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#I need to shut up and get back to work
aquickstart · 3 months
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ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.
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another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!
farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.
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but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.
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but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.
but the important thing is this.
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farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.
farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.
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the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.
as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.
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but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.
and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.
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to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).
to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.
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and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?
but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.
the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.
so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.
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robynrocksforbrains · 7 months
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Mike Wheeler is important and there's nothing wrong with analyzing him
Since y'all wanna be insufferable bitches about it I'm gonna explain to you why he's important, why Will loves him, why his struggles should be acknowledged, and why his character depth is pivotal to byler endgame being a satisfying conclusion for both Mike AND Will. Deal with it!
We are not seeing smoke where there isn't a flame. We are seeing smoke where there is a literal fucking forest fire.
Starting off with something a lot of people aren't ready for but I've seen more people talking about: Mike is the main character of s1 at the very least. He is the character that brings us into the world of stranger things. He is the character that the writers chose for this. Mike is the main character of s1 and it was an instant hit. The writers love Mike. Contrary to popular belief, giving a character an arc where they are struggling and their behavior changes from what is normal for the character we know and love does NOT mean the writers hate that character. It means they deliberately chose to give that character complexity and depth. Your inability to like characters that do anything wrong ever is not the fault of the writers. Your decision to act as if a character is not important is not reflective of the actual narrative because it in fact is in direct opposition to the narrative. So just to be clear, if you genuinely believe that Mike isn't important, or that the writers hate him, or don't care about him, or that his story "takes away" from any other character's - ESPECIALLY WILL'S - you are simply wrong.
In s1 and s2 Mike is established as an extremely caring person. He's loving, loyal, brave, intelligent, and trying his best. He is also established to be hot headed, someone who speaks without thinking quite often, someone who is capable of hurting his friends despite that being the last thing he wants to do. He is all of these things and more. He is a human. He is a kid. So in s3, when suddenly he is entirely different, it is completely logical to assume that there is a reason for that. He did not just wake up one day and decide he wanted to be an asshole, push Will away, make his friends feel abandoned, and echo the same sentiments their bullies held. Something is happening with him. He has so much going on in his head and it is painfully obvious. He's holding something in, he's hiding from everyone and from himself. We see glimpses of what he's trying to hide after Will calls him out on his behavior. Will gets through to him. Mike is usually unresponsive to tough love, except for when it's coming from Will. After their fight, it is obvious that he's trying to be better. But he still doesn't wanna face certain things, and he doesn't know how to navigate that. Because he's 13 years old.
There is a reason for all of that internal conflict. There is a reason it comes pouring out of him at certain times. He's crumbling. He is quite literally falling apart because he's holding on to too much. It's not a stretch to assume that, it just takes basic media literacy. Why would the writers have Mike act this way if he was just supposed to be a one dimensional character? Why would Finn be directed to portray Mike the way he does if there was nothing more going on? There are times where Mike looks like he's in physical pain because of his internal conflict. There is a reason for that. And acknowledging that DOES NOT mean people are taking away from Will. That's the most idiotic thing I have ever heard. Do y'all seriously not understand that more than one character can have emotionally complex storylines? Genuinely asking, is this a new concept for you?
Will's love for Mike
Will is head over heels in love with Mike. That is very much established. So when you're dismissing the emotional depth of Mike's individual arc because you think acknowledging it "takes away from Will" you are actually diminishing the significance of a huge aspect of Will's emotional arc. By taking away the significance of Mike, you take away from the significance of Will.
Let's do a quick recap of the very significant role Mike has played in Will's entire life:
Mike is Will's first friend.
They have grown up together and it can be assumed that they've reached important milestones together.
Mike has always been a safe person for Will. He's been a constant in Will's very chaotic and unfair life. Until the summer of '85, Mike had always been something good in Will's life. (That's not to say he is no longer something good, but it can be assumed that the summer of '85 is the first time Mike has been a causal factor in Will's unhappiness)
When Will went missing, Mike did not hesitate to search for him. It wasn't even a question of if. The moment he knew Will was missing he knew exactly what he'd be doing that night. He spearheaded the search amongst the party. He was the leader.
When Will came back, Mike was the only person that didn't treat him like he was gonna break. He cared for him, and he was there for him, but he didn't treat him differently; Will tells us as much. Which means we can infer that the way Mike was with Will in s2 - how gentle and loving he was - was nothing new. He had just always been like that.
