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#I may draw more of them later bc I love this concept a lot
ezdotjpg · 2 months
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do you have any directors commentary on the recent two updates? 👉👈 the color palette is absolutely lovely! and and and WOLF!! :DD
OH BOY DO I
In the original draft of this chapter, Wolf stays a, uh, wolf until like the 4th update. Instead of actually managing to get his teeth on the master sword, Loft threw him off immediately. The Deku Tree still said the line about all three of them being heroes and Slate is like. “Including the fucking dog????!” I thought it was very funny but a) it made some scenes later down the line a huge pain and b) I was tired of drawing wolves ALDKDKD
You may have noticed Wolf’s scowling in the bg of almost every panel. That’s kind of just his face, but also right now my guy is nursing the world’s biggest migraine from popping the shadow crystal out of his skull. He can stay wolfmode for a while, but it’s still technically a curse. It’s not consequence free, and there’s an upper limit for how long he can spend in that form. Anyway, cut him some slack if he’s a little prickly for a bit.
There were a lot of comments about Loft being strong enough to toss a wolf over his head lol. My hc is that he’s one of, if not the strongest Link sans any magic items like power bracelets or gauntlets. He’s actually not even as strong now as he was during his quest. Wolf maybe has him beat now, but he can still get tossed lolol
It might seem like Slate’s really taken everything that happened at the end of ch1 in stride, but don’t worry. He’s simmering. Loft is grateful for the opportunity to get distracted by something else. Maybe that’s why he was so willing to approach the wild animal he’s never seen before lol
This maybe goes without saying based on the events of the last two updates, but Slate never had wolf link with him during the events of botw. He doesn’t recognize Wolf.
I’m really glad ppl seem to be liking the colors bc I struggled with them so hard on both updates 🫠literally days of me turning to my roommate and going “I think I’ve never made anything worse” and them going “it looks good stop being dramatic” WKDJDK I have this thing where if I had an idea in my head for what an update should look like, and what I produce doesn’t meet it somehow, I start seeing in fucking. shrimp colors. Posting always gives me a confidence boost back lol.
these pages were cursed in general bc like. this doesn’t usually happen but I think I redrew every panel in this update at least 5 times each. that’s part of why it ended up being late SKDJF
I REALLY like the idea of being in the presence of the Triforce and having access to its power being this eldritch, divinely horrifying experience. The sort of thing that is impossible to explain to anyone and also haunts you forever. Loft spends a lot of time actively trying not to think about the Triforce. Just, like, remember that about him.
Like how tears in reality are shown through holes in the literal comic panels, I tried to show the concept of reality bending in the form of a panel stretching and twisting like a ribbon ᕕ( ᐛ )ᕗ I hope that came across. Triforce lore varies a bit from game to game, but I’ve come up with my own internal logic for bonus links that combines all the ideas I like lolol. We’ll learn more about it in due time!
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I also really like this parallel :D I intentionally set up the panels so past and present loft would line up like this. i love getting to draw flashback links it’s so fun to think of ways to convey what they used to be like, and how their quests might have gone for them. Past Loft’s not having a great time by the time he reaches this point lol
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I think that’s all I’ve got for now. Thanks for asking :D
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yourlocalabstraction · 7 months
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your soul design is so yumilicious I need all the details now on my dinner plate
fr tho I want to know all the soul design lore how did you create such a creature /vpos
OKOKOHHHHHHOKOK BUCKLE IN. YOU’RE GONNA GET THE FULL DESIGN PROCESS
I struggled the most with Soul ngl. I couldn’t really think of anything I could add that would differentiate him from the fanon standard. I’m a lil upset I couldn’t think of something more original, but nonetheless he turned out quite lovely !!!
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I started with the color picking. I was very insistent on making everyone’s colors proportional to eachother. The main colors should have (about) the same saturation/brightness, contrasting colors that are the exact opposite hue of the main color, respective black/grey/white values (soul’s ‘grey’ color is more teal bc color theory but yea), shit like that i guess. The final palette is on the right, it’s what I use today.
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Soul never got fully fleshed out concept sheets like the other two. I guess my brain just filled in the rest of the gaps without having to draw them. (I apologize for never finishing these btw. It’s been months man. I hope the blorbo doodles in the corner make up for it) The second image was done a lot later than the first btw. Idk if that matters but I’m bringing it up anyway.
His fit inspo came mostly from Pinterest. I just compiled a bunch of shit I think he’d wear. Plus a majestic cape because it makes him look plenty more epic.
OK MOVING ON. I decided that his main gimmick would be my take on his shaded side. The idea was to make it represent dissonance, and how it affects Soul. The shadow is basically just this fuckin void. It has no physical form, and you can just stick your hand in there if you’d like (he sometimes stores the trident there). However I wouldn’t recommend it. The feeling is indescribable, but very uncomfortable. The void has a life of it’s own in a way. It does not stay confined within the Soul’s physical form (or in my case, his lineart). When conflict is at a high, like, tridential regicide level high, the void will get very close to fully overtaking him. It only fully disappears once true concord is reached, and starts reforming when the next cycle starts.
Also, the mask !!!!! Throughout cacophony, Soul is having a huge fucking identity crisis and shit. He doesn’t really have a physical organ like the other two. He doesn’t know why he’s here, or what he did to deserve this, or why nothing he’s trying works, and just. What is he if he’s failing at his main purpose???? I think because of this, he doesn’t like showing his face around the other two. He needs to assert is power, and thinks that showing his face will make him come of softer and less of someone to obey, if that makes sense. He only really takes it off when he’s alone in his room or pocket dimension (still trying to decide if they have a mock ‘apartment’, or ever did at one point). But once he has the character arc in Two Wuv, it permanently comes off !!! Wahoo!!!!!!! If only the next cycle weren’t to start, resetting his newfound self image to its previous state !!!!!!!!!!
Ok this is getting long im putting a read more thing
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This image was very helpful for designing the tine shapes!! Guess which one is Soul’s !!!!!! (Spoiler alert, im pretty sure its either the 2nd or 6th ones in the 2nd row. However i genuinely dont remember. This may not even be the right image)
Soul also has a strange tie with eyes. If the halves have pissed him off to the point of no return, he does this fuckin analog horror stare that freaks the shit out of them (although heart cant see he remembers it very well. Plus, he just k n o w s that extra eye is there). I haven’t really played around with this, but I like the idea of a freakishly absurd amount of eyes hidden within the shadow. I should maybe like. Draw that sometime.
Also, expect a Soil patch update in the future!! I’d like to make his fangs more deranged, and maybe add an earth pattern to the cape. Right now, he has no symbols on him that represent him in the astronomy metaphor.
Uhhhh i hoped this helped??? If i missed anything you were hoping to know about, do let me know !!!!!!!
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shiny-meowstics · 7 months
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squats over here, anyway i picked up a pmd romhack (PMD Explorers of the Spirit) on a whim since i'd seen friends talking about it here and there and i was curious. and hooboy. pmd brainrot is not back in full force but I Have Thoughts about this romhack and they are all good
ful stop, i will be talking about spoilers. they are spoilers for both pmd2 and the romhack, so if you haven't experienced either I don't recommend reading through any of this. the dialogue may be a little dated but i still wholly endorse pmd2 (vanilla or sky) as something that should be experienced blind, and this romhack is a neat little treat for people who have experienced all of what pmd2 had to offer story-wise in a lot of ways.
so, spoiler warning! you have been warned! cool? cool
so anyway i knew from second 1 that the protag was darkrai. my nerd-ass has played through pmd2 way too often and is too particular about word choice to not have picked up on that immediately. i was wary, but considering "hero is darkrai" is a neat fandom theory i decided to let the game cook and see what it had to offer
and holy fucking shit i love this approach to that concept. these madlads really made a stealth sequel that is faithful to the original game, still keeps the time travel shenanigans and has them make sense narratively (!!!), and gives a lot more depth and development to a good chunk of characters. ESPECIALLY the protag, i really really like the direction the game chose to go. writing a protag that's intense but still relatable can be a challenge, but protag hits a nice balance that isn't too intense but, again, also makes sense considering the circumstances
i'm only a little over halfway through (in the nightmare section, just did the unwinnable boss fight with grovyle) but i'm hella looking forward to how it ends 👀 two darkrais technically existing at the same time but one having a support system that the other lacked is just. chef's kiss. that's gonna be some tasty conflict later, i can tell
slightly relatedly it is Once Again Giving Me some heron brainworms bc 1) i am playing as "heron" and ramsay and 2) is kicking my brain with the "haha, heron and darkrai might've had a lot of similarities and the only thing that kept them down to earth were their friends."
considering my original idea for them was to make them affiliated with darkrai, i am just... sitting here thinking... i do kind of want to draw darkrai!heron, bc i'd like to imagine that even though they'd look really similar, there are probably some minor key differences that would make confronting "them" if you were familiar with them kind of uncanny
but yeah, we love a game that plays into my love of a) time travel stories b) meaningful doppelgangers and c) arguably morally grey characters that can just as easily be seen as bad if your perspective were slightly different
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kiisaes · 1 year
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Hey! So I read your post about my hero academia, the one where you talked about having a weird fatherly connections towards it and I wanted to ask you about what aspects you don’t like about the series? I share a lot of your sentiments but I do think it’s probably more than mid series? A lot of the details and writing I like and I think is considerable better than other shounen mangas. Anyways sorry for rambling. I just wanted to know what aspects you liked on the series and the ones you didn’t like.
