#I looked up some size examples on google so you can imagine it better | Explore Tumblr Posts and Blogs

canary3d-obsessed · 3 years

Text

Restless Rewatch: The Untamed Episode 18, second part

(Masterpost) (Other Canary Stuff) (Previous Post)

Warning: Spoilers for All 50 Episodes!

Hey OP where’s the funny header gif for this post? Sorry, it was murdered by an angst demon and the framing of these shots.

My Found Family Came to Find Me

Continuing our flashback from last time, we see Baby Wei Ying up a tree, refusing to come down because he's afraid there are dogs. Eventually he falls out of the tree, like a dumbass a child, and Yanli tries but fails to catch him.

Unlike his grownup counterpart, Baby Wei Ying doesn't pretend he's unhurt when he is hurt. I'd like to put the change at Yu Ziyuan's door, but actually he admits to being hurt during his Gusu summer - he mimics Lan Zhan's stoicism when they're getting beaten, but it doesn't come naturally to him, and he whines a lot afterwards.

By the time of the Animatronic Dog incident, however, he's laughing off obvious injuries that have secret trauma behind them. By the time he comes back, coreless, from the burial mounds, he won't confide in anyone about his hurts any more, except possibly Wen Qing.

Yanli carries Wei Ying, in a sequence that will be echoed much later in his life when Lan Zhan carries him (gifset here). While they head back, she tells him that Jiang Cheng has a bad temper and to ignore whatever mean things he says. This will also be echoed in the future, when Wei Wuxian says it to Lan Zhan after their argument with Jiang Cheng in the shrine.

Yanli also explains that Jiang Cheng loved his dogs and that he's been very sad since Jiang Fengmian sent them away, demonstrating once again that Jiang Fengmian is a terrible father. Yanli says that Jiang Cheng will be happy to have a friend with him, though. This kind of makes Wei Wuxian's role in Jiang Cheng's life "replacement dog."

Jiang Cheng, after getting over this particular snit, got worried about Wei Wuxian and woke up Yanli to find him, and then went wandering around in the dark like a dumbass a child, and is banged up and crying when the other two find him. Yanli encourages him to apologize to Wei Wuxian and he does, which will not happen again until the very end of the show.

They all smile and laugh together, as Wei Ying looks to Yanli to guide him through the insanity that his life has suddenly become.

(more behind the cut!)

They head back to Lotus Pier in a sweet montage of walking and smiling together, with Jiang Cheng carrying the world's most beautiful candle holder with the world's most wind-resistant candle in it, to light their way back. Back in the present day for a brief moment, Jiang Cheng pretends to sleep and listens to his sister insisting that the three of them should always stay together, while a single tear rolls down the side of his face.

Soup is Love, Chapter 1 of 1000

Then we head to the past again. In Jiang Cheng & Wei Ying's now-shared room, Wei Ying sits on the bed trying to figure out how to deal with his grumpy new roommate.

Wei Ying is unsure what to do when confronted with pajama game this strong. Tiny Jiang Cheng is already a fashion king.

Then he tells Jiang Cheng he's not going to narc him out to the clan leader, since it was his own fault that he hurt his leg. This is all Jiang Cheng needs to hear to decide Wei Ying is all right, and he says that he will help Wei Ying chase away dogs in the future. In fact, Wei Wuxian will protect Jiang Cheng from punishment basically forever, while Jiang Cheng will continue to threaten Wei Wuxian with dogs...forever.

They shake hands on their new understanding and then jump up and down laughing, Wei Ying's leg being all better now, apparently. When Yanli arrives (carrying a tray of...can you guess? I'll let you guess), they stop jumping. Wei Ying dives in to give Jiang Cheng a little tickle/embrace in an adorable moment that would have me saying "oh, my ovaries!" if I hadn't surgically sent my ovaries to hell a few years ago.

Yanli introduces Wei Ying to the emotional and gustatorial miracle that is her lotus and ribs soup. He hesitates a long time before tucking in because he's so unused to being fed.

Consent? I Don’t Even Know Her

The flashback wraps up with Yanli conked out on the table from the drugs in the incense burner, while Wei Wuxian, who is somehow unaffected despite sitting almost as close to the smoke as she was, checks on her. Jiang Cheng and his Uggs period-appropriate sock thingies get out of bed to come stand with Wei Wuxian, and have feelings about sending Yanli away after she JUST said she doesn't want to be parted from them.

Wei Wuxian: If she didn't want us to do this, she shouldn't have signed that blanket consent-to-medical-treatment form. Jiang Cheng: Wen Qing made me sign one of those plus a durable power of attorney, is that bad?

This episode is all about people overriding each others' agency and making massively important decisions without the consent of the people who will be affected. But in a feudal context, it's not a violation, no matter how it feels to the person being controlled. In feudal life, your body belongs to your lord -- your sect leader, in the world of CQL. Jiang Yanli and Jiang Cheng's choices are overridden by their clan leader's final command to Wei Wuxian. Wei Wuxian's core is arguably Jiang Fengmian's property--Wei Wuxian certainly sees it that way, just as his hand was Yu Ziyuan's to take if she wished.

The brothers tenderly tuck Yanli into bed in the rolly cart and hand her off to Song Lan. They talk about how important it is to get her to Lanling and that she's probably going to be mad, as they thank Song Lan for helping them.

Yanli listens while she sleeps and, in what is becoming a trademark Jiang move, lets a single tear roll down the side of her face. Jiang Cheng points out that Yanli never gets mad at Wei Wuxian and Wei Wuxian is like, true dat.

How Can You Mend a Broken Heart?

Song Lan is always so emotional about every damn thing, I love him. Here he's like OH GOD NO DON'T FORMALLY THANK ME! STOP!!!

Then he starts to ask Wei Wuxian to pass a message to Song Xingchen for him, but then decides not to say anything, making it super obvious that they fought and aren't together.

Wei Wuxian reacts to this with confusion and distress, probably because he doesn't want to imagine ever having a breakup with his own soulmate. Which he soon will be having. But possibly he's just upset that his OTP broke up.

After Song Lan takes off, Jiang Cheng gives Wen Qing a rude & perfunctory thank-you bow, turning away before she can return it. Wei Wuxian tells her not to take it to heart - basically everyone who deals with Jiang Cheng gets a version of the "ignore what he says" speech. She says she understands and that in his place she would have behaved worse, which is so totally not true.

Then she asks Wei Wuxian if he's sure about the core transfer (not in so many words, because the script is being kind of being vague about it, without actually hiding what's happening). His reply pretty much encapsulates the whole Wei Wuxian experience.

Then he and Jiang Cheng walk off, with Jiang Cheng giving us a rear view that had me googling Wang Zhuocheng's fashion shoots to determine if that wagon he's draggin’ is really as delightful as this belt makes it look. Alas, there is not a wealth of photographic evidence for this research, as compared to, for example, photos of Xiao Zhan's outstanding ass.

Wen Qing and Wen Ning see them off, with Wen Qing wishing they valued their lives more. Although, what she and Wen Ning are doing is massive treason, so their lives will be pretty much forfeit if they're caught, so...

The Sunshot Campaign of Like 60 Dudes

Wei Wuxian and Jiang Cheng walk up the mountain for the whole beginning of the Sunshot campaign, which...okay. Maybe it's like Dunkirk or The Witcher where they intercut stuff that is happening in different timeframes, which is one of my least favorite new film style thingies.

You know, for a guy Wei Wuxian constantly calls "peacock," Jin Ziyuan really doesn't wear a lot of adornment; just some subtle metalwork on his belt with no dangly bits at all, and a single reasonably-sized hair crown. Compared to the extremely fancy Lan Wangji he's almost plain. We already know that Wei Wuxian is a massive hypocrite when it comes to his idea of a perfect boy, however.

So, this is the Lanling Jin army, which consists of literally 60 guys, including the ones on the stairs and Jin Zixuan and Douchebag Dad. How are they going to fight a war with this tiny group? Why do they have such a big plaza? Hasn't anybody on this production learned CGI cloning?

That’s better.

Nie Mingjue and his best bitch Baxia make quick work of the 4 Wen guys who were assigned to hold the Unclean Realm.

Hello, Daddy Da-Ge!

Squeeee, it's Lan Wangji! He's taking back Cloud Recesses! Ooooohhh we've missed you Lan Wangji.

Look guys he's here! Look how beautiful he is. He's looking at the gate of cloud recesses and thinking thoughts that Lan Xichen or Wei Wuxian could probably see in his bewitching eyes if they were here to see him, which they aren't. But at least he is here!

....and now he's gone again. *cries*

Hares On The Mountains

Jiang Cheng and Wei Wuxian continue roaming prettily around this pretty mountainside. The locations in this show are such eye candy.

Young laddies they run like hares on the mountains Young laddies they run like hares on the mountains Young laddies they run like hares on the mountains If I was a young lass I’d soon go a hunting

Jiang Cheng starts to have doubts about the whole Baoshan Sanren thing. Wei Wuxian's reply pretty much encapsulates the whole Wei Wuxian experience.

Then we have just the tenderest blindfolding scene, (more gifs here), which is fodder for your ChengXian dreams, if you have those.

Here's a good place for a sidebar about what is and isn't incest. Whee! In the CDrama context, relationships tend to be more clearly defined than in western media. The mechanism of confession & acceptance means that people either are or are not in a romantic relationship, with few grey areas. So a character can literally say "we grew up as brother and sister, but now we are dating" and when someone looks startled they just say "there's no blood relation" and everyone is like "cool cool" and that's the new definition of the relationship.

For a strong example of this, the extremely wonderful Go Ahead is about a contemporary family in which a girl and two boys, who are not blood relatives, are all raised together, and call each other brother and sister. When they become adults, they and everyone around them expect the girl (now a woman) to marry one of the two men who have been her brothers, while whichever one she doesn't choose will carry on as her sibling. It's treated as the most natural, logical thing in the world; the only question is whether she wants to make that transition, and with whom.

Looked at through this lens, Wei Wuxian's relationships with his adoptive siblings have just as much potential to turn into romances as his relationships with his friends do, and there's nothing creepy about it. As such you can expect my meta to always get into ChengXian moments without treating it as a wrong or forbidden love. Hopeless, of course, because Jiang Cheng is such a prick the power of WangXian is stronger, but that's a different matter.

What is wrong is wearing this fantastic hat & veil combination when the most fashionable person on the mountain is blindfolded and can't see it.

In the course of this blindfolded encounter with Wen Qing, Jiang Cheng gets to kneel before a powerful woman, be led along by a length of silk that's placed in his hand, and then knocked the fuck out and operated on. He'll wake up in a hotel room in a tub full of ice with "we took your kidney" written on the mirror in lipstick, and he'll love every minute of it.

Soundtrack: 1. Still Fighting it, by Ben Folds 2. Hares on the Mountain, by Steeleye Span

Writing Prompt: The NEXT time somebody blindfolds Jiang Cheng

#fytheuntamed #the untamed #the untamed gifs #chengxian #cql #restless rewatch the untamed #canary3d-original #my gifs

265 notes · View notes

mst3kproject · 3 years

Photo

The Neanderthal Man

Since I'm taking a break from fishmen, I might as well let Bigfoot catch up a bit. The Neanderthal Man isn't exactly a Bigfoot movie, but it’s along the same lines and its entire starring cast has MST3K pedigrees. Robert Shayne was in Indestructible Man and Teenage Caveman. Richard Crane was Rocky Jones, Space Ranger! Beverly Garland was in Swamp Diamonds and Gunslinger. Even the composer, Albert Glasser, wrote music for Invasion USA, Last of the Wild Horses, and almost all of MST3K’s Bert I. Gordon movies.

Some little mountain town in the middle of the Sierras (which the Portentous 50's Narrator takes some trouble to tell us is a primeval place where 'the defacing hand of civilization has fallen but lightly') is having a rash of saber-toothed tiger sightings! At first these are laughed off, but when the game warden himself sees one cross the road in the middle of the night, it's time to do something about it. The warden shows a cast pawprint to Dr. Ross Harkness in Los Angeles, who is interested enough to come up and see for himself. Local Mad Scientist Dr. Groves pooh-poohs the whole thing, which is enough to tell me that we're not dealing with a local cryptid here. Somebody is making prehistoric monsters.

So... I may not have actually run out of movies, but I seem to be running out of plots, because this is a remarkably similar movie to Monster on the Campus. The major difference between the two films is that Dr. Blake turned himself into a caveman by accident, while Dr. Groves here is doing it on purpose.

Another difference is that Monster on the Campus' story, while silly, was linear – events escalated in a way that felt logical, and there were reasons why things happened when and where they did. By contrast, The Neanderthal Man feels like a first draft. At the beginning of the film, we're dealing with the saber-toothed tigers that Groves has been creating by injecting cats with his de-evolution serum. We hear about these slaughtering game and livestock, and it seems like only a matter of time before they move on to human beings. The beginning of the film is quite upfront about the fact that Groves is responsible, too, as it is only mildly mysterious in its depiction of one of the creatures escaping his lab.

Sometimes the saber-tooths are represented by an actual tiger, usually filmed from behind or at a great distance so nobody has to put the prosthetic teeth on it. They do have prosthetic teeth, but they're only visible in a couple of shots. Imagine being at a bar and some guy tells you his job is sticking fake fangs on real tigers for a caveman movie! For close-ups, there's a hilarious puppet head that looks like the sort of thing you'd see mounted on a frat house wall as a joke. The director had the sense not to linger on this in motion shots, but later we see still photographs Groves has supposedly taken of his experimental subjects and they're even stupider-looking than we imagined.

Anyway, this goes on for a while with rising action, as the game warden goes to get Harkness and they manage to shoot one of the animals, only to have it vanish from the kill site when they try to show it to Groves (the movie never bothers to explain how that happened, incidentally. The ending suggests that the creatures change back when they die, but there's definitely no dead kitty cat at the scene, either). The whole movie could easily have just had the cats and their creator as the antagonists, perhaps even ending the same way as Dr. Groves proves his work to the other characters by injecting himself. That's not what happens, though. Instead, the story mostly forgets about the cats one we find out Groves has also been carrying on human experiments.

(Before himself, Groves' first experimental subject was his disabled Latina housekeeper. Another series of photos show her half-transformed into a cavewoman who for some reason is wearing drag queen false eyelashes. And as long as I'm talking about the movie being gross and bigoted, there's a bit where a woman is violently raped. This happens off camera, but the audience is not allowed to entertain any illusions about it.)

