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#I never watched the show but this is the most 2020 thing to happen
welcometothejianghu · 2 hours
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Welcome to another round of W2 Tells You What You Should See, where W2 (me) tries to sell you (you) on something you should be watching. Today's choice: 重啟之極海聽雷/Reunion: The Sound of the Providence/The Lost Tomb Reboot/this thing has too many names
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Reunion (I'm just going to call it that) is a 2020 action drama about the most specialest little babygirl in the tomb-raiding world, his two husbands, and the cadre of assorted weirdos they pick up as they try to follow a set of directions left by a dead (?) man in the thunder.
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Imagine if someone showed you the Mandalorian, and you were like, gee, that was a neat little sci-fi one-shot! because you'd never heard of Star Wars. That was basically my experience watching this show, having no idea that the Lost Tomb franchise (DMBJ) was even a thing. Turns out that not only is there a whole big continuity out there with these characters, but that Reunion takes place a few years after the main story's resolution. Don't worry, though -- Reunion doesn't spoil you for that resolution. It doesn't spoil you for much, period. Look, DMBJ has a weird relationship to endings, okay?
I have written a more thorough where-to-start guide for DMBJ as a whole, so if you want to consider other entry points, well, that information is there for your consideration. Yet it is my opinion that this is the best entry into the overall franchise, and a fun thing to watch just in general, and I'm here to make my case for both of those.
The rest of this rec will assume that you have no familiarity with the DMBJ series. That's okay; you don't need any. All you need is to trust my five reasons you should watch this.
1. Old Man Yaoi
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As you begin this show, you are introduced to the Iron Triangle. That's them in the picture up there. Left to right, you have: Xiao Ge, magically tattooed immortal hottie who just got back from ten years in [scene missing]; Wu Xie, our protagonist, who's just a little guy and it's his birthday; and Wang Pangzi, the literal best.
(And yes, Wu Xie is in his 30s and Pangzi is in his 40s, which is not technically old man anything, but ... look, if you watch, you'll see why I think I'm justified in calling it that.)
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They are extremely married. They are a disaster trio of disasters so disastrous that no one else should ever be subjected to their chaos. They're going to make sure lots of people are, though, don't you worry about it. Sometimes those people even deserve it.
However, because the show (tragically!!) decides that Xiao Ge has somewhere else to be like 95% of the runtime, most of the relationship you get to see is between Wu Xie and Pangzi.
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I'm saying this now as an old gay nerd who just this year celebrated her 15th wedding anniversary: I have never, never felt so represented in media as I have watching Wu Xie and Pangzi interact. There's a little wake-up song they sing together near the end of the show, and it just ... it packs so much character development into thirty seconds. These boys have been living adjacent lives for so long that they've made up their own little shared songs about the mundanities of daily living. That is just what happens when you marry your best friend and then decide to get old and weird together. Ask me how I know.
Look, if you want to know whether this show is for you or not, watch to the end of the first episode, to the part where Pangzi flips over the table. If your heart is filled with joy (as it should be), keep going.
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Love makes a tomb-raiding syndicate family.
2. A fun-filled action-packed romp of nonsense!
If you're familiar with Hellblazer canon, this will make sense to you: Reunion is Dangerous Habits. If you're not familiar with Hellblazer canon, try it like this: Reunion is a terrible place to start because it plays on your extant affection for a character who gains a terrible status effect almost immediately. It's a also great place to start because it throws you right in the action with measurably high stakes and gives you a reason to build that affection very quickly.
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I'm also going to warn you right off the bat: The plot of this show got cut to ribbons by censors.
See, the DMBJ books, being books, are allowed to get away with supernatural shit! So you've got zombies and ghosts and curses and monsters and immortality and all your other standard ooky spooky semi-urban fantasy trappings. But the DMBJ adaptations, being live-action, are heavily regulated in their content. This is why, in the early Reunion episodes, our heroes are menaced by human-looking creatures that are actually ancient mannequins made of leather that are piloted, mecha-style, by evil clams. Because evil clams are more scientific than zombies. I guess.
So yeah, the plot of this book already had to get mangled into a more "science"-compliant shape even before it made it to filming. The real problem is that a whole lot more of it got cut after it was all filmed and put together. I have read an explanation of what the actual storyline was supposed to be, and yeah, if you know what you’re looking at, you can see (and hear) the scars where major elements got hacked out with a weed whacker.
Therefore: You cannot expect this plot to make sense.
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But that's okay! You're not here for the plot to make sense! You're here to watch some characters you love run around through ridiculous and sometimes beautiful labyrinths, trying to solve puzzles you're never given enough information to understand, all in search of the resolution to a mystery that had half its guts torn out before you got to see it -- and you are here to love it. If you have ever laughed and cheered your way through a Mission: Impossible film without pausing to care too much about the plot holes it’s dodging left and right, you are in the correct frame of mind to appreciate this. Just believe that whatever engaging nonsense the show tells you is correct for the time being and go with it.
You cannot watch DMBJ and care about the laws of physics. You simply cannot.
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Do not, however, let me give you the impression that the shoddy plotting is accompanied by equally shoddy performances. A major part of this show’s incredible watchability comes from how the cast is shockingly good. There are some serious heavy hitters among the actors. A major part of why this Wu Xie and Pangzi are my favorite together is the incredible chops both Zhu Yilong and Chen Minghao have, to say nothing of their real-life affection for one another. (See that scar on Wu Xie's neck? That scar is there because Zhu Yilong commits to the bit.) Effortlessly charming Mao Xiaotong turns potentially irritating wunderkind Bai Haotian into a perfect precious weirdo baby. Wu Erbai's entire second-season character arc could have been unintentionally comedic, but veteran of queer cinema Hu Jun sells even the undignified moments as relentlessly tragic. And of course Baron Chen absolutely kills it with...
3. This giant fucking loser
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This is Hei Xiazi. That's not his name, but it's close enough. Allow me to do a dramatic reenactment of my watching his first scene:
[camera pans over to him]
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me: Ugh, I recognize this kind of wannabe badass character design. I hate his type. He's self-important, hyper-masculine, and just a big jerk, and the show thinks he's soooo cool. Barf.
[thirty seconds later]
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me: Oh no. I was so wrong. I love him forever now.
This is because he is (as indicated above) a giant fucking loser. Yes, he's a good fighter who knows lots of things. He's also a wet potato chip of a man. Sure, he can get you into a headlock, but he can also annoy you into submission, and that's honestly more fun for him. My wife has used the phrase “Vash the Stampede-coded” to describe him. My wife is not wrong.
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And the kind of ridiculous thing is, being such a loser is what wraps back around to making him cool again. He's a loser because he just doesn't fucking care. His masculinity is the opposite of fragile. You tell him to wear a dress and makeup, he'll do it -- and sure, he'll complain, but only because he enjoys complaining. He has no dignity. He’s tits-out. He's gender. He's the worst and also the best.
Hei Xiazi is a major character in the other installations, to the point where he and his boyfriend (more on him later) even have their own movie. But of course, I did not know this on my first watch, so I kept expecting the show to explain his whole deal. It does not, but you don't really need it to. He sees better in the dark. He doesn't age. He's a thug for hire. There, that's all the bio you need.
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One of the things that makes him great is that he is the least sexually threatening person ever. Across all the properties he's in, he spends a fair amount of time with women -- sometimes in very close quarters -- and they are perfectly safe around him. I actually wrote a whole post about it once upon a time (warning for tiny spoilers for a series that isn't this one) wherein I claim that not only Xiazi but Reunion in general is the television equivalent of the shirt that says I RESPECT WOMEN SO MUCH I DON'T HAVE SEX WITH THEM.
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That said, this loser does get a sort-of romance plot here -- and honestly, I find it very cute! It's not even the only instance in this series of a bisexual guy in a long-term same-sex relationship getting a girlfriend, and I like that other one too! Look, the handle of my DMBJ sideblog is @katamaricule because I joked that Wu Xie treats polyamory like a katamari, and if you don't move fast enough, you're going to be rolled right up into his gay little cuddle puddle.
This is not a show for exclusive ships; this is a show for inclusive ships. The Jiumen Association is a polycule. You don't even have to know what the Jiumen Association is to know it's true.
4. The power of friendship
This show has a lot of characters.
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I'd say the supporting cast is divided into three categories: characters who have been in previous installments, characters who have not been in previous installments, and characters who probably should have been in previous installments (or at least mentioned) but who were only created for Reunion so we have to pretend like we've known about them all along.
There is no way to tell which is which -- which is part of my argument that this series makes a good entry point to the franchise.
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Take Huo Daofu. Huo Daofu is a brilliant doctor masquerading as a donut stand operator who treats Wu Xie with all the cold disdain of a man confronting the person who left him at the altar years ago. On the one hand, yes! We do know Huo Daofu from a previous series, and we've known he's both a doctor and a bitch. On the other hand, oh, we have no idea why he's like this about Wu Xie, and we probably never will. The show just treats it like it's for an excellent reason, and you know what, from what you know about Wu Xie, it probably is.
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Consider also Jiang Zisuan. One of the show's principal antagonists, Jiang Zisuan turns out to be the brother of ... well, let's just say it's someone whose having a brother really should have come up before this. It has not come up. (And that's even before we get into the issue of his surname.) His stated identity as that person's brother is so bizarre that my favorite interpretation is that he isn't actually that person's brother -- all the flashbacks we see are just his delusions about a relationship he's completely invented. But there's no way you'd know how fucking weird this is on your first run.
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Then there's our friendly little support himbo, Kanjian, who shows up to all occasions with two tickets to the gun show and not a thought in that beautiful head. (His name just means "vest," which is par for the course when it comes to the author's naming conventions.) He was a lot more menacing in the last series (where they kept putting sleeves on him, geez), where most of what we learned about him is that you can loan him out to other tomb-raiding families. Now he's a golden retriever with great aim and a slingshot. It's an upgrade.
