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#I like genre fiction!
young-astro · 2 months
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PLEASE for the love of the universe read anti-colonial science fiction and fantasy written from marginalized perspectives. Y’all (you know who you are) are killing me. To see people praise books about empire written exclusively by white women and then turn around and say you don’t know who Octavia Butler is or that you haven’t read any NK Jemisin just kills me! I’m not saying you HAVE to enjoy specific books but there is such an obvious pattern here
Some of y’all love marginalized stories but you don’t give a fuck about marginalized creators and characters, and it shows. Like damn
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prahacat · 2 months
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when the horrors catch up and you take an evening off to batch-process
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turtleblogatlast · 1 month
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Thinking about how Leo says he uses his jokes to cope and y’know, thinking harder on it I think it may very well be because of what else uses one-liners and puns and that type of humor.
Specifically, 80’s action movies and campy sci-fi. Even more specifically, the protagonists of these.
So I can imagine why, exactly, Leo leans toward this brand of humor. It’s directly linked to things he loves! But even more than that is why I think it’s used as a coping mechanism.
In these genres, these quips tend to be said by the winner - or, if not a winner, then someone who will stay alive. So there’s a confidence behind them, an assurance, almost, that even if things go wrong, things aren’t ever too serious. There’s no bad endings here! It’s all good fun, even if the stakes seem high.
Leo canonically has been known to steer his brothers away from the more brutal villains and toward more fun, lighthearted activities and not-so-dangerous criminals. So for Leo, these jokes definitely make things less heavy, make the situations they find themselves in less intense.
It’s kinda not just coping, but also can be seen as a form of escapism. A safety blanket. A way for Leo to defuse the tension of knowing just how dangerous their lives are and replace that with a levity which implies that things will be okay.
Unfortunately, levity alone does not alter reality.
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do you think michael distortion, kevin wtnv, and elijah volkov would get along
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tariah23 · 1 month
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One of the main reasons why I used to avoid Isekai’s, and fantasy works in general, like the plague is because of how over saturated they’d become with things that didn’t feel like they even belonged to the genre to begin with… it’s not too hard to find works that stand out but so much of those works have been pushed down and forgotten, it just sucks.
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fictionadventurer · 2 months
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The worst part about reading in a genre where you have low expectations (in this case, Christian historical fiction) is that when a book impresses you, you have no idea if it's actually good or if you're just overly impressed because it was a fraction of a degree better than the usual garbage.
#basically lately anytime i read a christian fiction book that isn't romance-based i find myself surprised by the quality#i do think that some christian publishers are getting better#and trying to tell stories that dig deeper into real faith and messy issues#instead of making only vapid squeaky clean prayer-filled tropefests#but i'm not sure *how much* better#because anything above the low bar feels like great literature#the most recent is 'in a far-off land' by stephanie landsem#and let me tell you setting the prodigal son in 1930s hollywood is a genius concept#i have some issues with the history and the mystery#but the characters!#it has been a long time since i cried this hard over a book#several chapters of solid waterworks#(and i also have the issue of figuring out if it's actually that moving or if i'm just hormonal/sleep-deprived)#i keep thinking about this book but also i worry about recommending because what if it's actually terrible by normal book standards?#(also the author DOES NOT understand the seal of confession and i was SHOCKED to find that she's actually catholic)#but also looking at the reviews makes it clear that if most of christian fiction is vapid garbage it's these reviewers' fault#here you have something that's digging into sin and darkness and justice and mercy and these people are just#'how can it call itself christian fiction if it only mentions god at the end?'#are we reading the same book this WHOLE THING is about god! and humanity and our fallen nature and how this breaks relationships!#your pearl-clutching anytime someone tries to get even a tiny bit realistic is destroying this genre#i'm gonna run out of tags so i'll stop now
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burning-academia-if · 24 days
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Hello, I blinked and March was over. Another busy/hectic month in regards to Real Life things + I got pretty sick at the end of it (because being sick in February wasn't enough lol). With that being said, here's what I did get done:
Wrote 16.1k words (Chapter 2 total word count: 27.4k )
Started editing/coding in the start of Chapter 2
Did some more coding/tweaking for stat pages
Fixed some variables in Chapter 1 + added piercings and facial hair options to character customization (these will all be added when Chap 2 releases)
Posted Rhea's bday art
With that being said, I thought Chapter 2 would be a max of 30k words, but all the small branching and flavor text in this chapter is really adding up lol. Of those words written, most of it went towards the Lars/Student Warden path. I did however write one of the three endings, and one of two of the RO pov ending scene variants.
