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#I genuinely wrote a novel in less than a month
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Kickstarting the audiobook of The Lost Cause, my novel of environmental hope
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Tonight (October 2), I'm in Boise to host an event with VE Schwab. On October 7–8, I'm in Milan to keynote Wired Nextfest.
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The Lost Cause is my next novel. It's about the climate emergency. It's hopeful. Library Journal called it "a message hope in a near-future that looks increasingly bleak." As with every other one of my books Amazon refuses to sell the audiobook, so I made my own, and I'm pre-selling it on Kickstarter:
https://www.kickstarter.com/projects/doctorow/the-lost-cause-a-novel-of-climate-and-hope
That's a lot to unpack, I know. So many questions! Including this one: "How is it that I have another book out in 2023?" Because this is my third book this year. Short answer: I write when I'm anxious, so I came out of lockdown with nine books. Nine!
Hope and writing are closely related activities. Hope (the belief that you can make things better) is nothing so cheap and fatalistic as optimism (the belief that things will improve no matter what you do). The Lost Cause is full of people who are full of hope.
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The action begins a full generation after the Hail Mary passage of the Green New Deal, and the people who grew up fighting the climate emergency (rather than sitting hopelessly by while the powers that be insisted that nothing could or should be done) have a name for themselves: they call themselves "the first generation in a century that doesn't fear the future."
I fear the future. Unchecked corporate power has us barreling over a cliff's edge and all the one-percent has to say is, "Well, it's too late to swerve now, what if the bus rolls and someone breaks a leg? Don't worry, we'll just keep speeding up and leap the gorge":
https://locusmag.com/2022/07/cory-doctorow-the-swerve/
That unchecked corporate power has no better avatar than Amazon, one of the tech monopolies that has converted the old, good internet into "five giant websites, each filled with screenshots of the other four":
https://twitter.com/tveastman/status/1069674780826071040
Amazon maintains a near-total grip over print and ebooks, but when it comes to audiobooks, that control is total. The company's Audible division has captured more than 90% of the market, and it abuses that dominance to cram Digital Rights Management onto every book it sells, even if the author doesn't want it:
https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff
I wrote a whole-ass book about this and it came out less than a month ago; it's called The Internet Con and it lays out an audacious plan to halt the internet's enshittification and throw it into reverse:
http://www.seizethemeansofcomputation.org/
The tldr is this: when an audiobook is wrapped in Amazon's DRM, only Amazon can legally remove it. That means that every book I sell you on Audible is a book you have to throw away if you ever break up with Amazon, and Amazon can use the fact that it's hold you hostage to screw me – and every other author – over.
As I said last time this came up:
Fuck that sideways.
With a brick.
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My books are sold without DRM, so you can play them in any app and do anything copyright permits, and that means Amazon won't carry them, and that means my publishers don't want to pay to produce them, and that means I produce them myself, and then I make the (significant) costs back by selling them on Kickstarter.
And you know what? It works. Readers don't want DRM. I mean, duh. No one woke up this morning and said, "Dammit, why won't someone sell me a product that lets me do less with my books?" I sell boatloads" of books through these crowdfunding campaigns. I sold so many copies of my last book, *The Internet Con, that they sold out the initial print run in two weeks (don't worry, they held back stock for my upcoming events).
But beyond that, I think there's another reason my readers keep coming back, even though I wrote a genuinely stupid number of books while working through lockdown anxiety while the wildfires raged and ashes sifted down out of the sky and settled on my laptop as I lay in my backyard hammock, pounding my keyboard.
(I went through two keyboards during lockdown. Thankfully, I bought a user-serviceable laptop from Framework and fixed it myself both times, in a matter of minutes. No, no one pays me to mention this, but hot damn is it cool.)
https://pluralistic.net/2022/11/13/graceful-failure/#frame
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The reason readers come back to my books is that they're full of hope. In the same way that writing lets me feel like I'm not a passenger in life, but rather, someone with a say in my destination, the books that I write are full of practical ways and dramatic scenes in which other people seize the means of computation, the reins of power or their own destinies.
The protagonist of The Lost Cause is Brooks Palazzo, a high-school senior in Burbank whose parents were part of the original cohort of volunteers who kicked off the global transformation, and left him an orphan when they succumbed to one of the zoonotic plagues that arise every time another habitat is destroyed.
Brooks grew up knowing what his life would be: the work of repair and care, which millions of young people are doing. Relocating entire cities off endangered coastlines and floodplains, or out of fire-zones. Fighting floods and fires. Caring for tens of millions of refugees for whom the change came too late.
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But with every revolution comes a counter-revolution. The losers of a just war don't dig holes, climb inside and pull the dirt down on top of themselves. Two groups of reactionaries – seagoing anarcho-capitalist billionaire wreckers and seething white nationalist militias – have formed an alliance.
They've already gotten their champion into the White House. Next up: dismantling every cause for hope Brooks and his friends have, and bringing back the fear.
That's the setup for a novel about solidarity, care, library socialism, and snatching victory from defeat's jaws. Writing it help keep me sane during the lockdown, and when it came time to record the audiobook, I spent a lot of time thinking about who could read it. I've had some great narrators: Wil Wheaton, @neil-gaiman, Amber Benson, Bronson Pinchot, and more.
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I record my audiobooks with Skyboat Media, a brilliant studio near my place in LA. Back in August, I spent a week in their recording booth – "The Tardis" – doing something I'd never tried before: I recorded a whole audiobook, with directorial supervision: The Internet Con:
https://transactions.sendowl.com/products/78992826/DEA0CE12/purchase
When it was done, the director – audiobook legend Gabrielle de Cuir – sat me down and said, "Look, I've never said this to an author before, but I think you should read The Lost Cause. I don't direct anyone anymore except for Wil Wheaton and LeVar Burton, but I would direct you on this one."
I was immensely flattered – and very nervous. Reading The Internet Con was one thing – the book is built around the speeches I've been giving for 20 years and I knew I could sell those lines – but The Lost Cause is a novel, with a whole cast of characters. Could I do it?
Reader, I did it. I just listened to the proofs last week and:
It.
Came.
Out.
Great.
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The Lost Cause goes on sale on November 14th, and I'll be selling this audiobook I made everywhere audiobooks are sold – except for the stores that require DRM, nonconsensually shackling readers and writers to their platforms. So you'll be able to get it on Libro.fm, downpour.com, even Google Play – but not Audible, Apple Books, or Audiobooks.com.
But in addition to those worthy retailers, I will be sending out thousands – and thousands! – of audiobook to my Kickstarter backers on the on-sale date, either as a folder of DRM-free MP3s, or as a download code for Libro.fm, to make things easy for people who don't want to have to figure out how to sideload an audiobook into a standalone app.
And, of course, the mobile duopoly have made this kind of sideloading exponentially harder over the past decade, though far be it from me to connect this with their policy of charging 30% commissions on everything sold through an app, a commission they don't receive if you get your files on the web and load 'em yourself:
https://www.kickstarter.com/projects/doctorow/red-team-blues-another-audiobook-that-amazon-wont-sell/posts/3788112
As with my previous Kickstarters, I'm also selling ebooks and hardcovers – signed or unsigned, and this time I've found a great partner to fulfill EU orders from within the EU, so backers won't have to pay VAT and customs charges. The wonderful Otherland – who have hosted me on my last two trips to Berlin – are going to manage that shipping for me:
https://www.otherland-berlin.de/en/home.html
Kim Stanley Robinson read the book and said, "Along with the rush of adrenaline I felt a solid surge of hope. May it go like this." That's just about the perfect quote, because the book is a ride. It's not just a kumbaya tale of a better world that is possible: it's a post-cyberpunk novel of high-tech guerrilla and meme warfare, climate tech and bad climate tech, wildcat prefab urban infill, and far-right militamen who adapt to a ban on assault-rifles by switching to super-soakers full of hydrochloric acid.
It's a book about struggle, hope in the darkness, and a way through this rotten moment. It's a book that dares to imagine that things might get worse but also better. This is a curious emotional melange, but it's one that I'm increasingly feeling these days.
Like, Amazon, that giant bully, whose blockade on DRM-free audiobooks cost me enough money to pay off my mortgage and put my kid through university (according to my agent)? The incredible Lina Khan brought a long-overdue antitrust case against Amazon while her rockstar DoJ counterpart, Jonathan Kanter, is dragging Google through the courts.
The EU is taking on Apple, and French cops are kicking down Nvidia's doors and grabbing their files, looking to build another antitrust case for monopolizing GPUs. The writers won their strike and Joe Biden walked the picket-line with the UAW, the first president in history to join striking workers:
https://doctorow.medium.com/joe-biden-is-headed-to-a-uaw-picket-line-in-detroit-f80bd0b372ab?sk=f3abdfd3f26d2f615ad9d2f1839bcc07
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Solar is now our cheapest energy source, which is wild, because if we could only capture 0.4% of the solar energy that makes it through the atmosphere, we could give everyone alive the same energy budget as Canadians (who have American lifestyles but higher heating bills). As Deb Chachra writes in her forthcoming How Infrastructure Works (my review pending): we get a fresh supply of energy every time the sun rises and we only get new materials when a comet survives atmospheric entry, but we treat energy as scarce and throw away our materials after a single use:
https://www.penguinrandomhouse.com/books/612711/how-infrastructure-works-by-deb-chachra/
Anything that can't go on forever will eventually stop. We have shot past many of our planetary boundaries and there are waves of climate crises in our future, but they don't have to be climate disasters. That's up to us – it'll depend on whether we come together to save ourselves and each other, or tear ourselves apart.
The Lost Cause dares to imagine what it might be like if we do the former. We don't live in a post-enshittification world yet, but we could. With these indie audiobooks, I've found a way to treat the terminal enshittification of the Amazon monopoly as damage and route around it. I hope you'll back the Kickstarter, fight enshittification, inject some hope into your reading, and enjoy a kickass adventure novel in the process:
https://www.kickstarter.com/projects/doctorow/the-lost-cause-a-novel-of-climate-and-hope
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/10/02/the-lost-cause/#the-first-generation-that-doesnt-fear-the-future
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eternalglitch · 2 years
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Some advice on how to write a long form fic and actually stick with it / survive.
In writing communities, you will hear that there are two main types of writers. Planners/pantsers or architects/gardeners are some of the common names for the types, but basically either you make meticulous notes and plan the entire story out before starting, or you start with an idea and make it up as you go. (Pantsing comes from the phrase "by the seat of your pants".)
Note that these aren't black and white categories; MOST writers will fall in between, but that's normal with most types of things. I started out with a pantser/gardener inclination; I had a cool idea and I posted the first chapter with NO idea where I was going next.
What I learned in that decade of writing was that this will not get you through long pieces of work in a satisfying way. Character arcs are hard to get right, thematical consistency and payoff can happen but it's more luck and chance than your actual skill as a writer. There's always a few geniuses that can do it, but I do not recommend trying to stick to this method alone.
I fall significantly more in between these as a more mature writer after trying and failing at gardening alone. When I posted Like Father Like Son, I went and typed out one bullet point for each chapter I thought I would write. There were 13 planned chapters, so obviously this plan was not accurate – except I have remained true to almost all of the general plot points I had written down in January 2020 at the current time of September 2022. I just expanded on the plot by a significant amount.
As I got used to the tone and got more inspired, I came up with the idea to utilize arcs to break the story down farther. I decided 6 arcs felt right, with a vague idea of what each one would entail, and as I started each arc I would go back in and bullet point what I thought each chapter would be like in more detail. Things still had room to change and grow once I saw where each arc took me, but it is much less daunting to plan 7 chapters at a time instead of 40. It still gave me time to change the little things and have fun seeing where each chapter took me, but it also never left me stranded with no idea where I was trying to swim.
Once I hit the big climax / turning point, which is in Chapter 21: Flatline, I changed tactics a little. I've kept a doc where I write out scenes that I was too excited to wait for, and had accumulated about 20 different little scenes with no order. I put them all on sticky notes and grouped them until I got a clear path, and then I went and solidified the last three arcs in order to get character arcs and themes tied off in a satisfactory way. I had given myself enough time to really think about what I wanted to do, and now that I knew where I currently stood it felt effortless to fill out.
Now. Planning advice aside, how do you actually write a long fic? You will need two main things.
Stamina. This is a skill in and of itself, and unless you have completed at least a novel-length story before, you are new to it! This muscle isn't developed! The best way to throw yourself into training it would be challenging NaNoWriMo (National Novel Writing Month) in either November or July. In thirty days, you have to write 50k which pans out to 1,667 words a day. I have challenged and won it twice. I totally pantsed both times, which means I think both novels I wrote are severely lacking in quality, but they absolutely trained me to think on my feet and just push through writer's block. It's grueling and at times painful, but the feeling of crossing the 50k mark on November 30th? That's why I've stuck with writing. Genuinely it is worth doing at least once, you WILL become a better writer even if that piece of work itself is a mess.
Find something you are wildly excited to write in every single chapter. Yes, every single one. You tend to start a story very excited about a few select scenes, but when I start a chapter I try and find at least part of it that I am SO excited to type. This will give you energy and I think people can tell when you actually are enjoying writing rather than slogging through it. Bored of the chapter you're writing? Back to the drawing board, there IS a better way to get from points A to C. Even one chapter I wasn't interested in in between two I loved could make me procrastinate for months instead of just enjoying getting back into the writing.
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vote-gaara · 5 months
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Why didn't you like Gaara Hiden?
My feelings for Gaara Hiden are complicated.
Oh, and if you haven't read the English Translations here they are. Someone formatted it from the Tumblr post that was originally on Cacatua's blog.
Now what was I saying?
Oh yes, my feelings for Gaara Hiden...Complicated. Very, very very complicated. I don't hate the story, but I don't really like it either.
Now before I absolutely lampoon this novel, here are some things I do liked about it:
Gaara content in which he stayed in character!
The story was more or less unnecessary (more on this later).
Gaara's fixation on how Naruto saved him took a back seat to other things going on, which was a breath of fresh air as it allowed the story to focus on other aspects of Gaara's life.
Sand sibling interactions are always welcome :)
Socially awkward Gaara is amazing, especially around romantic themes. Also, we love when Gaara can go off about his hobbies.
Strong things I dislike about the novel:
Gaara came across as really cold which irritated me, but also didn't surprise me. Gaara is a really complex character to write. He's simultaneously sassy, pessimistic and a bit of a meanie while turning around and being the most genuine, wholesome and inspirational character you would ever get to know. I'm not even saying Gaara was out of character, because they did a really good job of keeping him pretty true to who he is, but I wished the novel would have forced him to interact with other people as a normal person, rather than as Kazekage, which the entire book proceeded to do and thus we lost out on seeing Gaara's true personality. Like the book handled him floundering with Hakuto really well, but how he treated Shijima in comparison was just...Not good. It was boring. BORING! It was like watching a coworker talking to their boss the entire time, which just did not make for good reading and Shijima ended up coming across as very flat as a result. And I KNOW this is because they were on a mission, I KNOW they were just being "shinobi" but...like....I just wanted more of the genuine, good and wholesome "Gaara trying to interact with people" rather than "Gaara being Kazekage and acting like Kazekage and everyone treats him like he's the Kazekage."
We learned that Temari and Kankuro took a backseat in Gaara's life - The book did Kankuro dirty more than Temari. After I read the scene when Gaara and Kankuro are talking (which was like half a page long), and it said something like "this was the longest conversation Gaara had had with his brother in 6 months" I could not describe the amount of anger I felt. I know the sand siblings are busy, but 6 MONTHS???? WHAT??
Kazekage Clan - Crap. Crap, crap, crap and utter garbage. I think I wrote about this in a different post (on one of my other blogs, maybe? I don't remember now) but the "Kazekage clan" pretty much vetoed any meaning behind Gaara's speech to Kankuro when Gaara was like "I want to become Kazekage one day." In the beginning of the series, a person could've figured that becoming Kazekage would operate a lot like becoming Hokage, where only the strongest, smartest and most hardworking individual was selected, and that working towards that title was something not to be taken lightly. Assuming this, when you look at Gaara's speech to Kankuro, where he's professing that he wants to become special to others, to repair and heal the damage and pain he caused, and to connect to others, you imagine that Gaara has nothing but this treacherous, mountainous, up-hill battle to fight...Not only is it difficult to become Kazekage, but as Kankuro put it "the jonin don't think highly of you and people are as scared of you as ever." It had meaning to it. It meant that there was a lot at stake. And because of that, it meant so much when you discovered that Gaara did become Kazekage....But then oops, they just ruined that by making the position a family title. It just cheapened the whole thing, and it made no sense as to why Gaara tried so hard in the first place if it was just gonna be passed down to him anyways, since his siblings weren't interested in the title....Idk, just felt like it ruined any meaning behind Gaara's character development which just gutted me cause WHY WOULD THEY DO THAT???
The story was pointless - Okay, so I'm kinda thankful the story was pointless because I was hoping Gaara would remain single. (I know, I know, I KNOW and I'm sorry. Gaara deserves that romantic love, but also it's kind nice to have him be an ace/aro icon too). I just think it was realistic for him to just be by himself and to find happiness doing whatever Gaara does. HOWEVER, I also have a thing where I'm like...."Why tell a story that serves no purpose?" Which sounds so mean, and maybe it is, because I love any and all Gaara content, but also I don't know if I really got anything from this novel, either? Like it didn't develop Gaara's character and he was pretty much...stagnant the whole time, which is an interesting way to write a story. They could have gone in so many directions that would've had Gaara learn how to interact with people and to connect with others on a more personal level....Small changes that wouldn't have even been very hard to disprove in canon, but instead Gaara just....didn't change the whole time. He didn't learn anything and he just....was.