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The trick is, you cannot be surprised when someone shows up and the show treats them like you should know who they are, even when there's no possible way you could know who they are. I mean, for heaven's sake, Liu Sang arrives in the middle of an obvious beef with Pangzi, the origins of which are never satisfactorily explained, while also having a giant do-I-want-to-fuck-him-or-do-I-want-to-be-him crush on Xiao Ge, which is also never satisfactorily explained. Whatever, you just roll with it. He's got good hearing, a bad attitude, and questionable taste in idols. Now you're good to go.
(I should throw in a special note here that Liu Sang is many, many people's little meow meow, and not undeservedly. For a fuller explanation of why that is, please consult this other post I made.)
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Part of the fun of this big cast is the adorable interactions you get. All the characters have appropriately big personalities, and the show loves letting people you wouldn’t expect bounce off one another. It’s not your typical action-hero show where nothing happens without the protagonist in the room. There are lots of exciting combinations and tons of charming dynamics! Unlikely friendships form all over the place! Enemies become allies! Allies become friends! Friends become friends with other friends! Some friends become enemies again! You'll need a scoreboard to keep up!
This is not to say the show treats all its characters perfectly or equally -- one of the precious few main female characters doesn't even get a real name, for heaven's sake, and the less said about the brownface racism, the better. It is, at its heart, a dude show for dudes made in China, with all the troubling decision-making that implies. Where it does deserve credit, though, is in understanding that its supporting characters are actual people with personalities apart from their function in Wu Xie's narrative. Sometimes the show just asks "what if [random character A] and [random character B] had to interact?" and has fun considering the answer! Which is almost always a delight to watch, and sometimes even breaks your heart.
5. Amazing rewatch value!
And by this I mean the experience of watching this show is remarkably different once you have any understanding of the rest of the DMBJ universe.
For instance, there's a point where two characters are scuba-diving past some submerged coffins, and one character tells the other whose coffins they are. Working only on information Reunion has given you, you're like, oh, that's where they buried the guy who built this creepy place, that's a little weird. Once you recognize that name from other series, though, your reaction is far more, excuse me, they did WHAT to WHOSE corpses?
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Or another point where a character you've already met is on a train, and there's a handsome gentleman who just happens to be riding with her. He hands her his business card! Aw, that's sweet, he seems like a nice guy! Well, no, Xie Yuchen is not nice, but he is one of our allies, and he's Hei Xiazi's boyfriend, and a lot of what he's doing hits real different when you have a fuller grasp on why he's doing it and for whom. (Honestly, a major reason to watch Reunion first is so you're not fully and appropriately upset by how your black/pink gays merely have one teeny tiny scene together.)
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From the way the series treats the persistent absence of Wu Sanxing, Wu Xie's third uncle, I absolutely, 100% assumed that he was a completely new character to this installment of the series, an extremely long-lost relative that we've somehow conveniently managed to never talk about before now. So imagine my gobsmacked surprise when I went to watch a different series, set much earlier in the timeline, where the opening scene prominently features Wu Sanxing as an actual character in the present-day narrative! ...Well, sorta. Look, there's a lot of fuckery with his identity in earlier parts of the story, and fortunately you need to know none of it to understand Reunion. But when you do, it suddenly makes a lot more sense why Wu Xie talks about someone who was a major part of Wu Xie's adult life like he died when Wu Xie was nine.
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AND THE FLASHBACK SCENE WHERE A-NING GETS KILLED BY THE SNAKE, AND YOU'RE LIKE, OKAY, AND THEN YOU WATCH ULTIMATE NOTE AND IT WASN'T LIKE THAT AT ALL look, I know there are kinda reasons for this, different production companies and all, but seriously, what the fuck
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All of which to say is that the experience of watching Reunion the first time is, hey, this self-contained romp is a lot of fun! The experience of rewatching it after watching any of the other DMBJ installments is a transcendently wonderful head-clutching avalanche of one moment of recognition right after another.
And here's the thing: You will watch more. Reunion is a gateway drug. If you are interested enough to make it through all 62 episodes, you're going to be interested in watching more. Which is great. The English-speaking fandom needs more people. Come down into the tombs. It's great down here. We've got snakes and arguably unintentional homoeroticism. Join us. Join usssssssss
Are you ready for an aventure?
There are a couple different ways to watch the first half, but there's (weirdly) only one way to watch the second, so for both of them, I'm going to send you straight to iQiyi: Season 1 (32 episodes) and Season 2 (30 episodes).
And just so you’re ready when Reunion is done, here’s how you find the rest of the DMBJ series, in the absolutely non-chronological order in which I, personally, think you should watch them:
The Lost Tomb 2 (AsianCrush, YouTube)
Ultimate Note (iQiyi)
The Mystic Nine (iQiyi, Viki)
Sand Sea/Tomb of the Sea (Viki, WeTV, YouTube, also YouTube)
Also, there's a lot of movies and side series and other pieces that are worth seeing, and even a couple of full series I've left off the list, and you can just slot them in wherever. And maybe we'll get Tibetan Sea Flower someday? Look, hope springs eternal.
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They're so perfect. Perfect triangle. Perfect boys.
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theelast-straw · 4 months
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I've been thinking and I've come to the conclusion that the reason why the omegaverse actually works so well in Pit Babe that I constantly keep fucking forgetting it's even there is just. they're being so casual about the whole thing?
like in omegaverse fanfic the whole point is usually to be incredibly horny about all the omegaverse stuff and crank it up to 11 but in Pit Babe it's just... just kinda there?
they're like yeah the mains are both alphas and they could technically get pregnant and they do discuss having children on their first proper date underneath the stars but all of that is treated like completely normal everyday things and nothing horny ever really happens about it and it's never really a huge deal
and I think that's also the main reason why I feel like I've been hit with a brick every time they do bring it up because them being alphas is like barely even relevant to the plot most of the time and then just when you've forgotten what you're actually watching you get hit with the surprise mpreg confirmation and then they just move on like nothing ever happened.
I genuinely don't think it would be this funny of a viewing experience if the omegaverse played more of a role or if they properly leaned into all the horny shit that usually comes with omegaverse bc then you'd just kinda get used to it? like being reminded that this is an omegaverse show very violently every once in a while is objectively just so much funnier.
in conclusion: make more casual omegaverse shows bc it's funny as hell and I haven't felt this alive since november 5th 2020
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onbearfeet · 2 months
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Kat watches Moon Knight
Okay, so with the encouragement of several people on here and the emotional support of my roommate, I have finally (in February 2024) started watching Moon Knight, a show whose basic concept scares the shit out of me.
Context: I had an adopted older brother with DID. Note that I said "had". That's past tense because life treated him so appallingly poorly that he died (horribly, in prison) when I was 19. Part of that abuse was enabled by pop-culture depictions of DID in the 1980s and 90s that convinced everyone who knew about his condition (including the court system) that he was a walking time bomb.
One of my earliest memories is of my brother as a young adult, playing Super Mario Bros with my toddler self. Another is of him patiently teaching me how to make friends with a large dog. I never met any of his alters, afaik; I was small and cute and safe for him to be himself with, so he probably didn't need them around me. He was a profoundly gentle man when he was allowed, and it hurt like hell to see him turned into a monster in movies and on TV. I've turned off a lot of "psychological thrillers" in sorrow and disgust.
Ironically, I loved Moon Knight comics as a kid in the 90s, BEFORE he was retconned to have DID circa the mid-2000s. Because those comics came out right after my brother died in 2002 and leaned HARD into making people with DID seem like violently unstable monsters (for reference, see the cover of Moon Knight: God and Country), I stopped reading them around 2008, when I couldn't take being poked in the trauma by a comfort character anymore.
But I do love Werewolf By Night, and there's been a lot of good fic mashing Jack up with Moon Knight without dehumanizing anyone, and several people have encouraged me to try the show. So this post will be a place for my thoughts as I try to work my way through with my Essential Editions in one hand and my memories of my brother in the other. I'll add to it as I watch.
If this entertains the Moon Knight fandom or provides useful fic reference, so be it. Just don't be jerks on my post.
Also, anyone who chooses to be shitty about my brother will be eaten by bears. I don't make the rules.
Episode 1
Okay, we open with Steven as our POV character, and he's...convinced he's a sleepwalker. All right, not terrible. Steven is now a bumbling nerd, which is probably an improvement; good luck making a billionaire playboy sympathetic in the 2020s. Jake would be the logical everyman POV from the comics, but I understand from fic that he's got a different role now. I'm confused about the accent, but it's only episode 1, and Steven clearly doesn't yet know who Khonshu is, or that Marc exists, so obviously there's a ways to go here. (Is Marc ... undercover inside Steven? Ugh, this is a trope I have seen and do not like.)
Did Marc kill Steven's fish? Did Khonshu kill Steven's fish? I'm baffled by the fish. Which is a nice break from the larger anxiety. I'm gonna try to worry more about the fish.
The bits with Steven losing time and finding himself in odd situations were distressingly close to the old tropes, but both of those happened to my brother, so I'm not going to bitch about them quite yet. I want to be as fair as I can.
Oh, hey, I recognize Harrow from the comics. What up, dude. How's the cult biz treating you?
The end of the episode, with the jackal thing chasing Steven into the bathroom, came RIGHT up to the line for me. I realized that what I was most afraid of was that the story would assign "good" and "bad" labels to the alters--make Steven the sweet, innocent one and Marc (or maybe Jake, I guess) the monstrous killer. The early flashes of Steven covered in blood didn't really help allay that anxiety. And now Marc is demanding that Steven let him have control in a pretty threatening manner. But so far, it seems like the contrast between Marc and Steven is one of competence--Marc is better at fighting and Steven is better at ... panicking? Unclear. At least Oscar Isaac is playing the protagonist, so his character(s) might remain sympathetic. Nobody has been monsterized quite yet.
I finished the episode with every muscle in my body locked up, waiting for the emotional punch in the face. But I did finish it, and I think I'm gonna try episode two.
