billy’s mom waking him up while it’s still dark, whispering even though neil’s working the night shift. it’s a couple days before his tenth birthday and she’s telling him they’re going to have their very own adventure, just like the ones in billy’s books. she grabs an already packed suitcase from under billy’s bed and kisses him on the nose, tells him to get dressed quick. the two of them leave in an old beat up yellow bug that she managed to get for a third of the asking price and keep parked around the corner until now. they stay with friends and jump from place to place so neil can’t track them down. billy gets used to surfing couches and staying in motels.
he spends his tenth birthday in a diner, his mom gets him a big stack of pancakes and a milkshake with extra cherries. gets a candle out her pocket along with her silver lighter. sings happy birthday and pulls a face when the waitress frowns at them, just to make billy laugh. she sips at her coffee while billy tucks in. smiles when he holds some out with a “c’mon mama, share with me.”
billy thinks it’s neat. thinks it’s the best birthday he’s ever had.
they eventually end up with a place in california, a little bungalow near the coast and billy grows up with his mom. billy gets pretty shirts from the thrift store ‘cause his mama lets him do stuff like that. doesn’t call him a queer, doesn’t force a baseball bat into his hands whilst yelling at him for crying, for being a pussy. his mom lets him read and keep a journal and press flowers between the pages of the neverending story, she plays hendrix and dusty springfield and laughs when billy comes home from his friends’ house with his first piercing at thirteen. she doesn’t tear down his posters or yell when she finds him using her eyeliner.
and everything’s perfect. sort of.
they have bad days- billy’s mom has bad days. billy calls them gray days ‘cause that’s how the world looks when she’s like this. all her color gone. no singing-dancing in the kitchen or baking five different kinds of cake because she couldn’t decide which one was best, no last minute trips to the beach or sitting outside at night and telling billy about the stars. instead she’ll stay in bed, won’t go to work. she’ll stare at the wall blankly and look right through billy when he tries to talk to her. she won’t take the pills the doc gave her and billy doesn’t know what to do. never knows what to do. just chews at his lip until it bleeds, bites at his thumb until it’s red raw. he’ll get in the bed with her. lay beside her and just talk like she used to do with him when he had a nightmare. hum a song to her.
billy’s still pissed at the world just slightly less so. still has that anger and anxiousness simmering just below the surface and shows his teeth when cornered. he’s still hardened in a way that a kid shouldn’t be but. it’s different. there’s no neil. the only bloody noses he gets are at school, when he fights with the kids who call him a fag and a fairy, call his mom a basket case. he uses fists when they laugh and ask if she’s all there with a finger pointing at their heads, ask if billy will “catch the crazy.”
those are billy’s bad days. sitting in the principals office, icing his knuckles.
when he’s fifteen, billy manages to bag a job at the local auto repair by turning up every day and telling howie how good he’d be, that he knows cars and it’s all he wants to do and please please please. eyebrows pulled together, eyes puppy dog wide and hands clasped in front of him until howie grumbles, throws an oily rag at billy. says fine but billy’s gotta pay for anything he damages. someone brings in a chevy camaro and billy asks howie to let him help fix it up. does the begging again until howie laughs. says get a hold of yourself, kid, voice fond as he ruffles billy’s hair.
billy’s four months away from turning seventeen when the doorbell goes. he’s eating a sandwich and watching knight rider. he’s wearing the necklace his mom got him for his last birthday and- he answers the door. doesn’t think twice. freezes when he sees neil standing there. he looks different. hair a little shorter and more wrinkles. where billy’s gained weight, gained muscle, neil’s lost it. his eyes are a little sunken and he’s still got his wedding band on. he reeks of booze. billy has to remind himself to speak, just says “yeah?” his voice comes out small and neil smiles at him. smiles and billy feels this weird twist in his stomach ‘cause .. that’s his dad and he hasn’t seen him in years and it twists and twists and-
turns out. not much has changed. billy realises a little too late that neil will always be neil. they run again. have to leave everything behind. billy doesn’t get to say bye to his friends, to howie, to the car. they leave a lot of stuff behind and head in any direction away from neil. they both try to keep the mood light, take turns driving and play the tapes billy grabbed. they end up in indiana- hawkins. they stay at a motel until billy’s mom finds a place for dirt cheap. it has two bedrooms and a dingy bathroom, a living room slash kitchen and one hell of a damp problem. it’s dirt cheap for a reason.