The problem is that before we see him give himself an injection in the arm, we have had absolutely no indication that Groves has been giving his serum to anything besides the cats! Cats are stealthy, cryptic creatures and if one of those has been seen wandering around killing things, then surely a full-on caveman beating people to death would not be able to stay out of sight! If what we were seeing were the first time Groves had tried the formula on himself then that would be an explanation, but his notes reveal that he's been doing it for so long that he's on the verge of losing control of the transformation and permanently reverting to a pre-human status, as indeed he does for the climax. Much like the stupid dinosaur in The Beast of Hollow Mountain, the movie's main monster is given no build-up whatsoever!

There's worse yet, though. The main characters, Dr. Harkness and Groves' daughter Jan, are barely involved in the 'caveman' part of the plot. They get phone calls about the various murders that Groves is committing in caveman form, and they snoop around the lab to figure out things the audience already knows. The same story could have been told without them, perhaps with the game warden and the hunter as protagonists, and it would probably have been more interesting. The script also repeatedly has Dr. Groves wander in and bluster about how the tiger sightings are hallucinations and tall tales, which seems a little unnecessary when we already know he's responsible. The film-makers can't seem to decide whether they want us to know that or not.

Dr. Groves wears glasses. Maybe the reason his primitive alter-ego is angry and breaking shit (although it does politely open and close the window it climbs out of, which made me laugh) is because it can't see. This is also my theory about why the Hulk smashes, and what do you know? In Avengers Endgame he's got Hulk-sized spectacles and only smashes when he's told!

The direction of The Neanderthal Man can probably best be described as 'serviceable'. It shows us what's going on, but doesn't particularly add anything to the proceedings. The 'Neanderthal' mask is immobile and uninteresting, not much better than somebody's Party City Sasquatch costume. Even the eyes are just painted on, meaning the poor guy in the costume can’t do much because he can’t see where he’s going.

The dialogue is often very strange, with characters talking like they're in a Jules Verne novel. If only one person did this, it might seem like a character quirk – it works for Dr. Groves, for example – but it's everybody. Seeing the cat carcass is gone, Harkness declares, “I refuse to believe in the supernatural! There must be some logical cause and effect to this unholy adventure!” Groves' fiancee Ruth berates him for ignoring her, saying, “I want you, the man I once knew! The good companion, the cheerful friend. I want the happiness we once found in each other.” It's bizarre to listen to, and often audibly awkward for the actors.

Monster on the Campus was kind of trying to be about how humanity must choose to evolve away from our inner savage, although the finale didn't bear that out. There's a scene in The Neanderthal Man in which this movie seems to be trying to go in the opposite direction, saying that we were never savage to begin with. Dr. Groves is speaking to a panel of scientists about the size of the brain in various 'primitive' species of human. He points out that by the time we reached Homo erectus we were already working with four times the cerebral jelly of a chimpanzee, and argues that our ancestors would have been recognizably human in their behaviour and problem-solving capacity.

(Amusingly, his chart of human evolution includes Piltdown Man, which was proven to be a hoax literally a few months after this movie's release. What makes this even more tragic for the writers is that their list of primitive humans seems to be the only place where they actually did any research.)

The problem with Dr. Groves' theory is that he already knows it's wrong. We soon learn that he's been experimenting on himself with his serum for a while already, and his notes show that he knows very well he regresses into a near-mindless animal. The movie does not even try to reconcile these ideas. If Groves were continuing his experiments in the hope that perfecting his serum would give him a more accurate reconstruction of ancient man, that would be one thing, but the script never goes there.

So now that we've had two 'man turns into caveman by injecting science juice' movies, of course I have to ask which one is better. Monster on the Campus wasn't a good movie but it was definitely an improvement on The Neanderthal Man in several respects, and although I don't have any way to find out for certain, I suspect it was an intentional remake. It's definitely more entertaining and gets bonus points for including the Meganeura dragonfly, but nothing in it is nearly as funny as The Neanderthal Man's fake tiger head. I guess if you're gonna watch one or the other, stick to Monster on the Campus, but if you're gonna watch both, start with The Neanderthal Man and do them in chronological order, the better to spot the inspirations and references.

Before I go, a fun paleontology fact: current thinking is that the saber-toothed cat's eponymous fangs actually didn't show when it had its mouth closed! There are zero cave paintings or ancient sculptures of a saber-tooth cat with teeth visible, and when scientists looked at the structure of the enamel in the canines, it suggested that in life the teeth were hidden by big, fleshy, St Bernard jowls. Google 'smilodon lips' and behold how this looks fully three hundred percent more ridiculous than you're imagining. I love nature.

#mst3k #reviews #episodes that never were #the neanderthal man #tw: rape #50s #curiously caucasian cavepeople

21 notes · View notes

celebritytgcaptions · 3 years

Text

Requests (5/23/2021)

Hi lovelies! I’ve been getting so many requests & I’m working hard to get all of them in the queue. Thanks for sending them my way! I’m writing to let you know that the queue is now full until the end of June. I was able to get every requests from my May 8th post in there except for a few. Requests from May 8th for captions featuring Katy Perry, Jenna Fischer, Marisol Nichols, Addison Rae, Ariana Grande, Erin Kellyman, Taylor Swift, Billie Eilish, Jhene Aiko, & Kirstin Maldonado will be posted in early July.

But there have been an absolute ton of requests since then too, yay! So I’m listing all the requests that I haven’t gotten to below. If you made a request but don’t see it below that might be for a few reasons. 1) I’ve written it already and it will be posted in June. 2) It’s one of the requests I posted on May 8th so I won’t talk about it here. 3) I considered it a demand not a request (for example, I received two that said “Anything with,” that wasn’t really a request just telling me to do it. Sorry if this bothers some of you but it is an issue with me so make sure you word your requests AS requests). Either way, thanks for the love, lovelies! :D

Anonymous said:

Could you do one with either Kelley O’hara or Alex Morgan from the USWNT about a guy soccer player watching the US win the world cup and then want to be them or something like that?

I actually know who both those are (shockingly enough, I don’t really follow sports) so sure thing!

Anonymous said:

Could you do lorengrey captions? She’s so hot

Sorry sweetie, don’t know who that is. :(

Anonymous said:

Hi I just had an idea for a game you could do. It could be where someone has to say as a boy what they’re like physically in stages. So first stage is hair color for example, second stage could be height, third stage could be body type, etc. An example would be if I was a black hair, short height, thick body type, I would match up with someone like Nicki Minaj. Just an idea which you could extend on. Hopefully it makes sense. I appreciate you!

I actually have a game like this mapped out called “Build a Sissy” where you choose age, hair color, and bra size, but it would take a LOT of work to make so I haven’t written it yet. Maybe some day though. :)

Anonymous said:

I would love to see a Tori Kelly caption. Her hair and body are not typical but beautiful for a white girl. I say that last sentence respectfully. I think having a caption with her would be great

Sure thing! Tori Kelly is a cutie. :)

Anonymous said:

Ok I'm not sure if u'll know these 2 cuz even I had to look them up for the names but anne dudek and maitland ward theyre the 2 blonde sisters from white chicks not sure if uve seen it but if u can could u make a caption for them please?

I DO know who they are! I’ve been thinking about doing a White Chicks caps because there’s a lot of cute looks in that movie (especially for Busy Phillips who I just love) so sure thing!

Anonymous said:

Could u do Yvette nicole brown from community? Id like to see some big girl love

Sure thing!

Anonymous said:

I already know that this request is probably gonna be a No but I still have to ask whats the ruling on GCI enhanced celebrities like Taylor swift from Cats? Or is that too much like "Furry" stuff. Now I'm Feeling this will be a No for multiple reasons

So it is not an issue with CGI “enhanced” celebrities but for Cats it is because I do not have a Furry fetish and I get uncomfortable thinking about writing caps for it. But I write caps with “manips” all the time (photoshopped images of celebs) so I’m not ruling out CGI enhanced celebs all together.

Anonymous said:

Can you do one of Lindsey stirling? And for the story can it be a guy trying to learn Violin but he cant seem to focus he even tried hot female teachers but it didnt work then he gets a male teacher than he starts focusing and wanting to please the teacher he becomes a sissy sorry its a long request

Sounds fun, sure thing!

Anonymous said:

Hi big fan and I think you’ve been doing amazing work. Is there anyway you could do a story about a guy who loses a bet to sorority girl and is forced to get his nails painted and turned into a girl? I love the idea of having a boys nails painted against his will. I’d love one with Selena Gomez but if you think another celeb would be better I leave that cumpletely to you.

Totally! This sounds fun. :D

Anonymous said:

Can you do thelma and Louise?

I’m assuming you mean Geena Davis & Susan Sarandon from Thelma & Louise so yes. Yes I can. :)

Anonymous said:

Can you do a caption from the movie bridesmaids? Like when theyre all trying on dressess or something?

I haven’t seen Bridesmaids (I know I know) but I can try something. :)

Anonymous said:

it would be super cool if you could do some more games! They’re my fav

Glad you like them! As long as I’m not on hiatus, games will be posted every second Saturday. I’ve already got two set for June. :)

Anonymous said:

Hey huge fan of your recent work and super excited about new caps!! Do you think you could do one about a college guy who drops out in pursuit of being a stand up comedian, but the comedy club needs a female comic so they turn him into a girl? I was thinking maybe Nikki Glaser, she so funny and sexy. Thanks can’t wait to see all your new stuff!!

Oooo, Nikki Glaser is great. Sure thing!

Anonymous said:

Can you make a caption about a guy who makes fun of curvy and thicc women, where the women get their revenge and turn the guy into Nia Jax?

You got it!

Anonymous said:

Hi Me again on the topic of the assembly line worker caption sequel if you do it i just an idea for the story like before depicting the sissies "first time" but you can have it be that the coworker doesnt know and is telling everyone about the chick he slept with last night and the sissy is just thinking "if only they knew"idk i thought it was good anyways thank u again

So this message is in reference to a sequel caption that was requested & that I did write and will be posted in June. I’m sharing it here to let the anon know that I wrote the cap BEFORE I got this second request so there will be a followup but the story will be different. I hope that’s ok.

Anonymous said:

Hi idk if u watch wrestling or not I see u have some captions of wwe womens wrestlers but im not sure have far ur knowledge of it is? Could u do a caption of Rhea Ripley if u know her?

I have never seen a single episode of WWE, I do not watch wrestling, and yet somehow every time someone requests a wrestler I know who she is. Don’t ask me how because I do not know. Anyways, yeah I can do a Rhea Ripley one. :)

Anonymous said:

Could you do a caption about a janitor for sissy co. That finds out the strange goings on at work and tries to blow the whistle on the whole operation but is caught and turned into a sissy maid for the sissy co. Corporate office abit specific I know but ive been thinking on that awhile however u do it will be perfect thanks

You got it!

Anonymous said:

Could you do katheryn Hahn from wandavision specifically the 80s look with the Big hair and aerobics outfit

Oooo, sounds nice. I’ll type that up for sure. :)

Anonymous said:

Hi big fan of your caps!! Do you think you could do a cap where a football player wants to go to the NFL but gets hurt, so they turn him into a female commentator, maybe Lauren Rutledge? If you don’t know her, she’s been a college football reporter for awhile and was also a former Miss Florida. Anyways I just think any guy would be lucky to be turned into her and I love your caps keep up the great work!!

Me: *googles Lauren Rutledge to see if it’s who I’m thinking of* How do I know who this is? Anyways, yes I can write this. :)

...for some reason there are no GIFs of her though so I’m just gonna move on.

Anonymous said:

Hi I'm the one that requested the LONG list of celebs I'm still really sorry about that I didnt realize how many it actually was till I looked back so I wanna retract some for your sake tell ya what if you havent done any already just do the ones that are specifically marked (as in the ones detailed by movie or show theyre in) the ones that are just names you can leave out i knoe its still alot but hopefully that takes some weight off of ya sorry again

You don’t have to be sorry! Like I said, in the future I’d ask that folks limit requests to no more than 3 celebs at a time but you didn’t know that. I’d never said that before. I typed up every celebrity and they’re going to be sprinkled in during June. Hope you like them! :)

Anonymous said:

Hello ^^ I love your work. Can u make a caption with the name "jules" and Ariana Grande please? Thank you

Sure thing!

Anonymous said:

Hey, not really an ask, but something I needed to share

I'm the one that asked for the Stephanie Beatriz caption from a whole back, and I absolutely loved how it turned out. Each time you roll out a new caption is like a small thrill to me and I read them right as they're released.

Now this wouldn't be an ask if I wasn't asking something, right? Well, next month sees the release of the "In the Heights" movie, and there's an opportunity there to do a series of captions using stephanie Beatriz from that same movie.

In conclusion, I love your captions so much, you're amazing!

Awww, this is such a sweet message. Thank you! And YAAASSSSS! Ever since the first trailer for In the Heights dropped I was like, “I must write a caption with her in this!” So you can imagine how fun it’s been waiting this entire time. *eye twitches*. We’ll have to wait until the movie comes out for me to be sure I can find a good image but this IS a caption I want to write. :)

Anonymous said:

Hi I just recently came across your blog and fell in love with it!! The caption with the football player being turned into Bella Thorne is one of my favorites!! I’d love so much if you could do a sequel or something to that cap it was so amazing and I need to know what else happens to “her”. I’m not sure if this is possible or if you even do sequels but this cap was great and I look forward to all the others!!!

Glad you like it! I’m always looking for sequel captions to write on Throwback Thursday so you’ll get this for sure. :)

Anonymous said:

Hey big fan! Do you think you could do a caption where a short guy gets made fun of by all his girl friends for how short he is? Ariana Grande is fairly short and I think a caption of her (of age of course) would be awesome

You got it!

Anonymous said:

Can you do one with the bella twins as two guys who fought over the same girl then the girl turns them both into look alikes of her but then they start fighting over the same guy

Yep!

