#I feel like katara is one of the characters on this show that is most familiar to me bc she reminds me so much of the girls I grew up with
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hang on I have to rant
if you're not already aware, the five-man band is a literary device used to classify teams of 5 characters. it's what I call an external trope, meaning that you fit the trope to the characters, they don't innately have it.
a:tla has a pretty solid one, and it's well known enough, so I'm gonna use it to show you what I mean
it is comprised of:
the Leader, who directs the group and is usually the main character (aang)
the Lancer, who serves as character foil to the Leader and is often a bad-guy-turned-good or rogue element (zuko)
the Big Guy, who solves physical problems for the team and is frequently a goofball (toph)
the Smart Guy, who solves technical/logistical problems for the team and typically serves as an "idea guy" (sokka)
and the Heart, who solves emotional problems for the team- if there's only one girl, she's probably the Heart (katara)
there are three star wars groups I want to look at: delta squad, domino squad, and clone force 99.
first is domino squad, as they fit this trope the easiest.
fives is the Leader, the most strategizing one in the group
droidbait is the Lancer, far less cautious and more prone to injury than the others (the foil to fives' effectiveness)
hevy is the Big Guy, serving the oh-so-common "big gun demolitions expert" variant
echo is the Smart Guy, in the "guys, come on, stick to the PLAN" variant
cutup is the Heart, lightening the mood with jokes (hence the name)
the first to die is droidbait, leaving echo to serve as fives' foil, which allows us to see that fives is probably the most prototypical clone of the bunch. then hevy sacrifices himself, and cutup gets eaten, leaving only fives and echo until the Citadel arc which I haven't yet seen.
then we have delta squad. the thing about delta squad is that there are four of them, and while the four-man band is a thing, they make this perfect incomplete five-man band that I think is really really tasty.
boss (player character) is the Leader, guiding the team
sev is the Lancer, playing the "snarky rogue" archetype
scorch is the Big Guy, again the "big gun demolitions" variant- but with the added flavor of being very by-the-book (which we see the consequences of when he aligns with not only the empire but doctor hemlock himself in tbb)
fixer is the Smart Guy, tech expert
notice anything?
there's no Heart.
and that works. these are clone commandos- meant to be the most effective troops the republic has. they almost never interact socially outside of their squad, and when they do it's kept pretty professional.
we see that again in clone force 99, or as they call themselves, the bad batch
hunter is the Leader, his enhanced senses leaving him the most generalist of the batch (and also he's technically their sergeant)
crosshair is the Lancer, a "silent, ruthless efficiency" type
wrecker is the Big Guy, "big gun demolitions" variant yet again (I told you it was common) in the goofball flavor
tech is the Smart Guy, btw he's really well done and it never feels like he just "knows because he's smart" you can always tell how he figures things out
again, there's no Heart. but wait.
in the Bad Batch arc in clone wars, they pick up another member- echo. we don't see much of echo's interaction with the batch in that arc, but when we come back, echo is solidly in a sort of almost-but-not-quite Heart role. and then.
omega shows up in the "sixth ranger" role, there to shake up the group dynamic. throughout season one, we see omega slowly take over echo's role as Heart- and as this happens, it becomes clear that that was the role he was playing, as he talks hunter through how to best take care of omega. but omega, tagalong kid as she is, is much, much more suited to the Heart role than echo, and she takes his place- which allows echo to run off and have his own adventures with rex throughout seasons two and three, WHICH WORKS because echo is a regular clone who joined the batch later in life and thus isn't quite the same as the others, but omega is a deviant clone just like them!
#tbb#nerdipost#original post#star wars#the bad batch#star wars the bad batch#sw#sw tbb#clone force 99#star wars the clone wars#domino squad#delta squad#tbb star wars#star wars republic commando#republic commando#swrc#swtbb#swtcw#sw the bad batch#sw tcw#the clone wars#literary analysis#5-man band
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I just watched Avatar for the first time all the way through, and yeah, it’s great, but the one thing that surprised me was how different Katara was compared to the fandom interpretation I’d seen and internalized before watching.
Like, before you watch Avatar, you’ve seen all these memes about Katara and her mom, and based on those memes, you assume it’s one of those lines you have to get used to hearing at least once every episode. But then you watch the show and realize that she only talks about her mom maybe five or six times per season and you also realize she only brings her up when she’s trying to comfort someone or empathize with them because that’s how she processes her grief and that’s one way she connects with people.
Or you hear the infamous line, “then you didn’t love [our mother] the way I did” and you prepare yourself for one of the worst character assassinations ever only to see the scene after nearly three seasons worth of context and realize she was kinda right. She’s been the mother, the nurturer, the comforter. She’s been patient, gentle, and accommodating where everyone else has gotten to be insensible and reckless and childish, and the one moment where she allows herself to feel her grief, suddenly she’s this evil bitch and not, y’know, a 14 year old girl whose been thrusted into adulthood in a way no other character has. A 14 year old girl who should be allowed immaturity and raw emotion and anger instead of the patience and grace she’s been forced to extend to every character without even the smallest amount of gratitude or even consideration in return.
Or you see all of the clips where Katara puts Aang in the “friendzone” and you expect to have this wishy washy back and forth where Aang is putting his feelings out there only to have Katara neither commit nor express any clear reciprocation or rejection. Then you watch and realize that, as cute as the ship is initially, that there’s never a point where Aang returns any comfort or grace to Katara despite her always doing this for him to the point of coddling. That for as much as Aang says he loves her, he never seems to outgrow his perception of her so he can recognize her as someone who feels grief, anger, and pain as much as she expresses love, kindness, and maturity. And instead of having moments where he learns to see her beyond her strength or compassion, you’re instead given moments where Aang forces his feelings onto her, both romantic and non-romantic, and Katara is expected to just…shoulder those feelings the way she shoulders everyone else’s.