it’s above a shop in town and- it’s fine. their landlord is an asshole but they’re together and they’ve got a roof over their heads. billy’s enrolled at hawkins high and his mom gets a job at the laundromat. he tells her that he doesn’t need to go to school, that he could just work and help pay the bills but his mom won’t have any of it. says that she wishes she had finished school and that billy’s too clever to waste it. that he has potential.
billy knows the reason she dropped out of school was because she had him. he just nods, rests his head on her shoulder.
it’s billy’s first day at school and his mom drives him to make sure he actually goes. he gets out the car and tries to shake the nerves off. straightens up and puts on his act. plasters a fake smile on his face and it’s working, he’s got most of the girls swooning and the boys at least seem curious. billy looks around and his eyes land on a guy leaning up against a bmw. his hair’s coiffed to high heaven and he’s wearing a polo, preppy as fuck but- pretty. it’s one of the first things billy realises about him, all doe eyes and moles dotted just about everywhere. he’s got a smirk on his face. not aimed at billy but the guy beside him.
pretty-boy walks over to him and billy raises an eyebrow, plays it cool. he introduces himself as steve and billy gets the idea that he’s top dog at hawkins high, is immediately proved right when they step into the building. king steve, freckles calls him. billy laughs- catches steve looking at him when he does and feels his face get hot. steve just smiles wider, calls billy california and tells him to sit with them at lunch. billy tries to ignore the way steve’s smile makes him feel like the rug’s been pulled out from under his feet.
he nods and steve grins. tugs at one of billy’s curls.
says “i think you’re gonna like it here, california.”
115 notes
·
View notes
so a few select people know that i've been working on these bad boys for a few weeks now. this collection started because @mortimerlatrice had the audacity to try and tell me that fem!kinn wouldn't wear skirts and dresses and i pretty much broke my tablet pen in the rush to prove her wrong. also i felt like redesigning my fem!kinn and fem!porsche ideas. beneath the cut are my thoughts on these outfits plus the fashion collections they're inspired by/referencing.
fem!kinn businesswear looks
fem!kinn i feel like is the type of person who weaponises her gender expression. every part of how she presents herself is a carefully cultivated power play. she smokes cigars and drinks scotch and can talk at length about stocks and cryptocurrency, but she wears high heels even though she had to teach herself how to run in them, has long hair even though styling it is a nightmare, and is never seen without make-up, because every part of her must straddle a line of being masculine enough to be respected without being dismissed as butch, or a transgressor of gender norms. so: power suits and heels.
most of these are just riffs on the show's suits, so no real reference images, though hilarious @elnotwoods and i managed to parallel brain the exact same corset + suit look bc we are bloggers of TASTE.
fem!kinn occasionwear looks
the product launch -- upon rewatching clips from this episode i realised that the product launch apparently has a roaring 20s theme? which be wildin'. i spent so long looking at pictures of 20s style dresses until i found eliza jane howell who is a tiny british designer who has an entire collection of 20s inspired gowns. the inspo for kinn's dress was the miranda dress from her eveningwear collection.
the diamond auction -- i've drawn fem!kinn in this dress before, and i stand by it. this is a dress from ralph and russo's fall 2015 couture collection, specifically look 12. i first saw this dress months ago when i was looking for clothes for a project i was working on and it's lived in my brain rent free since.
date night i and date night ii -- both of these dresses i saw on pinterest somewhere and forget to save the link bc when i do art i usually have abt 50 billion tabs open. (i make firefox weep each time i open a new one.)