Anonymous said:

Do you know suzy berhow? Or angie Griffin? If so would love a caption of either of them please

Sorry sweetie, I don’t know who those are. :(

Anonymous said:

Would appreciate more Sia captions please when u get the chance

I will remember that. :)

Anonymous said:

Can make some Winnie Harlow caption please? I adore her style

Sorry lovely, I don’t know who that is. :(

Anonymous said:

How about instead of removing the captions with Demi in them ,the images of Demi were just replaced with another celeb and if Demi is mentioned by name in the caption then that could be edited to mention a different celeb. I respect Demi's decision I do but lets not lose some well made captions. Also if you could please make a caption where Amy Adams feminises a fan and raises them as her daughter and Kristen Stewart makes you her submissive wife that would be appreciated. I'm a fan of them.

So about the Demi Lovato captions: I understand your feelings but I’m still going to delete the original captions. Because of how my captions are made I can’t just go back in & swap out an image or edit the text, I have to remake it from the ground up. I am hoping to do that with some (maybe all) of the Demi Lovato captions & re-publish them, but I’m still going to delete the originals.

I can do the Kristen Stewart one for sure and I’ll TRY to do the Amy Adams one I just am not 100% sure I can find a pic for that but we’ll see. :)

Anonymous said:

If it’s possible before your summer hiatus could you do a caption with Amanda Crew (silicon valley, sex drive)?

I will do one with Amanda Crew but I can’t commit to doing it before the hiatus.

About the hiatus: I don’t know when it’s going to be. I want to TRY to make it to at least July 18th because I have a specific game in mind I want to post for 5 years of Celebrity TG Captions games, but after that I have no idea. I’ve been writing caps for a longer stretch of time since normal since I’ve switched to a part-time blog so I might burn out at any second but for right now I’ve still got some juice.

#Not a Caption #Requests #Request

22 notes · View notes

ot3tropetober · 4 years

Photo

Eliot and Hardison are travel journalists for rival publications who keep showing up in the same places

Fic for this (~3500 words) is below the read more! Some notes:

[backstory on why Hardison is writing these comes from this post]

[Eliot, Parker, and Hardison are all commenting on this document, think of it like the chat in Google drive? In-document comments from Eliot are italicized, from Hardison are in bold, and from Parker are plain text]

By the time Will Coffey stepped off the plane in Dallas, all he wanted was a nice long shower and to sleep in his own bed for once. Being a travel journalist for a leading travel magazine had its perks– a month-long trip across Mexico, for example, all expenses paid or at least reimbursed – but after a month on the road he was dead tired and ready to be home.

Is this supposed to be me? Why am I living in Dallas?

Yes, and also, you don’t actually live in Dallas, Eliot, you live here, in Portland, with us.

I know that, I just– you know what, never mind.

Well, Will Coffey likes Dallas.

I am Will Coffey!!

That’s the spirit.

The other thing about being on the road for a living was that sometimes it felt kinda lonely, and as relieved as he was to be home, the first couple of minutes after he walked in, turned on the lights, and looked around at an empty place, that was always a little bittersweet. But the only other person he’d really seen in any kind of serious capacity the whole time he’d had this gig was a fellow traveler who spent just as much time on the road as he did, so it just kinda was what it was. He set his keys and his bag down and headed to the kitchen for a beer, but he hadn’t even opened his fridge when his phone buzzed a couple times. It was a text from Sarah, his editor. He’d known her forever– they shared a couple classes in college. Now they shared the stress of managing a print publication in an increasingly digital world.

“Did you see this?” she had written. There was a link in the next message. “How does this guy get this stuff up so fast?“

Will already knew what he was gonna find before he clicked the link, and sure enough, it directed him to a popular travel blog called The Travel Geek, which was a ridiculous name for a travel blog but people absolutely went wild for it. Will liked it too, not that he would ever really admit it, but that probably had more to do with the guy who ran it than anything else. They had…not a thing, exactly? It was hard to explain whatever was going on with Jeremy Edwards, who by rights Will should probably hate for stealing his stories and his audience. But the problem with that was mainly that the guy was so goddamn likeable.

I’m guessing that’s you.

You would be correct.

You think I think you’re likeable?

No, I know it.

he is pretty likeable

Yeah, yeah.

Will had met Jeremy a couple of years ago, right when he was just starting out with his blog. Jeremy said he’d been reading Will’s stuff for a while and would love some advice from a pro. It wasn’t like Will didn’t know it was a little bit of flattery, and it wasn’t like he didn’t know it was a little bit of flirting, either. It also wasn’t like Jeremy was bad to look at. So Will said sure, he’d be glad to, and they were in Belgium, so they shared some beers, ate fries from a baraque at one in the morning on a park bench, shoulders pressed together, while Will tipsily rhapsodized about gaufre de Liège while Jeremy laughed and laughed.

I have never *rhapsodized* about anything in my damn life.

Have you heard you talk about food? This is not a criticism. I could listen to that all day.

Nothing really happened, in the end, just a good conversation and the promise to keep in touch. That turned out to be easier than it should have been, because they started covering the same damn things, all the time. One big world, and somehow they were always sharing part of it: Will was in India on a camel safari through the Thar Desert, and Jeremy was there, keeping Will up at night tappity tapping on his keyboard. Or Will was in Oatman, Arizona, for a piece on Route 66, and there was Jeremy, taking selfies with the wild burros roaming the streets of the town. Or Will was traveling around Japan, doing a feature on onsens, and Jeremy was there, too, acting like he wasn’t looking in Will’s direction while they sat, very naked, in the soothing hot water. It went on like that for a while until finally one night in Barcelona, in front of Sagrada Familia, he looked at Jeremy, tall and handsome in this absurd brightly patterned scarf, and said, “This is ridiculous, man,” and pulled him in for a long, lingering kiss.

Do you honestly think it would have taken me that long?

I don’t know, baby, it took your cowboy ass five years in real time, so Will’s doing a lot better than you.

OoooooooOooo

We had a lot goin on!!! And what is that supposed to be, parker? are you some kind of ghost?

it made more sense in person

I’ll take your word for it.

It wasn’t a relationship, exactly. It was just something they did, sometimes, if they happened to run into each other on the road. It wasn’t like he was getting invited home for the holidays, or anything, and he was fine with that, really. The long and short of it was, they’d basically been circling each other for years now, professionally, personally, whatever, but the professional stuff was definitely getting in the way of anything else. Because Will would sit down and write out his long, detailed articles with carefully selected photographs that would look just right on the page, while Jeremy had already turned out quick blog entry after quick blog entry, listing off places people should visit with witty little one sentence summaries, and people just ate it right up with a spoon while Adventure., Will’s magazine, slowly saw its sales circling the drain. It stung a little. Maybe more than a little. It wasn’t like he could say the guy wasn’t working hard, but damn. Hell, the best selling issue they’d had in a couple years was the one where Sarah had masterminded a collaboration between Will and Jeremy. Blogging was definitely here to stay.

That night in Belgium was five years ago, and at the time it seemed impossible that the internet would ever really fully overtake print. But bloggers and phones had both gotten smarter over the last five years, and now everyone wanted their news in little chunks that they could read on a screen during their commute, so travel blogs were the hot new thing. Will grimaced as he looked at the blog entries Jeremy already had up from Mexico, where they’d run into each other at least half a dozen times.

Five Reasons You Need to Visit Mexico City Right Now; What You’re Missing Because You’re Not in Monterrey; Everything You Wanted to Know About Agave But Were Too Afraid to Ask

“You gotta be kidding me with this,” he muttered, staring at his phone and thinking about the half-written article he had saved on his laptop detailing the history of agave and how to experience Jalisco as more than just the birthplace of tequila.

He pulled up Sarah’s number and dialed.

“I don’t know how we can compete with this,” he sighed, when she picked up.

“We’re going to have to adapt,” she said. “You know that. I can hear you making a face."

"I don’t want to blog,” he complained. “I like print."

"I know,” she sighed. “I’m working on it. Anyway, I’m glad you called, I was going to call you. I need you to go to Italy. Flight leaves tomorrow."

"No way. Not interested,” he told her. “I just got back to my apartment, Sarah, I’ve been in Mexico for a month. I’m beat."

"It’s not my fault that you spend half your time on extracurricular activities,” she teased.

“You can just say sex,” he said. “I won’t be offended. And it’s not half my time. Like, maybe twenty-five percent. Anyway, I get the job done."

"Yeah, and you’re very good at it, which is why I need you to go to Italy,” she said.

“I’m not saying yes,” he told her, “and I’m not interested. But what’s in Italy that’s so important for me to get to?"

"You’ll love this one,” Sarah promised. “It’s a food festival."

Okay, maybe he was a little interested. "Oh?”

“Yeah,” she said. His phone buzzed in his ear. “I just emailed you the details. Including your flight info."

"Dammit, Sarah–"

"Oops, emergency, the printer’s on fire, gotta go!” she chirped, and the line disconnected.

Yeah okay that’s Parker huh

Yep!

I do know y'all a little bit.

“Dammit,” Will said again, and opened Sarah’s email to read up on his next destination.

The food festival turned out to be a week long international celebration of local food from around the world. It only happened once every few years in October, when a world of people descended on the city of Torino, and more specifically the park by the River Po, where they set up tents and stands and served pretty much every kind of food you could imagine, and Will loved food and could imagine a lot, so that was saying something. It was pretty cool, seeing all these people from all over the planet showing off food that was important to them, sharing it with strangers. It really was the whole planet, too, the way the park was set up you could walk through a continent at a time, with all the countries on it represented at their own space. He figured he’d pay his respects to the hosts first and start with Italy, which was definitely the largest section. Halfway through the displays he found a stall with some folks from Campania selling fresh mozzarella di bufala the size of his fist for a Euro. It was speared on a stick like a candy apple so he could walk around with it, nibbling on the sweet cheese as he checked out the festival’s other offerings. Aged cheeses covered in mud and straw from a little town in France. A swanky tent with wood plank floors where the Filipino agriculture offices had a set up with big displays dedicated to traditional food and heirloom crops. Six different kinds of wild rice were layered in a glass display bottle in the booth dedicated to Indigenous agriculture in North America. There were folks from the Yucatan peninsula displaying cured meats and wild honey. There was a whole series of displays about preserving, protecting, and raising Maasai red sheep, from Kenya. The whole event was really impressive, actually, and even though his body had no idea what time zone he was in, he didn’t feel too tired– although that might have been more because he’d been downing every cup of coffee from anyone selling it.

Okay, this actually sounds pretty cool. But now you gotta fake a whole food festival like this if we ever use these aliases.

I don’t have to. That’s a real thing. Happens every couple of years. I was gonna ask if you wanted to go to the next one. Parker can probably find us a job after, anyway.

I’d love– like that.

Hardison. HARDISON.

Why isn’t this deleting the things I tell it to delete???

Ooh, forgot to tell y'all, this chat records your keystrokes? You know. Just in case you happen to type something sappy about how much you love me, and then delete it before you send it in the chat. Pretty much exactly what just happened.

Dammit Hardison I’m gonna delete YOU

Baby, that doesn’t even make any sense.

im w hardison on this 1. it’s ok if u love things eliot. especially food . or us

Just let me finish reading Hardison’s make believe story so I can get back to dinner prep, ok?

(he loves us)

I know :)

Will strolled around the park, snapping photos here and there, jotting down notes. He talked to folks from all over who came here to run their country’s booths, locals who had come out to enjoy the day, and people who had traveled long distances to be there. After a couple of hours and a really good lunch, he found an unoccupied bench near the river and posted up there for a while, notebook open next to him as he flipped through photos on his phone, the story he could tell about this event already starting to take shape in his head, and he had to admit, at least to himself, that Sarah had been right about this one. Nobody else on their staff knew food enough to get this right. But even though he had a good idea where to start, he couldn’t help feeling a little overwhelmed, too. You could spend two weeks here and still not talk to everybody, and it seemed important to try, somehow.

“Well, well, well,” said a voice, and Will looked up from his phone and his notes to see the tall form of none other than Jeremy Edwards.

“Dammit, Edwards,” Will swore. “You’ve gotta be kidding me. Again?"

Yeah it’s pretty much EXACTLY like that every time

Mmmhmm. You talk a big game, man, but no one here believes you.

What he said ur like that stuff u put on the dessert u made 4 us last wk

Stuff on dessert– the Italian meringue? You really comparing me to Italian meringue?!

Is that the stuff that was kinda hard and crunchy on the outside but actually really soft and sweet inside?

Yep that’s the stuff

This is the worst conversation we’ve ever had.

It’s weird how I can hear you smiling right now, though.

Shut up, Hardison, I’m reading.

Got him! XD

"Looks like it,” Jeremy said. He took a seat next to Will on the bench, despite the fact that Will had absolutely not fucking offered it to him. He grinned. Will looked back at his notes before he smiled back. “We’ve really gotta stop meeting like this."

"Yeah, well, trust me, I’m working on it,” Will grumbled, and risked a look at Jeremy again. Still handsome, and still smiling, unfortunately. He thought about the blog a little and made himself frown. “So, you’re here to blog about this, huh? How many blog posts have you done already?"

"None so far,” Jeremy said, scratching his chin, “but I am working on one right now. Tentative title, How to Tell The Guy You’re Casually Seeing And Have Been Chasing All Over the Globe That His Boss Sent Me Here To Work With Him."

Well, there was a lot of information there, but Will decided maybe sticking with the professional stuff was better for now. "I’m sorry, you’re here for what?"

Jeremy shrugged. "Sarah really liked that collaboration thing she got us to do last year, I guess, wanted to try it again for this. I said yes. It’s good for your magazine and it gives my blog some credibility with all you snooty print folks."

"We’re not snooty,” Will said, although that wasn’t exactly true. Maybe they were, a little. He unlocked his phone and saw the email from Sarah, the subject line of which read: “DON’T ARGUE IT WILL BE GOOD FOR YOU/US/THE MAGAZINE.” He sighed and looked back at Jeremy. “I can’t believe she sent you to a food thing."

"I’m offended,” Jeremy said, although it didn’t much sound like it. “I know food."

"Oh really? So last year when we were in Beijing and you were looking for a McDonald’s that was just you knowing food, huh,” Will drawled.

“Sometimes you just really want a Happy Meal,” Jeremy joked, and Will just shook his head.

“I guess we should figure out what we’re doing, then,” he said, and Jeremy raised his eyebrows.

“About the story,” he said, “right?"

"Yeah, about the story,” Will grumbled.

“Whatever you say,” Jeremy said affably, just like always.