Katara is the most misunderstood character in the show. As much as people recognize the complexities of Zuko, Sokka, and Azula, they struggle to do the same for Katara because they see her struggles as somehow lesser, and therefore, less deserving of sympathy. They can handle her so long as she’s being endlessly patient and loving and kind, but the moment her endless love, patience, and kindness runs out, she’s suddenly this annoying bitch who can’t shut up about her mother or reciprocate Aang’s feelings. But Katara’s trauma does matter as much as anyone else’s. No, she wasn’t banished from her kingdom. No, she didn’t lose her entire community, and no, she isn’t the only one who lost her mother. But the difference between her and everyone else whose experienced loss because of the Fire Nation is that she’s never given time to process her trauma. Aang gets to lean on Katara constantly. Toph gets to express her feelings to Katara, and yeah, Sokka also lost their mother, but unlike Katara, he isn’t put in the position of being a substitute for everyone’s parent. He even admits that he sees his sister as a mother. The only characters who ever comfort Katara or allow her to vent is Zuko and her father and that’s, like, three scenes in a show where the other characters are consistently given opportunities to seek out Katara for unconditional support.
The fandom interpretation of Katara has been so bastardized that even those who haven’t watched the show know her for this fanon version and not for who she is. She’s such an interesting character beyond her fandom limitations, though. She’s brave, hot-headed, and hopeful as well as gentle and caring. She wishes to learn waterbending, not only because she wants to fight in the war, but because she wants to continue her culture’s practices because, and people often forget this, she also lost an entire subculture within her already fractured tribe. And she wants to defeat the Fire Nation both because of her deep love and empathy for other people, but also because she wants to avenge her mother. But because some of the fans have reduced Katara to a bitch who constantly whines about her mother and friendzones Aang, you wouldn’t know any of this, and it sucks because she’s the only character whose been dumbed down to such an extent.
#avatar the last airbender#avatar#katara#you can tell she’s my favorite character#female character#zutara#I’m not anti or pro either#just something I noticed#I’m not against Aang either#just this writing
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So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.
So.
It's okay. B, maybe a C+.
That's it.
Now for the spoilers:
The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.
The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.
The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.
Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.
The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.
The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.
Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.
In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.
And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?
Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.
In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"
They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.
It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.
To sum it up: Netflix Avatar is a mile wide, but an inch deep.
#avatar the last airbender#atla#atla spoilers#avatar netflix#netflix avatar#atla live action#netflix atla#zuko#iroh#katara#aang#sokka#zhao#ozai#review
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I just saw a post from someone saying "zuko obviously never wanted to be firelord" and.... did we watch the same show?
Like at this point i've gotten used to people grossly misunderstanding the show's characters (mainly aang and katara) but i've never seen it happen so blatantly, and to ZUKO of all characters.
Zuko, the guy that asked his uncle to let him into the war meeting when he was only 13 because "he'll be firelord one day" and he wants to learn as quick as possible. Zuko, the guy that interrupted said war meeting also at age 13 because even that young he already felt a massive responsibility for his nation and the people in it, and he couldn't just stand by as these generals were planning on killing them. Zuko, who at age 13 BEGGED his father not to punish him, because he only had the Fire Nation's best interest at heart.
Zuko, who despite what his father did to him, still traveled to the world's most desolate places for a chance of getting his honor, his family and his throne back. Zuko, who at age 16, looked his father in the eye and told him he was going to free his people, and the whole world of his tyranny. Zuko, who at age 16, said he wasn't betraying his nation by joining the Avatar, he's saving it. Zuko, the teenager with so much love for his nation that he questioned his own uncle when he suggested Zuko should be firelord, because he didn't feel like he deserved it, because his people deserve a leader that hasn't made as many mistakes as Zuko.
And you're telling me you think this kid never wanted to be firelord? What version of atla have you watched, genuinely?
#like i'm sorry but a pretty big part of zuko's journey and his character arc happened bc zuko WANTS to be firelord#avatar the last airbender#atla#avatar#zuko#prince zuko#firelord zuko
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i feel like the reason aang isn’t as adored and beloved as he should be is because he’s the protagonist but he’s also not an archetypal western classical hero. i don’t agree with the entirety of that “avatar aang: feminist icon” essay because i think the role of patriarchy and gender in atla is more complex than what that essay posits, but he definitely complicates the masculine ideal of heroism and generally does not conform to patriarchal notions of masculinity. which is very deliberate, especially as contrasted with sokka and zuko’s explicit struggles with the imperialist/colonial standards of an aggressive, militaristic, and chauvinistic masculinity. aang is subversive because he represents an absence of war in a world ravaged by it. through his link to a (somewhat more) peaceful and harmonious past, he represents a better possible future. as katara would say, he brings people hope.
but people don’t like that he’s not visibly edgy or tormented like zuko is (even though he’s a far more tragic character than zuko is, just fyi), that he isn’t “cool” (even though he’s literally the coolest kid ever, just fyi), that he “gets the girl” (even though if anything, she gets him) despite being twelve and bald and nice (the horror!). katara is the more classical hero of the narrative, as its narrator and its catalyst, the adventurous revolutionary who gradually learns to control and use her powers and eventually becoming a force to be reckoned with. zuko is the classical anti-hero of the narrative, his “redemption arc” constantly hailed as one of the greatest character arcs in television. so people expect katara and zuko, as very obvious narrative foils who parallel each other every step of the way, to be the obvious couple, because based on every romance narrative we’ve been inundated with throughout our lives, within our patriarchal society, they “just make sense together.”