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stressedbisexualtm · 5 months
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i will say, one thing i really enjoy is how a lot of traffic/hermit twt and tumblr casually enjoy the qsmp. it shows up (for me) mostly in the form of people say "cubito" rather than "c!", and i like that a lot. it's fun to see big life series or hc accounts talking about todays lore on the qsmp, or who their favorite cubito is, or which egg they think is the best/most underappreciated. even the people who don't really say anything, maybe just reblog/retweet some fanart or a clip of fitmc being gay as hell absolutely make my day. i like what the qsmp has been able to do- not just merging different ethic communities, but subdivisions of the english mc community as well. during the dream smp and that little while before the qsmp was announced, there was this HUGE divide between the dsmp and all the other sub-communities and how they interacted with each other. there was some division before, as there was bound to be, but it's become a really harsh line since 2020. and im thankful the qsmp has merged that break between the two halves of the english mc community. again, it's just really awesome (and a little surreal!) to see hermit mains talking about the qsmp.
And there are qsmp fans out there who have never even heard of the life series or hermitcraft! to those of you that might see this post, I encourage you to watch a little bit of either series. they don't have the same standards on lore qsmp does, but they're all really great and fun people who love to make content. they're all youtube videos, but i promise that doesn't diminish the fun! there is lore, bits that certain creators sprinkle into the life series, and at least once per hermitcraft season (at least since season 6) they have a big lore event happen. hermitcraft is currently on it's 9th season, and they have so many massive projects and games and have had more than one lore event this season. the life series is on it's 5th season, secret life, that uploads weekly and has some really unique and fun game mechanics and player interactions. (and with both series, don't let the lack of lore deter you! both fan communities are amazing, and we have a habit of creating our own lore that is really interesting to work with).
same to life series or hermitcraft fans- they swear a lot on the qsmp, and it's all livestreamed, but they also have so many interesting characters and stories and so much more they still want to tell. it's not all completely scripted either, and there are a lot of references and cameos you can find! there's a lot to enjoy here, and I hope someone who reads this will go see it for the first time.
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animedingus · 5 months
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I'll Help! ||Vinsmoke Sanji x GN!Reader Blurb||
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Hey! My name is Pres, I was a somewhat well-known writer for the Queen/Bohemian Rhapsody fandom back in 2019/2020 with my blog @deaky-trash!!! I have returned to write once more with my new favorite thing in the world - One Piece! I am absolutely in love with the one and only Vinsmoke Sanji, but please bear with me! I have only made it to Skypiea so far, so I don't have the most extensive knowledge! Hope y'all enjoy my first fanfic in a long long time!!!
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Pairing: Sanji x GN!Reader
Warnings: Smoking, Swearing, Injury
Word Count: 996
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You sat in the dining room of the ship, watching as that damn flirt cooked the night’s dinner. He moved gracefully across the floor, moving from one task to the next with such precision it appeared as if he were performing a well-rehearsed dance, each step and turn executed with the elegance and purpose of a seasoned dancer. His long legs moved across the kitchen swiftly, and there was something about him…
No! No, you can’t. He flirts with every pretty face. You can’t be the special one, right? But god, he’s so gorgeous… The cigarette smoke billowing from his cigarette and covering him in this sexy haze, his blonde hair that looked oh, so soft and shiny, his sweet smile. It was mesmerizing watching him cook, and he was so natural, so beautiful in this moment of doing what he loves.
“Need help, Sanji?” you asked softly from where you were sitting. He looked up from the stove and turned to you, that same damn smile plastered across his face. His cute face… No, stop that!
Sanji laughed a bit. “Sure! I wouldn’t mind some help.” His voice was so smooth, so sweet, and it was so much more loving whenever he spoke to you. Your heart swelled as you approached the kitchen counter, giddy to be helping him in the kitchen. It felt as if you were a little kid again, your heart pounding in your chest every time you approached the tall blonde. Even the sound of your name rolling off his tongue made you blush.
“How about you toss those in and watch them fry? I have to cut up some meat,” he said, handing you a metal bowl with sliced potatoes. He continued in a teasing tone, “I trust that you can watch some fries,” before giving you a wink and turning to the counter across from the stove.
You poured the potatoes into the frying oil, the hot oil splashing back and hitting you on the cheek and neck. “Shit!” you shouted, jumping out of instinct and knocking over the pot of scalding vegetable oil. The wood sizzled, and it splashed against your legs before Sanji could even react. You winced in pain and Sanji scooped you up, away from the oil and onto the counter. He himself avoided it, stepping over the burning puddle to grab a first aid kit from the cabinet.
“Are you okay?” he asked, stepping between your knees and applying burn cream to the areas where the oil splashed onto your skin. He was never this close before.
“I think so… Did it get you at all, Sanji?”
“No, no, I’m fine. Don’t worry about me, okay?” His gentle hand rubbed some of the cooling ointment against your cheek, making you blush. He squatted to wrap your shins in the bandages from the first aid. His hands were so gentle, and every touch to your skin was deliberate and sweet. He made sure not to let himself place too much pressure on the burns. He looked up at you reassuringly, wanting to be absolutely certain that you were okay. He cursed himself internally, wishing it were him instead. His frown was evident, and it made you upset in turn.
“Sanji… It’s not your fault, it was an accident. I promise, I don’t blame you at all for anything that happened,” you said softly, reaching down to rustle his hair in a show of affection. That frown softened into a pout, knowing that despite your forgiveness, he still blamed himself for your injuries.
“I still feel bad. Your beautiful skin, and your perfect face got burned.”
Seeing him kneel in front of you like that, with his hands on your knees and your legs spread apart, and that pathetic, begging pout on his face did things to you. You laughed a bit and motioned for him to stand back up, him following the direction of your hand. You cupped his face, pulling him close.
“I promise, Sanji. I’m fine.”
Now, his cheeks were glowing a bright shade of pink, his eyes darting around the room to avoid eye contact. Another giggle escaped your mouth and you turned his face to ensure his eyes locked with yours. You had officially broken the poor man, and it looked as if he was about to melt into a puddle alongside the oil on the kitchen floor.
Sanji finally met your gaze, his eyes a mix of concern and something softer, something more vulnerable. The warmth of your hands on his face seemed to ground him, and for a moment, the world outside the kitchen faded away. It was just the two of you, surrounded by the chaos of a minor kitchen disaster, yet in a bubble of intimacy that neither of you had anticipated.
"You're always taking care of us, Sanji," you whispered, your voice barely audible over the hum of the ship. "Let someone take care of you for a change."
His eyes softened, and the corners of his mouth twitched into a small, genuine smile. "I guess I'm not used to being on this side of things," he admitted, his voice a blend of amusement and something akin to wonder.
Then, in a move that surprised both of you, you gently pulled him closer, bridging the gap between you. Your lips met in a kiss that was tentative at first but grew more confident as Sanji responded. It was a kiss that spoke of new beginnings, of a shared understanding and a mutual respect that had blossomed into something more.
When you finally broke the kiss, the room seemed a little brighter, the mishap with the oil a distant memory. Sanji stood up straight, a newfound determination in his eyes. "Let me finish dinner. You should rest.”
“I could always help finish up dinn-”
Before you could finish, Sanji had already brought you back to your original seat at the dining table. “Absolutely not going to happen.”
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centrally-unplanned · 2 months
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"Suicide in protest" is not self-evidently the result of being "mentally deranged" if you believe your suicide may inspire others to protest or to support your cause.You may be wrong about that belief, but being incorrect is not the same as being deranged. This is what I wanted to distinguish in my exchange with Summer. It's true that any single act of protest is unlikely to yield major results, but that's true of any kind of protest. It doesn't follow that protest is always an irrational act.
I will respond to all your asks on this one, as I think its form of goose chase logic. You can try to construct some intricate chain about how this or that might be some logical act, and in the platonic ideal universe that is true. I was quite consistent (its tumblr, I wasn't publishing a paper so maybe not everywhere) on how its almost certain, its not some 100% thing, its not logically impossible.
But I am allowed to be a human being using my eyes observing reality. And that logic chain is irrelevant, it doesn't matter if "superhero movies valorize last stands" or w/e, because mentally well people *don't* watch those and then suicide themselves for arbitrary political causes. We in fact have a long track record of people who do these kinds of things. You mention in the other ask Christian martyr types, and we have those in the modern era, you don't need to go back to old bible stories. You know them as people like abortion clinic bombers! And they are mentally unwell pretty much every time, because in real life that is the precondition for someone doing this kind of thing if they are from this kind of social context. Fortunately Aaron was more moral/not quite as unwell as those who drag others down with them, but its the same state of mind, the same social phenomenon.
Personally I think that is this was someone burning themselves alive protesting the injustice of Trump having the election stolen from him in 2020 no one would be debating the mental state of that person here, but with the political poles flipped suddenly its heroism; but I wont put that on you, that would be unfair, you haven't said that. But for the wider discourse its almost certainly true.
Again there are exceptions out there, rare but it happens. But this isn't some abstract conversation. He was almost certainly mentally unwell, the evidence we have *already* suggests that, and while we might never get more evidence because that isn't how reality works if we do all the smart money suggest it will show more. Because sociology is real, humans aren't snowflakes.
I do admit that there is a strain in US/western culture that baits the mentally unhealthy into extremist behavior that, for the most vulnerable, can spiral from performative politicking to things like actual violence or self-harm. I am happy to admit that the line between "mental health" and "sociological phenomenon" is blurry here. But in this debate neither side of that coin is paying the bills of the "hero" stance, so I don't think its that relevant; I don't object if someone thinks its more the other side of that coin.
(If it helps by the way, I don't believe the rare odds are like 0.1% or anything, humans are very diverse. My strident tone is matching the confidence (with no evidence) that so many were trumpeting that this is an act of brave heroism that should be celebrate. I don't apologize for my tone, I think those statements are quite awful and should be met with strident condemnation if one is so inclined. But my stridency is not a function of the odds assessment or w/e)
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avaantares · 5 months
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Wait, Zhao Yunlan's gun is actually a...?!
(I've never claimed production meta for @guardianbingo before, but after the amount of time and research I put in on this, I feel like I've earned the "Zhao Yunlan's Gun or Whip" square, haha)
SO. GUYS.
Maybe this is something fandom as a whole figured out back in 2018, but I, who didn't hear of Guardian until 2020, did not realize until now and I need to share the knowledge because when I finally noticed, I made an unholy sound.