looks that almost made it in: michael cors rtw fall 2022 look 24; and schiaparelli couture spring 2022 look 24.
fem!kinn misc looks
okay so the theme for this one was actually "iconic kinn looks" and you know what? the towel was iconic. there i said it.
the sleepwear look -- *cries in detail work* yes all that lace is hand-drawn YES MY WRIST ACHED SO BAD AFTER FINISHING IT, this one is just conjured out of my head, no inspo look
the suspenders -- real ones know which kinn look this one is based off. just google kinn in suspenders or something i guess because we were ROBBED that it wasn't in the show. ROBBED.
the towel -- since drawing it multiple ppl have told me that they think fem!kinn would just wear the towel on her hips, tits out, no shame, and they are all so valid.
family portrait -- when i was drawing this, i got sent a look by siv that i initially discounted because it was a skirt suit and fem!kinn all about those power suits. and then i was looking for thai designers and i saw the same look and i was like, "okay but she'd only wear this in a family portrait," and then i was like hhrrrrnngngn family portrait outfits for all of them, so now it's a category. this is a recoloured version of poem bangkok's fall 2022 rtw collection look 19.
fem!porsche "pre-kinn" looks
okay so my thoughts on fem!porsche are as someone for whom gender is almost an afterthought, whose main friends are all guys, who drinks bear and kicks ass and cuts her own hair whenever it gets too annoying, who buys male toilettries because they're cheaper, who's made a career out of being rich girl's experimental whirl into lesbianism, and who can get them off real easy but isn't so good at getting herself off. she's hooked up with her fair share of guys, and considers herself more of a male-leaning bisexual. like, girls are fun and all, but she tends to have a better time when she hooks up with guys. (kinn's gonna blow that out of the water, hahaha.)
the fighter outfit -- originally this was going to be just a sports bra + jeans, but then i saw a pic of a cropped hoodie and my brain just sort of blanked out and when i was done the art was finished. porsche's abs are very important to me. as are her arms. and her thighs. she's an itty bitty titty committee member tho and i stand by that.
the bartender outfit -- i've drawn this one before, but yes! all the buttons undone! cheapest black shirt and slacks! converse!!! YESS
the casual outfit -- bike shorts, big t, big shirt? yes. fem!porsche sits somewhere between jock and gonna-fix-your-appliances on a fashion basis and i am here for it.
fem-porsche "kinn era" looks
one of the big ideas i had going into this project was the idea that porsche feels divorced from her femininity in a way that she's not altogether satisfied with and that kinn helps her reconnect with it. because, like, let's be real: porsche has no major feminine influences in her life growing up, and she's literally always got bigger concerns. she defo plays up the idea that she's above it all, whilst also completely lost as to how to get to there. kinn is probably both an object of envy and attraction for her.
(also i have in my head that the sauna conversation goes something like:
porsche: do you have a boyfriend, then?
kinn: i've never once found a man that truly wants a powerful woman.
porsche: huh, that's weird. i've had no trouble finding guys who want me to hold the up against a wall.)
anyway it's important to me that kinn makes porsche feel dainty and feminine.
the bodyguard look -- hrrrrngngng waist. that is all.
clubbing with tankhun -- you know how i said somewhere between jock and owns a monkey wrench? meet porsche out clubbing. love it for her.
first public date with kinn -- so the background i had imagined for this outfit was that porsche and kinn are going public, and kinn sends her a box with a dress to wear plus heels, only porsche can literally not stand for more than two seconds in the heels and hates them, so she wears her converse instead. this is almost a direct copy of look 12 from monse's spring 2021 rtw collection.
