thinking about calling pogue!rafe over because your hot water isn’t working and he’s acting all annoyed but he’s lowkey kicking his feet at the fact that he gets to be in your home. maybe even asking him to stay after your shower so you can cook him something as a reward and play house for a bit 🩷🩷🩷
ೀ 🐰 ‧ ˚ 🪽 ⊹˚. ♡
my favourite thing about pogue!rafe is that he acts soooo inconvenienced by your presence. he hates kooks, think they’re so stuck up — so he can’t help but feel to push you away. always referring to you as a ‘stuck up little girl’ whilst he’s only a couple of years older than you. he’d done some work on the house before, and whilst your parents are away you literally don’t know who to call to fix your hot water problem so you try him, pacing around your room.
at first during your call, he tells you he’s got a shit tonne of work to be doing on other houses and doesn’t have time to drop everything for a kook princess. he can practically see your little pout through the phone, but keeps up his attitude until you thank him for his time anyway, sadly throwing out a little “no, i understand it’s okay. i’ll probably just hit up that jj maybank. i heard he’s pretty handy.” and suddenly he’s changed his tune, physically sitting up from his slouched position to be all “shit, okay fine… fine. i’ll be there in twenty minutes just — just don’t call anyone else a’ight?”
he’s sulking when he turns up with his tool box and that muscle tank and shorts with paint and dirt on them — unable to stop sucking on your bottom lip because he’s just so big and strong. he’s ignoring your lustful gaze with everything in him as he walks through to your bathroom. “lets just get this out the way, yeah?” he drawls as he gets to work.
you sit on the sink and swing your legs, not leaving him alone as he works simply chatting his ear off, seemingly unphased by his blunt replies, finding creative ways to shut you down like reminding you “yeah, uh you’re my little sisters age.” however you seemed totally unscathed, only working harder to prove you’re grown enough to take him.
“should be workin’ fine now so uh… just wire me the money n’we’ll be good. doin’ overtime right now so i kinda just wanna go home.” he waves you off and you step infront of him.
“you’re finished working?”
“di’nt i just say that kid?” he drawls and you grin, dragging him to your lounge.
“perfect! look i really wanna thank you specially for bein’ so helpful to me even though it’s clear you don’t want to. let me cook you dinner. please? i got beer and uh… i’ll make it really good. oh please rafe, my parents are away and i’m all alone.”
he sighs like it tortures his whole being, but he couldn’t deny that your house was super nice — nicer to hang out in than his shitty little fishing shack that he calls a home. he’d heard the cops had been sniffing around for him wanting to talk about a little ‘altercation’ he recently wound up in and didn’t have the energy to deal with that. no one would suspect him in the kook princess headquarters.
he cracks open a beer and lounges on your couch watching tv as you prepare the food for him before sticking everything in the oven and heading upstairs to shower. he doesn’t notice your presence disappear until you’ve returned in the tiniest little night gown and damp hair, leading him to the dining room where you serve up his food.
“some real housewife shit, huh?” he can’t hold back his smile as you seat him infront of a hearty meal. you feel all warm at the implication, shrugging modestly.
it’s inevitable that you wind up in his lap after he’s eaten, having sat with him and flirted — leaning over the table with your tits practically spilling out. you can’t quite recall how you got there, in between telling him you had nothing on under the nightgown and him telling you that it wasn’t his fault that men had primal instincts or some shit like that — but soon he was pulling your dress up to your waist and stuffing himself inside you, roughly fucking up into you.
“oww, rafey!” you whine at how rough he’s being with you, not used to being treated like anything but a princess. he can tell it’s an act though, and you truly do love it from the way your walls contract around him.
“nah, nah you knew what you were doin’ inviting me here. what were — were you just sittin’ around with a fuckin’ wet pussy waitin’ on your moment to invite me round n’let you fuck on me? huh? that was this is?” he bucks his hips, holding onto you to completely take control from below, bashing you against the table with each thrust that was certain to leave bruises.
you whimper, pressing your body to his trying to win over some affection as you sniffle. “just got such a crush on you, rafe.” you mewl and he scoffs, taking that moment to pick you up in his lap and place you on the dining room table instead, gaining more control so he could keep rutting into you.
