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#I have my rants about it

aprillikesthings · 3 months

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“Bamboo is antifungal”

Because it’s rayon

“Eucalyptus fabric is cooling!”

Yeah, because it’s rayon

“We make clothing called seacell out of seaweed!”

Yeah I looked on your website it’s made by the lyocell process, which means-

-wait for it-

It’s fucking rayon!!

Listen. There is a list of actual plant fibers that are directly made into fabric: cotton, linen, ramie, some hemp. I’m sure I’m missing a couple.

But if you’re wondering “huh how did they turn that plant material into fabric,” 99% of the time? It’s RAYON.

All rayon is made by putting plant material in chemical soup, dissolving out everything but the cellulose, and turning the cellulose into filaments/fibers.

The source of the cellulose has zero effect on the eventual fabric.

Rayon made from bamboo or eucalyptus or seaweed is not any better than rayon from any other sources.

Don’t let companies mislead you!

#rayon #I’ve ranted about this before #I will die on this hill #it makes me so mad that the labeling laws have gotten lax on this #my posts #anyway got into an argument w someone on fb about it lol

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ikayblythe · 3 months

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A new transliteration of the Rain World scripts

An update to this. I am the original creator of that interpretation, and to be fair I'm a little tired of not getting proper credit for it.

The entirety of this was done by comparing the 'alphabets' to our own, and assigning phonetic values from there. The logographs were interpreted similarly, but with Mandarin 'etymology' instead. I wrote...quite a bit! About it! You can read the individual interpretations for each symbol in the doc below:

#rain world #rw #rain world art #worldbuilding #i guess???#rw sunshower #i am honestly quite upset by the folks who used the older one letter-to-letter without acknowledging me #especially bigger rw artists #you know who you are #not to be salty but im salty about it #i wouldnt be surprised if it was shared around though so people wouldnt have known #but this isnt canon #this is my interpretation and i think i deserve acknowledgement for it!#okay rant over

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marzipanandminutiae · 7 months

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Of course, the burkini ban is messed up on grounds of religious freedom and racial discrimination. But also

Under any other circumstances, people would be HORRIFIED at a government mandate that women have to show a certain amount of skin. Like. That’s fucking dystopian, and the absolute opposite of feminism. If a government tried to pass a law that all women had to wear tube tops and miniskirts to go outside, people would rightfully be up in arms demanding blood

But because it’s targeting a marginalized religious group, many folks are lauding the blatant forced sexualization of women. Appalling

(apparently the ban also outlaws things like sun – protecting bathing suits if they cover too much skin. Which like. Yes, let’s give everyone skin cancer just so we can spite a religion we’ve decided to hate. Sounds like a good plan </s>)

#mini rant #Religious discrimination#misogyny #feminism #sexualizing women #islamophobia #I was just thinking about this in terms of the “women fought not to have to dress like this #that I’ve heard once or twice in reference to my own historically – inspired wardrobe #and how much I would absolutely hate it if someone tried to force me to show more skin in public #for me it’s an annoying comment here or there. For Muslim women in France it’s actual legal discrimination #I swear we’ve gone from people measuring flappers’ swimsuits on the beach #to make sure they covered enough. to police forcing women to strip #because they’re covering too much. We just can’t fucking win #especially women from marginalized racial or religious groups

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golyadkin · 9 months

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I cannot express enough that if your reaction, as a hobby artist, to not getting that many notes on your art is to say "maybe I should just stop doing art altogether" you need to stop posting art to tumblr

not necessarily forever, not even for long, but just stop putting your art on here and start doing it for you again, remember why you enjoyed doing art in the first place and stop relying on the attention of faceless people on the internet for your enjoyment of your hard work

believe me, I get it, nothing crushes the artistic soul quite like labouring for hours on a piece only for it to get like 10 notes, so you need to find your own source of joy in the act of creation and a lot of the time that means making art and not showing it to anybody

#not art #listen #for real #this is not about any one person because i've seen posts about it from a bunch of people #you think i post everything here? buddy i dont even post half my stuff here #every drawing you see is preceded by five more just like it #that never see my cursor close to the save button #i have a sketchbook i draw in regularly that i do'nt show to a single goddam person #i make cutout art from gels i steal from work and stick them to my windows and do paintings in my living room just for me #because that it the only way you are ever going to be able to retain your original love of art #is by doing it for the sake of doing it #not for the sake of seeing how many people stop and stare #anyways i'm sorry if this sounds terse #but i'm so sick of seeing artists put all their self-esteem and happiness in the hands of a blogging website #stop selling yourself short by measuring your self worth by how many reblogs you get and what people say in the tags #your artistry and your happiness are worth more than that #if you're an artist for a living that's another story #but even then #even then #anyways sorry i'm done ranting

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dykefaggotry · 14 days

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someone: are you okay

me: so in 1964 john lennon wrote one of his only love ballads, "if I fell" and called it auto biographical even though it doesn't match w any of his public relationships. the lyrics can easily be flipped to be about him pining for someone already in a relationship with a woman which would most likely be a man (as seen in "across the universe" where they did the song from a woman's pov to a man without changing the lyrics and it still worked). he wrote the full lyrics for the first time on the inside of a valentines day card and in the corner you can see his handwriting that says "to: paul with love" with an arrow pointing inside and some doodled hearts. it was auctioned off in the 2000s, but the description only says it was written on a plane on a card "given to paul" as a spare paper, not acknowledging the little dedication with the hearts. years later he referred to it as a "silly love song," referring back to paul's song that was in turn referring to his mocking comments. and that's why he's a fa-

#all of my friends the last two days having to hear me rant about this #and only get worse when I zoomed in and found that dedication and almost threw up #I'm sorry mutuals you're all suffering w me #block every mention u can think of I'm going Crazy #mclennon

