Rotating kh3 in my head, shaking, screaming, crying, etc etc etc. Like they did all that. Everything starts with "Sora has to figure out how to regain his strength and goes to talk to Hercules about it". And then it goes, "When Hercules tells Sora that he's powered by love? Yeah in the meantime this conversation about Riku's development is also taking place, and the words used in jp are the same. Btw 👍"
And even then it's still not done because it turns back around and goes, "Oh, you're also going to see the lengths Riku is willing to go to follow up on this resolution. Btw 👍 Self sacrifice out of love is also one of the themes of the game and something that Sora is made to witness multiple times prior to this moment. Btw 👍"
Girl!!!... Except, when you think about it...... the big news was Riku acknowledging his feelings (directly) and how his objective has evolved over time (indirectly), but are his actions that much of a surprise?
Well. Considering the precedents... no, not really
And then I think about how separation is the other lesson that Sora learns about in kh3 and I want to explode even more... "Cherish the time you have or have had with someone and keep them in your heart, but be prepared to be apart or let them go" yeah about that. About that.
... Except it's not so easy, is it? _(:l 」∠)_ Because at face value this might come across as Riku having been "ahead" of Sora on yet another matter from the start, but the guy has a certain... habit of downplaying his own importance to Sora or to matters regarding him, something that's kind of outright spelled out in MoM. He lists off what everyone has been doing to find clues on Sora's whereabouts, faltering when it comes to Kairi, but he doesn't include himself in the conversation. What has he been doing? We don't know!! And then there's the matter of his recurring dream, of his hesitance to believe that yes!!! It is important, he is important!!!!!! Aaaarggggghhhhhhhh...........
Loving and believing in someone no matter what are lessons that Riku has learned... not giving up on the hope that separation doesn't have to be permanent? Not so much, at least not when it comes to his personal involvement, not until he was told multiple times that yes!!! He is the one that has to go!!!!!! And it absolutely kills me, because it's like. "Huh, I wonder what other time something like this or along these lines might have happened. Even one example would be enough......"
"............ Huh"
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You have to understand. I don't "ship" Harry with the smoker on the balcony, I think whatever they have going on canonically is way funnier and touching than anything anyone could come up with.
There is so much within the dynamic itself. It’s a middle aged man and a younger man who are nothing alike and everything like each other. It’s the smoker being the person that kickstarts Harry’s sexuality journey anew, seeing Harry’s fascination with him and being amused by it because (aside from Harry being probably the first man in a while who’s managed to leave him dumbfounded in a positive way) the smoker *knows* what’s happening in Harry’s mind and as he puts it, it’s beautiful.
Don't get me wrong, the mutual attraction is there. The smoker flirts with Harry every other two lines (girl why the fuck are you flirting with a cop you're insane. I'm obsessed with you) yet makes fun of him in the same breath while Harry is absolutely clueless the whole time because he's too busy staring at his abs. Couldn't come up with anything funnier if I tried.
I love this high drama check, this is exaclty what it feels like to speak to clueless boomers who have no idea what they're talking about. Still, once Harry admits that he might be part of the "underground" as he puts it, the smoker is immediately excited and encourages him to think about it. It's very sweet.
(I know everyone has probably seen this dialogue 100 times by now but I love the phrasing here. literally twink_boutta_pounce.jpeg)
And as a side note I really like this emphaty check in response to Harry's little breakdown after the failed suggestion check the first time you meet him. The smoker like damn he just like me fr.
I don't think more smoker interactions were needed at all or that they would ever talk again post-game but it's interesting to think about what other converations they could have, even just so we could learn a bit more about him. They both have an interest in art. They're both stuck in a place they can't leave if they wanted to and yet find beauty in it, they both have regrets about past relationships. They both find talking with the other a charming experience in a way or another. If I want to be indulgent, they both could benefit from learning about what being gay means for a younger/older generation, especially since they both have such different life experiences with their identities.
It's all fanfic talk, and obviously no cops at pride and so on but their interactions did make me think about community and recognition through the other. A flirt for the sake of a flirt, a “maybe in another lifetime” but this lifetime is good too because they did meet and leave an impression on each other before parting ways. That's *beautiful* too.
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I knew doing Astarion's quest was going to be rough, but jeez, the amount of spoilers I've stumbled upon didn't prepare me for the emotions I've felt by actually doing it.
And this line of dialogue, if you tell Astarion we can save the spawn we find in the dungeons...gods, the emotions.
Astarion: "If they are unleashed, they will cause incredible carnage. They will be ravenous. They must die. Better they serve a purpose."