black tie date with kinn -- obvs this is a dress that kinn picked out for her, so i thought long and hard about what kinn would choose. in the end, i figured kinn would probably want her to look regal. i looked at so many dresses for this one, esp bc there was a secret requirement where i wanted the skirt to be loose enough that kinn could eat her out in it. look, i just think it would be gender if kinn dressed porsche up in this dress and porsche felt all pretty and feminine and then kinn ate her out in the bathroom at the event or something. you know. girl things. this dress is look 6 from valdrin sahiti's spring 2022 bridal collection and i had to download a pdf to get a reference picture, so appreciate my work. also shoutout literally the only time porsche is wearing heels. kinn had to give her like three hours of walking lessons.
fem!porsche minor family head looks
michael kors collection saved my bacon here. i really struggled to figure out what fem!porsche's overall aesthetic would be for her minor family head position. i wanted something distinct from kinn, but didn't think she'd go full androgyny. in the end i settled on a well-tailored suits with a military flare in their cut.
first business look -- this one is based on look 19 from michael kors collection's fall 2022 rtw collection. dem arms.
second business look -- same song, different verse. same collection, but look 7. the thigh-high boots were added by me, though. i wasn't drawing lesbian kinnporsche without putting one of them in thigh-high boots.
visiting mum -- a couple of things. this one is based on this photo i found on pinterest, because i just really liked the neckline. details you might miss: this is arguably porsche's most femme outfit here, but she doesn't have the perfectly styled hair that she has when she's on mafia business, and she's still wearing her ratty beat-up converse. she's feminine, but trying to be authentic. it's a specific kind of messaging she's trying to get across to her mum. she probably agonised for hours over what to wear. kinn definitely really likes her in it.
family portrait -- again, plucked from my own imagination. the original inspiration for this look was look 9 from altuzarra pre-fall 2020 but if you click that link you'll probably be able to tell i went completely off-script. the more i drew it, basically, the more the altuzarra look looked too japanese, which is understandable, because that collection's whole thing was about blending modern and traditional japanese fashion. in the end, i pivoted, and brought it more in line with kinn's look, because i really did want them to have similar vibes. (couples outfits? couples outfits!!)
near misses -- these ones almost ended up involved: altuzarra pre-fall 2020 look 6 for the family portrait; michael kors fall 2020 look 60 also for the family portrait; michael kors fall 2020 look 30 for minor family mafia business; look 17 from alexander mcqueen's 2011 pre-fall collection also for mafia business; this look from pinterest for mafia business that got discounted bc i was going in a different direction; and this dress from rouba.g's spring 2019 rtw collection for the black tie dress which literally only avoided inclusion here because i couldn't make the sheer fabric look right.
anyway the takeaway here is don't get into an argument with me because i will bring receipts. mort learned their lesson, don't worry.
also @yeetlegay i gave you adequate warning. you knew it was coming.
329 notes
·
View notes
AAAAAAAAAAAAAAAAAAAAAAAHHHHHHHH
So, what's your prediction for how it ends? Because my expectations have been broken
Heeeey, I knew I wanted to put tiny drabble I had in my head to words for this one but couldn't decide on how many rebukable details I wanted it to have to the point of just debating waiting until the 11th, but than I got a sudden new year's burst of motivation so I drew and wrote something vague at last!!
[281 words]
☆-–-–-–-–-–-•-–-–-–-–-–-◇
Nine did expect a ripple of energy to surge through him and snatch his consciousness along as the Prism was fixed and finally seated in its rightful place. At this point he was fine with that really, maybe even grateful.
What he expected less was cold stone beneath his head that pulsed with a headache and weak control returning to his limbs.
Soft red ambient light sat upon stone walls that slowly registered to Nine's blurry vision and for a second he believed he was back in New Yoke. That he, or someone, perhaps hit his head and then left him lying on the concrete, that everything in his recent memory was just a very weird and long-winded dream.
That theory had a couple of holes in it however, as it would be highly improbable for the Eggforcers to just leave him lying there for Chaos knows how long disrupting their precious "order" and two, the source of the red glow doesn't seem to poisonous be neon lights of the city but...him instead?
With a pained grunt and some struggle Nine managed to sit up and collect himself just enough to stare at his own hand and legs, which appeared translucent and glowing red, for some reason, familiar shades of red.