but as much as katara is a protagonist in her own right, aang is the show. the title quite literally represents the central thematic tension of the entire narrative, the colon illustrating the implicit divide between his duties to this brave new world in desperate need of justice and balance, or his duties to his extirpated culture as the last true voice among them. aang is the central figure because this tension represents the crucial ideological battle happening across the entire show. aang is the avatar because he is the only person in the entire world whose values have not been shaped by war.
people constantly laud zuko, in particular, for being the most interesting, complex character in avatar. but i personally don’t even think that’s true. which isn’t to say that zuko isn’t fascinating in his own right, of course, but rather that he’s certainly not the only complex character this show has to offer. he just happens to monologue about his anguish constantly. but aang wasn’t raised as an imperial prince, and so he approaches the world, and his own pain, in a very different manner. the reason he immediately goes to ride giant koi on kyoshi island, mailchutes in omashu, and otherwise goofs around after learning of the shocking ramifications of his people’s genocide is because that’s how he copes with his pain. unlike zuko, who never stops talking about his aches and yearnings, aang represses his trauma and hides his tears behind a mask of upbeat cheerful goofy twelve year old antics.
until he can’t anymore. until he snaps. both katara and zuko wear their hearts on their sleeves, and that includes their rage. but aang’s rage is dangerous specifically because it represents that he has been pushed past his limits, that the conditions of this world in which he is a perpetual stranger, temporally displaced and dispossessed, are intolerable. that peaceful reconciliation is impossible. and the fact that he persists beyond that breaking point, over and over again, to firmly and resoundingly establish his ideals even as they conflict with everything he has learned about this world, a world that is not his own even as he can never return to the world he once knew, is what makes him so unique, so powerful, so beautiful.
i know that aang isn’t the typical hero, neither narratively nor aesthetically, but really, that’s the entire point. the world, our world, needs something other than what we have now. we need someone who will not succumb to the ideals of domination and victory through violence to assert themselves. we need someone who stands firm in refusing to kill the firelord, even as everyone he knows tells him otherwise. we need someone who knows that darkness cannot be vanquished through more darkness, but can only truly yield to purifying light.
and sure, aang is a child, and often acts childishly. sure, he’s not conventionally handsome and alluring. but one thing i will never understand is how that somehow negates his appeal to the masses. because even if you don’t appreciate how crucial he is to the themes of this narrative you all seem to love so much, how can you not love his adorable little face? his precious little laugh, his zest for life, the infinite well of love and kindness he holds in his heart? people who hate aang are crazy to me. because you are, quite literally, hating the world’s most precious baby boy.
#aang#katara#zuko#analysis#hot takes#sorry this one is kind of all over the place#very stream of consciousness bc it’s loving aang hours#and he’s not only meaningful narratively#but he’s also just SOOOOO CUTE#I would literally pay money to babysit him#which I think defeats the point of babysitting but whatever#he’s just. so precious 😭😭😭#also fwiw I don’t really fw kataang either but like. it does make more narrative sense than the alternative#and if it had been executed better . well. who can say
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I don’t know how to say this tactfully, but I’ll do my best.
If other fans online have convinced you to see the gentle, optimistic, empathetic, fun loving, whimsical, forgiving, wise beyond his years genocide survivor, as a sexist, racist, xenophobic, abusive, pro-colonization, sexual assault perpetrator who doesn’t care about anyone else and doesn’t understand trauma…
You have been LIED TO.
Please just think for a moment!
ATLA was banned in China from the beginning for a reason. Because they didn’t want anyone empathizing with a character based on Tibetan monks. Why? Because they are an actual oppressed and persecuted minority IRL. Their religious leader lives in exile. Their second most important spiritual figure is the youngest political prisoner ever taken (and to this day no one knows if he’s alive or dead!). China has actual prison and labor camps. Tibetan people get sent there for “re-education”.
Can you please think about what these “fans” are saying when they stomp all over this allegory in TLA and try to frame Aang as the oppressor?
Do you really think it’s appropriate or these people who call Aang all these horrible (and inaccurate) things are being in anyway fair when they call Aang “white coded”???
Even without the real world context, Aang is explicitly the only survivor of a genocide. The last of his people. He has lost more than anyone else in the entire franchise. There’s a reason he clings so hard to Appa.
Do you think it’s fair to compare a 12 year old misreading signals and trying to kiss a girl who already consensually kissed him before, and immediately backing off and giving her space when she says no, to rape?
Tweens and teens miscommunicating and trying to comfort each other with kisses, only to realize that’s not what their friend needed and immediately backing off is the same as having your body violently violated against your will? The same as having your “no” ignored?
How do you think this makes survivors feel? To see people use their experiences as a shield and cudgel for ship discourse? It certainly upsets me as someone who experienced intimate partner violence, let me tell you! And I know I’m not the only one.
And how is it in anyway feminist or pro-Katara to ignore her own agency and deep love she shows for Aang? Yes, that includes her own crush on him! It IS reciprocated!
Lastly, you don’t need to demonize Aang to ship whatever you want to ship. Please understand that the majority of these takes are bad faith and born out of bitterness and insecurity over a friggin FANON SHIP.
And none of it is necessary! You can ship whatever you want! You don’t need permission or excuses. You can just ship them! You can make your case for why you like another pairing better without misrepresenting what happened in the show and what these characters are like, let alone what they represent.
There’s already plenty to work with in the show as it is! Otherwise why bother?