When Will was possessed, Mike stayed by his side. Even when it was scary, even when it could've gotten him killed, he stayed. Because once again, for him, it wasn't even a question. That's just where he knew he needed to be. He was in the shed when they were trying to get through to Will. He was set apart from Lucas and Dustin, but he also wasn't equated to family. And his retelling of the story of the day they first met was the final push Will needed to find a way to communicate.
After a year of things being "weird" between them, Mike tells Will that he didn't deserve to be treated the way he had been. Mike tells him that he wants them to be okay again, and for the rest of the season he puts in the work.
Things get rough in s3, and at the beginning of s4, and despite all of that, Will confesses his love (albeit veiled). In a moment where Mike is feeling awful about himself, he tells him that he loves him and needs him, and he tells him why. And to him it doesn't matter that he's breaking his own heart to do it, because it's Mike. Mike, who makes him feel like he's not a mistake at all, and that he's better for being different. For Will, there was no other option. The person he loves was hurting and he knew how to help, and so he did.
Mike is the first person Will tells about Vecna still being alive. Because they're back to being a team. He knows he can trust Mike, and Mike seems to be very determined to prove him right.
SO.
These are all real and canon aspects of Mike's presence in Will's life. Will falling in love with Mike isn't something that just happened for no reason. Will fell in love with Mike because of who Mike is. When you acknowledge that, and when you acknowledge the reasons they've set out for why Will loves him - the reasons Will literally told us - you can better understand Will. But when you dismiss all of these things about Mike, you are dismissing a large portion of Will's emotional and romantic arc. You aren't being a Will Warrior. You are erasing so much of him and his feelings and his lived experience. That is not the hill you wanna die on.
Will loves a person. Not a feeling. Yes, he says that Mike makes him feel like he's not a mistake and that he's better for being different. But that's not why he loves him. He feels that way because he loves him.
Mike is a fully fleshed out character with his own feelings and struggles and fears and traumas and motivations. He's not a plot device. He's not just an accessory to Will's arc. He's not a character that was written only to be Will's love interest. He's Will's love interest because he's Mike.
If Mike didn't matter, and if Mike didn't play a significant role in byler, then they would be able to write in a love interest for Will in s5 and have it be somewhat satisfying. But they can't do that. Will's love for Mike has so much depth because Mike has so much depth. It is genuinely crazy that this has to be stated and that I have to back up this claim because it is simply a canon fact.
So yes, the rain fight affects Mike's character development and his involvement in it is important. Yes, the van scene literally could not exist without Mike and therefore his involvement in it is incredibly important. Yes, every single byler moment has an impact on Mike, and Mike has an impact on it because they are BYLER moments. Yes, Mike will have a lot of significant moments - with Will AND on his own - in s5 because his arc deserves and needs as much attention as Will's in order to execute byler endgame in a satisfying way.
No, none of these facts negate Will's importance or take away from his story. If anything, they add to it because Mike and Will's arcs are corresponding and intertwined.
Mike's struggles
To name a few
Dysfunctional family
Has been bullied his entire life
Extreme self worth issues
Inferiority complex
Hero complex
Lack of self preservation
Suicidal ideation (has been on display since SEASON ONE)
Internalized homophobia
To get this out of the way: Mike's internalized homophobia is allowed to be discussed. Discussion of it is not the dismissal of Will's internalized homophobia. Surprise surprise, two queer kids in the 80s have internalized homophobia! Who'd'a thunk it?! Their internalized homophobia presents in different ways but it is there for both of them. I personally relate to the way Mike's is portrayed way more than I relate to Will's. So why is it that we can't discuss it without being accused of erasing Will's experience? Or without people saying that we're "copy and pasting" Will's story? Because quite frankly, that feels dismissive of my - and likely many others' - real and lived experience. So please for the love of all things that are good just stop with this talking point because it will never hold up.
Moving on
I'm not gonna do a full breakdown of all of Mike's issues. Because contrary to popular belief, there are a lot. And that would be exhausting and I'd get carried away and it's not the point of this post. The point of this post is to defend the acknowledgement and mere existence of them.
If you're a byler that for some reason thinks Mike only exists to be Will's love interest and his trophy as compensation for his trauma, let me ask you this: Have you considered how awful it would be to have a queer character's individuality and emotional depth completely ignored for the sake of focusing on the queer character that "really matters"?
If Mike's own issues, with his queer identity and otherwise, aren't thoroughly explored... What's the point of all this? If Mike really is insignificant in this storyline and his individuality has no effect on it.. where's the emotional payoff? If his perspective doesn't matter... Why have the writers gone to such great lengths to ensure we don't have that piece of the puzzle yet?
Analyzing Mike and understanding Mike is very important to understanding byler. Once again, I think it's crazy that this needs to be said.
