#I just can't talk about one of them without mentioning the other?

[worldlxvlys]

I HAVE A IDEA (MR CRABS I HAVE AN IDEA)

yk the new song ari came out with (we can't be friends) Chris fic were the reader and him are best friends that always flirt and they made out drunk at a party and have not been talking for a week untill Chris shows up at her house and they makeout and maybe some smut? Idrk

Anyways that's all 💋

we can’t be friends

chris sturniolo x reader

warnings: angst, mentions of drinking/being drunk, smut, fingering, oral (fem receiving), squirting, cursing

a/n: i’ve been absolutely OBSESSED with this song and itching to write about ittt

i hope you enjoy

i let out a heavy sigh at his last text, before throwing my phone onto my bed.

of course i wanted to fight for us, but this was about more than just our friendship . this was about what was best for us individually.

for as long as i could remember, i always put chris’ feelings before my own. i spent so long chasing after him, just to end up heartbroken.

i watched him constantly pick other people over me, blissfully unaware of how deeply he was wounding me.

but no matter how much i wanted to, i couldn’t blame him. it was easier to point fingers at him than to accept the fact that this was partially my own fault.

i let him continue to hurt me, over and over again, never telling him what he was doing to me. and if i didn’t tell him, how would he know any better ?

so, even though it killed me to act so cold and distant toward him, it was time to look out for myself for once.

i needed to take the time to love and take care of myself before expecting someone else to do so.

sure, he’d be upset for a short while, but once he got over me he would easily move on to the next girl. that’s all i was to him, after all. just another girl.

i was pulled from my thoughts when i heard my front door open and close suddenly, followed by quick footsteps toward my room.

i waited behind my bedroom door, quick to swing my arm out in front of me when the person made it to the doorway.

i was met with chris, who immediately caught my wrist in his hand.

we stared at each other with wide eyes, neither one of us speaking. i blinked up at him, watching his eyes trail down to my lips.

“don’t do that” the words flew out of my mouth before i could stop them.

his eyes immediately shot back up to mine, a curious expression taking over his features.

“don’t do what?” he asked, loosening his grip on my wrist to let it slide down, intertwining our fingers.

“chris, we aren’t doing this. i meant what i said earlier, we’re better off not being friends”

“you keep saying that, but you won’t tell me why. you gotta talk to me baby” he spoke.

“i don’t want to” i spoke back, shaking my head as i backed up slightly to create more distance between us.

“how am i supposed to know what i did wrong if you don’t talk to me?”

he was right, of course he was. it was unfair of me to just cut him off with no reasoning. but the second we start talking about it is the second it becomes real. i didn’t want to come to terms with the fact that i was trying to end one of the most important friendships i’d ever had in my life.

“you didn’t do anything, chris” i answered. he wasn’t having it. “no, tell me. i’m not letting you just end our friendship like this, not without a reason”

“i just can’t be friends with you”

“why? what is so wrong with me that you don’t want me in your life? and completely out of nowhere” he spoke, his voice rising slightly.

“see, that’s the problem. i don’t want you out of my life, i want you in it forever. but you clearly don’t want that, and it’s ok.”

“who the hell said i didn’t want that?” chris asked, his brows furrowing.

“chris, it’s fine. you don’t have to try to make me feel better-”

“so you don’t believe me?” he cut me off.

“i mean, i don’t know, i just…” my babbling trailed off as i tried to find the right words.

“let me prove it to you” he whispered as he toyed with the strap of my tank top.

my breathing grew shallow as he moved the fabric down my arm slightly, pressing his lips to my shoulder.

“chris….we shouldn’t” i whispered, but tilted my head to the side, allowing him more access as his lips moved up my neck.

“really? you weren’t complaining a week ago” he spoke against my skin.

i slapped his chest lightly at that. “yeah, well we were also drunk”

he bit down on my neck, harshly enough to leave a bruise and elicit a moan from me. “so, you don’t want this?” he asked.

i let out a deep sigh, “of course i do, chris. but do you?”

he looked as though he was going to say something, but i stopped him “don’t tell me yes just because you want sex. i don’t want you to just want somebody, i want you to want me. if you’re just gonna fuck me and move onto the next girl, then forget it” i spoke.

the more i thought about it, the more i convinced myself that he didn’t really want me.

“hey” he spoke softly, cupping my jaw. “this isn’t about the sex, this isn’t even about me wanting you. this is about me needing you. this is about me not being able to live without you. yes, i’ve been with other girls. but there’s a reason that you’re the only one that’s always been there”

“i was so sure you didn’t feel the same, so i tried to move on. but i couldn’t, because none of those girls are you. and i’m so sorry that i hurt you, i’ll spend the rest of my life making it up to you if i have to”

chris looked at me as though he could cry. his blue eyes shot back and forth between my own, his thumb caressing my jaw gently.

“so make it up to me” i whispered, pulling his lips to my own.

one of his arms smoothly slid behind my back, supporting my weight as i found it hard to keep my balance.

he kissed me like he had waited his whole life for this moment. his lips felt so soft against mine, unlike our last kiss.

this kiss made our drunken one feel sloppy and desperate, like two people who were just horny, but this was more than that. it was eye-opening, sweet, gentle, it was everything i didn’t know i needed.

but chris did, he always knew what to say or do to make me happy. i couldn’t stay mad at him even if i wanted to.

“let me make you feel good?” he asked when we pulled away. “yeah” i let out breathlessly, nodding my head.

“lay down for me” he said, leaving another kiss to my neck. i did as he said, getting onto my bed and laying on my back.

he wasted no time in crawling over me, his hands placed on either side of my waist. “can i?” he asked, lightly tugging at the hem of my top.

i nodded at him, lifting my upper body up as he pulled off my top. without a word, he attached his lips to my nipple while caressing the other with his hand.

i let out a loud moan at the feeling, beginning to squirm underneath him.

“shit, chris” i sighed out, his eyes immediately looking up at mine.

he swirled his tongue around the hardened bud, watching as my body melted into his touch.

he sucked on my tit until the skin turned dark, moving to the other to give it the same treatment.

“god, chris. feels so good” i moaned out while he continued to work my sensitive nipple with his tongue.

��you look so pretty like this” he rasped as he soothed my boobs with his hands, “can’t believe i have you all to myself” he mumbled to himself.

he moved his face downwards, leaving gentle kisses to my rib cage and abdomen. he paid special attention to every birthmark and scar he found, pressing a kiss to each one.

his fingers rubbed small circles into my skin as he ventured further and further down my body.

he stopped at the waistband of my shorts, leaving a kiss to my crotch area. due to the thin material or the shorts and my lack of underwear, my hips shot up involuntarily at the feeling.

“no underwear? such a dirty fucking girl” he spoke, smacking his tongue against the roof of his mouth.

he licked a long stripe up my pussy through the shorts, eliciting a long whine from me. “chris, stop teasing me” i spoke as i squirmed under him.

“you just make it so easy, baby” he spoke, before continuing to leave kisses down my thighs and calves.

“lift up” he spoke as he hooked his fingers into the waistband of my shorts. i raised my hips, allowing chris to pull them off.

i let out a sigh at the feeling of my heat being exposed to the cold air of the room.

chris stared down at my glistening pussy, mouth hung open slightly as he pulled my folds apart, spreading me open.

“my god, you’re so gorgeous” he spoke, blowing cool air onto my heat.

“hold your legs apart for me, beautiful” he spoke, his lips inches away from my core.

“so wet” he mumbled before running his tongue along my thighs, just missing where i needed him.

“chris, please. i need your mouth so fucking bad” i whined. “where, baby?” he asked, teasing me some more.

finally having enough, i wrapped my legs around his head, pulling his face into my heat.

he let out a long moan into me, his eyes rolling back as he licked up every drop of my slick.

my head fell back at the feeling, legs loosening around him to let him pull back if needed, however he stayed right where he was.

the words that fell out of my mouth sounded like gibberish, but i didn’t care about that. all i could focus on was chris.

the way he groaned into me, his needy tongue lapping me up like i was his last meal. his piercing eyes never left mine, only making the tight feeling in my stomach grow.

my arousal covered his flushed cheeks, making me even wetter.

there was something that i found so incredibly hot about how messily he was eating me out. it was like all he cared about was me finishing.

he moved his face from my legs, making me let out a whine at the loss of contact.

he stuck his tongue out, his spit dripping down onto my pussy.

“what do you think about when you touch yourself? ” he asked suddenly while he brought his finger down to my core to rub me.

“i- oh” i cried out in surprise at the feeling of his finger entering me.

“holy fuck, you’re so tight” he whispered as he pushed his pointer finger in and out of my tight walls.

“oh my god” i whimpered when he pushed another finger in.

“if you don’t answer me, i’m stopping” he spoke.

“this! i think about this!” i rushed out, eyes screwing shut at the feeling of his rough fingers inside of me.

“i think about how perfect your hands are. fuck- how long your fingers are” i struggled out between moans, “i think about you” i finished.

“yeah? what about my cock?” he asked as his fingers sped up.

“you think about what it would feel like for me to fuck you into oblivion? ” he asked as he curled his fingers, hitting my g-spot.

“fuck, yes! i’m so close chris” i cried out as he continued to plunge his fingers in and out of me.

“c’mon, you got it. doing so well for me, want you to make a mess all over me” he rasped out, fingers moving rapidly inside of me.

“chris, wait! i’m gonna-” i tried to warn him, but i was too far gone as my juices shot out of me.

the liquid dripped down his face, onto the saturated sheets underneath us.

“yes, yes, fuck yes” chris groaned as his mouth hung open. i leaned up slightly, watching the way his hips stuttered and his body shook.

“fuck” he let out breathlessly, as he began to shudder.

“did you just come untouched?” i asked, eyes widening slightly.

“if that doesn’t prove how much i want you, nothing will”

wait why’d i kinda eat ??? 🤭

masterlist

tag list: @lustfulslxt @flowerxbunnie @sturnssx @mattslolita @its-jennarose @sophssturn @bernardsleftbootycheek @queen161718 @cupidsword @imwetforyourmom @nickmillersn1gf @mattsneezing @chrisstankyleg @sturniolobltch @bethsturn @bernardenjoyer @mbbsgf @rac00ns-are-c00l4 @ssturniolo @blueeyedbesson @mxqdii @sturniolowhore @readerakayourname @defnotayonna @urmom2bitch @rootbeerworshiper @starsturniolo @hearts4chriss @theyluv-meee @carolinalikesthings @itzdarling @chrisstopherfilmed @judespoision @sstvrnioloo @littlebookworm803 @nicksdrpepper @chrisloyalgf @robins-scoop @fandomhopped @chr1sgirl4life @bbglmfao @55sturn @nicksmainbitch @meg-sturniolo @yamamasjumpercables @vanteguccir @ineedchriscock @junnniiieee07 @breeloveschris @luverboychris

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[starqueensthings]

We need to talk about Echo (and by talk I mean screm). S3 E13 + 14 Spoilers!

FRIENDS, I'M GOING TO EXPLODE. I need to talk about Echo for a minute. We need to talk about Echo for a minute,  because he has spent the last two episodes in the absolute thralls of complete and total danger, and I personally don't feel like there's been enough of a celebratory uproar for me to be satisfied with the level of appreciation and love that man deserves. (Remember when Hunter ran face first into a colossal exhaust pipe and we all collectively lost our minds because it was so impressive and so sexy? Remember when Tech drove a speeder really fast through a tunnel and we all fainted? I'M A TECH GIRLY. IT WAS ME! I FAINTED!!) but, Y'ALL, Echo deserves that right now!! And for all eternity!!! Because he is wholly submurged in the harrowing potential of torture and execution, and he didn't even bat an eye to put himself there. My awe of him is all-consuming, so please forgive me if this rant reads as nothing but incoherent screaming. 

Echo haters (first of all, we can't be friends....) come on this journey with me! Let's back pedal to the beginning of the last episode (13). He stole an imperial shuttle. Let me repeat, he stole an imperial shuttle. And not just an attack shuttle. Not just a lil one-pilot transport. Bro somehow stole a Rho-class medical transport, which is very large, obscenely conspicuous, and very easily tracked. And, to use his own words, it was "the best he could do on short notice." The man stole a shuttle on short notice. ON SHORT NOTICE? HELLO, HOW DID HE DO THAT. WHY AIN'T WE LOSING OUR COOL ABOUT IT. 

Next stop on this I-love-Echo journey through my mind: not only did he provide his brothers transportation in the complete void of their own (RIP havoc bb), but he also came equipped with intel and clearance codes, and, as Rampart stated, those things change DAILY. Echo somehow procured top secret imperial clearance codes, and a fkn SHIP, within hours of the Batch requesting his help. Not to mention, the ship had yet to be reported missing (which means it was only-freshly commandeered), and the clearance codes worked. Of course they did. Echo never fails. Never doubt Echo. "Echo's on it."  

Choochoo, next stop! Once they arrived on that station orbiting Coruscant, and made their way to the control room (lookin sexy as heck in his armour-au-noir), he broke imperial encryption, hacked into the Imperial database, almost instantly found them the location of a ship departing for the prison that holds their daughter Tantiss, AND THEN DIDN'T EVEN HESITATE TO CLIMB ABOARD AND STOW AWAY.  

He didn't even remotely have a plan, or have time to make a plan. He didn't know who or what else would be on board that mysterious vessel. He didn't know where it was going other than the name of the fkn mountain (which has proven to be nothing but unhelpful thus far). He just ARC-troopered his way through that crowded hangar, dodging aggressive astromech's and inconsiderate loader droids, shirking from the perspective eyes of highly trained commandos, and snuck his way onto a heavily guarded, extremely unknown science vessel. Then, of course, he wasted no time, hacking into the ships control system (may I gently remind- there were at least three pilots and an officer prepping the ship for jump and closely watching all aspects of its controls), disabling the proximity sensors without being detected, and then seamlessly covered the troopers absence by pretending to be him (which we all know is what should have happened on Serenno but... hindsight is 20/20.)  

So... SO.... now we're at Episode 14. Here we at fkn terrified station because HULLO ECHO IS ALONE ON A SCIENCE DIVISION TRANSPORT; we have literally seen them carry around Zilo beasts in that shit. What the heck else could be on there that they don't know about? Literally anything. Because THEY KNEW NOTHING before attaching themselves to it. Echo knew NOTHING before sneaking onto that thing and creepin' around. Thank heck he didnt come across a fkn fresh wave of slither vines ok?  

NEXT, Echo shoots (not stuns- lol) a sassy fkn droid (they had it coming, not sorry), then another trooper. AND THEN discovered his only option for departing the ship once it enters atmosphere is going completely undercover, because (in true "we improvise everything" CF99 fashion that gives me heart burn just thinking about it), they had zero fkn plan to get off the ship. I will repeat: completely undercover. On Tantiss. COMPLETELY UNDERCOVER ON TANTISS. NO COMMS, NO BACK UP, NO RECON, NO PLAN, BARELY ANY GEAR, and I would just like to stress... no neuro brace. He left his neurobrace on that ship. Left it. LEFT IT AND TOOK A HAND INSTEAD. PLEASE FKN SEDATE ME.  

We can't leave this station yet... This I-love-Echo train needs to linger at this point for a sec because I think it's lost on some people how wild this is. Echo without his neurobrace is huge. It's a bigger deal than Echo without his armour. Armour is, in the grand scheme of things, inconsequential (one can find more- see Howzer). Echo's neurobrace is not armour, it's a computer and it's so so so crucial to how his mind processes information and events. Don't forget, the Technounion HIJACKED HIS BRAIN. They took every memory from him and manipulated it for their gain. Pruned it, tweaked it, blanched it, poached it, turned it into scrambled eggs, and then fkn ate it up and used it to defeat their enemies (Echo's family- I'm sobbing). They implanted him with an unfathomable amount of information; they changed the way the neurons in his brain fire in relation to stimuli. That neurobrace is so so critical for him. Now, we know he can operate well enough without it, we saw it in the last episode of the TBB arc in season 7 of Clone Wars, but... please.... to what extent? We don't know what an extended time without that neurobrace looks like for him... especially when all other aspects compliing his surroundings foreign, unknown, and dangerous, and that scares me.

AND NOW HE'S ABOUT TO RUN AMOK IN TANTISS with Emerie who, (I'm sorry) is wishy-washy as heck (who are you loyal to!!!!! What is your history!!! Are you trustworthy and what are you looking to gain!!!), trying to adopt a collection of Jedi children whove spent maker-knows how long playing space tetris, WHILST ALSO ATTEMPTING TO LOCATE AND ESCAPE WITH HIS BROTHERS UNDER THE EYE OF THE GALAXY'S SECOND MOST DANGEROUS MAN. 

So yes, short of d-d-d-di... can't say it... short of THE WORST CASE, Echo has made the ultimate sacrifice to save not only Omega who is literally the only person we've seen able to make him truly laugh, but all the clone brothers that he's been desperately trying to locate and rescue. His bravery and determination are literally unrivalled, and he did it while feasting on nothing but humble pie because that man wouldn't know arrogance if it danced naked under his perfect nose.  

Okay so welcome, we've finally pulled into I-Love-Echo station. Before departing the ride, please stand and do a hip hip hurray for the miracle that is Echo, including but not limited to, everything he's done, is doing, and is willing to do for other people. 

#starqueensemotionalbreaksdowns lol #long post #the bad batch #tbb #bad batch #tbb spoilers #the bad batch spoilers #the bad batch season 3 #the bad batch season 3 spoilers #bad batch season 3 #bad batch spoilers #bad batch season 3 spoilers #tbb season 3 #tbb season 3 spoilers #starqueensedits #tbb echo #echo tbb #bad batch echo #echo bad batch

[xxacademy]

Throne of His Own

This fic is inspired & adapted from chapter 42 of A Court Of Mist And Fury, by Sarah J. Maas. Plot is original, but I took heavy influence from the events of that scene. <3

Leon Kennedy x Agent!Reader (she/her)

18+ MDNI !!

Summary: Being sent to a rural French village to go undercover with a band of vampires was strangely typical for your line of work— But, pretending to be lovers with another agent was anything but typical. Adapting yourself from a trained agent to a submissive lover unfolds in an unexpected series of events.

Word count: 10.2k

Content warnings: smut, AFAB anatomy, exhibitionism, penetrative sex, pet names, slightly mean possessive Leon (only when he has to be), alcohol consumption, typical violence and themes associated with resident evil (like mentions/ use of weapons).

a/n: somewhere, deep in the void, this was intended to be about 2k words, just a little one shot... but now here we are, lol. anyways thank you guys for being so patient, and thank u to my besties on here for being so kind and understanding. life is crazy, and truly i cannot keep up as consistently as i’d like to. i will always be here, even if i take some long breaks here & there. i love all u resident evil obsessed freaks, my life wouldn’t be the same without u xx also i finally decided to not be lazy & do the cute colored letters i hope u enjoy hehe

— PART I —

You peered out the window as you were driven through the endless sprawl of the snow-covered French countryside. A blur of powdery white pines occasionally broken up by small villages nestled into the hills.

Behind all those tall trees were the ragged peaks of the hulking French Alps, so expansive they nearly cut the sky in half. The beauty and stillness of winter was in full effect. Every little village had plumes of warming smoke gathering above the chimneys.

The agent driving the car interrupted your silent musing over the scenery. "You'll have to hike in. It's about 5 miles to the village, but we can't risk getting too close."

With one hand still on the wheel, he reached for the center console, pulled out a large envelope, and tossed it in your lap.

"There you'll find the information you need. Your partner, Leon Kennedy, has been undercover, posing as one of them."

Your voice is monotone, almost disinterested. "And who's them?"

"Some parasite-infected blood suckers. Leon has described them as a vampiric blood cult or something."

"And I'm just expected to waltz into all this? A blood cult? Really?"

"He talked about having a lover, a woman he returned home to, and at the time, it was just banter to fit in with them. But the cultists want to meet her. Either they're getting suspicious, or they want to play ball. Regardless, this served as a rather interesting opportunity to give Leon backup. So here you are."

Your knuckle rests below your bottom lip; you watch as the sun begins its descent below the icy mountain peaks. 

So here I am. 

You and one of the few other survivors of Raccoon City. You've met him, sure, but you have yet to work alongside him. But, you'd always known the day would come. 

── ･ ｡☆*☽*☆ﾟ.──

You were driven as far as the meandering forest service road would allow. Ahead of you, where the road was no more, towering evergreens had taken over. Their limbs were heavy with packed snow, creating a dense cover over the forest. Only a sliver of the remaining purple-tinted dusk made it through the trees.

"This is where you're on your own. Here are the coordinates for where you'll meet up. Just stay north until you find an abandoned barn. That's where he'll be."