Elayne: "In another life, you'd have led me to this crypt, and not that pretty clearing in the forest."
Astarion: "Gods...I can't say you're wrong. I can only say I'm so glad we didn't meet then. I don't even want to think what would have happened to you..."
Elayne: "Don't avoid it. Face it. You would have killed me."
Astarion: "I would have killed you..."
The disgust in his voice, the sadness in his eyes...he can't even deny it, because it's true. He absolutely would have killed her, and the very thought makes him sick.
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Something I love about BG1+2 is how it simultaneously plays and subverts the demigod/chosen one narrative (which continues in BG3, except with only the subversion. (And Halsin is not joking when Durge tells him what they are: Do NOT advertise that you're a Bhaalspawn.))
I've always been fond of the set up in Saradush in ToB, where the surviving children of Bhaal are being corralled into the besieged city under promise of protection against the entire world - because basically literally the entire world is trying to kill the Bhaalspawn: Your more powerful siblings want you dead; your mortal neighbours, and likely your nation itself either thinks you're inherently evil and are ready to kill you, or you represent such a threat that they're ready to drive you out and/or kill you just in case. Case in point: the aforementioned siege outside the city walls with the army that wants you dead currently raining giant flaming rocks of death over your head.
Some of these guys have no idea what they are, or what's happening, until attempted murder happens.
Like this discussion with one of your random brothers, a guy called Alexander:
Alexander: "You don't look like one of the locals. Are you a child of Bhaal as well, lured here like the rest of us to face our inevitable end?"
Charname: "As well? What do you mean?"
Alexander: "I myself am one of Bhaal's progeny - or so I've been told. I guess Bhaal's blood runs thicker in some of his children than in others."
Sarevok: "By your snivelling manners, I would say Bhaal's blood runs very thin indeed in your veins. Bah-why do I even waste my breath tormenting this cowering cur?"
Alexander: "Uh... is there anything else I can help you with?"
Charname: "How did you get here exactly?"
Alexander: "I wasn't brought here by Melissan, like some of the others. My home village was burned to the ground by a dragon who claimed to be hunting me. My friends... my family... they threatened to give me to the dragon if I didn't leave. So I did. And I heard a lot of other Bhaalspawn were coming here. *sigh* Now I almost wish I hadn't come."
Spoiler alert: He dies. Every single Bhaalspawn in that city dies*, along with everybody except a handful of commoners (*except maybe Viekang, who was not particularly inclined to murder me, so Murder in Baldur's Gate is weird.)
You, a simple peasant from a farming village one day come of age and learn that your absent father was a god, and you are forced to flee forces that are trying to kill you (in this case, your much more powerful half-brother)... it sounds like the start to some kind of fantasy epic, but instead of any fancy destiny you end up in a war torn city surrounded by castoff divine bastards just like you, terrified and unwanted, and then you die, and are forgotten.
And that's what being a Bhaalspawn is!
Whatever grand lies Bhaal tells you in your dreams about how you're special and great power awaits you (if you behave and do his will), your job is: sow death, faith, fear and chaos wherever you roam, strengthen Bhaal's power, and then be a good child and die for Father.
No exceptions, save perhaps one, who is explicitly a special prophecy child, and even then is supposed to be doomed by future FR canon because they're still Bhaal's "pawn". There's also Imoen, who might be spared simply by proximity to said prophecy child keeping her alive. Non-game "canon" screwed her over hard.
(FR canon and I have a complicated relationship, it must be said. All copies of those books are to be ritualistically burned.)
idk where I'm going with this, I just love how bleak the situation in the city is. No grand destinies, only a discardable pawn to be used, abused and consumed.
...And also that part where Tethyr sends an army to kill you because obviously you are guilty of "crimes against [Tethyr] and, indeed, all of humanity!" by supposedly killing a whole city: They admit they can't prove it, but you're a child of murder, you were born guilty even if you didn't actively do anything.
No, really:
General Jamis Tombelthen: "You are guilty, [Charname]. Of this there is no doubt. And we will not risk your further endangerment of us all. You are a spawn of Bhaal and responsible for the destruction of the city of Saradush*. Your execution has been ordered, [Charname]. May the gods have mercy on your soul."
* I implore you to move with great urgency to intercept the Bhaalspawn before they can do any more damage. Whether or not they are responsible for what occurred in Saradush, we cannot allow them to continue and cannot afford the time for trial...
- Tombelthen's orders, courtesy of the Queen of Tethyr
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