“sick’a you little kook girls tryn’a — tryn’a use me like im some little experiment that you can toss to the side afterwards.” he complains, gripping your hips and practically using you like a toy. if he wasn’t holding you up, you’d be completely limp.
“dont want you with other girls! not — not gonna get rid of you i just want you.” you defend, and finally he slows his punishing pace to catch his breath, staring down at you analytically with parted lips, dick twitching inside you at the confession.
“that right?” he deadpans and you nod, teary eyed. “that why you let me in this princess cunt raw? huh? no protection or nothin’? just… just hoping i pull out? ha…” he chuckles maliciously, starting to push in deeper once more, upping his pace just a tad. “yeah… yeah maybe i should nut right in here—” he caresses your lower tummy making you whimper, completely at his mercy with your legs split. “knock up some kook pussy. won’t just be a phase then will i? nah baby… nah you’d be stuck with me for life.”
he’s got a sick smile on his face, but what he’s not expecting is for you to grip the back of his neck, your bottom lip wobbling with a serious look in your eyes. “do it.” you command and his face drops a little, realising that maybe he was dealing with a girl that had it bad for him. that, or you’re trying to get some sort of revenge on your parents. either option made his dick throb.
ೀ 🐰 ‧ ˚ 🪽 ⊹˚. ♡
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Writing Tips - Beating Perfectionism
1. Recognising writing perfectionism. It’s not usually as literal as “This isn’t 100% perfect and so it is the worst thing ever”, in my experience it usually sneaks up more subtly. Things like where you should probably be continuing on but if you don’t figure out how to word this paragraph better it’s just going to bug you the whole time, or where you’re growing demotivated because you don’t know how to describe the scene 100% exactly as you can imagine it in your head, or things along those lines where your desire to be exact can get in the way of progression. In isolated scenarios this is natural, but if it’s regularly and notably impacting your progress then there’s a more pressing issue
2. Write now, edit later. Easier said than done, which always infuriated me until I worked out how it translates into practice; you need to recognise what the purpose of this stage of the writing process is and when editing will hinder you more than help you. Anything up to and including your first draft is purely done for structural and creative purposes, and trying to impose perfection on a creative process will naturally stifle said creativity. Creativity demands the freedom of imperfection
3. Perfection is stagnant. We all know that we have to give our characters flaws and challenges to overcome since, otherwise, there’s no room for growth or conflict or plot, and it ends up being boring and predictable at best - and it’s just the same as your writing. Say you wrote the absolute perfect book; the perfect plot, the perfect characters, the perfect arcs, the perfect ending, etc etc. It’s an overnight bestseller and you’re discussed as a literary great for all time. Everyone, even those outside of your target demographic, call it the perfect book. Not only would that first require you to turn the perfect book into something objective, which is impossible, but it would also mean that you would either never write again, because you can never do better than your perfect book, or you’ll always write the exact same thing in the exact same way to ensure constant perfection. It’s repetitive, it’s boring, and all in all it’s just fearful behaviour meant to protect you from criticism that you aren’t used to, rather than allowing yourself to get acclimated to less than purely positive feedback
4. Faulty comparisons. Comparing your writing to that of a published author’s is great from an analytical perspective, but it can easily just become a case of “Their work is so much better, mine sucks, I’ll never be as good as them or as good as any ‘real’ writer”. You need to remember that you’re comparing a completely finished draft, which likely underwent at least three major edits and could have even had upwards of ten, to wherever it is you’re at. A surprising number of people compare their *first* draft to a finished product, which is insanity when you think of it that way; it seems so obvious from this perspective why your first attempt isn’t as good as their tenth. You also end up comparing your ability to describe the images in your head to their ability to craft a new image in your head; I guarantee you that the image the author came up with isn’t the one their readers have, and they’re kicking themselves for not being able to get it exactly as they themselves imagine it. Only the author knows what image they’re working off of; the readers don’t, and they can imagine their own variation which is just as amazing
5. Up close and too personal. Expanding on the last point, just in general it’s harder to describe something in coherent words than it is to process it when someone else prompts you to do so. You end up frustrated and going over it a gazillion times, even to the point where words don’t even look like words anymore. You’ve got this perfect vision of how the whole story is supposed to go, and when you very understandably can’t flawlessly translate every single minute detail to your satisfaction, it’s demotivating. You’re emotionally attached to this perfect version that can’t ever be fully articulated through any other medium. But on the other hand, when consuming other media that you didn’t have a hand in creating, you’re viewing it with perfectly fresh eyes; you have no ‘perfect ideal’ of how everything is supposed to look and feel and be, so the images the final product conjures up become that idealised version - its no wonder why it always feels like every writer except you can pull off their visions when your writing is the only one you have such rigorous preconceived notions of