All the "gotcha" moments - Plot twists are only clever when there's proper foreshadowing (in my opinion). A lot of the "And then Gaara revealed that he knew about the person following him/the betrayal/the setup/the motive the whole time!!" was just....so....um...not good. It just felt like I was the constant victim of an ass-pull the whole time. In fact, the only plot twist/reveal the novel did well was unveiling that Gaara and Kankuro were in cahoots the whole time about Kankuro trying to take over being Kazekage, and believe it or not, that was because the novel took the time to set that up. They made you pay attention to it with relevant details. Meanwhile, in the end scene where Gaara stabs that dude that had apparently been following them the whole time just was a giant wtf to me, honestly lol. I was halfway expecting a T-Rex to burst from the earth crust and Santa clause to rain down from the sky just randomly, because why not at that point if we're just gonna make stuff up willy nilly? IDK maybe I'm wrong and maybe I missed some clever writing in it, but mostly I was just kinda underwhelmed.
That being said, Gaara content is Gaara content, so I am obligated to like Gaara hiden.
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nutzgunray-lvt · 9 months
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Hot Seat
It's finally here! I had the plot more or less outlined from the beginning, but writer's block hit me in regards to the ending. I wasn't sure if I wanted Aizawa to realize how much of an asshole he had been up to that point or double down on it, so I decided to leave it open for the most part. I wrote this fic because the scene this was inspired from (the 4th light novel where the teachers have a get together after the School Festival) really pissed me off. They knew damn well that Izuku had trust issues in regards to going to his teachers for help... and did nothing. Only All Might cared, and everyone else just brushed it off.
The School Festival went off without a hitch, but Toshinori wasn't happy.
After enduring two villain attacks less than three months apart, UA's students got to be just that again: students. The school buzzed with an intense energy that seemingly invigorated everyone present, and the first years in particular presented one amazing event after another, but Toshinori wasn't happy.
It didn't make any sense. He should have been happy. School was closed today, as well as the next, letting everyone have a much deserved break. Everyone had a blast visiting the various kiosks, games, and shows. He was slowly but surely getting used to a life of retirement, and he had gotten his teaching license.
So why wasn't he happy?
After everything had been taken down and the students were sent off to bed, Toshinori had been cajoled into staying up with the rest of the teachers for a sort of after-party (as if they hadn't done enough celebrating during the festival). He wasn't in a particularly celebratory mood, but he didn't really have the energy to fight Present Mic's incessant tugging on his arm as he tried heading upstairs to his room.
"It won't be any fun without you!" the younger blonde had pleaded.
As the other teachers made drinks and broke off into small groups, Thirteen seemed to notice his less than cheerful mood. She pulled him into a corner with two non-alcoholic beers to regale him with stories of the latest nature documentary that had just been released. It had actually worked for a while - he and the young Hero both loved nature and she was good company in general, but Toshinori couldn't shake the feeling that he was being watched. Out of the corner of eye, he could see Aizawa peering over at him in between sips of his own beer.
It made him feel unexpectedly angry. God, just what did he do this time?
Since starting at UA, Toshinori had quickly learned that the young Underground Hero had some sort of bone to pick with him. Efforts to make things right (what had he done wrong?) had proven to be less than fruitful, so Toshinori gave up and decided to settle on a peaceful co-existence with him. After all, it wasn't the first time he hadn't gotten along with a fellow Hero, and it wouldn't be the last. Seeing as how the man had to be blackout drunk to say anything remotely kind to him, Toshinori knew he had to pick his battles.
But that seemed to not be working out anymore.
Now, Present Mic was looking concernedly over at him as well, and he wasn't being subtle about it either. Thirteen had been gushing about a section of the documentary centered around the Eastern Siberian Mountains, and Toshinori tried to be as engaged as much as he could (she had a hellish recovery from the USJ attack, so she sure as hell deserved that much), but the feeling of two additional pairs of eyes on him was making his skin crawl, and he hadn't even touched his drink -
"Yo, All Might!" Present Mic called out from across the common room. "Why are you so quiet all of a sudden? What's with the bad mood?"
That had gotten Cementoss's attention as well. "Is everything alright?" he asked with genuine concern. The gesture was nice, but now everyone was looking over at him.
Great.
"Sorry," he mumbled, running a hand over his worn face. God, he should have just gone to bed. They could deal with one night of him staying out of the party. Now, he had ruined everything -
"Our colleague is dispirited over the incident concerning Midoriya of 1-A," Ectoplasm explained patiently.
As everyone nodded and murmured to one another about this development, Toshinori let the memories of this afternoon wash over him: how Young Midoriya's phone kept going to voicemail, how the older man had been so overcome with worry that something bad had happened to him that he spent a good fifteen minutes in the staff bathroom, barely holding back a panic attack. He had known the green haired boy for a little over a year and half, and he had already held a very special place in the retired teacher's heart. It's why it hurt him when Ectoplasm had told him about the boy's fight with Gentle Criminal and La Brava. He had bested them and got away with little to no injuries, but why didn't his successor tell him what was going on? He wouldn't have been in any trouble. Ectoplasm and Hound Dog were out patrolling for a reason, and they would have taken over without hesitation. They wouldn't have faulted him for deferring to his teachers - Hound Dog told him that.
Why did Young Midoriya never tell anyone anything?
Did he not trust him?
What was he doing wrong as a mentor?
"He's always doing this, shouldering these burdens by himself. It's like he's incapable of reaching out for help…" Toshinori muttered, sighing heavily.
"Hey, are you seriously getting drunk off of this non-alcoholic stuff?" Midnight teased as she took his drink and double checked the label, admittedly looking more troubled than her comment let on.
The older man pinched the bridge of his nose as he closed his eyes. "This is serious, Midnight," he said as patiently as he could. "First Hosu, then Kamino Ward, and now this? Clearly this is a recurring issue with Young Midoriya, no matter how many times we get onto him about it. I'm terrified that this will get him killed."
Aizawa's expression was grave as he shook his head and muttered, "Yeah, and that sounds just like a certain hero we all know, doesn't it?"
And that did it for Toshinori.
He tried to stay calm, he really did. He could hear Nana's steady voice telling him, "Count to ten. Get control of your temper." But something about Aizawa's remark had made him so angry that it overtook the remaining rationality he had been operating on. He had initially been planning on removing himself from the situation entirely and sleeping it off, but protective rage and unresolved tension between the two put the retired hero on the offensive.
"What's that supposed to mean?" he snapped, trying to calm his shaking hands as he shot to his feet.
The common room was deathly quiet now, the tension so heavy it could be cut with a plastic knife. Knowing that the raven haired man would undoubtedly want to have the last word, he preemptively shot a hand up to stop it. "Actually, don't answer that question. I have something that I've been meaning to say for quite a while now."
He began pacing back and forth, trying to count to ten as Nana had always told him to do when his emotions began getting the better of him. As much as Aizawa had infuriated him in the moment (and since the first of school, if he were being honest), the rest of his colleagues didn't deserve to see him lose his temper on them.
"Aizawa, I know that you'll probably never get along with me, and that's something I've grown to realize and accept. But whatever negative feelings you have towards me have nothing to do with Young Midoriya!"
The other teachers looked amongst each other in varying degrees of surprise and uncomfortableness before staring at Aizawa, who for his part, looked unflappable.
"What are you getting at, All Might?"
"We both know what I'm talking about, so don't play ignorant," All Might responded. "You've had a bias against him since the first day of school, placing him last in your Quirk Assessment Test and threatening to expel him in front of his classmates over his -"
"I was trying to be realistic," Aizawa interrupted, setting his beer down. "He can't keep hurting himself every time -"
"What exactly are you doing to remedy that?" Toshinori asked, his voice getting louder. "All I've seen you tell Young Midoriya is for him to figure it out himself! For that matter, that's all you tell the rest of his classmates as well! Young Kaminari risks brain damage every time he misuses his Quirk, and Young Aoyama -"
"They've had their Quirks for well over ten years, Yagi," Aizawa impatiently said, getting to his feet. "If they don't have control over their Quirks by now, why are they even here?"
Midnight raised a placating hand, her eyes darting between the two men.
"You have a point, Yagi," she interjected. "But so does Shota. The kids should have been regularly seeing a Quirk Counselor starting in elementary school. Surely it should have helped."
The retired hero closed his eyes, taking a deep breath. He had wanted to keep One For All and Young Midoriya's past Quirklessness a secret for a reason. Not only was it not his place to go around telling everyone, but it had been for his own protection - especially with the League of Villains and All For One actively targeting the school. But as the saying went: the road to hell was paved with good intentions. In his efforts to protect his successor, it seems to have only caused other ultimately unnecessary problems for him in the long run.
Would there ever be a moment where he wasn't failing his boy?
"I understand where you're coming from, Midnight," he slowly started, not exactly sure where to get where he was going with this. "but Quirk Counseling isn't infallible. And as for Young Midoriya… he didn't get his Quirk until last February."
Silence. Dead, heavy silence.
Out of the corner of his eye, understanding dawned on his colleagues' faces as they exchanged unreadable looks amongst each other. A part of him felt vindicated when he saw Aizawa's brow wrinkle in confusion, but that opened yet another can of worms that he was too angry to keep closed.
One problem at a time. Potentially letting them know the truth behind One For All could come later. Right now, he needed to know why Young Midoriya's homeroom teacher looked so uncomprehending of this revelation of his.
"His Quirk manifested late for his own protection. Had he not had the physical conditioning and muscle mass he has now, it would have killed him. It was in his file that he got his Quirk Status changed the week before the school year started," Toshinori said slowly, disbelief slowly overtaking the anger previously coloring his voice. Surely the younger man at least read his students' files before school had started? Right? Surely, he wouldn't be that negligent. "Did you not read it? Did you not read any of their files?"
The silence that followed his question said it all.
Hound Dog was glaring at the man, crushing his empty beer can in his hand, and even Present Mic shot his best friend a soft, "Seriously, Sho? What the hell?"
"Prejudices exist," Aizawa said, trying to justify himself. "History can be misleading. I'd rather get to know my students as they are now than have my judgment clouded by someone's opinions on them from elementary and middle school."
It took everything in Toshinori to not hit his head against the wall over and over again (it was right there, just another two or so steps). In theory, Aizawa was right on the nose. People changed, especially children. It's why their end of term report cards included comments from the teachers; it was the best way to document these changes. For that matter, teachers could be biased, prejudiced even. The myriad of cases of teachers falsifying student records due to Quirk related discrimination said as much.
But how could Aizawa, a man who prided himself for his logical decision making, be so perceptive yet so obtuse?
"I understand that, Aizawa, and you're right to a degree," The older man conceded. At least the sheer disbelief was calming him down before he well and truly lost his temper. "But have you considered that as well intentioned as that line of thinking may be, it's led you to form prejudices of your own?"
He had clearly hit a sore spot, given how Aizawa glared at him.
"They're not prejudices," he ground out through gritted teeth. "They're rational observations -"
"You saw a child struggling with a strength enhancement Quirk, automatically equated it with me, and proceeded to mistreat him over it. You wax poetry over how biased society is towards powerful, flashy Quirks, yet you completely neglect to help the students you have that are negatively affected by that belief. You also saw another child with a flashy and powerful Quirk, yet you turned a blind eye to his horrible behavior due to his 'hard work'. If that's not prejudiced, then I'm the Pope."
At the mention of the blonde, red eyed boy, Cementoss fished out a value sized Aspirin bottle, popping one in his mouth before handing the bottle off to Ectoplasm. Despite having been expelled back in September, the mention of Young Bakugou was still a headache trigger for his colleagues.
"He was a hard worker…" Aizawa doubled down, seemingly realizing how hollow the reasoning sounded.
"Hard work doesn't justify bullying!" Hound Dog growled, stalking towards the younger man. "As a homeroom teacher, it's your responsibility to make sure your students have a healthy environment to grow in!"
As the counselor dissolved into a mess of growling and barking peppered with "Aizawa" and "emotional negligence", Vlad King guided him outside to help him calm down. As the door to the courtyard was quietly shut, everyone's attention turned back to the man currently in the hot seat.
"I'll admit to my own shortcomings as a mentor," Toshinori said to get things back on track, "because when it came to Young Midoriya and Young Bakugou, I was unable to see the forest for the trees. I also thought that their relationship was a long-standing rivalry that needed to be worked through, but I should have stopped and asked myself this a long time ago: does a rivalry involve such one-sided animosity?"
"That's why I paired them against you for the final exams. It was so they could learn to work together -"
"Again, the final exams showed that this lack of cooperation was a one sided problem, Aizawa." Toshinori bluntly interrupted. "May I remind you that Young Bakugou not only assaulted Young Midoriya for attempting to follow the directions of the exam, but he told me point blank that he would rather fail outright than cooperate with Young Midoriya? In what way does that indicate an issue on both ends?"
Aizawa bit on the inside of his cheek, crossing his arms defensively.
"That's not even counting the Battle Trials, which is also my mistake. Young Bakugou was attacking with lethal force, and the only thing he said to me when I warned him to stop was: 'he won't die if he dodges.' He knew he could have killed Young Midoriya, but he didn't care."
"Damn," Snipe muttered from next to Cementoss, shaking his head.
"As I said before, I'm also not blameless when it comes to this. I should have stopped the match right there and lobbied for a stronger punishment. But do you remember what you said after seeing the recording? 'Grow up already. Stop wasting your talent.' You said this in response to him knowingly nearly killing another student -"
"You've made your point, Yagi!" Aizawa warned, his voice raised as he glared up at the older man.
"And their fight the night of the Provisional License Exam," Toshinori continued, his own voice growing louder. "Footage from the Camera-Bots showed Young Midoriya attempting to leave and deescalate the situation, only to be stopped by Young Bakugou, and yet you decided that Young Midoriya was equally at fault for what happened. In light of all of this, let me ask you this: do you hate Young Midoriya?"
He thought that Aizawa was going to go to the grave before giving an answer, given how he gripped his bicep and glared at him. but to his surprise, the Underground Hero shook his head.
"No. I don't hate him."
Present Mic scoffed, shaking his head in what seemed to be disappointment as he stared up at his friend.
"Well, that's what it looks like, Sho," he said with a grave look on his face. "Do you ever think about how you sound when you talk to him, or how it comes across when you talk about him to us?"
The Underground Hero couldn't quite hide the betrayal he felt, but it was mitigated by the guilt and knowing shame he was fighting not to express. It seemed like he wasn't used to Present Mic going against him in matters like this.
"The rest of us," the English teacher motioned to the other teachers, "really enjoy having Midoriya in class. He's kind, cooperative, and incredibly smart." His point was punctuated by Midnight, Cementoss, and Ectoplasm nodding in agreement. "You, on the other hand… you're constantly calling him 'Problem Child' and you don't acknowledge him unless you're threatening to expel him, punishing him, or otherwise criticizing him for something. Come to think of it, I've only heard you say one positive thing about the kid. One, and it wasn't even about him alone. Can you really blame people for thinking that you hate him?"
Aizawa slowly shook his head, sinking back into his chair with an uncharacteristically troubled look on his face.
"I just don't want him to get himself killed with his recklessness," he said more so to himself as he stared at his lap.
"There are way better ways of showing it instead of acting offended by his very existence," Midnight piped up, looking thoroughly unimpressed with his answer. "You can't treat people like this and expect them to completely trust and rely on you. Why else do you think he keeps going behind your back and getting into dangerous situations? For that matter, why else do you think your students are terrified to come to you for any questions they have on their assignments or anything else school related?"
Frustration clouded the younger man's face as he shrugged his shoulders.
"Trust and respect is a two-way street," Ectoplasm said. "Midoriya has been making wonderful progress in regards to his Quirk control, but that effort rarely goes acknowledged."
"We understand the hardships you've endured as a Hero," Cementoss added. "But you shouldn't take your negative feelings out on your students. They've done nothing to deserve that behavior from you."
"Your expulsion record speaks for itself," Snipe said, having been silent up to this point. "If it were just a handful of kids, we wouldn't think anything of it. because some of them just aren't cut out for heroics. But over 100 students? Something's clearly not adding up, and it's not the kids."
Aizawa opened his mouth, then closed it. For someone who always needed to have the last word, it was a little disorienting for Toshinori to see him at a loss for words. Though he still looked unflappable for the most part, the way his eyes moved showed that his colleagues' words clearly hit home for him. But whether or not he took these words to heart was something that was left up in the air.
After all, Aizawa was an incredibly stubborn man.
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lachiennearoo · 1 year
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I AM ASSEMBLING A TEAM FOR A LOW-BUDGET ANIMATED MOVIE
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I know am asking a LOT right now, but considering this is a passion project without a deadline or budget, I guess it's why I'm asking here (and well, I'm no professional lmao).
In 2019, I wrote a short quebecois (french canadian) cyberpunk, action, sci-fi story novel. It was my most beloved project, and it still holds a big spot in my heart (even tho some newer stories of mine are higher quality). Ever since I made it, all I've done is draw scenes, characters, anything from it. I have a folder of about 200 pictures, animatics and concept art added to it over the years. One thing doesn't work for me to do the project though: I can't voice act, I can't make music, and I can't animate (well, not anything above basic storyboards, and I wanna do something in 3D lmao).
I have... well, not a lot of money (no seriously, I am VERY broke). So well while I can try my best to pay anyone who is willing to help, I can't guarantee it'll be a lot (which I know it can be frustrating, as an artist, to not be monetarily compensated for your hard work, so that's why I'm saying it now).
Due to all of this, I'm only asking for people who are GENUINELY interested. I can't provide much in terms of budget so I don't wanna give anyone false hopes. But I promise that I will work very hard to fill in any position that I can, like script writing, character and environmental concept art, direction, I can even try to voice-act if there's not enough actors! As for the work itself, I allow as many breaks as needed. You're allowed to work on any personal project if you ever feel tired or overwhelmed. I too will take many breaks. I don't mind how long it takes, months, one year, a few years even, as long as I know it'll eventually be done and that the people working are genuinely interested.