Also complete side note: I absolutely love you’re art it’s so beautiful you’re and really skilled drawer!
sure! and thank u anon!
i want to preface this by saying that everything here is my opinion. media analysis is inherently subjective and something i think is bad might be something you think is good. considering how mha is not a shounen that's universally applauded for any or all of its writing choices, it's expected that you and i may perceive this content differently. doesn't mean i'm right and you're wrong and vice versa, it's just a different individual take on the source content.
also, even though i think mha is "mid to mid-good" (as quoted from my textpost) i don't use "mid" as either an insult or in a "it's so average it's bad" way. i know that word has been fucked over bc ppl automatically assume that something being mid means something is bad or bland or boring. it's a middle of the road series with a good share of flaws and strengths, and it doesn't particularly stand out as anything incredibly amazing or awful. just an average to decently good story, and its level of quality fluctuates throughout its run.
at the end of the day, i do like mha. despite what i think of it, it's a series i hold close to my heart and one i can enjoy even without a critical eye. if i didn't, i wouldn't have been making content for it for 2, almost 3 consistent years.
anyway, stuff i like + stuff i don't like under the cut: (warning: VERY LONG)
mha stuff i do like:
deku. he is my little boy
for the most part, horikoshi's character writing is one of his strongest abilities. characters like bakugou, shigaraki, and dabi (and honestly the todoroki family as a unit) are some of the most compelling characters in a story like this. they're allowed to be complex, dynamic and a blend of virtuous and damning traits. they match the overall themes of mha, which is that the sheer concept of "good vs evil" is surface level at best, and that placing people into strict boxes blocks them from everything else that they are. basically a complete "fuck you" to viewers who must condemn a morally grey hero/villain, for example. even less morally grey characters like ochako (imo) are still fun twists and explorations on their given character stereotypes. however i'm obligated to say "for the most part" because hori's superb character writing only matters when he gives those characters time to breathe and actually exist. i'll get into this more later
horikoshi's art is fantastic and undoubtedly his greatest attribute as a mangaka. i firmly believe that, as far as shounen art goes, there aren't any that can rival mha that are also at its global reach. there's never a single moment where i read a chapter and go "wow that art wasn't incredible" because that's not possible. he utilizes his art knowledge so effortlessly and brings out so much in every panel he makes. the manga art never feels dull. i'm so insanely jealous and in awe of him. i guess i could be biased when making this point but i find it hard to genuinely hate his art. it's so polished every time
this is a smaller point that adds to the last one but i do appreciate how he draws women. not when he's using them for uncomfortable gags, but just in general. there's like, actual meat on their bones. they have realistic body proportions (for his style). many of the women are "chubbier" than other shounen women, and a good amount of them are buff as FUCK. it feels like hori puts the same amount of effort into drawing his female characters as he does his male characters, even if he might not dignify that writing-wise
as a fellow comic artist, i absolutely love his understanding of comic language. it's small details like his onomatopoeia reminiscent of western superhero comics that really tie the presentation together. each panel is full of life, with characters and backgrounds working together in the most effective ways. i can't remember what tumblr textpost brought this up, but he also loves playing around with panel borders. he spices them up by using different subjects or objects to split up panels. and this was more of a strength earlier in the series imo, but his pacing was also pretty quick and resourceful. it shows to me that he truly loves creating manga and knows when it's the right time to visually deviate from the norm. again, i'm truly envious of how he can do this. i only hope to reach his level someday ...
this is definitely a biased point, but some of the series' arcs/storylines are some of my favorite ones in fiction. these include the tournament arc, the kamino rescue arc, the overhaul arc, twice's death, and anything relating to the todoroki family. obviously i'm only listing a handful of examples here because i think nearly every arc has its good moments that i can comment on. but when i think of good mha storylines, i think of these first
i also think that mha as a whole is a fun series that knows how to laugh at itself. there's nothing more awkward than a story that takes itself way too seriously, but the content itself is poorly written or not interesting. thankfully, horikoshi doesn't really fall into this issue
there are canon lgbt characters in this series. even if that's kind of a low bar atp (considering how only 1 out of the 3 play a consistently important role), a win is a win is a win. especially in mainstream shounen, beggars can't exactly be choosers.
mha is a story about systemic societal injustice, which is a lofty concept to tackle. thankfully the story is about powers being the norm so the whole "i'm born better than you because i have abilities" is less of a status quo rejection and more of a status quo enabler. as a story concept, it's a good basis, doesn't seem too hard to comprehend, and opens the door for nuanced storytelling and discussion. i think hori does this well at the start of the series. but as the story goes on... uhhh. i'll talk about it.
mha stuff i don't like:
man do these women have basically nothing interesting to do. i complimented how they're drawn earlier, but with the exception of a few notable ones, a lot of their characters pale in comparison to the men. it's even sadder considering that the amount of women in mha is significantly lesser than, so 5 important female characters is like, 1/4 of the female cast. 5 important male characters is like, 1/12 of the male cast. idk i didn't count the amount of characters in this series but it sincerely feels this way, especially if you remember that there are definitely more than 5 important male characters at any moment throughout this series. and when female characters do have their time to shine, there's a 50/50 chance that they die, get gravely injured, or lose limbs. which normally isn't an issue in a battle shounen like mha, but out of the important character deaths in this series, a fair amount of them are women. midnight, magne, and star and stripe have pretty anticlimactic deaths too, to add insult to injury. lady nagant talked her shit then exploded. she's still alive but like ... what? did these characters have to be treated this way? i can't really think of any important male characters who get introduced then axed from the story like this, except for maybe stain (though he's a far more important character narratively). the reason why i bring up this really lengthy point is not because i think horikoshi is actively misogynistic. i just think he falls into the trap that many shounen mangakas face, which is that male characters are more interesting to a male dominated audience. hence, female characters usually get thrown to the side. there are some important women in mha that stand toe to toe with male characters, like toga and ochako, and there are definitely certified girlbosses like mirko and yaoyorozu. but god do i wish i could add more women to this list without having to think really really hard.
and to add onto the previous, shallow, unimportant characters only gain backstories when the narrative demands for it. horikoshi used to write characters revealing their intentions and history in relatively natural ways, like with ochako and her goal to become a hero for money. it kind of came out of nowhere, but it's a valid conversation a teenager would have with other teenagers. in context, it was revealed normally. i'm not sure when these reveals turned forced, but i remember seeing kirishima's backstory and being like "well .. would this have ever been told to us if kirishima wasn't a main character in this arc?" this isn't against kirishima's character; i love the guy and i think his history was short but contextualized his personality really well. but with the recent shoji backstory reveal i could only think, "wow. horikoshi must be really glad he made a mutant character to project this theme onto, huh." it didn't feel like shoji was ever meant to have a backstory — not to mention a very depressing one — but he got one this late in the series run because it was convenient for the plot. perhaps i'm a cynic and this isn't an issue for others, idk. that being said, i think characters like shoji and even star and stripe and lady nagant could have benefited from more natural character developments, maybe with more time given so it doesn't feel like a weirdly convenient reveal.
i just really fucking wish mineta would die already. like get kicked into the sun or blown up with TNT or run over by a car or something. he's less of an openly creepy loser than he was in the beginning of the series, but i'm sure that's because he literally doesn't have the luxury to be creepy at the moment. he's one of the least appealing gag characters that never grows and changes as a person. and he got a backstory before kaminari. can you fucking believe this shit? why does horikoshi keep entertaining this bullshittery— oh yeah. i just remembered that the girls were perved on quite a bit in this series, which wasn't funny and moreso uncomfortable for a lot of readers. like, i know it's shounen, it's animanga, fanservice is kind of the unfortunate norm. but by god, do we need a series poster child for pervy, male-gaze behavior?
i commented earlier about mha's themes and that i think, at least at the start, hori had a good grasp of what he was writing. framing society's systemic flaws and failures in a wacky superheroes vs villains story is not only clever, but makes this actually serious topic accessible to those who might think social-cultural politics are too intimidating. he sets this up starting from deku and bakugou (oppressed and privileged), then adds onto it with stain (heroes who retain the status quo by seeking money and status are not true heroes, because they don't help those in need). shigaraki is thrown into the mix along the way (society fucks over the underprivileged, even those who want to do good, which breeds more villains and in the real world, more criminals) and his little league of villains all have their own stories (spinner: those who don't look like the masses are cast aside, harassed and villainized; dabi: if you don't live up to cruel expectations established by society and parroted by those in your life, you might as well be worthless; toga: any unconventional worldviews and actions are deemed scary and evil; magne: trying to conform to a rigid society as a queer person is fucking hard, man). there's also endeavor (even though you're in a position of power and respect, it doesn't automatically make you a good person). these are all GREAT, and are super compelling set-ups for mha's overall themes: that society should change somewhat, villains are a product of this flawed system, there aren't fully good people nor fully bad people, rehabilitation/growth is good, and true heroes aren't identified by title, but by actions.
these themes are quite apparent throughout mha's entire run. but i feel like the further it goes, the less horikoshi knows how to verbalize them. the latest mini arc dealt with spinner vs shoji in a strangely awkward clash of ideals. spinner is seen as a martyr who really just wants mutants to be accepted into society, and his status rallies up those who have also been hurt. shoji retaliates by... telling them to stop? by saying this isn't the right way? because he was fortunate enough to be in this position, he suddenly has the authority to tell those like him to find a better way to get their voices heard? what, should they all just become heroes? haven't we established that the society they all belong in is fucked up, and that drastic change must be made? i understand what horikoshi is trying to say but it's... off. like the point is there, but the execution is clumsy. shoji even says something like spinner's revolution setting them back 30 years, which is so fucking bizarre to say, and would certainly raise eyebrows in the real world. it sounds like villains can express their grievances with society but they can't dare revolutionize. otherwise, they'll be silenced/ignored again. it's the whole "violence breeds more violence" belief, but there's more to that that should be explored. man, i dunno.
i'm harping on this one story instance but recent mha is riddled with well-meaning but clumsy storytelling like this. and since the narrative relies on these complex, nuanced themes, it's jarring when the nuance falls through. if mha is about breaking harmful norms, why do they still dictate the execution? hori did it so right with deku and bakugou, their relationship being a definite high in the series. but i truly don't how he'll treat the villains at the end of this arc
ok tumblr's telling me to shut up anyway these are my thoughts. again, even though i've rambled so much about my dislikes, i think mha is still a fun and enjoyable series. it misses the point sometimes, but it doesn't detract from its successes. either way my opinions should not rule over how you consume the series. it's always important to form your own opinions!!!
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that-gay-jedi · 7 months
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For the Star Wars ask prompt: 18. what is your favorite star wars book or comic?
This may change when I'm more caught up on comics (I have the 2 big Darth Vader runs to get through plus everything set pre-TPM) and I'm not going to allow myself to say RotS novel bc my love of it kinda goes without saying. Hard mode I'm also gonna forego saying Luke Skywalker and the Shadows of Mindor bc I never shut up about how much I love that book and people are gonna get tired of me lmfao. And I'm not gonna allow myself to say the Jabiim arc of the clone wars comics bc smarter people than me have already posted at length about why that's so good. Okay wow I just made this exceedingly difficult for myself. RIP.
So with those all barred I'm thinking it's Master and Apprentice by Claudia Gray, which is about the fraught relationship between teenage Obi-Wan and youngish Qui-Gon. I keep coming back to it and borrowing shite from its worldbuilding in fanfic etc bc I enjoyed a lot of the concepts it added to the gffa- the aspect of the culture on Pijal where ornamentation is present but hidden and the outward appearances of objects is always plain (I.e. fancy tables only decorated on the underside, the clothes of the wealthy containing embellishments only inside the sleeves, etc) was super interesting to me, as was the introduction of kohlen crystals (I may or may not be using them in some future fanfics... shhh...).
