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#I left out some flags because I saw no issue with the color harmony or ease on the eyes
lovelyflags · 5 years
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Here are some more mainstream identities’ flags but with the colors adjusted to be easier on the eyes! I wanted to maintain the significance of the original color schemes but adjusting them in ways like tweaking the colors to compliment each other a bit more or desaturating colors that gave me some eyestrain. (The most significant example of this was the polyamorous flag which were very much a pure saturation blue and reds that were rough to look at, but the reasons for blue and red were nice and I didn’t want to disregard that) The only one I took significant liberties with was the lesbian flag, as there is controversy around it recently, so I decided to stay close to the most common flag but wanted more fuchsia shades to represent femmes and and oranges for butches, rather than the original menagerie of pinks. Feel free to use or share!
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currentfandomkick · 4 years
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Miraculous and the Batboys - Week 3
So i am back(ish) and I bring the Update. Editting is for those with patience and time that i lack. ao3 link HERE
--
A weekend dodging Gina was… eventful. Even moreso when celebrating ‘No More Gabriel Brand’ time was cut short by a barrage of akuma.
All weekend.
Marinette is convinced the man has too much free time.
She would admit (ONLY when no one else was around) that having someone else checking info during battles was nice. Out of the visiting bats, she had come to rank them from least to most irksome: Red Robin (most helpful), Nightwing (helpful), Red Hood (… he was slightly less annoying—he seems to understand she is the leader of the team) then Robin (who can’t get that she knows what she’s doing, AND hurts the minions more than necessary).
Okay, maybe she’s holding a grudge from when they first met (Tikki enjoyed reminding her of that new found habit—grudge holding) but you don’t go around calling a bunch of magic jewelry powered superheroes incompetent before finding out what they’re fighting and how they have to fight!
And yes, this is a hill she will die on.
Chloe and Adrien are in full agreement, well, Queen Bee and Chat Noir are.
“Are you sure we can’t just…” Chat gestured with his eyes to where Robin was perched at the edge, “just a little?”
Marinette didn’t answer him. She turned to Queen Bee. “You need to influence chaton less.”
“Never.”
--
Tim almost collapsed when he saw Marinette on her own. Why?
Because he was Certain that he saw a, a red thing—creature? Poke something out of her purse.
Red was Ladybug’s color. Yep. She’s. Yep—mini Red Robin hard since he’s pretty sure she’s avoiding someone too.
She was too—he knew for a fact she’s avoiding Gina excellently (either hiding at the hotel with Chloe, the teashop or one Adrien Agreste and his… legal cousin but Tim is certain there is something off about that with the Holy Doopleganger Batman! Vibe he got from checking out the pair’s apartment. He now had a fun thing to look into when he’s bored and tired of Hawkmoth Shenanigans).
She’s also… yep. Dodging a bunch of teens he’s certain are her classmates.
And… Damnit demon spawn!
--
Marinette managed to disentangle herself from class parkour (miraculous training as civvies) when she got a text from Damian.
Apparently he wanted to ask how she was handling the whole… Thing with Bustier and Lila.
She wonders if he’s dealt with bullying too, and was looking for advice. She was certain hers was crap, but she did say she’d be around so…
She met up with Damian not too far from the park at a café, nothing fancy, and waited for him to start once they’d placed their orders.
“I know it is a personal matter and not my place to ask, however I would like to know how you have managed to endure the repugnant behavior of our teacher and the harlot.”
Marinette forgot she should think before responding.
“Pretty sure whores and sex workers are paid. She’s more con artist for attention than anything else.”
She missed Damian’s response as the waiter put down their drinks and raised an eyebrow at them.
“Remember the girl that framed me a while back and tried to expel me the first Scarlet Moth round?”
“Ah.” The waiter turned to Damian then. “Don’t insult whore by putting them in with that, well, work and I see my boss so I can’t say what I want again, but we both know what she is, and whores are no where near that level. Politicians, most, whores? No.”
Marinette snorted into her drink as they left.
“And to answer your question, well, I don’t really have a choice.”
Damian narrowed his eyes at that.
Marinette could feel his eyes on her, but couldn’t meet their gaze with this topic. (It still hurt, even though it’s a been years since it began.)
“Lila had everyone charmed or uncertain if she was lying until two weeks ago. Bustier said I had to be a good example and class representative putting that above everything else in my life. Even though everyone knows I’ve been helping run three different businesses on top of handling my program and own business and clientele, and help take care of Fu with a few other small business kids. Nothing could come before the class’s harmony—nothing.”