With that said the Rhea/Student Government path should be a lot shorter since it's more straight forward, and once that's done, all that's left is a handful of smaller scenes/variants to finish up and then Chapter 2 will be done! I'm guessing it'll end up being between 40k to 50k words in total. I'm hoping to finish up the writing in April and then code everything in to release it by late May! This is obviously very tentative, but unless the universe decides to cause mayhem once more, that's what I'm aiming for!
Lastly, here's another little preview for the confrontational MCs this month (ft Lars):
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twyrrinren · 3 months
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while in other fandoms mpreg is mainly written as angst or fluff, in laios' case it would be HORROR. like he's terrified of having children? and also a baby is nurtured by his parent's body???
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coockie8 · 5 months
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"You can't create fiction about X problematic thing without explicitly condemning it otherwise your readers/viewers will think it's okay to do irl!"
Okay see well I was under the impression that since I'm not creating fiction for literal 5-year-olds that my readers/viewers would already be aware of the fact it's not okay to rape, torture, and murder people in real life without me spoon-feeding that to them like they're toddlers ¯\_(ツ)_/¯
If you're over the age of 10 and still don't know that it's bad to hurt people in real life without a fairy tale telling you so, then that is 100% a you problem, like I don't know what to tell you here :/
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fandom-geek · 3 months
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so i just finished blue eye samurai and, first off, that was utterly excellent
but also, with that ending. fowler's age makes it clear that this is probably set in the 1640s-1650s, which is a very specific period in english history.
as in, it's during the civil war and long parliament. the restoration of the monarchy happened in 1660, although things eased up after cromwell's death in 1658.
so either fowler and mizu arrive in 1640, during the lead-up to the civil war, or between 1641 and 1649, during an active civil war, or between 1649 and 1660, when you've got the notoriously repressive puritans in power. the puritans, as led by cromwell, also slaughtered their way through ireland, which would make me very curious to see fowler's reaction if they're going to touch on that
like. they're probably not going to use real historical figures given that they created a fictional character for the shogun, but it's a uniquely tense period of english history and given the four men's entire deal is warfare, drugs, and prostitution/slavery, it seems like the perfect period to explore.
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now that it's been enough weeks that it's not really spoilers can i just say that if you like fictional crossover media where the characters find out they're from fictional properties and have in-depth discussions about it and also sometimes invoke their genres to their own advantage in both fights and interpersonal interactions, uh, listen to interstitial infinity on the riley hopkins and their amazing friends feed
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thebaldergatescandal · 6 months
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I cant find the post which goes into how Astarion wouldnt want the player character to be their one source of blood because
1. Thats immediately entering a relationship of dependence again and he wants to be independent
2. Thats not enough blood
Let me add counterpoint 3: vampire astarion being joined by a player character to hunt animals large enough for a proper meal (and bring back drained and butchered for the others) is such a good mental image that I immediately want 10 fanarts
You may say, astarion can hunt big animals just fine on his own but I say cmon medieval boar hunting was a whole thing it was a sport it was a group activity because the animal was so dangerous in its death throes
Cant you just picture Wyll on a horse with a boar-spear like its a game of polo and Astarion running on the ground like his hunting dog?????
Halsin taking wolf form for a spin to hunt in a pack of two and when someone passes by they ignore the tableau of animals feeding until it dawns on them that one of those red muzzled creatures with their face in an elk was a humanoid not a beast???
There are some good ass images right here.
