i'm seeing a lot of Pokémon SV DLC analyses where people say 'Oh, Kieran's fixation on Ogrepon is because he sees it as a path to strength; Carmine's bullied him long enough that his shield against admitting his weakness to himself is adoring a legendary creature'. And don't get me wrong – these interpretations certainly hold water – but I've actually been working from basically the opposite angle for all this time.
By all means, Kieran idolises strength, but he inhabits Carmine's shadow – he's the weak sibling, and probably has been for a long time. Yet, rather than fixate on the fantastical power of the Loyal Three, he identifies himself with Ogrepon – the downtrodden, ostracised creature cast out to eke out a subsistence. A terrible demon that wasn't quite terrible enough to cause anyone any lasting harm. The creature defeated by heroes, rather than the perfect, heroic figureheads themselves. He's enamoured with the downtrodden; he sees himself in its grief, in its being cast out and excluded. He's been cast out and excluded all his life (and he can't be a bad person, right? It's not fair – he's hated senselessly, surely, rather than for some reason?) – he sees himself as harmless; so the ogre, too, must be harmless, mis-blamed. Strength is thus in resistance; in growing a shell to tolerate others' inexplicable cruelty. So Kieran looks to Ogerpon, and he thinks that the meek shall inherit the earth, and it gives him the strength to tolerate long nights with poor company. Others are villains – not him, not this creature – and he's safe in the knowledge that at the end of the day, at least an ogre can go down in mythology as the putative sole survivor of its trials.
In this sense, Kieran's like Penny – he finds himself in a position of weakness, of being victimised, and forms himself an armour of being an underdog, of being the thing that bites back. Yet while Penny's position is that the underdog might muster the strength to bite back and restore justice, Kieran's view is that at least the underdog was worth loving. He's inert and preoccupied with his inertia. He can't understand that maybe he could be a human, with the capacity to grow, the capacity to sin. And when Carmine is cruel to him, he reaffirms his own contrarian mindset more – she says I am worth little for my weakness, so my weakness is all I am worth; my weakness is my strength.
And yet he chases strength, because he has to to survive. So when the player comes by, and supports him, maybe he has the safety to walk away from his preoccupation with being an underdog, to enjoy strength for strength's sake. And then, he starts losing, but this time, there are stakes, since he can't just withdraw and be consoled by the fact that withdrawing is right, is right, is right. Thus, he must get stronger. And then, when Ogerpon turns out to favour Juliana, who's become Kieran's idol for all that strength means, rather than Kieran, who's Kieran's selfsame designated weaklingpatheticscumidiot——well, what can Kieran do but fracture, since his whole ideology, his whole premonition that he might have the right to inherit the earth, has been fractured? And, under stress, he pivots from one extreme to the other. All he knows is that weakness is now unbearable. He must get stronger. Must get stronger. Must get stronger—because otherwise he's doomed, he's nothing. He has no myth to dissolve his identity in any longer, so he reshapes himself around the only other standard he's ever known. And it twists him and it breaks him into tiny pieces, because suddenly, the last thing he can bear to be is Kieran: Kieran, the downtrodden and meek boy. He has to flip on his axis; he must become the designated villain of his story by popular imagination, or else be subsumed in the fact that he's going to die someday without any place in the world. He has to play a part, because he's been consigned to one so long, and he can't think of anything other than heroes and villains, enemies and martyrs. He can't be the bad guy. Strength is now goodness; weakness is now evil. And he can't reconcile who he thought he was with who he must become, and as a result, all he can do is try to destroy the person who's destroyed his ideology.
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INVADER ZIM FANFICTION STUFF ! (angst too I guess)
I am terrible at art, so I have got nothing to go with this, but please give it a read if you have time. I noticed I haven't posted anything in a while, so here's a little something!
Oh and Happy Halloween!
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I think that what the disco elysium people said about Harry and Kim was the best way to put it. "Somewhere in the multiverse, Kim and Harry kiss." Because they're both so full of *potential*, both for wonderful and terrible things, and you *know* that in some worlds they full on hate each other. Harry can be a full on fascist; he's definitely been aggressive/racist/homophobic before the amnesia, there's no way Kim's entertaining his bullshit in that kind of playthrough if he makes no effort to change. And on the other side, Kim can be an absolute terror despite his calm facade- repressed, unflexible, patient with Harry only because he's a fellow cop, a committed *ex-moralist*. There are so many potential outcomes, so many different ways for them to fuck up, so many new and unique ways for them to be terrible together.
But then there's the multiverse where everything works out and nobody says the awful things they're thinking and maybe instead of pushing beyond Kim's boundaries by trying to can-open him, Harry helps him work through the repression and fear of change, and on the other side maybe Kim doesn't get frustrated by Harry's sheer chaos and just tries to be some stability in his life instead. They have *fun* together. They're playing board games. They wear matching jackets and sit on swings together whistling. And in that universe, maybe they get to be happy.
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thinking about how. robin screamed after nancy when she went into the lake, then highkey went catatonic before diving in backwards after her despite having poor coordination. how nancy was concerned when robin wandered off ahead in the upside down because she remembered being told about said poor coordination. how nancy squeezed robin's hand back and told her it would be okay then immediately went for those vines with the blunt end of a shotgun after they strung robin up, and it suddenly wasn't okay.
how steve was seemingly unaffected by eddie's death. (small timeskip? yes, but his uncle and dustin were both still broken about it, and the loss of a friend should hit you for longer than a few days anyway.) how there's no scene, that i know of, where they comfort each other or come to the other's rescue. (don't say demobats. they were all there. eddie would've looked like a total dick if he'd just stood there while ronance did all the work.)
how "A and B acting married for X minutes" videos are twice as long for ronance, and the ste/ddie ones include scenes where they aren't even interacting and/or are literally just acknowledging each other's existence.
and yet, somehow, the latter pairing is vastly more popular. i want science to explain this one to me.
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