Marinette took a small bite of her pastry.
“So I saw someone who could force her to listen or have to deal with actively and knowingly violating anti-akuma laws—something she’s only managed to narrowly avoid since, well,” Marinette gestured to herself. “I got tired of constant akumas in class and managed to convince the school board as my last act as class rep to require daily and weekly mental health checks and mitigate potential akuma triggers during weekly checks, daily being more ‘answer these questions honestly’ for stress levels. The system flags major changes, and the students affected see one of the counselors immediately to find ways around what’s bothering them.”
Marinette missed Damian staring at her for that, or how his mouth opened ever so slightly.
“When I stepped down, everyone noticed I wasn’t comfortable alone with Bustier, so it became a rule to stop it whenever they could. The other classes are field specialty and ours is the only one for people doing more than one program or close to.”
Marinette looked up at that with a  smile. “Fashion is my official program, but since I do so much business outside of school, I kept having to take classes to help out early on. I never enrolled in the program officially like Chloe did, but the school has me credited as able to graduate with both programs, so until they can justify opening another multi-program class, I’m not allowed to transfer out of the class and stay in Dupont.”
Her eyes hardened when she said, “And I’m not letting a liar and a Bustier be the reason I left the only school that’s willing to go as far as they have for me program-wise—especially not when I only have a year left.”
Damian nodded at that, deciding he’d have to sic Drake on the harlot either way… perhaps Todd and Gina too. He was feeling spiteful.
--
Marinette decided that when she meets Hawkmoth, she is not only punching him in the face, she is going to do, she doesn’t know exactly what (Tikki has a few ideas that Marinette is certain involve torture) but it will hurt.
Why?
Third akuma on a Sunday. THIRD! What is this man not doing that he was before? She wants to know since whoever freed up his time is on her list now.
Robin was being less annoying (re: tracking the akuma and leaving the minions less battered than usual) while Red Robin was helping the police evacuate affected areas with Nightwing. Somehow Red Hood got it in his head to stick with Chat for “on the job training” her team is trained asshole and she is debating how far she should go when they finish off Hawkmoth for good.
--
Monday was… interesting. The emancipation was approved—Adrien Agreste legally required no legal guardian.
When Gabriel tried to fire Gorilla, well, Adrien pointed out Gorilla had been in Adrien’s employ this whole time as mother hired and paid him from her accounts. Which transferred to Adrien when she was declared dead.
Marinette dreaded the akuma Hawkmoth might cook up using Gabriel. How he wasn’t akumatized again was anyone’s guess.
Class was…
“So last night Damiboo said—“
Marinette put her head on her desk, and decided to raise an eyebrow at a… for some reason ill-looking Damian.
“Is it because you guys share a name?”
Damian blinked.
Adrien turned around then. “Or because someone has commitment issues.”
Marinette squinted at Adrien because… “What?”
Nino sighed. “Adrien is on another MatchMaker spree.”
“ah. Who are the victims?”
“Not touching it dudette, not touching it.”
Marinette snorted. “It’s not like he’s going to match anyone with well,” Marinette gestured at herself.
“Your infamous army.”
“They are not an army.”
“How many ‘relatives’?” Nino used air quotes.
Marinette narrowed her eyes. “Well under a hundred thousand, so not an army.”
“I am counting the fans.”
Marinette scoffed. “They do not count.”
“They do, and I’m pretty sure Adrien’s fan girl army is applicable.”
“Okay, just because they made up titles and help out during akuma evacs does not make them an army—they’d need weapons training, clear chain of command, coded strategies—”
“And the fact you know this only proves my point, you have an army.”
“Who has an army?” Chloe asked as she walked over.
“Marinette.”
“I do not!”
“You do,” Chloe agreed. “Kim!” the boy looked over at that. “Marinette’s ‘family’ is a small army.”
“I, yes?” Kim’s face scrunched up in confusion. “Any one that picked her up had how many knives on them when we were kids?”
Damian turned to her with a suspicious eye.
She blushed. “Nonna’s friends.”
Damian nodded slowly.
Marinette wondered if the earth could just… swallow her up now.
--
The rest of the week was in a similar vein. Constant attacks, the batboys helping, her class being weirdly fixated on her family (they aren’t violent, just… prepared.)
