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#I don't like the colouring but
vamprisms · 25 days
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i feel like a lot of the 'i hate kids' crowd would be more tolerant if they understood that due to a kid's limited experience of the world that 4 hour flight might just be the longest they've ever had to sit still for or that trapped finger might literally be the most pain they've ever felt in their short life or they might not have ever seen a person with pink hair ever so of course they want to touch it or nobody's told them yet that they can't run around the museum and they only just learned cheetahs are the fastest animals so of course they want to put that to the test. how were they supposed to know etc etc.
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shopcat · 10 months
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the baby has one parent's little face marking thing and the other's coat because they're a little horse family the world is a beautiful place
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o0kawaii0o · 30 days
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no mercy 😭
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golyadkin · 3 months
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it's because i wouldn't let you kill the bounty hunter isn't it
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thedreadvampy · 1 year
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people seriously pretending EEAAO is overrated suddenly bc it swept awards? it swept awards largely because it is very very very good. I cried like someone who's just had a religious revelation BOTH times I watched it bc it touched something raw and real and beautiful but it was also just very, very funny. everyone's performance kills and the concept is creative and interesting and doesn't distract from the emotional core. you guys are just contrarian.
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poorly-drawn-mdzs · 6 months
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The indescribable tension between an overworked and underpaid smut writer, and his biggest fan hater.
(for @frummpets)
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cuddlytogas · 1 month
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So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.
See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.
But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...
What is the difference between this and this?
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Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?
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Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.
But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.
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And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.
But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.
See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!
As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.
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And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:
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So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?
Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.
In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.
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In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.
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This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).
Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.
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More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.
This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.
A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.
But also. At least it fucking says something with its leather.
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alena-draws · 5 months
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Point of view: You've royally pissed off the most powerful being on the planet.
(Knives is currently not on the planet but above so it counts)
(please click on the full image! It's DIN A3 and the effect is better in full view, especially Vash's glowing eyes! Little close ups under the cut)
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becca-e-barnes · 10 months
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I need more of needy Bucky who loses control from the feeling of being inside your pussy. I need him to fuck me like a rag doll and to carry me over his shoulder around the house like his personal flesh light.
Fuck, this has always been one of my very favourites to write. I really like to imagine that he struggles to last but he can keep going after he finishes 🙈 it's my lil filthy fantasy
But imagine spending the morning in bed with him. You both wake up around 6am and you spend the first little while just touching and chatting before a couple of hours of sex. Now it's maybe around 11am and after lying there together for a while, you're both in the mood for something to eat.
You pull a robe around you and that's just about as much as you manage before Bucky's scooped you up, carrying you to the kitchen.
"You don't need to carry me everywhere!" You tease, remembering that he'd carried you up the stairs to bed last night too.
"I know. But. Carrying you means. I. Can put you. Exactly. Where. I want you." He peppers kisses over your face and neck, tenderly capturing your bottom lip between his before he sets you up on the kitchen countertop.
There's no point arguing with him so you sit there quite happily. He makes up a quick pancake mix, washes some berries from the fridge, preps the coffee machine and sets the little dining table for the two of you.
Somewhere in between, you got a little distracted, perched on the counter scrolling on your phone. You hadn't noticed the way he's looking at you.
He's so caught up in the little things; the way the light hits your shoulder, the curve of your hips, the way the silhouette of your nipples are visible against the satin robe.
"Look at you, sitting there all sweet like your cunt isn't so fucking full of me."
That's got your attention.
You squirm a little, your body fluttering at how shamelessly vulgar he's being but nothing's stopping you from doing the same.
You spread your legs, exposing the slick mess coating your inner thighs. It's a mixture of your own arousal and Bucky's cum, dripping out of your sensitive cunt.
Your fingertips trail lazily over your exposed sex, your skin glistening in the natural light before you bring your fingers to your own lips, sucking them clean, giving him a little bit of a show.
"Tastes amazing, sweetheart." You groan, noticing the growing bulge in his thin pyjama bottoms. "But I lost track of how many times you came inside me this morning. You came so deep, most of your cum won't have dripped out yet. Bet I'm still totally stuffed full."
He sinks to his knees in no time, settling his head between your thighs, breathing in the faint smell of your arousal. His tongue presses flat to your sex, trailing from your hole to your clit and back, gathering as much of your combined release as possible.
He groans, low and pathetic, allowing his tongue to dip inside you as deep as he can bury it. He savours every drop of cum he earns back from your body.
When his tongue alone isn't enough, he slips a finger into you, followed quickly by a second, curling them against your sensitive inner wall.
"Bucky baby, please don't make me cum again." You groan, your fingers tangled in his dark hair but you know he's not giving you that choice. Not when his free hand is furiously stroking his own cock, desperate to ensure that when he's finished licking his cum out of you, he can flood your cunt with another load.
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phoenixcatch7 · 7 months
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Dp x dc twin au where Danny and Damian were in fact conjoined/siamese twins, but the most dangerous type - one head, two bodies.
Their early removal from talia being because their shape would not have allowed for natural birth, they were written off but talia begged for the chance to send them off in the lazarus pit.
By some bizarre miracle, before she turned to leave, two small bodies bobbed to the surface - identical in every way, except for the eyes. The previous blue eyes now split in two, one left, one right, and the new eyes, pit created, a bright green.
She took her child, her two children, and together, they survived.