I also think it's important to note that characters can have similar struggles. There's no rule against that. Just like real life. Characters having similar struggles is not a bad thing, and acknowledging that their struggles are similar is not dismissive of either character. We're talking about STRANGER THINGS. Jonathan and Nancy's thing is "we've got shared trauma". They have literal matching scars. Shared experiences are some of the main building blocks for this show's romances. Byler has a TON of shared experience, basically their entire lives. We already know that. So wouldn't it be so beautiful for them to learn that they've been struggling with the same thing this whole time? That the entire time they felt alone in what they were going through when really they had each other and they never even knew it? Wouldn't it be so beautiful for Mike's acceptance of Will and Will's love for him was also a step toward accepting himself? Wouldn't it be beautiful for Will to learn that his love makes Mike feel like he's not a mistake? None of that would be in the realm of possibility if Mike didn't have emotional depth and if his individuality wasn't important.
And that leads me to my concluding point...
A satisfying execution of byler endgame hinges on Mike's individual emotional arc being handled well
God I hope this isn't controversial to say. I sincerely hope most people haven't forgotten that.
Here's a hypothetical:
Imagine season five has been released. You're watching it, and you notice that Mike has been relegated to just a supporting character for Will. We don't get any of his perspective. We don't get any explanation for his s3 and early s4 behavior. His breakup with El doesn't have any real tangible effect on him, it's really just used for El's character development. We never see him pining for Will like we saw Will pining for him. And then suddenly Mike is learning about the painting and then suddenly he's confessing his love and then suddenly byler is canon and official.
Now wouldn't that just be awful? Wouldn't that be unfair to the audience, to Mike, and to Will? For us to never learn just how much Mike had to go through to even be able to say it out loud? For Mike to never get the chance to prove to himself through word and action that he is the heart? For Will to never get an explanation for why things did get so "weird" between them? It would leave us with one big, nagging question: What was the point of everything Mike has said and done throughout the entire show if his conclusion is that lackluster?
Disregarding Mike for a moment (I know that's incredibly ironic given what the entire point of this is but just bear with me) - how would that be a satisfying conclusion for Will? I mean, Will's s4 arc was basically dedicated to showcasing his struggle with his sexuality and with his love for Mike. We were shown just how deep that love is. We were shown how patient, unselfish, unwavering, and beautiful that love is. So how would it be satisfying for Mike's love for him to not be shown with just as much depth? How would it be satisfying for Mike to just be a one dimensional character whose s5 arc is essentially "break up with girlfriend, wait to find out best friend is in love with him, say he loves him back, then they live happily ever after"? I think Will deserves for his love to be returned with the same intensity at which he gives it. And I think it should be clear to the audience and to Will himself.
Back to Mike!
Mike has been through so much shit. I don't think anyone that is denying that actually believes he hasn't been through shit. Because you'd actually have to watch the show on mute and with your eyes closed to think this kid hasn't had just the worst time. It's so ignorant to act as if this stuff hasn't affected him. There's stuff we've seen but there's stuff we also haven't seen. There are issues he has that date back to his childhood pre-canon. Just like Will, Mike has been a queer kid growing up in 80s smalltown conservative america. Acknowledging the pain he 100% carries because of that is so important. His perspective has been withheld from us, not because it's unimportant, but because it's the final puzzle piece. If we had Mike's perspective in s4, byler wouldn't be a "will they won't they" (even though we all know they will). If we got his perspective in s4, byler would be a "100% certain without a doubt they will". But the thing about his perspective is that it's so much more than just loving Will. It's fear. It's pain. It's insecurity. It's doubt. It's the belief that his happiness just doesn't matter all that much. All of that has to be explored. All of that has to be laid out in the open for us in order for byler endgame to feel earned. Mike's emotional payoff will lead to byler's emotional payoff.
Mike has known he loves Will. In s5 we will see him make a deliberate and active effort to overcome the things keeping him from doing something about it. And then he will do something about it.
And so when it finally happens. When both Mike and Will finally know that their feelings are requited, and when their arcs end with us knowing that they will face whatever life has in store for them together, that will feel earned. That will feel like the logical conclusion for both of them. Not just for Mike. Not just for Will. For both.
And Mike is just as important to that conclusion as Will is.
And one last thing...