I found the symbolism there really cool in light of the fact that the main plot is a murder mystery, and with every new twist introduced the author emphasizes that once again nothing is what it appears to be at first glance.
The obligatory "criminal with a heart of gold" role in every Star Wars story was here filled by my two absolute favourite Glup Shittos of all time, Pax Maripher and Rahara Wick.
Pax is a human who feels like a robot trying to be human- he grew up stranded where he was the only organic being on a ship full of protocol droids who raised him. 11/10 character creation, no notes.
Rahara is a former slave who is consumed with the thought of vengeance but has a good heart, her narrative acts as kind of a primer, foil and foreshadow to when Qui-Gon and Obi-Wan's stories intersect with Anakin's 10 years later.
They're jewel thieves of a sort, and though I'm not sure if this is intentional on the author's part or a coincidence, I was really captivated by this one moment where one of our Jedi boys having recently met the two is reflecting on how "there are some people who are simply drawn to the light." That synthesis of the metaphorical draw to do what's right and the literal glint of a jewel, on a planet where jewels are intentionally concealed on the inside of a design so that the true beauty and worth of any item is only visible to someone who looks beyond the surface...
Okay I'm starting to realize I should probably write an analysis of Master and Apprentice at some point. Lmao. For now I'm gonna stop here except to add one more thing I found delightful: the concept of "performance artist terrorists".
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cathalbravecog · 11 months
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idk if you already guessed it but thomas is my favorite ttcc character (totally did not draw like 15 drawings of him) and mmm uhmmm uhm what is your opinion on the good ol' ottoman?
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I AM FINALLY GETTING TO THIS ASK. LET THE AUTISM BEGIN. THIS GUY BEEN ROTATING IN MY HEAD. MAYBE NOT THE WHOLE TIME BUT HOO BOY HE TAKES OVER SOMETIMES. AND U ALREADY KNOW I LIKE THIS GUY TOO. YOU AND ME. THE THOMAS WARRIORS. I MAY NOT SHOW IT A LOT BUT I CARE THOMAS A LOT. This is gonna be all over the place you will get lost here but come onto my mental illness adventure with me once more. I thought I had little to say but you opened an dven bigger tism adhd gate
I love Thomas our man SO MUCH he's literally like my second favorite blorbo in Toontown after Cathal that I can lore think about (BC HR joined Mt TTCC blorbo beasts list except he doesn't really have lore oops) I mean he's even on my phone case now, too, with other things that are important to me and he DESERVES IT
I really liked and cared about him before BUT!! this update and being able to finally see him in game myself after missing the other events... It is VERY VERY NICE and it made me like Thomas even MOREEEE
OK NOW TO ANSWER LIKE. THE OPINION QUESTION MORE DIRECTLY. He's a really fun character and as a duo with Robert he works rather well. He's ways in the background, overshadowed by his brother...(Who kind of needs him sometimes since the start of the company and YKNOW the literal guy he uh. Stands on to be level with the other Cogs. Like these guys need each other and I can elaborate on that more later) Working quietly. And yet he's quite the talker when he opens up and gets the chance to!! He's like me and a lot of people I know (I sure relate to him in this regard lol I literally state I ramble a lot in MY BIO and I DO) - more quiet and reserved people, sometimes seen as lonely... But with many things on mind, just waiting for the right people to trust to share these things with. Genuine trust or just comfort in a given situation... It's whatever but it's does also tie to another thing I wanna talk about later....or now actually
I know they state he is not befriending the Toons in the podcast - but with the way he speaks with us and his literal actions - it speaks louder than that and I think we should be allowed to make the interpretation that he is slowly gaining our trust. And I think it's a very interesting concept that the literal brother of the man behind this evil company that goes against the toons... Is befriending them. ( and literally your comic) the potential here is insane and it's more interesting than just yeah he stays true to his word he doesn't like you
It's clear that he does care - but it's true he's a very caring person in general. (then again a part of it is letting people step over him...literally. And he's aware of it and he dislikes it! Another thing I can relate to and speak from the heart about. But there's things I don't relate to and of course relatability is not all the reason why I like him... But it is a big part of it. Sorry not sorry I will project onto this man later) he does show he cares by literally closing the elevator and lying to save us from being seen... And waiting it out till the air is clear to let us in. Where he as always chats with us. Yeah they did say he just kinda puts up with it and since there's people to talk to he does ramble but... Some of the stories he tells are personal and he is aware of it. He did save you that one time and he did offer those cookies to you as well.. Even if you can't eat them. That's not even giving out the past items like some extra stock laying around he needs to get rid of...
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(also I need to see if anyone reciphered those papers, already I love solving ciphers. It's an easy ceasar cipher yeah but having to rewrite this shit is that goofy fun part I did it with the papers at chips place... Idk if these r available somewhere.)
And the sweater?? Also very personal!! And like more story based as there's technically just one but ofc there's multiple players but in this case you can imagine yourself going there alone to speak with him each time as an individual... Like....the story about the extra stuff doesn't apply here this is personal.
But it is true he probably.. Does want to get rid of it. He makes a gift from the heart and it goes under appreciated. Unwanted...yeah I wouldn't want to see it either. But someone else may want it so yknow... Cutely gives it to the toons.
Like come on you can't tell me this guy isn't trusting these toons slightly, or, story wise, the toon/toons who come see him each April toons. Of course the recent one is the freshest in my mind and I only experienced the precious ones through reading the dialogue... I may miss some details of things he rambled about... But I genuinely believe with each visit he grows to trust the toons more and oh boy that could be interesting conflict... Who knows it could be brought up later with whatever board boy HQ is gonna be...plearse let us see Robert too I'm gonna implode
Anyways BACK ONTO THOMAS. I love this guy he's really nice I'd love to just sit in a room with him and exist together and sloy dwelve into back and forth rambling about stuff and I'd totally hype up his knitting... I just AURGHH. He had things going for him and these expectations... That he didn't met up to. But his brother had a plan and Thomas being well... Thomas. Not the leader type - he followed along... Because it was the best for him as who he is even if his parents wanted him to do other things
Despite the two (Him and Robert ofc) not exactly agreeing on things alwyad there's still care between them as brothers... They really are a duo!! Even if the topic is uh. A really corrupt capitalist robot company... And with Robert being preeeetty much very much so an asshole it's still just. Aurgh. Fun. Love the dynamic. Robert could just be an ass but he still cares about Thomas by some regard... I think about the time he watered Bubby for Thomas despite his hatred for the plant a lot okay
Thomas and Robert are already the most like, lore full characters (or Cogs specifically) other than some mgrs now and Atticus and Redd - but there's still so much like... Of an mysterious aura about them. We only hear about their lives and never see it... Robert we see in action in the comics - but we see him ONCE in game in a CUTSCENE MOST PEOPLE SKIP... Thomas we see in the background of the comics only speaking like... Once, I believe?? Even if he's there he's really easy to just... Not even notice. But he appears ingame and speaks DIRECTLY TO YOU. SEVERAL TIMES. for ALMOST HALF AN HOUR STRAIGHT...and he tells you a lot about his and by extentions Robert's personal life - something the comics can't tell you, and surely not the short cutscene with Robert during the directors fight
Like... They have the most lore but a lot of things are still unclear and it makes people want more answers and ponder more and it's BRILLIANT. I love it. I mean... I could rant about how a lot of info is hardly accessible in TTCC as a genuine criticism of how the game and lore is handled... But that's maybe for another day. BACK TO THOMAS SO LIKE ANYWAY- Thank you for canon aro ace character who states his opinions directly and is not forced to do it... And for fans being respectful about his identity for the most part as I can see and not... Forcing him to be romantic for ships. I avoid the fandom, mostly, specifically for reasons like this and because people scare me... So. I don't know how it really is. But an issue with aro ace characters is that even if we have a Canon one often fans will make them involved in romance for stupid ships anyway, absolutely erasing their identity. And then they bring up the "SOME AROSPEC/ASPEC PEOPLE DO DATE"... But they do this for all characters and ignore the chunk of people who don't, who just want to see themselves represented in media...im very tired of this being taken away from us as... Yknow. An aroace person myself. Thank you thomas for your swag.
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Sooo.. How about some headcanons and personal things and me projecting because MOST HCS ARE JUST THAT!!!
Okay hey did you know I work with plants too? Yeah. (VERY SHITTY) agriculture school goer here.. Florist specifically.. Yeah I have no life plans for this but that's personal. Oh hey that sounds like someone I know. (also being around plants a lot makes me think abt thomas bc of association... And bc I'm spaces out 24/7 very likely thinking about my hyperfixation and the lore anyway to escape the moment. Uh I have problems OK?) Anyways...
Before I get to general projection stuff I wanna say my hcs!!
I think he sometimes carries gardening tools in his pockets and forgets about them. I do that. Forgets whole sharp gardening shears and then he needs to take out a pencil for someone, and instead he whips out something use able as a weapon. FUN!
I am not sure if it's stayed what his first knitting was ever... But whether or not this was his first or later knitting project doesn't matter - but I like to think that he knitted pot decorations for his plants!! Little pot sweaters, maybe!! Wouldn't even overheat the plants (some plants have veeery specific requirements but his ficuses should be fine) , I think, they don't give off heat for the sweater to insulate anyway, so it would really be just decorational....
And again, if the Cogs had cats I think he'd be a cat dad.
And now. The personal projection observation part... A reason why I think I like him so much is because I relate to him AND Robert. As someone who is a... Well. The anger issue filled, family failure shorter and younger sibling in my family... I can see myself in that. Some parts of the story really hit home... I'm not gonna get too personal here, but my relationship with my brother is... Rocky...been getting better though. He's very successful and I haven't done much in my life. He's the leader role. On the other hand, the dynamic here for Thomas and Robert is swapped... Thomas could've followed the success his parents set him up for, but he followed the lead of his brother instead - who his parents didn't see as good enough.