It was actually pretty easy to figure out how to cover the festival now that he had a partner in crime. They worked out a plan that afternoon, sketched out a couple of pieces, a collab for Adventure., a short guest piece for Will on The Travel Geek, and a short story in the magazine for Jeremy. Sarah signed off on everything from afar– “What time is it where she is? Does that woman ever sleep?” Jeremy asked, as they both got email after email. “I don’t think she does, man,” Will laughed– and they got to work pretty quick. There was plenty to do and they were both here for a few days, so they wandered through the park as they worked, stopping occasionally to sample food or take photos. Eventually they walked all the way out of the park and into the city, up to a big plaza, Piazza Castello, in the center of the historic part of town. They got gelato from one of the many carts set up nearby for the festival, and sat outside, eating and talking as the sun set.

It was nice. It was always nice, when they ran into each other. That wasn’t the problem. But they’d been stuck in the same routine for years now: they’d find themselves in the same place, Jeremy would laugh, Will would pretend he was annoyed, and then they’d spend a good chunk of their time together enjoying each other’s company in as many ways as they could find, and then they’d head to the airport and go their separate ways. And that was that. This shouldn’t be any different, but somehow it was. Maybe it was the sunset lighting up Jeremy’s skin, or maybe he’d just been lonely too long, but maybe they needed to figure out what they were doing with more than just the stories they were here to tell.

“You wanna get dinner?” Will said, before he could talk himself out of it.

“Yeah,” Jeremy said, smiling again, and this time Will let himself smile back. Just a little.

They asked around for recommendations and ended up at a little restaurant in the city, a few blocks from the Piazza. They split a bottle of wine, a margherita pizza, and some perfectly fried fish, and they didn’t really talk about work at all.

“You know,” Jeremy said, about halfway through the wine, “not for nothing, but I’ve gotta say, this looks and feels a lot like a date."

"I wasn’t under the impression that you’d be opposed to that,” Will said.

“Oh, I’m not opposed,” Jeremy told him, “I’m just a little surprised you’re asking. I figured at this point it was gonna have to be me who said something."

Will eyed him carefully, thought back to a lot of nights on a lot of trips. "How long exactly have you been waiting around?"

"I mean, don’t get the wrong idea, here, I haven’t been pining away for you like some Victorian in a bad novel,” Jeremy said, and Will snorted. “But yeah. I played a long game, man. I gotta say, though, after that fishing boat incident in Guyana I really thought you figured out we had a thing."

"Yeah, well, I didn’t have time to notice, I was too busy taking pictures of you hiding behind that skinny British guy when that big old fish jumped out of the water,” Will snickered.

“Big old– that thing was two-hundred and thirty-four pounds of ichthyological torpedo headed straight for yours truly,” Jeremy said, and Will chuckled. “Big doesn’t really describe it.”

“Hmm. It was kinda wild he thought we were gonna get in the water with it,” Will mused. He winked. “Glad you finally remembered you owed me dinner for keeping him from pushing us into the river."

"Ha. You know Sarah wants us to work with that guy again, right?"

"Aw, hell,” Will said. “Really?"

"Yeah,” Jeremy confirmed. “She said she was gonna talk to you about it when we got back from this. Canada this time, so when Mister Fisherman tries to throw me in the water at least the hypothermia will probably get me before the monster fish does."

"Nah,” Will said. “Don’t worry about that. Nobody throws you off a fishing boat. Except maybe me. No. Well. Maybe. No,” he concluded.

Hah. I mean, okay, that does sound like me.

Oh, I am aware, trust me.

“Sarah maybe also mentioned we might do a few more of these little…collaborative things,” Jeremy said, drawing invisible circles on the table. “Maybe even in a more formal capacity."

Will raised his eyebrows. "No way she talked you into giving up the blog."

"Oh, definitely not,” Jeremy said. “But funnily enough, people keep sending me emails about wanting a print version of some of my photographs? But I don’t really have the publishing connections. A magazine, though…” he shrugged. “Me and Sarah figured we might come to some kind of mutually beneficial arrangement, somehow. Might be seeing more of you, is what I’m trying to say."

"Can’t say I mind that,” Will said, and reached out across the table to cover Jeremy’s hand with his.

“I was hoping you’d say that,” Jeremy answered, and this time Will didn’t try to hide his smile.

/end

Okay?

Okay, what?

Well where the hell is the rest of it?

What rest of it? It’s clearly implied that they’re dating now. They’re dating, they’re happy, they’re gonna work together for real, happily ever after, et cetera.

they should have at least kissed. i would be into that

This is what I’m saying. Where’s the resolution, here?

Baby, anytime you want a kiss, you know where to find me.

What I want is for you to take this seriously since you’re making us read all of it.

Wow, okay. Here:

They walked around the city for a long time after dinner, still holding hands, and the kiss they shared later under the moonlight felt like a promise. The Actual End.

Y'all happy?

too sappy 4 me but idk what eliot thinks

Not your best work but it’ll do, I guess.

Are you still in the kitchen?

Yeah, why?

I’m gonna come give you a demonstration of my best work, that’s why.

Bring it on, man.

do i get a demo too

You know it.

#author: coffeesuperhero #leverage ot3 #parker x hardison x eliot #hardison x eliot #leverage #ot3tropetober #submission

94 notes · View notes

ryuichirou · 4 years

Note

I really love the way you draw anatomy - you are literally perfect. Would you mind one day if you make a simple tutorial on how to draw anatomy, particularly hands and just keeping things in proportion. Sorry if this sounds like a demanding ask - u can definitely decline or not answer no offence taken x

First of all, thank you so much! <3 I’m so happy to hear that you think my anatomy looks good. I’m not sure if I can teach you anything, but I’ll try! And sorry it took me so long to reply.

I wouldn’t call this a tutorial, more like an outline of what I usually do (maybe with some tips here and there). Hope it’s at least a little bit helpful 🙏

I’ll start with how I draw the hands. Well, as you’ve probably seen on my previous post about this topic, I used to have a hard time with hands because I didn’t understand the logic behind them + my only reference was my own small and blobby hands. Practice helps a lot, but imo mostly because as you draw more hands, it becomes easier for you to break them into simpler shapes (this is important!) and imagine them in 3d in your head or as you draw.

When I draw hands, I start with a rough sketch. Basically I just draw a fingerless block first. It’s a bit illegible right now, but bear with me.

After this I add fingers. Once again, they’re all broken into shapes: a finger is just 3 short tubes connected to the block we just drew. Sometimes some parts of the “tubes” aren’t visible because of the perspective of the hand, sometimes you can clearly see all of them. As I already said, it’s all about learning how to imagine these things in 3d.

Since my sketch is so rough, I tried to make the shapes more clear here. I hope it makes sense.

After the sketch is done, I basically just… draw hands. Remember that this is skin and meat, there are going to be folds (??? Idk if this is the correct word) and stuff. And nails, oh nails… I scream when I remember the times when I used not to draw them lol They help to convey the perspective and the angle of the fingers, so for me it’s better to have them than not. I’m not drawing them the exact correct way, though, but still.

And once again, it took me a long time to start drawing hands more or less properly, and I still fix them all the time. For example, a thumb of the first one on the left is too short. In fact, I’d make all the thumbs bigger…

So yeah, something among the lines. It’s not perfect, but this is the basic idea of how it works, at least for me.

About proportions… Well, I’m one of those artists who like to make 1000000 sketches before I move on to the inking phase, it’s just more comfortable to me. This way, I give myself more control of the pose and proportions and have a lot of time to adjust and fix whatever feels off to me. Many good artists don’t do that because they don’t really need it.

First, I make a very quick sketch just to grab the “feel” of the pose I’m going for, plus it helps with the overall composition of the drawing. It isn’t detailed at all, so it takes about 5-10 minutes to draw, even less if I’m confident about what I want and don’t try to find the pose that would work the best. At this stage I try to keep the proportions in mind, but I don’t think about them too much.

When I’m more or less satisfied with the basic idea, I draw my first sketch. At this stage I’m err building the body. There are a lot of ways to do that, I’m drawing something similar to a mannequin that is made out of meat. Oh no, that sounded horrible…

As you can see, this time I pay more attention to proportions and sketch all parts of the body properly. I make sure that both arms are the same length, both legs are the same length, that the shoulders are on the same level, stuff like that. At this stage I don’t think about the character, just about the body: I’m trying to make it make sense lol

Also you might’ve noticed, but I changed the position of the arms on this sketch because my initial idea didn’t really work (I tried to sit in the same pose and it was uncomfortable lol)

And then I draw yet another sketch. Sometimes this can be the last stage and I ditch the inking altogether and just colour this sketch instead, but more often than not it looks too messy and I have to make another sketch… (This is also where Katsu usually tells me to chill because we were planning to draw something simple and quick and I’m already making it complicated lol)

Here I’m adding more details, like face, hair, clothing, anything else that I need to sketch before inking/colouring. After this sketch is done, I look at it again and see if anything looks off. If it does, I try to fix it, adjust it, sketch it again, whatever works and whatever makes my sketch less stiff and more proportional. It doesn’t have to be super realistic proportions-wise though.

Things that I pay attention to when I check the proportions on my drawings:

Shoulders: they should be the same size (although the perspective can create a distortion, but this is a whole other can of worms) + ideally they should be able to fit two heads in them length-wise.

Arms: I check if they’re the correct length (the hand part should start ~at the crotch level). If the arm on the drawing is bent, I try to visualize how it’d look like if they were straightened up. If it’s difficult to imagine, I just sketch it.

Oh, and the size of hands. I always check if they’re the correct size by comparing them to a face of the character: they should be about the same size (of course some people have larger hands and some of them have smaller hands).

Legs: same with arms, I try to make sure they are not too long and not too short. Also, when drawing arms or legs, you can draw this thing. The shoulder/hip and the hand/foot have the same distance from the elbow/knee. This… sounds confusing, I hope it at least looks understandable lol

There are a lot of ways to check if everything is correct: sometimes I just put my fingers on the screen to check if all of the lengths make sense lol and sometimes I draw these lil lines to check if the lengths of the parts that are supposed to be the same match.

If your drawing looks off, just create another layer and sketch the body (the meaty mannequin thingie) over it again. It might help you see some obvious mistakes if there are any. Some people might say it’s too much work, I call this practice lol

There are instances when I redraw some parts of the body completely. There are situations when it’s easier to do it all over again than to fix the existing sketch.

Another thing that I do is flip the image as I draw. Not very often though, you need not to get used to the flipped version of your drawing, it should be somewhat new to your eyes, this way your mistakes will be more visible to you. At least I think so…

It also helps to pay attention to details as much as you can, they make a huge difference. I still have a lot to learn about how the abs work, but like a year ago I knew nothing about them aside from “err I think there are 6 or 8 of them?? And they start below the boobs” (my boobs were also more square). After I started drawing them more often and learning how they actually work, my drawings changed accordingly. I think the right one is at least slightly better haha

So yeah, this is more or less my process. It isn’t necessary to draw 10203100 sketches and to go through all these stages, but I personally feel much more comfortable doing that because this way I can be sure that I would’ve noticed if there was a major fuckup somewhere.

To be honest, if we’re talking proportions, this image is literally the only thing you need to know.

Just keep in mind how many heads are in the human body length, how many heads can fit inside one’s torso, etc. Compare body parts to each other accordingly. Just make a habit out of checking if the proportions on your drawings are correct: make a shoulder bigger, make sure that the legs are the same size. It might be too much at first, but it’ll literally become a subconscious thing very soon, and you won’t have to actively think about all of this every time you draw. I google this image from time to time just to make sure that I’m fixing everything correctly lol

You don’t have to be exact with these proportions, but they still need to have some logic behind them. Like here, if we look at Osomatsu, who is clearly very stylized, we can still see that his body is proportionate. His shoulders are too small for his head, and his body surely doesn’t have 8 heads in its length, but he still doesn’t fall apart because there is logic behind his stylization: his arms are still long enough for him to put his hands in his pockets; they aren’t too long or too short. Hope that makes sense…

Sorry for the long read. Once again, I hope it was somewhat helpful or at least interesting. If you have any more questions, please feel free to ask!

Although I’m still learning myself of course, so there are things that I probably don’t know or forgot to mention…

#replies #ryuichirouart #tutorial #of sorts #about drawing

86 notes · View notes

lostinanimage · 3 years

Note

So, physical description of Alex and Devon? Did I miss it? Or if I didn't, please provide one? I need to know how these characters look! Just imagine if we didn't know that Kent is blond and shorter than Alexei? These things are important! Better yet, pin a post with physical descriptions of all your OCs so we readers (AKA me, mostly) can take a quick look whenever we want (or fancast them until the cows come home). Love your OCs, can't get enough of them!

I'm going to try to give you a short answer first so that you can ignore the long answer if you want.

Alex: He's 6'3". (I know I've mentioned he outgrew Kent.) He is also just going to keep getting more swole like Jack. So with Alexei aging, he's really outgrown both his parents. I'm sure that I've mentioned that he's white and has brown hair somewhere, but I'd have to search for it. It's probably in the beginning from Kent's POV. I don't have a fan cast and I'm so hesitant to name one because I know I'll come across someone eventually and change my mind. Feel free to suggest!