Now if you've stuck this far and are still interested, I'll share the requirements:
MOST IMPORTANT PART: I am searching for 3D modelers and animators (if you can do both that's cool but it would be nice to separate tasks so it's less tiring for each person working). My characters are very diverse-looking and expressive, so above all, I'd prefer someone who can animate faces well because that's really what I want to pop out (but if you can't, that's okay too, I'm not THAT picky) (tho despite being cartooney, I'm more in the simplistic, Clone Wars - Arcane department than I am in the realistic Disney - Pixar one)
I need voice actors who speak french. No English-only speakers, sorry. Most should be natively québécois (or french who can imitate the accent fluently) but there's a few characters who are anglophones or have a french accent, so that could help too if you're not from Québec but wanna make a voice. The story is rather dramatic and action-packed, with a lot of violence, fight scenes, screams of pain and agony, all that, so be ready for that
And of course, I'd like to have some people who can do the soundtrack (one person or more working together). The story is sci-fi/cyberpunk taking place in Québec, so I'd expect someone who can go more techno, european (and cinematic too)
YOU DON'T NEED TO UNDERSTAND FRENCH TO WORK. I'm fully bilingual so I won't have trouble communicating with you. The only language requirements would be in voice-acting, or if you're working in team and need to communicate with someone else, but otherwise there really is no need because, well, google translate is a thing, and I can always be a translator for you as well if needed.
BONUS: If there's someone available (you don't HAVE to for that part, it's just to make things easier, but they're not requirements because those are all things I can do myself), I could always get some bonus script writers to help the process go a bit faster, and translators in case someone wants to put subtitles in different languages
Here is the folder of (most) of the art on Artstation: https://www.artstation.com/rosaliegosselin/albums/2467754
And here is a very short animation I did for it a while back (if you don't want spoilers tho, don't watch it, it's one of the last scenes of the story lmao): https://www.newgrounds.com/portal/view/782216
And here's the story itself (it's just in french tho, sorry about that, but you can just use Google translate): https://www.wattpad.com/story/214223068-magicae-automata
I hope you feel inspired! If you know anyone who might be interested, do feel free to share this with them! I look forward to working with you! Shoot me a DM if you're interested, and if I get enough people, I'll start a discord for all of us to talk!
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hello! any advice to get out of your head for someone who hasn’t picked up writing since they were a teenager? for some reason, in my head, i view writing on my own time for fun as “embarrassing” or “cringy” simply because i’m getting older and view it as a immature hobby…
…which is obviously not true! i have a lot of respect for writers and i know you can write at any age, but whenever i open a page, i feel out of place and can’t read my old writing in fear people would look at me as immature. the same goes for creating detailed characters and storylines.
i’m not even old either (19) but i mainly wrote a lot in middle school—maybe that’s why? idk.
tdlr; any advice on writing for myself again without fear of judgement?
Hi anon,
Thanks for writing in! This is something a lot of creators struggle with especially if it’s something they did when they were younger and during a time they considered themselves to be “immature” or “cringey”. The brain is great at linking things and creating patterns, and because you wrote a lot when you were in middle school, a time period that I think is universally accepted as the worst and cringiest part of life lol, your mind linked the hobbies you did during that time to the feeling of immaturity and cringiness. The great news is that most people grow out of this phase naturally! I know it’s not exactly the same but I remember when I was just starting college I felt embarrassed to talk about the bands I liked in high school (and secretly still liked) but as I got older and became more self confident and sure of myself, I learned to unabashedly embrace those parts of myself. And nobody cared! In fact a lot of people felt the same way as I did.
But don’t worry, I’m not saying that you just have to wait it out! There are definitely things you can do to speed up this process. My first suggestion is that if you’re worried that people will think writing for fun is immature (which as a 29 year-old with a writing themed blog I promise you it’s not!) , then for right now, just don’t tell anyone! It can be your secret hobby while you learn to be more confident and rewire the way your brain thinks about this.
I’d also suggest trying to find other people who also enjoy writing either as a hobby or as a hopeful profession so you have a safe community you can explore your writing in. Surrounding yourself with like minded people can be really helpful! I remember the first time I attended a writing workshop it felt so amazing and freeing to be surrounded by people who I knew also loved writing and were never going to judge me for my passion. It’s currently national novel writing month and even if you don’t feel up to trying to write an entire novel in one month, there are still plenty of NaNoWriMo activities you can take part in. There are tons of discord channels, forums, virtual events, and in person events you could join.
A lot of it will just be reminding yourself that it’s not immature or cringey. This won’t change you knee jerk reaction overnight, but just like how positive affirmations work (at first you think it’s dumb, then it’s kind of neutral, and then you start to believe what you’re saying to yourself) after a while you’ll find that the way you think about writing has changed. Think of writers you love and admire and how you don’t think they’re immature or cringey for writing, and neither do most people! Think of Tolkien who created incredibly detailed story lines and characters, and even went so far as to create multiple fake languages that many people now genuinely learn for fun. Even if fantasy isn’t your preferred genre I have yet to meet someone who considers what he did anything less than impressive. Not once have I heard someone call what he did immature or cringey. So I think just recognizing that you have this thought pattern that your logical brain knows isn’t true, and for now just accepting that you have this cognitive dissonance and not feeling bad about it, but taking these small steps to work towards changing that thought pattern.
And finally, just write anyway! Like I said you can keep it a secret for now if you want to, there is absolutely nothing wrong with that! But try to write anyway. The more you write now then the more examples your brain has to rewire writing not as something you did when you were younger and therefore something immature but as something you do now as a young adult. And don’t put too much pressure on yourself as you’re getting back into writing for the first time in a while. Do not expect that your first attempt is going to be a masterpiece, but just have fun with it! Get into the habit or writing regularly, whatever that means for you. It could be once a week, it could be every day, just do what works for your life and your schedule right now. The more you practice the more normal it’ll feel and like anything, the better you’ll get at it, which will help you feel less cringey about your writing.
I’ll leave you with one small anecdote. Any time I tell people that I’m writing a novel they are always immediately impressed. I have never had someone say anything negative about it or anyone act like it was a dumb thing to spend time on. And most of the time I hear things like “Oh I wish I could do that, but I just don’t have the dedication.” Or “Oh I always wanted to write a novel, maybe I’ll give it a try now” or “Oh me too! What writing software do you use?”
I know this was a long answer but I wanted to try and ensure I was actually helpful! Please always feel free to reach out if you have other questions, or if you ever just need another reminder that there is nothing immature or cringey about wanting to write in your free time.
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earlgreytea68 · 1 year
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Coming Soon: Some Swan Song Books You Can Actually Buy!
A while ago, I stood at a crossroads with writing. I had gotten rid of my agent, who I was pretty sure didn’t really understand the stuff I wanted to work on, and also found myself out of contract with previous publishers. I spent the past few years just really enjoying myself, writing whatever I wanted, not worrying about what would and wouldn’t sell, what I could and couldn’t pitch. I just...wrote. I love writing, it is my absolute favorite thing to do with my time, and I just wrote and wrote and wrote a lot of words I loved a lot, and I shared them all with all of you.
But then eventually, after a while of doing this, I began to have this little itch inside of me. I would (sometimes) read the books of others, and (sometimes) watch a movie or television show, and I would think, “...I could have done this better.” (Or, sometimes, “I *have* done this better.”) In the time that I spent just enjoying my hobby, the market shifted to be more open and welcoming to ficcy properties -- the types of story I kept pitching to my agent that she kept saying the market wouldn’t know what to do with.
So I thought: Maybe it’s time. Maybe it’s time to try again with the whole publishing thing. Like, I hadn’t been thrilled with any of my publication experiences before but maybe the market had shifted to be more amenable to the type of stuff I write. Maybe I would feel less twisted-around now than I did last time. So I started jotting down agents who seemed to represent authors who wrote stories the way I did, who might be a better fit for me than my original agent was, and I got to thinking about starting the whole process again, and then I thought, “...Why am I doing this?” lol
I wrote a little bit about this earlier, about debating whether to find an agent or just self-publish, and I decided at the time to give both a try, but then later I changed my mind again. I just didn’t have a whole lot of interest in doing something I’d already done, which was the traditional publishing route. The more I thought about it, the more I dreaded it. The more I thought about letting someone else into my stories again, letting them thrash around in there to make them more like something else, the less and less I wanted to undertake the effort. It’s a lot of work to find an agent; why would I do it if I was ambivalent about what the result would be? I kept thinking of that Pete Wentz lyric: I became such a strange shape, trying to fit in. Publication messed with me. It messed with my relationship with writing. It messed with the stories I wanted to tell. It messed with my creativity and enthusiasm and process. I’m many years older than I was and the “reward” of publication just didn’t seem worth it to me anymore.
So I thought again: Now we live in a world where you can easily self-publish. This world didn’t exist even ten years ago when I was first getting my agent, etc. Why am I trying to do things in this old-fashioned way I know I don’t like, when I could just publish things myself? Like, yes, now I have to teach myself publishing, so this is a lot, but I’m untangling it!
Which brings me to my announcement! I’ve been working behind the scenes for months now, EDITING. If you know me at all you know I NEVER WILLINGLY EDIT. But I’ve been doing it! I sat down with Swan Song and chopped it up into five novellas (it was too long for one novel, and the novella thing works well for self-publishing, or so I’ve been told Idk). I started editing them, a part of the process I always dreaded, and you know what? It turns out I really like editing when I think it’s genuinely making the story better! Who knew! I have had a blast editing this story! I actually think it’s much better than it was in fic form! I’ve added tens of thousands of words and you’re probably sitting there like, “Did Swan Song need to be longer?” and the answer is YES, IT TURNS OUT IT DID. (Editing, incidentally, was what I was supposed to be doing while I was posting “I Prefer Our Love,” and I did! I really did! And then I got bored and started writing “Next Christmas,” so just in case you thought I was going to turn into a dedicated editor, I suspect not lololol)
So! There are going to be Swan Song novellas! Five of them! In ebook and physical format! My plan right now is the first one will go on sale on February 14 (just in time for Valentine’s Day!). I’m hoping to get it up for pre-sales on February 1. And then, hopefully, there will be a new novella each month after that, until I run out of them. The pen name is Ainsley North and she has a Tumblr, if you’re so inclined to follow for waaaay more updates on all of this. And, in the meantime, if you read the original Swan Song as it was posted on AO3 (where it’s staying, incidentally) and want to provide some kind of blurb I can use in marketing, lmk!
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beautifulgiants · 8 months
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Josh Hartnett: 'People genuinely thought I'd been thrust on them'
Ryan Gilbey
Twenty years ago he was one of the world’s hottest young actors, before he retreated – and ended up in Surrey. He explains why he had to leave Hollywood – and what he knew about Harvey Weinstein
Fri 23 Oct 2020 06.00 BST
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Josh Hartnett is sitting at home in Surrey, thinking about the time he was asked to play Superman. “I had this idea that because he lives in this world where he can’t touch anything without it flying across the room, he has become almost afraid of himself and his own power. He doesn’t know how to be Superman any more. He’s so afraid, he has become almost neutered by the experience of living on Earth, where he can blow things up just by looking at them.”
The studio demurred – “They didn’t really want a fear-based character at the centre of their movie,” he says wryly – and Hartnett walked away. But his Superman concept now feels like a metaphor for what was happening at the time in his own life, as he became increasingly overwhelmed, even horrified, by his status and the hysteria that surrounded it. Twenty years ago, the hottest young male actors in Hollywood were Leonardo DiCaprio, Will Smith, Matt Damon, Ben Affleck – and Hartnett. Michael Bay, who directed him in Pearl Harbor, put it bluntly: “He’s going to be fucking huge.” The actor grimaces at the mention of that. “Huge was never something I aspired to,” he says.
Back then, he seemed like a pretty kid who had got in over his head. Now 42, he has acquired the squinting, quizzical handsomeness of Richard Gere. He and his wife, the British actor Tamsin Egerton, moved to Surrey with their two young children to be closer to her parents, he explains. “And then, of course, coronavirus ...” In other words, they’re not going anywhere. So he has time to talk and a new film to talk about: the factually based thriller Target Number One, which is better than any of its plucked-from-a-hat titles (it has also been known as Gut Instinct and Most Wanted) might suggest.
This is partly due to the dazzling Antoine Olivier Pilon, star of Xavier Dolan’s psychodrama Mommy. He plays a real-life petty drug dealer who was sentenced to life in a Thai jail after being set up by Canadian police. Hartnett is solid in the less showy, meat-and-potatoes role of the journalist Victor Malarek, who fought to expose the truth. In this capacity, he gets to perform the time-honoured All the President’s Men routine of storming into his editor’s office, tossing a newspaper on the desk and demanding to know where the hell his story is.
Hartnett does his homework. On The Virgin Suicides, it wasn’t enough to play what the director Sofia Coppola had written; he also raked over his character, a dreamy high-school stud, with Jeffrey Eugenides, who wrote the original novel. On Brian De Palma’s film noir The Black Dahlia, Hartnett trained as a boxer for several months, simply because his character, a cop, used to be one. Naturally he met with the real Malarek before playing him. Why? “I wanted to see if he was full of shit.”
Malarek, he explains, has been accused by his critics of putting himself at the forefront of his own stories. “Ultimately, Victor is a humble man, but he does think of himself as someone who stands up for people in vulnerable positions. He likes to insert himself into a situation, though in my opinion what he’s really doing is putting himself in the line of fire. In a way, he almost downplays his own contribution.” Malarek has said that he had no idea who Hartnett was. As someone who has spent the last 15 years or so running from fame, this must have pleased him. “I didn’t assume he’d know me,” he says. “My interest in going to meet him was not to have flowers laid at my feet.” So he didn’t take along a signed Pearl Harbor poster? “I should have done. That would have been a great introduction. ‘Hi, I used to be somebody …’”
Quite. At the end of the 90s, Hartnett was everywhere. He starred in back-to-back horror hits – the aliens-in-high-school romp The Faculty and the sequel-cum-reboot Halloween H20 – and resembled a walking shampoo commercial in The Virgin Suicides, where he sashayed in slow-motion to the sound of Magic Man by Heart.
“It’s a little bit heartbreaking to see all that time has passed,” he says. “I was a child. I was 19. The Virgin Suicides felt like a group of friends all pulling together. I think I’m still looking for that experience whenever I make a film.”
The Faculty and Halloween H20 were produced by Dimension, the horror arm of Miramax, making Hartnett part of the Weinstein brothers’ stable of talent. “I was a kid who they felt they should invest in, but I didn’t spend a ton of time with them,” he says. “We had a sort of antagonistic relationship because the contract I signed for those first two films guaranteed me to be a part of, like, five more or something. They’re called contract extensions. I was told at the time that nobody ever uses them, but then I guess I became popular and they decided to, um, exercise that right. What they did a few times was to jump on other projects I was working on already and become co-producers.” These included O a modern-day Othello with Hartnett impressively coiled as the Iago figure, and the comic thriller Lucky Number Slevin, in which he seemed to be poking fun at his own image by spending the first half-hour scampering around in nothing but a towel.
He shifts uneasily when I ask whether he was surprised by the revelations about Harvey Weinstein. “There are all sorts of rumours about guys like that which permeate the business and you think, ‘That’s awful.’ The casting couch was a thing people joked about when I was first in the industry, so it was an open secret that this business is a little bit fucked up.”
When he was offered Pearl Harbor, his instinct was to turn it down. “I didn’t necessarily want things to change that much,” he says. “I was happy with the amount of fame I had and the types of roles I was getting. At the same time, I asked myself: ‘Am I just afraid that by doing Pearl Harbor, I’m going to enter a new category of film-making that I might not be ready for?’ I ultimately chose to do it because turning it down would’ve been based on fear. Then it defined me, which means I was right to fear it.”
His co-stars didn’t have it easy either. Kate Beckinsale was told to work out (“I just didn’t understand why a 1940s nurse would do that,” she said) while Affleck was ordered to get new teeth. “Well, they are great teeth,” Hartnett says. “I was asked to work out, too. But you know, I could have used it. I was 165lb wet. I was a really skinny kid.”
As well as his own misgivings about the project, there was the heightened press attention, including a splashy Vanity Fair interview with him from the set of Ridley Scott’s Black Hawk Down. “Oh, that was an awful piece,” he shudders. “Was there even a quote from me in it, or was it just everyone talking about how hot I was? People got a chip on their shoulder about me after that. They genuinely thought I’d been thrust on them. It was a very weird time.”
It was around then that he plotted his calculated retreat. After Superman, there were reports that he had also turned down Batman; in fact, he didn’t get any closer to that part than a conversation with Christopher Nolan. But the perception of him in Hollywood began to change. “They looked at me as someone who had bitten the hand that fed me. It wasn’t that. I wasn’t doing it to be recalcitrant or a rebel. People wanted to create a brand around me that was going to be accessible and well-liked, but I didn’t respond to the idea of playing the same character over and over, so I branched out. I tried to find smaller films I could be part of and, in the process, I burned my bridges at the studios because I wasn’t participating. Our goals weren’t the same.”
He has put his movies where his mouth is, working with idiosyncratic directors such as Tran Anh Hung on the thriller I Come With the Rain and Atsuko Hirayanagi on the comedy Oh, Lucy. Nor is he averse to the mainstream: he will next be seen alongside Jason Statham in Guy Ritchie’s Wrath of Man. But it’s a measure of how unusual it is for a star to withdraw so early in his career that by the time Hartnett made The Black Dahlia in 2006, GQ magazine was already referring to it as his comeback.
“I’m happy to be done with that era and to be making films that are more personal to me,” he says. “Directors are coming to me to play characters as opposed to versions of a hero I played in a movie once.”
He is nothing if not conscientious. A few days after our Zoom conversation, he phones me because something has been bothering him: he doesn’t feel he made his feelings about Weinstein clear. This time, he puts it as plainly as he can. “I wasn’t surprised he was a creep,” he says. “But I guess I was surprised at the extent of his creepiness.” He’s concerned, too, about what comes next. “The shameless seem to be finding it easy to make a comeback. Louis CK has been pretty shameless. Harvey Weinstein, if he had the tiniest bit of daylight in there, would find a way to get back in. Those are situations that freak me out.” But there are, he says, visible changes taking place. “Different things are expected of the way people act on set. There’s an open line of communication now for anyone who feels they’re being harassed. And there’s less of the so-called locker-room humour that people used to hide behind.”