You nod in understanding, equipping your array of weapons—a rifle on your back, a pistol on your hip, and a machete on the other.

"We'll have you out before the end of the week," the agent said, helping you put your pack on.

"I'll count my blessings," your face was solemn as you faced the trees, attempting to size up what lay ahead.

"Well then, you're set. The best of luck to you." a sympathetic smile formed on the agent's lips as he stepped back into the car.

Without hesitation, you departed into the cold, dark wilderness.

── ･ ｡☆*☽*☆ﾟ.──

Seven miles may not have been a lot for you, but Seven miles of trekking through uncharted backcountry in the dark of winter was. You were chilled to the bone, and the numbness of your limbs limited your mobility ten-fold. 

The thick undergrowth of the forest only got denser as you progressed, and your machete-wielding arm throbbed with every strike.

You stumbled up an embankment. With every step, loose, powdery snow slipped underneath your winter boots. Each sharp breath you took appeared as mist, illuminated by your headlamp.

As you finally reached the crest of the hill, you spotted a dilapidated barn at the base. It was nestled underneath a skeletal weeping willow tree. As you moved closer, you noticed half of its roof had caved in. Just one billow of wind could send the thing toppling.

You made your way down the slope, encroaching on the barn. You pulled out your pistol and dimmed your headlamp just to be safe.

Focusing on sound, you surveyed the area for footsteps, rustling, or speaking.

There was not a peep to be heard. Aside from the occasional whisper of wind, the surrounding forest was eerily quiet.

The crunch of the snow under your boots was frustratingly loud as you circled the barn's perimeter, searching for traps.

To your surprise, you peeked through a frosty window and saw the dull glow of a lantern, and a man sat beside it.

He was bundled head to toe in fur-lined clothing similar to your own. His eyes flicked up, and they met with yours. Without speaking, he signaled you in.

You couldn't recall what he looked like, but you remember a distinctly boyish look despite him being around your age when the incident happened. But the person who stood before you was a lot different.

This man is rugged and muscular. His cheekbones are much more pronounced, and his pale blue eyes are set deep in their sockets. Gentle yet battle-hardened. All that boyishness has dissipated.

"Leon," he said, stretching a gloved hand toward yours. 

You stuttered your name through shivering lips, your hand meeting Leon's in a firm shake.

His tactful eyes scanned you, assumedly noting how cold you were.

"We really should get going. I've been holed up in a cabin only a few miles from here."

"Gladly, I'm freezing my ass off." 

Without any further small talk, Leon leads the way, setting out once again for the dark, unforgiving woods.

── ･ ｡☆*☽*☆ﾟ.──

"Make yourself comfortable; I'll get a fire going," Leon said, opening the door for you before heading back outside for firewood. 

You threw your pack onto the ground beside the fireplace. The room was completely dark, except for the small path illuminated by your headlamp.

You fumbled a matchbook out of your pocket and started to light the myriad of taper candles around the cabin. 

Warm candlelight flooded the room, illuminating the interior of the gothic-style cabin. It was constructed of dark, ashy wood—the walls, the floor, the ceiling, and everything else.

Eclectic, mismatched carpets overlapped each other. And dark red curtains pooled along the ornate windows.

He called it a cabin, but the interior was rather grand.

Your heavy .22 caliber rifle had been digging into your back for hours, so you peeled it off with a relieving sigh. As you set it down on the wooden dining table, it made a hollow metallic clunk. You stripped off your other heavy layers onto the table, like your machete and belt, but kept on your fur-lined outerwear. Inside wasn't that much warmer.

With a heavy boot, Leon kicked open the front door, cradling wood in his forearms. With him, a gust of snow flurries blew into the cabin. He again kicked the door closed behind him and dumped the wood beside the fireplace.

"The snow is picking up again. You got here at the right time," Leon said, striking a match and tossing it into a pile of kindling inside the stone hearth.

You sit on a deep red Victorian-style couch in front of the fireplace. You sighed and kicked your boots up onto the coffee table.

"You call this place a cabin?" You say as your hand brushes the fine velvet upholstery of the couch.

"Well, when you see the rest of this village, you'll see why this place is considered just a cabin."

"These cultists must be the extravagant type then, huh?"

Leon piled wood onto the roaring fire, the crackling glow illumining his features. He stepped back from the heat and faced you, pulling off his heavy jacket. "Yeah, to say the least. They're greedy fuckers with bloodlines full of wealth. These gaudy homes just scratch the surface."

"So, now my real question is—how did you weasel your way in? How are you seriously posing as a cult member?" You stretched your shaky hands towards the fire, desperate for warmth. "You can't be serious that you, an American, just waltzed into a French village and are pretending to play cultist," you said with heavy speculation, your stern eyes meeting his.

Leon's lip ticked, calm eyes unbreaking from yours.

"They have plenty of outlets funneling within the United States, which gave us the perfect opening. We intercepted communications from a faction of theirs based in the States and used them as a bleed for information. Eventually, it was requested that they, we, send over a high-ranking nobility to come to France to one, act as a messenger, and two, be part of their transformation ritual."

"And that's where you came in?"

Leon's face went grave.

"Yeah, I trained to be and act like one of them. I learned every piece of information we know about this narcissistic vampire cult and its deviant religion. I've had to change everything about my life and thinking to be here. It's been months kissing ass in the hope of more information."

The room was becoming increasingly warm, and you started to feel claustrophobic in your winter clothing. You began to shed your layers of outerwear. 

"That sounds awful. I can't believe you've made it out here, alone, for so long..." you paused for a moment but resumed, "but please, tell me that it has been worth it."

The question loomed thick in the air as you struggled with your boots, eventually kicking them off and walking to the fire to warm your cold, damp feet. 

You could really get a good look at Leon here. He wore a tight black shirt that emphasized his muscular build and black cargo pants. His complexation looked soft against the warm firelight, juxtaposing the intensity of his prominent features.

He, too, seemed to be taking in your appearance as you sauntered toward the light. What he was thinking about was absolutely unknown, as he remained stone-faced.

"It has," he said, breaking the silence. "It has been worth it."

Leon's eyes drifted to his hands as if in a trance.

"What we now know about the cultists can completely change the course of this fight. But as I push forward, it's not going to be easy. I don't think this is going to end smoothly. That's why I needed backup." Leon cleared his throat. But there is a catch, too."

His eyes darted up to meet yours. You tensed, straightening your back, an inquisitive eyebrow raised. 

"The king, that fucking king, wants me to bring my lover."

Although you were briefed on this situation prior, nothing could have prepared you for hearing it from him directly. 

You laughed-- partly to ease the tension, but mainly because the mission-altering crux for the honored agent is his girlfriend.

"It's crazy, I know, but it couldn't be a more perfect invitation to bring another agent in." His cheeks flushed with the slightest hue of red.

"Please, tell me how you got into this situation in the first place". You tried to contain your laughter but failed.

Leon breathed an exasperated sigh.

"Well, the Lords, false prophets more like, banter about their romantic conquests. And well, after they all had drowned on about all the unsavory details, they looked at me, awaiting what story I had to tell."

"And what did you tell 'em?"

"I did what I had to do. I made up stories about having a girlfriend at home... And whatever else would keep them from asking too many questions." 

You nodded.

"They also bring their women to the castle and flaunt them like furs. Sometimes, it's literally for their blood. Most of the time, it's just to stroke their own ego by having pretty women hanging off them." Leon added.

Of course, the power-hungry vampire kings saw women as conquests. Ultimately, it shouldn't surprising that it would come to this.

── ･ ｡☆*☽*☆ﾟ.──

It's been a long, long day.

You have all the information you need at this point, and the exhaustion is quickly overtaking you. 

You yawn with outstretched arms, relaxing them to rub your heavy eyelids. Your body is finally warm, and you realize how well the bone-chilling cold kept you awake. 

"I'll show you to your room," Leon said, helping you collect the things you dumped around the room. He led you down a darkened hallway to your bedroom.

"There are some clothes and a few other things you may need. If you need anything else, my room is just across the hall," he stated, setting your things down. 

"Is there anything I need to know about tomorrow?" You added before Leon could step out of the room. 

"You'll have the day to adjust. We'll go over the mission then. Just focus on resting up for now."

His lips came to a subtle smile, "Goodnight."

You smiled back, "Goodnight to you too."

You surveyed the room, starting with the armoire. It was full of clothes that looked like they were from another time: grand dresses with sheer, lacy fabrics of black and red with low sweeping necklines. There was also a long black hooded cape, corsets, and tall-heeled boots. The drawers below housed underwear and pajamas. 

You slipped off your dingy clothes for a long black strappy nightgown from the armoire.

You hid your weapons around the room, your rifle, machete, and extra ammo in the closet, your knives in the vanity, and your pistol tucked under the mattress. 

Like the rest of the decor, the bed was ornate. It was intricately carved out of the same ashwood as the cabin. The white sheets were plush and soft to the touch.

After securing your room, you crawled into bed. Falling almost immediately into sleep. 

── ･ ｡☆*☽*☆ﾟ.──

Blinding white winter's light singed your vision as you woke up in a panic, a persistent cracking noise echoed from outside. It was a splintering sound as if someone was trying to get in.

You stealthily crawled out of bed and cracked open the bedroom curtain to peer outside. Nothing of interest could be seen, only the quiet woods blanketed by fresh snow.

The woods were now illuminated by sunshine, making them appear significantly less intimidating than last night. That didn't make them any less haunting, though.

Pistol in hand, You tiptoed through the house in search of Leon. First, you knocked on his bedroom door, and when he didn't answer, you investigated the rest of the house. 

There were no signs of Leon, only the smell of something cooking and the sound of that grating thudding noise echoing through the house. 

You silently opened the front door and exited barefoot, the coldness of the snow against your skin sending shivers up your spine. The satin fabric of your nightgown offered no protection from the elements.

One step at a time, you sneaked around the side of the house. The thudding got louder with each pace, and your heartbeat raced with adrenaline.

Carefully, You rounded the corner to the source of the noise. Arms straight, gun drawn.

Leon's eyes, bewildered, raked your figure, and he huffed a laugh, "Good morning, super cop. You must be freezing."

He looked down the barrel of the gun before you put it down.

He was just chopping wood.

Clearly, your senses were on high alert. You felt embarrassed that something so trivial and ordinary ticked those mental alarms.

Defensively, you retorted, "Well, I'm not the one chopping wood in a creepy vampire town first thing in the morning! For God's sake, I thought someone was breaking in or attacking!" You huffed, crossing your arms, a once panicked stare turning to one of annoyance.

Leon dropped the axe in the snow, reaching for a large piece of wood. 

"And coming outside, in the dead of winter, wearing only a nightgown would have made a difference?" Leon said with a smirk, but it dropped quickly as he again reached for the axe to chop another piece of wood.

"And a gun! You seemed to have missed that part, and what else was I supposed to do? Spend 10 minutes putting my gear on?" You argued with a pout. Muscles tensed as adrenaline melted away.

You were still waking up and not in the mood to argue. But yes, you definitely could have kicked ass in your pajamas.

"Okay, okay, I promise I'm done pestering you. Breakfast is on the stove. You should go eat." 

Begrudgingly, you walked back inside, mumbling your frustrations to yourself. It's safe to say you're not a fan of rude awakenings.

While lounging on the couch, you ate the breakfast of eggs and bacon Leon had prepared. You flipped through your logbook, filling in everything that happened in the last 24 hours.

Leon opened the front door, shaking off his snow-covered clothing before entering. He'd been out there for hours, and it was evident in the sweat that lingered down the side of his forehead. 

Standing in the foyer, Leon peeled off his brown fur-lined bomber jacket and casually pulled the sweat-drenched black t-shirt over his head.

You watched him from where you sat on the couch, a bit confused as he acted as if no one was around.

You got a glimpse of the toned plane that was his back. He stretched his arms out, unintentionally giving you a better view. He rolled out his sore shoulder blades for a moment, and you discreetly watched from the corner of your eye.

You stifled whatever the fuck that feeling was and resumed your logbook. 

In an attempt to find some grievance, you cleared your throat. It was subtle enough not to seem suspicious but clear enough that Leon definitely heard you. 

But you're sure he was aware of you the entire time.

Leon walked toward the hallway and said, "I have a business to take care of at the castle; when I get back, we'll go over what's expected for the mission tomorrow. You'll find the notebook I've kept about these people on the bookshelf. You should skim it to familiarize yourself."

He walked into the bathroom without waiting for your reply. The only sound was the door shutting behind him.

Leon had left to take care of his end of the mission, and you remained alone in the cabin for the rest of the day. 

You bathed and changed into real clothes, skipping over the elaborate dresses in favor of the spare black jeans and long-sleeve t-shirt you packed. 

You left your bedroom to head to the living room but stopped at Leon's door adjacent to yours. 

You were curious about what his room looked like, and rightfully so. He was rather serious, not letting off much about his personal side. Even while working, other agents, like Jill Valentine, had more outward displays of self-identity. 

You wondered what the man behind the agent's identity was like, But you respectfully kept walking.

Typically, you're not overly curious about your cohorts, But people like Leon and Jill lived through the same tragedy you did. You often felt alone in your pain, But you found a sliver of comfort in knowing that you, in fact, were not.

You flipped through the very detailed notes Leon had taken. He explained the parasite they intended to use for "world domination," the pecking order amongst the rulers, detailed maps of the castle, and whatever else he found out. 

── ･ ｡☆*☽*☆ﾟ.──

"Hey, wake up," Leon said gently, nudging your shoulder. 

You woke up sitting on the floor, arms crossed and body hunched over the coffee table. 

Through blurry vision, you saw Leon beside you, wearing a fancy white dress shirt and a tie loose around his neck. 

"What time is it?" You mumbled, sitting up to stretch out your very numb legs. 

"Late—I got back about an hour ago, I made dinner if you're hungry."

Leon reached out a hand, and you took it. Grunting as he helped you up.

"Yeah, I am," You replied, your stomach grumbling.

You sat at the dining table with Leon. He prepared grilled veggies and chicken for dinner, which was surprisingly good. 

"How'd it go," you asked between bites. 

"Fine, everything is going according to plan. We're all set for tomorrow," Leon replied,

"What exactly are we doing tomorrow?" you raised an eyebrow.

"I'm sure you saw those dresses in your room. You'll have to wear one, but it's easy from there. You'll stay quiet and follow my lead. You'll have to act like my girlfriend. But it will also be a good time to familiarize yourself with the castle and, you know, memorize the layout." 

Leon took a sip of wine and offered you a gentle look, "Are you okay with that?"

You replied, "Of course I am. It's a pretty small price to pay to take these fuckers down." You flashed a cheeky grin before taking a sip of your wine. "We got this."

You continued to talk over dinner, going back and forth and sharing each other's backgrounds. You told Leon about your experience in Raccoon City— what had happened and how you'd escaped it. 

But for you, It was surreal hearing about Leon's involvement in the incident. Hearing about the people he saved, the enemies he took down, and the sacrifices he made were… Comforting. 

Comforting to know someone else could actually relate to you. 

Comforting to know there is hope.

You know there are scars deep below the surface—you know that from experience. But meeting someone who still cares so much about helping others proves that those wounds do, in fact, heal.

You and Leon cleaned up the kitchen before saying goodnight and heading to your rooms for the night.

You lay in your plush bed, unable to sleep. Your mind is whirring with a frenzy of emotions. Your conversation with Leon is still sinking in. The nerves concerning tomorrow's mission stake their claim. 

It's okay. It's okay.

You try to soothe yourself. Suppress whatever unreconciled emotions were brought up.

Just finish the mission.

— PART II —

A beautifully lavish Victorian-style ball gown adorned your body. It has a flowing tiered skirt constructed from deep, blood-red satin. The bodice was corseted tightly to your abdomen, pushing your breasts up so that they are nearly spilling out of the gown's low square neckline. The quarter sleeves fit tightly but poof out at your elbows with frilly lace. The whole ensemble is accented with black bows and delicate lacework.

You watched yourself in the vanity mirror as you carefully pinned your hair up. Enchanted by the unfamiliar person the mirror reflected back.

This wasn't you. But a princess.

A princess who has never killed or witnessed the mass extinction of innocent people. A princess who didn't have to give up her normal life against her will.

Although seeing yourself dressed up like the beautiful person you'll never be was strange. But maybe, battle-scarred government agents could wear pretty dresses, sometimes.

With your hair set in place, you head to the living room, where you are met by Leon in an equally uncharacteristic outfit.

He took in your appearance, a smile decorating his face. His lips parted as if to speak, but no words came out.

You filled the silence instead. "You look nice." You spoke softly.

He did look nice.

Leon wore a billowy white shirt with ruffles along the neckline. The plunging neckline had a small corset-style detail, and it was tucked into a pair of perfectly fitted black trousers.

Simple, but effectively good-looking. The fit of his clothes came off as rich and a little romantic. Well suited for a band of vampires.

"As do you," Leon said, voice deep and restricted.

You hid your face by looking down at your shoes, concealing the growing flush along your cheeks. "Thank you." You said in almost a whisper.

"Are you ready?" he asked, offering his arm to you.

You nod in affirmation and thread your arm through his.

Leon led you through a little stone path through the woods. At this time, it was only about an hour before dusk.

The combination of winter woods and the near-setting sun created an image of beautiful calm. If you were to let your mind wander, It would feel like you were on a date, taking a stroll through the forest.

"I told you these cultists were sick bastards, right?" Leon said too casually.

You nod, "Yes, you definitely mentioned that."

The dense woods begin to clear, and the path leads to a small village. At the horizon, the pointed spikes of a grand castle make a lethal appearance. You take it all in, honing yourself into a covert weapon. Descending into this "character" of unexpected harm.

"And you understand that how I'll behave tonight is all a part of the act?" Leon asks for your assurance one last time before entering the village.

Your heels land on the cobblestone that had been cleared of snow. The warm glow of the town's candlelight radiates as the sun begins to set.

Making brief eye contact with a villager, you squeeze Leon's arm a little tighter and murmur, "I could say the same to you, my lord." A wicked smile now painted your face.

Leon whispered lowly, "Glad to see you're committed to the bit."

As a pair, you two walked through the town's main pathway, a straight shot to the looming castle ahead. You noted that the townspeople were off. 

Very, very off.

They behaved more like mindless zombies than people; their eyes glowed crimson red. Most of them just walked by idly, with no sense of purpose. Others stood hauntingly still, staring at you so intensely you felt it in your soul.

Even the farm animals that lingered on the streets were off. They walked erratically, and their eyes glowed, too.

This place gave you the creeps. Typical Umbrella.

Reaching the castle at last— It demanded your attention with its many oversized spires and massive arched windows. Light flowed red through the stained glass, adding to its intensity.

The snow-covered graveyard and cross-tipped spires informed you this wasn't just a castle but an unholy cathedral.

You had to walk through the graveyard to reach the entrance. You noted the tombstones engraved with outdated French names and dates as far back as the 1800s. It all added to the ancient terror surrounding the looming cathedral.

Upon arriving, the massive arched door began to creak open, and a man clad in a dark red suit greeted the two of you with a thick French accent. "Good evening, Sir Kennedy. We are so very pleased that you and your-" he paused, a sly smile forming, "madame, could make it."

Leon did not reply to the doorman.

He walked past with his head held high and eyes peering downwards. His look emanated superiority as if he had no interest in conversation with a man so far below him.

Leon grabbed your hand, interlacing his fingers with yours, guiding you up the curved stairs that dominated the foyer.

You passed servants who wore simple, white, floor-length dresses with aprons and bonnets. Each servant stopped in their tracks to bow their head as you, he, walked past.

The action sent chills down your spine.

What was the true extent of power he reached in this so-called monarchy?

You arrived at a grand arched doorway swirled with ornamental gold detailing. Two men opened the doors in unison, letting you through.

Elegant music flooded the huge open ballroom. Orchestral pianos and violins serenaded your ears.

People waltzed, people drank wine, people talked, and the vampires watched.

On the dais, the looming darkness of men sitting on ornate thrones watched the every move of the people below.

Every seat was occupied except for one.

Everything suddenly stopped. The music went silent, and the people parted, bowing their heads down.

Slowly, you two approached the dais, Standing hand in hand at the steps. The man who sat in the centermost seat smiled devilishly. "Glad you could make it, Lord Kennedy." His French accent was thick.

Leon bowed his head. "Of course, your majesty."

"Why would you want to miss a ball as extravagant, as special, as this one, anyways? Lord Kennedy, we wouldn't want to disappoint our guest, wouldn't we?"

The Lord ticked an eyebrow, reaching a pale, lanky hand to you.

Leon's breath seized but quickly relaxed as he let go of your hand, hinting for you to accept.

You gracefully walked the steps, rhythmically breathing in and out to offset the heavy heartbeat that accompanied each step. The air loomed cold and silent as the echoes of your footsteps filled the hall.