Being removed prematurely, their early years were tough, but soon they blossomed into promising heirs for the league. In sync with every step, the closest of brothers, the league was certain the old fairy tale of twins being telepathic had been granted by the pit that separated them, the remnants of being born as one mind, one brain, one skull.
But then Danny had to flee, and leave his other half behind. Stretched by distance for the first time, the bond grew thin and stretched, and Damian grieved his brother as dead. When he started being sent on public missions, he hid his distinctive heterochromia, choosing the green in memory of the pit that had given him and his brother life.
Danny, hiding his pit aura in the ocean's worth that was Amity park, took to blue, the colour that he and Damian were born with.
Damian moves to Gotham, and continues to mourn his brother as dead, right until one day when he is twelve, when he learns what the death of your other half truly feels like.
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Their reunion is a thing of family legend. Violence runs hot in both bloodlines, ghosts are highly emotional and prone to fighting a the drop of a hat for bonding, playing, testing, every reason under the green sun. Their training and play often consisted of friendly spars, competitive spars, furious spars, venting spars. Both have been exposed to unhealthy amounts of ecto since before their birth.
There is a long, long minute of staring, before they rip themselves away and lunge at each other like wolves.
The bat family are horrified by their brutally efficient youngest suddenly barreling towards a clone (?) and trying to claw his throat open with his bare hands while openly sobbing.
It ends with them wrapped around each other crying into the others shoulder as their minds finally meet again and relax from the painful stretch for the first time in years.
But nobody else has any idea what to do.
#Idk I just really like slightly codependent twins#Talia and ras had to put so much work in to prevent them from developing separation anxiety like dogs from the same litter#Also I like Damian thinking Danny is dead until he very abruptly finds out he is now via soul mate agony. Someone did a fic with that idea#It was really good. Let's dial it up to eleven#Danny and Damian having different eye colour and it being the fault of Damian's extra exposure to the pit is awesome too#But I wanted to see if there was a way they could both have the same eyes. Well. Close enough.#Same eyes + twin telepathy + the birth complications people like to give Danny = siamese twins#Also the portal accident happens two years early so there's that#I can't decide whether I want the first meeting to be alive Danny or dead Phantom#Or whether it be a summoning or something#I just need Damian and Danny to lay eyes on each other and immediately go feral#They still don't want to share a room though#dc x dp#dp x dc#dpxdc#dcxdp#danny and damian are twins#twins#twin au#dp x dc crossover#dp x dc prompt#dc x dp prompt#dc x dp crossover#It's not like telepathy it's more if one twin has seen it so has the other#It's not conscious on their part. They don't choose to share things usually. It's been that way since they were born.#That's what they think twins are for the longest time until talia realises and explains#Ras genuinely thinks Danny died because of how devastated Damian was and how he stopped knowing things he shouldn't#1k
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mintypochi · 6 months
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SoT Creek 🍂🍂
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hawberries · 1 year
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I have added: yet more ships to the MXTX bookmark catalogue :)
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sunglassesmish · 9 months
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this makes me 😵‍💫
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crabsnpersimmons · 23 days
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just wanted to say thank you for all the LOVE for Clip! he's happy to be here!
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Clip is hella competitive 😅
and here are some doodles inspired by some of your comments and tags!
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@nowiknowthislooksbad @normal-about-the-dca
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he's having fun (: (the kind of fun i would hate because i don't like the sound of balloons popping..)
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@vacantfields @petrixmuserb
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i like to think the hair salon does these kinds of things for charity often. would you be in line? what would you pick?
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@ramblingsofacotlfangirl @salamansir
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oh dear..
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@bennydunbar
loved this tag so i HAD to draw something for it--
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oop well okay! i think that's enough for today! thanks again!
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pridoo · 11 months
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dinluke first kiss but make it even softer warmer add more yearning add more uncertainity add more smell of his cheek and raspness of his mustache and press
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lazylittledragon · 1 month
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what do you mean youre technically a detransitioner cause of terf bullshit?
it's a v long story but i detransitioned for a couple of years when i was 16/17, for multiple reasons but mostly because i fell into the blaire white/kalvin garrah chamber of "you have to be This way to be trans otherwise you're not real".
i was already Deeply insecure about myself and my 'passing' and i was led to believe that i couldn't want to wear makeup or skirts, and i couldn't choose not to have bottom surgery, and i couldn't do anything but bind for 12+ hours a day to the point that my ribcage is still misshapen. basically i thought that if i wasn't suffering enough doing 'feminine' things, i couldn't really be trans, so i should just go back to being a girl and suck it up.
the terf bullshit is because i'd seen a lot of terfs/detransitioners talking about the 'dangers' of testosterone and how it would turn me into a horrible ugly evil monster and how there was nothing worse than wanting to be a man. which combined with 'you need to fully medically transition to be valid at all' creates some very dangerous and upsetting feelings to cope with.
it also came from trying really hard to put myself in a little box before i realised that my sexuality/gender are very fluid and it's FINE for me not to have a label and just do whatever i want. when i was 19 or so i went back to using they/them (and eventually he/him) and changed my name again because even though i like doing 'feminine' things, i don't want to be seen as a woman.
tldr: i was conditioned by transphobic/terf rhetorics to think that i was being trans the 'wrong' way so i couldn't be trans at all, so i believed i must actually be a girl if i still wanted to do 'feminine' things. nowadays i am a transmasc who does feminine things because i don't give two shits about what any transmed prick thinks of me anymore.
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