I've tracked down where Zhao Yunlan's gun came from -- or at least, what it most likely started as. Not the in-universe dark-energy-maybe-uses-bullets-maybe-doesn't-device-that's-best-not-thought-about-too-long, but rather the actual fake-steampunk-revolver-that-is-best-not-looked-at-too-long-because-it's-awful prop.
Y'know, this disaster:
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I was actually working on a different Guardian Bingo fill and needed to look something up for continuity, so I'd flipped through a couple of episodes at super high speed trying to find a scene. As luck would have it, one of my skips forward happened to land on the scene I screencapped above, when ZYL confronts Zhang Shi.
Normally we don't get this clear (or this stationary) a shot of the godawful gun prop. I'd assumed all along they had just taken a plastic gun, glued some extra bits and bobs on it to make it look fancy, and hit it with some dry brushing (fun fact: you can watch the paint flake throughout the series; check out the top of the barrel and the side of the cylinder in the above screenshot!) to make it look #steampunk like the abandoned aesthetic of 25% of the show (as I've said before, I have theories about what happened in preproduction, but that's another post). This sort of thing is exactly what I've done for cheap cosplay weapons or background props for film work that aren't going to be seen at HD detail range.
Anyway, since the detail showed up better here than in other shots, I paused the video to look at the random screws and hex bolts (why??) they'd glued on it, since I recalled that I had the aforementioned gun/whip bingo square to fill.
That's when I noticed a detail that had eluded me before: An inverted V shape at the bottom of the grip.
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Only looking more closely, that's not an inverted V. It's a symbol that I've seen a whole series of variations of over the past 15+ years... every time there's a new installment of the Assassin's Creed video game series:
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So I started hunting. The principal weapons in each game turned up no matches, but eventually I found a gun that looks almost exactly like ZYL's:
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It's not a perfect replica, but the details are certainly all there: The stylized logo; the leaves and swirls on the grip; the feathers up the back; even the Victorian scrollwork beneath the barrel.
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Now, what's really interesting is that this gun isn't actually from the AC game series. It's part of an elaborate fan project by artist David Paget that started as a class assignment back in 2014. Even though it gathered a bit of steam in the AC fandom and generated a couple of forum role-play groups, OCs and the like, nothing about this artwork was ever connected to a real Assassin's Creed title. So why would there be a physical version of a gun that was only someone's fanart?
This is where the smoking gun (*rimshot*) goes missing, because I can't prove any of this, and it's been long enough that digging through the archives of the internet to find answers is going to take way more time than I can afford to spend on a project I'm not getting paid for. But there are two likely possibilities:
Scenario A: Some employee in a toy factory somewhere in China got told, "This Assassin's Creed franchise is really big, so we need to be producing replicas from those games to sell. Work up some designs." So the employee Googles "assassin's creed gun," finds David Paget's very professional-looking art, and whips up a replica to mass-injection-mold without realizing it's not actually from a game. Later, someone on the cash-strapped Guardian production team needs a gun to mod, and finds a cheap toy revolver on clearance after several years of sitting in storage because there was little demand for a replica of a gun that was never in a game. They buy several, glue hex bolts on the cylinder for reasons unknown, and poof! Instant pseudo-steampunk!
Scenario B: Other fans were involved in the design. Someone did build a 3D model of David Paget's design that's still available on Sketchfab (screenshot below), and it's not unreasonable to assume that other fans could have thought it looked cool and built 3D printable models. Later, someone on the cash-strapped Guardian production team needs a gun to mod, and acquires the 3D print file of one of those models from the interwebs. They mod the file a bit, print some, glue hex bolts on the cylinder for reasons unknown, and poof! Instant pseudo-steampunk!
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Personally, I find Scenario A far more likely than Scenario B, for two reasons: First, the hero prop looks more injection molded than 3D printed, especially given the technical state of 3D printing back in 2017-8. And second... Budget-challenged dramas do have a history of picking up bulk video game replicas and using them as cheap props. I made a post back in 2019 about the WoW Horde shields we spotted in a different drama...
Anyway, no firm answers about the source of the hero prop -- the world may never know! -- but we have now confirmed that in some alternate universe (possibly one of the first eighty?), Zhao Yunlan and/or Zhao Xinci is an Assassin.
Wait, wait, wait... *recalls mechanics of how the whole Assassin's Creed frame story is supposed to work* Uh... so... who wants to write a genetic memory explanation for the whole Kunlun -> [lots of lifetimes] -> Zhao Yunlan thing?
.
(I did actually check the catalogue of a friend of mine who makes replicas of props from various media franchises to see if he'd done a commission of the David Paget design, since a surprising number of his custom pieces actually do end up on film and television, but while he has a gorgeous replica of a revolver that actually appears in an AC game, it appears he has not done the Zhao Yunlan gun. I didn't really think it likely, since he's in the U.S., but you never know.)
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moments-on-film · 8 months
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Moments on Film: Carmen Berzatto and Connell Waldron - Character Analysis
For the past few weeks, I’ve been a lot quieter on this site, and my analysis of The Bear, and that’s because I have been deeply engrossed in finally watching Normal People. I realize the show came out in 2020, but for whatever reason, I missed it when it was first released. Knowing that Paul Mescal has multiple films on the current/upcoming film festival circuit, All of Us Strangers, and Foe, the first of which, already garnering stellar reviews, and the latter, based on a sci-fi book of the same name, which I read and enjoyed, I decided to watch this piece of work from his oeuvre so I can better assess his range.
To put it simply, I found Normal People very compelling, moving, and heartbreaking. The acting from the two main characters is stellar. One of the other things I noticed, are the seemingly endless connections to the main characters in The Bear—in particular, Connell Waldron and Carmen Berzatto. Although these characters are different and a world apart, one in Chicago, Illinois and one in Sligo, Ireland, watching this show was like viewing many of the same problems through another character’s eyes.
On the surface, there are so many obvious similarities, (like the fact that they both religiously wear a chain necklace, Connell’s silver, and Carmy’s gold), but underneath there are multiple traits, insecurities, weaknesses, strengths, and patterns of behavior that stood out so clearly to me that I felt compelled to start writing this piece. In my opinion, both The Bear and Normal People are coming of age stories, because both feature multiple protagonists who are on a journey to discover who they really are and what actually brings them purpose, peace, fulfilment and joy. In a prior piece, I analyzed why I believe Carmy Doesn’t Know Who He Is Yet, and while the reasons may be different, the same is true for Connell Waldron. Below are several examples I noticed of the shared similarities between Carmy and Connell.
Please note: If you watch The Bear, but not Normal People, or vice versa, and you want/plan to, heart this post and come back to it after viewing to avoid major spoilers. If this doesn’t bother you, please, read on, and thank you, but I wanted to give fair warning. 🧡
Communication
Both Carmy and Connell struggle with this desperately. In The Bear, Carmy has trouble putting words to feelings, but he has them, he feels very deeply. In Normal People, Connell struggles to identify what he is feeling. These issues cause both of them, and the people in their lives, so much pain and suffering. Carmy’s life of abuse and trauma has forced him to stifle how he feels about situations he’s in, placate and appease others, and silence himself. In 1x6, Carmy tells his sister Natalie, “most of the time, I feel sort of trapped, because I can’t describe how I’m feeling.” Connell, on the other hand, is so worried about what others will think of him and his choices that he denies his true feelings, to the point where he often can’t even identify them himself. In 1x2 Connell tells Marianne that he struggles to know what he feels, “I might look back on something and think how I felt at the time, but, when it’s happening I never have any idea.” There are so many moments in both stories where one or two sentences would save them and their loved ones a world of hurt, but neither one is capable in several key moments that really count.
Crippling Indecision
Both characters suffer from this. In S2 of The Bear, Carmy is trying to straddle building his dream restaurant, and being in a relationship that is pulling him from everything he needs to be doing to open it. In 2x8, Sydney tells Carmy, “I just think you need to decide...” I have read much into this line because, due to his past, there are so many questions in Carmy’s life that he’s never been allowed to/allowed himself to explore enough to answer. In Normal People, Connell starts out not even knowing what he wants to study in college. He only comes to a decision when Marianne tells him very clearly what makes the most sense, based on her observations, and she’s right. Both of them look to the women in their lives go help them make key decisions.
Talent for Their Craft—with Barriers
Carmen is a talented and award winning chef. Before he’s left The Beef in his brother’s will, he conquered the world of fine dining. He’s risen to the top of his profession. He was even awarded the James Beard Rising Star Chef award from his time as a chef at Fairest Creatures, in Malibu and retained 3 Michelin Stars as CDC of Eleven Madison Park in New York. However, in S2, he struggles with crafting the menu for the new iteration of The Beef, The Bear. He’s torn between incorporating nostalgic dishes from his past, and new forward moving dishes created in partnership with Sydney. Connell is a talented student and sports player when we first meet him, and he goes on to be a “star” student at Trinity College, in Dublin, recipient of a prestigious scholarship, and editor of the publication of the literary society. However, in his work, (at times), as in his life, both suffer from his lack of communication. He receives a letter in response to a short story he submits that says his work “lacked a clear voice and confidence.” This problem affects all areas of his life, not just his professional one. Both Carmy and Connell’s work suffers because of their personal issues which they have yet to work out.
Soulmates
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The relationships between Carmen and Sydney and Connell and Marianne have many parallels. Both couples (yes, couples) trust and confide in each other exclusively. They are each other’s confidant, and safe place. This gets tested for each couple when they are not truly honest with themselves about what the other means to them and when they let outside forces mess with their cosmic connection. Carmy ends up going out with Claire, partly due to the outside pressure from his family. Connell has a beautiful budding relationship with Marianne in the beginning of the show, but capitulates to outside pressure from his group of friends to do what is expected of him and be with the popular, but mean, Rachel. When he does this, it illicited the exact same response from me as when Carmy ditched Sydney to help Claire run an errand. Both moments had me yelling at my TV, “what are you DOING?! How could you do this to her?!” The thing is, both sets of characters have such a magnetic pull on each other, that outside forces can only penetrate for so long. Their paths are deeply intertwined. Carmy essentially asks Sydney to join him in opening a restaurant, and Sydney says yes. Marianne effectively asks Connell to join her at Trinity College, and he says yes. Both decisions will advance their relationships, personally and professionally. I must note that I don’t believe either ask is selfish. Carmy sees Sydney has talents and skills that compliment if not exceed his, and he wants her to shine. Marianne sees Connell’s talent and passion for English and knows Trinity is the best school. Another beautiful parallel is the fact that they are so deeply connected they they can literally read each other’s minds. Carmy and Sydney regularly start and finish each other’s sentences. They think alike, they dress alike. Carmy selects a chef coat for Sydney that could have been designed by her. In Normal People, Connell actually tells Marianne, “you know sometimes I felt like I could read your mind…..but I don’t know…maybe that’s normal.” Marianne stares at him deeply and pauses before saying “it’s not.” And it isn’t. These two sets of characters have a connection that is unique, special, and written in the stars.