The King was pale as fresh snow, with icy blue veins protruding from his skin. His eyes were glowing red, and long black hair cascaded down his shoulders to his chest. He wore an ornate gold, black, and red suit and a crown topped his head. He looked as if he was once very handsome, but now, he is not so good-looking.

You rested your hand on him, avoiding eye contact. His freezing touch sent a shiver through you.

The King lowered his head and placed a prolonged kiss on the back of your hand. His left hand grabbed your upper arm, turning it so your wrist faced upward. He ran his fingers down your arm, resting on your wrist. A devilish grin formed on his thin lips, presumably from the pleasure in whatever he found in you.

His head raised, but his hand remained fixed on your wrist. You made eye contact this time. His gleaming eyes burrowing into yours.

You could feel your hot blood running against his cold touch. Your pulse filled the silence of the too-quiet ballroom. You wanted to run, but not without a fight, and get out of this Umbrella Corporation daymare.

"Ma chérie," he whispered into your skin.

There is no running. No fighting. Today, you must pretend.

Leon stood beside you, wrapping his arm around your waist, his eyes dark, looking down at the still-seated King.

"Isn't she beautiful?" Leon asked rhetorically, a bite in his tone.

The Lord laughed, releasing your hand.

"No need to be so overbearing, Leon. N'aie pas peur. Please sit and join your fellow nobility."

The last empty chair was his. You scanned the other taken thrones. Some of the men were already turned, marked distinctively by glowing, crimson eyes and a lifeless complexion.

Although some, like Leon, had not yet been turned.

From your reading the previous day, you learned that in the eyes of the cult immortality was a privilege, not a right. They believed one must earn that privilege by dedicated service to the organization before even being considered.

Leon took a seat, relaxing on his throne. You stood beside him awkwardly, not entirely knowing what to do. But, with a tap at your side, you figured it out.

You perched on Leon's lap, your billowy dress flowing over his legs and spilling like blood onto the marble floor. He wrapped a hand around your corseted abdomen, and the other rested in your lap.

Your heart raced a little harder.

"You must be in need of a drink." The King asked.

"Some music would be nice, too," Leon said with a scoff loud enough for musicians on the floor to hear.

The music resumed, and again, the bowing people began dancing. Still, it was finally replaced by the movement and energy of song and dance.

One of the white dress servants arrived with two glasses full of red wine upon a silver platter. Leon made no effort to grab them, so you took them both, passing one off to him.

Leon pressed his lips up to your ear, "drink up, baby," he whispered.

You almost forgot— even your whispers could be herd by the immortal's keen hearing. Every thing that was said, even in a murmur, had to be in line.

It was strange to hear him talk like that, but admittedly you weren't bothered. Although the closeness was unexpected, It's been a long time since you were this close to someone. It had been a year? Maybe two? Since you were at all intimate with another person.

It felt good. He radiated warmth, his touch was gentle, and his handsomeness unmatched.

You downed your glass while Leon sipped on his. His scanning eyes watched the crowd, occasionally flickering back to the King but always ending on you.

He admired as your painted lips caressed the edge of the fine crystal wine glass and how your throat bobbed with each drink.

He called for a refill and demanded more, which the servants promptly fulfilled, And they kept it coming. After every glass you two emptied, they refilled.

Amongst themselves, Leon and the vampire Lords talked about courtly business. and as they talked, Leon's large hands ran down your leg, pulling up your skirt, and exposing up to your knee.

They were talking about war, and all rather intense subject matters. But Leon's hand kept working higher up your legs. Petting and caressing every bit of exposed skin. The King couldn't look away, neither could the other lords, or even the people below.

He used you as a spectacle, to assert his dominance, and power over the rest of the court, and it worked. The commoners were afraid of him, and the lords respected him. He mastered the facade of villainous superiority that belittled all in its path. One that possessed his lover entirely and wanted the world to know it.

His lavish touch across your legs, mixed with the headiness of the wine, brought you to a euphoric state. Coaxed by his affection, you can't help but submit.

Your back arched into his abdomen, yearning for more touch. You could not recall any of the words spoken around you, only the ecstasy of his lips meeting your neck. A soft whisper of a kiss was all he gave you, but your breathing hitched, and your body heated.

You were damned. Damned for liking it as much as you did.

He paused for a moment. Only a minute's break in time, and he still left you internally begging like a dog.

"My, my, what a statement you're making, Lord Kennedy. You plan on sharing?" The King taunted, practically drooling at your bare, pawing legs.

You spoke for the first time the entire night, causing every member of the court's head (that wasn't already) to turn.

"No."

You shot an arrow through the King's fragile pride.

The King's lip twitched. "What a defiant whore you managed to fish up."

Leon laughed, grinning wildly, "Oh, well, you should see how well she obeys me." He patted your thigh in approval, placing an absolutely panty-drenching kiss along your neck.

The King rolled his eyes, but lords couldn't hide their amusement as they stifled back laughter.

Leon rested his knuckle under your chin, "Go on, my love, apologize."

The King retorted snappily, "There's no need for that."

Thank God.

You took an extra large drink of wine to ease the tension, falling back into Leon's warm chest.

They continued on as if nothing ever happened, talking about things you knew nothing about.

Leon listened, cool and aloof, but his hands satiated your need. He resumed the game of inching higher up your leg. His warm fingers trace dizzying circles along your inner thigh.

His calloused fingers felt rough and masculine against your velvet soft skin. He squeezed your thigh, accidentally eliciting a lusty whimper from you.

"You like that, don't you, pretty girl?" Leon's breath grazed along your neck, his lips taunting you mere centimeters away from your bare skin.

You pressed your back into the hardness of his body, a needy and desperate attempt for more—more of his lavish touch. You didn't even care who saw.

You turned a cheek, sharing Leon's darkened, sultry gaze. The usual warmth in his pale blue eyes was totally vacant. He observed you like prey, nothing more than a deer in the crosshairs.

The hand that rested on your waist dragged up to your face and cupped your jaw, his thumb petting your lip, transferring your red lipstick to his skin.

His grip on your thigh intensified, digging hard into your skin. Your lips parted with a soft gasp, and your legs opened wider in response to his touch.

Hunter and hunted.

Leon bit his lip as he slid his finger into your mouth. Your lips puckered pretty around his finger, and Leon watched in feral attraction as you teased him with the tip of your tongue. You oozed confidence and sultry submission, letting your doe eyes do the talking.

The lines between the act and reality truly blurred.

The way he touched you felt too real, too right. You craved more than just the teasing.

As if in an answer, Leon's hands migrated lower and lower down your abdomen. Finally, working to where you craved most. But, he couldn't find the proof of how good he made you feel. Your soaking wet underwear would be damning to your case.

In a desperate attempt, you arched your back, attempting to pull yourself away from his wandering touch. In turn, you could feel the unmistakable hardness in his pants pressing against your back.

Oh, he wanted you too. At this stage, you both should just be condemned.

The on-lookers watched from below as you pressed into Leon's length. You ground yourself against him. Your skin glowed with sweat, and strands of hair were falling from your updo and swept around your face.

There were no secrets in the way you felt; you practically radiated sex, intimacy, and everything in between.

One of Leon's hands dragged up your body and grasped your ribcage directly under your breast. The other rested on your collarbones. He pulled your ear to his lips and whispered, "Don't let it go to your head."

You swallowed, heart racing. "What?"

Leon's arrogant grin now pressed against your ear. "That every man in this room is imagining themselves in my place. Don't forget that you belong to me, darling."

"I would never-" You were cut short by Leon's grip tightening around your abdomen.

"Don't patronize me," he demanded, but his white-knuckle grip loosened and transformed into apologetic strokes down your side.

"Yes, my lord." Sweet and submissive.

The King seemed to approve, as marked by an appraising nod he shared with Leon.

A servant walked by, head hung low, and Leon's voice cracked like thunder. "Wine, now." Pure demand in his voice.

You drank the seemingly bottomless glasses of wine Leon ordered. You should have stopped, but you drank on to avoid any unfavorable conversations.

Tonight, you learned that French vampires love to drink.

The night grew late-- You, Leon, and the other Lords were drunker than sailors. Conversations of importance were divulged into off-topic chit-chat and banter. The people below slow-danced to the soft ballads that hummed through the castle.

It was a struggle to stay awake. All the wine, the music, the expectations, the teasing. It tired you out. Your head lay in Leon's chest, soaking up his sent-- Open sky and rugged woods. Your dainty hands gracefully stroked his exposed chest, painting little circles, occasionally your hands reached up to play with his pretty blonde hair. Leon languidly stroked your arm, head resting lazily to the side.

Leon sat up, shifting you with him, and cleared his throat, "My king, It's been a pleasure, but we should head back now."

"Why don't you just say the night? I would hate to see your poor madame walk all the way back to your... Maison, this late."

You and Leon exchanged a look; you weren't exactly sure if he had accounted for this in his plan. Your eyebrows threaded together, a look of annoyance and confusion, but Leon quickly turned away.

"What a hospitable offer, your highness." He responded eloquently. He knew that someone who was actually in his place would never reject an offer like that.

"It's the least I can do for you, Lord Kennedy; after all, you've been so dedicated to our cause." A sly villain-like smirk formed on the King's lips.

Leon politely bowed his head in acknowledgment.

The King snapped his fingers, and without an exchange of words, a servant was at the throne you and Leon shared.

You both stood up and followed her, hand in hand.

You passed by the other Lords still seated along the dais. Their prowling eyes raked your body as you walked by. Leon was right; you were in everyone's minds. Stripped bare and doing unspeakable things to them.

It repulsed you to be thirsted over by depraved vampire lords, but in some sacrilegious facet of your mind, you were flattered by it. You even walked in a way that accentuated your hips, teasing them just a little more.

You were just passing the King's throne when suddenly someone grabbed your arm. It was the King who had implored his icy hand around your arm, pulling you into him. You gasped as he bent you over the armrest of his throne and placed a kiss on your cheek. "Bonne nuit, ma chérie" He whispered in your ear.

He activated your desire to fight back; you wanted to place your hands around the scrawny King's neck and kill him right there. You could without any resistance, too.

But, you suppressed your urge. Sweet and submissive, you told yourself. You already got yourself in enough trouble with your previous stunt, best not to ruin it now.

"Goodnight, your Highness," you muttered back as dainty and feminine as you could manage.

The King released you, and as you took a step back, you were in Leon's chest; his arms were quick to wrap around you, like a knight in shining armor waiting for his princess.

As you left the dais, the people of the ballroom once again stopped dancing, and bowed as you and Leon walked through, escorted by the servant.

She showed you to your room, opened the door, bowed, and left promptly.

The room was entirely white and gold, similar in design to the rest of the castle, but featuring a giant bed in the middle of the room with a canopy of pooling gauzy fabric.

"What are we supposed to do now?" you whispered once the door was closed behind you.

Leon rubbed the temples of his forehead as if he had a headache, "I'm not sure. I didn't expect him to want us to stay the night."

You looked around the room, unsure of what to do now. "Should we escape?"

Leon peaked his head out the window, surveying the area, "That's an option, but risky," he muttered. "It would blow our cover when they inevitably found us gone. The plan was to kill the nobility a few days from now, on the full moon. That's when they're planning on turning one of the human lords immortal."

"Why does it have to be then? Can't it just be now? They're all drunk and lounging around, for God's sake!" You accidentally raised your voice, and Leon shushed you by pressing his finger to your lips.

"When they turn someone immortal, they have to use the parasite... The plan is to steal the parasite during the ceremony and then kill them. We need to bring it back to America so it can be studied.

But, I haven't been able to find where they store them; as far as I'm aware, only the King knows. That's why I've been waiting for the ceremony."

"So... We stay?" you said defeatedly.

"Unfortunately."

You looked around the room, rummaging through the wardrobe and the various drawers throughout. Everything was empty except for the Holy Bible in a desk drawer.

"You can have the bed, I'll take the couch." Leon offered kicking off his boots before sitting on the small white and gold couch.

"That couch is so small, you can have the bed." You tried to negotiate.

"No, no, it's all yours. I've slept on much worse than this." He said, stretching his legs out along the couch. It was too short for him, so his feet dangled off the armrest.

You sighed; there's no point in arguing.

"Well, I can't sleep in this dress. It weighs about 20lbs, and it's too damn hot."

"There was no spare clothes?" Leon asked.

"Nope."

Leon looked around the room, eyebrows stitched together in thought, before he resolved, "You can have my shirt."

"Are you sure?"

"Yeah, It's no trouble at all, really."

Leon remained where he was on the couch, eyes closed.

You stood on the other side of the room, fumbling with the corseting on your dress, unable to unlace it. "How the hell did I even get this on earlier?" you mumbled to yourself.

Leon's eyes perked open, watching you struggle. He cleared his throat, "Do you need help with that?"

You didn't answer but still struggled.

Leon took it upon himself to help you. He walked over and began unlacing the many rows of tight lacing along the back of your dress.

"Thank you," you said so very quietly.

"I wanted to apologize for earlier, I—"

You cut him off, "Don't—You don't have to apologize. I understand, truly."

Silence loomed over the room, and only the sound of fabric rustling filled the void. You tried to find the right words to say, but you came up empty-handed.

Leon reached the last eyelet, and you held the gown at the bust so it wouldn't fall off. Although you admittedly wouldn't mind if it did.

Your back was entirely exposed to him, only inches away from pressing against his chest. Your mind slipped— what if you took a step back? Let him do what you want him to do. Let him explore your body even more than he did earlier.

His strong hands could surely do a lot, and his pretty blonde hair would look great between your legs—

God damn.

Leon broke your silent daydream by taking off his white-ruffled shirt. He handed it off to you at your side, gentlemen-like.

He meandered back to the couch, resuming his position of outstretched legs along the cushions, closing his eyes.

You checked over your shoulder to ensure his eyes were closed, and then you let your dress fall to the ground.

You dawned Leon's shirt. The cottony fabric felt soft against your skin and smelled overwhelming like him, rugged and masculine.

In the mirror, you watched yourself let down your updo, letting your hair fall and combing it out with your fingers. Here is where you noticed that Leon's shirt is just a little too sheer.

The outline of your silhouette was vaguely noticeable through his airy shirt, but your nipples were definitely visible.

Oh well.

You folded up the gown and placed it at the foot of the bed atop the quilted velvet ottoman. You were about to get into bed before peaking one more glance at Leon.

He was statuesque in the way his body stretched along the couch. He had a hand atop his very defined abs, and his other arm dangled off the couch.

The faint blueish hue of the moon illuminated him in gentle light, it was the only light in the room, save for the single lit candle next to the bed.

Leon was so pretty in the way he slept. He looked so at peace, so beautiful, and so kissable.

It pained you to not invite him to your bed; maybe in another lifetime, you would have.

But you certainly could not let him sleep without a blanket or a pillow.

You peeled off the first blanket layer of your bed, grabbed one of the many over-filled pillows, and tiptoed to where Leon rested.

Gently, you set a folded blanket on the foot of Leon's bed, causing him to open his eyes.

"What are you doing?" Leon's mumble trailed off into a yawn.

You whispered, "I don't want you to get cold, so I'm giving you some of my blankets."

Leon smiled faintly. "Oh, I see…" he trailed off and then added, "Thanks for that."

You looked pretty; your hair and makeup were a mess but in all the right ways.

Leon noticed how pretty you were. How pretty you were in his shirt, with nothing else underneath.

"I hope this is enough for you."

"Yes, it's more than enough," he reassured.

"I'm going to head to my bed then, goodnight Leon."

He didn't show it, and you would never know it, but he loved how you said his name.

"Goodnight to you, too."

In that moment, time stood still. You couldn't walk away. You wanted to bask in the shared space of each other's gazes, bound by lust. Leon, too, made no attempt to break away.

You'll probably regret it later, but there is no harm in trying, right?

Instead of leaving, you bent down as if to pick something up, but you stopped when you reached his ear.

"Leon..." You whispered quietly.

"Yes?"

Your heartbeat raced so fast it felt like it was gonna jump out of your chest. "Do you really want me to go?"

Leon paused, raking his mind for the correct answer. "No."

He turned his head, pressing his forehead to yours, and resting his hand on the back of your neck, running his fingers through your hair.

"I didn't want to either," you said breathily.

He smiled and kissed you. The first real kiss you shared. It felt like a wave of warmth crashing down your body, every one of your instincts telling you yes. His lips were soft and gentle against your own.

"I couldn't stop thinking about you," Leon whispered into the kiss.

You replied, "Me neither."

Leon pulled you by your waist, sitting you on top of him, and deepened the kiss by grazing his tongue against yours. He tasted purely of wine.

Your hands ran desperately through Leon's hair as his hands caressed your ribcage down to your hips. His grasp settled onto your waist, stroking his thumbs along your ribs. You playfully bit his lip, praising the way he touched you.

Leon's lips broke away from yours, and they began to press small kisses down your cheek, and then your neck, and then your chest. Every single one felt like pure ecstasy against your skin.

Your arms wrapped around Leon's neck as you arched your back, pressing your chest deeper into his kiss. His grasp along your waist tightened with your movement.

He was aching and so hard in the confined trousers he still wore; Leon rocked you against himself while he made out with your chest.

You moaned with gasping breaths at the feeling of him rutting into you, your head falling back carelessly.

Leon's hand met the spots he kissed, dancing along the wet skin of your chest. His wandering fingers teased the outer edge of the shirt you wore, wanting to pull it down. His lips followed down the V of the shirt, But before he could do anything more, you raised your arms, slipping the shirt over your head.

You were entirely exposed to him, save for your underwear. Leon thanked you by pressing kisses along your pretty breasts, thumbs twirling around your hardened nipples. His lips met where his thumbs danced, puckering his lips around your nipples, stroking and sucking them with his tongue.

You gasped, nearly at the edge of becoming undone. Leon worshipped your breasts like his own personal deity, letting out low, strained moans.

You lost all sense of control, grinding yourself into Leon's bulging lap, getting off at the sensation of his cock twitching for you.

"More," You moaned as Leon released the suck on your nipple with a wet-sounding smack.

You pressed down on Leon's chest, pushing him into the couch.

God, you looked so lovely and desperate from Leon's perspective.

Your hands slipped between your legs, resting on the bulge that strained between them. You caressed him through the fabric, teasing him with a pouty smirk.

Leon's mouth gaped slightly, sucking in a breath as he watched you adore him. You nimbly unbuttoned his pants, pulling down the zipper.

Leon sat up and pushed you back so your legs wrapped around his waist. He stood up, picking you up with ease, and walked you to the bed, gently resting you onto the fortress of overstuffed pillows.

He took off his trousers before joining you, his protruding cock making a tent in his underwear.

"You're beautiful," Leon fawned at your figure before bending down to kiss your thighs. "I loved touching your legs earlier, darling," he added.

You're fully melting at his sugar-covered affections.

You sat up, taking Leon's head in your delicate hands with a devouring kiss. You pulled him back, so he laid on top of you. One of his arms embraced you, and the other brushed between your legs.

His fingers toyed with you, sweetly caressing you through your soaked underwear. You moaned into the kiss as Leon began tracing small circles over the fabric. His hands then nuzzled beneath your underwear, meeting your aching sex fully.

His calloused fingers lapped your cunt, but ended on your clit, circling it gently. You broke from his kiss, head arching back from the intensity of pleasure you felt. Leon licked his lips as he watched you fold under him. Leon tugged off your underwear, deepening your pleasure as he rubbed his fingers around your opening.

Your hands, in desperate need of touch, caressed the expanse of Leon's amazingly defined torso. It alone killed you, the sheer strength he possessed. He was trained into a lethal weapon, but man, did he feel so good.

From Leon's torso, you ventured lower, tugging at the waistband of his underwear. Leon's gaze met your begging doe eyes, pleading him for more.

With your help, he pulled off his underwear, releasing his pretty, throbbing cock. Your hand softly wrapped around his length, petting him slowly. Leon's breath hitched as you did so.

You wrapped a leg around Leon's waist, pulling yourself up to straddle him. Perched on his lap, you rested your soaking cunt onto the length of his cock. Leon's hands dug into your hips, grinding his himself against your folds.

"Leon," you gasped, soaking in the feeling of him beneath you.

He moaned, hungrily watching the way your bodies met.

He sat up, pressing his chest against your stomach, and pressed kisses along your breasts. As he did so, he lifted you up by the waist, giving himself just enough space to push his length into you.

Loudly, you whimpered as his length filled your entire cunt. You bounced yourself on Leon as he sucked your nipples.

Leon released you from his mouth, lying back down, fingers digging into your upper thighs as he fucked himself into you hard. Letting his entire length fill you up before pulling back.