I’m imploring fans taken in by persuasive and manipulative metas to please just think about it. Get off social media and rewatch the show for yourself thoughtfully.
It doesn’t need to be like this.
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ATLA Live Action Series Review:
The Good
Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!
Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.
Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!
Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.
Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.
Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!
Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.
Is the show perfect, no - but I wouldn't mind a season 2.
The Bad
Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?
Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.
Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.
Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.
Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.
Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.
Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.
Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.
Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.
Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.
Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.
The Ugly
Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.
Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!
The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.
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TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.
Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.
#atla#avatar the last airbender#avatar the last airbender tv#atla tv#spoilers#natla#i loved it i hated it i mostly sat through it#i would like a season 2 though#aang#katara#sokka#zuko#iroh#uncle iroh#azula#ozai
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The amount of times I said something along the lines of "They would not fucking do/say that!" while watching the live action atla series is insane. It felt so weird to watch because the acting was pretty fantastic and the set design/costumes weren't bad for the most part either, but the writing and direction itself was painfully bad.
I think King Bumi is probably one of the worst offenders of being written completely ass backwards, which is a shame because the guy portraying him did a great job and I think he would have made a fantastic Bumi if the writing was better.
It feels like they missed the entire point of his character. They took his goofy/slightly mad front from the original show and dialled it up to 11 all the while completely ignoring all the nuance behind that front.
Bumi isn't just the mad king they portray him as in the live action, he's a mad genius. Despite his quirks, he's a fucking fantastic fighter and a brilliant ruler. Despite what you may believe from first impressions, it really does feel like he always knows what he's doing.
Even when he's being antagonistic towards the gang in the show, he's never actually putting them in significant danger. The crystals he trapped Katara and Sokka in were ultimately harmless and all the trials he gives Aang were more akin to games than anything. Even when he fights Aang in his episode he's very clearly not giving it his all, as seen when he single handily takes back his city from the fire nation during the eclipse and when he takes back Ba Sing Se with a small group during Sozins comet, when the opposing forces would have been at their most powerful. My point is that if he actually wanted to beat book 1 Aang, he could wipe the floor with him easily. But this version is fucking furious with Aang (wrongfully so this time around because he explicitly did not run away from his duties in the live action) And very much seems like he wants to cause Aang as much pain as possible, but can barely manage to land a hit on him when he's not pulling cheap tricks with the crystals.
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I'm getting very side tracked but god damn it! This is the man Aang eventually decides to name one of his children after. Their friendship was so sweet and meaningful in the original. Bumi was such an interesting character in the original! And all of that meaning is lost here.
Ironically in an attempt to make Bumi's arc more dramatic and dark, they ended up making it significantly less interesting, along with also missing major parts of his character.
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I'm surprised at the hate that Sokka's character arc from NATLA is receiving. To me, Sokka's development and characterization was one of the strongest adaptations the series made.
In the original ATLA, Sokka's character arc revolves around him unlearning his own misogyny. He makes pointedly sexist comments throughout the early episodes like "Leave it to a girl to screw things up!", "There's no way a bunch of girls took us down!", etc.
Sokka's comments have a strong narrative purpose: they give a platform for women in the show (Katara & Suki mostly) to refute his attitude. Katara emphasizes traditional "women's work" (cleaning, cooking, sewing, etc), which forces Sokka to confront its inherent value. Suki is able to prove to him that women can fight too and he learns to respect female warriors. It's a great character arc and it's well-executed.
It's also characterization that is in direct response to the culture and feminism of the 90s and early 00s. The representation of women in the media at that time was...oof. It was not great. One-dimensional love interests whose only purpose is being saved by the male protagonist, mostly. Female protagonists were not as common, and certainly not ones who were depicted as being able to fight, and certainly not in cartoons. Female protagonists in animation were almost exclusively princesses.
ATLA was progressive in this regard. Katara was a complex female character in a time when there were not a lot of them, in media in general but especially in animation and kid's shows. (I grew up in the 90s; there were no characters like Katara in animation on screen for me.) ATLA incorporated the zeitgeist directly into the story, which is why we have Sokka learning to overcome his sexism in his interactions with Strong Female Characters.
If you go back and watch the original cartoon now, Sokka's sexism feels a bit dated. It's a very 90s, Girl Power, "girls can fight too" style of social commentary. It doesn't match with the media landscape of today. We've got 20 years of media with female superheroes behind us. If your message is "girls can fight too!" the response for the most part is going to be "yes, we know that. And?"
So imagine you're adapting the original ATLA for a live-action remake. You want to keep Sokka's character arc intact, but you want to update it for the 2020s. So what do you do? You look at the conversations that are happening today.
The 90s were about "girls can do everything boys can do", but the 20s are over that. The conversation is more about gender: gender expression, gender roles, gender dynamics. What does is mean to be a woman? What does it mean to be a man?
Sokka's character arc in NATLA is focused on this question: What does it mean to be a man? At the beginning of the series, it's his identity as a warrior that defines him. He needs to be the warrior, the protector, the leader. He's constantly trying to reaffirm this part of his identity, and it's completely tied up in his perception of his value as a man. Instead of his interactions with Suki being about "how could girls possibly be warriors", it shifts to Sokka saying "I'm ALSO a warrior" and trying to justify that to Suki (and mostly himself).
His arc over the series is about him accepting other aspects of himself and relearning how to define his masculinity. He can still have value as man without being the greatest warrior. He can still have value as a man by using his skills as an engineer. He can still have value as a man by offering compassion and kindness to others, like the little girl with the doll & Yue in her final moments. Instead of rigidly defining himself by a specific set of gender roles & expectations, he learns how to define himself through his own strengths and qualities.