Wasting Time with the Wrong People
Both Carmy and Connell go through trying to force relationships with other people that are just not right for them. Marianne does this too. We have not seen this yet from Sydney, but we may, as the show (hopefully) goes on. Carmy, for a variety of reasons, tries to be in a relationship with Claire. Early on, Connell succumbs to pressure to be linked with Rachel, who he doesn’t even like. Later in the show, he is in a placid and passionless relationship with Helen Brophy. Both Claire and Helen are or will be Doctors. Claire is in her last few months of residency, and Helen is at Trinity studying medicine. Neither woman is right for Carmy or Connell, which pulls them from their respective soulmates.
People Pleasing and Trouble Saying No
Carmy’s abusive upbringing has made him a people pleaser to some extent. He has had the completely arduous task of literally being in charge of managing his mother’s emotions and mood swings, as well as his brother’s. He doesn’t want to rock the boat or make people upset. This makes him say yes to people and situations he may not actually agree with and is another reason why he has trouble expressing his feelings and what he wants. This is a reason why he drops his work and Sydney to please Claire when she asks for a favor. Connell, from what we know, has a loving mother, but he is an only child and has no father, and seeks outside validation from friends. He’s very aware that his relationships are conditional and he very much goes along to get along, much to his detriment. An early example of this is when Rob asks to copy his French homework and he hands over all of his hard work without question. In the background of this scene, you can hear another character ask someone else for theirs and they give an unshakeable, “no.” Carmen and Connell struggle with boundaries that would protect them because they don’t want to risk making people upset.
Anxiety and Panic Attacks
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Gif source: @birthdaysentiment
Both suffer from this. Actually both shows do an excellent job at uplifting the struggles of mental health, particularly for young men. Among other things, Carmen has undiagnosed PTSD from his trauma that manifests in sleep walking nightmares and severe panic attacks. When panic overtakes him, he literally is gripped in its clutches, and can barely breathe or move. The first time we witness him having a panic attack, it’s because he gets a phone call from someone asking for his brother who doesn’t know he has died by suicide. He gets so shaken, it impacts him physically and he has to physically remove himself from the restaurant. Connell has his first panic attack the moment he experiences just how conditional his friendships truly are. In 1x3, after he finally defends Marianne, his secret girlfriend who he loves, but is unpopular, to his friends, helps take care of her and takes her home, he shows up at school the next day and is relentlessly teased. Experiencing the way his friends will just turn on him on a dime causes him so much anxiety, he has to run to the bathroom and has a panic attack in the stalls. Connell also struggles with depression after his friend, later in the show, dies by suicide. He has a panic attack, so bad, he can’t even leave the house. Unlike Carmy (so far), Connell eventually gets treatment, and we see him start to even out emotionally. It must be said that during the final panic attack we witness Carmy endure, it is the thought of Sydney that pulls him through. Connell has treatment, but he also has the support of Marianne during his most major time of need. Both turn to these women in their lives for their strength in moments of great distress.
Al-Anon / Counseling Share Session
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Gif source: @birthdaysentiment
Season 1 of The Bear culminates for Carmy emotionally when he reaches a breaking point, and in an effort to get help, makes a decision to not only attend an Al-Anon meeting, but get up and share many details about his background and his brother and it becomes crystal clear how deeply his absence has and continues to impact his life. Jeremy Allen White acts this 7 minute uncut scene with his whole heart, making us feel for him in every moment. He is spilling his guts, while restraining his deep, deep trauma, sadness and pain. His eyes brim with tears the whole time, tears he has still yet to shed. In one of the final episodes of Normal People, at the recommendation of his roommate, Connell goes to a free counseling session, sits in a chair, and starts for the first time ever to truly speak his mind, including how the suicide of his friend has impacted him, what Marianne means to him, and how he hates his current station in life but feels like there’s nothing for him to go back to in his hometown. Paul Mescal, like Jeremy Allen White completely carries this scene with the power of his acting in an extreme closeup. Unlike Carmy, Connell breaks down, and his emotions gush out in free flowing sobs. Both actors make the correct decision to barely make eye contact. Sharing this much is new for them and makes them uncomfortable, so for the most part, they keep their eye-line down, but despite this, the vulnerability is palpable we can really and truly see, hear and feel all of their pain.
Coming to Terms With What They Want
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Gif source: @birthdaysentiment
I think the ultimate goal of both characters, Carmen and Connell, is to decide what they want, free themselves from the expectations, opinions, thoughts, or suggestions from others, and go get it. As I said, both Normal People and The Bear are coming of age stories. Both stories highlight the transformative power of love and the confidence to make choices for yourself with that knowledge that there will be someone there to love you no matter what. For Connell, it has been such a journey for him to come to terms with the fact that writing is his true calling. In the end of the show, he has the incredible opportunity to go to New York and take his place in a prestigious MFA program. At first, he is so scared to leave. Marianne is his rock and he loves her. He’s scared to leave and be alone in a strange city without support, without her. He asks her to come with him, but she knows this is a journey he needs to go on alone and she wants to stay in Ireland and live the life she’s living. She encourages him to go, and reassures him they will be ok. In The Bear, Carmy is not at this place yet. As I mentioned earlier, I have written about how at the present, Carmy doesn’t really know who is is or what he wants. However, we as an audience can see that his gentle spirit is attracted to art, drawing, and creativity. This has been beaten out of him, but I believe art is his true calling, he’s just never been allowed to pursue it. If we get more seasons of The Bear, I hope we will see Carmy have a similar breakthrough in reigniting and going after his dreams and letting go of what no longer serves him or brings him joy. I truly believe that he and Sydney will be a part of each other’s lives no matter what. In the kitchen or outside of it, in Ireland, or away, Carmen and Sydney and Connell and Marianne are connected in ways that time and space can’t break.
There are many, many other parallels to be made in both stories (which I may continue to write about). Connell and Marianne’s stories have come to an end, as Normal People was one season, and based on a book. We know where his journey takes him, but we can only speculate where else he may go, and if he and Marianne find their way back to each other. Carmy, on the other hand, is a character on a show that hopefully will have several more seasons, so his future is unclear. I just hope he can get the help he needs to heal and the strength and support to discover who he is and what brings him joy. I hope he, like Connell, mends and maintains his relationship with Sydney no matter where life takes him, especially if it leads him out of the kitchen.
Both The Bear and Normal People are at times, beautiful, tender, heartbreaking, poignant, and hopeful. They shine a brave light on what it means to be open, vulnerable, complex, flawed, trying, failing, succeeding, and most of all, human. Both series also show so beautifully how we need community and each other to raise us up, lift us out of our darker places and reach and keep reaching for light in our lives to be our truest and best selves. As Marianne tells Connell in the final episode as both she and Connell cry, “we have done so much good for one another.” I see this in Carmen, in Sydney, in Connell, in Marianne, and in so many other characters on both shows. And in this life, at the end of the day, isn’t that the most important gift? And we each have it—the ability to change someone’s life for the better.
©️moments-on-film 2023
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Peter Pan & Wendy (2023) - Thoughts
A little bit of brief background here; I’m a huge Peter Pan fan. I grew up loving the Disney animated film but the 2003 live action has always been the superior Peter Pan adaptation to me; Peter Pan holds a special place in my heart as my late nan who I was close with used to take me to the panto every Christmas, and my favourite ones were always Peter Pan.
So without further ado: I watched the new Disney’s Peter Pan & Wendy that came out on Disney+ this weekend!
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First, some live watching thoughts:
This movie is literally carried by Ever Anderson as Wendy, like no disrespect to the other cast but she literally carried this film in my opinion
By the way, anyone complaining about it being Wendy’s story is an idiot because the story has ALWAYS been Wendy’s story, ever since Barrie wrote the play and novels. Regardless of which version you watch, it always starts with her lamenting about not wanting to grow up and ends with her acceptance of the fact she must grow up - it’s HER journey, her development.
I have no idea why Disney/Lowery chose to cast two separate actors as Mr Darling and Captain Hook but I’m NOT a fan of that choice. Even in the animated film, they’re voiced by the same actor - it’s a part of Peter Pan tradition to have the actor play both roles, so it’s baffling that it’s not the case here.
I really wish this film had spent a little bit more time BEFORE Peter arrived to show us more of each of the children and also the relationship between the children and their parents. The film opens with a nice little scene of John and Michael sword-fighting whilst Wendy prepares to head off to boarding school, and then she joins them and their father scolds her for “this is how you choose to spend your last night in the nursery” and “you’re too old for this sort of fun”, which definitely works… but it’s very quick paced and it rushed by so quickly, like the film kind of just spends only a few minutes establishing “Wendy is being sent to boarding school the next morning; she doesn’t want to grow up; her parents want her to be a better role model to her brothers” and that’s it.
Also interesting to note that Wendy is not in a nightgown in this version but some kind of pyjama-ish undergarment outfit, plus a dressing gown
Wendy aggressively reading a book in her bed… same though
Nana appears but only in brief moments 😭 WE DESERVED MORE NANA! In this version she’s kind of more just a pet - they never mention that she’s the Darling family’s nursemaid and looks after the children, and there’s a brief flash where (I think) you see a young Wendy cuddling her as a puppy… like??? She’s not just a dog, she is not just a pet, she is the finest nursemaid on four paws because the Darlings can’t afford to hire one.