Some people are going to talk about Mike more. Some people are going to talk about Will more. Because newsflash, people have preferences. Some people just relate to Mike more, or they find his emotional arc extremely compelling, or they just like him. It isn't an attack on Will or any other character. No one is saying Mike is more important than any other character (I'm sure there are people that say that but they are a vocal minority and they are simply wrong). We are just saying that he is important. If you wanna engage in media analysis, please understand that "main character" or "central character" does not mean "only important character" and "only character that should be analyzed". If you wanna talk about Will and only Will, that's fine. But you don't get to act like people that talk about other characters are doing a disservice to your fave, because that's not how any of this works.
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sableeira · 8 months
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I know this mfer is just playing fyodor and us because no way in hell can he still talk and is not immediately dead after being shot point blank in the head.
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qqueenofhades · 5 months
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The extent to which the tankie-lite "America Has A Magic 'Stop Everything Bad in the World' Button and Biden Just Refuses to Push It Because He Doesn't Want To!" mindset has infiltrated this website, even among supposedly sensible people, continues to be alarming.
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senjukannon · 2 months
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Menswear 101 "rule" (not a fan of that word in the context of style, but what can ya do) I see a lot of you break on the regular
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itspileofgoodthings · 3 months
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also I had a breakthrough today that I had in fact overthought a Specific Problem to Death and that I had created a monster in my own mind and that’s why it felt like I was being eaten alive every time I tried to solve it.
#not to put too fine a point on it but that’s what happened with the whole is Maria going to become a nun question tbh#and I needed a counselor to say to me objectively and yet also crucially without any knowledge of me or my past:#you have overthought this and now you’re terrified of it#anyway it’s so obvious but it came home to me today. slowly.#like it was just like. Oh. You did it again#you’re terrified of this because you have thought of every possibility and every outcome and every twist and turn and shadow—-#until it has become a bloated demon in your mind that is totally separated from reality#while made up of real facts and details! and tbh I know it’s a common problem#but the anxiety chokehold I can put myself in is something that is so impressive and so disturbing#I can render myself absolutely helpless through the meanderings of my own thoughts#and what makes it worse—immeasurably worse—is that I get OUT of problems through careful thought and analysis#I’m programmed that way#so I can’t escape it by the usual means. I have to back away from the monster and see it and NAME it and then it can die away.#and only THEN can I apply my usual ways of going about things. I don’t know it just all clicked today#these past few days have just been bringing it all to a fever pitch for me#anyway I guess it’s also important to me that I still be allowed to be analytical about it!!! I have to use my brain!!!!!!!#in my desperation I have tried to shut it off to feel only with my heart. To try to catch the whisper of God’s voice in the wind#but tbh I am meant to use the gifts I have! But only in the right context#and that’s only after the demon has been killed or more accurately —deflated#my counselor has been so good about this tbh. she’s so matter of fact and blunt and salt of the earth and also she sees how my mind works#and wants me to be able to use it!!#so I’m just going to tell her that I did the bad thing with this other problem and can she help me find a way forward#ANYWAY THE MONSTERS TURNED OUT TO BE JUST TREES
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teruel-a-witch · 1 year
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considering steve and danny have the worst timing and are prone to miscommunication, it would be just steve's luck if one day he decides he's finally had enough and it's time to tell danny how he feels about him, whatever happens it'll be out on the open and he could finally try to move on if the answer isn't the one he's hoping for.
danny listens to steve's confession with a shock and surprise but clear elation like he's getting an unexpected welcome gift, before he seems to have some realization, disappointment washes over him, his face falls and he says 'YOU THINK IT'S FUNNY TO PLAY WITH MY HEART? AM I A JOKE TO YOU? NEVER TALK TO ME AGAIN'.
he storms off leaving distraught and confused steve in his wake, trying to understand where it all went so wrong. then he hears someone say 'happy april fool's, idiot' and it's 'OH SHIT'.
of course the day steve finally decided to confess his love for danny he assumed steve was playing a prank on him. steve was lucky not to experience danny's mean right hook again.
his new mission is to find danny and convince him he wasn't kidding. a mcgarrett always completes his missions.