Devon: I'm sure that I've mentioned that he's Korean, but it's probably back when he was hooking up with Mason and I feel like every time I tried to write him, no one took an interest then. (lol. I know. I get it. Mason/Micah felt like endgame so soon and I get that.) He's 5'7". (I mentioned he's shorter than Mason--who I know I've said is about 6'2" or 6'3") I googled endlessly for a fancast for him a while back and decided on Kim Woo-bin, but shorter and younger than he is now. Cupid: Rafael Silva but a bit taller. I sent Matt some random football player at the time that I had art done, but then I saw Rafael before I ever watched Lone Star and was like, "OMG it's Cupid." Mills: Aubrey Joseph. Mason: Lil Nas X, but without the body modifications that Mason obviously doesn’t have. Though Mason has tattoos that I haven’t written about. There's art for a lot of the other OCs, but let me know if you have more questions. You can totally stop reading here if you don't care about the rest of my rambling. Anyway, to be honest, I really wouldn't care if I didn't know what Alexei looked like. I tend to only care about physical characteristics as for how the affect a character's life. For example, Kent being shorter than average for a hockey player might be commented on in the media and he might have feelings about that. Race and culture matter, so I care about how that factors into how I write a character. If a character's appearance affects how people treat them in any way than it's worth thinking about--but I tend to focus more on that than the details of how they specifically look. So the truth is that no, I actually wouldn't care if I didn't know if Kent had blonde hair *unless* I felt like that really mattered for his character. I have moderate prosopagnosia so I really don't pay attention to faces much in general anyway. No one I date has ever looked like anyone else I date. (I have literally dated people for months and not been able to report their hair and/or eye color without looking but could recognize their speech patterns.) This is likely why I struggle a bit with describing things in general because I don't tend to care what *anything* looks like unless I have more of a reason to think that it matters. IE: Alex's scars on his back are something he's insecure about so it comes up in his head sometimes during sex scenes. Noah specifically liked his muscles so Alex's muscles came up in his head. I honestly picture Alex as being like me and not having a type--Noah and Devon look nothing alike--so if I want to describe Devon, I might have to switch points of view. I did have Alex mention the softness of Devon's hair because he's very touch-sensitive person. There's a part I haven't posted yet in Devon's point of view where Alex's size is mentioned because Devon is thinking about how Alex is such a huge guy but he kind of likes to try to make himself smaller to be held. (Noah also notices this.) To me this is relevant only because of the related action. This isn't to say I think you shouldn't care what characters look like. Different people notice different things. I am constantly trying to get better at descriptions, but as I literally skim those sections when reading myself, it's always a bit of a struggle. I'm always trying to make people who like descriptions happy while not boring people who don't. But since I'm a "bored with descriptions I don't care about" person, it's not always successful. I have to literally give myself a reason to care.

#my asks #character asks #begin again fic stuff

5 notes · View notes

path-of-my-childhood · 5 years

Text

The Rolling Stone Interview: Taylor Swift

By: Brian Hiatt for The Rolling Stone Magazine Date: September 18th 2019

In her most in-depth and introspective interview in years, Swift tells all about the rocky road to 'Lover' and much, much more.

Taylor Swift bursts into her mom’s Nashville kitchen, smiling, looking remarkably like Taylor Swift. (That red-lip, classic thing? Check.) “I need someone to help dye my hair pink,” she says, and moments later, her ends match her sparkly nail polish, sneakers, and the stripes on her button-down. It’s all in keeping with the pastel aesthetic of her new album, Lover; black-leather combat-Taylor from her previous album cycle has handed back the phone. Around the black-granite kitchen island, all is calm and normal, as Swift’s mom, dad, and younger brother pass through. Her mom’s two dogs, one very small, one very large, pounce upon visitors with slurping glee. It could be any 29-year-old’s weekend visit with her parents, if not for the madness looming a few feet down the hall.

In an airy terrace, 113 giddy, weepy, shaky, still-in-disbelief fans are waiting for the start of one of Swift’s secret sessions, sacred rituals in Swift-dom. She’s about to play them her seventh album, as-yet unreleased on this Sunday afternoon in early August, and offer copious commentary. Also, she made cookies. Just before the session, Swift sits down in her mom’s study (where she “operates the Google,” per her daughter) to chat for a few minutes. The black-walled room is decorated with black-and-white classic-rock photos, including shots of Bruce Springsteen and, unsurprisingly, James Taylor; there are also more recent shots of Swift posing with Kris Kristofferson and playing with Def Leppard, her mom’s favorite band.

In a corner is an acoustic guitar Swift played as a teenager. She almost certainly wrote some well-known songs on it, but can’t recall which ones. “It would be kind of weird to finish a song and be like, ‘And this moment, I shall remember,’'” she says, laughing. “‘This guitar hath been anointed with my sacred tuneage!'”

The secret session itself is, as the name suggests, deeply off-the-record; it can be confirmed that she drank some white wine, since her glass pops up in some Instagram pictures. She stays until 5 a.m., chatting and taking photos with every one of the fans. Five hours later, we continue our talk at length in Swift’s Nashville condo, in almost exactly the same spot where we did one of our interviews for her 2012 Rolling Stone cover story. She’s hardly changed its whimsical decor in the past seven years (one of the few additions is a pool table replacing the couch where we sat last time), so it’s an old-Taylor time capsule. There’s still a huge bunny made of moss in one corner, and a human-size birdcage in the living room, though the view from the latter is now of generic new condo buildings instead of just distant green hills. Swift is barefoot now, in pale-blue jeans and a blue button-down tied at the waist; her hair is pulled back, her makeup minimal.

How to sum up the past three years of Taylor Swift? In July 2016, after Swift expressed discontent with Kanye West’s “Famous,” Kim Kardashian did her best to destroy her, unleashing clandestine recordings of a phone conversation between Swift and West. In the piecemeal audio, Swift can be heard agreeing to the line “…me and Taylor might still have sex.” We don’t hear her learning about the next lyric, the one she says bothered her — “I made that bitch famous” — and as she’ll explain, there’s more to her side of the story. The backlash was, well, swift, and overwhelming. It still hasn’t altogether subsided. Later that year, Swift chose not to make an endorsement in the 2016 election, which definitely didn’t help. In the face of it all, she made Reputation — fierce, witty, almost-industrial pop offset by love songs of crystalline beauty — and had a wildly successful stadium tour. Somewhere in there, she met her current boyfriend, Joe Alwyn, and judging by certain songs on Lover, the relationship is serious indeed.

Lover is Swift’s most adult album, a rebalancing of sound and persona that opens doors to the next decade of her career; it’s also a welcome return to the sonic diversity of 2012’s Red, with tracks ranging from the St. Vincent-assisted über-bop “Cruel Summer” to the unbearably poignant country-fied “Soon You’ll Get Better” (with the Dixie Chicks) and the “Shake It Off”-worthy pep of “Paper Rings.”

She wants to talk about the music, of course, but she is also ready to explain the past three years of her life, in depth, for the first time. The conversation is often not a light one. She’s built up more armor in the past few years, but still has the opposite of a poker face — you can see every micro-emotion wash over her as she ponders a question, her nose wrinkling in semi-ironic offense at the term “old-school pop stars,” her preposterously blue eyes glistening as she turns to darker subjects. In her worst moments, she says, “You feel like you’re being completely pulled into a riptide. So what are you going to do? Splash a lot? Or hold your breath and hope you somehow resurface? And that’s what I did. And it took three years. Sitting here doing an interview — the fact that we’ve done an interview before is the only reason I’m not in a full body sweat.”

When we talked seven years ago, everything was going so well for you, and you were very worried that something would go wrong. Yeah, I kind of knew it would. I felt like I was walking along the sidewalk, knowing eventually the pavement was going to crumble and I was gonna fall through. You can’t keep winning and have people like it. People love “new” so much — they raise you up the flagpole, and you’re waving at the top of the flagpole for a while. And then they’re like, “Wait, this new flag is what we actually love.” They decide something you’re doing is incorrect, that you’re not standing for what you should stand for. You’re a bad example. Then if you keep making music and you survive, and you keep connecting with people, eventually they raise you a little bit up the flagpole again, and then they take you back down, and back up again. And it happens to women more than it happens to men in music.

It also happened to you a few times on a smaller scale, didn’t it? I’ve had several upheavals in my career. When I was 18, they were like, “She doesn’t really write those songs.” So my third album I wrote by myself as a reaction to that. Then they decided I was a serial dater — a boy-crazy man-eater — when I was 22. And so I didn’t date anyone for, like, two years. And then they decided in 2016 that absolutely everything about me was wrong. If I did something good, it was for the wrong reasons. If I did something brave, I didn’t do it correctly. If I stood up for myself, I was throwing a tantrum. And so I found myself in this endless mockery echo chamber. It’s just like — I have a brother who’s two and a half years younger, and we spent the first half of our lives trying to kill each other and the second half as best friends. You know that game kids play? I’d be like, “Mom, can I have some water?” And Austin would be like, “Mom, can I have some water?” And I’m like, “He’s copying me.” And he’d be like, “He’s copying me.” Always in a really obnoxious voice that sounds all twisted. That’s what it felt like in 2016. So I decided to just say nothing. It wasn’t really a decision. It was completely involuntary.

But you also had good things happen in your life at the same time — that’s part of Reputation. The moments of my true story on that album are songs like “Delicate,” “New Year’s Day,” “Call It What You Want,” “Dress.” The one-two punch, bait-and-switch of Reputation is that it was actually a love story. It was a love story in amongst chaos. All the weaponized sort of metallic battle anthems were what was going on outside. That was the battle raging on that I could see from the windows, and then there was what was happening inside my world — my newly quiet, cozy world that was happening on my own terms for the first time. . . . It’s weird, because in some of the worst times of my career, and reputation, dare I say, I had some of the most beautiful times — in my quiet life that I chose to have. And I had some of the most incredible memories with the friends I now knew cared about me, even if everyone hated me. The bad stuff was really significant and damaging. But the good stuff will endure. The good lessons — you realize that you can’t just show your life to people.

Meaning? I used to be like a golden retriever, just walking up to everybody, like, wagging my tail. “Sure, yeah, of course! What do you want to know? What do you need?” Now, I guess, I have to be a little bit more like a fox.

Do your regrets on that extend to the way the “girl squad” thing was perceived? Yeah, I never would have imagined that people would have thought, “This is a clique that wouldn’t have accepted me if I wanted to be in it.” Holy shit, that hit me like a ton of bricks. I was like, “Oh, this did not go the way that I thought it was going to go.” I thought it was going to be we can still stick together, just like men are allowed to do. The patriarchy allows men to have bro packs. If you’re a male artist, there’s an understanding that you have respect for your counterparts.

Whereas women are expected to be feuding with each other? It’s assumed that we hate each other. Even if we’re smiling and photographed together with our arms around each other, it’s assumed there’s a knife in our pocket.

How much of a danger was there of falling into that thought pattern yourself? The messaging is dangerous, yes. Nobody is immune, because we’re a product of what society and peer groups and now the internet tells us, unless we learn differently from experience.

You once sang about a star who “took the money and your dignity, and got the hell out.” In 2016, you wrote in your journal, “This summer is the apocalypse.” How close did you come to quitting altogether? I definitely thought about that a lot. I thought about how words are my only way of making sense of the world and expressing myself — and now any words I say or write are being twisted against me. People love a hate frenzy. It’s like piranhas. People had so much fun hating me, and they didn’t really need very many reasons to do it. I felt like the situation was pretty hopeless. I wrote a lot of really aggressively bitter poems constantly. I wrote a lot of think pieces that I knew I’d never publish, about what it’s like to feel like you’re in a shame spiral. And I couldn’t figure out how to learn from it. Because I wasn’t sure exactly what I did that was so wrong. That was really hard for me, because I cannot stand it when people can’t take criticism. So I try to self-examine, and even though that’s really hard and hurts a lot sometimes, I really try to understand where people are coming from when they don’t like me. And I completely get why people wouldn’t like me. Because, you know, I’ve had my insecurities say those things — and things 1,000 times worse.

But some of your former critics have become your friends, right? Some of my best friendships came from people publicly criticizing me and then it opening up a conversation. Hayley Kiyoko was doing an interview and she made an example about how I get away with singing about straight relationships and people don’t give me shit the way they give her shit for singing about girls — and it’s totally valid. Like, Ella — Lorde — the first thing she ever said about me publicly was a criticism of my image or whatever. But I can’t really respond to someone saying, “You, as a human being, are fake.” And if they say you’re playing the victim, that completely undermines your ability to ever verbalize how you feel unless it’s positive. So, OK, should I just smile all the time and never say anything hurts me? Because that’s really fake. Or should I be real about how I’m feeling and have valid, legitimate responses to things that happened to me in my life? But wait, would that be playing the victim?

How do you escape that mental trap? Since I was 15 years old, if people criticized me for something, I changed it. So you realize you might be this amalgamation of criticisms that were hurled at you, and not an actual person who’s made any of these choices themselves. And so I decided I needed to live a quiet life, because a quiet personal life invites no discussion, dissection, and debate. I didn’t realize I was inviting people to feel they had the right to sort of play my life like a video game.

“The old Taylor can’t come to the phone right now. Why? Because she’s dead!” was funny — but how seriously should we take it? There’s a part of me that definitely is always going to be different. I needed to grow up in many ways. I needed to make boundaries, to figure out what was mine and what was the public’s. That old version of me that shares unfailingly and unblinkingly with a world that is probably not fit to be shared with? I think that’s gone. But it was definitely just, like, a fun moment in the studio with me and Jack [Antonoff] where I wanted to play on the idea of a phone call — because that’s how all of this started, a stupid phone call I shouldn’t have picked up.

It would have been much easier if that’s what you’d just said. It would have been so, so great if I would have just said that [laughs].

Some of the Lover iconography does suggest old Taylor’s return, though. I don’t think I’ve ever leaned into the old version of myself more creatively than I have on this album, where it’s very, very autobiographical. But also moments of extreme catchiness and moments of extreme personal confession.

Did you do anything wrong from your perspective in dealing with that phone call? Is there anything you regret? The world didn’t understand the context and the events that led up to it. Because nothing ever just happens like that without some lead-up. Some events took place to cause me to be pissed off when he called me a bitch. That was not just a singular event. Basically, I got really sick of the dynamic between he and I. And that wasn’t just based on what happened on that phone call and with that song — it was kind of a chain reaction of things.

I started to feel like we reconnected, which felt great for me — because all I ever wanted my whole career after that thing happened in 2009 was for him to respect me. When someone doesn’t respect you so loudly and says you literally don’t deserve to be here — I just so badly wanted that respect from him, and I hate that about myself, that I was like, “This guy who’s antagonizing me, I just want his approval.” But that’s where I was. And so we’d go to dinner and stuff. And I was so happy, because he would say really nice things about my music. It just felt like I was healing some childhood rejection or something from when I was 19. But the 2015 VMAs come around. He’s getting the Vanguard Award. He called me up beforehand — I didn’t illegally record it, so I can’t play it for you. But he called me up, maybe a week or so before the event, and we had maybe over an hourlong conversation, and he’s like, “I really, really would like for you to present this Vanguard Award to me, this would mean so much to me,” and went into all the reasons why it means so much, because he can be so sweet. He can be the sweetest. And I was so stoked that he asked me that. And so I wrote this speech up, and then we get to the VMAs and I make this speech and he screams, “MTV got Taylor Swift up here to present me this award for ratings!” [His exact words: “You know how many times they announced Taylor was going to give me the award ’cause it got them more ratings?”] And I’m standing in the audience with my arm around his wife, and this chill ran through my body. I realized he is so two-faced. That he wants to be nice to me behind the scenes, but then he wants to look cool, get up in front of everyone and talk shit. And I was so upset. He wanted me to come talk to him after the event in his dressing room. I wouldn’t go. So then he sent this big, big thing of flowers the next day to apologize. And I was like, “You know what? I really don’t want us to be on bad terms again. So whatever, I’m just going to move past this.” So when he gets on the phone with me, and I was so touched that he would be respectful and, like, tell me about this one line in the song.