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the-everqueen · 3 months
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for the AMA: what compels you most in a fictional character!
rage as a trauma response.
it compels me when a character spits in the face of god. when the response isn't "why did you let all this happen" but "how dare you let this happen." something about the assertion of agency in the wake of un-meaning. something about "there was never a Purpose, the point is what you make of it." this is undoubtedly because i was raised evangelical and continue to struggle with what i believe vs what i want to be true. pero also i think i was denied anger for so long (and even now my reflex when i'm hurt is to divert/repress/hide/sublimate anger) that it's cathartic for SOMEONE to get to be mad at the powers that be.
misogyny means it's usually (white) male characters who get these narrative arcs. this is evident in my blorbos: astarion from bg3, the corinthian from sandman, will graham from hannibal. (my immediate first thought was actually emilio sandoz from the sparrow, very literal autistic brain serving me well here lmao, what does it mean to be god's whore.) but my favorite female and genderqueer characters have this, too. saga anderson from alan wake 2 (LITERALLY tells both the in-game narrative force and the meta "fuck off, i'm done with other people writing my story"). essun from the broken earth trilogy (everyone who says they can't connect to her...i need you to examine yourself for misogynoir). vic from nos4a2. eurydice from hadestown. erica slaughter from something is killing the children. jade from my heart is a chainsaw.
(horror is obviously a huge medium for this...the final girl is a figure of righteous anger, the avenging angel, the woman who mows down the ultimate horror with a baseball bat or a butcher knife and she's right, she's in the right, she's the monster slayer, fuck you fear me.)
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ejunkiet · 5 days
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I just finished an incredibly dark and smutty original fiction novel on ao3 and I am not the same.
it's gorgeous. I want it on my bookshelf. why can't i find this in published romance.
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seventh-fantasy · 5 months
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galaxy-brained mlc take of the day: mlc is wuxia, yes and maybeee not exactly? it very much is a wuxia aesthetically, but it's actually - conceptually - xianxia story in the core. (this is different from suggesting that it is a xianxia show.) however xianxia can (or should) be considered a subgenre of wuxia, not its own separate distinct genre despite the idea of 仙 xian being fundamentally at odds with the idea of 侠 xia, because they both stem from the same belief. (as seen in mlc, it works with the conventions of traditional wuxia aka li xiangyi the sigu sect leader, to get to the real bits of xianxia concept aka li lianhua's story.) so, mlc is wuxia through and through, inside out. send tweet 🫡👍
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ok wait I can explain
so, this must be premised on the understanding that any discussion of "仙 xian/deities" in this context is only as its abstract idea of living a life distanced, detached from worldly, human woes instead of the possibility of immortality existing in mlcverse. (if you think about the deities in xianxia stories being basically human beings who have cultivated themselves into immortality.)
this is the explanation of xianxia as a wuxia subgenre (古仙武侠) in the baidu article of wuxia genre:
武侠中的侠,是脱胎于墨家“以天下为己任”的使命感;而仙侠的侠,通常是传达着“能力越大,责任也就越大”的朴素精神。侠乃入世,仙为出世,道教阴阳的无情大道(无情指寻求自我的不断体悟,以达精神的成仙,非没有感情之意)与武侠江湖的有情众生,即是矛盾也是循环,象征着太极之道,这也就是为何古仙武侠也属于正统仙侠流派的原因。
rough tl:
the xia of wuxia is born from the mohist ideal of bearing a sense of responsibility for the world
while the xia in xianxia focuses on the idea of "with great power comes great responsibility"
the idea of 侠 xia is secular. the idea of 仙 xian is beyond the secular - it is to pursue a life of suppressing/taming your own emotions (it does not mean to be completely removed of the ability to feel. it's a pursuit of self-realisation that makes one attain the status of a "deity" spiritually.) 仙 xian is then inherently at odds with wuxia jianghu's deep empathy and connection with the secular world, but it's also connected back to it. this is why 古仙武侠 is considered to be a part of the wuxia genre.
the relationship between xian and xia is conflicting because the former is all about distancing yourself from worldly issues while the latter necessitates an active effort to do something about them.
but it also means that both wuxia and xianxia acknowledge this weight of human emotions and connection to the world. it's just their respective responses and the outcomes they want that they differ in. what is the ideal person? wuxia says it's to be someone who can propagate and execute the ideal of doing something about this weight of your connection to the world, while xianxia says it's to learn to be at peace with that connection, and it's ok to not do anything about it actually - which might even be harder than trying to do something. (and focusing on your own cultivation can be a good thing for the world, in fact.)