I know there are a lot of people who are upset at this change to Sokka's characterization, and the most common thing I see is that it results in changes to Katara's character and her anger in response to Sokka's comments. I think there are valid criticisms to be made about how the show handled the adaptation of Katara's character, but I won't go there with this. In terms of Sokka and his characterization, it was well-done and thematically consistent with the original. It's not an exact port, and it never needed to be. It's still a feminist arc that centres on unlearning harmful misogynistic worldviews, but the focus has shifted from external (roles of women) to internal (his role as a man). And his journey is one that people would benefit from seeing represented.
#atla#avatar the last airbender#natla#netflix avatar#atla meta#there are many criticisms to make about the adaptation but this just isn't one of them
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Many people seem to get genuinely confused, whenever we, zutara shippers, mention how underdeveloped kataang really is. Usually, they’ll brush it off as us being delusional, bitter and you know the drill. Their main response to that, usually is: “How, could they possibly be underdeveloped, they had 3 seasons!?!”
The thing is they forget that the amount of time isn’t as important as what you do do with it. Cuz, yeah, Aang and Katara did have 3 seasons, but their relationship still managed to feel rushed as hell. Heck, even Bryke, out of all people, admitted to it. Which mostly as to do with a bunch of things that I’ll get into right now.
Let’s start with the fact that, Katara never actually shows any interest in Aang.
Now, many of y’all will probably come for me by citing how the cave of the two lovers or even the Headband have moments of her showing interest in him, but all of them end up falling flat at some point.
The cave of the two lovers:
The argument here, usually is“if she didn’t have any interest in him, why would she kiss him?” or “why would she blush at the idea of kissing him?”. The former seems to forget this is a life or death situation and that we don’t really know for sure that if there were another way to get out if this, she wouldn’t take it. For the latter, I’d like to say that blushing can have many significations such as, embarrassment. Which, here makes sense when considering what she says and overall demeanour, after suggesting to kiss.
Like yeah, a fourteen year old girl blushing bcz she’s embarrassed at the idea of having to kiss, her friend, out of all things, cuz you know… awkward. Can you imagine that (pun fully intended)???
The headband:
This one is going to be a ride, but stick with me. The arguments can range from “What about her jealousy while Aang is dancing with other girls.” to “What about the way she looks at him during the dance.”
Here, is said jealousy being shown:
And said look being done:
Now, yeah, I can absolutely see why these two exemples would be used as a way to prove her interest, but let me remind you that this is the same episode where we have this happen.
Yeah, the same episode where Katara is acting all jealous and giving flirty looks to Aang is also the same one where she pretends to be is… mother. While, I could go on about how it wasn’t the best idea on the directors or whoever was in charge of the episode part if it was their way of giving a glimpse of Katara being into Aang. The issue is, them doing so wasn’t completely farfetched either, because up until now it’s been established that Katara can be very motherly and she acts that way with almost everyone in the gaang. More specifically, the one with who she does so the most is, Aang.
I mean, even the show makes a point of poking fun at their mother-son dynamic on several occasions all throughout the show (ie. the don’t-rub-your-eyes-when-you’re-speaking scene in “The runaway” episode). So realistically, the two exemples shown way above could somewhat work, but only if you decide to completely ignore what episode they take place in, one that hasn’t really helped at stopping the mother-son dynamic allegations kataang has been getting, for years, now.
So, back to the development aspect, I think it has always been stunted from the beginning, because, fundamentally, the ship as always been designed to be Aang-centric. If you’d like more insight on that I’d recommend checking @starlight-bread-blog’s amazing post on the issue. But also, that their lackluster resolution is way much more obvious, cuz both are leads in the show. Katara's existence in the show, isn't solely there to serve as some love inerest for Aang. Shocker, but she's actually a MAIN CHARACTER in the show, meaning that we spend three seasons where we get to learn about her battles, fears and aspirations, none of which seems to involve a relationship with Aang.
Like yeah, the reason why The Ending Kiss™ feels so unsatisfactory is, simply, because, Katara doesn't like Aang (at least not like that). Katara, likes Aang, because the show said so. Now, stick with me, cuz I can already feel some of y'all ready to jump at the screen. Within the show, name a single moment where she ever comes to thinking of Aang in a romantic way. One that doesn't involve any external sources, such as someone suggesting about it or because of the given circumstances she has to. The answer is none. The only time we ever get to see her voice her ACTUAL opinion about it, this is what she says:
That's not even counting how her overall demeanor, from the body language to her choice of words seems to suggest that she's actually trying to let him down gently. Also, may I remind you that at that point THERE'S ONLY 3 FREAKING EPISODES LEFT BEFORE THE BIG KISS™ and this is where there at in their relationship. Plus, within the 3 episodes that are left WE NEVER GET TO SEE THEM TALK ABOUT IT, EVER!!!
This obviously was part of Bryke’s horrible attempt at the will-they-won’t-they trope. Which ended up playing right in their face, cuz like I mentioned they themselves had to come to glaring realization that kataang was rushed. Now, it could’ve been it, the creators realizing their obvious mistake and if they could, trying to fix it by giving us what seemed like the natural progression of their relationship, which was for it to end.
Instead, we got comics!Katara and oooh boy…
Basically, they decided that they would throw away Katara’s meticulously built characterization in order to make her existence revolve around, Aang. I kid you not, when I say that she isn’t allowed scenes, lines and actions that do not revolve around her “sweetie”.
Remember how I said that, Katara likes Aang because the show runners said so. This is an example of this cranked up to a hundred.