You couldn't help your hopeless cries and moans as his pace picked up, fucking you like the world depended on it. Maybe it did.

You were a few forceful pumps away from reaching your peak, and as you forced yourself into him even deeper, Leon lifted you up by the waist, off of him.

Dazed, you whined, "Why."

He only responded by nudging you over onto your hands and knees, spreading your legs wide for himself.

Leon's cock pressed at your entrance while his hand toyed with your clit, teasing you. He so very slowly pushed himself in, making you feel every inch of his length as he entered you.

"Just like that," he hushed under a moan and then rammed his cock into you, building up speed, fucking you faster and faster.

Your nails dug into the bed sheets, reaching for something that does not exist. Leon smacked your ass with a deep moan as his tip reached even deeper inside of you.

The only noise filling the room was the sound of your skin clapping against his and your shared feverish moans.

"You feel so good," you cooed, pawing at the sheets. "I don't think I can last much longer."

He slowed down his pace, pulling his cock almost entirely out of you before inching himself back in. "You can last just a little longer for me, pretty girl."

"Okay, yes, please just fuck me harder," you pleaded. Grinding yourself on his length, desperate for more than he was giving.

"Well, since you asked so nicely," Leon groaned and fucked you so hard that the bed was shaking back and forth. His arm reached up from behind, grasping your neck in his hand. He was hunched over you, fingers squeezing your jaw as he plunged deeper and faster.

His teeth were clenched, and his breath was fast as he burrowed his throbbing cock so far into your cunt that you came completely undone, crying his name as you rode your climax out.

"Leon, Leon, Leon," you cried as your wetness dripped down his leg.

Leon's breath seized as he pulled himself out of you, resting his cock on the small of your back, spilling hot all over your skin.

His grasp loosened, trailing down your neck. His head rested on your back, reeling himself back from his climax.

You rested your body, splaying yourself along the bed. Leon got off of you and frantically looked around the room for something to wipe your back with. He settled on the blanket you had left for him on the couch, thinking to himself, their problem, not mine.

"Thanks," you giggled as he cleaned you off.

He crawled into bed, tucking into the massive billowy covers, and you did the same. You blew out the single candle next to the bedside, leaving only moonlight to douse the room.

Leon opened up his arm, beckoning you into his embrace.

You cuddled him, soaking up his scent and his warmth. All while relishing in the tingling euphoria your body felt.

"Goodnight, for real?" Leon said quietly, sleep heavy in his voice.

"Goodnight, for real, Leon." Your heavy lids shut, falling into sleep.

── ･ ｡☆*☽*☆ﾟ.──

You wake up on Leon's chest to a knock at the door. The morning sun singed the pounding headache induced by last night's wine-filled activities.

Leon woke up, too, wincing and rubbing his temples. He got out of bed, pulling on his underwear and pants.

Leon's hair was a disheveled mess, and the remnants of your lipstick still stained his neck and his cheek. He answered the door to one of the servants standing there.

She bowed, her thick French accent trembling. "Lord Kennedy, I apologize if I interrupted, but the king wants a word with you."

"Can you show me to the bath first? You can't seriously expect me to talk to him looking like this?" he sounded harsh, and you almost forgot about the character he had to play.

Her voice trembled. "Yes, of course, sir. Not that you look bad, but yes, I'll show you to the bath."

"And her too," the servant peaked her head through the doorway, under the arm that Leon propped himself up with, and saw you, sitting up in bed, covering your naked body with the duvet.

She immediately ducked back in line, "Yes, of course." she bowed her head once more.

Leon tossed you his shirt, which was lying on the ground beside the couch. Quickly put it on, and with a motion of his hand, Leon summoned you to him.

You acted shy, meekly hiding behind Leon.

"Follow me, My lord," The servant hushed, trailing you two down the hallway.

As you tiptoed down the hall, you were barefoot and more exposed than you cared to be. It felt slightly embarrassing, but there was no point in caring now, was there? At least you found amusement in a shirtless Leon.

The servant guided Leon to a bathroom for himself. She signaled him in with her hand while her head was low.

Before he entered, he added, looking down at the servant. "And get her a new dress, she can't go out looking like that... And she wouldn't be caught dead wearing her evening dress during the day, would she?" Leon sounded like an absolute asshole, but that was somehow amusing.

"Yes, my lord," She bowed for the 100th time.

He entered the bathing room, closing the door behind him, and the servant showed you to another bathroom.

── ･ ｡☆*☽*☆ﾟ.──

You bathed in a massive clawfoot tub, sweet floral soap washing off all the makeup and memories of last night.

You were not sure how to even feel about last night. You'd never slept with a coworker before; you barely sleep with anyone anymore. Is this going to make things awkward when you leave? Or are you to pretend nothing happened at all?

A servant knocked on the door, interrupting your silent pondering before letting herself in. She quietly hung a pretty cream-colored Victorian gown hanging behind the door.

"Madame, Lord Kennedy is speaking with the King. He has asked you to wait while they finish up. We prepared breakfast for you in the dining room in case they go long. When you're ready, the dining room is down the stairs and to the left."

Who are you kidding, there are more pressing issues ahead; you're bathing and being fed in a vampire cult's castle for God's sake.

"Thank you," you said sweetly.

The servant promptly left the bathroom with a bow.

Soon, you will eliminate these vile creatures and leave. You just have to tough it out a little longer. One more day of acting like a mild-tempered little plaything, and this will all be over.

part two coming soon xx

#thank you for reading <3 #i've been so nervous to post this eek #i hope you like it #academy fics✨ #throne of his own #leon kennedy #resident evil #leon kennedy smut #resident evil smut #leon kennedy x reader #leon x reader #leon kennedy x you #leon resident evil #leon kennedy fanfic

[king-krisu]

Super deep and way too much reading into -analysis of kot kot incoming

Okay but I'm convinced that kot kot is literally it's crazy it's part 2 in that Jere feels like his life is an endless party 365 days a year and he can't escape, and he feels like he's doomed to dance (mut on tuomittu juhlimaan).

I think the first teaser we got will maybe be like the last beat drop where, after he's talked about how draining it is to constantly be in demand and how he can't give himself a break, he goes back to the old "silly family friendly" Käärijä we all know. Bcs that's what the first teaser sounded like, kinda silly and simple lyrics with a sound even kids might like, just like how CCC became popular amongst kids here. And he feels tired and trapped by this persona the chickens, we the audience, have created for him that he feels like he has to live up to. Other artists, 'the smart ones who went to bed', realised earlier than him to rest and to prioritise their own health, while he pushed on and almost burned himself out. Just like ICIP, with the verses being about endless parties and no escape, and the chorus being a bit silly and a mindless party song you wouldn't think twice about.

Also I feel like them using stripping was a way to really hammer home how he's just another entertainer for the chickens to enjoy without having any regard to his personal wellbeing. (I'm not saying that strippers = exploited people, it's just the most blatant way to express that in a visual way). The chickens laugh and drink in the video while Jere provides them something to look at, even though they don't even seem to really pay much attention to his performance anyway. Kinda like how at shows with a lot of 'normies' people only really care to see the silly ccc guy, and don't gaf about his other songs. It also reminds me a little of NYE when families demanded he go and perform CCC for the kids bcs "well why couldn't he just stop by real quick to make them happy", and he did even though it meant 3 performances in 24h for him. Not to mention he had to fly back from sweden and 2 of the performances were outside in -19 degrees.

Idk, to me it just reads a little bit like Jere not being sure how to navigate being extremely popular while having most people in this country not really understand his music, bcs it is a very unique genre. I might be so completely wrong and he could read this while laughing but that's my interpretation of it so haista vittu Jere if you're reading this 🫶🏻

#käärijä #jere pöyhönen #i have a job whah the fuck am i doing writing all this #ITS KOT KOT IT DOES NOT NEED ALL THIS lmao anyway enjoy my dumb analysis of 40sec of a song

[michaels-reality]

Diversity talk around Dungeon meshi makes me feel insane because all that was done is drawing normal looking white people. I can count the people of color on one hand and most of them are ambiguously brown, and on the other hand I can count the fat characters and most of them are specific fantasy races.

Ryoko Kui has a remarkable art style and everyone is drawn with love and I really admire it, but I feel like it shouldn't be the pinnacle of diversity for some of you. Falin isn't fat, she's just a big normal looking lady. Laios also isn't fat, he just has a regular looking muscular build without the dehydration six pack. The fat characters we do see are dwarves and orcs, which seem to make it look like the only way you can be fat is to a specific fantasy race. That may sound like a reach and may actually be a reach, but it is a little sus to me </3.

Characters like leed, namari, and senshi mean a lot to me but I wish we saw more fat humans or elves or etc. I know Ryoko Kui does explore more body types for different races in the art books but I'm a little disappointed it wasn't in the actual manga.

Not to mention the lack of black people 😭 Like I'm usually not expecting to see black people in anime and manga, I know that I can't always be asking all that from this kind of stuff, but seeing Kui actually draw black people in some of her studies in the art books and not seeing them present in the manga made me a little sad 😭. Like the brown characters we do have are KiKi, KaKa, Thistle, Kabru, and Cithis (plus a few extras that show up for like 2 seconds). Most of them are ambiguous, talking about the elves. Like we have brown elves but also we have pitch black elves, that makes me think they are only brown cus they are dark elves.

People like to argue like "Oh but it's fantasy and these are fantasy races so what do you expect?" but I think there is something to be said how it's always white people in these fantasy settings and brown and black people taking a backseat. I love dungeon meshi, I really do, but it is in no way revolutionary, it is just the standard.

IN MY OPINION ANYWAYS!

#blah blah ramblings #dunmeshi #also when i say people of color im not talking about characters from the eastern region #they are people of color but it is the norm for a japanese author of a japanese manga to write characters based of their japanese culture #so that doesnt really apply here </3 #i really love how ryoko kui adds elements of japanese culture all through out the story and characters though #its really good

[idyllcy]

this is a drama. i am the drama.

word count: 10.4k

WARNINGS: mentions of SA, mentions of sex trafficking, mild violence (all r kinda glossed over but still warning), Nonexplicit smut

summary: your soul drowns Tim, but he finds comfort in it.

The city of Gotham is not phased by much.

From the drug trafficking in the docks to the human trafficking happening under everyone's nose, the average citizen doesn't really care. Though, arguably, they do mind when their sleep is disturbed by the sound of racing cars— something else that isn't necessarily new in Gotham. However, there had been news that the racers were steering off into the city at night, so Tim finds himself in civilian clothes, holding up a pass to access the venue that the racers were using, stepping in past the loud noises and people screaming. Ah, he made it in time.

He's surprised to find actual racing cars— cars that look like they could be in a grand prix.

From the seats, he meets eyes with a racer. He can't tell anything, but from posture and body frame, a woman. Now that he looks at it, all the racers seem to be female-presenting. He turns down the drink offered by one of the men, striking up a conversation instead, batting his lashes at the man, hoping to seduce him in some way. He wore too much clothing to be able to do so with his body, but it was still worth a shot. He hates dressing up like this anyway.

"So, what's a goody two shoes like you doing here?" The man smiles, sliding an arm around his shoulder.

"A friend gave me his pass because I said I'd never watched a Gotham street race." He bats his lashes. (Hopefully the fake lashes Stephanie glued don't fall off. God, did he hate dressing as Caroline)

"Really? Usually we place our bets on a racer." He hums, waving a guy over, dropping a twenty in a box. "I'd recommend you vote for Spitfire, she's an oldie and usually wins."

"Who are the others?" Tim slips a twenty from the back of his phone, blinking at the other names.

The man chuckles. "Lightwing is another good contender. She's been around forever. But also, her vision is spotty from an accident last time, so she's not as popular as before."

Tim nods slowly, staring at the other two names. "Who's Moonknight and Aquastar?"

"Moonknight is making her debut tonight, but her test run streaks were pretty bad because she doesn't have as big of a team as the rest of them." The man waves his hand. "You don't need to bet on her, pretty girl." He grins toothily. "Oh, and Aquastar is a visiting racer from a nearby city. We usually have more racers, but Cardinal got suspended for going off the race tracks and breaking into Gotham two weeks ago."

Now that he thinks about it, all of the names were practically knockoffs of the vigilantes and heroes who protected the cities. Although, he's surprised the street racing had ended up this big without any of the bats shutting it down. Someone must have a hand somewhere. He just wonders if it's Hood or B. It could be neither for all he knows.

"How does one race?" Tim blinks at one car in particular. It looks too much like a batmobile for comfort.

"You'd have to talk to the racers for that."

"Ey, Chris, are you hitting on newbies again?" A woman walks up the stairs, shoving him to the side playfully, tilting her head at Tim.

"Oh, come on, Spitty. You know I only do that so I can collect profits when you win."

"Arguably," She tilts her head at Tim, pausing. "You should bet on Moonknight."

"A-ah?"

"If she wins," Spitfire smiles, "then you collect all the profits. It's only a twenty, after all."

Tim frowns.

"But there's also a tradition for newbies to bet on newbies." She laughs. "You never know. That girl's got more speed in her than Cardinal. She just refuses to tell people."

"What's the cash prize?" Tim raises a brow.

"Driver gets ten percent of the bet money on top of the two million that WE pours into the track." She pauses.

"WE pours money into this?"

"We're not sure why, but they have been for a while now. The whole race track was from them." Spitfire sighs. "It's an old story, so it's not that surprising anymore."

Tim glances at the car again, pausing. Ah. This was where Bruce tested out his batmobile by using other people. No wonder he didn't push anyone to check the driving out. If Bruce was testing out all of his vehicles here, then there was no way he'd want it to be shut down. It would explain why he handed him an access card without having him get one. Tim glances around to look for seating, and Spitfire notices.

"You wanna sit in the grandstands?" She smiles. "My treat."

"Really?" Tim puts the money into Moonknight's box. The woman was right. It's only a twenty. Worst case, he loses the money. Though, he wonders what kind of a racer would have a leading champion telling him to vote for her. "Oh, is there a reason all the racers are girl?"

"We tried co-ed racing for a while." Spitfire holds her hand out for Tim, and he takes it. "But the men would get too aggressive and lead to unnecessary accidents on the track. Our goal is to test out cars for our sponsors before they're taken onto the field."

"Is that why there's a pass to get in?"

"Yeah." She hums, pulling the door open. "Come on in."

"Spitfire, favoring a newbie?!"

"Spitfire, who do you think is going to win!"

The woman turns her head, smile on her lips. "Me, obviously."

But it proves wrong when Tim meets eyes with the same woman from the first time.

You stare into his eyes, white racing suit snug on your body, a look in your eyes he recognizes. Though, the longer you look at him, the more you seem to read him— as if his entire past were exposed in front of you at a table. There is a sort of darkness to both your eyes and hair, the stare of a thousand souls. He breaks eye contact first, waving goodbye to Spitfire as she hops back to her position, final checkups of the cars in progress as Chris asks him if he wants a drink. Tim waves him down, but he mentions a can of Zesti would be fine. Chris barely makes it back in time for the announcements.

Tim catalogs the majority of the announcements in, checking for their voice on his phone, blinking when he finds a lack of match for it. He'd ask Chris, but the man is practically leaning over on the stand, eyes glittering as the cars prepare to race. He stands up, cracking open his soda, blinking when the four racers seem to fly off, and his eyes glance at the big screen, camera flying after the cars.

Moonknight goes from second to third, and Spitfire goes from third to first. He doesn't have much faith in his twenty bucks, but he wonders if the batmobile would really be helpful in a race like this. It didn't—

Moonknight goes from third to first at the final moment, boosting past Spitfire and racing to first place as she makes it into the second lap. Tim pauses while recalling the batmobile, and he remembers the change he had made just a week ago on the car, letting it accelerate faster than the other cars. Seeing his own creation in action hits something in him, blinking as she swerves.

"Oh, I might actually lose my money today." Chris laughs. "I didn't think she'd be able to do it."

"Who is Moonknight?"

"She's a completely new racer. She's called Moonknight because he sponsor gave her a car that looks eerily like a batmobile every time. Though, her car is in light grey." Chris points. "I'll hand you the pamphlet later."

"Thank you." Tim mumbles, watching as Spitfire races neck to neck with Moonknight. Tim wonders if it's going to be a tie. Though, he did add something else to the car. Maybe Bruce told you, maybe not. If she manages to find it, she could win. Though, he's more curious to know if rocket boosters were technically allowed in a race like this. Who knows.

You grimace in the car, pressing a couple of buttons as your fingers brush over something new. You wonder if it's the self-destruction button that Batman had told you not to touch. Yet, you shrug it off, clicking it anyway, slamming back into your seat as you speed past Spitfire, breaking past the finish line, steering with one hand as you try and stop the rockets on your car, clicking on the screen, grimacing. You'd rather not call Oracle. Last time you did, she tried pulling your social security number on you, only to find a lack of one.

Your heart races in your chest as you press the button again, the rockets only growing stronger, and you groan as you type in a code you had memorized from the Batcave, successfully shutting down the systems on the car, turning it back into a regular vehicle. You don't know who invented that line of code, but god were you thankful that you memorized it. The car eventually slows, and you drift next to the other racers, parking successfully. You step out of the car, leaning on the door as it closes, the blood in your body flushing your skin.

"Moon, are you alright?" Spitfire rushes next to you, hand on your bicep.

"I'm fine." You pull the helmet from your head, meeting eyes with Tim's again. You raise a brow, and you lower your voice to Spitfire. "That girl isn't a girl."

"Drag maybe?"

"No." You mumble, turning to shield your mouth from his eyes. "Undercover cop. Either that or they're a vigilante. They used Batman's card to get in."

"Ah." She frowns. "Are we safe?"

"I'll deal with it if he throws a fit." You stretch your neck, placing your helmet onto the top of your car. "Gotta submit a report later."

"I'm not looking forward to that." Lightwing groans. "Our next race is supposed to be motorbikes."

"Ewwww." Spitfire shudders. "I hate racing those."

"I hope they don't have rocket boosters like on my car today." You shudder.

"Alright, go get your cash prize, girlie." Spitfire smacks your back to send you walking to the podium.

You step over to the makeshift stage, taking the cheque from the announcer, blowing a kiss at the phones as you stare at the blank cheque. Two million was the max, but you were told you'd get to cash out five if you could win the race. You pause, though, when the girl you were staring at earlier makes her way out of the stands and walks over. Spitfire tries stopping her, but she seems to say something that has her quiet as she steps up the podium to meet you. You tilt your head at her.

Tim opens his mouth to speak before you cut him off.

"You know." You pause to wave the announcer off, hooking your arms under her knees to rest your chin on her chest. "You're real hot as a woman, but I'm sure you'd look better as a man."

Tim flushes as you press a kiss to the crown of his head, and you set him on the podium, lips pulled into a pretty smile. Your voice lowers as you rest your chin in the valley of his tits, blinking up at him. You jut out your bottom lip as Tim swallows thickly. Your fingers lace into his hair, nails digging into his scalp gently, blinking slowly, reading his emotions, his expressions, his everything. You look entranced, and Tim almost feels bad that he's here undercover and you're staring starry-eyed over someone who doesn't exist.

"What's your name, pretty girl?" You raise a brow at her, grinning.

"Caroline." He swallows again, heart racing in his chest. You're too attractive for your own good. Maybe you were using that against him. "Caroline Hill."

"Well, Carrie," You hum, tucking his hair behind his ear. "I think you're gorgeous. Care for a drink sometime?"

"A-as much as I would like to, I'm not into w-women." He stumbles. (A bold lie. He's never had a worse panic over a woman in his life.)

"Quite a shame." You mumble. "You're so pretty too..."

You step down the stage, holding the cheque up as the girls cheer with you.

Tim should really talk to Bruce about what the batmobile was doing in a street racing event.

Though, as Tim tries to run a background check on you, he finds nothing come up. Even in the private files of the batcomputer. Even on the card that gave him access, all the fingerprints were wiped clean. He finds practically nothing, not that it gets to him, he just looks harder. He practically lives in the cave now. He doesn't remember the last day he got regular sleep. He has nothing on you.

So, he shows up at the next race as himself this time. He enters with the same card, and this time, you find him first.

"So? You related to B?" You hand him a can of unopened zesti, and he raises a brow at you. You raise a brow back at him, pointing at his card. "Card. That's a B exclusive card."

"How so?"

"Sponsor card." You smile. "Since it's light grey, that means it's my sponsor. My sponsor is B."

Tim frowns. "Who are you?"

"My question first."

"He's an aquaintance. Now my question." He opens his can, pressing the drink to his lips.

"I'm a racer." You smile.

"I meant as a person." He clicks his tongue.

"Why don't you find out?" You bat your lashes at him prettily, hand pressed to his abdomen, leaning in to blink at him devilishly. "Or are you not into women too?"