It's very different things, yes, but the things that are similar are what brings it a bit closer... Even if some things don't align well I can feel my heart sink when Thomas talks about it because. Ahaha yeah that ties to some of my biggest worries in life and it relates to me being the loser child in the family whoops
And just.. I AM. GOIGN TO EXPLODE. FUNNY HAHA CHAIR AND STEPPING STOOL THING ROBOTS. WHAT ARE YOU DOING TO ME. I AM GOING TO EXPLODE AGAIN. I CARE THESE BEASTS I MUCH. I THINK THIS COVERS MOST OF IT. OTHERWISE I'D REPEAT MYSELF. THERE'S PROBABLY MORE I'LL REMEMBER LATER BUT THIS IS IT FOR NOW. Thank you for giving me a place to ramble about whatever in regards to a character somewhere that isn't... Me talking to myself on my Discord server on a Toontown channel dedicated to myself only. Hope ANY OF U FOUND THIS ENTERTAINING TO READ. Even if I'm. Probably.... Wrong on some things but that's okay if anyone mean to me I explode them too ok
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I care the him
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perhapsapremiseart · 3 years
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The idea that he was breathing the same air as Naomi and Alex and Amos was like a drug
so I saw @souldagger​ ‘s wonderful roci crew post and was struck by inspiration
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they-bite · 2 years
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What are your unpopular Danny Phantom opinions? I may have missed another version, but the reblog I saw from you only had a comment on the phandom’s various responses instead of listing your own, so I’m all curiousy about it :3c
Revised from my initial comment, bc I did leave one on that post but it got lost in the ether:
-Danny Phantom the show is moderately successful at what it intended to do while having enough elements to successfully sustain a fandom, but those two facts are perpetually at war with each other. It's a show meant to socialize 7-year-olds and commit Butch's enjoyment of Scooby-Doo and superheroes to paper. While some of the writers did provide satisfying character moments, it still wasn't meant to provide tangible lore, thoughtful character arcs or deep dives into the horror genre. Have your cake and eat it too, God knows I do, but it makes no sense to resent a cartoon for being a cartoon.
-I only trust trans!Danny when it's an ownvoices thing. It's still not my favorite idea, but I know how much it means to people it resonates with.
-White fans, we could all do a lot more to be more welcoming to fans of color. Rep by way of POC headcanons or OCs doesn't count for anything if you're going to dismiss POC fan content and analysis as niche or reactionary.
-My stance on the Fenton parents goes like this: I think the abusive things they do in canon are a product of cartoon exaggeration, and I'm tired of fans interpreting them in bad faith. However, I do still think that the Useless Parent trope is relevant here, so I gravitate towards media that depicts them as good people but bad parents. However however, I can totally understand fans who are tired of seeing dysfunctional families in child- or teen-centric media.
-I'm pretty okay with most of the villains not having a lot of depth to them lmao. There are exceptions, like Johnny, Kitty and Sidney, but the others don't offer much imo.
-I don't much care for Dani
-Fans are way too quick to draw Valerie skinny and/or give any of the characters of color more Western features
-I said in the initial comment that the trio's friendship is tepid and that Jazz is kind of annoying, but I'm going to go ahead and say that both subjects are all too often plot obstacles, and fanon often fails in the same way canon does to give Tucker, Sam and Jazz interesting roles. (Tl;dr there are so many fics where any/all of them are Just Kind of There because they're obligated to be.)
-A lot of popular fanon lore (obsessions, ghost hunger, territory/lairs, cores) only serves to deprive ghosts of any humanity/agency and add a bunch of plot wires to trip over
-the concept of a social structure in the Ghost Zone was already bad but then it became a useless cocktail of American & European political structures for no reason
-I never miss an opportunity to say this. They fucked up making Sam Danny’s friend (and later love interest) instead of his sister like they’d originally drafted
-Wes Weston, similar community OCs and Pitch Pearl all exist because of the cast’s dearth of svelte white boys besides Danny
-gay ships don’t automatically yield more interesting characters
-there are other traumatic and invasive medical procedures than vivisection and I’m begging you to use them
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minamotoz · 2 years
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my hbo degrassi wishlist bc i have a Lot of thoughts about it
• i want them to bring back fictional bands like gourmet scum or dead hand, maybe even release a song like they did with paisley jacket
• better neurodiverse rep, especially autism. no offense to my boy connor, i love him and hes one of my favorites, but he definitely feels like a stereotype more than anything and in his later seasons they treat him like a child and characters have to explain concepts like suicide and racism to him, despite him being 16-18 . i hope if they introduce an autistic character, they dont talk down to them like they did with connor.
• idk how possible this will be, but i want them to bring back major characters acting as background characters like they do in degrassi classic. also, but likely even less possible, it would be cool if the child actors could give feedback on the scripts to make things more realistic like they did with DJH/DH. idk i just think everything about the way degrassi classic incorporated the actors into almost every aspect of production is so cool
• i want characters with more relatable interests. i want characters who are into music without being musicians, or characters into drawing or anime or something. idk maybe this is just bc im a terminally online loser with no real life, but its kinda embarrassing when the character whos interests are the most relatable to me is the bigoted, almost a school shooter incel.
• look, im a NC apologist until i die, but i hope the way they go about writing social issues into the show is less... idk.. on the nose than NC was??? like yeah cool lets talk about feminism and how the internet dogpiles women for having harmless opinions, but the entire thing with maya and the feminist club vs the gamers was so over the top and all the characters, especially goldi, felt like caricatures. later parts of NC got back on the right track with more nuanced topics in a less cheesy way (saads story arc in NC4 my beloved <3) but it was a bit too little too late.
• i want the show to incorporate the cultures of the characters into their stories more. like, im somali and hazel is literally the only explicit somali rep ive ever seen that isnt a stereotype, and her culture and background is only mentioned ONCE (she isnt even played by a somali actor which Sucks but also isnt andrea lewis' fault) and degrassi is a pretty diverse show, so it really sucks that very few characters of color have had their cultures explored.
• hottest take of all time: I DO NOT WANT THE OLD CHARACTERS TO HAVE MAJOR ROLES. the amount of people who say that this new show should be a reunion for the earliest TNG cast do not understand the purpose of degrassi as a franchise at all and its baffling to me. it would be cool to have maybe a couple of characters show up but i dont want the show to have storylines about adult characters bc 1. thats not what degrassi is about and 2. it was boring 80% of the time TNG did it. i dont want a spemma divorce storyline, i dont want any character that isnt snake and maybe marco to come back (and i single out marco bc hes one of the only characters that would make sense for them to come back as a teacher). let the show be about a new generation of kids like degrassi has always been about.
• now this may come off as contradictory to what i just said, but i want references to past seasons and characters. i want someone to be like 'isnt it so weird that this school has so many famous alumni like craig manning or manny santos haha' or 'this school is cursed didnt you hear like 5 students have died here' or 'my cousin went here like 10 years ago did you know degrassi had uniforms at one point' idk it would be funny. hell it doesnt have to be dialogue it could be easter eggs in the background like the jt yorke memorial garden or how NC had posters for romeo and jules and captain who in the background
• a trans character who explores multiple different identities before settling on one. no offence to adam and yael, theyre both great, but adam came into the show with his identity already figured out and it took yael one episode of exploring their gender to find an identity they feel comfortable in, and thats fine! but i think it would be cool if we had a trans character who tried different labels and pronouns before settling on one they thought was right, maybe in a multiple episode arc. mainly just bc i know that not every trans person instantly knows what they are. on the topic of trans characters, maybe cast trans actors this time ????
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cjsees-art · 3 years
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I know it's a concept that has been done to death already but here's my imagining of how the hoenn rivals would look like some years after the games, at ages ~23-25!! Headcanons and additional fun under the cut
In my personal version of how the events of ORAS/RSE went down, I figure it took the group of them a couple of years to rise through the ranks and beat the gyms simply because it's more believable than the entire thing happening in less than a month. Right after the conclusion of the game they're around 17-19; this art is set a few years after that!
The reason Wally is the Champion is this: Brendan (as the player character, since I always picked Brendan as a kid, but could just as easily be May) beats Steven and becomes Champion, but pauses upon winning. He brings up the fact that yes, he may have won, but the person who worked way harder than both him and May for every step of the way was- you guessed it- Wally. Brendan says Wally fought for the position harder than anyone else, and the only reason Brendan became Champion was because Wally started with a big disadvantage despite being a far more dedicated and determined Trainer. He and May both agree that the biggest Champion out of the three of them was and always has been Wally, and so Brendan hands the position to him, while the other two go off to continue training and helping others, kind of like Red does. I might draw it into a comic if I have the energy later :D
Headcanon time!! Brendan:
mellows out a lot with age! he absolutely still loves battling and having a good time but he's started thinking a lot more about what he does before doing it thank goodness
in this version of the story he's norman's kid and maintains a healthy relationship with his dad, because I don't feel like making norman a bad parent and I want brendan to have good things
yes he eventually does away with the stupid hat but definitely keeps it around somewhere, possibly lets one of his mons wear it
a trans man because I'm projecting and I say so
prefers wearing loose thin layers, whilst may likes bulkier, stiffer jackets
eventually he goes on to become hoenn's regional professor
Wally:
becomes well-known for being a genuinely fantastic region champ—he tries to stay out of the spotlight, but is always kind and polite to his challengers, and stays remarkably humble
lets kids braid and put little ponytails in his hair
speaking of hair he probably grows it out at some point but I didn't draw it that way because I would basically just be drawing N so for now he remains dandelion hair boy
stays in touch with the other two and they train together sometimes
thinks it's hilarious that he's the second hoenn champion within the last five years to have a name that contains the word wall
he/they nonbinary supremacy there is no way this guy is cis
will probably run a pokemon center in verdanturf or somewhere nice after eventually being replaced
May:
while brendan mellows out may gets even more chaotic
she's can be a bit tricky to keep up with, but friendly and fun to be around nevertheless
will pat you on the back and offer you a potion after you lose to her encourages all her challengers to keep in contact with her so she can watch them get stronger and cheer them on
strong as heck, can and will beat you (and brendan) in every arm wrestle
lesbian but not dating lisia despite that ship's relative popularity bc I always thought the age gap was pretty hm (lisia and flannery are dating tho)
later on in life would probably take over the battle tower/battle frontier, either as one of the brains or as the overseer for the whole shebang
...and yes all of them get accidentally adopted by their eccentric gay uncles archie and maxie who they all have good relationships with bc I love them
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somebodycallixii · 2 years
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tagged by @choitaeyang for the little P1ece questions thing :)
(ps im sorry i didnt answer all of the questions but i just didnt want the post to get too long!!)
1. Since when have you been a P1ece? I listened to Siren for the first time like early last fall, and found That's It a little later, and i remember thinking ok this is probably some well established group like their rapping and sound overall just really impressed me. (cut to surprised pika face when i found out OH THEY'RE LITERALLY ONLY A YEAR OLD)
2. What made you decide to stan P1H? i knew i liked their music but i decided to officially stan when i found out they were at FNC because n.flying is my ult, so i was like this must be a sign??? lmfao
3. Who is/are your bias(es)? jiung!
4. Your favourite era so far? in terms of music, Siren/Stand Out is my fav but in terms of looks/concept, Do It Like This/Find Out by a long shot.