“I want things to stay the way they are.” “Perhaps I don’t want to grow up.” — same, Wendy, same
“Just imagine all of the things you would miss out on if you didn’t see where it took you… and all the things the world would miss if you weren’t there to do them.”
Mrs Darling’s lullaby was lovely by the way
Yara Shahidi as Tinkerbell is BEAUTIFUL. I love her facial expressions, and even though there’s less attitude and she’s not jealous in this version, I still love her
I know that the film was supposed to film in 2020 but Covid shut things down so they didn’t film until a whole year later, and obviously children grow very quickly… but Peter’s voice is so deep in this version, you can tell Alexander Molony hit puberty during lockdown. I feel bad for criticizing a kid about it because it’s not his fault, but it can’t be denied that he’s older than Peter is supposed to be. Ever Anderson was also 13-14 when filming actually happened, and while it’s slightly less glaringly obvious with her, she’s definitely a tiny bit older than most versions of Wendy. I think it’s more obvious with Alexander though because of the deep voice.
This version makes it seem like Mrs Darling is the storyteller and Wendy isn’t, which kind of bugs me to be honest but oh well
Let’s be honest, no adaptation will ever top the “Flying” scene from the 2003 version - that was a whole masterpiece in itself. This version does do a nice enough job though, all things considered, even if the CGI doesn’t always look quite right
I don’t want to slam how Neverland looks because I’m aware it was filmed in Newfoundland in Canada, which I don’t doubt is a beautiful place - what I will say is that I don’t know if there was some kind of ultra real gritty filter added on it if it’s something else, but to me it just wasn’t colourful enough. Neverland is supposed to be magical and vibrant and like a dream, not 100% rigidly realistic. They could have made Skull Rock shaped at least somewhat like a skull for God’s sake, just as an example
“Smee, make a note my cabin needs a new door.” “Yes… might I say, captain, that’ll be your third door this month-“ “and it won’t be the last.” — okay, I had a little giggle here, I won’t lie
Jude Law’s version of Hook has heterochromia which is definitely interesting - I wonder why it was included though, like what purpose does it serve the story
Wendy meeting the Lost Boys changed from Tink telling the boys to shoot her out of the sky and them nearly murdering her, to her washing up alone and running into them and Tiger Lily, which is definitely a choice
AHHHHH TIGER LILY SPEAKING CREE, SHE IS ALSO LITERALLY A PRINCESS IN EVERY SINGLE WAY LIKE HOW SHE SPEAKS AND CARRIES HERSELF
I am genuinely still on the fence about the Lost Boys including girls but at the end of the day… whatever. It’s not that big a deal in the grand scheme of things. I still find the “but you’re not all boys” “SO?!?” exchange cringey though, not gonna lie
Wendy’s response to the above being “well I guess it doesn’t really matter”, so true
I think it’s a good thing that the Lost Boys include non white and disabled kids (Slightly has Down syndrome) but also I really hope those kids stay off social media for a while because the absolute nastiness being flung around about them (especially Slightly) is disgusting
The Lost Boys being like “she’s too old” “she’s too grown up” 💀 that and Mrs Darling’s “darling, you barely fit in your bed” comment feel oddly meta and about the actors growing while filming was delayed
Wendy Moira Angela Darling realising her brothers have been captured by pirates: “…oh dear” 💀 the timing of it was perfect though lmao
Tell me that Smee did not just use the phrase “compatriots of you-know-who” in front of a man who played Dumbledore 💀
John: We don’t care about your rules, we came with Peter Pan! // the entire pirate crew eavesdropping outside: *groaning/gasping*
PIRATE SEA SHANTIES FTW
Peter Pan really disappears from this movie at about 20 minutes in (after appearing for the first time only 10 minutes beforehand) and doesn’t reappear until a whole 15 minutes later?!?
“I’ve found you guilty of being a child - and we can’t have children in Neverland” — IS HE FUCKING SERIOUS RIGHT NOW?!?!? (Hook was in fact deadly serious)
NOT TEDDY LOSING AN ARM 😭
Who the hell did Peter think he was tricking with that absolutely terrible disguise, it looks like stuck a mop on his chin for god’s sake?!?
Wendy being shocked that Peter is showing off as if that isn’t his whole personality summed up 😶
“Oh brother, Hook’s singing again” - I CACKLED IM SORRY
“Proud and insolent youth, have at me!” — I GASPED I TELL YOU, GASPED
PETER AND HOOK’S SHADOWS HAVING THEIR OWN SWORD FIGHT OH MY GOOOOODDDDDD
“Oh, Wendy… you’re still alive!” ASDFGHJKL
OH HOOK PLAYED DIRTY AND HE SAID HE LEARNED HIS BAD FORM FROM PETER DIXNDMALZPZOZL WHAT IS GOING ON
“For to die would be an awfully big adventure” - THAT’S THE MONEY LINE RIGHT THERE
“SHE’S A WENDY!!!”, and all that ran through my mind was the Barbie meme:
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Wendy finishing Hook’s sentences and cutting him off each time ASDFGHJKL we love a know it all
AHHHH ITS TICK TOCK THE CROC, I was so scared they’d forget about the crocodile so I’m happy he’s here
THE SEQUENCE WITH THE MUSIC AS HOOK IS RUNNING AWAY FROM THE CROC ASDFGHJKL COMEDY GOLD
WENDY FUCKING SLAPPED PETER ACROSS THE FACE AND IT DID A MOVIE MAKER CIRCLE FADE OUT ARE YOU SERIOUS RIGHT NOW WTAF-
“It was an adventure, wasn’t that what you wanted?” “Yes but I didn’t think it meant being shot out of the sky by pirates” — yeah, that’s a valid point I guess
Poor Tinkerbell just twinkling and getting absolutely ignored :/
“You have a magical fairy that makes you fly! And a gaggle of children that do your bidding with a princess that cleans up your messes while you’re off gallivanting with pirates” — OOF, also Tinkerbell and Tiger Lily both smiling and nodding their agreement of Wendy’s words asdfghkl love to see girls supporting girls
Wendy throughout this whole movie is pretty much just the “I came out to have a good time and I’m honestly feeling so attacked right now” meme
You’re telling me the Lost Boys hideout is no longer hidden in a tree but a GIANT tower?!? Not exactly hidden now, is it?!?
Wendy and Tiger Lily together having one of the best scenes in this movie, you love to see it ❤️
So what I’m getting from this adaptation is that instead of the Lost Boys actually getting “lost” and not claimed, Peter waits for them to say “I don’t want to grow up” then whooshes in and brings them to Neverland…
Okay so Wendy is still kind of seen as the storyteller in this version…? The kids ask her for stories so…?
“Wendy can be our mother” “goodness no! I don’t even know if I want to be a mother!” — I have thoughts about this??? On the one hand, I’m a book purist and for me I’m like “she does agree to be their mother tho??? That’s why she was brought to Neverland???” (And also she canonically has a daughter called Jane) but on the other I’m like “fair enough” because a) she’s a child and b) you can’t force people to have children if they don’t want them. Idk
Im 90% sure Wendy’s hair changed from a side parting to a middle parting at some point but I don’t know where or when it happened
Wendy singing a lullaby, which is actually a nice callback to her singing “Your Mother and Mine” in the animated film
You’re telling me Hook and the pirates have never found their huge ass tower hideout and that Wendy’s gentle singing was loud enough to reach the pirates and alert them of their location?!?
JAMES?!? As in Hook?!?
“It’s a kiss - I made it for you” — ITS AN ACORN NECKLACE IM-
Peter and Hook used to be best friends?!? Hook was the first lost boy in this version?!? Lowery doing his own canon at this point, oh my god
This film really missed a trick, like it could have really heavily leaned into the dark side of Peter Pan with the whole “you must never leave” stuff he says 👀
This film really wanted to be the 2003 version so bad, like the moment where Peter walks away after their conversation about Neverland not being what she expected and Wendy calls “Peter!”… it wanted to be the Fairy Dance scene WAY too bad
Imagine walking down their stairs into a room, turning around and seeing your brothers/the whole gang of lost boys tied up and gagged 😳
Hook saying Wendy’s full name and later dragging his hook over the door was creepy ngl
HE JUST SLASHED PETER ACROSS THE CHEST
“Captain Hook… I don’t think I like this adventure” *falls down 20 feet* — EXCUSE ME???
You’re telling me Peter survived a) a slash to the chest and b) a 20 foot drop?!? I mean I know he’s magical and all but…?!?
Eyyy Tiger Lily to the rescue, the women truly run this film
“Then listen… *hums awkwardly*” - I genuinely can’t tell if this film is supposed to be this weirdly hilarious or not
Mr Smee was the one who found Hook and rescued him, I’m-
“This is what growing up looks like.” “No. This is what it looks like when you grow up wrong.” - OOF
HOOK SNAPPING WHEN SMEE CALLED HIM JAMES 😭
“Execute every last one of them” sounds so much worse than “become a pirate or walk the plank” like sir all they did was be kids who haven’t managed to hit puberty yet and you’ve got them all screaming like they’re about to be mass murdered (which they are) 💀
Wendy offering herself instead, “they’re only children, let them live!” - ma’am you are also a child?!?
“Let them live, they’ll be good pirates - especially those two” (meaning John and Michael)… I love Wendy stepping up and looking out for her brothers, especially given at the beginning of the film she full on blamed them for the whole mirror situation
Peter being super injured and unable to fly so Tiger Lily has to help him 🥹
Why does this pirate shanty as Wendy walks the plank actually slap hard though?!?
Tinkerbell lifting her little prison up and smashing Smee on the head so she can help Wendy, we love to see it
The fact that Wendy thinks happy thoughts stepping off the plank and it’s not just her childhood memories anymore (like in the flying to Neverland scene)??? She imagines growing up and the things she could do if allowing herself to grow up?!? 😭
The utter silence after she steps off the plank followed by Hook being like “… hang on, there was no splash?!?”