The second he let his bewilderment about his state fall he looked around and up, taking a note of a fallen scrap of an eggforcer and a long stone bridge connecting two rocky platforms high above.
So, still in the Prism cave then. Most likely got flung off the platform and into a ditch while hitting his head, but than, did putting the shards together not work out after all?
25 notes
·
View notes
After seeing the Barbie movie my first thought is that watching Birds of Prey again would accomplish more of what the Barbie movie wished it could do than the Barbie movie.
My second thought is this video:
My third thought is that Psycho Goreman is by all metrics a more effectively feminist movie and generally a better story.
My fourth thought is that there is a new wave of trans tokenism wherein a story or form of media which has rather inflexible and binary division of gender will cast a single trans person in a minor role as a palliative against that issue while not otherwise actually examining any underlying biases.
My fifth thought is other kinds of tokenism also feel alive and well here, with a diverse cast addressing every potential issue exclusively through binary gender matters.
It is a beautifully constructed beautifully shot movie set in a magical world owned by a corporation, about the importance of men's ri- I mean Ken's rights, that suggests maybe the big problem women have is that they need a role model who just doesn't have any aspirations to anything, and maybe all Barbie ever needed was a real vagina.
47 notes
·
View notes
Crocodile having such an explosive debut in his early 20s and such deep trust issues could also point to him having an even EARLIER start a la Shanks as an apprentice or something to an older pirate and their crew as a child/teenager — doubling down on the humiliation factor from facing off whitebeard as also a failure to “come of age” and broader sense of betrayal in watching eager encouragement fickly turn to “what did you THINK would happen”s like the kid who gets egged on by their peers into doing something dangerous and then immediately abandoned when they hurt themselves
Can't say if he did have like an early start for sure, since we really don't know anything about Crocodile's early childhood
But simply considdering how Oda typically layers backstories, I absolutely agree, I do think it's more than likely he has somekind of pre-Whitebeard trauma, be it either unrelated childhood trauma or early-pirating-life trauma (or something else)
Like the way Oda structures backstories, although we always remember like The Big Life-Changing Tragedy that happens at the end of the flashback, more often than not the flashback already begins with something horrible to indicate the character's already had a rough life
Robin was already alone, abused and rejected by most of Ohara even before the Buster Call Incident (followed by a life of running in fear for decades)
Franky had already been abandoned by his family before he lost Tom and got ran over by a train
Law had already lost his entire family before Doffy killed Rosi
Etc etc. Like not all the flashbacks are entirely like this, especially the East Blue-saga ones, but the backstories have been growing in complexity and structure, adding layers to the tragedies (like 🧅 onions 🧅) as the story has gone on
And with Kuma, his backstory doesn't end at two layers of tragedy. Like there's the early childhood tragedy of slavery, then there's the tragedy of losing his loved one in the most cruel, inhumane way possible, and we know there's at least one more gut-punch of a tragedy coming in the next two chapters to finish it all off
So with Crocodile especially I feel like... Like yes, possibly getting betrayed once in his life and having his dreams crushed by Whitebeard could break the man's psyche. But considdering just how seemingly broken his psyche might be, I do absolutely believe there's more layers here. Like his trust must've been broken more than once for him to end up the way he has.
Which alone gives Crocodad a bit more plausibility in my mind, because being rejected by the person you loved and trusted the most would most certainly break your heart (even if it was understandable why). And that really would make for a fine Final Nail on the Coffin for Crocodile's ability to have faith in others
But to really get that broken trust to be an on-going theme in his life that just happens again and again.... yeah it needs to start earlier
Personally, I think some kind of early childhood trauma would make the most sense, at least to me, not just because it could help Crocodile get started "on the wrong foot", but also because Rough Childhoods is just. A General Theme in One Piece lmao. Of course, it wouldn't be The Key Life-Changing Tragedy (I think Dragon would be that), just a "bad start"
43 notes
·
View notes