Essentially, when you start thinking about where these two are in terms of growth, kataang is the antithesis to development itself. On one hand it validates the regression of one (ie. the dropped chakra plot line), while simultaneously, having to strip any previously built characterization of the other (ie. comics!katara).
On that note, I’d like to remind people, how important Katara is to the story. Without her, the entirety of the gaang would be dead. Without her, there would be no story. Without her, there would be no Aang.
She deserved to have a voice within her own relationship and not for it to be stolen by two grown men who were still stuck in their childhood fantasy.
She deserved better.
#atla#avatar#anti bryke#avatar the last airbender#anti kataang#zutara#pro katara#katara deserved better
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Actually you know what, thinking on it, Sokka's sexism in the original was really weird and when writing fic, I had a hard time understanding where that even came from. We've been told Gran-gran left NWT because of the sexism and stayed at SWT, Hama was a fighter, Hakoda didn't condemn Katara for fighting or learning bending, there's a trivia thing where we learn Hakoda actually wanted to find a waterbending teacher for Katara. Now sure you can say fighting doesn't mean sexism wasn't present, but Sokka's conveyance of that sexism didn't work if that's the case.
Sokka specifically underestimates girls in fighting. That's how his sexism is largely expressed. Kanna wouldn't have raised Hakoda that way and in turn Hakoda wouldn't have raised Sokka like that.
He would be overprotective of Katara and stifle her as a bender, but not because he's sexist, but because Hakoda said "Hey you're our last warrior"- and this is actually the crux of his character.
One big argument people make is that Sokka's character arc with Suki apparently won't happen. But interviews state that the new focus on Sokka-Suki would be about them finding strength and solidarity as non-benders. In the original we do see Sokka trying to figure out his place and part in the war and among Gaang, he does feel insecure about his strength and ability to protect people. I think taking the new direction would connect well with the Serpent's Pass reunion.
I understand why people are hesitant but I just saw posts saying Sokka's sexism is inherent to his character as Toph's blindness is!?!?!? WHAT'S WRONG WITH YOU????? There's so much to unpack there I don't even know where to begin. Like this is getting ridiculous and in trying to say Sokka's sexism is good actually, you guys forget that the original was kinda fumbling its way through Sokka's sexism arc. It's not that fast or easy to make someone dismantle sexism, and the Kyoshi Warriors + Suki are playing into the idea that a woman is only equal to a man when she has combat prowess (I still kinda cringe at Suki saying "I'm a warrior....but I'm also a girl" she says that about her romantic interest in Sokka and kissing him, like why is being a girl or romantic interest associated with 'girl'?). They could've stretched out the arc and included Yue in helping Sokka learn that women aren't inferior but all talks of women's equality was restricted to combat.
I ADORE the Katara v Pakku fight and I think that was a far better discussion and showcase of misogyny and commentary on inequality. Because yes it was a fight, but it was, underneath all that, about Kanna and Yue.
It is the first time we see that actually, Kanna and Yue should get to choose because that is a fundamental right they should have. Healing was allocated entirely to women, but Katara learned it and it was never seen as an inferior form of bending. Everyone should get to pick if they wanna fight or they wanna heal or both. Katara'a fighter, a healer.
So I just wanna ask; Do you want Sokka's sexism to be there to comment on the unfairness of gender inequality? Do you want it there to give this one male character a character arc (because Sokka never talks to Katara- the one whom he hurt most with that attitude- or acknowledges his contribution in suppressing her advances in bending after this little lesson he learned from Suki)? Or do you want it there because the og did it so it has to be there? Because if it's the first, KATARA's arc does it a million times better and that's still in the show.
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🌊⛰️🔥🌪️
MODERN! READER WITH GAANG
𖤓PROMPT: you fell inside your comfort show.
✧ ೃ༄*ੈ✩it was during book 2, you were happy to see toph show her father that she can take care of herself. You had wished to see it in person. And booom! You were suddenly in the show where you can see Aang get busted free from the metal cage.
✧ ೃ༄*ੈ✩after the whole fight scene, toph noticed you and pointed you out. You knew there was no chance in running, so you outed yourself out. By calmly saying you are from another world. As much as you sounded crazy, they laughed while Toph knew you weren’t lying by your heart rate. You showed them your phone and that’s when the main Trio stops laughing and got curious
✧ ೃ༄*ੈ✩Sokka most definitely will ask if the ladies back in your time era are attractive, you said yes and this boy was asking to see what they look like on your phone 😭
✧ ೃ༄*ੈ✩and that’s how you got into the gaang. You were the therapist of the group, always listening to their troubles and helping them with all the knowledge you knew about their characters.
✧ ೃ༄*ੈ✩katara always likes to rant about her day to you, and you don’t mind which makes her feels comfortable around her. Book 1 katara was very open on making friends. Book 2, I’ll say the same. If you had meet book 3 katara, YOU BETTER HAD PRAY FOR MERCY LMAO.
✧ ೃ༄*ੈ✩aang likes to play with you with his airbending, and you enjoy the hell out of it. Literally you would smile with the brightest smile, and Aang smiles with you along. Just two sunshines having fun.
✧ ೃ༄*ੈ✩toph likes how you taught her swear words. You and toph curse like sailors😈 lmao. Aang accidentally got influenced and that make katara step in and shut shit down 😭😭.
✧ ೃ༄*ੈ✩you love appa and momo! These furry cuties love you too as appa always licks your face when you show up. Momo sometimes leaps on your shoulders, maybe even trying to share a fruit with you.
✧ ೃ༄*ੈ✩Aang steals your big shirts, and you would try to match with him which makes him even like you more as a friend. You turn into his best friend right there and now.