5. Your favourite title track/MV? I like the MV for scared the best because the concept for it is really artistic, plus the falling rocks genuinely made me nervous so A+ for the immersive experience alkdflsdkjs
6. Your fav P1H choreo? the intro to Reset is so amazing, they are literally so in sync its mesmerizing to watch
7. Your fav b-sides? That's it is one of my favorite kpop songs ever, and idk if this counts as a title or a b side but i also love breakthrough a LOT
8. Your fav cover of theirs? MANIAC MANIAC MANIAC oh my god if you havent listened to it yet you have to. i love it even more because they were in charge of the creative direction for the video and they talked about how they had to put moodboards together and stuff. it makes me glad that they have some creative control for their content!!
10. Have you watched their little STAGE + performances? What’s your favourite? i havent seen all of them but this one with seob and intak is my favorite that ive seen. im usually not a fan of lyrical dancing like this but the beginning part is so good and i can just watch it over and over
12. Most iconic P1H tiktok in your opinion? soul glitching to the "listen to me now" audio fucking kills me. its literally so dumb but it cracks me up dlkfjsdlfs
13. A P1H moment you love? when they did the portrait drawing contest on Jongseobs birthday live, and keeho gave this big speech about how some artists arent appreciated in their time just bc he lost sldkfjlsk😭
16. A collab you’re hoping for? in their daebak show interview keeho and jiung said that they want to try more bandy music, so i think them working with n.flying would be so cool!! it would make my n.fia heart so happy
18. Fav lyric if you have one? "going my own way with two great danes, gotta stay humble like bill murray" certified iconic
19. Fav vocal, rapper and dancer? vocal has to be keeho, rapper jongseob, dancer soul!! why my own bias isnt on this list the world may never know.
23. Something you love about being a P1ece? I always love being a part of smaller fandoms because theres such a strong sense of community and dedication that sometimes gets lost in groups with huge fanbases. (in terms of like, when fanbases get bigger there can be lots of weird drama about voting or who should have won what or which fandoms are "fighting" one another but with smaller groups its like "woo!! we got a comeback!!" lmfao)It's a difficult balance, because while you want them to become successful and reach a larger audience, theres something special about stanning a newer/less well known group and feeling that camaraderie in fandom spaces.
Bonus: Anything P1Harmony-related that you want to recommend to your (non-P1ece) followers or to new P1eces?
Keeho covering "All of Me" by john legend genuinely surpasses the original, i could listen to this for days!! pls listen and be amazed!!!
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echodrops · 3 years
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I’m obviously late to the tumble party... but I stumbled across your Notagami Essays posts and they are absolutely Fabulous! Love your writing and the amount of detail you go into :)
So I figured you may be a good person to ask - if you just had to guess (bc as far as I know it’s never been officially confirmed?) but if you had to take a guess or give a rough estimate, how old do you think Yato was when he first met Sakura? We know he’s estimated to be at least a thousand years old, we know he’s - from the start of the series to present - estimated to be somewhere between 18 and his early 20s (physically)... but I can’t find a single thing/discussion/post/stickynote/whatever where it talks about how old he might have been when he first met Sakura - let alone the emotional/psychological effects of Sakura coming into his life and introducing healthy mindset/morals/maternal-influence etc. etc. (obviously no mom and Father’s neglect played a big role in him not knowing how inappropriate it was for him to ‘accidentally touch’ and yell “boobs!” but you can also just say he was so young he didn’t know how inappropriate that was?) My point is: how old do you think Yato was (physically anyway) at the time of their meeting? and Do you know of any discussions or care to share your opinion on how being the no more than the age of blank affected his mental/emotional understanding of Sakura teaching him a new narrative?
Sorry this is a random out of the blue ask 😅😓 if I rambled on and you don’t feel like answering, I get it, just figured it was worth asking :)
I fell down a serious rabbit hole trying to see if I could figure out the answer to this question about Yato’s age but unfortunately I’m mostly coming up empty-handed.
The answer to this question actually depends on two different pieces of information which--as far as I can remember--we’ve never actually been given for certain.
1) We would need to know when Yato was actually born.
The manga has kind of hinted at a total (not physical) age for Yato in the flashbacks which showed him as a young child during the Heian era (putting him somewhere in the vicinity of a little over 1000 years old) and Father not making masks before ~1100 years ago, but the problem is we still don’t know how many years might have passed between this scene (the youngest we’ve ever seen Yato):
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And the next flashback scene, where Yato meets Nora:
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If gods age normally when they are children, these two scenes might be only a handful of years apart. But if gods don’t age normally, then these two scenes could be decades or centuries apart, which leads to the other missing piece of information (under the read more to save people’s dashes):
2) We would need to know the aging process for gods who are just born/reincarnate.
Up to this point in the manga, we’ve only seen two gods reincarnate--Ebisu (who reincarnated too recently to really help answer this question) and Takemikazuchi. The implication of Takemikazuchi’s backstory is that his shinki forced him to reincarnate and then hid his reincarnation from all of Heaven. The only way they could have kept other gods from noticing that Takemikazuchi had reincarnated would have been by not allowing him to go out at all until he had grown enough to match his previous reincarnation in appearance. This seems to suggest that gods probably do age normally when they are children--hiding Takemikazuchi away for ~20 years seems a lot more likely than being able to hide him away for centuries, after all... (I also feel like I have very vague recollection of some scene in the manga where someone comments on Takemikazuchi not having been around for a “few years,” but it’s been so long since I reread I can’t recall if this is a real moment from the manga or just me misremembering.) 
Overall, however, based on what we’ve seen in the manga, my guess would be that when they’re young, after just being born or being reincarnated, gods age pretty normally. This would suggest that, for the first few years at least, the physical and mental ages of reincarnated/newly born gods actually overlap; baby Ebisu acts like a little kid because he is, in fact, both mentally and physically a little kid.
That would mean that, for all intents and purposes, Yato’s physical and mental ages lined up when he was young and meeting Sakura, and he acted like a little kid because he really was just a little kid, god or not.
(Detour for a second though: 
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This line always struck me as interesting in that it might, just might, give us a more specific timeframe for Yato’s “birth”: although the constellations, of course, are visible in the sky every single year, this particular combination of concepts (kanoto-tori, yin metal rooster) is known much more commonly as one of the sixty years on the cyclical Chinese calendar, also used in Japan. Counting back on the calendar, 961 A.D. was a yin metal rooster year and would align just about right for what we know about the timeframe in which Yato later met Sakura (~970ish). Just referencing constellations doesn’t mean Adachitoka was pointing to a specific year, but it might have been another hint as to the timeframe of the flashbacks.
Okay, detour over.)
Anyway, without 100% confirmation on either of those pieces of information--when Yato was born and whether gods age at the same rate as humans after reincarnating--I don’t think it’s really possible to pin down Yato’s “real” age (physically or mentally) at the time he met Sakura. We mostly just have to estimate. 
Personally, based on his size and behavior at the time, I’d put him somewhere between seven and maybe up to ten, but the way Adachitoka draws characters kind of makes it impossible to judge their ages by appearance; Yato is about the same size as Nora when he meets Sakura, implying that he and Nora were around the same physical “age” at that time; meanwhile, Nora is later portrayed as being roughly the same age as Yukine, suggesting she was maybe 12-13ish years old when she died. So, despite being drawn tiny, it’s possible Yato was meant to be anywhere from a little kiddo (6-7) to all the way up to Nora’s age by the time he met Sakura.
But all that said, I think what you were really asking about was more the mental state Yato would have been in when he met Sakura and how his young age would have impacted his ability to change his world views, right? The answer to that is... complicated and could be approached a lot of ways. Coming from a background of working with and educating social work students, there are several common psychological theories of child development that might apply here, for example. 
I’d recommend checking out Erik Erikson’s psychosocial stages of development, though. 
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(Pulled from here.)
I don’t have time to explain the entire theory with the complexity it might deserve, but the basic idea is that, as children develop, they experience a series of crises or challenges that they must overcome. Successfully overcoming each challenge results in successful psychological and social development; failing to overcome a challenge in childhood will result in long-term negative impacts later in the child’s life. (There are plenty critiques of this theory too, so don’t take this as gospel or anything--just a theory worth thinking about!)  
Given Father’s lack of interest in teaching Yato basic concepts of humanity, I would put Yato at approximately the “Initiative vs. Guilt” stage when he met Sakura. At this level of Erikson’s theory, children struggle with asserting themselves and developing a healthy sense of how their personal desires might conflict with the expectations and rules set out by others. In this stage, giving a child positive feedback for their actions teaches the child that those actions are “right,” while giving negative feedback teaching the child that their actions are wrong. In order to overcome this particular challenge, children need to begin taking initiative and aligning their actions with social standards; the child acts, and the parental figure reacts--through this process, children learn “I can do X thing but I cannot do Y thing.” 
When you hear things like “Children are cruel,” most often what people are referring to is that it takes time for children to learn empathy and to experience guilt when they cause harm to others; children do not natively understand the repercussions of their actions. It’s only through a process of testing the boundaries, of receiving praise or punishment, that children define what is “right” versus “wrong,” and begin to feel bad when they do something deemed wrong.
And this is pretty much word-for-word what we see Sakura teaching Yato.
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If they have healthy role models and caretakers during this phase, children develop successfully. Successful children in this phase get their first taste of personal responsibility; unsuccessful children are (supposedly) plagued for years afterward by a sense of guilt and shame when their actions produce disapproval from everyone around them.
Yato... doesn’t exactly make it through this development stage unscathed, because he receives conflicting definitions of right and wrong from his Father an Sakura:
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Which ultimately results in, years later, the Yato we know and love who still does his Father’s bidding to kill humans even though it fills him with a horrific sense of guilt:
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Through his time with Sakura, I think it could also be argued that Yato moves into the next stage of Erikson’s theory as well, getting into the “Industry versus Inferiority” crises. 
Meeting Sakura brings out Yato’s true, deep down desire as a god: to help people. (I think it’s important to note that this isn’t something Sakura teaches him--it’s a quality Yato already possessed; it was explicitly Yato’s desire to please people that led to him murdering in his father’s name.)
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Once he learns what makes people happy, Yato immediately pursues that with intense focus:
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The primary goal of this phase of psychosocial development is to experience a sense of confidence in one’s actions. When children practice their skills, pursue areas where they are praised, and gain new skills and aptitudes through mentoring from healthy role models, they gain confidence in their ability to excel, to fit in with peers their age, and to create meaningful things. By encouraging Yato to pursue positive behaviors--playing peacefully with other children, appreciating natural beauty, and creating useful things like boots for the needy--Sakura moved Yato toward successfully completing this phase and developing a sense of confidence in his actions and his ability to achieve positive things in the world. 