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gentlegentian · 3 months

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i feel like one of the biggest things the mdzs fandom tends to forget is that lan wangji is silly

like yes he's stoic and jade faced and perfect but he also:

blushes SO often

loves bunnies and anything related to them

throws little tantrums when he's away from his husband for too long

gets flustered easily

is a MENACE when drunk

messes around with his husband

buried his son in a bunny pile

is a biter

so yes, whilst hanguang-jun is a big scary warlord, lan wangji is just a silly guy who likes bunnies and messing around with his husband :3

#HAPPY BIRTHDAY HANGUANG-JUN MY LOVE #guys its lan zhans bday #did u know its lan zhans bday #guys i love lan zhan so much #hes actually so silly #i could rant about this for hours #i have reciepts and all #mdzs #lan wangji #cql #mo dao zu shi #gentlegentian #lan zhan #the untamed #danmei #grandmaster of demonic cultivation

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uncanny-tranny · 7 months

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It is my sincerest and unironic belief that we must invest in preserving "old technology." The more we move to a hegemonic, easily-surveilled way of living, the worse we will find this world to be.

Letters, public phones and transport, cash, and so much more are key to ensuring both freedom of movement and information, but also to combat the surveillance state. We need to preserve the ability to both access the world but also to be untraceable. I truly hope more people start to recognize this. It isn't about nostalgia for the past. It is about ensuring that we are actually afforded freedom, from the richest person to the person who lives on the sidewalk.

#politics #i was ranting at my dad about how pissed i am that the US has essentially killed the payphone because we have smartphones #imagine killing letters because 'oough we have email though!!!'#i'm sure people advocate for abolishing mail (and i have seen it firsthand) but i don't agree with it #we must preserve freedom of movement and information and that includes making it as accessible and public as possible imo #i do not want to live in a world wherein my smartphone is both what i MUST rely on but it is also traceable 24/7/52/365 #'if you're innocent you have nothing to hide' is a fucking cop-out to permit a surveillance state by the way #it is flawed logic and i think that logic is part of the reason we got to this point #'why do you need cash? that's kind of suspicious to not LET people trace your purchases' like come ON

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kaladinkholins · 2 months

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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

#blue eye samurai #mizu blue eye samurai #akemi blue eye samurai #blue eye samurai meta #just in case... im gonna tag this as #mizukemicritical #akemizucritical #though this post isnt actually criticising the ship itself but rather fanon's portrayal of the ship and the characters #for that reason lemme also tag this as #wank.mp3 #feel free to disagree of course but please be civil #and if you need to rant about how wrong i am without any convincing evidence kindly feel free to make your own post. peace and love <3 #fandom.rtf #meta dissertations.pdf #shut up haydar #edit: for full disclosure. i do rather dislike this ship. but obviously it's fine for anyone to enjoy it. please do! have your fun!#it's just that as usual! popular fanon and fandom around a ship is what has completely deterred me from any sense of enjoyment of it #it's a shame too because i was very open and even eager for some mizu/akemi romance in the future #but out-of-character fanon + the rudeness of certain fans has definitely soured it for me #but that doesn't mean people can't enjoy it obviously! ship and let ship!!!#plus it has its appeal which i DO STILL see and enjoy!!!!#i would even go as far as to call them soulmates because their narratives and characters are LITERALLY intertwined!!!#but. yeah. my gradual distaste for this ship is indeed very unfortunate.

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mssoapart · 27 days

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Day 7

Free-day (Out of order and late) Alenoah as Sherlock/Moriarty.

I like it when two characters play mind games and scheming against or with each other.

I didn`t plan to create an AU, but – my rant and bits of literature/character analysis (The Vision). Also, draw concept sketch.

Noah (Detective Sherlock Holmes). I mean, they're both geniuses, introverts who don't care about social opinion and some versions depicted him as being good with dogs. In Victorian England, I totally see Noah opening a detective agency, because you either go working on a plant or you might use your geniuses’ intelligence to solve crimes, like game puzzles, and make monies to pay bills and buy new books because in 1800 many books were expensive and produced in small quantities.

Plus! I might look at this too far, but I think the Sherlock and Watson analogy was implemented in London episode when they strip team Chris just to Noah and Owen for investigation.

Owen (Dr. Watson). Basically in the original books, Watson plays the role of the guy, your typical visual novel MC, well narrator, who has character, but his whole purpose is just to be a witness to detectives doing, asking questions for the audience. This leads to usually representing Watson as either annoyed with Sherlock's antics or (usually in kids' media) naïve but with good intentions because of this simplification, to show his kindhearted nature in cartoons and caricatures he is portrayed as chubby, which is what we need! But all of them did service in the Anglo-Afghan War, even Disney version mentioned it. (Also if you want to do Nowen version of Jhonlock I don`t mind, sure go for it)

Alejandro (professor Moriarty). Do I really need to explain? Both archvillains in their stories. Professor, respected in society for his talent and achievements, wealthy, but behind all of that façade he`s "Napoleon of crime". He doesn’t usually do crimes himself but rather, schemes, orchestrates the events, or provides the plans that will lead to a successful crime, like paying money to a court so that someone can be released from prison.

Heather (Irene Adler). OK, in the original books (all books written not by Arthur Conan Doyle are basically fanfics) her character and Sherlock don`t date (But if you like, it`s fine). She was more like “I know what you are” towards him. I want to base it more on Warner Bros Sherlock where Irene works with Moriarty, but they also try to get rid of each other. She is also famous for blackmailing royals, If it isn`t most Heather thing I don`t know what is.

Eva (Mrs. Hudson). The landlady. I think it would be funny, she yelling at them to pay their bills in time.