Her gymnastics classes were a godsend, and her instructor was checking up on her more than usual, but that might be her more or less running her own classes and lessons as she worked out her routine, music choice, and requirements for her teammates and partners for her routines on trapeze.
Tim was around more. He got it in his head that she needed “guidance” (and okay, she does) on how to conduct corruption investigations into the whole company’s practices and staff.
Then there was Damian being… distant? She was busy but they weren’t talking as much as they were at first and fine, whatever, she got it. She’s not someone he wants to be around…. It happens.
It just… hurts a little is all.
At least she had Adrien and less secrets there. He was fixated on Damian having “commitment issues” and she thinks he’s trying to set him up with someone (Chloe maybe? Why else would he be this focused…. It’d be interesting explaining she’s pretty sure Chloe like girls better than boys and that Damian isn’t her type. At a later date—she’s too busy to now).
Then she had chores and was called in for a hearing on Bustier which was… interesting…. (her duties weren’t too bad for class president. she wasn’t making lesson plans or anything. The role model and forgiving everyone for hurting her and being told to let Lila walk all over her for years was not okay at all, but any teacher would have said that, right?)
Oh and Gina was now convinced Marinette needed protection and now semi-stalking her (Jason was weirdly close to Jason now and talking to him a lot). So random Grandma Attacks when she wanted to draw in Peace.
Lord Murder was her best stress buddy, and Gina is now well acquainted her. She was also given Gina’s Seal of Approval to take over her house for the purposes of keeping Lord Murder and staying there once her current tenants were out (no seeing it until then… unfortunately. She did get dimensions for cat things though. she may browse a bit obsessively… only a bit.)
--
Tim froze when he ran into Jason with Civilian Chat Noir. And a giant man (Gorilla). At their base. Playing videogames.
“Hey Tim, this is Adrien, Adrien, Tim. Adrien is your mini’s buddy and this is the guy that keeps the harpies away, Gorilla—yes he refuses to tell me his real name—and they’re family now. B can suck it.”
Adrien waved at him before turning back to the game. “I have no idea why he keeps saying that.”
Tim took a deep breath. Apparently adopting strays was just another Bat-thing. “So its nurture, not nature.”
Damian came out, sighed when he saw the group still there, and took a drink into his room while saying. “I did not adopt him.”
Adrien looked back at him then. “You have too many commitment issues to. Don’t worry, though, I’m good at destroying pesky problems like that.”
Tim blinked at that.
Damian sighed as they had this conversation too often now. At school and apparently, his home now. “I am not going to—”
“That’s just your fear talking—we both know that.” Adrien spoke like he was talking to a petulant child. “Why don’t you text your friends and see what they think since I already know the answer and you need more convincing.”
Damian narrowed his eyes. “Jon thinks you are annoying.”
“I’m a delight.” Adrien turned back to his game then.
Jason grinned proudly next to him. A bit too much like a proud parent for Tim’s comfort. (He may also be realizing his keep-his-mini-from-Damian-dating may end up in vain thanks to one Adrien Agreste(?))
--
Dick sent Bruce exactly (1) update: You are a grandpa now—Jason has a blond cat-hero son who can’t dodge.
Bruce may have had a small heart attack as now he has a magic grandson that he never met, apparently controls raw destruction, and is deeply traumatized. (It was the grandpa part that freaked him out—the rest is par for the course as Batman. He’s a Grandpa Alfred—he’s too young for his children to pull a him and adopt tiny traumatized children and train them into (heroes) vigilantes. Alfred stop laughing, he’s being serious!)
-------------
HEY so thanks for patience with the updates as life is Extra Hell now between puppy training when i'm finally home and work being Extra Hell with longer shifts and more to do during.
And before anyone asks about the peacock!marinette thing, look at the two series I have going with Bronywn as those are ongoing as my stress writes.
Any preferences for next update? Open to ideas as my mind is too stressed to do more than work off a prompt of some kind for the time being, and next to none of this story has been planned so far, so ideas are very welcome to keep it moving forward.