6. That’s entertainment. Of course writing can be stressful and draining and frustrating and all other sorts of nasty things, but if overall you can’t say that you ultimately enjoy it, you’re not writing for the right reasons. You’ll never take true pride in your work if it only brings you misery. Take a step back, figure out what you can do to make things more fun for you - or at least less like a chore - and work from there
7. Write for yourself. One of the things that most gets to me when writing is “If this was found and read by someone I know, how would that feel?”, which has lead me on multiple occasions to backtrack and try to be less cringe or less weird or less preachy or whatever else. It’s harder to share your work with people you know whose opinions you care about and whose impressions of you have the potential of shifting based on this - sharing it to strangers whose opinions ultimately don’t matter and who you’ll never have to interact with again is somehow a lot less scary because their judgements won’t stick. But allowing the imaginary opinions of others to dictate not even your finished project, but your unmoderated creative process in general? Nobody is going to see this without your say so; this is not the time to be fussing over how others may perceive your writing. The only opinion that matters at this stage is your own
8. Redirection. Instead of focusing on quality, focusing on quantity has helped me to improve my perfectionism issues; it doesn’t matter if I write twenty paragraphs of complete BS so long as I’ve written twenty paragraphs or something that may or may not be useful later. I can still let myself feel accomplished regardless of quality, and if I later have to throw out whole chapters, so be it
9. That’s a problem for future me. A lot of people have no idea how to edit, or what to look for when they do so, so having a clear idea of what you want to edit by the time the editing session comes around is gonna be a game-changer once you’re supposed to be editing. Save the clear work for when you’re allocating time for it and you’ll have a much easier and more focused start to the editing process. It’ll be more motivating than staring blankly at the intimidating word count, at least
10. The application of applications. If all else fails and you’re still going back to edit what you’ve just wrote in some struggle for the perfect writing, there are apps and websites that you can use that physically prevent you from editing your work until you’re done with it. If nothing else, maybe it can help train you away from major edits as you go
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I tried to write a novel. Not once. Not twice. But about 12 times. Here's how that would play out:
1. I sit down and knock out 10 pages
2. I share it with someone
3. They say "It's goooood" like it's not good
4. I ask for critical feedback
5. They say, "Well....the plot just moves so quickly. So much happens in the first few pages it doesn't feel natural."
So I'd write more drafts. I'd try to stretch out the story. I would add dialogue that I tried to make interesting but thought was boring. I would try including environment and character descriptions that felt unnecessary, (why not just let people imagine what they want?)
Anyways, I gave up trying to write because in my mind, I wasn't a fiction writer. Maybe I could write a phonebook or something.
But then I made a fiction podcast, and I waited for the same feedback about the fast moving plot, but guess what???
Podcasts aren't novels. The thing that made my novels suck became one of the things that made Desert Skies work. I've received some criticism since the show started, but one thing I don't receive regular complaints about is being overly-descriptive or longwinded.
In fact, the opposite. It moves fast enough that it keeps peoples attention.
I always felt I had a knack for telling stories but spent years beating myself up because I couldn't put those stories into novel form. The problem wasn't me. The problem was the tool I was trying to use.
All that to say:
If, in your innermost parts you may know that you're a storyteller but you just can't write a book, don't give up right away. You can always do things to get better and there's a lot of good resources.
But if you do that for a while and novel writing just isn't your thing, try making a podcast, or creating a comic, or a poem, or a play, or a tv script.
You might know you're an artist but suck at painting. Try making a glass mosaic, or miniatures, or try charcoal portraits, or embroider or collage.
You might know you're a singer, but opera just isn't working out. Why not yodel?
I could keep listing out examples, but the point is this. Trust your intuitions when it comes to your creative abilities, but don't inhibit yourself by becoming dogmatic about which medium you can use to express that creativity.
Don't be afraid to try something new. Don't be afraid to make something new. You might just find the art form that fits the gift you knew you always had, and what it is might surprise you
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