Of course, Father cannot have that (because confident children with a sense of self-worth are much more difficult to abuse), so he puts an immediate end to Sakura’s influence over Yato in the most insidious way possible: although he clearly manipulated the situation to achieve Sakura’s death, out loud, he blames Yato, implying that Sakura’s death was all Yato’s fault, the results of Yato taking unwanted action “industry” and yet failing--creating a sense of “inferiority” instead.
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This, of course, haunts Yato all the way to the present, as he--again and again and again--blames himself for things outside his control or failing to live up to expectations that no one in his situation (still being manipulated) could possibly hope to get “right.” 
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Finally, you could say that Sakura’s presence is Yato’s life is ultimately what sows the seeds of the manga’s main plot up to this point, with Yato’s quest to create an entirely new identity for himself as a god of fortune instead of a god of calamity. Personally, I would say that Yato is currently still in this phase of development, still working out how to define himself and who he will ultimately become once he is finally free to decide on his own path in life. It was Sakura’s gentle influence--his desire to become the kind of god who could make her smile--that eventually sparked his conflict and finally led Yato to the brink of catastrophe. If he wishes to become the god Sakura told him he could be, he can no longer suffer his father to live.
So, long story longer, I think it can be argued that Yato meeting Sakura at such a young age is EXACTLY what made it possible for him to change, and exactly what has led to his crisis in identifying himself and redefining his sense of right and wrong. 
Uhhhh... I hope that answers your question!
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plounce · 3 years
Text
a thing i am doing right now is i am writing a post-canon cardassia garashir fic BUT it is wholly made up of primary sources and secondary sources discussing garashir in later cardassian society because in present canon cardassia is like homophobic so their relationship was kept verrrrry private, so a lot of historians in the future debate over whether garak and bashir were together or not. ambiguity and all that. im a history major. all the secondary sources are post-post-canon when cardassia is like. more socially liberal about certain things, where the writers are reflecting on that period of cardassian history. anyway these are the sections i have written / planned so far
bashir's will that asks for certain documents to be preserved “for the sake of historical preservation, so that future generations may know Elim not just as a patriotic statesman but as a warm and loving man.” <-- homo
a book on present-canon cardassian homophobia, going into the social history. this section got really long because i talked about trans cardassians navigating around homophobia a lot. bc the homophobia is from a place of “you have to have children” but like (binary) trans ppl are okay so like those people who marry in ways that don’t appear childbearing tended to have children really quick to escape that. but yeah i still need to finish this bit bc i need to actually talk about the homophobia not just the trans people
list of cardassian homophobic slurs. yeah lmao i know. we have fun here. one of the ones for “lesbians” is “friend of sapohi” because i couldn’t resist making up lizard alien sappho
first physical letter garak sends bashir post-canon when there’s power shortages and bashir is stationed a long way away. they’re not together yet. sort of an introduction. these letters are one of the only personal documents garak left behind bc he’s paranoid and very private
a federation relief worker’s notes on a briefing about power rationing, which is some further explanation about why the fuck star trek people would be writing letters on paper instead of their weird ipads
second letter garak sends bashir. idk what’s gonna be in that yet but i do know garak says “your doodle of me was charming but inaccurate”. just one side of the conversation bc bashir kept his letters from garak while garak read the letters bashir sent him, memorized them, and destroyed them for security reasons.
record request emails from a cardassian history graduate student to a federation archivist asking for access to any messages from the o’briens about bashir but oh no :( the o’briens only marked for archival some videos of their grandkids :( and also a video of a random cardassian kid from bashir? weird. this one was really fun
one of the last messages bashir sent o’brien through starfleet comms that’s like right before he leaves for cardassia. nothing Concrete but definitely Hmmm-able
an excerpt from a book about the history of offworlders on cardassia, which includes a letter from one of garak’s political opponents as an example of reactionary xenophobia. basically it’s just a letter where this dude is very rude and homophobic about bashir. but it’s fine because he uses fake homophobia
political cartoon where bashir is portrayed as a seducer trying to get cardassia to assimilate into the federation. meant to be kind of funny imo. might commission karin to draw it for me. i think bashir tried to frame it in their house but garak like super hated it but idk if i can squeeze that in
transcript of an interview bashir gave on his views on cardassian politics, trying to be like “haha im just here to be a doctor, im not trying to be a spy or anything, but yeah i do agree with the people who like social programs and the rights of the disadvantaged etc etc”
an excerpt from a speech parmak gives like a decade after that after a piece of orphan rights legislation got passed that thanks bashir for the consultation and support. heheh
third letter from garak to bashir. probably like. subtly indicates that their relationship is on the verge of romantic. the last letter
a negative book review of a book that argues that garak and bashir were together. the review is just like “terrans are just Like That!!” plus some other stuff like “they lived together bc nobody would rent a house to an offworlder in this era!!” and stuff like that. im looking forward to writing this
the entries on garak and bashir from a children’s book on cardassian heroes. very saccharine and glossy and patriotic. bashir especially is like “once he stepped foot on cardassian soil he knew he loved this land” etc etc. amusingly inaccurate
the speech of one of garashir’s grandchildren (they take in some wards - non-blood related adoption is formally recognized on cardassia after the wards are of age) while accepting some medical award that thanks her grandfather elim garak for the support and her beloved elder julian bashir for his advice and support
a foreword from a book of poetry written by one of their GREAT-grandchildren who thanks his grandfather for the love of literature passed down to him. because Oh You Know
idk where this will go but cardassians discussing a federation documentary about The Heroes Of The Dominion War that says “oh yeah bashir went on to become the first naturalized citizen of cardassia. elim garak became an important figure in the new cardassian government. they were common law married” and the cardassians being like THEY REALLY SAID THAT? and some cardassians being mad and some cardassians being like Someone’s Fucking Saying It Finally!
still thinking of other sections that go a bit more into their children/married life. maybe also some other incidents. the thing about this is it’s such a fun little exercise to think of different ways to angle into this relationship and this society through surviving primary sources and variations on secondary sources. it’s a puzzle though because i want a lot of differentiation
im thinking ill conclude it with like their great great grandchild releasing some documents from them that confirm their relationships that were meant to published like a couple centuries later when hopefully cardassia was more accepting. because i want gay people to get the last laugh and assert their places in history and regain control over how society sees them. yk
sorry this post is like so insanely long and also kind of deranged in concept. im kind of fucking tired of my main twitter being this place where i have to remember that 21k people follow me (because i post c*tcrumb art on my main twtter) that im trying to make tumblr a place where i can just run my mouth yk. anyway. hey i got really into ds9 in the second week of march
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book notes
for anyone who is interested in a nuanced take on fairy beliefs vs the Christian Church in the Middle Ages, this book by Richard Firth Green was actually so good, if your library has it:
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[Image: Front cover of the book ‘Elf Queens and Holy Friars: Fairy Beliefs and the Medieval Church’ by Richard Firth Green]
like, obvs it’s just one person’s take on a very complex topic, but it’s well-written, well-researched, and it uses a bunch of Arthurian examples throughout to explore this dynamic (see under cut)
really interesting exploration of how the Church’s response evolved from the early-High Middle Ages (”dude, you believe in fairies? hhhmmm, do penance for 10 days”) to the Late Middle Ages/Early Modern Period (”kill them for heresy and witchcraft!”) 
and how it enfolded vernacular/fairy beliefs into Christian doctrine as fairies being either a) demons or b) the illusions of demons (and how dangerous/bad these demons were depended on the time/location/cleric in question - some packaged fairies as “neutral” demons who fell when the rebel angels did, and who must be punished on Earth but will return to Heaven on Doomsday - potentially doing this to soften things for their parishioners, who often held these fairy beliefs and reconciled them with Christianity, uh, differently than the Church officially would prefer)
and enduring belief in fairies existed in both common and aristocratic circles (can see this in medieval romances, although they’re not the only source of evidence), rather than just being used as cultural “decoration” by a more sceptical upperclass
aaaaand because of this conflation of fairy = demon, you get a really interesting blend/overlap with medieval demonology and enduring “folk” beliefs (obvs not all of medieval demonology was just rebranded fairies, but some of it defs was - you see stories being retold with “devil” instead of “elf”, for example)
INCLUDING in Arthuriana - how you get Morgan the Fairy (”le Fay”) vs Morgan who was raised in a nunnery and learned dark magic there, the Lady of the Lake as a (largely) positive force, Merlin inexplicably as a (perceived to be...) Good Guy despite being the literal antichrist, the Green Knight and all the overlap with Christian symbolism in that story, etc, etc. and they all just either??? co-exist in the same stories or appear through either more fay or more ~Christian lenses depending on the version
and it creates a very interesting and very confusing soup of Stuff stemming from a very confusing - and sometimes dangerous - soup of official and unofficial beliefs evolving over hundreds of years
anyway, WRT Arthuriana it’s got (and ymmv on these, but they’re all interesting thoughts):
(i think in Gottfried’s Tristan???) apparently Tristan has a rainbow fairy dog called Petitcriu...name a knight less deserving of such a Good Boy smh
Chretien’s Yvain flooding out Laudine at the fountain (...jerk) as a continuation of the beliefs surrounding a magical Spring at Barenton 
Gingalain moving from being the son of Gawain and the fairy Blanchemal (and having a fairy love interest, Pucelle) in the French OG version (~1200-ish) to being the son of Gawain and his human mistress (with Pucelle also being human) in a later 15th-C Middle English version)
AJDKN UJ IOE E Merlin’s conception, that one’s a wild ride - theologians REALLY didn’t like the idea of demons being fertile, and the work-arounds they came up with were...incredible. but skipping over that sheer comedy, the author draws links between Merlin’s conception and the general trend of claiming a fairy lover/whatever when a difficult-to-explain pregnancy arose. He also theorises that Geoffrey’s idea for Merlin’s father being a demon/fairy may have come from Nennius saying that Merlin/Ambrosius’ mother “never knew a man”. Later adaptations of this storyline made it even more fay-like (when they weren’t, like Robert de Boron, making it more fucked-up) by making Merlin’s father invisible (Wace) or a super attractive guy in swanky gold clothes (Layamon) - and Vortigern’s advisor explaining the creatures that lived between the earth and the moon until doomsday, etc, etc (walking that line between fairy and incubi, whichhhhhh was not clearly delineated in the Middle Ages the way it is now). also there’s one 13th-C Anglo-Norman poem where Merlin’s father is a bird that transforms into a dashing young squire, which isn’t terribly demon-y. So even though most versions of this story describe Merlin’s dad as an incubi-demon, what people understood this to mean may have been more fay-ish that we’d expect nowadays (depending on the reader, and also on authorial intention - some are pretty explicit that he’s a demon [many clerics keen to push this as the main narrative], while others refer to him as an elf or fairy). some contemporary scepticism during this time about Merlin having any sort of supernatural parentage as well
[none of the same Church anxieties about explaining away how the Plantagenets and other aristocratic families claim a female fairy ancestress - maybe bc there’s none of the stress about patrilineal bloodlines??? who knows! but yeah, much less thought given to those stories in ecclesiastical circles, and they were very popular in vernacular romances (male aristocratic wish fulfilment?). also, fairy enchantments =/= necromancy, so there are stories like the non-cyclic Lancelot where the Lady of the Lake is found out to be “a fairy by education, not by nature or heredity” (Elspeth Kennedy), with the spirits used in necromancy being demons, not fairies. also potential trend of female-associated magic becoming more passive and book-learned, gradually demonising it leading up to early-modern witch hunts.]