--
@worlds-tiniest-spook-pastry @littleredrobinhoodlum @northernbluetongue @kceedraws @pirats-pizzacanninibles @theatreandcomicfreak @daminett4life @catthhay @weird-pale-blonde-person @amayakans @chocolatecatstheron @tired-butterfly @multplelifes @yin-390 @area51qt @toodaloo-kangaroo @bzz75 @ilovefluffbutsmutisalsogreat @freshbark @soup-served-chilling @daminett4life @smolplantmum @karategirl119 @goblinwhoships @melicmusicmagic @maribat-is-lifeblood @spartanxhunterx @maribat-is-lifeblood @toodaloo-kangaroo
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3d-explainer-video · 5 years
Text
Kelly Brings J.Lo and Keith Urban to Tears
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
People Happily Await the Begining of the Show
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
On Set with the Crew
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art. On the surface his work simply looks “cool”.
Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
Getting Ready for the Big Night
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
Telephone Booth Shooting
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue? The buzz began during the red carpet events prior to the official event.
Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
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3dfreelearn · 5 years
Text
Rupert Murdoch and Jerry Hall Tie the Knot
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s subversive dictator portraits to shape this poster of Immortan Joe, says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to create a vast, sinister, and lonely landscape.
People Watching a Movie
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
I wanted to portray the same witty chaotic vibe in my poster
In his Barcelona series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone pray/prey encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art. On the surface his work simply looks cool!
This shallow analysis misses the irony behind his cultural representations. Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
Backstage Preparations
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting. In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of home.
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big upsets, and which speeches and performances will stand out.
Not to mention how host Chris Rock will approach the Oscars So White controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue? The buzz began during the red carpet events prior to the official event. Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant).
If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. But the last thing I need is to lose another job to Kevin Hart, he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal boycott of the Oscars. Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties, he said.
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sexynatacha · 5 years
Text
Silicon Valley Stunned by Slashed Investments
https://just-porno.com/?p=11917&utm_source=SocialAutoPoster&utm_medium=Social&utm_campaign=Tumblr Silicon Valley Stunned by Slashed Investments - https://just-porno.com/?p=11917&utm_source=SocialAutoPoster&utm_medium=Social&utm_campaign=Tumblr Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy. Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature. “On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations” When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s subversive dictator portraits to shape this poster of Immortan Joe, says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to create a vast, sinister, and lonely landscape. The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble. Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness. I wanted to portray the same witty chaotic vibe in my poster In his Barcelona series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm. My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone pray/prey encapsulates the shock and horror felt by the community when this scandal was made public. To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art. On the surface his work simply looks cool! This shallow analysis misses the irony behind his cultural representations. Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it. I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment. Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection. Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst. I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike. A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand. Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting. In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of home. The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big upsets, and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the Oscars So White controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue? The buzz began during the red carpet events prior to the official event. Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant). If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris. Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. But the last thing I need is to lose another job to Kevin Hart, he said, as the crowd erupted in laughter (including Hart himself, who was in the audience). Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal boycott of the Oscars. Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties, he said.
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parintinsnoticias · 6 years
Text
The Secret to Your Company’s Financial Health is Very Important
Novo post https://parintinsnoticias.com/the-secret-to-your-companys-financial-health-is-very-important/
The Secret to Your Company’s Financial Health is Very Important
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
People Happily Await the Begining of the Show
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
On Set with the Crew
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art. On the surface his work simply looks “cool”.
Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
Getting Ready for the Big Night
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
Telephone Booth Shooting
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue? The buzz began during the red carpet events prior to the official event.
Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
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kindhit-blog · 6 years
Link
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
People Happily Await the Begining of the Show
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
On Set with the Crew
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art. On the surface his work simply looks “cool”.
Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
Getting Ready for the Big Night
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
Telephone Booth Shooting
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue? The buzz began during the red carpet events prior to the official event.
Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
The post Program Will Lend $10M to Detroit Minority Businesses appeared first on Kind Hit.
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apptechz · 6 years
Text
Mobile Marketing is Said to Be the Future of E-Commerce
Mobile Marketing is Said to Be the Future of E-Commerce http://travelreviews.club/mobile-marketing-is-said-to-be-the-future-of-e-commerce/
https://ift.tt/2NvGnxs
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
"On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations"
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
[caption id="attachment_6" align="alignnone" width="1068"] People Happily Await the Begining of the Show[/caption]
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
[caption id="attachment_7" align="alignleft" width="232"] On Set with the Crew[/caption]
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art. On the surface his work simply looks “cool”.
Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
[caption id="attachment_8" align="alignnone" width="1068"] Getting Ready for the Big Night[/caption]
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
[caption id="attachment_9" align="alignright" width="200"] Telephone Booth Shooting[/caption]
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue? The buzz began during the red carpet events prior to the official event.
Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
via AppTechz - Feed https://ift.tt/2C1Quc4 August 28, 2018 at 11:13AM
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ronaldmrashid · 7 years
Text
Silent Threats In The Night: A Forgotten Memory Until Charlottesville Happened
In the summer of 1996, I got in my rusty Toyota Corolla hatchback and took off on a five and a half hour drive south from the suburbs of Washington DC to a sleepy town called Abingdon, Virginia. I wasn’t sure if I’d make it because I had never driven my car more than 2.5 hours before.
After my transmission blew out six months after I bought it for $2,000, the mechanic got the gear ratio wrong so my car was always revving 2,000 RPM higher than it should. Constantly wondering whether the engine would explode was concerning.
I was back from a month-long internship at a Canon electronics distributor in Taipei and missed my girlfriend dearly. Sophomore year at The College of William & Mary in Williamsburg was only a month a way, but I couldn’t wait to see her.
Abingdon is a beautiful town nestled in the Blue Ridge Mountain range. When I arrived, the first thing I did was give my girlfriend a big hug and go to a local “greasy spoon” restaurant right off the main strip. She knew that I loved grilled cheese sandwiches with freshly sliced tomatoes wedged between the goodness. It was the perfect way to catch up after almost two months of being away.
Source: VisitAbingdonVirginia.com
Although there wasn’t a minority in sight, I never felt out of place in quiet Abingdon. Southerners tend to have a great way of making you feel welcome. After lunch, she brought me up a windy road to see her dad and his girlfriend. They lived on a little hill with not a neighbor in sight for miles. I was nervous to meet dad as any boyfriend should be.
I gave Mr. Brosnan a firm handshake and greeted him with the warmest “nice to meet you” I could muster. Mr. Brosnan was a psychiatrist at the local hospital. He stood about six feet tall with a full beard filled with black and white bristles. He was white and drove a green Jeep Grand Cherokee Laredo. He politely scoffed at my dinky car that pulled up into his driveway.
My girlfriend, Erika, was not white. She stood about 5′ 8″ tall and had straight black hair. She was incredibly fit because she was a vegetarian and a runner. Erika was mixed. Her Chinese mother had died from cancer when she was only three.
Into The Evening
If you ever go camping in a desolate place, you’ll marvel at the brightness of the stars. Each evening we’d sit out on the porch right off the kitchen and look up. Because there wasn’t a street light for miles, the solar system jumped out at us like high definition. We spotted no fewer than three shooting stars each night, which makes me wonder what else do we miss in our daily lives?
On the third day of a week long visit we got a flier. On the flier were four white hooded figures with an invitation to join the KKK. There was a telephone number to call, but no address. We read the propaganda and thought nothing of it. But when we told Mr. Brosnan about the flier we could see the worry in his eyes.
He asked, “Did anybody follow you home?” “Were you aware of anybody in town watching you?” “Did you have a bad encounter?”
As far as we could tell, nobody was following or watching us. We had thought the flier was junk mail, sent to every single household in town. Not once did we suspect we were targeted because of my arrival until we spoke to Mr. Brosnan. There was something else Mr. Brosnan wasn’t telling us, but he never revealed anything else.
Perhaps it’s because I’ve been through a lot of uncomfortable racial discrimination encounters that I wasn’t really worried about a silly flier. As a minority, you get used to the jeers, the name calling, the stereotyping, the intimidation and the hate. Because you’re physically outnumbered, there’s nothing you can really do but ignore and move on if you want to live. Instead, I learned self-defense, practiced using a butterfly knife, and focused on my studies in order to gain some future optionality.
The next day, Erika and I went down to get a milkshake after a three-mile jog and everything was as normal as could be. Then night fell and something strange happened.
While on the deck, instead of hearing the cicadas gently hum through the night like an ocean wave, we heard a truck rumble up the hill to the front of the house. Nobody came out of the truck. It just sat there with the engine left on, gurgling as if it was hungry.
Then the high beams flickered on and we decided to go inside. As we were heading inside, we saw Mr. Brosnan walk outside with his rifle. He calmly told us to stay put. Mr. Brosnan stood behind a wooden bear statue on his porch for protection, pointed his rifle at the truck and shouted, “Get the hell off my property!”