The line being “. . . me and Taylor might still have sex”? [Nods] And I was like, “OK, good. We’re back on good terms.” And then when I heard the song, I was like, “I’m done with this. If you want to be on bad terms, let’s be on bad terms, but just be real about it.” And then he literally did the same thing to Drake. He gravely affected the trajectory of Drake’s family and their lives. It’s the same thing. Getting close to you, earning your trust, detonating you. I really don’t want to talk about it anymore because I get worked up, and I don’t want to just talk about negative shit all day, but it’s the same thing. Go watch Drake talk about what happened. [West denied any involvement in Pusha-T’s revelation of Drake’s child and apologized for sending “negative energy” toward Drake.]

When did you get to the place that’s described on the opening track of Lover, “I Forgot That You Existed”? It was sometime on the Reputation tour, which was the most transformative emotional experience of my career. That tour put me in the healthiest, most balanced place I’ve ever been. After that tour, bad stuff can happen to me, but it doesn’t level me anymore. The stuff that happened a couple of months ago with Scott [Borchetta] would have leveled me three years ago and silenced me. I would have been too afraid to speak up. Something about that tour made me disengage from some part of public perception I used to hang my entire identity on, which I now know is incredibly unhealthy.

What was the actual revelation? It’s almost like I feel more clear about the fact that my job is to be an entertainer. It’s not like this massive thing that sometimes my brain makes it into, and sometimes the media makes it into, where we’re all on this battlefield and everyone’s gonna die except one person, who wins. It’s like, “No, do you know what? Katy is going to be legendary. Gaga is going to be legendary. Beyoncé is going to be legendary. Rihanna is going to be legendary. Because the work that they made completely overshadows the myopia of this 24-hour news cycle of clickbait.” And somehow I realized that on tour, as I was looking at people’s faces. We’re just entertaining people, and it’s supposed to be fun.

It’s interesting to look at these albums as a trilogy. 1989 was really a reset button. Oh, in every way. I’ve been very vocal about the fact that that decision was mine and mine alone, and it was definitely met with a lot of resistance. Internally.

After realizing that things were not all smiles with your former label boss, Scott Borchetta, it’s hard not to wonder how much additional conflict there was over things like that. A lot of the best things I ever did creatively were things that I had to really fight — and I mean aggressively fight — to have happen. But, you know, I’m not like him, making crazy, petty accusations about the past. . . . When you have a business relationship with someone for 15 years, there are going to be a lot of ups and a lot of downs. But I truly, legitimately thought he looked at me as the daughter he never had. And so even though we had a lot of really bad times and creative differences, I was going to hang my hat on the good stuff. I wanted to be friends with him. I thought I knew what betrayal felt like, but this stuff that happened with him was a redefinition of betrayal for me, just because it felt like it was family. To go from feeling like you’re being looked at as a daughter to this grotesque feeling of “Oh, I was actually his prized calf that he was fattening up to sell to the slaughterhouse that would pay the most.”

He accused you of declining the Parkland march and Manchester benefit show. Unbelievable. Here’s the thing: Everyone in my team knew if Scooter Braun brings us something, do not bring it to me. The fact that those two are in business together after the things he said about Scooter Braun — it’s really hard to shock me. And this was utterly shocking. These are two very rich, very powerful men, using $300 million of other people’s money to purchase, like, the most feminine body of work. And then they’re standing in a wood-panel bar doing a tacky photo shoot, raising a glass of scotch to themselves. Because they pulled one over on me and got this done so sneakily that I didn’t even see it coming. And I couldn’t say anything about it.

In some ways, on a musical level, Lover feels like the most indie-ish of your albums. That’s amazing, thank you. It’s definitely a quirky record. With this album, I felt like I sort of gave myself permission to revisit older themes that I used to write about, maybe look at them with fresh eyes. And to revisit older instruments — older in terms of when I used to use them. Because when I was making 1989, I was so obsessed with it being this concept of Eighties big pop, whether it was Eighties in its production or Eighties in its nature, just having these big choruses — being unapologetically big. And then Reputation, there was a reason why I had it all in lowercase. I felt like it wasn’t unapologetically commercial. It’s weird, because that is the album that took the most amount of explanation, and yet it’s the one I didn’t talk about. In the Reputation secret sessions I kind of had to explain to my fans, “I know we’re doing a new thing here that I’d never done before.” I’d never played with characters before. For a lot of pop stars, that’s a really fun trick, where they’re like, “This is my alter ego.” I had never played with that before. It’s really fun. And it was just so fun to play with on tour — the darkness and the bombast and the bitterness and the love and the ups and the downs of an emotional-turmoil record.

“Daylight” is a beautiful song. It feels like it could have been the title track. It almost was. I thought it might be a little bit too sentimental.

And I guess maybe too on-the-nose. Right, yeah, way too on-the-nose. That’s what I thought, because I was kind of in my head referring to the album as Daylight for a while. But Lover, to me, was a more interesting title, more of an accurate theme in my head, and more elastic as a concept. That’s why “You Need to Calm Down” can make sense within the theme of the album — one of the things it addresses is how certain people are not allowed to live their lives without discrimination just based on who they love.

For the more organic songs on this album, like “Lover” and “Paper Rings,” you said you were imagining a wedding band playing them. How often does that kind of visualization shape a song’s production style? Sometimes I’ll have a strange sort of fantasy of where the songs would be played. And so for songs like “Paper Rings” or “Lover” I was imagining a wedding-reception band, but in the Seventies, so they couldn’t play instruments that wouldn’t have been invented yet. I have all these visuals. For Reputation, it was nighttime cityscape. I didn’t really want any — or very minimal — traditional acoustic instruments. I imagined old warehouse buildings that had been deserted and factory spaces and all this industrial kind of imagery. So I wanted the production to have nothing wooden. There’s no wood floors on that album. Lover is, like, completely just a barn wood floor and some ripped curtains flowing in the breeze, and fields of flowers and, you know, velvet.

How did you come to use high school metaphors to touch on politics with “Miss Americana & the Heartbreak Prince”? There are so many influences that go into that particular song. I wrote it a couple of months after midterm elections, and I wanted to take the idea of politics and pick a metaphorical place for that to exist. And so I was thinking about a traditional American high school, where there’s all these kinds of social events that could make someone feel completely alienated. And I think a lot of people in our political landscape are just feeling like we need to huddle up under the bleachers and figure out a plan to make things better.

I feel like your Fall Out Boy fandom might’ve slipped out in that title. I love Fall Out Boy so much. Their songwriting really influenced me, lyrically, maybe more than anyone else. They take a phrase and they twist it. “Loaded God complex/Cock it and pull it”? When I heard that, I was like, “I’m dreaming.”

You sing about “American stories burning before me.” Do you mean the illusions of what America is? It’s about the illusions of what I thought America was before our political landscape took this turn, and that naivete that we used to have about it. And it’s also the idea of people who live in America, who just want to live their lives, make a living, have a family, love who they love, and watching those people lose their rights, or watching those people feel not at home in their home. I have that line “I see the high-fives between the bad guys” because not only are some really racist, horrific undertones now becoming overtones in our political climate, but the people who are representing those concepts and that way of looking at the world are celebrating loudly, and it’s horrific.

You’re in this weird place of being a blond, blue-eyed pop star in this era — to the point where until you endorsed some Democratic candidates, right-wingers, and worse, assumed you were on their side. I don’t think they do anymore. Yeah, that was jarring, and I didn’t hear about that until after it had happened. Because at this point, I, for a very long time, I didn’t have the internet on my phone, and my team and my family were really worried about me because I was not in a good place. And there was a lot of stuff that they just dealt with without telling me about it. Which is the only time that’s ever happened in my career. I’m always in the pilot seat, trying to fly the plane that is my career in exactly the direction I want to take it. But there was a time when I just had to throw my hands up and say, “Guys, I can’t. I can’t do this. I need you to just take over for me and I’m just going to disappear.”

Are you referring to when a white-supremacist site suggested you were on their team? I didn’t even see that, but, like, if that happened, that’s just disgusting. There’s literally nothing worse than white supremacy. It’s repulsive. There should be no place for it. Really, I keep trying to learn as much as I can about politics, and it’s become something I’m now obsessed with, whereas before, I was living in this sort of political ambivalence, because the person I voted for had always won. We were in such an amazing time when Obama was president because foreign nations respected us. We were so excited to have this dignified person in the White House. My first election was voting for him when he made it into office, and then voting to re-elect him. I think a lot of people are like me, where they just didn’t really know that this could happen. But I’m just focused on the 2020 election. I’m really focused on it. I’m really focused on how I can help and not hinder. Because I also don’t want it to backfire again, because I do feel that the celebrity involvement with Hillary’s campaign was used against her in a lot of ways.

You took a lot of heat for not getting involved. Does any part of you regret that you just didn’t say “fuck it” and gotten more specific when you said to vote that November? Totally. Yeah, I regret a lot of things all the time. It’s like a daily ritual.

Were you just convinced that it would backfire? That’s literally what it was. Yeah. It’s a very powerful thing when you legitimately feel like numbers have proven that pretty much everyone hates you. Like, quantifiably. That’s not me being dramatic. And you know that.

There were a lot of people in those stadiums. It’s true. But that was two years later. . . . I do think, as a party, we need to be more of a team. With Republicans, if you’re wearing that red hat, you’re one of them. And if we’re going to do anything to change what’s happening, we need to stick together. We need to stop dissecting why someone’s on our side or if they’re on our side in the right way or if they phrased it correctly. We need to not have the right kind of Democrat and the wrong kind of Democrat. We need to just be like, “You’re a Democrat? Sick. Get in the car. We’re going to the mall.”

Here’s a hard question for you: As a superfan, what did you think of the Game of Thrones finale? Oh, my God. I’ve spent a lot of time thinking about this. So, clinically our brain responds to our favorite show ending the same way we feel when a breakup occurs. I read that. There’s no good way for it to end. No matter what would have happened in that finale, people still would have been really upset because of the fact that it’s over.

I was glad to see you confirm that your line about a “list of names” was a reference to Arya. I like to be influenced by movies and shows and books and stuff. I love to write about a character dynamic. And not all of my life is going to be as kind of complex as these intricate webs of characters on TV shows and movies.

There was a time when it was. That’s amazing.

But is the idea that as your own life becomes less dramatic, you’ll need to pull ideas from other places? I don’t feel like that yet. I think I might feel like that possibly when I have a family. If I have a family. [Pauses] I don’t know why I said that! But that’s what I’ve heard from other artists, that they were very protective of their personal life, so they had to draw inspiration from other things. But again, I don’t know why I said that. Because I don’t know how my life is going to go or what I’m going to do. But right now, I feel like it’s easier for me to write than it ever was.

You don’t talk about your relationship, but you’ll sing about it in wildly revealing detail. What’s the difference for you? Singing about something helps you to express it in a way that feels more accurate. You cannot, no matter what, put words in a quote and have it move someone the same way as if you heard those words with the perfect sonic representation of that feeling... There is that weird conflict in being a confessional songwriter and then also having my life, you know, 10 years ago, be catapulted into this strange pop-culture thing.

I’ve heard you say that people got too interested in which song was about who, which I can understand — at the same time, to be fair, it was a game you played into, wasn’t it? I realized very early on that no matter what, that was going to happen to me regardless. So when you realize the rules of the game you’re playing and how it will affect you, you got to look at the board and make your strategy. But at the same time, writing songs has never been a strategic element of my career. But I’m not scared anymore to say that other things in my career, like how to market an album, are strictly strategic. And I’m sick of women not being able to say that they have strategic business minds — because male artists are allowed to. And so I’m sick and tired of having to pretend like I don’t mastermind my own business. But, it’s a different part of my brain than I use to write.

You’ve been masterminding your business since you were a teenager. Yeah, but I’ve also tried very hard — and this is one thing I regret — to convince people that I wasn’t the one holding the puppet strings of my marketing existence, or the fact that I sit in a conference room several times a week and come up with these ideas. I felt for a very long time that people don’t want to think of a woman in music who isn’t just a happy, talented accident. We’re all forced to kind of be like, “Aw, shucks, this happened again! We’re still doing well! Aw, that’s so great.” Alex Morgan celebrating scoring a goal at the World Cup and getting shit for it is a perfect example of why we’re not allowed to flaunt or celebrate, or reveal that, like, “Oh, yeah, it was me. I came up with this stuff.” I think it’s really unfair. People love new female artists so much because they’re able to explain that woman’s success. There’s an easy trajectory. Look at the Game of Thrones finale. I specifically really related to Daenerys’ storyline because for me it portrayed that it is a lot easier for a woman to attain power than to maintain it.

I mean, she did murder... It’s a total metaphor! Like, obviously I didn’t want Daenerys to become that kind of character, but in taking away what I chose to take away from it, I thought maybe they’re trying to portray her climbing the ladder to the top was a lot easier than maintaining it, because for me, the times when I felt like I was going insane was when I was trying to maintain my career in the same way that I ascended. It’s easier to get power than to keep it. It’s easier to get acclaim than to keep it. It’s easier to get attention than to keep it.

Well, I guess we should be glad you didn’t have a dragon in 2016... [Fiercely] I told you I don’t like that she did that! But, I mean, watching the show, though, maybe this is a reflection on how we treat women in power, how we are totally going to conspire against them and tear at them until they feel this — this insane shift, where you wonder, like, “What changed?” And I’ve had that happen, like, 60 times in my career where I’m like, “OK, you liked me last year, what changed? I guess I’ll change so I can keep entertaining you guys.”

You once said that your mom could never punish you when you were little because you’d punish yourself. This idea of changing in the face of criticism and needing approval — that’s all part of wanting to be good, right? Whatever that means. But that seems to be a real driving force in your life. Yeah, that’s definitely very perceptive of you. And the question posed to me is, if you kept trying to do good things, but everyone saw those things in a cynical way and assumed them to be done with bad motivation and bad intent, would you still do good things, even though nothing that you did was looked at as good? And the answer is, yes. Criticism that’s constructive is helpful to my character growth. Baseless criticism is stuff I’ve got to toss out now.