Was he ever harassed as a young actor? “The last thing I want to do is come across like … You know, I’ve been in situations where I’ve been uncomfortable with my boss’s behaviour but I’m not gonna say …” He changes tack. “That’s not my experience and it’s not my place to claim that. It makes me feel icky to try to do so.”
He also tells me that he went back to that Vanity Fair article and realised it wasn’t so bad after all. “It’s just that it happened at a time when I wasn’t that famous, and it seemed to already be asking whether I should be or not. I felt like: ‘Oh my God! I’m not the tallest poppy yet – don’t cut me down!’ I was being compared to Tom Cruise and Julia Roberts and that’s insane. It was a set-up-to-fail moment.” He gives a sigh. “It was actually an interesting look at the nature of fame. If only it wasn’t about me.”
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sinterblackwell · 4 months
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kay's favorite reads of 2023
and with that, my 2023 reading year has finally come to a close 🙏🏾
i haven't talked as much about books this year as i did in 2022, but i really did have a good time (with some tears.....)!! i discovered a whole new batch of books in the danmei genre that made my year and completely transformed my tastes; or just feels like it had :')
i read 76 books, all the way up to the last day, and it ended on a very high note, which i'm glad. i had fun writing this, as much as i could.
just something for me to look back on!!
if there's something i'm very consistent with, it's how much i write, so....there's the annual warning. but this is a passion project!! so that's all that matters.
honorable mentions:
lor (monstrous, #7) - lily mayne
--. what originally was meant to be a novella turned into a 600-page novel that is the longest of the entire series to date. i became a huge fan of lily mayne since 2022 because of this series, and i was absolutely delighted to get to continue it in the beginning of this year. at first, the story did read as a novella because of how contained it was, as if lor & jugs were living in this bubble. many clues, however, hinted that that bubble would break eventually-- political turmoil due to lor's position as the Moric and the fact that jug's human world has not yet fell into an apocalyptic state since this book is set in the 80s.
i genuinely became obsessed with the story once the plot kicked in around the middle, but i also admired how much the author put into the worldbuilding of this monster realm that our earlier monstrous characters had only been referencing up to this point. and it was absolutely amazing, but with a ton of faults that showed no world, even without any humans, is exempt from some messy politics. the fact that lor was so avoidant in his position causes a lot of upheaval, but his character arc in this story was very well-done, and it made for a very emotional read with all the events near the end. the author clearly got to have a lot of fun with this story in its setting and i look forward to seeing what will come when these characters meet with our earlier cast in the next book.
translations - brian friel
--. this was something i read for my irish literature course in the spring, and i ate it up in less than 2 hours at most. i don't read many plays and don't anticipate myself changing that fact in the future, but i had such a pleasant time with this one!! i think what made it so profound was having the text written out in front of me and yet i could visualize it so clearly as if i was following the script all along while the characters were performing on a stage.
this story is about the start of the end for the irish language, set in a small, rural town known as baile beag. having this play written entirely in english when these characters were majorly speaking irish is a connection that will stick with me for a long time, and it made the story so much more bleak because these characters weren't aware of what was to come.
my professor is so passionate about irish history, and felt just the same with this play. i got to take part in some very interesting discussions of the story while in class, and so now, a dream of mine would be to get to see this play in person someday :')
how to say i do - tal bauer
--. we cannot have a 2023 reading wrap-up without a tal bauer mention. despite not reading as much from him this year (mainly because i already read most of everything he wrote in 2022.....), i was glad to have this title to come back to more than once every couple of months. wyatt & noël are my most favorite tal bauer couple, next to sasha & sergey from the executive saga, and i just found them so sweet.
wyatt is one of the purest characters i have ever read; you can find no fault with him and his sweetheart persona. i loved how the author explored his own personal arc in the story due to the grief he held for his murdered father that he lost some time ago. he moved through that grief by taking care of his younger brother and working his ass off on the winery business he worked on together with his dad, and also the fields that this wine comes from. this land he grew up in is his home, and noël becomes a part of it as well.
this is a story about healing and finding peace with the people who care for you, and i adored it so much.
qiāng jìn jiǔ - tang jiuqing
--. there are no rules that can tell me i am not allowed to include this story here when i got through over 50% of it, and it is over 2,000 pages long. yes, i may not have gotten to finish it by this point, but i still consider it one of my greatest reading achievements. the story has such a huge cast of characters and very in-depth world politics, full with schemes and court intrigue, as well as betrayal and yearning.
it holds a very strong place in my heart because of the experience i have with it since i could only get to start reading it by surfing through a Chinese website and doing some rough translations. i was very determined to get started on it and actually paid some money that was ensured to go towards the author just so i could gain access to the fan translation. it is one of the best translations i ever had the fortune to read, and i got to pull a lot of my favorite quotes from it while gushing about the story with a friend.
that same friend did a very meaningful thing and found an epub of this translation before it got taken down since seven seas publishing has officially licensed it recently. i am very happy to see what it will look like in that version set to come in its first volume in june 2024, but i'm even more ecstatic to have this epub to finish the fan translation first. i hope to be done by this in the new year, so we'll see.
my summer of you - nagisa furuya
--. this is a comfort series for me, and i will always love that i got to read the first two volumes during the summer when the story was set. i couldn't get to read the third volume until early december, but the spirit of the season still shined through and i had such a nice time with these characters. the art was very neat and brought a smile to my face because of how adorable these characters looked, especially wataru as in the third volume, he ends up just looking more & more like an angry kitten.
i loved that even though there's no discernible plot to each volume, i still get to see this development in the established relationship between chiharu and wataru. their mutual love for film is what brought them together as close friends, and it's what nurtures the romantic feelings they grow for the other that are depicted in very soft panels. i'm not quite sure if there's more volumes to come, but for the ones that we have now, i'll cherish them for being something comforting to come back to when i need something light.
+ the art of cruelty - butchgoth (gremlingirl)
--. cue more self-indulgence!! because yes!! this is fanfiction!! beefleaf fanfiction in particular, inspired from mxtx's heaven official's blessing, but now set in an alternate universe where these characters live today. it was over 300,000 words, which effectively made it roughly over 500 pages, single-spaced; and for that, i will count it as part of my reading goal, so technically.....i've read 77 books this year <3
i just feel sentimental about this fic since it was the first one i read from the tgcf fandom. i discovered it on ao3 immediately after catching all the way up to vol.5 (which was the most recent volume published by seven seas at the time i picked up the series in january). it had all the drama of the canon series, but instead of ghosts & heavenly officals, we had these characters part of the mafia. a lot happened, and these characters' morality felt even more muddled than they were in canon (because duh.....the fucking mafia).
i think what my most favorite thing that i got from it was seeing the brotherhood relationship between hua cheng & he xuan. in the actual series, there isn't much depiction of any closeness in their dynamic, but the tgcf fandom took the bare minimum and expanded on it greatly; this fic is one of the biggest examples of that.
i came to this title for he xuan & shi qingxuan, and it absolutely delivered, but i also got to get attached to some of the other relationships as well (again, he xuan & hua cheng; i'm a sucker for sibling relationships, so i wasn't surprised when this happened).
and now for my top 10 favorite reads of the year!!
. . .
10. given (vol.5) - natsuki kizu
i had been wanting to read this series for a long time, actually. what always stopped me was the fact i had never gotten into manga and had a bit of trouble reading any graphic novels. i was someone who felt more comfortable with regular novels as i found myself feeling distant from the few graphic novels i read before this year.
what ultimately broke this pattern was my reading of our dining table in june, which became the first manga i ever read & completed. it was a contemporary romance that was very light & sweet, and involved a small family who were brought together through the love of homecooked meals. the art was one of the most striking things from the story for me; the little child, tane, having some of the most adorable illustrations i've ever seen.
after reading this manga, i started dipping my toes a little more into the genre, until i ultimately got to the given series, whose art is some of my most favorites of all manga, next to old-fashioned cupcake. what always got to me was how this is a story about music, and how much it means differently for the characters we meet here. my favorite thing about it was how the art made this music these characters were playing feel even more alive, as if i could actually hear it. the art was very expressive and the music resonated so deeply, i loved it so much.
volume 5 ended up connecting to me way more than i expected, and it was just all because a side character, ugetsu murata. we get to meet him in a previous volume, but learn even more about him here and it was all a very emotional read.
his relationship with akihiko hurt me a lot because i had met them when they were already nearing the end, and there was so much pain and resentment that lied deeply in this relationship, that i found myself grieving for what they had in the beginning (even though i wasn't even there to actually witness it??). you could sense the significance of their relationship despite that though, and their goodbye scene ultimately broke me due to (and no surprise here) the incredible artwork.
finding out ugetsu has garnered some mixed feelings from the given fandom was no surprise to me, but it made me love him more because i really did see a connection in him. his personal attachment to music as a renowned violin player is a story i would love to see more about, but he's not necessarily the main character, so...
the good part is his dynamic with mafuyu, who is one of the main characters. i love seeing them when they're together and i like to think that they do become close friends.
9. heaven official's blessing (vol.6) - mò xiāng tóng xiù
this volume was where we finally got to the white-clothed calamity arc, the most painful arc of the entire series that the tgcf fandom was absolutely dreading. it had all the trauma and heartbreak and grief and more, and it was the best arc i read from this series.
we got to see xie lian at his lowest after the fall of Xianle, and i just think one of the most striking things was how hua cheng played a role during this time. this was a point where xie lian & hua cheng weren't familiar to each other in the way they were now at the present timeline of the story, but they still had crossed paths in some shape and literal form very early on. hua cheng, or otherwise, wu ming, in this arc played a very pivotal role in his witness of xie lian's darkest point. to see him absolutely inconsolable because there was no way for him to reach out and protect the person he already loved with his whole being was painful to read. there had always been this quote that the fandom always loves to reference from hua cheng himself, and it all hurt so much more deeply when i saw what he was talking about.
"To watch with your own eyes your beloved be trampled and ridiculed, yet be unable to do anything, that's the worst suffering in the world."
ah so yeah, this volume is my most favorite of the series :') i have very fond feelings for the entire story because it was my first introduction to the world of danmei, and i am way too sentimental for my own good, so of course it had to be on this list.
8. peach blossom debt - da feng gua guo
at this point, i read quite a bit of danmei, and this one happened to be one of the few that didn't come from word of mouth but simple coincidence. this is a story from an author who's not as well-known as mxtx or priest, and i feel very disheartened about that because this danmei was something else (positive).
there's some stories you know you'll love immediately, while others you're not as sure of at first. this was the case of the latter, as the writing style seemed worlds apart from what i had become familiar with in most danmei i had read, and i found the first-person pov to be a very interesting way to handle the narrative. what first started out as a comedic and very ridiculous tale turned into a tragic character arc where song yao, the mc, seemed to have been cursed to repeat this cycle of loneliness that he's had to endure since before he even ascended. i found the twist that happened around the last quarter of the story to be somewhat convoluted in execution, but still overwhelmingly moving looking at the fact that i ended up sending a teary voice message to a friend.
in hindsight, that reaction was very dramatic of me, but all feelings were sincere. this is because the plot twist just absolutely changed everything that i thought i had grasped well from the story up to that point. i had gotten invested in the friendship between song yao and hengwen, the latter being the first & only person who alleviated that feeling of isolation that song yao had become so used to. he was someone who made song yao's ascension feel less overwhelming and brought his own humor & light to their dynamic, which made me ship them hard. when this twist came, it didn't ruin that dynamic, but in an even more ironic heartbreak, it made it seem more forbidden. the romance just became something so much more, and seeing everything that followed after the twist felt like a dream that made me love the story more than i expected i would.
if there's one meme i'd love to float around, it's the popular "would you love me if i was a worm?"; because as this story shows, the answer from one character to another is yes :') and i am obsessed with them for that.
7. stars of chaos (vol.1) - priest
the worldbuilding. the worldbuilding absolutely plays a strong part in this steampunk fantasy, and the main couple did, too <3
i think among all historical danmei, this, thousand autumns, and qiāng jìn jiǔ are much more a grounded visualization of ancient China and its events as it was studied in the books. my favorite thing about stars of chaos is that it still had this touch of innovation and magic that made it a thousand times more compelling than it would've been without. i found the idea of violet gold being seen as the center of all the machinery that exists in this time period such an interesting hook for the story, and chang geng's pov felt absolutely perfect for telling it, in a case of secret identities and and cursed ambitions.
his dynamic with another character, who we come to know as gu yun, is some of my most favorite of all danmei. as of recently, thanks to a couple ao3 fics, i feel even more like i'm bursting with love for them both.
i'm only really at the beginning with this story since we only have this first volume at the time i'm writing this. however, the second one is due to come in early january 2024 and i am so hyped for it. again, the story is really innovative and there's some action & mystery that pulled me in deeply. i'm really excited to get more to the root of it as each volume comes out and the tension grows even stronger.
6. lip and sword (vol.2) - jin shisi chai
because this is just the kind of person that i am, of course one of my top favorite reads of 2023 would be of a series that i finished on the last day of the year :')
there's so much i've already talked about regarding this volume on goodreads (x), but i really consider this series to be a precious gem to me because of how severely underrated it is (and i also mean that literally....the third volume only has 32 ratings on gr, including mine). of course, this series might be receiving much more pleasant feedback in other circles, as goodreads isn't the center of everything. however, there's no fandom to speak of that i have been able to access, and so it's made for a very lonely reading experience.
what made up for it, though, was how truly genius the story was. it's one of the very few modern danmei i've read, and it circles around the world of Chinese journalism, uncovering news stories that end up shaking the narrative in such a brilliant way. the author is so smart, and i got to meet one of my most favorite fictional characters of the year, xing ming. he's cold, logical, and on the edge of frustrating when it comes to how little he cares for the consideration of his colleagues, which makes him cross lines that shake up the story even more.
the romance between him & yu zhongye was....absolutely perfect; i feel gobsmacked at how perfect this series was to me in all its flawed characters and a fractured society fueled by the media. so much of it felt really intense and the translation, even with the few grammatical errors it had, did a really good job sharing the author's intent with the volumes. i really loved this...
--. note: this is where the list gets a little blurry, as these next 4 are practically interchangeable. the #1 spot is the most solid. i'm obsessed with them all, and having them on this list is all that really matters .--
5. the scum villain's self-saving system (vol.2) - mò xiāng tóng xiù
thanks to the absolutely chaotic svsss fandom, i got even more attached to this series in the months after i had finished it. i feel very fond for this community of readers who were just as obsessed with mxtx's debut as i was, and with this volume, i hold it even more dearly.
it was very chaotic. despite only being in shen qingqiu's pov, i loved how the author managed to convey everyone else's emotions in the series of events that occur. i already said this in the mid-year freakout tag, but it made things so laughable yet also so fucking sad for sqq to see himself apart from everyone else as he comes from the "real world". those like luo binghe are only capable of following the script from the original story and so in all the times lbh chases after his shizun, it only inspires more fear & sadness in sqq knowing what happens in the story they're following.
to be fair for him, honestly, lbh doesn't make it any easy to think differently because of some of his stalking behavior, but again, the author was able to convey lbh's heartbreak so clearly in their interactions. i am a sucker for angst and so to see two characters who are basically having two different conversations without realizing it, it made this volume a standout for me.
also, svsss is my favorite mxtx novel, by the way.
4. king of death (folk, #3) - lily mayne
ash in his self-destruction era :')
his pov is what really turned the story for me because i had been with him since the first book, mortal skin. he had been through so much deception after already reeling over the grief of the parents that raised him.
he was tortured to the point of death in efforts to shed his human skin and make him become full fae. he was led to believe that the love of his life, lonan, had been the one to deal the killing blow to said parents. he loses his arm as he was fighting to run somewhere safe away from the unseelie realm due to the evil plans of lonan's mother. he finally met his birth mother, who turned out to be a just as sickening as she saw him as a curse from the moment of conception; she wanted nothing more than to sap all his power away that she saw as rightfully hers.
he's forced to kill an innocent to conceal his identity in a public affair. he recovers all his lost memories of lonan and is left reeling over all the interactions they shared where he couldn't even remember him. he's thrust with the title of king of seelie and all its obligations in the face of those who dealt with centuries of tyrannical rule under his birth mother.
and then now we get to this book!! where he clutches so badly to the one good & normal thing he has left in his life....lonan. it was like they existed in this bubble where it was just them two as it was in mortal skin, and it was exactly when ash started falling in love with him. reliving this feeling, of course ash would want to have them stick together; but lonan had his own obligations.
it got to the point where ash had all these excuses ready for why lonan should stay with him, so readily able to ignore signs that say otherwise, that the forests that serve as the bridge between the seelie & unseelie folk was rotting away. what once was something really light and a force of good with them staying together ended up almost becoming a thing of the past.
it was such a long road with this story, and so heartbreaking. i just loved how the author was so consistent in the development of ash's character journey, and there was almost a point where it felt like he was so close to falling off the edge, but his brother, nua, is who pulls him back. i will always be so thankful for nua's presence in this book; it did everything.
and i'm also just glad that at the end of all this angst and hardship, ash & lonan do make it through. it was a hard-won fought :')
my reading experience with this series started over a year and i'm just really happy to have loved this finale as much as i did. it feels like i've giving it a proper send-off.
---. i've unfortunately reached the stage where my energy is starting to dwindle. but now we've gotten to the top 3 and just to say, i'm glad that i found these stories and everything that was listed before.
3. the husky & his white cat shizun (vol.3) - rou bao bu chi rou
taxian-jun was really the star for me in this one. that's all.
”Mo Ran, wake up already. Wake up…”
“I am awake! I’m perfectly fucking awake! You’re the one who’s asleep! Are you blind?! Are you blind, Chu Wanning! …
“As far as you’re concerned, his life is a life, but mine counts for nothing. Is that it?!” In his fury, Mo Ran grabbed Chu Wanning’s hand and pressed it to his bloody wound.
“Didn’t you want to stop me? Here’s your chance; go on then, dig out my heart! Chu Wanning, why don’t you just dig out my fucking heart?!”