The standoff only lasted for a minute, but it felt like an eternity. Finally, the truck lowered its high beams. Inside we could see three white men in the truck drinking beer and throwing up some sort of hand signal before driving back down the hill. They littered a beer can put the window and left another flier.
We’ll never know whether a member of the KKK spotted us in town and followed us back to Mr. Brosnan’s house. But we did learn that the KKK had been trying to recruit Mr. Brosnan for a number of years. The per capita income for the town was $22,486, while about 7.3% of families and 10.1% of the population were below the poverty line. As a psychiatrist, Dr. Brosnan was a respected man in town who likely unknowingly helped treat a KKK member.
At Dr. Brosnan’s urging, he recommended I find a motel to stay in at a nearby town instead. So I found an Econo Lodge in the town of Marion, 30 miles north on H-81. I didn’t want to put his family in jeopardy. Erika initially objected, but she came along to stay for a couple nights before we both had to return to our respective homes.
What Happened To Progress?
I forgot all about this harrowing encounter as a 19-year-old  until what transpired in Charlottesville, Virginia this past weekend. Millions were killed in World War II fighting Adolf Hitler and the Nazis. Yet here people were at Emancipation Square and on the campus of the University of Virginia making Nazi salutes and carrying flags with swastikas while a team of men in camouflage gear and semi-automatic riles marched along side them in support. Then the car bulldozing happened. What the hell is going on?
It’s incredibly sad that after 21 years, there is still so much hate and bigotry. Perhaps it has never gone away, but stayed more hidden until now. As a personal finance writer, I can’t help but think the lack of money and education have everything to do with racism. Nobody grows up hating someone else because of their skin color. Hate is taught by our parents, our peers, and our circumstance. Hopefully this means that those who hate can be taught to learn love as well
FinancialSamurai.com will always be a platform that is accepting of everybody looking to achieve financial freedom. I enjoy not seeing what any of you look like because it allows me to focus on your substance. I strongly believe that if more people achieve financial security, there will be less hate in the world. Once you feel financially secure or at least feel like you’re headed in the right direction, you can start helping others instead of trying to cut others down.
Note: There is a poll embedded within this post, please visit the site to participate in this post's poll.
Thoughts About Hate
* If you’re experiencing hate know that the person hating on you is going through some sort of misery that causes them to act out. Happy people don’t hate on others, they find a way to accept and be kind.
* Forgive. It may not be easy, but once you understand why they are the way they are, it becomes easier. You’ll feel better forgiving and moving on, rather than letting the incident eat away at you.
* Be careful not to lump everyone in the same group. If you do, then you’re practicing a similar brand of prejudice. Discover the individual.
* Don’t assume that just because Asian Americans as a group do OK in terms of income and education, they don’t consistently face racial discrimination in many facet of their lives. Further, there is no typical Asian since there are 48 Asian countries.
* If you’re practicing hate, dig deep to find the root cause of your hatred. Now direct your energy towards addressing the issue instead of blaming some group of people for your misery.
* Let’s teach our children early on about the importance of respecting each other. Our prejudices will spread to our children if we are not careful.
* The best way to prove your detractors wrong is to be successful in your craft. The best way to cure your hate towards others is to also become successful in your craft.
Related:
The One Key Ingredient Necessary For Achieving Financial Independence
Emotional Intelligence: A Key To An Easier Life
Readers, what are your thoughts about what happened in Charlottesville, Virginia? Have you had any hateful encounters based on who you are that you’d like to share? What do you think are some solutions to creating more harmony in the world? Before attending The College of William & Mary, I attended high school in Northern Virginia. Virginia is a wonderful place that has a special place in my heart, despite all the growing pains I experienced. 
from http://www.financialsamurai.com/silent-threats-in-the-night-charlottesville/
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intuitivegadgets · 7 years
Text
The Nanny Who Tried to Sleep With Eva’s Husband
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
People Happily Await the Begining of the Show
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
On Set with the Crew
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art. On the surface his work simply looks “cool”.
Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
Getting Ready for the Big Night
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
Telephone Booth Shooting
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue? The buzz began during the red carpet events prior to the official event.
Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
The post The Nanny Who Tried to Sleep With Eva’s Husband appeared first on Intuitive Gadgets.
from The Nanny Who Tried to Sleep With Eva’s Husband
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3d-explainer-video · 5 years
Text
Donald Trump Marketing Cohen’s New Movie
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
People Happily Await the Begining of the Show
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
On Set with the Crew
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art. On the surface his work simply looks “cool”.
Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
Getting Ready for the Big Night
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
Telephone Booth Shooting
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue? The buzz began during the red carpet events prior to the official event.
Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
The post Donald Trump Marketing Cohen’s New Movie appeared first on Kids Bikes Shop Real bicycle customer reviews.
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3d-explainer-video · 5 years
Text
Inside New York City’s Holiday Windows
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
People Happily Await the Begining of the Show
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
On Set with the Crew
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art. On the surface his work simply looks “cool”.
Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
Getting Ready for the Big Night
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
Telephone Booth Shooting
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue? The buzz began during the red carpet events prior to the official event.
Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
The post Inside New York City’s Holiday Windows appeared first on Kids Bikes Shop Real bicycle customer reviews.
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Text
Blake Shelton Goes Up Against Christina Aguilera
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
People Happily Await the Begining of the Show
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
On Set with the Crew
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art. On the surface his work simply looks “cool”.
Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
Getting Ready for the Big Night
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
Telephone Booth Shooting
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue? The buzz began during the red carpet events prior to the official event.
Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
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3d-explainer-video · 5 years
Text
New Zealand Sports Legend Dies to Cancer at Age 43
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
People Happily Await the Begining of the Show
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
On Set with the Crew
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art. On the surface his work simply looks “cool”.
Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
Getting Ready for the Big Night
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
Telephone Booth Shooting
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue? The buzz began during the red carpet events prior to the official event.
Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
The post New Zealand Sports Legend Dies to Cancer at Age 43 appeared first on Kids Bikes Shop Real bicycle customer reviews.
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3d-explainer-video · 5 years
Text
Did Pink Just Throw Shade at Kim Kardashian?
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
People Happily Await the Begining of the Show
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
On Set with the Crew
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art. On the surface his work simply looks “cool”.
Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
Getting Ready for the Big Night
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
Telephone Booth Shooting
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue? The buzz began during the red carpet events prior to the official event.
Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
The post Did Pink Just Throw Shade at Kim Kardashian? appeared first on Kids Bikes Shop Real bicycle customer reviews.
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3d-explainer-video · 5 years
Text
Sarah Jessica Parker is the Queen of West Village
Thousands of fans have begun to prepare for Oscars parties to find out which actors, actresses, and movies of the 88th Academy Awards will win a gold statue. As part of the celebration, Shutterstock’s company designers have worked again this year to create fascinating pop art-inspired posters for popular films nominated by the Academy.
Like the many of the different types of movies nominated for the Best Picture award, Shutterstock says its posters share a theme of endurance and testing how far you can stretch the lengths of human nature.
“On the surface his work simply looks cool, but this shallow analysis misses the irony behind his cultural representations”
When you think of many of this year’s Best Picture nominees, movies like The Revenant, The Martian, and Mad Max share a common theme of strength, resilience, determination, and power. These themes are stunningly carried over into Shutterstock’s pop-art posters this year. Posters featured include Jordan Roland’s Warhol-inspired Mad Max: Fury Road, which offer a take on Warhol’s “subversive dictator portraits to shape this poster of Immortan Joe,” says the artist. In Cristin Burton’s Flirst-inspired Oscar Pop 2016 The Revenant, the poster includes assembled pieces the artist used to “create a vast, sinister, and lonely landscape.”
People Happily Await the Begining of the Show
The pop-art posters include a fun view of movies but also of topics that aren’t so fun. In Flo Lau’s The Big Short, inspired by Keith Haring, the artist chose a comedic approach to the dark subject of the bursting of the 2008 housing bubble.
Flirst is a collage artist who assembles disparate pieces to explore how he can change the harmony of the whole. For my poster, a homage to The Revenant, I assembled pieces to create a vast, sinister, and lonely landscape. The poster features a figure with very few people on his side; this represents the film’s main character, Hugh Glass, who was brutally attacked by a bear and left for dead in the winter wilderness.
“I wanted to portray the same witty chaotic vibe in my poster”
In his “Barcelona” series, Mario Corea Aiello forms a grungy collage of newspaper and magazine cutouts and heavy paint strokes. I felt this style would parallel the vicious storm that left Mark Watney for dead on Mars in The Martian. For the color scheme, I deferred to Eric White’s cover art from the original novel by Andy Weir to capture the characteristics of an otherworldly storm.