That sounds healthy. Is this therapy talking or is this just experience? No, I’ve never been to therapy. I talk to my mom a lot, because my mom is the one who’s seen everything. God, it takes so long to download somebody on the last 29 years of my life, and my mom has seen it all. She knows exactly where I’m coming from. And we talk endlessly. There were times when I used to have really, really, really bad days where we would just be on the phone for hours and hours and hours. I’d write something that I wanted to say, and instead of posting it, I’d just read it to her.

I somehow connect all this to the lyric in “Daylight,” the idea of “so many lines that I’ve crossed unforgiven” — it’s a different kind of confession. I am really glad you liked that line, because that’s something that does bother me, looking back at life and realizing that no matter what, you screw things up. Sometimes there are people that were in your life and they’re not anymore — and there’s nothing you can do about it. You can’t fix it, you can’t change it. I told the fans last night that sometimes on my bad days, I feel like my life is a pile of crap accumulated of only the bad headlines or the bad things that have happened, or the mistakes I’ve made or clichés or rumors or things that people think about me or have thought for the last 15 years. And that was part of the “Look What You Made Me Do” music video, where I had a pile of literal old selves fighting each other.

But, yeah, that line is indicative of my anxiety about how in life you can’t get everything right. A lot of times you make the wrong call, make the wrong decision. Say the wrong thing. Hurt people, even if you didn’t mean to. You don’t really know how to fix all of that. When it’s, like, 29 years’ worth.

To be Mr. “Rolling Stone” for a second, there’s a Springsteen lyric, “Ain’t no one leaving this world, buddy/Without their shirttail dirty or hands a little bloody.” That’s really good! No one gets through it unscathed. No one gets through in one piece. I think that’s a hard thing for a lot of people to grasp. I know it was hard for me, because I kind of grew up thinking, “If I’m nice, and if I try to do the right thing, you know, maybe I can just, like, ace this whole thing.” And it turns out I can’t.

It’s interesting to look at “I Did Something Bad” in this context. You pointing that out is really interesting because it’s something I’ve had to reconcile within myself in the last couple of years — that sort of “good” complex. Because from the time I was a kid I’d try to be kind, be a good person. Try really hard. But you get walked all over sometimes. And how do you respond to being walked all over? You can’t just sit there and eat your salad and let it happen. “I Did Something Bad” was about doing something that was so against what I would usually do. Katy [Perry] and I were talking about our signs. . . . [Laughs] Of course we were.

That’s the greatest sentence ever. [Laughs] I hate you. We were talking about our signs because we had this really, really long talk when we were reconnecting and stuff. And I remember in the long talk, she was like, “If we had one glass of white wine right now, we’d both be crying.” Because we were drinking tea. We’ve had some really good conversations.

We were talking about how we’ve had miscommunications with people in the past, not even specifically with each other. She’s like, “I’m a Scorpio. Scorpios just strike when they feel threatened.” And I was like, “Well, I’m an archer. We literally stand back, assess the situation, process how we feel about it, raise a bow, pull it back, and fire.” So it’s completely different ways of processing pain, confusion, misconception. And oftentimes I’ve had this delay in feeling something that hurts me and then saying that it hurts me. Do you know what I mean? And so I can understand how people in my life would have been like, “Whoa, I didn’t know that was how you felt.” Because it takes me a second.

If you watch the video of the 2009 VMAs, I literally freeze. I literally stand there. And that is how I handle any discomfort, any pain. I stand there, I freeze. And then five minutes later, I know how I feel. But in the moment, I’m probably overreacting and I should be nice. Then I process it, and in five minutes, if it’s gone, it’s past, and I’m like, “I was overreacting, everything’s fine. I can get through this. I’m glad I didn’t say anything harsh in the moment.” But when it’s actually something bad that happened, and I feel really, really hurt or upset about it, I only know after the fact. Because I’ve tried so hard to squash it: “This probably isn’t what you think.” That’s something I had to work on.

You could end up gaslighting yourself. Yeah, for sure. ’Cause so many situations where if I would have said the first thing that came to my mind, people would have been like, “Whoa!” And maybe I would have been wrong or combative. So a couple of years ago I started working on actually just responding to my emotions in a quicker fashion. And it’s really helped with stuff. It’s helped so much because sometimes you get in arguments. But conflict in the moment is so much better than combat after the fact.

Well, thanks. I do feel like I just did a therapy session. As someone who’s never been to therapy, I can safely say that was the best therapy session.

#uhhhh #just by copying and editing text I see it's gonna be good =)#can't wait...#taylor swift #interview #by taylor #lover era #Rolling Stone magazine #Brian Hiatt

1K notes · View notes

stranger-who-writes-fiction · 3 years

Text

Now that the initial shock has worn off--mostly--I feel like I can ramble about the Supergirl comic news in a more coherent fashion.

Under a cut because there’s a good chance it’ll be long. XD

So yeah! Tom King, writing Supergirl. Wild!

As I mentioned in my previous post, I’ve been jokingly entertaining the notion that King’s teased ‘Super’ project would actually be a Supergirl thing, but I always assumed that if it was, in fact, a Supergirl thing, it would be in the vein of Mister Miracle or Strange Adventures--a prestige, out-of-continuity take, possibly featuring an older Kara, from pre-crisis continuity. Maybe interrogating the whole, ‘her most famous story features her death’ thing.

I never expected mainline, in-continuity, teenage Kara from him.

As I said, wild!

Wild, because King is like. A HUGE name in comics, and his wheelhouse is primarily Sad Dads. He’s also known for making really controversial, polarizing decisions WRT characterization of fan-favorite characters. (See: Wally in HiC, Batman in Batman, etc.)

So, like. I get that immediate ‘What?! Oh no!’

...But also...

He’s written Superman: Up in the Sky, which, barring one particular issue, is an extremely good Superman story.

(The whole premise of Up in the Sky is that Superman leaves earth to rescue an orphan girl who’s been kidnapped by aliens. The issue that’s a bit ‘yikes’ features Clark trying to reach Lois from deep space, and he can’t, so he’s imagining that something terrible has happened to her. That, I feel, is a perfectly fine, in-character reaction, and an idea worth exploring. HOWEVER, in execution, it ends up being Lois dying in several different, awful ways on-panel, which...yeah. Kinda Yikes! I can’t remember if it was terribly graphic but, still. I don’t think it needed to be seen, you know?)

So aside from that misstep? A really good Superman story.

(On the topic of King and Lois, I frequently cite his story in Action Comics 1000 as an example of a writer just being like, ‘screw it, Lois is alive 4 billion years in the future, and still with Clark.’ So I give him props for that.)

Back to Up in the Sky--King’s referenced that in describing Supergirl: Woman of Tomorrow, so. That’s mostly a positive!

The ‘Tom King’ thing also starts to make more sense once you look at like, the money/sales side of things. I’ve already seen a bunch of tweets from people who are like, ‘I’ve never read a Supergirl comic before but I’m gonna get this because you’re writing it!’

Yeah. I see you, DC. I see you. XD

We’ll probably never know the behind the scenes stuff, but I gotta wonder if this wasn’t so much DC choosing King as King wanting to do this, and DC letting him.

Another valid criticism/concern I’ve seen mentioned: Another dude writing Supergirl!

Which...yeah! Kinda crummy! Would be nice to see a woman write Supergirl for more than, you know. Three issues.

(Side note, though: personally I do not ascribe to the ‘only men can write men, women write women’ thing. That’s kind of a separate topic, but I mention it here because I don’t automatically assume that a book will be better/worse based on the gender of the person writing/drawing/etc.)

(For instance! Bennett just churned out one of the worst Supergirl comics I’ve ever read so...it’s equality! Anyone can write an awful Supergirl story!)

Speaking of Bennett...

The solicit text...kinda sounds like Future State 2.0, which...

Is not promising.

It’s really weird, IMO, that DC is like...letting such similar premises happen back-to-back?

A lot of DC books are incorporating stuff from Future State but this isn’t so much, ‘teasing out plot threads’ as like. Just doing it over again. XD

I mean. Worst thing that can happen is we get another ‘dead in the backyard with the dog.’

(I’m intensely curious about the DC editorial situation, like. Which pitch came first? Was the Future State Superwoman book always going to happen, what with FS being built from the ruins of 5G or whatever? Did King come up with his stuff at the same time FS was being developed? The world may never know...)

Given that this is King’s next big thing...kinda hoping we get some press coverage and interviews. I wanna get a better sense of like...where he’s coming from.

Also, it means absolutely nothing re: the book, but I appreciate that King used a gif from the show to respond to some well-wishes on twitter. Specifically, the ‘thumbs up’ gif from one of the season blooper reels. Good choice, sir.

Okay, enough about King. Let’s talk about the ONE SUREFIRE THING ON THIS BOOK.

BILQUIS. EVELY.

Wait, I take that back. TWO SUREFIRE THINGS:

BILQUIS EVELY, AND MAT LOPES!!!!!

Gosh this book is gonna be so pretty.

Like, just look at this:

Now I know what you’re thinking, you’re thinking: that looks stunning. BUT WAIT!

BOOM. LOOKIT THOSE COLORRRSSSSS!

Guh, it looks so GOOOOOOD. And it’s just the cover.

(I'm ignoring the sword because I need more info before jumping to conclusions, but as some sharp-eyed folks have noticed, that *might* be a red sun which*might* mean a de-powered Kara, in which case the sword could be used in self-defense. Also, give me a Super wielding a sword over a gun any dang day.)

Evely drew an AMAZING Silver Age Kara back in Sugar & Spike and had a pretty stellar run on Wonder Woman.

Fun fact I just learned from a few interviews she shared recently! Supergirl is the character that got her into superhero comics, and when Giffen was writing Sugar & Spike, he asked if there were any characters she wanted to draw specifically. She said Supergirl, so Giffen made sure she showed up in one of the issues. :D

Also from those interviews: She’s excited about the book, and enjoys working with King. It was harder to figure out the art talk in said interviews (I was using Google translate) but I think...she was saying that there’s some specific influences that folks will pick up on when the book comes out?

Also, when asked to tease anything about the book she just said Mat Lopes colors and stars.

WOOOOO, pretty space backgrounds, yay!

It cannot be overstated, how pretty this book is going to be.

Evely’s a little similar to Sauvage in that they both have like...an almost fairytale quality? To some of their work?

(Evely just did a Batman: Black and White story that was quite literally a fairytale.)

But Evely, I think, has a little more range, particularly in the area of expression/acting.

And Lopes knows how to make her work shine.

Who knows about the writing though. XD On the one hand, the bar for bad Supergirl comics is so incredibly low, but also.

...Future State.

*shudders*

TL;DR: I refuse to let myself get excited for the story side of this because you could make an IHOP-size omelet, with all the egg on my face from my Future State hopes, but if nothing else: EVELY. DRAWING. SUPER. GIRL. *wild muppet flailing*

#DC comics #DC comics news #SG post #stranger rambles #long post #ish #Supergirl: Woman of Tomorrow

6 notes · View notes

goodshipsherlollipop · 3 years

Text

Self-interview (but not really)

When I heard about @sherlollyappreciationweek hosting a self-interview event, I thought it would be fun to participate, so people could get to know me better as an author. But, instead of doing a self-interview, I approached some of my readers and asked them to pose questions for me to answer.

I’m not aiming at making this about me personally. It’s all about me as an author. If you want to know about who I really am outside of my writing, feel free to chat with me privately.

The name of the person asking the questions will precede each section. As this interview is rather long, I will do it in two parts.

MossRose10

Q: What personal experiences or skills (in broad strokes), besides your faith, have influenced what you write about for your characters?

A: I know I see Molly differently than most people, in a more wholesome way. When I look at her character on the show, she doesn't seem the type to have a long sexual history, but instead, seems to be someone who has devoted her life to becoming the best pathologist she can be. I adore her character, and to be honest, I put a lot of my own traits into her - including her love of singing and faith. My post TFP Sherlock has had his true nature restored by the events of Sherrinford. Thus, he is emotionally stable and able to love Molly deeply. I can write him that way because I happen to have a romantic, loving husband (lucky me!). A lot of times in my married stories, I draw on experiences I've had that I have fictionalized for the characters. I usually refer to these in author’s notes. I also love writing about their children, and put a lot of thought and personal experience into writing for them from watching my own daughters grow.

As for the other characters, I just write them the way I feel reflects their personalities best from what I’ve observed in the show, working on fleshing out their characters more as I’ve continued 3 years worth of storyline beyond TFP. For example, my version of Mycroft has mellowed a lot and married Lady Smallwodd, and John has also become a Christian and is remarried with a son.

Q: What kinds of characters do you find most challenging to write, and what strategies do you use to write them?

A: I don’t think I necessarily have a lot of issues in writing the canon characters because I have watched the show so many times I feel I know them personally. Probably the most challenging thing is writing for OC’s or peripheral characters I may have brought into a story that we haven't seen a lot of (like Billy Wiggins or Philip Anderson). I must admit, I have written very little about Moriarty, because most of my stories take place after his death.

dmollyc

Q: What character is hardest to write?

A: I kind of addressed this one in the above answer, but I do think I'd find it difficult to write for Moriarty because I'm not sure how well I could get into the psyche of a deranged madman!

Q: Do you get any nasty reviews?

A: Thankfully, not many. Most of the negative ones are people reacting to a story out of context. They will read a story in the middle of my chronological timeline and then complain that the characters are OOC. When I write my continuing stories, I assume that people are familiar with the characters as I’ve written them already, so this can cause confusion.

Because of the Christian themes, I have lost readers who object to the theology I present through my characters. Obviously, I will not please everybody.

But generally speaking, people are very kind about my work when they review it, and I especially love the reviewers who immerse themselves into my world of Sherlock and Molly and embrace my post-TFP version of them.

Q: What do you like best about your stories?

A: Probably what I like best is that I've found a unique niche in the fandom in creating a whole Christian theme, and writing a lot of different stories with the same theme. I've not seen anyone else doing that (although I'd love to see it done by others).

I enjoy writing my own continuing post-TFP happy ending for Sherlock and Molly, expanding their universe and that of the other characters from Sherlock as well.