Tim's heart races in his ears, swallowing as he tries his best to match your pace. "What does the media say?"

"Lots" You grin, pressing yourself closer to him, arms wrapped around his neck, your air mixed with his, lips pulled into a dangerous smirk. "But all I hear these days is how someone keeps trying to hack my personal information."

"Yeah?" He tilts his head, placing the can to the side.

"Mhm." You hum.

Tim smiles at you, dangerously, all while his mind is a jumbled mess. You had an effect on him that he dared not to pry further into, but god were you intoxicating — bad for his brain even. He finds himself leaning closer to you, all systems going off about how this was bad for him, but he doesn't care. Not when your perfume smells tantalizing and the only thing he wants to do is kiss you sick— make out with you until you're whimpering against his lips, knees giving out under you, and brain fuzzy with only him. His eyes darken with the thoughts, a smile on his face.

You remove your arms from him, tapping his shoulder twice with an innocent smile. "Thanks for giving me the last piece."

Tim raises a brow as you peel yourself from him, his mask in your fingers, smile not so pure anymore.

There was no way.

Tim grabs it back from you as you back up, both hands in the air, and as he shoves it into somewhere you can't touch, you hop over the stands, landing on the dirt with a thud. Tim frowns in frustration as you send a wink his way, starting final check-ups for the race. It's bikes today, and Tim recognizes all of the models. A copy of his own bike is in Spitfire's hand right now. Maybe this was how Bruce figured out whether or not his bike was safe to ride after his own customizations. Jason's bike is in another rider's hands, red helmet with black— presumably Cardinal, and Dick's bike is in Lightwing's hands. You have Bruce's bike still. It checks out now.

This was the testing ground for the vigilante vehicles in Gotham.

The fact that you had figured him out so quickly only meant that you had realized faster than everyone else.

But there had to be a reason that no one part of the team saw the similarities between their vehicles and the ones that the Gotham vigilantes used. There had to be a reason that only you would be crazy enough to figure it out just based on vehicle models. Maybe he could use the status card to talk to you all for a little. Too bad you were already checking the vehicle. He should have asked earlier— strange. It's not like him to be this disoriented.

You win the race.

It's obvious. B's bike was designed with the fastest engine possible, and in a race of pure speed, it would win. No matter how much Tim tinkered with his bike, he wasn't allowed to go faster than Bruce. The man had said it was too dangerous, and Tim could see why. The Batbike was a nightmare to steer at such high speeds. Though, he does wonder where everyone on the track gets their practice. There's never a peak of sound during the day on the track, and neither was there much noise at night when you weren't racing.

Tim does not dig the idea that he has to pull his money card out, but the more competitive part of him does wonder what it would look like to have you fold for him.

"A drink?" He leans over the railing, card held up, raising a brow at you.

You wave him off, handing your helmet to someone else, clicking your tongue.

"That's not the way to ask a pretty woman out on a date, boy." You raise a brow, lips pulled upwards in a grin. "Maybe ask better next time. Some of us have black cards too."

So Tim watches as you leave with the rest of the racers, his heart racing in his chest.

It takes ten more tries for Tim to trace from someone else to you.

He blinks at the woman on the screen, and he pauses to ponder. Perhaps.

However, all of his thoughts are thrown off when a command is called from behind him by Bruce with a new case. A file is handed to him, a file with a rather unoriginal name, and it makes Tim raise a brow. Surely it was a jest.

"I assure you, they are very much real." Bruce rolls his eyes, cowl peeled off, humming with a drink pressed to his lips.

"Is this related to the serial murder of rapists going around in Gotham?" He opens the file.

"Not just Gotham." Bruce hums. "Clark did a report on the serial murder of both registered and unregistered sex offenders in Metropolis as well. It has been a trend. Despite the vigilantism, it is still very much illegal to kill someone."

"I don't see too much of a problem with killing a rapist." Tim presses his coffee to his lips, scanning through the files Bruce hands him. The target seems rather clear. The killer does not regard anyone in the way, knocking everyone out and always only killing the rapist. A maneater. The name given to the murderer was maneater, as if it were some ploy. In some cases, the victims were found with their pants unzipped and an anti-rape condom stuck on them, writhing in pain as they were almost always found dead with poison in their system.

Those who suffered more gruesome deaths... either found castrated with their genitals lying not too far away, or a hole where their heart was supposed to be, the organ missing. It reminds him almost of Heartless, but... that is not the case. This is a vigilante no different from them... just less sparing and guaranteed murder. Now, does Tim solve the case or let the vigilante free...

He does not know what possesses him to ask you of all people, but your response does not help much.

"Moonknight." Tim hums, adjusting his glasses as he puts them on. "May I pick at your brain?"

"Is this about the serial murders?" You wipe the helmet in your hand, cheque tucked safely into your wallet.

Tim nods. "Thoughts?"

"I feel like the murderer's doing us ladies a favor." You shrug. "Think about it."

"I know, but murder is a little..."

"Little hypocritical of you, you know?" You raise a brow. "Must I name your war crimes?"

"No." Tim hums. "Perhaps I should do some digging anyway."

"Wouldn't hurt to have it on file in case you do need it one day." You eye one of the newer men on the track, grinning at Spitfire as she greets him. "Hm?"

Tim's eyes trail up to Spitfire.

Similar build. His glasses indicate the same.

"It's not any of my girls." You crack open the can of soder. "I promise they're clean. B runs background checks on all of us."

Tim mulls over your words.

Scary.

Yet, he visits you anyway, money piling in his back pocket as you win round after round, small talk rolling off your lips in a sort of practiced way, smile inviting as you turn down his request to grab a drink again, humming quietly as Tim's eyes trail down to the small of your back, brow raised as he notices your shorts peeking out past your pants.

"What does it take for a date with you?"

"Maybe not being part of law enforcement." You hum. "Legal or not."

"Why? Worried I'll turn you in?"

"No..." You trail off, chewing your top lip as you turn your head at Lightwing. "Well, if you save Lightwing from some trouble, I'll consider."

"What's wrong?"

"You see the man talking to her?"

Tim raises a brow and spots another group of men not too far off. "Bingo."

You wink in her direction, and Tim hums.

"Hey big fella. Having fun so far?"

You watch as Tim tears the man apart, Lightwing leaving at one point to stand next to you.

"Really, I don't know what you see in that man."

"Not much." You purse your lips, smiling. "Something tells me he's the one."

"I'm willing to bet that he is not." She mumbles.

Yet, as Tim barely lifts a finger to piss the man off, you grin.

"Oh, he's definitely the one."

Tim runs the information, stalking down the final member of your racing team, matching the majority of information to the final member, brow raised when he realizes that Cardinal was not part of B's files either, hunting the woman down as he searches for her current location, and it makes Tim's stomach churn uncomfortably when he realizes how eerily similar the racer is to the described criminal. The person who was dubbed Cardinal had been face-matched to someone who had entered Metropolis just a little bit before the serial murders. It made Tim nauseous.

"Got any leads?"

"Might be one of the previous racers." Tim grimaces. "Of the race tracks."

"Cardinal? I assure you it is not her."

"Really? There had been rumors—"

"It is not." Bruce mumbles. "You know who Cardinal is. It is not her. They may have similar builds, but it is not her."

"Who is Cardinal?"

"You'll figure it out soon enough."

Bruce's evasion of his question does not help the uncomfortable feeling in his stomach.

You end up with Tim on the date, hair ruffled as he picks you up in his bike, hand held out to you as you take it, humming. It's supposed to be simple. Though, you suppose simple for a Wayne is impossible to determine. You never know what to expect from him. Though, when he pulls you to the local diner, you find it impossible to not know he's the one. It's really too simple.

"Would you tell me about Cardinal?" Tim finally asks you proper questions once the two of you finish ordering.

"Do you think she's the one?" You raise a brow.

"You said your girls are innocent."

"The ones I currently race with." You hum, reaching for the bread on the table.

"And Cardinal?"

"I don't know much about her. She didn't talk much."

"But she was aggressive, no?"

"No." You hum. "She drove into Gotham because she saw something. She also raced her own bike. No one knows who she is."

Tim connects something in his mind, and it sends him back to step one.

"Would you be able to help if I gave you the file?"

"Isn't it just what's available online?"

"One final thing. The killer in Metropolis might be the same person." Tim mumbles. "Thank you."

The food is presented before the two of you, and you stab into your pasta. "I don't think so. Did you track anyone else that entered and exited Metropolis that was a Gothamite?"

Tim shakes his head. "I find it strange."

"Perhaps magic?"

"Not impossible." Tim mumbles. "What do you do in your free time?"

"Tinker." You hum.

"With your bike?"

"No. That's B's property. I tend to tinker with smaller things. It's always fun to build a PC from scratch."

"Ah, you're quite handy with tech." Tim hums, blowing on his pasta. "Anything else?"

"I like watching detective shows." You pause to think. "And racing. I think that's about it. How 'bout you, boy wonder?"

"That's my brother." He laughs dryly.

Tim finds that it's intriguing to talk to you. You know everything that he does, and it seems you know much more than what you let him in on. Dare he say it, perhaps he's met his match.

Tim sends you home and starts patrol. Gotham had become eerily quiet since the murderer had been on the loose.

Though, he has a knack for saying things too early.

A man dies the same day, and B finds his way there with Tim, the two of them sweeping down and kicking the man down, a woman shaking as Tim shields her, holding his cape out, making sure to not look at the way her clothes are ripped up and she's shaking with an intensity unknown to him. He can feel the vibrations of her skin through his cape. The fear is easily contagious had he not known.

"B?"

"Dead. The poison spread too fast."

The woman doesn't look like she was aware.

"Did you buy the product?" Tim raises a brow, eyes scanning her face for any changes in emotion, and she shakes her head.

"I... a-a friend got me o-one on because—" She gasps, shoulders trembling still. "I-it saved her life."

"Do you know where she bought it?"

The woman shakes her head. "Th-they were giving them out on the streets a while back. It's been m-months."

"May we take one back?"

B shakes his head. "Gordon is coming. We will decide then. Oracle?"

Oracle has no intel either, and Tim wonders just how far this murderer is willing to go. If he just let them kill all the rapists in Gotham, then it would result in a number of the population as gone. If he checked them, perhaps the offenders in Gotham would assume they are protected by B — which truly could not be further from the truth.

"Where are you living? I will take you back." Tim catches a figure in the corner of his eye.

"B."

The man shakes his head.

"I-I'll be fine." She mumbles. "May I borrow a... clothes?"

B nods, and Tim hands the woman to him as he takes a good look at the man on the ground.

Familiar. He looks familiar.

The scan from his mask indicates the same. The man who had been talking to Spitfire at the tracks. It was the man who had been talking to her. Some clicks in the back of Tim's mind, his fingers pressing to the silicone, pressing the dirt and grime to the back of his glove to check for DNA.

Just the shaking woman.

"B, I need one of them." He speaks firmer this time. "There has to be some unidentified DNA on one of them."

"There are in one of the files on our computer. It was sent this afternoon." B hums. "The police are arriving. Come on."

Tim doesn't need to be told twice, yet he lingers, eyes trailing on the woman as he waits.

One of the policemen is an unregistered sex offender.

He clicks on his mask as he zooms in, a dark figure flying out of the alleyway at the man, and Tim watches as a claw digs into the man's genitals, ripping off with a sound that shakes the walls, followed by a guttural scream. The policemen shoot at the figure, but they don't react, only retreating back into the walls, seemingly unhurt by the bullets.

"Oracle, did you catch that?"

"No face was detected."

"How about figure?"

"Non-human." Oracle mumbles. "I can't identify anything."

"Tsk." Tim clicks his tongue.

"Though, it has to be a shadow ability. Perhaps something adjacent to it. They're gone, right?"

Tim hums into the mic. "Affirmative."

Tim ignores the way the shadow shapes weirdly underneath his feet.

"You can come out." He taps the corner of his mask for reinforcements, taking a step back into the moon as the shadow forms, a smile of white forming into a human.

"Can you—"

"Neither. All indications of sex are missing."

"Oh..."

Their voice is nothing short of horrifying to him.

"I caught a bird." It grins, and as Tim takes a step back, he finds that his other foot has a shadow warping around his ankle.

"Who are you?"

"We are the night." It sings. "We are the darkness..."

Tim knows what's next.

"We are... vengeance."

"That's rather cringe, don't ya think?" Tim raises a brow.

A batarang flies from behind him, and the shadows only create a hole for the weapon to fly through. The shadow splits into two people, and Tim smiles.

"Gotcha."

"Ah ah," The one on the left shakes its hand. "We were promised... freedom."

"Only where you belong." Batman shines a flashlight at the creature, and Tim watches as it retreats back into the shadows, his ankle free. "And you. Next time, just shine the flashlight."

"Are they weak?" Tim raises a brow. "Just to light?"

"It stuns." Batman nods.

"Go track the leftovers on your ankle back in the cave."

"Will do." Tim pauses before he goes. "Is it an alien?"

"No. Something worse."

Tim does NOT know what could be worse than an alien. (He lies. He does.)

The DNA tracks too many women to count. One shows up and then the next, and eventually, Tim has at least twenty women pulled up on his screen, all pronounced dead after being found used and discarded. It is horrifying. Tim may not understand just how terrifying it is to be a woman, but as he finds children, he seems to understand just how disgusting this is. Girl after girl, woman after woman, every last one of them were used and discarded bare for the world to see, photographed and made a case study out of — all who met their unfortunate end and their rapists never see the end of their life the same way they did.

It is disgusting, but something else is discovered.

He does not remember if it is something new, but it seems strange. It is not a shadow, but rather a composition of human souls forced to merge into an unrecognizable shape. It is science, not an alien, and Tim understands why it is worse. It is an unfortunate victim and not an alien. It is someone who had been forced to change into something unloveable. He wonders if the souls of the unfortunate make up the shadows.

Ah. If they are shadows...

Tim turns around as the shadows form a human again, shorter than he is, apple of its cheeks soft and gentle. A girl. It is a girl this time; not a woman.

"Are you a victim?"

It does not answer him.

"Tim? Tim, do you hear me? Red!"

"It has not attacked yet." Tim answers. "How many of you are there?"

The child does not respond, holding up one finger, and then two, and three, and eventually there are too many fingers sticking out of the hand that Tim had lost count.

"Many."

"What's the deal?"

"I matched the DNA." Tim swallows. "I won't hurt you, but please—"

The shadow dissolves, and Tim lets out a breath, staring at the faces plastered across the screen of the Batcave.

"Tim?"

"Oracle." His voice goes quiet. "They are all victims of... The computer just keeps going."

Eventually, B returns, staring at the wall of faces Tim left, finding the man in his room, glasses on as he stares at his PC, case file after case file being read, news article after news article. There is more than one soul occupying the shadows, and Tim reads one after the other of how they were murdered. Stabbed, strangled, shot, mangled, burned. None of the souls were able to escape death at the hands of their rapist. It was sickening.

"It is not a human." Tim speaks, staring at Bruce at the door. "We can not arrest it."

"Is it humanoid?"

"No. It is a shadow of vengeance."

"There has to be a way to stop it from collecting more souls."

Tim closes his eyes, brows furrowed as he sighs.

"And if I do not want to?"

"Tim."

"I know." He mumbles, exhaustion written all over his face. "How will we destroy the remaining souls?"

"How many women were identified?"

"There are currently twenty seven." Tim mumbles. "There may be even less if more of the men die."

"The vengeance of a ghost." Bruce mumbles. "Just find a way to stop the addition of souls. Surely, someone is collecting souls and adding them."

Tim finally closes his eyes when the sun starts peeking over the horizon.

"Sorry." Tim shows up to your meetup place, eyebags extra bad, and you raise a brow at him.

"Something up?"

"What would you do if someone was collecting the souls of the victims of rape and kill and turning them into a shadow of some sort to let them have vengeance on their rapist?"

"Wow, what a loaded question." You mumble.

"Thoughts?" Tim closes his eyes to pinch the bridge of his nose. "Feel free to ignore it if not—"

"I mean... it makes sense." You hum. "Is it scientifically immoral? Yes. Is it in some way morally correct? Perhaps. Their lives were taken and their souls haunt the earth because they are still held down by things they could not resolve while they were alive. Perhaps to the living, they are a monster, but to the dead? to the dead, they are a savior."

Tim pauses to think. "Should the person be punished?"

"Under the law? Sure."

"How about according to yourself?"

"No." You mumble. "If I was raped like that, I would love to ruin the life of the man who ruined mine. I heard a police officer got his dick ripped off. Is he still alive?"

"Alive." Tim nods. "Vitals are stable, but he can no longer procreate... obviously."

"Deserved, maybe. I heard he got off with only two months of jail time after the initial trial."

Tim does not answer, pausing to mull over the case.

"I'm sure you'll figure it out." You stand up, stretching your legs. "Shall we get something to eat?"

"You have food by here?"

"No, but since you brought your bike, I can take us somewhere."

"It better not be the diner from last time."

It is NOT the diner from last time

Instead, Tim finds himself seated outside of a Batburger place, thanking you as you hand him his order, clear view of the alleyway.

"This place is a little..."

"It's where a lot of drug trades happen." You hum, staring at the alleyway behind him. "Also where a lot of sex trafficking occurs."

"Ah, right." He mumbles. "Red Hood manages that, no?"

"Not as much." You bite into the burger, humming happily. "Sorry if this wasn't what you were expecting."

"I think the burgers and shake could fix me."

You raise a brow.

"As much as it can try, of course."

"Nah, I have those days too." You hum. "Did you find much on the souls?"

"I just wonder if they are decreasing after extracting revenge on their former rapist." Tim mumbles.

"I heard somewhere they started off in the fifties." You hum, continuing with your burger.

"...fifties? Where did you even hear that?"

"Rumor gets around quickest at the racetrack." You mumble. "Cardinal kept closely with the news. Apparently the figure was as large as a human at one point."

"Is twenty souls not enough to form a full grown woman?"

"Perhaps it picks a child for other reasons." You reach for a fry. "Am I being of much help, mister detective?"

"Somewhat." Tim pauses when he hears rustling behind him. "...May I?"

"Careful, they carry stun guns."

Tim nods, leaving you alone, and you click on your phone as you watch Red Robin swing in, kicking and freeing the poor girl, handing her off to the police as you stare at the two men knocked out. Tim had overestimated just one thing.

From behind, a spike of darkness pieces through the men's hearts, killing them on the spot as Tim holds a hand over the eyes of the woman.

Dead. The two men are dead.

The shadow forms behind them, three young women who look no older than the one that Tim is covering the eyes of.

"How many of you are left?"

This time, the shadow forms a 24.

The number is going down.

So, Tim reports the findings to Bruce, changing out of his suit to get back to you, nodding as he sits down and sighs.

"Sorry, stomach died."

"Nah, don't worry about it." You sip on your shake, humming. "Duty calls."

"Are you racing sometime soon?"

"I think B's trying to have us race less lately." You hum. "I won't be racing for some time. The only reason we raced so often a while back was because there were so many upgrades being implemented."

"So you have more free time?"

"Yeah." You hum. "I was thinking of traveling."

"Where to?"

Tim knows something you don't. The gentle taps of your painted nails omit some eerie sense of death, and it seems that no matter how much Tim likes you and feels fine around you, it is impossible to ignore that eerie sense of death. It reminds him of the first time he met you, stare of a thousand souls. Yet, it seems that...

"Staring?"

"You're rather pretty." He hums, pressing his napkin to his cheeks. "Is it not normal to stare a little?"

"Oh, look at you and your smooth words." You hum.

"I mean them." Tim stares at you.

You only give him a weak look.

You don't seem to believe Tim when he says you're everything.

And maybe at some point in time, Tim had realized that your words swayed him harder than they need to. He does not know when he had ended up so deep with his fingers and hands stained with a passion for you, but as it drags him under, he finds that it's fine. Maybe you were just destined for him in some way. If he would be dragged under, then he would simply find a way to clear it out. He enjoys the sensation of drowning in you. Maybe he is just weak for you.

"Do you love me?" You tilt your head, milkshake straw on your lips as Tim sorts through his files.

Tim stares at you, pushing his glasses up. "Why?"

"Curious." You hum. "You've brought me to your place, after all. Isn't this the nice little boat you got with your boyfriend? I remember the media going insane."

"Perhaps." Tim mumbles. "I brought you here to help me with the case, though. I don't think love is the right word for what we feel towards each other right now."

"Mm." You nod slowly, picking up some papers. "The number went down?"

"Yes. The two men who were killed resulted in three less entities in the shadow." Tim mumbles. "I just wonder if the number is going to increase."

"You wouldn't want it to, huh?" You hum.

"Prefferably no." Tim pauses. "Though, I suppose if the entity is acting on its own, then I can not do much to stop it. Someone is letting the souls merge into the shadows."