On Set with the Crew
My inspiration for this poster is one part Roy Lichtenstein and one part Stefan Sagmeister. Spotlight is about journalists uncovering a massive scandal in one of Boston’s oldest institutions, and I found that the perfectly contradictory homophone “pray/prey” encapsulates the shock and horror felt by the community when this scandal was made public.
To illustrate this, I pixelated an image of a priest, then tore off his head and replaced it with an image of a wolf. I looked to Warhol’s subversive dictator portraits to shape this poster of Immortan Joe.Warhol had a remarkable ability to distract from the meaning of his art. On the surface his work simply looks “cool”.
Mad Max: Fury Road has the same effect: The stylized nature of the film gets more attention than the meaning behind it.
I chose to feature Immortan Joe because he is a terrible person, but his iconic look makes him instantly recognizable. When I first read the plot summary for Room, I envisioned lonely, sterile characters, who had been institutionalized by their secluded environment.
Of course, when I saw the movie that perception quickly changed; the characters are full of life, love, and joy, and the audience instantly empathizes with them on a raw, human level. KAWS’ statues play on a similar deceit. Initially they have a sterile, robotic feel, but when you view them in their human-scale sizes and see their playful aesthetic, you experience an unexpected sense of connection.
“Welcome to the Oscars, Or as some people like to call it, the white people’s choice awards”
The Big Short takes a comedic approach to a dark subject, and I wanted to portray the same witty, chaotic vibe in my poster. Keith Haring was my inspiration because his high-contrast, brightly colored political work, which touches on grim subjects like rape, death, and war, hinges on the same contrast as the film. The poster is based on the film’s alligator-in-an-abandoned-pool scene; the alligator represents the main characters in the movie, who took advantage of the 2008 housing bubble and left the world in desperation when it burst.
Getting Ready for the Big Night
I chose to focus on the muddy gray areas and loopholes within Bridge of Spies. The Cold War was fueled by each side’s increasingly dire hypotheticals, causing mass paranoia among citizens and governments alike.
A large part of the film’s narrative focuses on the extent of protection under the law, especially for a Soviet spy. I reimagined Lady Justice, mixing her blindfold with the American and Soviet flags to represent how both countries were tied to their individuals’ principles of justice even while locked in an unending battle for the upper hand. Set in the eponymous 1950s borough, Brooklyn features then-contemporary imagery that now exemplifies the commodification of Brooklyn as a global brand.
Just as the Pop Art movement utilized mass advertising and irony to re-contextualize commercial art, I drew from today’s vintage, artisanal design trends, which are inspired by that era and setting.
Telephone Booth Shooting
In that vein, I applied the animated footage and vector elements to illustrate how the contrasting settings of Brooklyn and Ireland re-contextualized the protagonist’s identity through a fluctuating sense of “home.”
The 88th annual Academy Awards are underway, and viewers are anxiously awaiting the ceremony to find out if their favorite flicks and actors win, which categories will see big “upsets,” and which speeches and performances will stand out. Not to mention how host Chris Rock will approach the “Oscars So White” controversy, and who he will target during the opening monologue. Did Leo finally take home a golden statue? The buzz began during the red carpet events prior to the official event.
Jennifer Jason Leigh, nominated for Best Actress in a Supporting Role for The Hateful Eight, seemed slightly out of it during her interview with Ryan Seacrest on E!’s special. But arguably the biggest surprise was Best Actor nominee Leonardo DiCaprio (The Revenant) and Best Actress in a Supporting Role nominee Kate Winslet (Steve Jobs) playing to their nostalgic fans by walking the red carpet together. Can you believe it’s been nearly two decades since they starred together in the 1997 blockbuster film Titanic (which took home Best Picture)?
“If hosts were nominated, I wouldn’t be here; instead, you’d have Neil Patrick Harris.”
Rock, who addressed the issues with ease and expected humor, added that he did seriously consider quitting after so many people spoke out and pressured him to do so. “But the last thing I need is to lose another job to Kevin Hart,” he said, as the crowd erupted in laughter (including Hart himself, who was in the audience).
Arguably, the best part of Rock’s monologue was his blatant dig at Jada Pinkett-Smith and her vocal “boycott” of the Oscars. “Isn’t she on a TV show? Jada boycotting the Oscars is like me boycotting Rihanna’s panties,” he said.
The post Sarah Jessica Parker is the Queen of West Village appeared first on Kids Bikes Shop Real bicycle customer reviews.
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