✧ ೃ༄*ੈ✩with you being a non-bender..protectiveness is to the roof! Literally even if you can fight. There’s still bending that can take you down without a single thought. The people who at your body guards are Aang, toph, Katara, and Zuko. The four powerful benders. But the ones who stick the most are Zuko and toph. Toph because she likes how fierce your personality is. Zuko, Zuko is just himself. Plus he needs more friends.
✧ ೃ༄*ੈ✩Zuko awkwardly ask you a lot of questions from your generation. Like a lot to the point you grabbed his lips shut. That’s when Zuko knew, you weren’t playing games.
✧ ೃ༄*ੈ✩headcannon on zuko and you just being awkward teens not knowing how to start the conversation so all he starts off is, “so, is war a thing in your world?” The way you gave him a wild side glance.
✧ ೃ༄*ੈ✩I can see you making the gaang learn slangs LMAO. You made katara understand the wordings of “What you being messy for?” And she started to use on toph and Sokka 😭😭 you’d probably give Aang a short ass but wholesome slang.
✧ ೃ༄*ੈ✩if you had curly hair, and not some katara curly hair iykwim. I mean like 4c ass hair that I possibly have 😭. I can see katara just amazed and ask in g to comb it which you quickly say no to. Toph, just stands there but probably does touch it when bored. People who ask to touch it is suki, Zuko, and Aang. Those three are people who I can see ask before doing it. Sokka will ask, but will touch it as it ask after 🧍🏾
✧ ೃ༄*ੈ✩big headcannon Sokka training you on sword fighting, but then Zuko comes in because Sokka is apparently “showing” you the wrong way lol.
✧ ೃ༄*ੈ✩suki most definitely would love to teach you her ways of fighting. Plus chi blocking. Once you mastered it, she would take it up a notch and have you spar with her. In honor of her teaching, you agree. You had the upper hand until she practically cheated by distracting you. Making you lose your focus, she nailed you down. But in all warfare, it was full of laughter and friendship.
✧ ೃ༄*ੈ✩imainge you showing them that “car” comercial..(of course toph can’t see it lmao) 😭 ZUKO PROBABLY BURNT YOUR PHONE 😨 ALL BECAUSE HE GOT SCARED
#the legend of aang#avatar the legend of aang#suki#Alta suki#Alta Sokka#Alta Aang#Alta toph#Alta Zuko#Alta Katara#avatar aang#aang x reader#aang#atla aang#avatar: the last airbender#avatar last airbender#the gaang#gaang fluff#gaang#gaang x reader#gaang x yn#platonic gaang x reader#avatar gaang#atla gaang
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As a kid I loved the Zutara ship and I also loved Taang (Thophaang whichever you prefer).
As an adult I realize how much of a self insert Zutara was for me. Like I identified SO much with Katara. I think we know that’s part of what makes the show great, Katara is deeply kind and empathetic and she’s also angry and refuses to sit back and watch injustice.
But as an adult her and Aang make my soul feel warm. They are two of the most loving characters in the show. There’s a reason we meet Katara before anyone else. It matters that she met Aang because of a feminist rant and he immediately asked her to be his friend. They have something so pure and beautiful.
Now I’m a huge Kataang fan. I still am cool if people wanna ship Zutara, I get it. I also love Zukka and Sukka and Zukki. Like have fun but also it’s so much more important that all these characters grow through their relationships with one another as a found family, not only or necessarily as romantic partners.
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Someone on twitter was expressing their disappointment about how Katara ended up becoming the healer she never wanted to become in Legend of Korra and got absolutely piled on for it.
“She decided to settle down!”
“Are you saying that being a healer is BAD? Why are you looking down on it?”
“She had other responsibilities to attend to, like her grandchildren and community! She would’ve been too busy to fight”
“She was too fragile! She already achieved world peace, what more do you want from her?!”
These are some of the comments I saw people making about that post. I even saw someone citing the comics as an example of Katara doing more than just healing in her old age. It was a scene of her training young Korra and I though it was really sweet but like…if only they actually included that scene in the show. I just feel like we should have to use the comics as supplementary material to cover the flaws in Legend of Korra and should be able to judge it on its own merit.
The comics don’t really matter to me, because the most visible and relevant parts of the story are depicted in the ACTUAL animated series. If we are critiquing the way LOK depicted Katara, we shouldn’t have to be weighed down by dozens of whataboutisms that don’t understand the difference between a watsonian and doylist critique.
Here’s one example:
These are real people, THESE ARE REAL-LIFE ACTORS! These examples are not animated characters that exist in a supernatural world, the characters in ATLA are not governed by reality in the way that these real-life actors are. Furthermore, aging seems to be such an insurmountable obstacle for Katara…but somehow the fact that Toph and Zuko were throwing down well into their 80s is totally plausible.
But these kinds of fans will freak out over the most basic criticism of the text. They can’t handle that questioning it leads to realizing the broader thematic implications of neglecting Katara’s character and ignoring her in the story.
They bring up the comics but I just don’t accept that as proof of coherent storytelling. Like thank you for the textual example! But what if I don’t accept the text? What if I think the text is wrong and has sexist undertones?
#pro katara#avatar the last airbender#anti atla comics#anti bryke#legend of korra#atla fandom discourse#atla fandom critical#katara deserved better#katara#anti kataang
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So since the fandom has come back to life and there is not enough Kataang content on this app I will start sharing my two cents. Yay.
I want to start off by saying that as the show was airing, I, as a 10 year old, did kinda ship Zutara. Let’s face it, that scene in the catacombs was a turning point for a lot of shippers. But that was before I saw the final season a couple of years later. When I rewatched the show as a whole, as a teenager I was over Zutara, honestly their interaction kind of felt awkward to me, because they were enemies for so long. So I was all for Kataang. Now, that I’ve rewatched it for like a 1000th time, as a 28 year old, I finally see Kataang for the amazing pairing that it is.