2ha, my beloved <3
2. remnants of filth (vol.2) - rou bao bu chi rou
here's a series of quotes that broke my heart:
Mo Xi thought, if only he could see straight in. If only he could cruelly tear this man apart, pierce him through--if only he could get a good look at the secrets in his bones, the currents in his blood, the filth in his soul. If he could see how dirty the man kneeling before him was, perhaps he'd let go of this persistent attachment.
.
Give me your hand. No matter how dirty you are, I will embrace you. No matter how much it hurts, I will stay with you. No matter how far it is, I will bring you home.
.
So much hatred, so much love, and so much agony. An agony worse than death.
i really look forward to volume three; it can't come soon enough. the story of mo xi and gu mang hurts a lot :')
1. the missing piece - kun yi wei lou
Their eyes met, and the world was silent. The start of spring had just passed. The weather was especially good that day, with no clouds in the sky for miles. But Ji Mingxuan seemed to feel that only now did the rain that had lingered in his heart truly stop.
(x).
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with both fanficiton and published novels there are huge spectra of quality. for example, you can self-publish anything you want, and there are some truly terrible self-published works out there (no shade to the authors, i respect people writing what makes them happy etc.) with no quality control. likewise, there are some traditionally published books that are of terrible qualtiy because the publisher was looking for books that fit a specific trend. i work as a ghostwriter who writes shlocky and formulaic romance books and "cozy mystery books" that follow the same general pattern, and i sell 1-2 30-50k novels a month doing it. anyway, i don't read fanfiction that often, but i do WRITE fanfiction. i spend way more effort, quality, and polish on my fanficiton than my ghostwriting. i'm not interested in writing about escapism or tropes like coffeehouse aus. i'm just publishing fanfiction for my writing instead of books because going through publishing is a huge pain in the ass and i don't want to deal with it. so at least i can say that my fanfiction is better quality than my actual ass published books (which i've seen in stores after i sell them through the ghostwriting agencies). obviously you don't have to believe me but yeah
Hmm no I think that’s very neat ! Personally I don’t read a lot of books (honestly I find it hard to engage with a lot of media nowadays in general cause I spend more time creating than engaging) so I don’t quite know how to express what i mean by quality. 🤔 I suppose there’s a bit of narrative limitation in the sense that a lot of fanfics being based on preexisting characters / world tend to skip the establishing parts since that part is already taken care of by the source material… so they feel a bit less self contained than something wholly original, thus not feeling a whole piece if that makes sense ? Like original novels have to balance exposition, world building, etc that can lend itself well to the whole narrative.
Of course that’s literally the point of fanfiction, an expansion + sometimes reimagining of the source material at hand. A lot of times it can be self indulgent (which isn’t a bad thing of course) but relying on it solely for reading material when you want to be a writer can lead to stagnation, which as you said isn’t something you do ! Originally in my post I wrote that if you want to be a good writer you have to expand your horizons and read a wide variety of literature including poorly written works or works you don’t personally like to make a guideline of what does and does not work when it comes to your writing. So the specific published findings that aren’t good can be learning material. (or maybe not just published works but original material in general)
My post was aimed at people who argue that fanfiction as a whole is better than published works, which I find a bit odd as there are genuinely phenomenal published works ? Or rather, again, fanfic that resonates more with them on a personal level
I’m not sure how much sense I’m making when my adderall + coffee combo was making my heart rate skyrocket for a bit LOL
I think there’s a lot of skepticism around certain fanfics being better than *well known* and critically acclaimed published works is more-so the argument I’m trying to make. I’ve personally haven’t come across a fic that was that close in quality to that level, and I’d imagine most people who share my sentiment feel the same way. and usually people on the other side of the argument will share a fic that just… as far as writing style goes, just reads like it’s trying very hard at being flowery to the point of endless repetition that makes it difficult to continue reading
Thanks for your ask ! it is fascinating hearing from someone with published works about this topic
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dumdumsun · 3 years
Text
Of Starlight
A/N: Alright, this entire story has officially been written ❤���
Warnings: none that I’m aware of
Word Count: 3067
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Chapter 5: Extra Ordinary
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Five years ago, Vanya Hargreeves began writing her autobiography, “Extra Ordinary: My Life as Number Seven”, less than two weeks before her sister’s novel, “One-Sided”, was announced in the papers. Those around who enjoyed her writing were buzzing with excitement, for it was the second book of her trilogy. (Y/N) was thrilled, herself, to be publishing her novel within the next month. Finally sharing her work with the world would have taken a tremendous weight off her shoulders, leaving her with only the weight on her bladder. While working herself nearly to death with her writing, she was with child for the second time, which added to her stress. Thankfully, she had a very supportive husband at the time to assist in anything she requested. It was in those times in which (Y/N) was grateful she decided to make something of herself rather than letting her past as Number Eight define her.
Once “One-Sided” was published, (Y/N) sent two copies out; one to Allison, one to Vanya. She figured her brothers wouldn’t want to read her romantic fantasy as much as her sisters, so she didn’t bother asking. Allison seemed ecstatic for the new addition, but she wasn’t too sure about Vanya, supposing it wouldn’t hurt to send it. If she didn’t want to read it, that was her decision. What she didn’t expect, however, was Vanya’s novel sent to her. After Jada was born, (Y/N) had taken time to read her sister’s autobiography. While Anthony was at work during the day, she’d multitask by reading and taking care of her newborn. She would quietly gasp at certain parts of the book before checking to make sure she hadn’t woken her daughter up. (Y/N) couldn’t believe some of the things her sister dared to put in that book. Some things she wrote were blatantly about (Y/N)’s own insecurities that she had trusted Vanya with knowing. Insecurities about her powers, her capability of being a suitable member of the Umbrella Academy. Vanya had compared it to her own doubts, stating that (Y/N) had no right to complain to her, of all people. Looking back now, (Y/N) could admit that it was a bit selfish to do that to her sister. Regardless, those had been personal and it was unloyal of Vanya to share that with anyone willing to read. Despite this, (Y/N) saw to promote “Extra Ordinary” along with her own work. Someone had to be the bigger person in this situation.
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Nostalgia wasn’t exactly what (Y/N) was overcome with when awaking in her childhood bed. In fact, she’d much rather have opened her eyes to the empty side of her king-sized mattress at home instead. She debated closing her eyes and pretending she had never drifted into consciousness, but sat up when remembering everything Five had told her the day before. If she remembered correctly, there were six remaining days leading up to the end of the world. She had promised Five to assist in preventing the apocalypse, and her drowsiness was not going to hold her back. So, she dragged herself out of bed and began looking for Five. She figured the first place to begin was his bedroom, so she stopped in front of his door and knocked. Hearing rustling on the other side, she asked, “Five, are you decent?”
“Decent enough. You can come in,” He called out, the door opening and (Y/N) stepping inside. He glanced at her over his shoulder as he fixed his white button up. “I take it you had a difficult time sleeping?”
“What makes you say that?” Her hand slid down her face, sarcasm in her tone. She didn’t need a mirror to know she had bags under her eyes. Five chuckled and moved to his vest and jacket, finishing with dressing himself. As he zipped his duffle bag closed, he glanced out the window.
“You tagging along today?”
“I plan to. I… suppose I have nothing to do.”
“Nothing, huh?” Suspicion hid amongst his words as he picked up his bag. “What is it you decided to do with your life, (Y/N)?” The question was simple, genuine, but the weight of it was suffocating. She really couldn’t go back to her normal, beautiful life after all.
“I… found my mother,” She slowly started out, carefully watching as Five curiously glanced up at her under his dark brows. “I became an author… and a mother.”
Suddenly, Five couldn’t breathe. He had anticipated this conversation, prepared himself for everything (Y/N) had accomplished while he was gone. But nothing could have prepared him for the stab in the heart at the mention of her having children. Children with someone who wasn’t him. It was stupidly selfish, he knew, to expect her to wait for him, to do anything else with her life except for the things he longed to do with her. Past the pain, however, he was happy for her. Something in him knew that (Y/N) would one day make a wonderful mother. She was patient, selfless, caring, and oh, how he wished he could’ve been the one. He didn’t even want to ask about the individual she had trusted enough to raise children with her.
His hesitancy to respond worried (Y/N) and suddenly she wanted to apologize. But for what? Her success, her marriage, her children? She had every right to those and she shouldn’t have to apologize. Her concern washed away when Five raised his brows in acknowledgement, opening the window. “Really? A mother? That’s great, Starlight…” God, that nickname… She thought. Why does everything feel so complicated now? Her feet moved her to follow him out of the window and down the fire escape. She thought it was best to not continue the conversation for now.
“Dammit, where’s Dad’s stuff?” The two heard an irritated groan on their way down. (Y/N) craned her neck to see Klaus digging through the dumpster. “Shut up! I’m trying to find whatever… priceless crap was in that priceless box so that Pogo will get off my ass!”
“I’d ask what you’re up to, Klaus, but then it occurred to me…,” Five turned to his brother. “I don’t care.” His useless comment earned an eye roll from (Y/N). Klaus glanced up at the two with a small laugh.
“Hey! You know there are easier ways out of the house, buddy? And bringing little (Y/N) along, too? Whatever could you two be up to?”
“This way of leaving involved the least amount of talking,” Five hopped off the ladder, helping (Y/N) down afterwards. “Or so I thought.”
“Klaus,” The eighth Hargreeves made her way closer to the dumpster. “Is Ben there?”
“Yes, dear, he says hi.” His hand waved in Ben’s supposed direction, (Y/N) softly smiling at her ghost brother. “So, hey, you two need any more company today? I could, uh… clear my schedule.” His eyes shifted to Five as he took a drink from his flask.
“Looks like you’ve got your hands full.” The boy falsely smiled.
“Oh, this? No, no. I can do this whenever. I’m just- I just misplaced something. That’s all.” He then fell into the trash as (Y/N) joined her traveling companion at his side. After a few seconds, Klaus reappeared with a bagel. “Oh! Found it! Thank god!” (Y/N) nearly gagged as he began to chew on it, muffling a ‘delicious’ in forced content.
“I’m done funding your drug habit.” Five spit out before walking away. She followed him and waved at Klaus, barely listening to him yelling after them as they climbed into a plumbing van.
“Why are we stealing a van?”
“Shush.”
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Once again, the two teenagers found themselves in front of Meritech Prosthetics. (Y/N) watched as Lance entered the building before sighing. “We’re really gonna sit here and spy on the man?”
“You got a better idea?” Five only kept his stare on him.
“I guess not… What’s the bag for, then?”
Five immediately turned his attention to the duffle bag he brought with them. “Oh, shit,” He muttered before unzipping it. “Hey,” He softly greeted before handing a bottle of alcohol to (Y/N). She blinked once, twice, thrice when he brought out the top half of a bald mannequin and set it between them. “Sorry you were in there for so long, Delores.”
“Wait,” (Y/N) choked. “That’s Delores?! The one you were with for over thirty years?!”
“Well, obviously,” Five frowned before turning back to ‘Delores’. “This is (Y/N), Delores. You know… the one I told you about.”
“You… talk about me to the mannequin? Should I be flattered or weirded out?”
“Oh, be quiet,” Five sighed and turned away. (Y/N) suddenly felt silly for being jealous last night. “No, I’m not drunk.”
“What?” (Y/N) frowned at the boy, who shook his head.
“Talking to Delores. She thinks I’m- Yes, it’s about the eye thing. This is the place it was made. Or… will be made,” His eyes moved up to his human friend. “We just have to wait…”
He’s actually talking to the mannequin, (Y/N) thought as she turned forward, eyes wide. So, that was what the apocalypse had done to him. She felt bad for him now. Initially, her heart warmed at the thought of Five finding someone to love, but knowing that his mind had gone somewhere far away enough for him to turn to a mannequin for comfort…
“So, (Y/N),” He started, his gaze once again trained on the building before them. “Your children… tell me about them.” Truth be told, Five wanted to know how much they had gotten from their mother. Were they just as humorous? Just as passionate? As wonderful? (Y/N) let out a heartfelt laugh as she closed her eyes.
“Where do I even begin? Michael, he’s… so intelligent. He has the highest reading level in his class and they’re thinking of letting him skip the first grade. He’s such a big help at home with his little sister… I swear, he’s a little man. He’s always trying to test my knowledge. Tries to get me to solve his ‘really hard’ math homework problems…,” She chuckled, Five looking at her with an unreadable expression. “And Jada… she’s such a character. No matter how many times I teach her the days of the week, she always gets them wrong… She wakes me up every morning, trying to guess. I say ‘Jada, if yesterday was Wednesday, what is today?’ and she just starts listing off every wrong answer… She’s a performer, too. I enrolled her into dance classes. Oh, it’s her favorite thing to do… And I’ll admit, she’s good at it. Don’t know where she got that from. Definitely not from me or her dad...”
Five tilted his head thoughtfully. “They sound… just like you. They think they know everything,” He joked with a small smile, (Y/N) playfully glaring at him. “Really, though… They sound like great kids… I’d like to meet them one day.”
“Yeah,” She smiled down at her lap. “I’d love for them to meet you… But I need to be an actual adult before I can face them again. Until then… It’s just checking up every once and awhile…”
“(Y/N), I’m so sorry,” Five frowned as he sat forward. “I- I’m going to figure this out. I promise.”
“I know you will,” She breathed and closed her eyes, her world slowly crashing down on her yet again. “Sorry, I need some air.” And with that, Five was in the car alone. Well, save for Delores. Outside, (Y/N) didn’t have much time to really be with her own thoughts before she heard Luther and Klaus’s voices nearing her. Turning to her right, she spotted the two walking side-by-side towards the van. Upon seeing her, Luther raised a hand.
“(Y/N), you need to get back to the Academy. We found something… and Grace might’ve had something to do with Dad’s death.” He gruffly explained, the young girl straightening to attention.
“Wait, what-”
“I can explain at the house, but we need both you and Five there for the family meeting. Is he in there?” He pointed to the vehicle their brother sat in.
“Yeah, but-”
“Great. Be right back.” Luther’s massive body brushed past her to get to Five, Klaus following behind to get in the back. Not waiting a second longer, she followed her junkie brother inside. When she entered the van again, Luther was trying his hardest to fit his body into the passenger seat as Klaus grabbed Delores, smirking at (Y/N) as he began to dance with the mannequin. She only watched him in disinterest. Once Luther was finally in, he turned to Five. “You okay?”
“You shouldn’t be… How did you find me?” Five’s question was answered when Luther turned to Klaus. With everyone’s attention on him, he looked up from Delores and dropped his smile.
“Hey, a little privacy, guys. We’re really hitting it off back here.” He began to caress Delores’s cheek before screaming when Five threw an object at him, Klaus using the mannequin to block. (Y/N) shook her head and moved closer to Five and Luther, the former fuming.
“Get out! You can’t be here! I’m in the middle of something.”
“Oh, but (Y/N) can be here?”
“Yes! We’re in the middle of something!” Five turned forward as Klaus joined (Y/N) at her side, poking her cheek gently.
“Any luck with your one-eyed man?” He asked her, receiving a head shake. Five sighed and turned to Luther.
“What do you want, Luther?”
Turning his attention away from the conversation between the two, Luther answered Five, “Um… So, Grace might’ve had something to do with Dad’s death. So I need you to come back to the Academy, alright? It’s important.” His request was met with silence for a split second before the time traveller shook his head.
“‘It’s important’. You have no concept of what’s important-”
“Hey!” Klaus interrupted, holding his sister at his side. “Did I ever tell you guys about the time I waxed my ass with chocolate pudding?”
And that was when (Y/N) tuned out the entire conversation between her family. She left Klaus’s side and pressed her back against the back of Luther’s seat, closing her eyes. She knew Five wasn’t going with Luther and Klaus to the house, and she didn’t need to listen to the bickering that would’ve led to that outcome. Her attention was eventually brought to Klaus swinging the back door open, huffing as he got out. She watched him slam the door closed and make his way towards the store across the street. Not trusting him in the slightest, she sent a clone after Klaus, telling it to “watch over him”. At this point, she was waiting for Luther to leave so her growing headache would subside, but it seemed the man wanted to talk some more.
“What the hell are you up to, Five?”
“Believe me, you wouldn’t understand.”
“Try me. Last I checked, I’m still the leader of this family.”
“Well, last I checked, I’m twenty-eight years older than you.” Five tightly smiled before (Y/N) snorted with laughter. The boy rolled his eyes and smiled fondly at her before Luther pulled his attention away.
“You know what your problem is?”
“Really hoping you’ll tell me.”
“You think you’re better than us,” Luther’s words wiped that sarcastic smile right off Five’s face. “You always have. Even when we were kids. But the truth is, you’re just as messed up as the rest of us. We’re all you have… and you know it.” Luther stared at his brother, as the boy slowly inhaled.
“I don’t think that I’m better than you, Number One. I know I am,” He hissed, Luther only chuckling. “I’ve done unimaginable things, things you couldn’t even comprehend.”
“Right...”
“Just to get back here and save you all…” Five stared out the window. (Y/N) sighed and grabbed Delores.
“Luther, out.” She ordered, her “big” brother turning to her with an offended look. “Five’s clearly not going with us. No use arguing with him either. So, just go and I’ll catch up-” She was cut off by the sound of a voice whooping in excitement. The three looked across the street to see Klaus running out of the store, arms full of stolen snacks, the clone following close behind.
“Hey, bitches!” He shouted as a cop chased after them, blowing his whistle. The clone turned to the officer and pushed him away with great force as Klaus was nearly hit by a car. Five’s head followed Klaus’s movement.
“I’m starting to wonder if that was the wisest decision…”
After Luther was sent out of the van, (Y/N) took over the passenger seat once again and set Delores down between them, Five quietly thanking her. “So… I’m going with the guys.”
“What? Why are you wasting your time, I thought you wanted to help me?”
“I do, and I will… But I don’t trust Luther to make decisions right now… I mean, if Mom really did have something to do with Dad’s death… Who knows what he’ll do? The least I can do is try to talk him out of it. I promise, when I’m done, I’ll come and find you.” She softly smiled, gently patting his hand. Five shook his head at her.