"If it's just cells, shouldn't it be the act of a human? That must mean they have some sort of way of accessing the victims' bodies."

"That would be the case, but a further search indicated that they were not picking up the cells, but rather just souls. I don't know when we got an upgrade to be able to locate souls, but—"

"It was probably when you tried cloning your best friend." You don't bother letting him finish the sentence.

Your statement freaks Tim out.

"H-how the hell do you know?!"

"B." You puff out your cheeks, continuing with reading the file.

B does NOT have that information open to just anyone to access.

Yet, Tim shuts his mouth, continuing with the file, taking the chance to seal your fingerprint. He runs the match while you continue checking, and he ends up in a dead end again. You do not exist in the database. Your fingerprint is not a real person. Surely there was a chance that you were not quite human either.

"Just how cautious are you?"

"Very." You hum. "My fingerprint won't show up."

"What gives you the boldness to say that?"

"A gamble." You hum. "I race for B. Surely, he would not do something as cruel as that."

"He is consistently paranoid."

"That does not matter." You click your tongue. "He could not hold me down if he tried."

Tim senses that there is a certain level of untruth to your words, but he can not say just what it is.

Three days later, four more men are found dead by the docks. Tim checks them with the police, Oracle's voice in his ear as he observes them. All three have had their hearts pierced through, a gaping hole left behind. Tim looks to the side at the shadows brewing beneath the water, and he observes that the number shown is four less than before.

"These men have to be part of an organization."

"They are." Oracle notes. "Human trafficking. These are the men who are part of a human trafficking specifically for sex workers."

"So... rapists."

"Yes."

"Did we ever get a number on them?"

"No."

Tim nods at the police as they arrive, grappling away.

Maybe he's committing a sin by letting the shadow get away with the murders. It would be impossible to hold them down, but he wonders if he should ever shine a light on them when they kill.

Back at the cave, the young girl emerges again, smiling at Tim as he raises a brow.

"What?"

"Twenty." The voice speaks, much younger this time.

"Are you all children?"

The widening of the smile indicates a yes.

"How old were you?" He holds his hand out for the shadow.

His question goes ignored, the shadow disappearing as B returns to the cave.

"The number of shadows decreased again." Tim stares at B as he undresses.

"How do you know the shadows aren't lying?"

"Here." Tim shows B the newest scan of the souls, and the number has shrunk.

"How did you scan it?"

"I do not know. We hadn't been able to scan based on soul previously."

Bruce clicks on the computer, eyes focusing on the application, taking over as Tim sits to the side. He looks further, digging into the code as he pauses and points at a line.

"Moonknight."

"The racer?"

Bruce reads the code, and Tim follows, pausing.

"She's a computer system?"

"No, but you probably scanned some system in when you ran her through the system the first time."

"Just what is she?"

"I don't ask questions, and neither does she. Just a worker."

"Alright." Tim mumbles. But the issue was you do ask questions. You ask plenty of questions and each one brings you closer than the last. He had already lost his identity to you because of your charm. Perhaps Bruce was not far off. Though, if Tim could not find you, then Bruce probably could not either.

The next time he meets up with you, you finally let him into your apartment.

"Oh, if I didn't know any better, I'd say you love me." Tim hums. "What brings you to invite me here?"

"No, I didn't feel like going out today." You shut the door behind him. "Pizza's on the counter."

"Where are the others?"

"Racing." You hum.

"I thought you said there weren't any races?"

Tim finds that you're a liar.

Somewhere down in the place he's been pulled to, he finds that there is endless amounts of darkness, something brooding behind your soul as you talk to him, smile on your face. You called him the one, but if you were the one, he wouldn't feel so turbulent. Shaking waters. The water he's been pulled under is unmoving and serene, only in the middle of the sea, making the peace eerie rather than soothing. Rather than the liquid moving, he finds that he's spinning further and further down.

"I'm not racing for the time being." You hum. "The others are racing with their own bikes."

"Do you not own one?"

You shake your head. "I prefer other forms of transportation."

Tim raises a brow but doesn't question it.

Even when the two of you are tangled under your sheets and he listens to your heartbeat, the sense of uneasiness doesn't leave. You are too perfect. Even if you were to drag him down with you, he would only know how to hold onto you and not swim. Maybe this is his end. Unless you free him, he fears he will be stuck with you forever. Drawn to the beating of your heart, Tim is stuck being in love with you for the rest of his life. If you would drag him into the depths of your world and ruin his life, then so be it. As long as neither of you cross the line, neither of you would be hurt.

"Would you like to race?"

You raise a brow at Tim.

"Once in a lifetime." He offers.

"On the track?"

"We can race during the day." He hums.

"Not a day person."

"Then at sunrise."

You pause to think about it.

"If that's what you want."

"You make it sound like it's something I want to do." Tim whispers, chin resting on your chest as it rises and falls.

"Is it not?" You run your fingers through his hair, vibrations of your voice making him purr.

When Tim wakes in the morning, Oracle sends him a news article. Ten men found dead at the docks. Ten men were killed, and Tim can only wonder how many of the shadows found peace from their deaths. Though, as your fingers scratch at his scalp again, he could worry about it later. He'd rather not stir up deep waters.

"Ten died?"

"Mhm." Tim closes his eyes, mumbling. "Ten men."

"From the same organization?"

Tim is too tired to consider how you would know all the men are from the same organization when it has not been disclosed to the public.

"You seem to know much more than you let on."

"Of course I do." You hum. "But I won't race you until you find out."

"Then give me a month." He mumbles, eyes closing as he drifts back to sleep. You're warm, and for the first time in a while, he gets some rest.

The next race Tim goes to, he notices Spitfire and Lightwing are missing.

You tilt your head at Tim from the track, waving as he waves back, lips curled upwards in a gentle smile.

He refuses to meet the truth.

There is some sense of security that lies in playing stupid, eyes closed and fingers reaching out into a void of nothingness, knowing that as long as he did not know, he would be safe. Yet, there is always the nagging in the back of his mind, uncertain about his future, uncertain about what would happen if he continued to play dumb. He knows he'll get called out for it by Steph soon, but it really... he was only a fool in love. He can not do something so terrible to his heart.

Even as you bring back the trophy and greet Tim with a thrashing kiss against his lips, breath hot against his as he tries to ignore the truth of the world beneath his feet embedded into the shadows, he knows that he can only play stupid for so long. Soon, this racetrack will become empty, and one day, you too will leave him for the world that he refuses to uncover for his own safety. He loves you, but he can only do so much when he's young and stupid.

"Can I take you back to mine?" Tim whispers, eyes begging quietly as you lick your lips, helmet in your hand as you confirm with a kiss.

The gentle rocking of Tim's place is peaceful in the Gotham waters, port comfortable as he pushes back all of his knowledge. It is a curse to be wise, yet Tim finds that there is nothing he can do when he just refuses to. He would choose you even if it meant laying what he had known before down. It pains him to know that he should not, and you would not let him, but he is foolish and young, eyes gentle as he drinks up the way you lay beneath him, the moon coating you in a lovely white as he furrows his brows to forget about it all.

Your skin is soft against Tim's hands, plush of your waist filling the spaces between his fingers as you stretch your arms above your head, eyes half-lidded as he pleases you — himself. It makes no difference. Turbulent waters have long become the place where he finds his rest, eyes half-lidded as he listens to the way you breathe, both beneath him and in the dead of the night. Life becomes slightly more bearable with you around, exhaustion no longer as suffocating as he's used to. Perhaps he loves you or such. Perhaps he does not. Most certainly, he knows he cares.

In the afterglow of sweat and skin, Tim finds that you are no different from him.

"How many of them are left?"

Tim stares outside the window, recalling the last murder in Gotham.

"They're almost gone."

"That's good."

You close your eyes, lashes brushing Tim's neck as you rest your neck over his arm.

"When will we race?"

"I told you. When you find out."

"Find what, exactly?"

You do not answer, closing your eyes and succumbing to exhaustion instead.

Ultimately, Tim knows.

He knows what he's to look for, and he knows just what you might be. It scares him that you might have lied to him for so long, the shadows and souls lurking beneath the surface of the water finally snaking around his ankle and pulling. The big screen in the Batcave is of no help either, only a single person with an obscured soul, and Tim knows deep down that it is yours. You are a victim of the same organization, an amalgamation of vengeful souls all combined together for the sole purpose of seeking vengeance.

Tim stares at the shadow forming behind him, digits dropping by the day as he reports to Bruce about just what was happening in Gotham. The moral code to prevent murder is strong, but the understanding that a few lives of a few criminals for the cost of a safer Gotham was not a world-ending trade-off. Tim understands that much, at the very least. He knows Bruce does too. In a world where neither of them have to work against human trafficking as hard as previously, Tim finds that the waters are both comforting and vicious. He can not be touched in the warmth of your skin, but others will die from the toxin that he is immune to.

So, as Tim crosses off the final ones in the list of souls, he texts to let you know that the organization has been wiped, asking you which sunrise would work best for you.

You refuse to pick a time during the day because you are afraid of being burnt.

You do not exist in the database because you are not quite human.

You exist because you are someone's hatred and memories, manifesting in the form of the shadows and risking a life you do not have in order to see what is worth living for, vehicles meaning nothing to you as you speed through the racetrack at night, only Aquastar left next to you as she too disappears into the shadows after all the guests leave. There are barely any guests now that Tim looks. Perhaps more than half of them had been tired souls, begging for some sort of help, seeking refuge in the way you would risk your life for some sort of power above the law.

You are home to the souls, regardless of whether they are alive or dead. If someone seeks death, they reach for your arms, holding their hands around your shoulders as you stare past their skin, into the depths of the darkness beyond — something Tim is terrified of touching, Yet, with the feeling of your skin memorized between his fingers, he knows why people go to you to look for something.

You are so living yet so dead.

There is comfort only you can provide.

You meet Tim at the racetrack, sitting on your bike as Tim drives in past the gates. The darkness in your soul has grown lighter. Something has changed from when he first met you. You are still so lovely in his eyes, yet it seems that you can not be together in a case like this. It is a shame. At least he gets to race you, popping off his helmet as he notices how empty the stands are compared to when you used to race. The end of your need in Gotham has arrived, and the end of your services to WE has ended as well. There will be no more of you one day in the future, and Tim knows that one day, he too will be cursed to forget everything about you.

The people are gone.

The racers are gone.

And perhaps after this race, you will be too.

You enable the speaker, fingers clicking on the screen at the podium, giving the two of you a twenty-minute warmup.

Tim wonders just how fast he can go. He watches you from the side as you warm up your bike and drive, speeding around the track with practice that can only come from muscle memory. Yet, he drives around the track and gradually speeds up, trying to get a hand on how to race around. Tim finds that he's a little rusty, making several more rounds around the track as you sit on the side, clicking on your phone and scrolling through. Tim does not know how to bring it up.

"What does the winner get?" You look up from your phone, hopping on your bike as you wait for the countdown.

"Whatever the winner wishes."

"That's quite the bet." You hum, staring up at the light as Tim gets ready.

"Of course."

You start your bike, speeding past Tim as the light shows green, Tim tight behind you as he catches up to you. You wonder and think, leaning to the side as the bike follows, letting Tim pass you as you trail behind him. Tim finishes the first lap relatively quickly, and he realizes that you've fallen back a significant amount. He's unsure whether or not to speed up, but as he finishes his second lap, he finds that you're still far behind.

You cut him from the left, successfully stopping Tim from hitting a wall.

Tim speeds up to chase after you, wondering when you had the time to cut him off.

Yet, the end is evident, your bike parked at the end after your third lap, a grin on your face as he stares at you.

The souls are gone, and you look so, so lonely.

The lights shut as the two of you sit by the podium, tablet in your hand as you kick your legs, and you finally speak up.

"I know you found out."

Tim grimaces. "...why?"

You stare at Tim, peeling back your jacket, throwing it at him as he stares at you, watching as your eyes turn pitch black, shadows forming underneath your skin and turning the entire podium dark, some sort of ancient power creeping up your hands to your forearms, darkness evident in every blink at him, lips curled up into an apologetic smile, and Tim feels the water surrounding him drain all at once. If he would not leave you, then you would leave him. You would force him out of the comfort of your waters, knowing that it would drown him one day.

"The shadow moves with you." Tim stares at you, swallowing thickly. "There is only one victim left. We both know who it is."

You stare at Tim, lips curling upwards as he remembers why your smile started looking so familiar at one point.

"You are the last." Tim picks his words carefully. "Are you a shadow?"

"No. Just a medium. I am very much alive." You smile.

"Who are you waiting to kill?"

"No one." You hum. "I am alive because I must hold onto the shadows for the next ones seeking vengeance."

"You are the source."

You ignore him.

"Are you human?"

You blink at him again, ignoring him once more. "Luckily, it seems the victims have lessened lately."

"Why had there been so many at once?"

"There was an organization." You rock on your heels, lips curled upwards. "Everyone in the organization has been wiped. No fret. They alone resulted in over fifty deaths of women after they reached the age threshold."

"The youngest was ten."

"Yes."

"And the oldest?"

"Most of them were killed once they turned 21." You hum. "Occasionally, if someone looked young enough, they would be killed later, but the majority of them were killed at 21."

"How many souls were there initially?"

"Well over a thousand." You hum.

"And only you are left."

"Yes."

"Why play savior?"

"Why not?" You grin. "I have done nothing but host the poor souls. That does not warrant for my arrest."

Tim knows there is an argument against it, but he does not think too hard.

"Next time a soul finds you, notify me. Send me an invite to your race."

"You know, Tim." You hum. "B no longer needs me."

Ah.

"Will you be gone?"

"Very much so."

"To where?"

You do not tell him.

"Write to me." He speaks again.

You shake your head.

"I can not."

"Why not?"

"Send me some flowers when you see me on the news. That is my wish."

Tim tries to not think too much about your final words to him. You left the next morning, morphed shadows in the city leaving with you, and Tim finds that soon, almost everyone forgets you had ever existed. You had come and gone, shadow of death leaving with you, but he finds that occasionally on the news, he hears word about a new racer, gender unidentifiable, face consistently hidden, only known by their speed. You have become a criminal under the law, racing between the crevices of cities, fake trophy after fake trophy taken home, death following wherever you went, sex trafficking decreasing whenever you rested at night.

Tim tries not to follow you all that much, but when you show up on camera on accident, your home is raided and you are killed on sight by the same men who had killed so many others.

It hurts Tim in the head, eyes closed as he tries his best to not think too much about your death and how you had known all this time, but it would forever haunt him. He still remembers the way the waves would rock gently underneath the moonlight when he was engulfed by you, eyes always tired but comfort always found, knowing that you would be his rest when he needed it. So, for him to see you dead on the news, he finds that perhaps he was just cursed to not be able to hold onto you — that he was destined to be stuck in place and watch as you died because you had made a minor mistake. A mistake that would not have cost his life, but cost yours instead.

Yet, he honors your promise, white chrysanthemums placed at your grave as he holds onto the umbrella, humming quietly. The rain splatters gently against the plastic, quiet drumming calming him as he stares at the carving on the grave. The media had reported this was your place of burial, though Tim did not know if it really was you. He could have only assumed off of the information given, matching your age slightly, and he wonders if there is some sort of universe out there where he would be able to just stay with you.

"Here to see her too?" A masked woman steps next to Tim.

"Yes. I promised I would send flowers once she showed up on the news."

"How lovely of you." The woman hums, placing down a blue lotus.

"Did... you know her?"

"I knew her quite well."

Tim stares down at his flowers, finally looking up at the woman.

"It's such a shame, huh? That she would die to the very organization that she had been working to take care of."

"Well, perhaps she had just understood what it meant to live when she died." You turn to Tim, pulling down your mask as you wait for it to register in his head. "What do you think, Ca—"

You don't get to finish your words before Tim wraps his arms around you with closed eyes.

"I love you too, boy wonder."

#good morning tim drake tag did you miss me? no? GOOD. #tim drake x reader #tim drake imagine #timothy drake x reader #tim x reader #☾.fics #☾.suggestive #contemplated not posting this but like. 10k words r NOT about to go to waste when my queue is empty

[maniculum]

Bestiaryposting Results: Mlekragg

Unsurprisingly, multiple people read the entry and immediately clocked what this was. (Thank you for not actually making a guess in text, so that people who don't recognize it are able to work without that preconception.) I didn't want to leave it out, because the mythological ones are fun, but unlike some of the others, the modern conception of this beast is pretty much exactly what the bestiary says.

Anyway, as always, if you don't know what I'm talking about, you can find an explanation for this whole thing at https://maniculum.tumblr.com/bestiaryposting. If you want to join in, the new entry for each week is tagged with "maniculum bestiaryposting" so it should be findable. This week's entry can be reviewed here:

Below the cut you will find the drawings responding to it, in roughly chronological order:

@silverhart-makes-art (link to post here) decided to branch out in an unusual direction with this one, in order to avoid drawing the creature they'd identified from the entry and also have some fun with it. I just think this is some quality creature design. Love the mask-thing, love the springy tail, and that's a really good rendering of a cuttlefish face IMHO. There's a really interesting explanation for all of these features, what inspired them and how it all works together, in the linked post, which you should go read.

@moonygryffin (link to post here) took a more direct approach, with the twist that the creature here is modeled on American fauna rather than ones the medieval Europeans would have been aware of. The body is a mountain lion, and the man-like head is a golden-headed lion tamarin, which of course comes with its own mane. I enjoy the choice to not use a lion lion, but rather two animals with "lion" in their name; also I've always thought lion tamarins were very cool-looking. For more details -- and an example of an attempt by MoonyGryffin to draw the same creature several years ago -- see the linked post. (Also thank you for providing alt text.)

@sweetlyfez (link to post here) has made an attempt to take the entry literally without drawing the creature she has recognized, which is a challenge considering how specific the description is. I think the decision to give it flea legs to help with that exceptional jumping is clever. SweetlyFez describes the result as an "awful creature" and... honestly I can't argue, I wouldn't want to be anywhere near one of these. In fact I think I'm going to wrap up this commentary and scroll down so I don't keep making eye contact with it.

@pomrania has also decided to go the route of "let's get weird with it", and avoided the literal interpretation by re-analyzing the word "has". This is similar to that style of joke one hears now and then -- you know, "he has the heart of a poet... he keeps it in a jar at home." (Incidentally, props to Mary Shelley for being perhaps the only person who could make that claim and not be kidding.) So this creature has the face of a man and the body of a lion, not in the sense that it was born with them, but in the sense that it keeps them as possessions. Very clever, and the underlying creature design is also fantastically creepy in my opinion.

@coolest-capybara (link to post here) mentions that she didn't recognize the description, and has given us this really cool-looking, rather menacing creature in their excellent medieval style. (This is why I insist on not naming the beasts even when it seems clear what it is -- this amazing piece of art might have looked entirely different if someone posted a spoiler.) I'm really struck by how it simultaneously looks like a patchwork sort of creature (different front & back legs, etc.) but all flows together into a cohesive whole. Just really well done, I think. (Also, thank you for including alt text.)

@cheapsweets (link to post here) has drawn the creature mid-leap, showing off its jumping prowess by shooting straight up into the air. I think this drawing does a very good job at combining human and lion anatomy to make something unsettling -- and the inclusion of the skull diagram up in the top left points to the amount of thought that went into this. As always, please check out the linked post for a detailed discussion of the design. (Also, thank you for including alt text.)

@strixcattus (link to post here) has drawn one that's oddly cute, and looks a bit worried. However, according to the description they've written in the linked post, this reaction on my part is probably going to get me killed, because apparently they're still quite vicious. I like it, though -- and, as always, I urge you to go read the linked post for this one.

On to the Aberdeen Bestiary... oh, we can't, actually. This is another missing page. So here's the illustration from the Ashmole Bestiary instead:

So, first of all, this is indeed the manticore, and I'm sure most if not all of the people who said they had guessed it got that correct.

Second, we can also note that all the artists who said something along the lines of "well we know about the issues of drawing medieval scorpions, so the scorpion-tail description doesn't need to be literal" were also correct there. Apparently this time a scorpion tail is just spiky all over, which I have to admit does look kinda cool.

Now let's address the elephant in the room. WHAT is that thing on its HEAD? My best guess is that it's meant to be a crown -- medieval art often sticks hats on nonhuman creatures with human faces, almost as if the artist wants to make sure you know it looks like a human head on purpose. I don't see crowns that often, though; usually it's just a cloth hat. (The one in Bodley MS 764, where I got the text for this entry, is clearly wearing a Phrygian cap.) I find myself unable to see it as anything but a daring hairstyle that is absolutely not working for it, though.

