon and Bugs Bunny’s legs pinwheel in super-speed for 3 seconds straight before he starts running, or when he runs off a ledge and gravity just lets him hang there for a sec so he can look straight at the camera before he falls? No, it’s not “unrealistic” or emersion breaking, not even a little, but why? Is it because any of those things seem even remotely probable or “realistic”? Of course not! It’s perfectly acceptable because the medium, genre, target audience, atmosphere, art/animation style, narrative choice, storytelling style, and more, have all established that Bugs Bunny defying physics is normal in Looney Tunes, and therefore not a “plot-hole” or “unrealistic”. In fact, if Bugs Bunny or Tom and Jerry didn’t defy physics in ridiculous ways all the time, then it feels far stranger and off-beat than if they did. Same goes for pretty much all action anime. If the characters in those stories were strictly limited to what is 100% humanly possible in real life, most of those animes wouldn’t even have storylines anymore. They’d be turned into completely different content that may be unrecognizable from the original source material. Or wouldn’t even have any material anymore because all the characters would be dead after their first fight scene. So why is Blue Eye Samurai being held to a different standard?

Now, do y’all get it yet?

#long post #mizu #blue eye samurai #👏 genre and👏 medium matter👏#so does author intention >>>#if a story is telling a narrative that you personally don’t like but it is succeeding at what it set out to do that does not make it bad!!!#so sick of white boys on the internet calling any physically capable or martially skilled female character a Mary Sue #and it almost always boils down just to gender #a female character could be ridiculously overpowered but so long as there is a male protagonist that is even more overpowered they don’t ga #but as soon as there is a female protagonist with any kind of proficiency a male character in the story doesn’t have all hell breaks loose #if i hear one more man so much as utter the words ‘Mary Sue’ in my vicinity ever again i will be resorting to Mizu style conflict resolutio #men never learnt what the term ‘Mary Sue’ actually means and if you don’t know what something means then either research it or stfu #it’s such loser behaviour that shows such a pathetic measly capacity for any kind of critical thinking or reasoning much less media analysi #anyway rant over #this was sitting in my drafts #blue eye samurai analysis #mizu blue eye samurai #taigen blue eye samurai #taigen #overpowered #plot armor #media analysis #mizu bes #bes taigen #netflix bes #feminist critique #bes #blue eye samurai meta #reading comprehension #rant

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spoookydoesart · 2 years

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Please let me have this. The concept of Jervis is so good even though his comics aren’t…great…..and writing a Wonderland-loving weirdo as a Wonderland-loving weirdo just sounds fun. So, I guess you’d call this my…

• JERVIS TETCH Headcannons / Interpretation •

• ��—— •

Jervis Tetch- or, the Mad Hatter- was a once respected neurologist turned criminal. Unassuming at face value, he creates chaos through his backwards intelligence and hypnotism, molding Gotham to fit his vision of ‘home’.

• ——— •

Jervis was a neurologist, studying the subconscious. He was lonely, with few friends as a result of his social anxiety and awkwardness, but otherwise lived an average life.

This loneliness would bubble up into desperation, driving him to begin his criminal career before he would dawn his alter ego- the result of an unreciprocated crush on his coworker. He’d inconspicuously use hypnotism to make strangers steal gifts to impress her with, the small scale and lack of traceability leaving Jervis guiltless. But eventually his crush would catch on, refusing his gifts and eventually demanding he never talk to her again. In a panic, he would hypnotize a group of bystanders into stealing a large sum of money, which accidentally lead Batman straight to him. Batman would find Tetch begging for the woman to willingly leave Gotham with him, promising anything she wants with the stolen money.

His intelligence and fondness for mind control would land Tetch in Arkham Asylum, which was more than a shock to him. Of course he knew he was risking jail time, but Arkham?? He didn’t think anything he was doing was THAT bad! But now, he was sitting next door to some of the Gotham’s worst villains, amongst their ranks! He could never live a normal life again…. He didn’t want linger on those thoughts, escaping through one of the few distractions he had at his disposal- a copy of Alice’s Adventures in Wonderland. He reread and escaped from the reality of the Asylum so often that it soon became his most important influence and, in addition to acclimating to his criminal status, resulted in the creation of his alter ego- the Mad Hatter.

• ——— •

Jervis is deceptively non-villainous- pleasant, soft-spoken, and chipper. He enjoys “helping” others, and has moments of ditziness and anxiousness. If you had met him on the street unknowingly, you’d likely think he was just a well meaning eccentric with his head a little too far in the clouds. He does, however, have an awful temper, and is also quick to shift blame away from himself.

Many say he isn’t ignorant to this perception, with debates whether or not he knowingly plays up his personality to manipulate others. Generally, the people who know his history don’t typically respect him, but also don’t put down their guard around him. After all, there is no arguing his use of hypnotism and mind control, and the wacky schemes that are difficult to crack because of the nonsense logic that only he finds sense in.

The Mad Hatter has two main goals:

Make Gotham into a Wonderland. Causing general chaos, really. What he means by this isn’t clear (perhaps intentionally) as his schemes can be inconsistent. However, it’s usually with two underlying themes- regaining control, and not being alone.

To kill Batman. Ooooh he wants him dead. Jervis blames Batman for the loss of his old life, and sees this more that anything as a service to the people of Gotham, protecting the “innocent” from having their lives ruined as well.

• — — — •

(Character Concepts / Sketches)

#batman #batman tas #jervis tetch #the mad hatter #headcanon #au #maybe?#idk what I would call this #mainly the vibe was hes majorly dorky tho PF #edgy Hatter has continued to not work. also I did not include the Alice name in the love plot because that. is where most versions get weird #anyways the bookworm from the old live action show gave him his copy of Alice in Arkham. because they’ve been played by the same guy #BIG NOTE- not saying I could write him better than professionals. this is just my dream Jervis tbh #also I hope people don’t hate this. because I’m not a fast (or very good) writer and this whole this took some timeee #also also I know my art style does NOT lend itself to comic book vibes very well PF #I repeat tho. only tas Jervis is cannon. thank you

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