“You don’t have to promise me anything… I’m the one who owes you.”
“All you owe me is this,” She gently squeezed his hand. “You being here… That’s what I’ve wanted for so long. Now I have it. So, your debt is paid.” She chuckled. Five rested the back of his head against the seat as his eyes searched her face, trying to find anything that should worry him about her. But all he found was her warm smile and eyes that shone with affection. It suddenly felt inappropriate to have Delores around right now.
“Well, then, you should get going… You’ve gotta catch up with those idiots.”
“Alright. Don’t be out here forever, okay?” (Y/N) leaned in and pecked his cheek before getting out of the car and rushing after her brothers. As he watched her speed away, he tried to regulate his breathing, heartbeat increasing.
————————————
Taglist: @melinda-hargreeves @43sparrows @sapphicsyn @m00n-sh @starcurrent @alexander-hamilhoe @youcandalekmyballs @wonderlandfandomkingdom @yrdadjstcallsmekatya
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rataltouille · 3 years
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HOUSE PLANTS, UPDATE 7
[novel intro can be found here]
HEY ACTUALLY I FINISHED THIS BOOK!
i don't want to get too sentimental [watch me proceed to get sentimental] but this book means a lot to me and i really could NOT have done it without the support of the wonderful folks on writeblr. the writing community is kind of the reason i even started this novel so it means a lot to me that i’ve met so many of y’all here. this is my first ever novel and i’m so glad i was able to make it so far! here are the final stats:
TOTAL WORD COUNT: 81,049 words.
STARTED: april 17, 2020
FINISHED: january 28, 2021
AVERAGE CHAPTERWISE WC: 3242
NUMBER OF CHAPTERS: 25
NUMBER OF TIMES LILITH SNAPS: 2
NUMBER OF TIMES LILITH SUFFERS: you know it’s too much to count.
the last month of writing this novel was so mixed. like before i hit the 70k mark i’d just been slogging through the novel, feeling uninspired and bored of the story. and then january hit and i was like. wait a minute. my deadline to finish it was the 31st of january. and so i basically startled myself into drafting again and then hit another wc milestone and that motivated me?? so much??? like i remember that drafting the penultimate chapter took me a pretty long time but it was so enjoyable because i was genuinely liking what i was writing and that hadn't been happening for the past few months. and then i wrote the entirety of the last chapter [it’s a vignette so it’s pretty short] for an hour until 1 am in my bed with the lights off and boom. it was such an experience. what makes it even more fun is that i’d drafted 75% of the book in my bed with the lights off at 1 am so this was such a nice full circle moment.
i’m also a little insane from all that lack of sleep but it’s okay we don't talk about that.
excerpts:
chapter twenty-one
this one’s a mix of the weirdest and most broad emotions. there’s a funeral in town, willow’s acting shadier than usual, lilith and juniper finally kiss, etc. etc. literally a rollercoaster. also it’s important that you guys know they kissed in a graveyard. nothing’s more romantic than that amirite.
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Residual— that’s how we all felt. Just shells that wash away right before they touch land. We lingered like sleep at dawn, like medicine rimming the lip of cough syrup bottles, like fingerprints on fresh glass. There wasn't a permanence in the way we persisted, because eventually, one leaves their nest. They untether from the source in pursuit of the world. How would a dead girl do that? She won’t reside on the fringes of life like a bad dream.
god this prose is so depressing. even i’m getting sad over it and i’m literally an emotionless husk of a person. hey but the description slaps so enjoy.
also if you’ve noticed i’ve been sharing excerpts less and less in the updates despite the chapters being longer on length [these chapters average at like. 5k words] and that’s because i’m finding it harder to share stuff that doesn’t need context / isn't spoilery.
chapter twenty-two
ah yes the angstiest chapter, probably. something happens to willow that lilith blames herself for and this kicks off the final cluster of events that lead to the climax. i love this chapter because lilith gets angry [but at the wrong person aka herself] and we get to see this side of her she always tries to hide!! another thing that happens is that her garden withers so that’s a fun trip
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My garden could have been a fallen kingdom. The ferns were rotting from under the flap, their spores gone. Gardenia blooms had split with their petals discarded like an evening gown all around the pots. The mint had binary fissioned and lay in shreds, the jasmine wilted and spread. All of them like war dolls, casualties of my ignorance, beyond saving.
poor garden :/
chapter twenty-three
this chapter. exists i guess. ISDNJSDUH i sound so disillusioned but essentially this chapter was supposed to end on a the ✨big reveal✨ that the book has been leading up to but then something. happened. and i had to move that into the next chapter and so nothing actually happens in this one! like it’s all important things and we’re setting up tension but overall it’s the least eventful of the final story arc.
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We stepped together into our house; it had been abandoned for a day but was the exact same. Dust hadn't suddenly piled up in the threshold, sticking to our soles. The air hadn't musted over in the house’s grieving for its sole occupants. The bathtub was still filled. The water skimmed the floor, and I’d decided. I’d stay with you for the whole week, the fortnight, the month, the year. I’d stay inside with you, because me leaving the house, me choosing to spend any second of my life without caring for you, was a mistake. I’d always seen you as fragile, quiet like moth wings and just as delicate. Maybe I’d needed to feel I was protector just as much as I thought you needed me.
i really like this excerpt because it’s very simple and light in terms of prose but also the implications and that purposeful telling at the end really stick with me. exposing lilith since 2k20.
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As morning rose the next day, like a curtain lifting, the sun picked itself up from the horizon, shattering cloudlines in a bright, orange glow. The skies got clearer by the hour as summer sauntered in again. Already the habits of my grounding were kicking in; my circadian rhythm bounded to my outside, too, as I instinctively scheduled and compartmentalized my daily life. First, wake up, check on you. Finish chores while making sure you’re alright. School, eaten with worry, but you're capable and you’ll call if you need help. Home, count your pulse as you inevitably slumped in plush sleep— at the coffee table, at the bathtub, in Aunt Hailey’s chair (rare), in your bedroom (rarer). You’d wake for dinner and read until the lights begin to dim and your eyesight tripped. You’d doze off for the rest of the night. Your internal clock was more functional, more efficient, than mine.
obligatory rhythmic everyday life excerpt that's reminiscent of 2020.
chapter twenty-four
THE PENULTIMATE CHAPTER! THE LONGEST CHAPTER!! THE ONE WHERE SHIT GOES DOWN!!! [can you tell it’s my fave chapter]
this took me two whole weeks to draft [it’s around 7.2k words] but it was so enjoyable the whole time!! there’s something so satisfying about making the quiet character, the one who never express anger, finally snap. so satisfying. lilith is actually pretty feral in this and we all stan. it also has a lot of simpler yet more sharp prose? if you know me you know that repetition is literally my favourite device ever. i overuse repetition it’s actually insane. and this one has a lot of that, but in a way that isn't annoying, and i really enjoyed writing it!!
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I’d never been in your bathtub before. You haunted the room and it was always yours; I didn’t consider running the tap for myself. Maybe your going out prompted me this time. The water was so high it sloshed over the lip of the tub. The floor was slick like eels’ skin. My skin was blue with cold; the chill gummed my cheeks and ears and I shivered. My reflection stared at me in hatred, the features warped and pulled like taffy. I half-floated, a ghost in liminal space, and the walls were choked with water lines and flower patterns. With my body invaded by alien frost, with the ceiling low and cruel and ready to crush, I cowered. How did you do this every day? Did the clothes make the difference?
lilith’s going through it again ft. willow’s bathtub.
after this it’s a lot of incredibly spoilery stuff!! like the prose slaps but it’s too many spoilers to share. but have another description of the heaviness of midnight because i’m obsessed with that aesthetic
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The lock clicked behind me. Silence descended like birdsong and I was paralysed, stuck at the two half-stairs that led to the outer path, stuck at the threshold of no return. My body shook. All around me was nighttime, gooey and heavy. I was unfurling, like a rose, step after step, pushing past the gate and onto the road. The wind was so cold it frosted my tears.
btw the chapter does not end on lilith crying she kind of has a girlboss moment and snaps massively [i mean after all she’s been through she deserves it] and then the main story aka the fictive past ends.
chapter twenty-five
the final chapter, which also happens to be a vignette chapter and is thus set in the fictive present! it’s very short and is only one tiny scene but it really ends on the perfect tonal quality for the novel. i can't share any excerpts because it really is very short so! have this iconic screenshot i took as soon as i finished the draft instead:
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[also if you were wondering yes i did type the entire novel [and basically everything i write] on my ipad because i don't own a laptop]
and that really is it! this was such an incredible journey and i’m so excited to share more of my newer writing and upcoming projects with y’all. it feels so weird that this really is the last time i’ll be making official posts about this novel. truly the end of an era.
house plants taglist: @discreet-writer @mp-golfin @jaydewritesfiction @writer-in-monochrome @magnus-s-writes @firesidefantasy @sugarlessbubblegum @theoldcity @n1ghth4wkz @remi-writes-sometimes @suninks @dreamybellatrixanvm @camusbf @fablemancy @isherwoodj @svpphicwrites @spillme @sunwornpages @bijouxs @asadlitficwriter @bookphobe @sirius-xthem @carlyiswriting @hekat-ie
general taglist: @lovingyou-is @haldimilks @andiwriteunderthemoon @coffeeandcalligraphy @shaelinwrites @tuoyu @charles-joseph-writes @eklavvya @wolf-oak @bitterwitchwrites @laughtracksonata @whatwordsdidnttouch @indeliblewrites @thenataliawrites @illimani-gibberish @sienna-writes @jennawritesstories @chloeswords @aelenko @keira-is-writing @cherylinanika @infinitely-empty-pages @jmtwrites @august-iswriting @sarahkelsiwrites @freedelusionbanana
tumblr is being. really really annoying and wont let me edit on the browser so i’ve got the 50 mentions per post mobile thing to deal with. the rest of the taglist will be tagged in a reblog!
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johaerys-writes · 3 years
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Writing Tag Game
I was tagged by @noire-pandora @midnightprelude @mogwaei @serial-chillr @faerieavalon @pinkfadespirit @inquisitoracorn and @in-arlathan thank you so much! :)
How many works do you have on Ao3?
On my main Ao3 blog: 23! I also have a second blog where I post works set in the Dragon Age-inspired Modern AU I've been writing with @oftachancer , featuring my OC Tristan Trevelyan and her OC Aran Trevelyan, as well as a few others of our OCs. There are 5 works there at the moment. You can check them out here: jo_writes
What's your total Ao3 wordcount?
On my main blog, 516,722 words. On my second blog, 193,953 words, but the majority of it is co-written with @oftachancer .
What are your top 5 fics by kudos?
High-Flying Birds: 589 kudos (TSOA)
Where Blood Roses Bloom: 467 kudos (Castlevania)
Winter's Fruit: 424 kudos (TSOA)
Like Friends Do: 410 kudos (TSOA)
Memories and Echoes: 327 kudos (TSOA)
Do you respond to comments? Why or why not?
Always!! I don't think there's a single comment I've ever received that I've left unanswered. I just love talking with my readers and screeching in my replies. I often wonder whether I come across as a tiny bit insane or overly enthusiastic, but you know what? I am both, so who cares 😂 I just appreciate every single person that has taken the time to read and comment on my works, and I want to make sure they know JUST HOW MUCH 
What's the fic you've written with the angstiest ending?
I honestly don't think that many of my stories have an angsty ending? Most of them end on a hopeful or at least bittersweet note, I think. I'm pretty sure the only ones I've written that have sad endings were those in my Hector/Carmilla series, You Always Hurt The Ones You Love (CV) which were kind of dark and depressing anyway. 
Playground Love, the fic I've written with @oftachancer featuring our OCs Tristan and Aran ends on an angsty note, but things do get better in the next installment, Never Let Me Go, so I suppose I am a little allergic to angsty endings XD
What's the fic you've written with the happiest ending?
The Stars Will Guide Us Home (TSOA, Modern AU) has a super soft and fluffy ending, and Fall Into Your Tide (TSOA, Merman AU) will have a happy ending too.
Do you write crossovers? If so, what is the craziest one you've written? 
I've written a Witcher/Dragon Age crossover, Viper In Tall Grass, where Tristan is a witcher and Dorian a Nilfgardian mage which I thoroughly enjoyed! Also, one of the first long fics I ever finished was a Witcher/Wheel of Time crossover, which I think is genuinely the most... imaginative thing I've written 😂 I never posted it and don't think I will, but I still love it to bits and I'm super proud of myself for writing it. 
Have you ever received hate on a fic? 
Kind of? It wasn't directed at me personally (I don't think) but at one of the main characters of the fic. Perhaps it was referring to the way I'd written the particular character, I truly can't say, it was a little vague. It takes a lot to offend me, but this really rubbed me the wrong way. I honestly think I would have been less offended if the person had criticised my writing rather than the character lol. I just don't take any shit when it comes to the characters I love. They're PERFECT, okay? How dare you come into my house and badmouth them 😂 RUDE
Do you write smut? If so, what kind?
Hell YEAH! I love writing smut, it's great. As to what kind, I think that porn with feelings describes it really well. The smut I write tends to get emotional real quick, even when I intended for it to be straight up porn, so I guess there's no hope for me, hah. 
Have you ever had a fic stolen?
Not that I know of. 
Have you ever had a fic translated? 
Yes, High-Flying Birds has been translated into Vietnamese.
Have you ever co-written a fic before?
Yes!! With oftachancer, two novel-length fics (Playground Love and Never Let Me Go), as well as a few other WIPs that haven't been posted yet, and I'm currently working on a multi-chap fic with my friendo @in-arlathan , featuring Dorian/Tristan and Solas with her Elenara Lavellan, which I'm so excited about! I've also brainstormed and goblined-out over a couple projects with @mogwaei !!  I love co-writing, it's so fun :)
What's your all time favourite ship?
Oooh, that's a tough one. I'm super biased in that the ships I love are those I write (both canon and OC pairings) but if you held a gun to my head and asked me to choose I would probably have to say... Dorian/Tristan and Achilles/Patroclus? AAH this is too hard ;w;
What's a WIP you want to finish but don't think you ever will?
I do plan on finishing all of the WIPs I am currently working on. I have a lot of writing ideas that I don't think I'll ever get around to, but when I actually start writing something I tend to commit till the end.
What are your writing strengths?
Descriptions, introspection and angsty/emotional scenes I think are my favourite things to write. I also enjoy writing fight scenes a little too much (and judging by the feedback I receive on them people seem to enjoy them too, heh). Lastly, I've been told that the characters I write are complex and fleshed out and that my pacing is good, and that's honestly the best praise for me.
What are you writing weaknesses?
I struggle quite a lot with self doubt and perfectionism. I worry a lot about how my work will be perceived and whether it's good enough. I often agonise over small details or paragraphs/sentences, to the point where I sometimes post just so I stop myself from going back and editing indefinitely. I have thousands upon thousands of words in deleted scenes because "they weren't quite right" or I changed a tiny bit and the rest didn't fit. So. You get the idea 😅 (Now, how I manage to read through everything multiple times before posting yet still get typos... welp)
What are your thoughts on writing dialogue in other languages in a fic?
Hmm, I have to say that I do like it when there are foreign words interspersed through the narrative if the story isn't set in an English speaking world or if the characters speak a different language, but I'm not a huuuge fan of seeing a big chunk of dialogue in a foreign language without immediate translation or a hovering text. It kind of breaks the immersion for me and I tend to avoid it generally in my own writing.
What was the first fandom you wrote for?
Dragon Age, and specifically DAI! That game never gets old for me.
What's your favourite fic you've written?
It's impossible for me to pick just one so I'm going to cheat and choose a few. I absolutely love my current WIPs: High-Flying Birds, Where Blood Roses Bloom and A World With You, and the freaking epic-length fics I've written with @oftachancer . They haven't always been easy to write (especially AWWY, which has the most intricate plot & character development) but I'm so proud of them and I've learned so much while writing them. Of my finished stories, The Stars Will Guide Us Home is hands down one of my all time faves. It had been on my mind for several months before I actually wrote it, and I poured so much of my heart into it. I still get emotional when I go back to reread it, not gonna lie! Lastly, At The Water's Edge (TSOA) is very dear to me and I often go back for rereads. 
I'm tagging forth to (no pressure!): @fancytrinkets @elveny @glimmerofgold @asiriushoe @juliafied @boshtet-juggler @schattengerissen @dafan7711 @tessa1972 @fandomn00blr @pikapeppa and anyone else who would like to join!
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rax-writes · 3 years
Text
Full Circle
Fandom:  The Chilling Adventures of Sabrina
Pairing:  Nicholas Scratch x Reader
Warnings:  None
Notes:  This is based on a song that’s become popular very recently, so you could try to determine what it is as you read, if you want. I’ll link the song at the end in case you didn’t figure it out, or to listen to the song if you’ve never heard it. ☺
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Being a hopeless romantic was practically a curse for a witch. Your kind wasn’t made for love. Lust, desire, sex – all of those things came easily for witches and warlocks. But love was a different matter entirely. You knew it was foolish to allow that particular emotion to creep into your heart, but all the mortal romance novels you’d read left you willing to be foolish.
A few months after engaging in a strictly sexual relationship with Nicholas Scratch, you confessed to him that you no longer wished to continue the affair unless he was willing to incorporate romance into the mix. He was hesitant at first, but didn’t want to lose the way your attention and affection made him feel important, valued, and cared for, so he complied. He took you on dates, bought you flowers every Tuesday, let you wear his jacket, cuddled together as you watched movies and read magical novels. He even wrote a poem for you, which he turned into a song with some assistance from the acoustic guitar he borrowed from the choir instructor. The dashing warlock swept you off your feet, and you had never been happier.
Then Sabrina Spellman came into the picture.
You truly had nothing against the plucky, young, promising witch. It was Nick who posed a problem. Ever since she arrived at the Academy, you felt him slipping away from you. He stopped buying you flowers. The dates became few and far between. He slowly took each of his jackets back. But all the while, he used that enthralling, silken voice of his to supply you with thinly-veiled lies of reassurance.