Anyway, I’m not here to hate on anyone, you can ship whoever you like, and I love Zuko so you will not see me slandering his character here. Plus I don't feel the need to hate dump on a character to make my ship feel superior (*cough* unlike some Zutara shippers *cough*).
Ok, so. I feel that when people think of Katara, and her part in the show, they remember her as the responsible one in the group, the "mother" of the group, the sensible and caring one. Yes, when Katara’s mother died she had to step in and take the responsibility of the mother in the family, like Sokka says in the Runaway, and that stayed with her throughout the show. But, I hate that that’s the only thing she’s remembered for, because that’s just the result of her trauma. I feel like most people ignore a very crucial part of her character. Yes, she is the responsible in the group, but when she gets a chance to just be a kid, that's what she is.
People forget about the fun loving side of Katara. The one that goes penguin sledding and remembers how she hasn’t done it in a long time because life hasn’t allowed her to. The side of Katara that gets obsessed with Aunt Wu’s prediction because she is just a regular girl who’s fascinated by her love life, and dreams about what her future husband might be like. The girl that tries flying on the glider with Teo. The girl that relaxes on Appa and lets the hippie girl braid her hair, completely forgetting about the next task in their journey. People forget the side of her that dances in a cave, forgetting about the war and just enjoying life. Let’s not ignore that whenever Katara has a chance, she just enjoys being a kid, not just a badasss waterbender travelling with the Avatar.
And when Katara brings that side out, you know who’s right by her side? Aang. He’s not just by her side, he’s the one initiating those little fun moments. Penguin sledding is his idea, he’s the one to remind her that even though she’s been through a lot, and has a lot of responsibilities, she’s still a kid. He’s the one to organize the dance party, in a middle of a war, in the enemy's terrorory, he still finds a way for them just to be kids. And she’s right there with him, dancing. He’s also taking part in her obsession with Aunt Wu, not belittling or making fun of her faith, but taking part in it. Also sitting right next to her in a flower crown and enjoying the music the hippies play.
You cannot ignore that part of Katara, the part that shines when she’s comfortable, the part that just wants to be a regular kid and have fun. And that’s the part that Aang brings out in her. He’s the Avatar, the weight of the world is literally on his shoulders, but he still finds a way to enjoy life and be a kid, even after going through the worst trauma you can imagine. And he’s there to remind her that even if you’ve experienced the worst, you can still find joy in the little things. She literally says in the first episode - Aang brought something we haven’t had in a long time - fun. And that’s what he brings to her, this light, and that’s why she’s so drawn to him.
Isn’t that what we want for Katara, after the war is over? To just let herself be a kid, not to miss out on that part of her life, now that she doesn’t have to worry about their survival? And the best person to bring this joy and childlike wonder back into her life is Aang. And that’s why I think that Aang is truly the best one Katara could have ended up with.
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I don't like "The Runaway" episode. Imho this is a very strange plot, pulled out of thin air. And most importantly, it ignores Toph's really interesting conflict that could have developed her character.
The episode begins with Toph and Katara fighting over their differences. The most disgusting thing here is not even that their quarrel was taken out of nowhere, but a flashback to previous episodes. The authors based the series on the misunderstandings between Toph and Katara at the beginning of their relationship, completely ignoring their subsequent beautiful friendship. Not only did they throw out Katara's concern for Toph in the desert and their time together in Ba Sing Se, but they also pretended that this particular episode resolved all the misunderstandings, which means it was important. This is ugh.
Do you know what I would do instead of this unnecessary quarrel? I would finally resolve the misunderstanding with Aang that has been going on since the episode “The Desert”.
Remember when Aang blamed Toph for getting Appa stolen? Why not resolve this obvious and hanging misunderstanding? I mean, Aang and Toph don't talk alone at all after that episode, and that's bad.
A dedicated episode about their relationship would have filled that gap nicely and would have also strengthened the characters' bond.
Also, it's in this episode that I would show how Toph learns sandbending. Imagine the conflict that could have arisen: after losing Appa in the desert, Toph realized that she isn't such a great earthbender, because there are things that are beyond her control. She hates feeling inferior, especially when that deficiency caused her to lose a friend.
The sand is too loose, she loses its sight as soon as she lets it go. And the only one she can turn to for help is Aang.
Think about it, why are the dunes in the desert so mobile? What spreads sand and makes it so unstable? The answer is the air. To bend the sand, Toph will have to turn to the opposite element and to the one with whom there was no time to resolve the issue: Aang. And all this is connected not only with her desire to get rid of the imperfections of her bending, but also with the goal of never losing friends again and always being able to help them. And also finally make peace with Aang, her very first friend.
Imagine how Aang would teach her to feel the sand in the air. How, for example, she could see the currents of the wind... How the grains of sand would become her guides into the gaping void above her head that Toph had never seen before.
What wonderful emotions we would witness. The blind girl finally saw what was unattainable even with earthbending. I'm sure it would greatly impact Toph's personality and expand her understanding of things, and I want to experience it with her.
If there is a fanfic about this, I'd like to read it. Because the canon, alas, has lost all possibility of implementing something like this. After all, Toph learned sandbending off-screen, as if there was no emotion associated with it
#atla#avatar the last airbender#atla critical#atla au#atla meta#atla toph#toph#toph beifong#atla aang#aang#taang#I don't know if a ship hashtag is needed#but I'll put it
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