Also, I enjoy showing Molly as someone with a belief in saving herself for marriage. It's not going to be a popular idea for the general population, but I know many Christians can relate to that desire to keep sex for that special someone rather than experimenting with every boyfriend they date.

I also think I do a pretty good job in writing love scenes that are steamy, but still clean, although I’m aware that some readers are more sensitive who find them too steamy. I write using my own inner guide for how far to take things in the bedroom. Some stories are definitely steamier than others, but there are certain graphic terms I will never use in my writing because I feel they cross the line of my own comfort zone.

Chelseamh98

Q: How have you overcome the challenges of your vision impairment?

A: This is definitely an ongoing process for me. When I began writing, my proofreading would just consist of looking over the chapter a couple times to try to errors. I have issues when typing on my iPad because of the flat keyboard surface. That means I often type a word incorrectly. To help compensate for that, I have hundreds of words in my “text replacement” section, so that certain words I often mis-type automatically correct to the right word. I have a bad tendency to hit the M instead of N or vice versa, for example. A few months after I began publishing, someone suggested I use a text-to-speech app to help me identify incorrectly spelled words. That did help. I copy a chapter into the text-to-speech app and watch my chapter in a split screen as I listen to the words. That has been a big help. Then, this year, I discovered a free website called prowritingaid, which I now use as another editing tool, and it identifies even more spelling and grammar errors. So now I find myself writing, proofreading as I go along several times as I write. When the chapter is finished and I am ready to publish, I do another visual read. Then I use the prowritingaid site as another editing step. After that, I use the text-to-speech app and listen as I read. Finally, I copy the whole thing into Google Docs, add italics and bold type and glance through the chapter again to see if Google Docs has discovered any more errors. It's a very long process, believe me, and it takes so much longer to do the editing and proofreading than to write! For me, the writing part is easy!

Q: Does it (visual impairment) affect the way you write?

A: Physically, yes. I cannot use a computer, because I need to be inches away from the screen to see what I am doing. Sometimes I will sit at a table and write, but usually, I put three cushions on my lap and sit my iPad on top. Over time, that method has caused me to have pretty severe tendonitis, but I have no other way to write, and it's worth the pain to keep writing! Currently, I am also dealing with frozen shoulder as part of the physical issues.

Also, I have to enlarge my text to write. I use the Colored Note app for my chapters, set to the maximum size of 36, and when I go into Google Docs, I set the size to 25 so I can read it.

Q: What part about writing do you find the most challenging? What’s the easiest?

A: As I mentioned above, the most difficult part is definitely the editing/proofreading process because I have to work so much harder than a normally sighted person, and it takes up a huge chunk of time.

Also, I am very particular in trying to write realistic fiction whenever possible. That means a ton of research. For example, in my story where Molly was shot, Confronting Evil and the Truth, I researched a lot about gunshot wounds and how to care for them. In A Honeymoon Journey, my characters went to Stratford-upon-Avon, and I researched that location thoroughly for many of the chapters. In my latest COVID-19 series, I have followed the pandemic closely in the UK and have added many real situations that have happened there. Research, research, research!

The easiest part is definitely writing the story itself, especially dialogue. I can hear the characters in my head telling me what to write. I rarely suffer from writer’s block, unless I am trying to think about how to write a mystery or crime and how to resolve it.

Aslan's Princess

Q: Where do you find inspiration? Is it something specific? Or multiple things?

A: I find inspiration mainly in two areas. First, from watching episodes over and over and analyzing them. Second, I also find inspiration in my own life, in bringing in real experiences I am familiar with (such as pregnancy and childbirth). Occasionally I will read a story or a review where someone tells me something that sparks my imagination. My current WIP, The Good Book, was actually inspired by a gif-set one of my readers, Penelope Chestnut showed me. It got me wondering what would happen if Sherlock suddenly discovered the Bible (shown in TBB) in his bookcase and decided he wanted some answers about the meaning of life.

Justwritebritt

Q: What drives you to keep writing?

A: Certainly, one of the most motivating factors is hearing from readers who enjoy my work. Readers generally have no clue what kind of power they possess when it comes to encouraging a writer to keep going. A pat on the back is always a good thing. I wish more people could understand that.

Aside from that, though, I feel a calling from God to keep writing. I like sharing my faith through Molly (and Sherlock). My hope is that people will find my stories inspiring and encouraging.

Q: What/Who can you absolutely not write without?

A: I cannot write without my iPad. I use it not only to write, but to research and to watch Sherlock on Netflix. it's my all-in-one resource!

Q: What is your favorite story you've published so far?

A: I will always love A Journey to Love, Faith and Marriage, because it is the “mothership” from which all my other stories spring, but my writing technique was not great at the beginning; there’s an obvious improvement in later chapters. But, I am also very fond of Sherlock’s Dream of What Might Have Been. That one tells a story of Sherlock and Molly meeting in uni, and then jumps to the canon, inserting a secret relationship (and child) throughout the series canon. I put a lot of thought into filling in Season 4 backstory as well.

Q: What (in vague terms) story are you looking forward to telling next?

A: I have a few stories in the pipeline that I am looking forward to sharing. One that steps away from the overt Christian themes is a Pretty Woman AU. I haven't seen anyone attempt an AU for that movie, and I look forward to sharing it. Perhaps it will spark interest with a few more readers because it isn't heavily weighted on the Christian theme scale, but is merely one of my more whimsical, creative story ideas. It is the first story I have written that combines elements from both a movie and the Sherlock narrative.

I also have a couple of one-shots that I will publish in the timeline of my WIP Journey to a New Home, one,that deals with the topic of divorce using a Biblical perspective, plus one that sheds light on the subject of depression.

End of Padt 1.

#sherlollyappreciationweek #sherlollyselfinterview20 #interviews20

12 notes · View notes

gochasethesunset · 4 years

Text

From Concept To Patent To Successful Product

What To Do With Your Invention Idea

Eventually in your life, you have possibly had among those "aha" moments.

You understood there was an imperfection, something missing out on, or a possibility to develop a much better means of achieving something.

Although every person has these moments, few latch onto their suggestion and recognize that there is an invention trying to reveal itself.

Also, much less aim to create that suggestion and patent it.

All that to say: Developers are individuals.

They're not superheroes. They're not always abundant to start and also they're not necessarily of some intergalactic INTELLIGENCE degree that makes your above-average knowledge seem equivalent to a rock.

No ... innovators are just individuals. Like you.

No matter of background, IQ, or superpowers, successful creators do have certain typical natural high qualities.

Among those high qualities is drive.

They have the drive to be relentless as well as follow up non-stop with each step in the invention procedure.

Successful inventors are hungry for success - they envision it and press themselves to discover the path toward it.

The daily ideator who puts action and also intent behind his suggestion with this level of drive is most likely to become a successful capitalist (given the item is feasible, of course).

It takes place constantly on Shark Tank right in the public eye, and it takes place thousands of thousands of times per year somewhere else.

If you believe you're simply the "daily ideator" and also do not have what it takes to press your concept via to success, take a look at the video clip listed below, "From Suggestion to Cash," an interview with Rick Receptacle.

Rick is among Shark Storage tank's most successful business owners. He created viewers, a magnetic clip that safeguards analysis glasses onto your individual. also check out the help of invention help

It was a basic suggestion created from the truth that Rick kept shedding his analysis glasses. Invention concepts are commonly ideal in front of your face - in this instance, essentially.

Taking Invention Suggestions To Success

If you have ever before googled anything related to patenting an invention suggestion, you were most likely inundated with advertising and marketing messages and advertisements for days, weeks, and maybe even months following your search.

Just remember this: You can not patent a suggestion.

Gasp! Yet wait ... I maintain seeing ads as well as firms that inform me, "Patent your invention idea quickly!" and more.

Yes, proper, but it is not this first idea that you would certainly seek to immediately patent.

The initial idea about how you will produce, fix, or improve something requires to morph to become a real invention. You'll have to do some job ... you'll require a few of that drive to get there. You can also get help with invention

The truth is that your preliminary idea could be an invention as well as it could be patentable, yet you require to do some surrounding as well as a thorough study to ensure a couple of things:

Initially, That your idea addresses a problem and works;

Second, nobody has already invented it (by carrying out a prior art patent search);.

Third, your suggestion is not apparent. This is tricky and also a specialist who is experienced in the art or field of your invention idea has to eventually identify if your idea is "nonobvious"

The Adversary Remains In Your Suggestion's Information

When you can define your idea in wonderful enough information, the suggestion after that goes beyond to one more level. It comes to be the start of your invention.

Rick Receptacle's suggestion was easy: "I need to stop losing my analysis glasses.".

He included information to that idea, enough to ultimately think of readers, his invention. Now I'm not Rick, yet allow's go through what that may have appeared like.

One night, Rick was being in his love seat catching up on "Freeway To Sell.".

A commercial came on, and that was Rick's sign to pick up his tablet computer as well as catch up on the information of the day.

As he clicked the CNN application he understood he didn't have his reading glasses.

He frisked his lap fruitless.

He viewed on the coffee table; absolutely nothing. Nightstand; no-go. Where are those checking out glasses?

Inventors, this is what's called a "pain point.".

If you're actively seeking concepts for brand-new inventions, they are all over - you simply have to maintain your eyes peeled for the discomfort points.

Exactly how do you recognize it's a discomfort point?

Great concern, easy solution.

If you feel annoyed incidentally something functions or by something that maintains happening (like shedding your analysis glasses while you're viewing TV), think of your concern on a larger scale. Do you believe more people are shedding their glasses? If indeed, after that continue!

What's next?

Well, Rick needed to detail the issue as well as consider just how to solve it. He did this with solid documentation as well as a thorough focus being paid to it daily.

In his case, the solution was magnetized. Currently, did Rick invent the magnet? No, not.

An additional idea: You can utilize existing items or inventions as an item of your remedy. Yet as you are detailing your idea, you must specify precisely just how it is utilized and why your invention is still one-of-a-kind.

Documenting Your Invention Concept.

The recording is a vital component of the creating procedure.

At some point, you may need to count on your documentation throughout situations such as legal process or establishing or preserving legal rights to your invention.

You have to record your activities correctly - your paperwork may someday need to be valued in court and you must keep that in mind as you're working on it.

Due to the implications of your idea documentation, the most effective technique - and essentially a should - is to record whatever in an innovator's journal. This ought to be a bound publication with phoned number pages and every web page and also note need to be dated

Advantages Of Invention Idea Paperwork.

There are some benefits to recording your suggestions as you relocate through the stages of the invention process.

1) Evidence - Every patent should divulge the innovators of the concept, and also your journal can show your "inventorship".

2) Expedite the patent procedure - A well-documented invention idea aids improve the process when you fill in your patent application. This is a means you can conserve time and money in the future - 2 very important assets.

3) Assume and re-think your idea - Writing forces you to analyze your tasks and concepts to clarify what it is that you have developed. This process can evoke further ideas on how to change or enhance your preliminary vision.

4) Sanity - Documentation aids you remember what you have done and also considered in the past and also prevents unnecessary redundancies in your job.

5) Taxes - If the moment you have invested ideating and creating is part of a company, you may have the ability to look for tax reductions for the expenses that you incur. You ought to speak to your accounting professional concerning whether or not this relates to you.

File Your Idea With this Information.

The objective of describing out your suggestion for an invention is to broaden so deeply right into the concept of why your idea is such a fantastic invention, as well as what it addresses, that any individual that reads it will completely understand the description and agree with you that your suggestion requires to be an invention; it can much better the world, even if in some small way.

When you have sufficient information to accomplish this, you are after that going to be ready to patent your concept ... or your invention ... it's a type of both at this moment.

Here are some of the information you'll require your concept. Make this you are 'at minimum' checklist as well as, based upon your invention as well as category, increase upon it as essential: also check https://www.glassdoor.com/Reviews/InventHelp-Reviews-E152162.htm

1. A stellar description of what your suggestion is and what it does (you will require this for the Requirements part of your patent application so it isn't for naught or flair - do a fantastic work). Below is a fantastic rundown of what your summary can include: Title or name of your suggestion; the technological field as well as the group it falls under; background information on prior art, previous licenses or licenses pending (in various other words, just how have others attempted to resolve something like this); the trouble or test your concept will certainly attend to as well as just how you will certainly address it in different ways and effectively (because your suggestion requires to be one-of-a-kind); an example or two of usage situations for your suggestion.

2. Illustrations, layouts, as well as illustrations of exactly how it functions and also what it resembles. Measurements are good right here too so all can imagine and also conceive the size of the real-life model. You can describe your invention's representations in your description. As well as remember this suggestion: Even more is more. The even more pictures and also representations you have, the far better you will certainly see your idea, as well as the much better someone else can translate what your suggestion is and does. (By law, you will certainly need a minimum of one attracting to request the patent).

3. Try to list products in as much deepness as feasible. Talk concerning the details of each part and also exactly how they fit together as well as function together.

4. Various "personifications," or versions, of the invention idea. The hard truth is, not everyone will see points your method. Your concept, albeit proprietary to you, can be changed. You'll intend to account for the potential variations of your invention. The main factor is simple: If you do not describe variations of your invention and someone else has essentially the very same invention however various means of creating it, after that it is no more your invention (particularly with the First to Submit (FTF) laws).

5. Days. Every little thing needs to have a day. Every suggestion, every representation, every idea, and also every time you go back as well as erase believed from a previous day - sign as well as date whatever.

6. The target market of your invention. You'll intend to think about your end-users, your customers, as well as any individual else in the circle of impact. If you have developed a kind of apparel, you're listing out that wears it, but additionally, that might produce it, that may buy it for the individual who wears it, what it takes on - any person you assume your product pertains to.

If you've completed this listing for your suggestion, you're well on your means of filing a patent as well as having an invention of your very own. If you would certainly like to assist with obtaining a patent or submitting your application, allow us to recognize what we can do to sustain you.

My tip is not to hurry this part of the process.

Complete the workouts, take some time away, and after that revisit what you created. Your detailed summary and layouts must make your idea implementable by anybody that uses it.

Keep in mind, when you file your patent you can't make changes. The application you submit becomes your patent.

You want to be double and also three-way certain you have the information you require around your concept in that application.

#technology #inventors #patent #inventions #InventHelp #ideas #Crunchbase

38 notes · View notes