“There’s nothing between Sabrina and I, babe. And besides, she has a mortal boyfriend. Don’t worry your pretty little head about it, alright?”
It wasn’t long before his story changed.
“Being with you has been amazing, and you’ve opened my mind to the possibility of love for our kind. I love you so much, and I always will, but…. I won’t lie to you, there’s someone else. And I can’t, in good conscience, stay with you while having feelings for another person. That’s not fair to you. I’m sorry…. I’m so sorry.”
The contradiction of Nick’s lie of reassurance and his words as he crushed your heart never left your mind… nor did your love for him. No matter how hard you tried, you couldn’t shake how much your heart yearned for his touch, his kiss, his scent, his voice. It felt like a knife in the chest when you saw him and Sabrina together, shortly after the break up, and you weren’t the least bit surprised that she turned out to be the “someone else.” Nick constantly looked at her with more love and adoration than he’d ever shown you, and it never ceased to hurt.
Nevertheless, you did the only thing you could: you carried on. Ignored the pain. Shoved your unyielding love for him to the back of your mind. You continued your studies, and your dedication to the coven. You aided your cohorts, even Sabrina, in all of the coven’s efforts. Unfortunately, that included helping Nick become a flesh Acheron for Satan, then saving him, and watching from the sidelines as he struggled to cope with the lingering effects of being trapped in his own body with the Devil. Eventually, there came a time when the coven experienced a small dose of reprieve. Hecate became your new deity, the coven’s powers were restored, the Pagans had been driven out of Greendale, and all seemed to be right with the world. Drinking away your troubles, alone in your room with a hundred-year-old bottle of Scotch, had sounded like a fine way to spend a Monday evening – until Nick walked up to you, as you sat outside on the stairs of the Academy, enjoying the cool night air.
“Hey.”
One word. One, simple word was all he mustered up to say to you, despite the fact that it was your first private exchange since the break up. So, you merely echoed it.
“Hey.”
Nick just stood there, before joining you on the stairs, a few feet away from you. The two of you sat there in silence for several minutes before you became the first to speak again.
“Don’t you have some pretty blonde to be hanging out with right now? You know, the one who always made me doubt, yet you constantly assured me I had nothing to worry about?” you retorted, the liquor in your system acting as a conduit for your raw truth. You let out a dry, bitter laugh. “In all honesty, I suppose I can’t blame you for choosing her over me. She’s so much more powerful and skilled than I am. Now that I think about it, she’s the personification of everything I’m insecure about.”
Nick looked at you with sorrowful eyes, before looking away again, as if he couldn’t bear to look at you and see how much pain you were in, even after all this time.
“Sabrina and I broke up.”
The hot mess mixture of feelings that flooded you was practically dizzying. Admittedly, his statement initially filled you with hope. Perhaps this meant he’d give being with you another shot? This was immediately followed by anger – first toward yourself, for being so stupidly optimistic and naïve, then toward him. Did he come here to tell you that, assuming you’d forgive him and everything would go back to the way things were, as if you would be excited to be the consolation prize?
Too dazed by the dichotomy of your thoughts, you said nothing in response. He took your silence as an invitation to continue.
“Turns out, we were a lot less compatible than I originally thought. I thought she was the one. I was willing to die for her…” Nick mused, then trailed off before exhaling and continuing. “I didn’t die, but I did do something much worse – all for her. It didn’t matter in the end, though. We just weren’t meant for each other.”
“You have a lot of nerve to come to me thinking I give a single, solitary fuck about your feelings for her,” you snapped, and your eyes met for a moment then, but he averted his gaze. There was a poignant and tense silence before he spoke again.
“Can I ask you something?” Nick inquired, appearing extremely pensive. “Did you ever stop loving me?”
“No. Not for a second, despite my best efforts,” you replied honestly, and he smiled sadly at your quip as he looked down. “I know we weren’t perfect, but I’ve never felt this way about anyone. That’s why I can’t imagine how you were so okay when I was gone, after we’d broken up…. I guess you didn’t mean what you wrote in that song about me. Because you said ‘forever,’ now I spend every day alone and missing you.”
“I meant every word of that song,” Nick replied earnestly.
“Please don’t, Nick. Let’s just end this conversation here. I don’t even know why we’re discussing this,” you whispered, shaking your head and closing your eyes, as if that would somehow prevent his words from sinking in. You stood and took a couple steps toward the door of the Academy.
“Will you please just hear me out?”
“Why should I?” you yelled, turning to him with a blend of hurt and rage written all over your face, although the rage was what overcame your voice.
“Because I still fucking love you!” Nick shouted, his voice ripe with conviction. He exhaled loudly, then ran his hands over his face and leaned back on the staircase. “In that song, I wrote that I’d love you forever. And you may find it hard to believe, but I’ve never stopped loving you. I won’t deny that I loved Sabrina too, but I’ve realized with hindsight that it was a combination of infatuation and love – more so infatuation. But with you, it was only ever love. A deep, genuine, natural, true love.”
You found yourself somewhere between confused and shocked. What he said made no sense to you, because you’d spent this long believing that he hadn’t given you a second thought since getting with Sabrina. Yet here he was, pouring his heart out to you, and telling you that he still loves you.
Nick stood and took a couple steps toward you, now arm’s length away.
“I know I don’t deserve it, so I won’t fault you in the least if you say no, but…. Would you be willing to give me another chance?”
You looked at him then – really looked at him. You studied him thoroughly, and stared deep into those big, brown eyes of his, which held so much vulnerability, contrition, pain… and love.
“Don’t fuck it up this time, Scratch. I’ll take your life if you do. That’s a promise.”
The very next morning, a beautiful bouquet of blood red roses awaited you in the hallway outside your bedroom door.
Driver’s License – Olivia Rodrigo
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gaycrouton · 3 years
Text
Fox Mulder’s Senior Thesis
Scully reads Mulder's thesis to get even since he read hers, but she wasn't expecting just how much autobiographical insight she would gain into her new partner.
5k - MSR
Ao3 Link Here
Scully felt the indignant burn of embarrassment on her cheeks every time she thought about those words coming out of Mulder's mouth. "Einstein's Twin Paradox, A New Interpretation. Dana Scully Senior Thesis. Now that's a credential, rewriting Einstein." Worst of all, he said he'd actually read it. She didn't know him well enough to be able to tell if he truly liked it, but regardless, the fact he'd looked at it embarrassed her. She was a certified medical doctor, she'd written plenty of articles she was genuinely proud of over the years, yet Mulder had chosen to read her undergraduate thesis from the University of Maryland. She was only 22 when she wrote it, and she was pretty sure coffee and sleep deprivation contributed more to the final product than she did.
When she got home after that first day of work, the words still danced around her head "I read it. I liked it." Out of curiosity, she went through some old boxes to find a copy she knew she'd hidden away with a bunch of other college knicknacks, and just as she'd expected, it was full of errors and the misplaced arrogance of youth. The knowledge that Mulder had read it and formed an impression of her based on these old musings made her uncomfortable, and an irrational part of her wished she could go back in time and make it better.
It wasn't like it was an invasion of privacy, but to read her writing from years ago felt like a level of intimacy she wasn't ready to share with a near-stranger.
It had been a few months since he'd mentioned it, and they'd been working together just fine, but the thought that he'd seen this small side of her, Dana-the-co-ed who wanted to impress her professor so badly that she tried to rewrite Einstein, nagged at the back of her mind. Did he read her vulnerability, the way her words begged for her professor's praise? Could he read the pride she'd felt at the time for having taken on something so advantageous? Did he ever consider how forward that was, how off-putting to have one's thesis dug up from the grave?
But she knew that was exactly why he'd done it. Mulder wanted to make her uncomfortable. Not her exactly, but the new partner assigned to invade his space. She wasn't the profiler, but she knew he did it as a defense mechanism. Mulder had done it in front of her a few times now: if he acted as spooky as people thought he was, they would make fun of the caricature of himself he was playing, not the real, vulnerable Mulder.
Scully wondered if the thesis had any part in endearing herself to him, or did he look at it through a lens of judgement, finding every flaw and analyzing what he'd use to tease the new partner coming down to see him.
"I read it. I liked it."
It was one of the many times she'd started to spiral while thinking of how he thought of her. The spirals were usually brought upon anytime he ditched her during a case or when he investigated something on his own. A nagging feeling would grow in her abdomen that asked "Why doesn't he trust me fully?" And she would think back to that embarrassing insight he had into her. A few times she considered sending some of her other work, some of what she was more proud of to him, before ultimately realizing that he'd probably seen the titles and gone with the one that intrigued him most. The one he was probably most ready to laugh at, her brain would supplement.
Then she decided it would only be fair to read his.
She'd read his monograph on serial killers and the occult as part of her profiling training at the academy, but she knew there was probably an embarrassing thesis floating out there somewhere.
After the seed of an idea was planted in her mind, the roots started to overgrow all rational thought. She was fueled by a curiosity of what Oxford educated psychologist Fox Mulder sounded like in his early twenties. He was a bit arrogant now, though it wasn't repulsive in him like she found that quality to be in most men, but arrogant nonetheless. She could only imagine what a 22 year-old version of him sounded like.
Scully wondered what that must've been like, what the look on his advisor's face was when he inevitably postulated some intergalactic theory. Or did he choose a more mammalian creature to examine? Perhaps little grey men were too extreme, and he scaled it back to the cultural differences between Bigfoot, the chupacabra, and a yeti.
Luckily for her, she had a friend in the archival department who was able to locate his thesis for her with the payment of a coffee. It was dropped on her desk in an inconspicuous manila envelope, and she was able to sneak it into her purse before Mulder had a chance to notice.
Scully waited until she was home before tearing into it. It was about 60-pages, a nice length for a bachelor's thesis. She'd prepared for the event with a glass of wine and some snacks. A highlighter and some pencils were scattered around her in preparation for her night of learning more about her enigmatic partner. Despite the frivolity of it, she felt her heart thrumming in her chest, excited to meet this Mulder even if she intended to make jokes at his expense tomorrow to his older self.
She smiled to herself as she tried to have a last minute guess at what phenomena he'd focus on before a gasp tore from her lips at the reality.
Shared Grief and Repression: An examination of the psychological long-term impact of parental invalidation regarding familial trauma on childhood development
Fox Mulder - Senior Thesis
Oxford University
May 15th, 1983
Scully felt numb with the implications of this, but she couldn't help her curiosity. She read the entire thing in one night, unable to put it down. She barely knew Mulder well enough to distinguish if there was an autobiographical hurt child ghost-writing these hypotheses or if it was mere speculation, Mulder being desperate to understand himself. For all she knew this could have been a result of Mulder assisting a professor in their own research, the ties to his own past merely coincidental. Somewhere in her soul, she knew that despite her hesitance to admit it, she'd just learned far more about Mulder through this than he had learned about her through her nonsensical ramblings about Einstein.
What she did know, unquestionably, was that she would never tell him. That night she placed his thesis on top of hers, and hid their past selves in a box deep in her closet. She couldn't bring herself to throw his words out, so she would just have to live with them.
She didn't have Mulder's eidetic memory, but lines of his thesis stood out to her with the same clarity in which he'd recited hers. She never called upon them, they just came like a bolt of lightning that left a charred mark in its wake. It was as if she was the scientist observing if his hypotheses were true while Mulder acted as the living case study.
1993
"Adults who lacked comfort in their youth are prone to seek human connection out through other, non-conventional means, (Jenkins, 1945)."
While part of her acknowledged this was Mulder's office, the other part of her knew this was also the official office of the X-Files, of which she was an equal part. She hadn't felt this way since the last time she moved into one of her boyfriend's apartments. A few sweaters left in the closet, food in the fridge that was only for her, messages for her left on the answering machine - things that accumulated slowly until she decided it would be stupid to re-sign the lease at her own place.
That was effectively what she'd done here. She noticed that two women from the financial crimes unit were being forced to share a space, and, being she couldn't remember the last time she was in her own office, she decided to give it to one of them. Now, despite the fact Mulder was the only name on a placard outside and she was still trying to elbow space for herself on the other side of his desk, this was her office now too.
The space heater at their feet was hers, she'd brought a plant that was thriving in the annex of the office, she'd even managed to put a TV Guide clipping about Alf amongst all his other ones to see how long it would take him to notice. Even though those small things made her feel more 'at home,' she still wanted to claim a little more space for herself.
One day she decided to arrive before him, a box of her office supplies in hand, and take over one of the drawers of his desk. Just one - for now.
Scully plopped down in his chair, amazed at how much larger the indent he'd created was than her diminutive frame. With a sigh, she decided he'd probably be less inclined to be irritated if she took one of the bottom drawers. Pulling one out, she had to suppress a gasp of surprise.
She'd caught him reading nudie mags before, claiming they were for the abduction stories in the feedback sections, but this was… a lot.
Snowed in! Plowed out!
Shared Space (And a tight one at that!)
Years of Waiting, Big Explosion!
The titles made her grimace, but they weren't as bad as some she'd seen in her brothers' room growing up. The VHS tapes were lined up in the drawer in alphabetic order and their neon titles stuck out brightly to her. Pausing to listen for the sound of the elevator, she grabbed the one labeled Years of Waiting.
The summary on the back alluded to a couple who'd been in love for years finally consummating their shared attraction. It was surprisingly less crude than she'd anticipated. She picked up the one with space in the title and saw it was about two friends who had to share a room together while on vacation, and after a while, they can't keep their hands off each other.
She felt a furrow in her brow in confusion. These tapes all had similar descriptions to the dimestore paperback romance novels she'd buy from time to time. It seemed the story was just as important as the sex itself. One of them even had a cover of two people cupping the other's face as they leaned in for a kiss. Of course, the photo on the back was a naked sexual position that made her back hurt, but it overall wasn't as crude as she'd anticipated.
Mulder was into softcore, oddly sweet pornography?
She wasn't quite sure what to do with that information before she heard a ding come from down the hall. Scully quickly stuffed the VHS in her hands back in the drawer without looking, and instead moved to the bottom drawer on the other side of the desk. She was relieved to see it was some of his spare clothes and she dumped them on his desk before relocating her stuff into the drawer.
1994
"Children mimic what they see demonstrated in front of them (Smith, 1975). When a traumatic event occurs and parents cope without any outward displays of emotion, the child learns the expectation is that emotions are hidden. A potential development due to this is that the child understands how negatively invalidation felt, so they try to overcompensate when offering comfort to others, appearing unrelenting in their efforts to provide the comfort as the act itself is a comfort for them as well."
She stood there sobbing into his arms until she felt numb, soothed by the way his hands rubbed circles into her back as he whispered "You're alright. You're alright," into her hair, as if to assure himself as much as her.
The flash and subsequent whir of a crime scene camera made her jump and Mulder tightened his grip on her. "Can we have a minute?" he snapped, his voice coming out so harsh and stern compared to how he'd just talked to her.
She turned her head and saw they were in a room with at least ten other law enforcement officers - all with varying levels of pitiful expressions on their faces as they couldn't help but look at the embracing FBI agents.
Embarrassment flooded her and she withdrew her arms from around Mulder, bringing them together near her abdomen as she tried to take a step away. Mulder looked down at her in worry, cupping the side of her head with his hand. "Scully, don't push yourself," he lamented.
Scully shook her head and brought her hands shakily to the back of her neck, suddenly feeling choked by the table runner that had been used as a gag.
"Ma'am, we need to take a picture before yo-."
"I think we have enough evidence, don't you?" Mulder snapped, stepping forward in front of her like he was about to fight anyone who so much as looked at her.
She felt the crime scene analyst take a step away as they apologized to Mulder, but Scully was too busy fumbling with the tie at the back of her neck. She was starting to feel like she couldn't breathe and she was worried she was somehow tightening it. "Mulder?" she gasped.
Scully instantaneously felt his hands cover hers as he deftly untied the fabric, throwing it on the ground before brushing her hair back to make sure she was okay. "Breathe," he whispered, pulling her back to him so he could rub her shoulders.
"I'm fine," she whispered, her eyes focusing on the portrait of a Pfaster that was hung on the wall next to them.
Mulder stepped in front of it, replacing her line of vision with himself instead. "Please don't shut me out, Scully," he pleaded, his brows furrowed in concern. Mulder had comforted her a few times before in the past, but usually it was just a word or two of affirmation. Right now, he felt like he was the sole thing keeping her from drowning.
She glanced around and met the eyes of several people who instinctively looked away. "What do you need, Scully?" he prompted.
Scully looked back at him and noticed that he looked like he was going to combust if he couldn't do something to help her. She could pretend she didn't want his help tomorrow, for tonight, she'd allow them this symbiotic comfort. "I need to leave," she whispered.
"Will you let me take you to the hospital?" he asked.
She nodded once in response and that was all he needed. Without conferring with anyone else, he wrapped his arm around her and took her away from this nightmare.
1995
"Parents in these situations often do not realize the damage they are causing, nor are they actively trying to cause harm. Familial trauma effects all involved and, more often than not, the inattentiveness to the child's feelings is a result of parents being unable to handle their own."
Scully thought when she finally met Teena Mulder that a vital piece to the Mulder-puzzle would fall into place. She'd imagined a witch of a woman devoid of smile lines and with a tongue that could cut like a razor. The jagged-edged puzzle piece that would shift and create the perfect match to the soft edges of her partner who carried a burden from childhood that drove his every move.
Instead, she was met with a rosy cheeked woman who looked at her son's grave like she was contemplating if there was room for two.
It wasn't the piece she anticipated, but the puzzle shifted into place nonetheless, and she saw why Mulder could never admonish his parents while Scully had held so much resentment. Mulder was the sweetest man she knew. He could never find a place in his heart to resent a childless mother, even if she did have a child right next to her waiting to be loved.
Scully couldn't imagine the pain of losing a child, but she could empathize with this woman's pain at losing Mulder, even if only temporarily. Deciding it would be appropriate to go and talk to Mrs. Mulder now that the service was over, she steeled herself to tell the woman a sentiment she must have wanted to hear for decades.