Anyway. The manticore is an odd one in its continuity here -- a lot of the mythical creatures in the bestiary have been changed, reinterpreted, or forgotten in the intervening centuries. I think maybe the manticore happens to have hit that sweet spot where it's popular enough that people remember it, but not so popular that it gets excessively telephoned through widespread transmission. I think a couple people noted that the Standard Fantasy manticore is more or less spot on to this description, and indeed, I can only think of one change:

(Art from the Magic: the Gathering card "Crimson Manticore", artist Daniel Gelon)

At some point, those bastards got wings. It's not universal at this time, but if you do an image search for "manticore", the majority of the modern ones are winged. I'm not really sure where that came from.

(Side note: I tested this by doing a Google image search, and one of the top results was a particularly odd-looking image, so I clicked on it out of curiosity. It was at the top of an... article? on a webpage I'd never heard of, and the opening of said article included the sentence, "In medieval bestiaries and art, the manticore was depicted with unique features such as paws, teeth, and fur." You don't say there, bud.)

Interestingly, the D&D manticore is slightly different from the description in an additional way.

Instead of a scorpion tail, it has a tail covered in spines. This has apparently been part of the D&D manticore since the beginning -- the above image is from 2e, but the 1e version had the same tail. (I just didn't use it because it's not as clear in the picture.)

Now, scroll back up to that Ashmole Bestiary image. The one where the tail doesn't really look anything like a scorpion's. Looks... similar to this in broad concept.

I doubt that Gygax or Arneson or whoever designed that aspect of their manticore after one bestiary image, so I popped over to bestiary.ca to see what else was out there. Out of the 38 medieval manticore images collected on that website, there are only two with a tail covered in spikes: the Ashmole manticore and one other that's clearly just a less-skilled artist working from the same image (it also has the same hat). Looking at the text sources, though:

"...it has a tail like a land scorpion, in which there is a sting; it darts forth the spines with which it is covered instead of hair..." -- Aristotle, De animalibus

"To the end of its tail is attached the sting of a scorpion, and this might be over a cubit in length; and the tail has stings at intervals on either side." -- Aelianus, On the Characteristics of Animals

Okay, that's the D&D version, mystery solved. New question: is it a coincidence that the Ashmole illustration fits Aelianus's description? Remember, the page is missing from the Aberdeen bestiary and the Ashmole bestiary isn't translated. The text comes from Bodley MS 764, which does not have a spiky-tailed manticore. My Latin is terrible and I'm untrained in palaeography, so I can't tell whether the entry there preserves the spiky description.

If any palaeographers out there want to solve this one for me, it's Bodleian MS Ashmole 1511, f.22v-23r, available digitally here. (I'll put some screenshots below, but I expect it's easier to zoom properly on the library's digitized manuscript.)

Okay, that's all I've got. Enjoy your week everyone.

#maniculum bestiaryposting #mlekragg

[noacfapologyst]

telltale heart — matty healy. part 2

´part 1´

summary: you and matty have a pending meeting at some awards where you promised to go as a couple. but something goes wrong.

wc: 2,5k

a/n: hey! i'm so sorry for the lateness. a lot has just happened these days but here is the second part. thanks for the love, x.

The weeks between the awards and the proposal to take Matty as your date have been from the moment he left the studio, the only thing you've ever seen going on in your mind.

You haven't been able to sit down and compose peacefully, or be able to just have a conversation without mentioning him without you slipping through your cheeks. Or that he appears in stains on your writing, the references may be exhaustive at some point, but your brain is about to explode just to think that he'll be there for you, and just for you. You wish his hand would occasionally slip into the waist of the dress you will wear and you would use that touch to keep it forever in your memory.

Even in your best dreams you wouldn't have had the courage to ask him to accompany you to prizes like your date, you can actually stand near him without trembling about it by mere chance.

Two weeks before, you go back to the conversation that tortured you several days ago with your team.

"Matty Healy, are you really sure?" Your manager inquires again, you cross your legs again. It's a sequence you've been living since Friday. "It dissolves your image too much in front of his. I don't know if it fits."

"Really, I don't care." You shrug your shoulders with heaviness. Your image is ruined anyway, but you're not going to let them take this off your hands. "Whether i go with someone or not, there is a stir. I was cheated, remember." You point again and you look at your fingernails, you need to finish defining everything now. "I don't care if it ruins my reputation. Matty is my friend, end of discussion, Helen."

Maybe it's the tone of voice or maybe you've just fed everyone up with it but Helen, your manager for years, sighs and nods with discontent. A winning smile sits on your face. You understand the worry in that office really, but you have one more card to play. You don't really care what his image is from doors to the outside because with everyone around him he's never been more than a gentleman and that's the only thing you really stick with when you have to talk about him.

"Plus, we give the media what they want. The antithesis of Sam." Helen decides it's time to let the argument go and even though her face is a weak grin they decide to move on to the other agenda items.

"Have you decided the dress, at least?" Your innocent smile betrays you and you're nowhere near getting a blow to your head.

You run into a bubble of teenage foolishness, she should understand that. But you won't discuss that either because deep down you've let him look distracted.

"I'll see the dress later, I'll let you know which one I choose." You inform her at the end by taking a sip in the cup of coffee. Helen doesn't make any sound anymore, and you know you've officially won.

--

Stylists really only want to kill you now or throw some fabric over your head. But they are right in their anger, you shouldn't have waited until the last week to choose the dress or gather too many designers in one place without having a very clear idea of fabrics, cuts and necklines. All you know is it has to be red, it can't be any other color under any forecast.

But it's not that you didn't want to choose it, you just couldn't find the right one. Which is kind of a lie.

No one can deny that there is an attraction in you posturally just by seeing you from afar, there is some light in you that stands out without you trying. You know that you're actually beautiful and that you're lucky enough to fit in dresses and that anything would be fine to show off on you. Your face has small freckles and you have good proportions between your nose, your eyes moderately green and almond, and your round lips. Your hips and abdomen are fine although you've never paid too much attention to them, or at least lately. But you know that your figure is imposing and immutable when the line is drawn between your low back and your high back and everything stands out there.

But this is different, it's a dress for and by Matty. It has to be perfect, not close to it. It may be one of the few opportunities you have in your life to receive his look on your body and make you tremble even just by looking at your cheeks. And that's also why the red dress has to be camouflaged on your cheeks.

In the end you find it and you couldn't be happier with the result. Red satin, straps around the back and neckline. When you test it automatically your body functions like a teenager and you start spinning around it without even finishing tying your high heels properly. But as you see yourself spinning in the mirror a smile sits on your face from ear to ear.

"It honestly feels like it was designed for you." After everyone in the room approves it by nodding as they take the measurements for the final adjustments, your image advisor shows up at the door and his confirmation lets you see that you're going to be relevant at the awards and with several glances on it overshadowing several more artists. "You look like the fucking winner."

And that confirms that you've finally found it. And it's perfect.

---

"Hey." Matty's face appears on your computer screen when he calls you on FaceTime. They haven't seen each other in person since the night at the studio, but their contact has been maintained anyway. "How do you feel about the awards?"

"Why the question?" You better place the device on the table and rest the guitar on your legs. You take the opportunity to spend some time watching how the hair on his front move each time he accommodates the camera.

"I wanted to make sure you remembered that we will be the best couple at the awards." Your heart stops for a second. "Believe me when I tell you that Sam is going to vomit with resentment when he sees us." The archness in his voice, the change of tone, the punctuation of the latter. The silly smile and the wink he makes. Too much for three o'clock in the afternoon.

That's when you realize something else. Ever since Matty became your supposed date, you haven't spent a second thinking about your breakup or your ex or who she's going to take. Just now you're rethinking it.

"You still there?" Matty claps his palms and looks at you from the screen with a frown. He doesn't mean it in a blunt way, but he knows how your brain works and he knows you've frozen to yourself.

"Yes, I don't know, I had forgotten he was going to be there." In fact it's a confession would be because it's realistic. You've been in your pink bubble about Matty that you forgot your ex would be there. "I don't wanna see him. I would like he stop exists sometimes." You laugh silly and he gives it back to you with a supportive look.

"It won't bother you, darling. I'll protect you." You feel like you're gonna throw up rainbows for the next five minutes and you don't know exactly what the trigger is. But luckily you can hear George's voice in the background and you know Matty's going to say goodbye. "See you on Friday. I'll get a red bow for the suit."

"That would be fantastic." You wink at him revealing the color of your dress and he smiles waving his hand around the camera as if he were a small child. "Bye bye, Matty."

When you cut off the call you have your head burning up from the amount of information you're processing right now, and then you go back to the first point you noticed today, the initial cause you owe to being able to go with Matty to the awards has stopped crossing your mind the moment this whole plan happened. It's also when you realize how self-destructive it is to have portal notifications on your computer just to keep abreast of public opinion about you.

You shouldn't let it get to you so much, but it actually does. Sam and her, the girl the rumors of your infidelity fed on and then confirmed, holding hands in front of the last bar you and he went to as a couple, two days before the breakup. His hands on his waist, he looks happier than he ever was with you. Smile more, he has a genuine expression in it. She's cute and it hurts you because you thought you were her ideal type and she, ironically, is completely different from you.

Your breath is cut short and you force yourself not to blink so fast and control the splash in your eyes. Yeah, maybe it's been a few months, but you're back in front of that studio and you're back in front of the words that stuck like a dagger in you when he said he didn't really love you and you just bored him. That feeling makes you get carried away and after weeks of holding back you get carried away and you just cry liberating yourself. At some point you let go of a drowned cry when you think about how you imagined a life full of it or at least imagined it would last more than a few months.

In the epitome of your catharsis you stretch between the guitar and the notebook and reveal that not letting yourself feel in its totality is what has not allowed you to put words in a line. And that is now broken from the moment your fingers prick the guitar in a melancholy and sad way, your thoughts fly and stay on the page when you denote the betrayal in your story, the lie and the reality of the facts. As your facet of strength and pretending smile and well-being collapse and leave you reduced to your tear-filled role, your knees on your head and the floor next to the gray armchair.

Maybe one of the best songs of your career. How you died waiting for a sign that never came even if they had sworn you everlasting love. Like you would actually have given up everything to keep it.

Suddenly you calm down just as quickly as you have acquired the previous state, when you manage to breathe properly thinking that Matty said he would be there and accompany you in front of Sam. That he has used the word protect gushes warmth within you, and you know that you can rejoice in the feeling of affection that he inevitably gives you. Therein lies the essence and effect Matty has on you and how important his friendship is to every aspect of your life. He's been there in every stage of your life and he's never stopped accompanying you even when he wasn't at his best.

Then you relax thinking about how lucky you are to be able to take him to those awards regardless of the terms agreed between the two and what the media put on. At the end of the day you'll be going to the awards that you and him have been talked about for thousands of nights being the best choice of both because understanding was never faked and that chemistry is always instantaneous.

When you realize you're tapping the guitar without a predetermined note, it's glimpsed between scratches of melancholy and a pink bubble. But now you're back to your usual thoughts and now you can't stop thinking about Matty dressed in a suit (and looking awesome, by the way) with him basically matching you in his tie.

--

Since you open your eyes on Friday, the day becomes chaos. Dress test, hair test and make-up test. The walk in heels, the review of the speech. Thinking about what to say about the breakup, that your figure remains dazzling no matter if the person able to disarm you is the one standing next to you. Both for your ex-partner and your date. Then they'll come and tell you about your nomination and how some song will be better than yours. The vicious circle of being an artist.

You wish it was a quick day, but it becomes extremely heavy. You hardly have time to stop for a drink of water and when you realize you are already changed for the event.

You look in the mirror with your stylist and then he starts to take shots while he changes between different angles to have the best pictures. Your hair is semi collected in a braid from behind and only a few waves break off on the wind but it gives the feeling that you have a princess collection and is not in danger of collapse.

Your dress gets all the attention, you look taken off the cover of a magazine. The red satin falls on you adjusting your curves and marking your figure in a rather attractive way to see, the cut on the leg does not take out the dainty of the dress. Your neckline falls on a beak held by a very thin thick straps that connect the dress with the neckline at the back, leaving your back open only with a few straps crossing to your low back.

You're perfect but you can't help but want to bite your nails because you feel there's something still missing even though you're being manic checking your makeup all the time. And if it wasn't because you don't have a second for your stylist to talk to you about important things, you'd have tried to touch up your makeup many more times.

When you get in the limo, you breathe until you calm down, and then you have a millisecond to talk to Matty.

see you, x

hey

we're coming for you soon

You turn off the phone and leave it on the seat when you feel your manager's gaze pointing at you.

"Where's Matty?" You ask after a while starting to listen to your senses that tells you something is wrong. They should have passed Matty's house a few miles ago, and your heart speeds up when you know you are entering the freeway.

Your phone vibrates and lets you see the Brit's messages making you form a thick grimace between your lips. Your brow automatically frowns and you feel your makeup heavy as you read each word carefully and feel like someone is playing a heavy joke on you.

only a thing

if you promise someone a date you have to keep it or at least warn that it's a fucking joke

Your vision becomes blurry for a few moments and you feel your world just stop in front of a polarized window and the body of the seat. You don't want to believe that what your head is thinking is actually what's going on, you can't just go overboard like that. The chances were very slim.

And then, come the words that confirm how you dug your own grave without it being your fault. You feel like someone's slapping you right where it hurts the most.

"Oh yes, about that. Matty isn't a good look for you, so we just got you someone else. You'll thank me later."

actually i think it sucks but will be rewarded in the next part? anyway let me know what you think <333

#matty healy #matty the 1975 #matty healy fanfiction #matty healy fic #the 1975 fic #the 1975 fanfic #matty healy x y/n #matty healy x you #matty healy x oc #matty healy x reader #matty fic #matty healy blurb #telltale heart au

[neverevan]

I actually think Tommy not being in 7×07 and 7x08 makes a lot of sense considering just how on the fly the Buck/Tommy (and season seven as a whole lol) seemed to have come together, and Tim Minear needing a pause to see how it's received by the general public while also working writing the end of the season at the same time 💀 Also, I know Oliver mentioned wanting an on screen relationship similar to the one Carlos and TK share on Lone Star, and if I remember correctly, in that first season when they were still getting to know eachother Carlos was in every 3rd-ish episode with various degrees of importance?? Anyway, it seems like Oliver (and Lou, and hopefully Tim as well) want to carry o with this story line for now, and the reception to bi buck has been mostly positive so I have hope for more Tommy in season 8, if not sooner!!!

mhm yeah it's very much on the fly, we still haven't got a title for the last episode and based on the latest Tim interview, I'm pretty sure it's not even written yet, hell, we barely just got the titles for the previous eps and the way Oliver was talking about it — and also because we know they usually get stuff 2 days prior to shooting at most — I'd wager that the actors haven't even seen the script yet for ep 9, if it's even finished.

so yeah, the possibilities at this moment are endless and I'd honestly expect them to keep Tommy around during the finale, in the background if nothing else, because the general reception was good and as you said there are many other storylines we need to get to without "wasting time" on recurring roles/bringing up more drama by doing a breakup arc, but we shall see.

I def can't comment on the lone star of it all, but if Tommy would become a more serious LI for Buck, I'm sure we'd be seeing him around a bit more, but you know out of 6 eps this season, Karen was in only 3 (assuming she'll be in ep6) and she is literally married to a lead character and has consistently had major storylines throughout the show.

all in all, I have high hopes and am staying positive about it until being told otherwise. 💛

#lou ferrigno jr #tommy kinard #bucktommy #911 #911 abc #ask #anon

[sageistrii]

https://x.com/kchartsmaster/status/1782360443584966886

"HYBE, a leading K-POP company, is blinded by short-term profits and copies successful cultural content without any hesitation, producing banality instead of showing novelty."

Of course she has a point but that won't hold up if she's doing illegal things as a counter. Anyway as long as Jimin isn't affected, I can't lie and I'm say that I'm not entertained by this alien vs predator situation

True but she didn't complain when she benefited from their focus on "short-term profits", getting playlisting that most BTS members and other hybe groups never got or when new jeans was being promoted at the expense of bts. And no shade but new jeans isn't a novelty to anyone aside of kpop, to everyone else they're just another kpop group who releases aesthetic music for social media posts, because that's literally the main reason their music is popular "aesthetics", Illit's song literally only went viral because the snippet was being used for picture edits. If a group from an unknown company had been the one to debut with that concept, no one would have cared and no one would claim they're some kind of pioneers. I feel like it's one thing that annoys me about new jeans stans and mhj, this claim that they debuted with something out of this world when no one would be saying all that if the debut had flopped. When it comes to concepts and other stuff, the only girl group I would consider a novelty is Loona.

Everyone gets copied, it's not the end of the world. And like everyone has said, name dropping those girls just like that is nasty work. I get that it's painful to see them become so successful through something you introduced to the company while it seems like those people who used to like new jeans are now gravitating towards illit, but they're children... They already got a shit ton of hate for being similar to new jeans and now she just mentioned them outta nowhere when it's pretty obvious that it wasn't even the reason for her actions and she's obviously been planning to go seperate right from new jeans' debut. BTS used to have all their concepts and roll outs plagiarized, and all they said was they don't care because they never do the same thing twice.

I talked about this before when I talked about illit and their similarities to new jeans, but I had so much hope that min heejin probably didn't care much because she was so "creative" that she could shake things up and introduce a new concept for the group, but I guess I gave her too much credit and she never had plans to do anything new with the group. Because that is the only reason why she would care about two groups having similar concepts. And other groups have copied new jeans, she only cares now because of how successful illit are. If they flopped she wouldn't be making a fuss over it.

Not to be that person but there's something about her that I just don't like, she seems shady and weird as fuck. So hopefully her and hybe both cancel each other out for my peace of mind.

If we go by the current roll out for new jeans comeback you can tell she's run out of "unique" ideas and just doing whatever to still keep that edge, so they should just bring in another talented creative director for the girls and all will be well. Everyone loves to act like she does something out of this world, but after studying her I think I could literally become a creative director and succeed at it.

[endusviolence]

Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?

I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?

In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".

Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.

This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.

Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.

The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.

[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]

There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.

This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.

[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]

As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.

But of course, you knew that already, didn't you?

Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.

#transgender #trans history #transsexual #transphobia #Magnus Hirschfeld #holocaust #holocaust denial #book burning #j.k. rowling #jk rowling #just in case you missed what i mean by all this: go fuck yourself anon :) #trans people have always existed #and we will always exist #if you really wanna pick a fight with me over well-documented history then you better bring in some sources to back your shit #queer history #queer #lgbt+ #lgbta+ #lgbt #lgbt history #edit: i finally got around to those damn image IDs. i am so very sorry for totally forgetting that's my bimbo moment of the month #also real quick i thought about adding an image of the actual building but the only one i can find has a Nazi parade in front of it #it was taken the day of the book burning raid and honestly if i were to include it then i'd add it to the first few paragraphs #and i think the story's better told when you uphold the hope Magnus Hirschfeld and all the researchers he worked with had #also keeps being brought up: yes Hirschfeld was a eugenicist. it was a popular belief set that was only discredited after WW2 #Hirschfeld died in 1935. he literally didn't live long enough to see science turn against those beliefs and practices #considering how he changed his mind on transitions i like to think he would've changed his mind on eugenics too if he'd lived

[chalk-homunculus]

There's a few good irl friends we have that we unfortunately don't live very close to, but every time we do see them I can tell a part of our brain feels relieved in the sort of "home with my people" type of way. It's just that, on some level I also realize that's just us. We've always felt a bit like an outsider, even in groups where we're technically "allowed in" if that makes any sense. It's like... I can see the complicated, colourful strings that connect all those people to eachother, histories, inside jokes, and all- but for us, at best, we'll have one or two of those strings, connected to maybe one or two people, while theirs are fully woven, like fabric. We may be developing a few spider-silk like threads with some of them if we're lucky, but we're still obviously just a frayed edge, something to either burn off or patch over. And we're all too aware of this, and it makes us overthink. Interacting with people, even when we WANT to, is exhausting and stressful, because we think over every single thing we said, every single reaction we picked up from people around us, every single topic- and even the slightest perceived negative reaction (oh gods, did the way we worded this upset person 1? Oh no, did the way I explained that annoy person 4? What if the way I talked about this other thing was unclear, does person 2 think badly of us now because they think we were describing our own opinions?) Becomes a ghost in our head that keeps haunting us until we either know for sure it's been sorted out (which often annoys people, that we want to go over the same damn things a million times out of insecurity) or it cracks us and makes us entirely sabotage and burn that bridge ourselves, before anyone else can (because we've fooled ourselves into thinking that if it's us that burns the bridge, it won't hurt as much and it's better for them that way). It's the way we've become so flighty and quick to flee and run from people, that's in contradiction with the constant desire to make meaningful connections and have close friends. It's just another thing we're working on in therapy, but it feels like this one is one of the biggest struggles and I feel bad about it, not for our sake, but for those few actually strong bond friendships we have, where those friends have to put up with us being terrified of their larger friend group because no matter what we feel like a disconnected outsider

#this is kind of a vague because there's a chance relevant persons might see it but at the same time I know they don't really mind my venting #they know they can message me about it and I'm willing to talk about it if they want to hear about how we feel #but also that this is just me venting out my thoughts into the void specifically to avoid making #them feel burdened by it which could be the case if I vented to them directly. besides emotional energy and all that #and honestly that's just one of the many things I'm grateful for like I can just talk when I have thougts on my blog without being terrified #that one of them might see this and be angry that I'm being 'vague' and 'shady' or whatever #these tags are absolutely me vagueing past 'friends' who have made me feel like I'm walking on eggshells all the time #like I can't even talk about what is on my mind on my blogs/etc because you're following me on those? unfollow me then coward #@ one specific person who once lectured me so much about vagueing others where 'they might see it' which made me terrified to post #about any personal thoughts anywhere for like a year straight #also they always told me to just block friends I might vaguely mention in vents which is so funny because even if I did that #they'd most likely be checking up on me anyway #anyway enough about that it's really pointless stuff that isn't really worth my thoughts #what this post is about is just me sort of reflecting on the way our system has become with our social anxiety having spiked again recently #after the years of pandemic isolation #sighs. #chalk thoughts

[ashfae]

The thing about romance is, it makes a good story.