with this, I hope it sounds less absurd that I'm connecting mlc's story to the concept of xianxia. lxy's life was a traditional wuxia archetype. (I've already harped on enough about how he fits into the quintessential mohist model of a xia leader.) what happens after, aka his journey as li lianhua, is the real story of mlc. it's a breakdown of that quintessential wuxia hero. it is a story in which the main conflict faced by the protagonist is to struggle with all the worldly woes including his own past and the cases' victims, in defense of the serenity he has found in the past 9 years. it is a natural battle to fight for someone such as llh because as long as you're still human, you will face the implications of human connections and the innate feeling of compassion and urge to do something about it (part of this, I guess, manifests physically in bicha breaking him down and the resistance to cure).
and relating that to an excerpt from an article discussing xianxia in relation to wuxia:
武侠剧的精神内核也是仙侠剧的精神内核,而“仙”实际上是实现新形式的“侠”的手段,由此扩展了“侠”的深度和其实施的时空范围。武侠之中的侠义精神,可以强调其自在,更强调其是自为的,前者是需要逐渐成长和觉醒的。然而对于高于人的仙而言,作为上位者的“侠”之精神,则应该是内在自觉且自为的。
rough tl:
the spirit of wuxia dramas should also be the spirit of xianxia dramas. xian should in fact be another way to bring out and explore the idea of xia.
the spirit of xia in wuxia can be an emphasis on the spirit of freedom, and even more so, the idea of agency and autonomy. the former is gained through growth and awareness. but for xian aka people who occupy a realm above the people on the ground, the xia spirit they embody should manifest in their inner awakening and agency.
it goes without saying that nobody is a deity in this show, and never will be. only in ep 40.5 it came so close to possessing that otherworldly, surreal edge, but that's all to it. deities do not exist in the mlcverse.
but but. it's interesting to point out in the ep 3 flashback when lxy walked through town in the aftermath of the sigu sect vs jym battle, commoners were heard describing it as 神仙打架 百姓遭殃 when immortals fight, commoners suffer. of course they didn't mean it literally but figuratively, that those people of wulin jianghu are high above, detached from the people on the ground. which is. contradictory to the idea of 侠 xia to begin with. so... it could even be interpreted that li lianhua living the spiritually "immortal" life embodied the xia spirit even more deeply than he did as li xiangyi the sigu sect leader, the "immortal" in the eyes of the commoners. actual immortals do not have any real attachment to the people, but a cultivated "immortal" does and is destined to feel and learn to deal with it over and over like llh did. it all comes back in a circle indeed.
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abirdie · 2 months
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Gael García Bernal in Desierto (2015, dir. Jonás Cuarón)
(these gifs also feature Alondra Hidalgo)
#gael garcía bernal#desierto#ggb filmography gifs#desierto 2015#gael garcia bernal#this is ultimately a pretty standard thriller of the being-chased-by-an-inexorable-killer type#where the cast is picked off one by one until only the most conventionally physically attractive remain#this is good news for gael's character#on account of being played by gael#i think this one is elevated by the setting both in terms of beauty (it is stunning) and by making effective plot use of it#that apparently meant they were shooting two hours' drive away from the nearest towns with no cellphone reception etc.#which may be why we don't see more films set here#also elevated by the performances which are uniformly good#also elevated by the themes (jeffrey dean morgan's antagonist is targeting migrants crossing the border)#so we're back in the territory explored in documentaries like who is dayani cristal but this time as fictional thriller#this film came out as the trump wall discourse was hotting up and that was naturally something that got talked about in interviews#clever inclusion of antagonist's dog which effectively constrains what the characters could do to get out of the situation#so unlike in many films of this type there isn't a screamingly obvious course of action that they should have taken but unaccountably don't#still it remains a genre film sticking broadly to the conventions of that genre so the plot isn't going to astonish you#i've still avoided giffing the most spoilery moments though#tbh i suspect gael's character is still screwed at the end but then i think that's also the point (see: themes)
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