"Your child is still alive."
Just not the one she was used to mourning.
1996
"Some children deal with internalized guilt because of the event. If parents or healthcare professionals neglect to discuss the event candidly to the child, this can cause them to believe they have done something wrong and that is the cause of the omission. When a memory of the event is triggered and the subject is reminded of the event, this can send them into a depressive state because of their guilt."
Mulder was contemplating dealing with Roche. She knew it without him telling her, not that he was saying much of anything in the first place. He hadn't been himself since this all started. No - he was being himself, and that's what was so painful about this all. Scully could see the guilt written all over his face, a guilt and a sense of responsibility so strong that her normally affable, goofy partner who always had something to say was resorting to one word responses and pensive stares. She was seeing the twelve year old little boy who blamed himself for his sister's disappearance, and it took everything in her not to bring him into her arms and tell him it wasn't his fault.
She wasn't sure if she'd ever be able to erase the look on his face when he dug into the dirt of the forest with his bare hands, the desperation in his voice when he said "Help me, Scully." She was still deeply touched that when he was faced with the potential of finally finding his sister, he asked for her help. It sounded animalistic coming from his mouth, like his very soul was begging her. It felt like such a private moment, she was certain this was a part of Mulder he never showed anyone.
Finding out the truth about Samantha was the core being of his mission, his life's work, and being this close to the potential truth had left him bare like exposed nerves so oversensitized that he was numb. She'd never seen him so withdrawn and it killed her.
After they met with Roche and he'd teased Mulder, yet again, she drove him home. As grateful as she was he'd accepted, she was worried that he hadn't even refused in the first place.
"Mulder?" she tried, looking at him as they hit another red light.
He was staring at the dashboard as if the answers to his problems would manifest in front of him. Mulder didn't seem to hear her, so she tried again. "Mulder?"
"Hmm?" he hummed in response. If she hadn't heard it, she wouldn't have believed the sound even came from him as he didn't even slightly move. It was like a Mulder deep inside this shell answered, though his mouth couldn't form the words.
She put her hand on his shoulder, her thumb touching the exposed skin of his neck. He blinked and she took that as him acknowledging her. "Mulder, I'm worried about you," she whispered.
He finally turned to look at her and she saw exhaustion painting his features. "I have to know, Scully," he sighed, looking through her.
"He's using you, Mulder," she lamented, desperate to appeal to the part of him that begged for her help in the woods. The part that knew she was there for him, even if that meant telling him what he didn't want to hear.
Mulder shrugged lightly before turning to look ahead. "Probably," he sighed, resigned. He sounded used to this, used to being disheartened.
"I-" she started before a car honked behind her, making her hand shoot back to the wheel. They were only a block from his place, and he was getting out of the car before she had a chance to try talking to him again.
"Do you want me to come up with you?" she offered, reaching for her seatbelt.
He shook his head as he put his hand on the frame of the door. "I just need to think," he murmured, his eyes refusing to meet hers.
"Please, try to get some sleep, Mulder," she pleaded, only for the words to reach the interior of a closed car door.
1997
"Adults who have gone through this experience may find forming attachments difficult. It is not that they are emotionally stunted, but they've been primed through the childhood trauma to question if showing their authentic emotions is appropriate or not since they never received emotional validation. This desire to appear stoic is a defense mechanism that may seem like callousness, indifference, or flippancy in those around them. Because of this, when they do form bonds, they may be perceived as overbearing or clingy to the person they are close to."
She awoke to the sight of her own vigil taking place.
At first the only thing she was able to piece together was that the top of her hand was warm and wet. Then she smelled Mulder's hair and realized he was crying against her hand. For a moment she almost considered turning her hand so that her palm could press against his cheek - anything to comfort the man mourning the loss of his best friend.
"I'm still here," she wanted to say, but her throat clenched and her eyes burned as Mulder's choked sobs reiterated what they both knew: "For now."
She knew she meant a lot to him, but she never imagined herself being the person he bowed his head to in silent prayer.
1998
"These children may exhibit a pattern into adulthood of accepting behaviors and attitudes that others would refuse to put up with. As they are less likely to have positive self-worth, they may see themselves as deserving treatment that reaffirms these negative ideologies of self."
Mulder smirked. Fowley said they were allowed to investigate the X-Files as an indulgence, making Mulder seem like a child being pacified to keep busy to a room full of their peers, but since she said she held interest in his work, he smirked.
Now Mulder was talking to Skinner in his office while everyone else was told to step out into the hall. Most people in the room were content with going on a small walk, stretching their legs, but two people were left in the anteroom of the office poised in an awkward stand-off as they waited for Mulder to emerge.
His partner and his chickadee.
Scully sucked on her top teeth in annoyance as she glanced at Diana, watching as the woman appeared unfazed at the situation. Scully wished Arlene was here - anything to distract from the metronome of her aggravation.
Indulgence.
Chickadee.
Indulgence.
Chickadee.
The Gunmen hadn't explained why they broke up, seemingly shocked they did in the first place, and somewhere deep in Scully's soul she knew it was Diana's doing.
Was that why Mulder acted like that around her? Desperate to get some sort of validation, despite the fact this woman seemed to treat him poorly. Protectiveness flared up in Scully's chest and it threatened to choke her. At least, she wanted to blame it all on protectiveness. Acknowledging the part of herself that felt the bitter sting of indignation as she was condemned for wanting to make sure they were taken seriously while Fowley got a smirk for belittling their work.
"Things got a little heated in there. Didn't they?" Fowley called out, her voice sounding calm and collected as ever.
"I'd say so," Scully bit in response, sounding quite the opposite.
The door swung open and Mulder stepped out, looking around the room at the two women before telling Agent Fowley that Skinner was calling the Attorney General now.
Another smirk.
1999
"Because of childhood trauma, it may be harder for these individuals to let people in. They may be honest about their trauma, but when it comes to letting people see the intimate details of their life, they might be shrouded in mystery (Evans, 1969). Traumatized individuals will only share personal information with people they believe will not hurt them."
The young boy had to go home after thirty minutes of loading balls for them to hit, but Mulder didn't seem to be ready to call it quits yet - and, to be honest, neither was she. It was so rare that they got to spend time together that didn't involve a case. Even rarer was time spent together with so much levity.
Mulder paid the boy some extra money before picking up two mitts that were lying by the machine. "Here," he yelled before throwing one to her.
She caught the worn leather in both hands with a laugh that caused Mulder to smile. "What're we doing?" she asked, instinctively putting her hand in the oversized glove.
"Ever play catch, Scully," he replied, throwing a ball at her.
"I was never invited," she called out, shifting her feet against the sand underneath her to feel how it shifted. "You're my first."
"Mm," he hummed lewdly, causing her to blush at the way she phrased that.
"Underhand can be easier for amateurs," he replied before throwing the ball at her lightly from a few yards away.
Scully caught the ball in the mitt, smiling when he praised her. Then, mimicking him, she threw it overhand to him.
Mulder lifted his arm and caught it with a small jump. He looked at her with raised brows and a boyish grin that made the sensations she'd felt with him behind her stir back up in her abdomen. "You husslin' me, Scully?" he replied, tossing the ball at her with a little more speed.
She caught it with ease and shrugged. "What can I say? I learned from the best," she teased before throwing it back.
Teased. Scully didn't do that often, but she was starting to think maybe she should based on the way his lips curved up shyly. He'd been teasing and gently flirting with her since she met him. She was starting to see the appeal.
"I hope I didn't ruin any evening plans," he replied, throwing it at her.
It was always expected for Mulder to make himself sound like an inconvenience. Even after she just spent thirty minutes giggling in his arms and 'accidentally' moving her body against him in ways that she was sure to revisit when her hand was in her underwear, he still managed to convince himself he was a burden.
"I haven't had fun like this in a long time," she replied, bending to catch a lowball. "Besides, you let me listen to my music on the last road trip even though you didn't like it just because you wanted to hear what I like. I like learning what you like too," she replied sweetly, throwing it back to him with more speed.
Mulder smiled, playing with the ball in his hand before joking, "I just think Alanis Morissette needs to date better guys."
"Like you?" She didn't say it outloud, but she thought it. She jumped to catch a high ball he threw at her, causing him to burst out laughing.
"I'm serious though, Mulder. I like learning more about you," she replied.
Mulder ran to the side a bit to catch the toss before smiling shyly. "I want to learn more about you too."
She caught his next throw as she contemplated her next words. Deciding to take a page out of his book and be bold tonight, she asked, "I think… I think it would be fun if we spent more time together. Maybe we could have movie nights at each other's place or something?"
A smile erupted on Mulder's face before the ball hit him square in the nose - too distracted to catch what she'd hurled at him.
"Oh my god. I'm so sorry," she chuckled sympathetically, running over to him and putting her gloved hand on his shoulder.
"I'd love that," he replied, his nose as pink as his cheeks.
2000
"It is not until the individual manages to come to terms with the familial trauma that healing may take place."
She never imagined what she might feel like in this moment because she never thought it would come. A potential romantic relationship with Mulder seemed like it was slowly migrating from the periphery into the foreground, and she was starting to come to terms with the idea that she may forever share the foreground spot of Mulder's sight with the memory of a little girl.
He said he was free, and he'd never looked more so. She had been worried after Harold Piller took off, but Mulder seemed nonplussed, just staring into the sky as if he was looking at an old friend, a small smile of acknowledgement on his lips. "Are you sure you're okay, Mulder?" she asked, reaching out and entwining her fingers in his.
He turned to her and, to her surprise, placed a kiss to the top of her forehead. She looked up at him with wide eyes and saw he was looking at her in adoration, as if nothing existed in this moment except her.
"Let's go home, Scully," he murmured, brushing a tendril of hair behind her ear.
2000
"Adults dealing with residual trauma crave the emotional validation they did not receive as a child. Words of affirmation, consensual physical touch, and other forms of direct reassurance help the traumatized adult feel more self-assured with how they are being perceived."
This one comes to her, like most of these recollections of his thesis do, in the most random of moments. She was standing in his kitchen, wearing his shirt that acts as a dress on her, while she watched him make breakfast. For background noise, he just pressed play on the VCR and the Caddyshack tape from last night started playing over again. Maybe now she'll find out how it ends.
She'd been so desperate to know more about him during that time years ago when she'd read his thesis, that any line she read seemingly became permanently filed away in the Mulder folder of her brain. So now, as she stood here taking in all the new information about him that she was newly privy to - his inability to whistle despite his valiant efforts, the fact he can crack an egg with one hand despite having seemingly basic culinary skills, how he often takes moments to look at her as if he wants to make sure she's still here - the process of filing away the new information caused that little tidbit from seven years ago to leak out.
Deciding to test 22 year old Mulder's hypothesis, she walked over to him with her bare feet padding along the tiles of his floor, and wrapped her arms around his waist so that her chest was flush to his bare back.
"Is this about to be a culinary version of that scene from Ghost?" he asked, his muscles moving as he flipped a pancake over.
"I like being here," she murmured shyly, her words sounding weird from her cheek being smooshed against his back.
It felt weird, but not horribly so. They didn't communicate verbally all that well, it wasn't their thing, but if little moments like these held a chance of letting Mulder know how she felt, then she could overcome her own hang ups. It was a lot easier than mustering the courage to say the three words they already knew.
She felt Mulder's back twist, as if trying to look at her, before he turned back, likely not wanting to dislodge her. "I-I like you being here too," he stammered. While he also was clearly unused to this type of openness, the upward lilt of his inflection told her she'd made him happy.
She liked it.
Squeezing him once tightly, she added, "I'm glad I get to spend the day with you." They were sentiments so PG and mundane that she'd probably even said them to her mother before, but within this special context of her and Mulder's relationship - it felt like a huge step.
"If I knew making you breakfast would have gotten this reaction I would have done it years ago," he joked, though his words were laden with sincerity. She felt him pause for a moment before timidly moving one hand to rest on top of hers.
She smiled into his back and pressed a gentle kiss against warm flesh as Mulder's own version of those three words wrapped around her heart.
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Happy New Year, everybody! I know that Literally no one cares or will read this, but I have to rate and talk about what I’ve read this year and this is my page, so deal with it.
2020 may have been a dumpster fire of a year, but I did read so me pretty good books. I didn’t get to read as many books as I wanted (like always), but that’s life. If you couldn’t tell, I do have a preference for romance novels, and these selections are very... 🌈 and I wouldn’t have it any other way.
Here we go:
- Lies we Tell Ourselves by Robin Talley (4/10)
- I think I could write a dissertation about why I have a problem with this book, but I think I can just stop with “a white lady writing an interracial queer romance in the 1960s where the lead white character is literally a racist” should about cover it. Absolutely disappointed.
- Red, White, and Royal Blue by Casey McQuiston (10/10)
- Oh my god does Casey McQuiston know how to write a book. Classic enemies to lovers, my favorite trope. This is my comfort novel that I use as a form of escapism, and probably the reason I didn’t read many new books, as I reread it about five times. It’s my comfort novel, and I come back to it every time I need to feel happy. I’ve made three of my friends read this book, and I recommend it to everyone
- These Witches Don’t Burn by Isabel Sterling (8/10)
- It’s sapphic, it has witches, and it’s adorable; what more could you possibly want? The ending left me wanting more. I was finally able to buy the sequel and I can’t wait to get into it.
- Boy Meets Boy by David Levithan (7/10)
- I think this book is sort of a classic when it comes to gay YA. This was a pretty good book, but it took me awhile to get into it.
- Her Royal Highness by Rachel Hawkins (9/10)
- What did I say about enemies to lovers? HRH was regarded as sapphic Red, White, and Royal Blue, which I think is all you need to know to be interested. This book and short, sweet, and to the point. It’s an easy read (I read it twice, both times in one day). I think there could’ve been some more character building, but it’s so adorable I literally do not care. When I say I want more cute gay romcoms, they should use HRH as the blueprint.
- It’s Not Like It’s a Secret by Misa Sugiura (7/10)
- A cute, interracial sapphic love story where no white people are involved (the main character is Japanese American and her love interest is Mexican American). This coming of age story deals with acceptance, cultural differences, racism, and coming out. I think some of the points it was trying to delve into were too much on the nose at some times, but I really enjoyed this book.
- The Gentleman’s Guide to Vice and Virtue and The Lady’s Guide to Petticoats and Piracy by Mackenzi Lee (9/10)
- A fun romp set some time in the 1700s with a chaotic bi as the main lead? Count me in! I read this whole series this year, including the novella (the gentleman’s guide to getting lucky), and I loved every second of it. It’s an adventure series with some romance sprinkled in (a hella slow burn, but definitely worth it). The whole series has gay, bi, lesbian, and ace aro representation, and I was in love the entire time.
- You Should See Me in a Crown by Leah Johnson (8/10)
- The black sapphic book I needed. Liz Lighty decides she wants to leave her hometown and go to college, but after losing the financial aid she was counting on, she remembers the scholarship that prom queen gets every year, and decides to run. Sprinkle in a cute love story, and I’m hooked.
- The Song of Achilles by Madeline Miller (10/10)
- I... cannot put into words how this book made me feel. When I finished TSOA, I cried all night trying to recover. Beautifully written, and I still can’t get over Achilles and Patroclus. One of my favorite books this year.
- Sorry Not Sorry by Naya Rivera
- After Naya’s tragic passing in July, I struggled to find her autobiography anywhere. However, I was finally able to get my hands on it, and am so glad that I did. Naya Rivera was just as genuinely funny and carefree as her previous costars have said, and I wish the world could’ve gotten more of her.
Not pictured:
- Of Fire and Stars by Audrey Coulthurst (9/10)
- Sapphic love story about a princess who has been betrothed to a prince from a nearby country her whole life who instead falls in love with his sister. The main character, Denna, also possesses magical powers, which is forbidden in their land. One of my favorite things about this book is that it’s set in medieval times, but no one cares about queer relationships. The only problem with Denna falling in love with the princess is that she’s betrothed to her brother and nothing else. I recently bought the sequel to this book as well, and I’m excited to read it
- The After Series (books 1-2) by Anna Todd (-400/10)
- I was curious about this series because of how terrible the movies are, and needed to read them myself. I apologize to myself every day that I every even wasted my time on these two books. If I ever see Anna Todd, it’s on sight immediately. Not only is the writing terrible, but the romanticization of abusive relationships is absolutely unacceptable. I think I could take less issue with these books if the author wrote them as a “what to look for in men you should never date” rule book, but it isn’t. I could actually write an essay on why these books are more harmful than entertaining and how I genuinely think this series should have never been published. Also, Harry Styles did not deserve this.
I also discovered WEBTOON this year, and here are some of my favorites that I have read:
- Always Human by creator walkingnorth, a finished WLW story which was absolutely beautiful to look at and delightful to read.
- Lore Olympus by creator Rachel Smythe. I don’t think you can find too many people who haven’t heard of this story, but it’s a retelling of the Hades and Persephone mythology, and I adore it.
- Novae by creators KaixJu. A historical, queer and paranormal romance about a necromancer who falls for an astronomer.
- My Lady Artemisia by creator rimarza. This WEBTOON is a little bit newer with fewer episodes, about a knight tasked with guarding the princess, which starts to prove difficult once she starts to gain feelings for the princess, and an impending threat might cause her to past to come to the surface.
Of course, I’ve also spent a lot of my time on A03. I know I’ve read more, but here are the ones I bookmarked and have come back to this year:
- kiss me (if you mean it) by nerdybutpunk
- Carry On fanfic, short but sweet, absolute fluff
- Camp Llwynywermod by bleedingballroomfloor
- Red, White, and Royal Blue AUwhere Henry and Alex are camp counselors. It’s so good and I find myself waiting every wed and sat for the updates.
I read more this year than I have in a long time, and I enjoyed it most of the time. My goal for 2021 is to read at least two books a month and to expand my horizons to something that isn’t YA and isn’t romance. Also to find Anna Todd and tell her off. Hopefully we can accomplish some of that.
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