As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.

Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.

The problem is a story is only a story.

Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.

But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.

And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.

Neil also mentioned Pride and Prejudice.

Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?

Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.

Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.

The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.

Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)

The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.

Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.

The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.

Quiet, gentle, romantic. It was.

But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.

But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.

The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.

And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.

Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.

But they'll get there. So will we.

#good omens #good omens season 2 #gos2 spoilers #good omens season 2 spoilers #crowley #aziraphale #ineffable husbands #nina #maggie #nina and maggie #stories #romance #relationships #am I projecting here #of course I am isn't that the whole point? #pride and prejudice #elizabeth and darcy #quiet gentle romantic #good omens meta

[dykepuffs]

How Do I Make My Fictional Gypsies Not Racist?

(Or, "You can't, sorry, but…")

You want to include some Gypsies in your fantasy setting. Or, you need someone for your main characters to meet, who is an outsider in the eyes of the locals, but who already lives here. Or you need a culture in conflict with your settled people, or who have just arrived out of nowhere. Or, you just like the idea of campfires in the forest and voices raised in song. And you’re about to step straight into a muckpile of cliches and, accidentally, write something racist.

(In this, I am mostly using Gypsy as an endonym of Romany people, who are a subset of the Romani people, alongside Roma, Sinti, Gitano, Romanisael, Kale, etc, but also in the theory of "Gypsying" as proposed by Lex and Percy H, where Romani people are treated with a particular mix of orientalism, criminalisation, racialisation, and othering, that creates "The Gypsy" out of both nomadic peoples as a whole and people with Romani heritage and racialised physical features, languages, and cultural markers)

Enough of my friends play TTRPGs or write fantasy stories that this question comes up a lot - They mention Dungeons and Dragons’ Curse Of Strahd, World Of Darkness’s Gypsies, World Of Darkness’s Ravnos, World of Darkness’s Silent Striders… And they roll their eyes and say “These are all terrible! But how can I do it, you know, without it being racist?”

And their eyes are big and sad and ever so hopeful that I will tell them the secret of how to take the Roma of the real world and place them in a fictional one, whilst both appealing to gorjer stereotypes of Gypsies and not adding to the weight of stereotyping that already crushes us. So, disappointingly, there is no secret.

Gypsies, like every other real-world culture, exist as we do today because of interactions with cultures and geography around us: The living waggon, probably the archetypal thing which gorjer writers want to include in their portrayals of nomads, is a relatively modern invention - Most likely French, and adopted from French Showmen by Romanies, who brought it to Britain. So already, that’s a tradition that only spans a small amount of the time that Gypsies have existed, and only a small number of the full breadth of Romani ways of living. But the reasons that the waggon is what it is are based on the real world - The wheels are tall and iron-rimmed, because although you expect to travel on cobbled, tarmac, or packed-earth roads and for comparatively short distances, it wasn’t rare to have to ford a river in Britain in the late nineteenth century, on country roads. They were drawn by a single horse, and the shape of that horse was determined by a mixture of local breeds - Welsh cobs, fell ponies, various draft breeds - as well as by the aesthetic tastes of the breeders. The stove inside is on the left, so that as you move down a British road, the chimney sticks up into the part where there will be the least overhanging branches, to reduce the chance of hitting it.

So taking a fictional setting that looks like (for example) thirteenth century China (with dragons), and placing a nineteenth century Romanichal family in it will inevitably result in some racist assumptions being made, as the answer to “Why does this culture do this?” becomes “They just do it because I want them to” rather than having a consistent internal logic.

Some stereotypes will always follow nomads - They appear in different forms in different cultures, but they always arise from the settled people's same fears: That the nomads don't share their values, and are fundamentally strangers. Common ones are that we have a secret language to fool outsiders with, that we steal children and disguise them as our own, that our sexual morals are shocking (This one has flipped in the last half century - From the Gypsy Lore Society's talk of the lascivious Romni seductress who will lie with a strange man for a night after a 'gypsy wedding', to today's frenzied talk of 'grabbing' and sexually-conservative early marriages to ensure virginity), that we are supernatural in some way, and that we are more like animals than humans. These are tropes where if you want to address them, you will have to address them as libels - there is no way to casually write a baby-stealing, magical succubus nomad without it backfiring onto real life Roma. (The kind of person who has the skills to write these tropes well, is not the kind of person who is reading this guide.)

It’s too easy to say a list of prescriptive “Do nots”, which might stop you from making the most common pitfalls, but which can end up with your nomads being slightly flat as you dance around the topics that you’re trying to avoid, rather than being a rich culture that feels real in your world.

So, here are some questions to ask, to create your nomadic people, so that they will have a distinctive culture of their own that may (or may not) look anything like real-world Romani people: These aren't the only questions, but they're good starting points to think about before you make anything concrete, and they will hopefully inspire you to ask MORE questions.

First - Why are they nomadic? Nobody moves just to feel the wind in their hair and see a new horizon every morning, no matter what the inspirational poster says. Are they transhumant herders who pay a small rent to graze their flock on the local lord’s land? Are they following migratory herds across common land, being moved on by the cycle of the seasons and the movement of their animals? Are they seasonal workers who follow man-made cycles of labour: Harvests, fairs, religious festivals? Are they refugees fleeing a recent conflict, who will pass through this area and never return? Are they on a regular pilgrimage? Do they travel within the same area predictably, or is their movement governed by something that is hard to predict? How do they see their own movements - Do they think of themselves as being pushed along by some external force, or as choosing to travel? Will they work for and with outsiders, either as employees or as partners, or do they aim to be fully self-sufficient? What other jobs do they do - Their whole society won’t all be involved in one industry, what do their children, elderly, disabled people do with their time, and is it “work”?

If they are totally isolationist - How do they produce the things which need a complex supply chain or large facilities to make? How do they view artefacts from outsiders which come into their possession - Things which have been made with technology that they can’t produce for themselves? (This doesn’t need to be anything about quality of goods, only about complexity - A violin can be made by one artisan working with hand tools, wood, gut and shellac, but an accordion needs presses to make reeds, metal lathes to make screws, complex organic chemistry to make celluloid lacquer, vulcanised rubber, and a thousand other components)

How do they feel about outsiders? How do they buy and sell to outsiders? If it’s seen as taboo, do they do it anyway? Do they speak the same language as the nearby settled people (With what kind of fluency, or bilingualism, or dialect)? Do they intermarry, and how is that viewed when it happens? What stories does this culture tell about why they are a separate people to the nearby settled people? Are those stories true? Do they have a notional “homeland” and do they intend to go there? If so, is it a real place?

What gorjers think of as classic "Gipsy music" is a product of our real-world situation. Guitar from Spain, accordions from the Soviet Union (Which needed modern machining and factories to produce and make accessible to people who weren't rich- and which were in turn encouraged by Soviet authorities preferring the standardised and modern accordion to the folk traditions of the indigenous peoples within the bloc), brass from Western classical traditions, via Balkan folk music, influences from klezmer and jazz and bhangra and polka and our own music traditions (And we influence them too). What are your people's musical influences? Do they make their own instruments or buy them from settled people? How many musical traditions do they have, and what are they all for (Weddings, funerals, storytelling, campfire songs, entertainment...)? Do they have professional musicians, and if so, how do those musicians earn money? Are instrument makers professionals, or do they use improvised and easy-to-make instruments like willow whistles, spoons, washtubs, etc? (Of course the answer can be "A bit of both")

If you're thinking about jobs - How do they work? Are they employed by settled people (How do they feel about them?) Are they self employed but providing services/goods to the settled people? Are they mostly avoidant of settled people other than to buy things that they can't produce themselves? Are they totally isolationist? Is their work mostly subsistence, or do they create a surplus to sell to outsiders? How do they interact with other workers nearby? Who works, and how- Are there 'family businesses', apprentices, children with part time work? Is it considered 'a job' or just part of their way of life? How do they educate their children, and is that considered 'work'? How old are children when they are considered adult, and what markers confer adulthood? What is considered a rite of passage?

When they travel, how do they do it? Do they share ownership of beasts of burden, or each individually have "their horse"? Do families stick together or try to spread out? How does a child begin to live apart from their family, or start their own family? Are their dwellings something that they take with them, or do they find places to stay or build temporary shelter with disposable material? Who shares a dwelling and why? What do they do for privacy, and what do they think privacy is for?

If you're thinking about food - Do they hunt? Herd? Forage? Buy or trade from settled people? Do they travel between places where they've sown crops or managed wildstock in previous years, so that when they arrive there is food already seeded in the landscape? How do they feel about buying food from settled people, and is that common? If it's frowned upon - How much do people do it anyway? How do they preserve food for winter? How much food do they carry with them, compared to how much they plan to buy or forage at their destinations? How is food shared- Communal stores, personal ownership?

Why are they a "separate people" to the settled people? What is their creation myth? Why do they believe that they are nomadic and the other people are settled, and is it correct? Do they look different? Are there legal restrictions on them settling? Are there legal restrictions on them intermixing? Are there cultural reasons why they are a separate people? Where did those reasons come from? How long have they been travelling? How long do they think they've been travelling? Where did they come from? Do they travel mostly within one area and return to the same sites predictably, or are they going to move on again soon and never come back?

And then within that - What about the members of their society who are "unusual" in some way: How does their society treat disabled people? (are they considered disabled, do they have that distinction and how is it applied?) How does their society treat LGBT+ people? What happens to someone who doesn't get married and has no children? What happens to someone who 'leaves'? What happens to young widows and widowers? What happens if someone just 'can't fit in'? What happens to someone who is adopted or married in? What happens to people who are mixed race, and in a fantasy setting to people who are mixed species? What is taboo to them and what will they find shocking if they leave? What is society's attitude to 'difference' of various kinds?

Basically, if you build your nomads from the ground-up, rather than starting from the idea of "I want Gypsies/Buryats/Berbers/Minceiri but with the numbers filed off and not offensive" you can end up with a rich, unique nomadic culture who make sense in your world and don't end up making a rod for the back of real-world cultures.

#worldbuilding #world building #fantasy races #racism in fiction #nomads #romani stuff

[rafeandonlyrafe]

distant calls

words: 700

warnings: 18+ only!, smut, male masturbation, mentions of p in v sex, like one use of kid, protective!rafe, one mention of violence, kinda creeper!rafe i guess??, dubcon possibly?? not really but just in case!

“hey princess.” rafe smiles when he hears immediately how excited you are.

“hi rafey!” you squeal into the phone, wishing you weren't separated by the distance, forced to talk on the phone instead of in person.

“how was your day pretty girl? what did you do?” rafe asks.

your cheeks blush red at the nickname, never getting used to it no matter how many times he uses it on you. 

“well, it was a port day!” you start to describe your cruise. you really did try to have fun with your parents, but part of you longed to have rafe around, to be back in the obx where he could look after you.

you tell rafe all about the city you stopped in, where you went to shop and a cave exploring excursion that you ended up sitting out to wait on the beach until your parents got back.

you kick your feet up and down, back and forth as you recount everything to rafe. he stays mostly quiet, only letting out a few grunts and light sighs that you suppose is his affirmation that he's listening.

you feel so lucky to have captured rafes interest. you're not dating, haven't done anything at all yet beyond rafe holding your hand when you cross the street, but you're enamored with him. rafe is just as infatuated with you, but he would be damned if he told you, preferring to just keep you smiling and beat up any guys who look at you even a second too long at parties.

“and then we got back on the ship.” you twirl a finger absentmindedly over the blanket as you lay on your stomach on the bed. 

“did you eat baby?” rafe asks, his voice sounding strained.

“yes, of course.” you nod quickly despite rafe not being able to see you. “we went to the buffet and i got a chicken salad and then i even got dessert!” your exclaim, proud of yourself. “i got vanilla ice cream with sprinkles.”

“that's good, kid.” rafe let's out another sigh that has you pressing your ear into the phone, listening intensely to hear a weird somewhat wet sound that you can't place.

“keep-” rafe gasps out. “keep talking baby. tell me about-” he has to pause again as he grunts. “tell me about tomorrow.”

you instantly lose your suspicion as you let out another squeal. “rafey, you will never believe it!” you explain how you're going snorkeling in an area where people commonly see dolphins and you're really hoping you see them on the boat ride out to the reef.

you giggle with excitement, not realizing what your sounds are doing to rafe.

many hours away, back in the outer banks, rafe is laying on his bed, back propped up against the pillows, one hand holding his phone close to his ear while his other furiously strokes his cock.

it wasn't his intention when you first got on the phone, but hearing your sweet little voice had him pulling his cock out of his shorts.

“oh wow.” rafe says, tacking on a moan at the end that he hopes is disguised by his words.

rafe knows he's going to break the second you get back from your cruise. he's going to pick you up himself and bring you to the closest bed, even if it's a shitty motel. he's not even confident he'll make it that far without needing to take you. maybe the side of the highway will do.

you continue talking away about the itinerary, not a clue in the world that rafe is so close to ending the game you've been playing, the teasing about to come to a wicked end.

“are you in your pajamas?” rafe asks, interrupting you. but he doesn't care. he needs to know more.

“yup.” you say, popping your p’s. “been in my room for like half an hour now. it's so warm even with the ac blasting i'm wearing just a t-shirt.”

it's all rafe needs, the image of you splayed out on the bed with just a t-shirt on, pushed up to reveal your bare cunt and perfect tits. rafe doesn't hold back his sounds as much as he knows he should, grunting as he cums with a final stroke, releasing all over his abs.

“you okay rafey?” you question.

“im perfect, dollface.” rafe says, sighing as he lets go off his softening cock. 

“wanna switch to facetime?” you pout. “i miss looking at you.”

rafe switches without second thought, loving to see the way your eyes widen when you realize he's in bed shirtless, eyes squinting at the sticky white substance dotting his lower half.

taglist: @drewstarkeyslut @forstarkey @f4ll-for-you @dilvcv @drudyslut @jjmaybankswifes-blog @rafescokenostril @jjsmarijuana @seeingstarks @angelofcigs @cece45450 @babygorewhore @vanessa-rafesgirl @michelleisheres-blog @outerbankspov @drewstarkeyswifehoe @cutielando @sourkittie @rafeyslove @rafeinterlude @bellbottombaby @deeaardiary @rubixgsworld @wearemadeofstardust0 @leighbronk @starkeysheart @pradabambie @tobesolovelysstuff @alexiskirkland @rafestar @brioffthegrid @juniebugg @magicalyoura @cokepewpsii @mysticallystilinski @luvdella @aerangi @vogueprincess @auryyz @raysmayhem-72 @thestarlithideout @marvelfanfics1recs @rafesgiirl @dityaadama @chiaraanatra @tobiaslut @drewsephrry @1aarii1

#was this partially inspired by the 9 month cruise? maybe #rafe smut #rafe cameron smut #obx smut #outer banks smut #rafe fic #rafe fanfic #rafe fanfiction #rafe cameron fic #rafe cameron fanfic #rafe cameron fanfiction #rafe x you #rafe x y/n #rafe x oc #rafe x reader #rafe cameron x you #rafe cameron x y/n #rafe cameron x oc #rafe cameron x reader #rafe imagine #rafe one shot #rafe blurb #rafe drabble #rafe cameron imagine #rafe cameron blurb #rafe cameron drabble #rafe cameron one shot

[starryeyedjanai]

Steve and Eddie meet through their local buy-nothing-sell-nothing group when Steve’s getting ready to move in with Robin and he realizes he can't keep everything he owns while trying to merge households with her.

The first time they meet, Steve hadn't even been meaning to actually meet the person picking up the free toaster oven he’s giving away.

He’s setting his toaster oven outside his house on the porch when Eddie hops out of his van to pick it up and it would be rude to duck back inside without saying anything since he obviously sees him coming up, so they make small talk for a minute and Steve has to keep his eyeballs in check because they keep wanting to rake all the way down this guy’s body.

He’s covered in tattoos and so extremely Steve's type, but he knows better than to hit on someone who lives in his neighborhood and is not here for that reason.

He laments to Robin about it the next day, about the hot guy who’s probably using Steve's toaster oven as they speak, who he’ll probably never see again.

Robin rolls her eyes fondly at him and tells him that maybe if he puts more stuff up for grabs on the facebook group, he might see him again, but Steve suspects she just wants him to get rid of more of his stuff so it doesn't overcrowd their new apartment.

The set of items he puts up in the group next is an old blender and a butcher block that has three of the knives missing—seriously where did those knives go? He has yet to find them.

He tries to pretend he isn't secretly hoping Eddie will comment under his post that he wants the items, but he isn't fooling himself when his heart literally skips a beat when the first comment is from Eddie. He messages him and tells him to stop by later that day.

When Eddie shows up, they talk for longer than last time, Eddie asking why Steve needs to get rid of so much stuff and Steve asking why Eddie needs all this stuff—especially considering Steve snooped through the group and saw that Eddie joined over a year ago and hadn't once commented before now (he doesn't mention that thought, but he is thinking it real hard).

Eddie laughs and says he was in the market for a toaster oven when Steve posted one and wouldn't you know it? He also needs a blender—the knife set is just a bonus, he says.

Steve tries not to read too much into it, but his brain is spinning the interaction around in his head for the next week.

He puts up a space heater in the group and within minutes, Eddie has claimed it.

“I should just get your number and text you directly when I find something I want to get rid of next time,” Steve says flippantly when Eddie comes by to grab it that night. “Instead of clogging up the facebook group.”

Eddie smirks at him and steps a little closer. He says, “Maybe you should.”

His neighbor’s car alarm decides to go off right at that moment, ruining the flirty atmosphere with its incessant shrill. They can barely hear each other over the drone of it, so Eddie leaves without giving Steve his number and Steve is left feeling like he keeps having these missed connection moments with Eddie.

In a fit of desperation to see Eddie again, Steve puts up a bunch of random stuff in the group the next day—a shoe rack that’s missing a piece, a step stool, a cheap side table he got from Ikea—and Eddie is still the first person to comment like he’s been refreshing the page, just waiting for Steve to post.

“I left without giving you my number last time and I didn't want to be creepy and message you unprompted,” Eddie says as they load the side table into his van. “I think I was overthinking things and then got kind of spooked.”

“It doesn't look like anything could spook you,” Steve says.

When they get the side table inside the back of the van, Eddie turns to him and admits, “A very pretty boy could.”

Steve can feel his face getting hot. “You think I’m pretty?” he asks.

Eddie nods. “Why do you think I keep coming here? There's no way a person who’s lived here for as long as I have would need all this stuff.”

“Did you need any of it?” Steve asks in a teasing voice. “Or were you just so blown away by how cute my profile picture is that you just had to meet me?”

“Oh, I needed the toaster oven, but everything after that was just to see you again,” Eddie says before biting his lip.

There’s an entire swarm of butterflies in his stomach when Eddie's hand brushes his, when Steve takes Eddie's hand in his and leads him inside his box-filled house.

Later, when they’re making out on Steve's couch—when Steve really should still be packing since he has to move in less than a week—he pulls back to ask, “Wait, so are you gonna put the rest of the stuff you don't need back up for grabs in the group? I feel like that would start so much neighborhood gossip.”

Eddie grins wide and Steve wants to kiss him again, wants to feel his smile against his mouth.

“Oh, we’ll be the talk of the town, baby,” Eddie says, pulling him back in.

#steddie #stranger things #janai.doc