Tinkerbell damn near used every single bit of fairy dust in existence just to lift up the ship and play what is essentially a huge joke on the pirates is such legend behaviour lmao
“You have the boy’s magic.” “No, this magic belongs to no boy!” — HELL YEAH WENDY YOU ARE ALWAYS THE MAIN CHARACTER
I’ll be honest, for a film where Peter is billed first he has done VERY little besides a small duel, get stabbed and nearly die twice
The depressed pirate who goes “well wake me up before one of them kills the other… again” is such a mood lmfao same
It’s interesting that it’s Wendy with the flight skills as she fights and Peter without the flying I guess??
Wendy and Tiger Lily are literally saving every single other character’s asses at this point, like they’re the only reason anything has happened in this film
Rotating the entire ship was not something I thought I’d ever see and yet here we are
Peter falling off the upside down ship and Wendy catching him?!? And the fairy dust rubbing off onto him??? (Literally what even has Peter done in this film I feel bad for saying it but…)
I kind of like the idea that Peter and Hook intentionally don’t kill each other because both of them live for their battles and it’s almost like a game, a cycle, that Neverland lives off of? Idk if that makes sense lol
“Oh captain… Grow up.” - I CHOKED SHE GAGGED HIM
Peter grabbing Hook by the hook so he won’t fall and saying “I’ve got you James, just think happy thoughts”…???
“Peter… I haven’t got any…” AND THEN HE FALLS, DETATCHED FROM HIS HOOK?!? I KNEW HE DIDNT ASDFGHJKL BUT LIKE THIS?!?
I’ve literally only just realised that the Teddy has a fork as a prosthetic arm 💀
“It’s time to get these lost boys home” - what she REALLY means is “let’s take them back to my place and I’ll tell my parents I’ve adopted ten children on their behalf” 💀😂 that part always makes me laugh in any adaptation/version of the story, I won’t lie
So basically no time has passed in the real world while they’ve been in Neverland? No Mr and Mrs Darling keeping the window open for when their children return???
“Boy… why are you crying?” - IM SHAKING, CRYING, SCREAMING, THROWING UP I HAVE CHILLS
You’re telling me Peter lived in the exact same house as Wendy as her brothers???? That’s why he kept returning to that house, not because Wendy believed strongly in him or he liked her stories but because it was his old home?? 😶
“I’m just a story, told to any child who’ll listen” - oof true. Kids today don’t really know Peter Pan anymore, which is super sad - they know Tink but they’re not as familiar with Peter Pan these days
“You know, Peter… after all this… I think that to grow up… why, it might just be the biggest adventure of all. Just think of all of the things that could be right around the corner that you’re missing out on. Think of what the world is missing out on with you not being there to do them.” 👏👏👏
THE SHIP LITERALLY RIPPED THE CHIMNEY OFF GOOD LUCK PAYING FOR THAT GEORGE
Wendy crying as she says goodbye to Tink 😭 “and please don’t forget about me”
WENDY BEING ABLE TO HEAR TINKERBELL SPEAK ASDFGHJKL BEAUTIFUL… “thank you for hearing me” - I DONT CARE, THATS SO POETIC???
Wendy carving her name under Peter’s so now it says “Peter Pan + Wendy” 😭
Hook is still alive?!? I don’t know why I’m so shocked at this point lol
The way Hook and Pan smiled at each other when Peter returned, oh boy here we go again
The end credit animations are so pretty omg
So, overall… it’s not the worst Disney remake. It’s truly not that bad, at least not enough to warrant racist morons bombing it with one star reviews. It’s definitely not a patch on the 2003 version, at least not in my opinion - that one will always reign superior, at least to me.
Some things:
I definitely feel like this film was carried by Ever Anderson as Wendy, she literally did the most and seemed the most well suited for her part overall
Jude Law was actually better than I thought he would be as Hook, Jason Isaacs is still my favourite but Jude is alright
I think Alexander Molony had the right spirit, I just think that he wasn’t given all that much to do and also it was very noticeable that he was on the cusp of adulthood already. Had the film been filmed when intended and not delayed, I think his performance would have come across better
The other kids and the pirates were super fun too, but not really given a lot to do either, which is sad. Would have loved to see more of Jim Gaffigan as Smee though
Yara Shahidi as Tinkerbell and Alyssa Wapanatahk as Tiger Lily were also amazing and big standouts, shoutout to them both!
Mentioned this above but will mention it again: I don’t understand what the point of casting a separate actor to play Mr Darling was. Yes, as I mentioned, there’s the dual casting thing - but also Mr Darling was in this film so little that there was zero sense in hiring a whole other actor to do the part??? He’s literally got a total of like one and a half minutes screentime?!?
Putting the crocodile in just the one single time was a fucking crime, I tell you! Why was he only in one single scene?!? 🐊
The CGI wasn’t the worst I’ve seen but it definitely could have been a bit better
Here’s the thing: the original animation was 1h21 and this one is 1h46… and yet this one felt way more rushed for some reason? It’s like the film hits the basic plots, like ticking them off, but doesn’t actually embellish or explore them properly. It’s just so rushed and the film suffers for it
I truly think this film would have benefited from letting us get to know the Darling children even better at the beginning before Peter arrived, because the most developed of the three is Wendy and all we know about her is she’s going to boarding school and her parents want her to be a better role model/set a better example for her brothers. All we know about John and Michael is that they’re Wendy’s brothers and they like to play fight - they don’t really feel like proper characters, they’re literally just there
I’m still waiting for a Peter Pan adaptation to just bite the bullet and give us that flash forward of Peter visiting an older Wendy, meeting Jane and taking Jane to Neverland - the 2003 version did film it but it’s deleted and the special effects aren’t done on it (you can watch it online but still)
I want to know where in Barrie’s text it says Wendy wanted to become an airplane pilot or that she actually fulfilled that ambition… ?!?!
The soundtrack was good - not the masterpiece that James Newton Howard’s is but still pretty good
Overall, I’d give it a 6/10 maybe. It wasn’t the worst Pan movie or adaptation out there but it’s not the best either, at least in my opinion. It IS one of the better Disney remakes though, and if it had been a bit longer and had a better budget then I’d say it should have had a theatrical release because the cinematography is STUNNING. It’s just that it very much feels like they rushed the story and had a smaller budget than hoped for.
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ntntpad-art · 2 months
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reuploading some old art from 2020 I was in my That 70s Show phase and I must have re-watched the whole thing like 4 times. I was always an avid HydeJackie enjoyer since I was a kid so naturally I had to do some zenmasters fanart. Never uploaded this art to many places since it got stolen and re-uploaded like crazy on Instagram and it got MILLIONS OF LIKES on somebody's That 70s Show fan account and never credited me (cries) I had also stopped drawing so much Hyde and Jackie since D*nny M*sterson's case was happening around that time and I didn't think most people would appreciate this type of art,,,,, ANYWAYS If anybody saw this art making its rounds on IG back in 2020, it was me :]
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aimmyarrowshigh · 1 year
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My dearest, darling Aim, do you happen any thoughts and/or comments about that new Velma show that just came out, because it just sounds horrific and I made the fatal error of watching about a minute of some cisgender white dude's critic of it on youtube and I'm more than a LITTLE FROTHY about how he was basically 'Welp, that's what happens when you try to shoehorn the remake of a classic show into being more ethnically diverse and it's like that because Mindy Kaling is dumpy and unattractive.'
::THE HEAVIEST OF SIGHS::
As a disclaimer before my comments: I have not watched it and I don't plan to watch it. Basically as soon as I saw the first trailer, I said, "This was not made for me, a person who loves Velma and Scooby-Doo."
Because that's the thing -- it was not made for people who love Velma and Scooby-Doo. It was made for people who don't think loving anything is cool, and specifically, who think "nostalgia poisoning" is a thing and want to "ruin your childhoods" because "it's time to grow up" or whatever. It exists in the same vein of humor as the last ten years of South Park, or Seth Macfarlane's whole career, where the only comedy thesis is, "If you care about anything, you're a rube."
Because it's not just Velma and Scooby-Doo that the new show takes potshots at. It's also true crime fans (who are pretty much only women), it's Other Girls (shown to be vapid "bitches" AKA Daphne), it's people with mental illness, it's adult cartoon watchers as a whole, it's people who genuinely want diversified television, it's the idea of friendship. And it's ALSO people who hate true crime fans, and people who hate Other Girls, and people who hate diversified television. Because there is no "right way" to watch the show. There's no underlying person you can be as an audience member and NOT be shit on by the show.
If you hate that they made Velma Desi, then the show is going to shit on you for it, but not because you're a bigoted loser -- but because you care about something.
If you hate that they made Velma an odious quasi-fascist with a serious streak of internalized misogyny, the show is going to shit on you -- because you care about something.
The only way to be "cool," in the vein of comedy that HBO Velma exists within, is to aggressively not care about anything. But don't Not Care too aggressively! Because that circles back around to caring about seeming cool, and that's not cool!
And I'm gonna be honest:
Mindy Kaling has always had a problem with desperately, desperately wanting to be seen as cool. (See title of autobiography, 'Is Everyone Hanging Out Without Me?')
In the 2000s, when she was in Hasty Pudding (iirc) and the youngest writer on The Office -- a show which DOES NOT HOLD UP in 2023; if you still think The Office is hilarious in 2023 I find you a DEEPLY suspicious person -- it seemed revolutionary and rebellious to openly be a non-thin, nerdy girl and say, "I really wish I were cool." And it was, for the time! That WAS revolutionary and rebellious! It's what built Mindy Kaling's career (and also Tina Fey's, another writer whose work Does Not Hold Up in 2023).
And in the 2010s, with The Mindy Project, being an adult woman who wrote frankly about desperately wanting to be cool was kind of fresh-ish, and the ways that Mindy's character undermined herself to try to get what she wanted felt if not relevant, then unfortunately relatable for a lot of people. But she also ends up with a dude character who, in the FIRST EPISODE, calls her fat. To her face. Many times. It's never addressed again, and it's not played as a dealbreaker... obviously. Because she ends up with someone who fundamentally doesn't respect or like her. But she ends up with somebody! And that's what matters! Because it's cool to have a boyfriend!
In the 2020s, Mindy's shtick is extremely outdated, at best, and is an active choice by Mindy to be harmful, at worst (and frankly, with Velma, most likely). Mindy's shtick is not, "Some girls aren't cool, and that's okay." It's literally, "If you're a girl who isn't cool, that's not okay."