Geoffrey of Monmouth in his Historia and in the Vita Merlini being actually pretty circumspect about saying whether or not Arthur was alive/dead, returning/not returning, maybe due to his work/text being a (hypothesised) defence of the Welsh as being “civilised” (and having been so for centuries before the Normans came) - with the corollary that believing in Arthur’s return was somehow “uncivilised”. Author argues that this may be due to an association with fairy beliefs, and that Layamon is the one that makes Avalon explicitly fey. Also the author describes Arthur as living in a “feminised version of the Christian heaven” (iconic) and says that later writers and people could be very scornful of this belief held by the Britons/Welsh/etc, and that it was contrary to orthodox ways of thinking. 
Links the “discovery” of Arthur and Guinevere’s bodies in Glastonbury in the late 12th-C as similar to when individuals found the bodies of their loved ones, thus making it much harder to believe (and hope) that they were still alive in fairyland. Makes a suggestion that the monks in Glastonbury who “found” these bodies may have been trying to curry favour with the English crown (i.e. champion/hope of the Welsh isn’t coming back) but also may have been trying to “help”/”save”/correct the thoughts/ideology of the Welsh (i.e. “set them on the correct path to salvation”). Lots of medieval writers describing Arthur as living in “fairyland”. Precedent of people visiting fairyland and returning, so Avalon/fairyland =/= a place only for the dead (i.e. Arthur isn’t dead). An Arthurian example, albeit a less explicitly fay one, is Lancelot getting in and out of Gorre (with Gorre as a “typically supressed and rationalised” version of fairyland) in Chretien’s Knight of the Cart.
Some stuff about the wild horde (distinct from the wild hunt) being presented by some writers as very penitential (i.e. they are departed souls that may look like they’re bearing arms/hunting/whatever as they did in life, but really they are in agony e.g. because their weapons burn them) and tbh demonic (black armour, carrying torches, ominous aesthetic). Other writers thought maybe it was - once again! - demonic impersonators rather than actual mortal souls. (Should note also that the wild horde/wild hunt motifs were not always associated with their being dead). Relevant in the Arthurian context because Arthur and his court were sometimes associated with the idea of the wild horde (as in, sometimes the wild horde is described as Arthur’s court living it up in a cool, undying sort of way - “in the likeness of knights hunting or jousting, commonly known as the household of Hellequin or of Arthur” [Etienne de Bourbon, a medieval writer] - with Hellequin’s household often being used to encompass either the wild hunt or the wild horde). Ultimate point made by the author (props to him, he’s always like “if i’m right” lol) that for many clerical writers, it was very uncomfortable to leave people with the impression that Arthur and his court were living it up in fairyland (and similar for other figures associated with the wild hunt/horde) and this idea needed to be corrected/shaped to suit more orthodox perspectives - e.g. tying in with notions of purgatory, etc. 
Aaaand this one was exciting to me just bc i’ve vaguely heard about Arthur and his knights snoozing under a hill, but for some reason i could only remember this being in Victoria-era-and-onwards poetry. 3 versions of the same tale, where a servant looks for his master’s lost horse on a Sicilian mountain. Version 1) servant of a bishop finds his master’s horse in the beautiful palace of Arthur’s court beneath Mt Etna. Aside from the fact that the ancient wound Arthur received from Mordred opens once a year, it’s not very purgatory-like. Version 2) a dean’s servant is told by an old man that King Arthur has the horse on Mt Gyber (Mt Etna). he is told that his master must attend Arthur’s court in 14 days, but the dean laughs it off...then sickens and dies on the appointed day (whoops). Enough differences to this story compared to the first to suggest an oral circulation. Also a note in the version/text that such mountains are said to be the mouth of hell, and only the wicked are sent there, not the chosen. Version 3) Etienne again! Also likely changed with intervening oral circulation. The master is not an ecclesiastical figure, and Arthur’s palace is now a populous city - also Arthur is not referred to, just a nameless prince. There is a gatekeeper who warns the servant not to eat or drink while he’s there (that...is a very fairy-ish proscription). This mountain is apparently reputed to be the site of purgatory. The book author (Richard, i mean) ties these versions in with other stories/accounts of different entrances to purgatory (e.g. one on an island in an Irish lake) as being part of a gradual process of “rendering [...] fairyland purgatorial”. 
Finally, Gawain in Roman van Walewein: To get to an ‘earthly paradise’ [i.e. King Assentijn’s garden with its fountain of youth - side note that ‘earthly paradises’ were often popularly described to be fairyland/where fairies live, in addition to their theological functions, e.g. Avalon was sometimes described as an earthly paradise...i should also say that purgatory was frequently thought to be located beside earthly paradise, so there’s the proximity element] and the castle containing it, Gawain must cross a river (guided by a magical talking fox) that a) has waters that burn like fire, and b) can only be crossed by using a bridge sharper than a razor. His reaction? “Is it the enchantment of elves or magic / that I see?”. He is then guided by the fox underneath the river through a tunnel, and is told that the river’s source is in the depths of hell, and “[the river] is the true purgatory / All souls, having departed from the body / Must come here to bathe.” So it’s a very strong intermingling of fairy and purgatorial imagery/ideas!
I dunno, I just found this very ??? satisfying to read
it leaned towards lit-crit at times (which, considering the subject matter, is honestly fair enough), but it was more respectful of vernacular beliefs than so many other academic takes i see (ofc ymmv re: anything to do with non-Christian major religions, but i think the author’s pretty solid on this!), and it had an explanation for the survival of these beliefs that imo made a lot of sense, especially from a pan-European perspective, not just a Celtic one 
plus it explored the undeniable damage done by Christianity over history without making up some “ranged battle between paganism and the Church” that i see  e v e r y w h e r e  in casual Arthurian circles...which, like, i empathise with the vibe, but also! that’s just straight-up historical revisionism! (i blame MZB and the 80′s for that one)
(there was a fantastic post floating around a while ago about how the religious syncretism in Arthurian literature is much more interesting than peeling away all of the Catholicism in the medieval lit (...you ?? don’t end up with much left?) and saying that this is more “accurate” to some obscure original)
anyway yeah yeah ymmv but it’s v interesting 😊
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saint-gerard-of-arc · 3 years
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I'm a fucking wreck rn I haven't been sleeping for a week and I'm getting some rest from the bullshit factory that is my brain only now, but I just wanted to say that last year for me has been saved by tumblr and all the friends I made along the way.
Before you go below the cut, a special thanks goes to the Bee Movie Anon, who, rightfully, I can't tag so I have to say it here in the hope that they'll see it. Your hunger for chaos made me feel a lot of emotions, and I'd have never in any time or space thought that the Bee Movie would be such a prominent part of my life as it is now thanks (read it with a note of sarcasm) to you. Thank you for providing us an infinite amount of both entertainment and suffering, hell, some of the friends I made were because of YOU. I'm still not sure what was your drive to go and start this absurd crusade for the bee movie in the 80s metal fandom, but I don't know, I don't think bee so, I'm not gonna question your ways.
@arnold-layne being the first in line, you kept me sane somehow in the first phases of quarantine and dedicated a lot your time to talk with me and helped me enormously with creativity. If it wasn't for you, that Cyberpunk Comic That Is Kinda Inspired By The Crüe and Shout At The Devil would've been already down the drain. I would've given up probably, because I didn't know how to exted the concept and have an actual plot. A dream that I've been having for literal years wouldn't even have such cool characters with a rich storyline if it wasn't for you. I know I kinda left it after a month or so of intense brainstorming with you, I was literally drained at that point both physically and mentally, but oh boy I haven't forgot about the characters that WE created. How could I after all? Russ being the wreck of a tormented junkie protagonist that he is, Dylan the happy-go-lucky fuck up that seems to do nothing right but with the best intentions, Frankie the runaway sassy and wary androgynous teenager whose gender is a mystery even to themselves, and the epitome of the found family trope, ex gov agent part Japanese, part Russian, part cyborg Vik, whose story isn't still clear yet but we'll give him a very good one, eventually.
You gave me the curiosity to read fanfiction again after literally NINE YEARS of being distant from that part of the fandom and honestly I don't regret it one bit. In fact, I discovered literally my favorite writer in fanfiction. That is you, Arnold. I don't care how frequently you write, I don't care if sometimes you can't do your best. I'll always be there waiting for the next chapter and I'll always think that your art is sublime. I'll have to admit, I don't read your works as often as I should. But it's because I love them so much that I want to always save for later. It's like a drug, or a delicious cake that you want it to last as long as possible so you can enjoy it for much longer (I should be reading your fic more often either way tho like, at least so I can make more art for it. I'll make sure to change that this year and give you the recognition you deserve 🖤).
Everytime I make art, everytime I make a post, I always wait for your name to pop in my notifs. And fuck if I'm happy when I see it, and I rush to read your tags and it always makes my day. Like seriously, you mean so much to me and I admire how you can still be any amount of sane with all you're going through. You're strong as hell, keep going. 🖤
@i-dont-like-rice dude, how can I explain it. You're my best bud here. You're my chaotic sibling from another mother. The other braindead I share the single braincell I have with. The Nikki to my Tommy. Or the Tommy to my Nikki, I'm still not sure which of us is which (I guess I'm Nikki and you're Tommy? lmao it's ironic how even them are an italian and a balkanian) but you get the point. Every interaction we have, I laugh my ass off till my whole body hurts every time. I think I worried my mother and annoyed my sister at least a couple times for bursting out laughing for five minutes straight out of the blue, especially if it was late at night, and all the times, I swear it was because of you. You are as chaotic as you are kind, and it's always so disarming to see you worry or take care of others when you are definitely in a worse situation. Please, be more selfish, goddammit. For your own sake. And be more confident of your art. Draw shit and post it. Who cares if it's not perfect and you hate it and you don't want anybody to see it, it's tumblr, nobody will ever reblog it or give you the well deserved recognition anyway! So it's worth a try isn't it?