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possiblytracker · 5 months
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coughs loudly. scheduling this post for slightly later today so i have time to get lunch and not chicken out before it goes up
firstly i gotta apologise for dropping off the face of the earth. in hindsight it was creeping up on me for a long time I just didn't think anything of it/had enough stuff going on to ignore it for a while, but ive been wrestling with pretty abysmal mental health that just kinda hit me like a truck back in august. i wont get too much into it but things just ground to a halt and in the span of a week or so it legitimately felt like i stopped being a Person- i just stagnated, felt like i lost the ability and will to do anything or enjoy things or create like i used to, all my energy went into keeping it together in front of my family, and it made me way too anxious and ashamed and guilty to want to show my face. like who would want to put up with my stupid bullshit, right (wrong! that idea just made me unbelievably worse and i regret it extremely, but my anxiety was going extremely unchecked at this time). i don't think i've ever been that depressed before and i didn't at all know how to handle it or begin to claw my way out
fortunately, a combination of getting exercise + touching grass regularly and new enrichment/hyperfixations to latch onto like an orphaned duckling are very recently kicking some life back into me so to speak. who wouldve thought. and now where i used to still feel stomach-turning dread and paranoia thinking about getting back on tumblr and discord a week or two ago, it finally feels like i can handle dipping my toes back in. i'm making this post first bc i know most of my friends will see it, and that feels less taxing than explaining myself a bunch of different times over and over and dragging it out, but ofc i will try and get back into conversation when and as i can (askbox and discord is still best to reach me if you wanted). i'm just really sorry, and I hope you can forgive me, for making you worry or otherwise
i'm not sure what to do from here (i'm considering maybe moving main blogs to a clean slate eventually? this one will still be here i couldnt bear to get rid of it, i've just had it since i was 16 there's Baggage attached) but i'll be trying to ease my way back into relative normalcy before doing anything big ofc. in the meantime i will be vaguely floating around here again. see you around and thank you for your time..
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aleeyenn · 8 months
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let’s start a country by hot freaks is LITERALLY FIREAFY SONG!!
what if i told you i already have an animatic started of it. what would you do. and what if i told you i also annotated the lyrics to correlate it with fireafy. Hehhhhheheh…
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berryblu-arts · 5 months
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a boy and his birb :)
first meeting! something something recognition of oneself...
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+bonus 2 years later
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everybody say thank you ann @chaotic-bumblebee-agenda for these heheheh
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sibelin · 9 months
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i will probably go crazy again later tonight :o)
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c0pkiller · 3 months
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It's so pathetic seeing a whole ass millennial on here bullying ppl like what's it like hitting rock bottom that damn hard
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inga-don-studio · 23 days
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Welp, outside of being sick I think that’s the first time I’ve unintentionally slept the day away and woken up feeling better. Stuff going on at work put me in the weirdest agitated mind space with a mean side of brain fog for the past few days (why I kinda dropped off the radar here since Saturday), but I’m feeling a hell of a lot better … if not a little disappointed that half my weekend is gone now. :p
I think I’m going to plan to take a long-overdue social media break March 13-22ish because that’ll be a VERY long workweek with similar stressors to this last one, & I know my introverted butt is going to be overwhelmed.
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tragediegh · 7 months
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I just cannot seem to function properly and it feels as though I should like… be able to do that somewhat at this point
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quietwingsinthesky · 1 year
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I stand by the fact that the archangels have a single braincell between the four of them, and Gabriel is the one who has custody of it.
#he’s the only one here who makes (relatively) good choices#the bar is low but. he’s got his niche in the world. Thee Trickster#he’s like. mostly happy with the life he has. sure haunted by the one he lost/ran from#but also had the capacity to realize that getting the hell out of dodge was his best option and he was RIGHT#to anyone who sees this and goes: ‘no but isnt Raphael-‘ shut up silence shush#you don’t understand them like I do. you have been fooled by their regal demeanor and terrifying grief.#need I remind you. blew out the eastern seaboard for kicks. had to make sure Chuck didn’t accidentally kill himself falling down the stairs#every other day. saw that the apocalypse didn’t work and decided the logical conclusion was to just Do It Again But Better This Time#THEY HAVE WINGS MADE OF LIGHTNING PURELY FOR THE FUCKKNG DRAMA OF IT.#if you gave them both the same task. you might not be able to predict how either of them would solve it#but you could work back how Gabriel came to his conclusion and go yeah okay that probably made sense to you#raphael is going to return whatever problem you asked them to solve to you. and it will be solved. sure. but it will probably also be#unrecognizable as whatever you handed over. if you gave Raphael a pickle jar to open. well. it would be open. somehow it would not have#pickles in it anymore. you should probably not eat whatever is in there. it might bite you.#whereas if something in Gabriel’s pickle jar bites it’s because he thinks you’re a dick and it would be funny if a pickle bit your finger#I’m losing control of this metaphor#Michael & Lucifer aren’t even in the running btw. og bad decision bros.#supernatural#spn
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ayrennaranaaldmeri · 6 months
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people with their fave's extra hours of dialogue and double the romance scenes claiming the char in question wasn't l*rian's writers' pet... I can't this is a stupid fucking hill to die on and that is objectively provable there is a reddit thread where someone literally did the maths. You are just wrong and you need to shut up.
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