@no-stone-no-bone seriously, I'm so glad I met you. You're like the third element of chaos that holds me and Andi together. All three of us are literally unstoppable. You're extremely sweet too and I wish you the best, and DON'T HIDE SHIT IN THE TAGS GODDAMMIT 😂
@white-lightning-625 @viiinceneil I know we really haven't talked much, and we met through unfortunate times, but I'm so glad that something good came out of the chaos and drama, which is being able to talk to you and getting to know you both better. And the fics. My god, the fics. Frankie, I already told you this but MY GOD. I still find it incredible that I've read a fic about a band I didn't even know what they looked or sounded like and I was HOOKED from start to finish. And Katie, I should definitely read more of your works because I love what you've got going on. You're both very sweet and talented with a very distinct, beautiful way of writing and I can't wait to sink my teeth into the pulp of your work, because I know that by now I only scratched the surface.
@awrestlinggirlwholoves80sbands Bruh, conoscere una fan su tumblr the parla la MIA STESSA LINGUA (e che ha pure il mio stesso vero nome lmao cosa sta succedendo)??? Che concetto innovativo!!! Le nostre conversazioni sono sempre disgiunte, ma non importa, adoro ogni nostra interazione. Sei seriamente una delle persone più dolci e gentili che abbia mai conosciuto. La tua creatività stimola sempre la mia. Le tue moodboard sono sempre 👌👌👌 e ogni volta trovo sempre qualcosa che sì, ci avevo pensato, ma mai nel modo in cui lo poni tu, e di solito sono una persona che resta vicina alle proprie idee, ma tu riesci a farmi alterare prospettiva, e trovo questo meccanismo mentale molto affascinante. Ti ricordi lo swapped instruments AU, con Tommy come cantante, no? Giuro che è un concetto a cui penso ancora dopo mesi. Spero di avere la capacità mentale per tradurre quell'idea in arte il prima possibile, perché cazzo, lo adoro troppo
@tattooed-lies thank you for providing the fandom the best gifs in the fucking platform and thank you for giving us the vinikki content that everyone, even if they're not aware, deserves and needs. Thank you for being the only Vince stan that I know. Thank you for being the sweetest person alive 💖
@nbtommylee honestly, I wish I was cool like you. Your sense of humor is impeccable, much like your critical thinking. I have never read something from you that wasn't a valid point. You don't talk shit and that's extremely sexy of you, y'know? And having a "gender dysphoria buddy" to be jealous of our Rockstar Gender Of Choice with is always fun to have, so that's definitely a plus. Can't wait to see (and read!) more of your art, I just love your style so much and you deserve to be Known
@metalmelkor @emometalhead @polka-dot-duff I'm always so happy to see you in my notifs and y'all are oh so very sweet and cool, we haven't talked much but I love every interaction we have, sorry for having the social skills of a stale piece of white bread 🖤
A special thanks goes to @awesomgrlgr8job bc you're literally one of my very first mutuals since I made the decision to make this dumpster fire of a blog and holy shit it's crazy to think about that. I don't even know if we ever interacted that much but it's always such a joy to see you around, ily and I hope you're doing well and thanks for putting up with my clownery for so long 💖
Like seriously, thank you all. I don't even know where I would be without you. Here's to another year of chaos, but only of the good kind 💖
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clanonadventures · 3 years
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𝗟𝗶𝘀𝘁 𝗼𝗳 𝗿𝗲𝗾𝘂𝗲𝘀𝘁𝗮𝗯𝗹𝗲 𝗮𝗻𝗼𝗻𝘀
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Dutch anon - dutchy
☑ Platonic - ☑ Romantic
Facts
-Preferably goes by she/her
-They/them would also be fine
-Fairly tall
-M e s s y a s s h a i r
-Struggles to speak English
-Her room is full of orange, red, white and blue
-First option to anything is just violence
-Very athletic (but competitive)
-Gets hurt a lot while sporting
-Overworks a lot, so she barely get sleep
-Don’t insult her s/o if you enjoy not having someone go apeshit on you
-Give her a tulip and she’ll melt
-good friendship with rhinestone 👌
-Loves all pets of the other anons
-Pls pet her tail, she loves it <3.
Design
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Squid anon - Squiddy
☑ Platonic - ☑ Romantic
Facts
-19 years old
-Works at Anon city (AC) Aquarium
-Obsessed with sea life and pirates
-Is bi
-Occasionally wears a squid hoodie
-Was kicked out of the house at 16
-Loves musicals
Design
Her eyes are purple
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ENON
☑ Platonic - ☑ Romantic
Facts
"A chaotic trickster entity with a dark and mysterious past that takes a form resembling that of popular character ENA. ENON shares many similarities and mannerisms with her counterpart, but is know to be more brutal. A lawful evil type to be sure. Her moral compass is a roulette wheel. Just wants to be entertained.
Come to think of it, I don't really think ENON had an "original form" Like she just kinda existed as a spirit/eldrich demi goddess who had it really rough before deciding to join the physical world like 'all I know is cause problems on purpose- what is love and friendship'"
Design
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Satyr Anon
☑ Platonic - ☑ Romantic
Facts
-Loves horror movies and scary video games
-18 years old and already wasted her entire life-
-Aspiring Therapist/Psychologist, is the mom friend ™️. Very sweet, with sarcastic and wise advice whenever she's needed
-Never gets enough sleep, ever.
Design
She is actually a Satyr (goat ears, goat lower half with mostly human top half, long tail, horns, etc) with thick mane of white hair.
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Peacock Anon - Viernes
☑ Platonic - ☑ Romantic
Facts
-24-doesn't have a gender, but goes by she/her
-shapeshifter of sorts
-if she becomes overly stressed (which is somewhat often) her face begins to crack and give way to static
-only reveals her true form to people she trusts a LOT, and even then, she'll only reveal her true form in private
-somewhat energetic, full of herself and sarcastic
-can change her appearance to some extent (can't change her clothes tho)
-underpaid tv host
-actually quite introverted when off stage
-sounds like ruby vocaloid
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Rhinestone Anon
☑ Platonic - ☑ Romantic
Facts
-He/Him
-Has had a bad past with relationships so it's hard for them to trust anyone
-Comes off as cold and unapproachable but once they trust you then they are sweet, affectionate, honest, and cuddly
-They're really fucking tall (9'3)
-They're a cuddle-bug
-Really soft hair
-Love language is physical touch
-Has never shown anyone their true form
-Big history nerd
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Bug anon
☑ Platonic - ☒ Romantic
Facts
-Average height (5’00”)
-Really nice but is quiet and likes to lurk. Really shy.
-Likes bugs, drawing, video games, reading, going on walks, sunsets, forests, cats, sweets and plushes!
-Has ASD!
-Tired (™)
-Drawing later
-Tries to be optimistic when she can
-Uses she/her, they/them, it/its and bug/bugs (in no particular order)
-Asexual and aromantic!
-Age unknown, but is a teenager
-Backstory: A sentient bug who dreamed of being an Anon so they could make friends, who’s wish was granted by a strange Higher Being/entity of light and rainbows. They live among the anons now as an anon, trying to adjust to their body and life.
-Her “hair” is her antennae- DO NOT PULL ON IT!
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Coke Anon
☑ Platonic - ☑ Romantic
Facts
-Unspecified age
-Has no concept of personal space
-Someone referred to coke by they/them and they took off w/ that
-Their body is like jello in their blob form
-Their voice is autotuned on command, they do it to annoy people
-The red bit is a shirt
-Was originally named E-304 but changed their named to Coke
-Can shapeshift with no known bounds
-They CAN turn into other people, but you can tell its coke by a chunk of their hair being white/red
-Kinda stupid
-Enjoys bone marrow
-Also enjoys icecream
-Was kinda lonely for a long while
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Mask anon - Melian
☑ Platonic - ☑ Romantic
Facts
- She/they
- 8'7 ft tall
- she's 19
- e n d e r m a n
- friendly, aggressive is looked at in the eyes
- wears sunglasses out in public bc for some reason she doesnt mind eye contact with them
- is only comfortable with eye contact with people they're comfortable with
- has terrible memory
- sleepwalks a lot
- loves to collect toys like dolls, plushies, action figures and small toys
- s o m e h o w manages to break an exact block of anything, even concrete
- if you mention you want something, she'll bring it to you, may or may not have stolen it
- doesnt understand what is means to steal
- can purr
- changes to enderman language when talking too fast
- knows how to speak Portuguese and will change to it when curssing at something
- used to have a brother
- knows how to play the piano and acoustic guitar
- adores calm songs like Cavetown, Mitski Mitski, etc.
- has a few pet moths that live in her pockets and two cats
- t o u c h e d s t a r v e d
- treats most of the other anons like her siblings
- only the ones closer to them can call them Meli
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Bamboo Fox
☑ Platonic - ☑ Romantic
Facts
- A shapeshifting fox [REDACTED]? that guards and tends to a sacred bamboo forest on a mountain somewhere in the astral sea, I don't know.
- Has no concept of gender or age, but enjoys the sound of being referred to as he, or they.
- Is very small, like about 2 feet tall when standing on back legs in fox form.
- Has a very comforting aura to them, very chill vibe
- Will invite you in for tea
- Their rapping sounds like little yips. They can't speak, no matter what form they are in.
- If he likes you, he will offer you a single piece of bamboo with sticky rice inside
- If he does not like you, he will eat your soul
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Basil Anon
☑ Platonic - ☑ Romantic
Facts
Is 7' tall. Hes a tall boy
Goes by he/they pronouns though is also agender.
Can shapeshift to an extent. Cannot shapeshift his eyes though.
Isnt even really human but doesnt talk about that, like ever.
Eyes are pitch black- like completely flat black- hair covers eyes always. (unless they really trust you)
Cheerful baby! But gets depressive episodes alone! Tries to keep a smile on his face. When in those episodes he is more likely to isolate.
Has a pet chicken named fluffy. Is actually immortal. Literally. The whole anon fam loves fluffy, and he keeps a chart to see who gets to pet fluffy, and who needs to be watched (coke).
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Part 2
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