And that's THE FUCKING OPPOSITE OF THE POINT OF VELMA DINKLEY.
I've seen a lot of posts that are either comparisons or contrasts with Netflix's Wednesday, and I don't really have a dog in that fight because like, I enjoyed the unintentional sapphic vibes of Wednesday a lot and I thought Jenna Ortega was great, but the show as a whole fundamentally misunderstands The Addams Family, so I'm overall like, "eh." BUT. What both the comparisons and the contrasts of Wednesday and Velma hinge on is this:
Neither show understands, or cares, why the characters they're based on are beloved in the first place. They don't actually want to interact with the source material, and they don't actually want to court fans of the source material. If anything, they want fans of the source material to avoid the show so that the streaming service they're on can have a young, hip demo tuning in.
And what they don't understand about Wednesday and Velma... is that the reason they're beloved... is that they like who they are.
Wednesday is macabre, but she's a happy kid. She likes what she likes. She gleefully electrocutes Pugsley not because she likes causing pain, but because it's fascinating to see what electrocution does. She beheads her dolls and then sleeps with both pieces in her arms. She studies the Bermuda Triangle because it's fucking interesting that whole-ass ships and planes disappear! She likes the things she likes. She likes who she is. She LIKES THINGS. She's not miserable or misanthropic or nihilist. The line that Wednesday most got right of Wednesday's dialogue was "no one gets to torture [Pugsley] except me," because she's a fierce protector and an Addams, first and foremost.
(Insert 96-paragraph rant here about how The Addams Family (2019) and The Addams Family: The Musical also fundamentally misunderstand this about Wednesday, the musical perhaps worst of all. Wednesday does not want to be normal. She just doesn't want to be perky.)
Velma is a nerd and a dork and a geek, and she could not be happier about it! She's gonna kick your ass at the science fair! She will correct the grammar of your 'kick me' sign on her back and return it with red pen! She's a skeptic not because she hates caring about things or hates belief, but because she loves learning and she loves evidence. The only girl that Velma has ever had any negative relationship with that I can recall is that she and Marcie Fleach had some tension because they were equally smart and smart people sometimes compete to be The Smartest, but then in the end THEY WERE IN LOVE AND GIANT LESBIANS. And then Marcie got murdered by a paranormally enhanced parrot, but whatever.
There's a REASON why there's never been -- until this HBO show -- a whiff of jealousy that Daphne is traditionally beautiful or that Fred adores her. (I mean, part of that is that Velma is a lesbian, but also VELMA DOESN'T WANT TO BE DAPHNE, SHE WANTS TO BE VELMA.) The only "love triangle" that the Scooby gang has ever had was literally INCLUDING THE DOG, because Velma does not hate anything about Daphne or who Daphne is. She celebrates who Daphne is. She loves who Daphne is. She would never, ever, ever call Daphne a bitch.
But here's the thing: I genuinely don't think that Mindy Kaling can conceive of a weird girl being happy with who they are.
I don't know if it's a generational, grew-up-in-the-80s thing, or an effect of racism she experienced as a Desi girl, or because she's frequently been the only woman in a comedy writers' room, or if she just as a defective personality.
But I think she looked at Velma and said, "This girl makes no sense unless she's miserable, angry, and maladjusted."
And I think Tim Burton looked at Wednesday and said the same thing. But I also think Tim Burton looks at literally all women always and says that, so whatever.
I think Mindy Kaling deeply, deeply hates herself. And she can't write female characters who don't also deeply hate themselves.
But that's not Velma.
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absolutebl · 1 year
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BL Streaming - Which Service is Worth Your Money?
I’m bored and I have a little extra time this morning so it’s time for ABL to play with the spreadsheet of doom. 
Occasionally I get the question: 
If I were to subscribe to only one platform for BL which should I pick? 
This post is dated May 2023. 
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First things first. I am going to be (somewhat) objective about this and not judge on quality of content. Because if KinnPorsche is all you love in life, obvs you need iQIYI, but if you are a HIStory franchise stan, than it’s all about Viki. Those are your life choices, I’m just here to play numbers games, okay? 
Secondly, some shows air on multiple platforms, particularly Viki & Gaga, but sometimes it’s Gaga & YouTube, occasionally it’s even iQIYI + others. This has only started happening in the last few years. Bed Friend was on 3 different platforms (GaGa, iQIYI, YT) - even though it was originally announced for Viki! I honestly don’t know how to track this, so I tend to log the spreadsheet with my preferred watching platform for that language, this will throw the numbers off for those platforms. 
Since I join everything my platform preference choice is based on:  
the quality of the subs/captions   
the quality of the user experience  
My subs experience tends to be: 
YT = best for Thai
Viki = best for Korean and sometimes Japanese, okay for Thai
Gaga = best for Chinese and sometimes Japanese but very weak Thai subs
My user interface preference is: 
YT, Viki, Gaga in that order then everyone else with iQIYI at the bottom. This is because I watch on mobile devices. 
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ASplay, WeTV, former Line, Amarin TV, Netflix and the other smaller suppliers (and apps) will all be grouped together for this assessment. Since they have so few offerings, by default I would not recommend subbing those platforms unless you are a hard stan of all BL with disposable income. 
Super bad BLs that I watched back in the day on grey sites or YT (pre 2020 crack down) because there were no other options and I am a completest are still listed as grey. I would never suggest anyone watch these shows anyway, so I don’t care if they have now shown up on legitimate sites. If they are somewhere, it’s likely Gaga. Which means Gaga’s percentage of the market share is probably UNDER reported by my numbers. 
Movies and cinema-only releases that never got international distribution fall into the “grey” category. If I got it off an indie subber, since that too is technically illegal, it falls into the grey category as well. 
Final note: This is from a USA based IP, I don’t use a VPN, so platforms assessments are from that perspective. 
Spring 2023, current state of the spreadsheet. AKA 
Our BL Data Set 
Total # of BLs = 564
# of BLs ongoing (so finished runtime is best guess) = 18 
Just Answer the Damn Question 
Round Number of Actual BLs - % of market share
YouTube = 218 - 38.6%
Gaga = 148 - 26.2% 
Viki = 77 - 13.7% 
Grey = 53 - 9.4% 
BLs I’ve never been able to find on any platform (including grey): 36 - 6.4% 
iQIYI = 14 - 2.5% 
Other platforms = 12 - 2.2% 
Margin of error: +- 1% (look I’m just not driven to be that accurate here)
Subscription Platforms Breakdown  - % of market share
Eliminating YouTube, Grey, and missing BLs. Viki is included because I do not know which of theirs are behind the paywall and which are not. 
Total subscribe-only BLs: 257 
Gaga = 59%
Viki = 30%
iQIYI = 6%
Sml sites/apps = 5%
(rounded) 
Okay but how about actual runtime? 
Gaga = 360 hrs - 44% 
Viki = 311 hrs - 38% 
iQIYI = 98 hrs - 12% 
Sml sites = 50 hrs - 6%
Anyway you cut it... on pure BL standards...
GAGAOOLALA WINS 
Other consideration? In most places Gaga is ALSO the cheapest per month option. 
Final Thoughts
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YouTube (America’s Alphabet) 
YT has the most pieces of content and longest overall runtime because of all the Thai stuff. ALSO bootlegs show up there, especially the early Chinese and Japanese stuff. They will often get taken down and you have to hunt for it again. YT takedowns come in waves, every 6 months or so.
However, GMMTV, some Star Hunter, some Studio Wabi Sabi, all the Vietnamese & Pinoy stuff (until now), and a few choice bits of Strongberry are YT content.
YT’s app is the best UX of a poor set (for me), but the web based YT at Premium level doesn’t work with Firefox. I use YT for work A LOT, so the fee for Premium ($13.99) and lack of ads + downloads (travel) is worth it for me, but I think it probubly isn’t if you’re on a budget. 
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GaGaOOLaLa (Taiwan’s Portico Media) 
Of the pay to play platforms, GaGa dominates with the most BLs by all metrics. If you’re intersted in darker BL, GL and other queer content, very high heat, the history of the genre, or Japanese stuff - most of that is on GaGa. Also all of Strongberry and some of the newer queerer series (like My Ride).  
At $6.99 a month it’s ALSO one of the cheapest options. 
Gaga is based out of Taiwan, the only Asian country with marriage equality (as of 2022) AND it specializes in exclusively queer content so they need our support. If you can afford them, you should support them. GaGa is the only platform that will always have more BL, guaranteed (so long as Taiwan is autonomous). Ironically, you can follow their YT channel for previews and teasers to their latest series, short content, and acquisitions. 
Their app isn’t great, but their web-based interface is fine. That said: there’s no categories (way to organize), and the way they roll out new episodes is unintuitive. Their mobile app ALWAYS pauses not mater what you actually want it to do and the lack of the quick skip ahead is frustrating. 
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Viki (Japan’s Rakutan)
Viki specializes in longer series, mostly Thai, Taiwanese, and a few of the Chinese bromances. It also now has a lot of KBLs. But in general only more recent stuff (2018 is as far back as they go).
At $4.99-$11.99 depending, it’s low to average cost. I’m not sure which one (if any) you actually need for BL. Most of my favorite new shows tend to air on Viki, and I like Rakutan as a parent company, so I don’t mind supporting them. 
They happen to have 5 of my top ten BLs, which is A LOT (since I hand out 10/10 so rarely). So for me they host the objective best BL content. 
They have the second best app (after YT, it’s kinda a combo of YT + Netflix) but the lack of a speed-up option is frustrating for many. Also the desktop version is super buggy. But they DO have categories you can name and control, which I love.
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Other Platforms 
iQIYI - is Mainland China based (hello Baidu, you ugly fucker), so the platform getting/pimping BL for an international audience only is… how do I put this?… oh yeah: shitty. I will often rename it Icky, for this reason. It clearly wants to break the market, but… do we want it in the market at all? How long will they host BLs? When will they be shut down and censored? I would say it’s only worth it if you really also like Chinese dramas. And even so, Viki also has A LOT of those. Unfortunately for us, Wabi Sabi seems to have cut a distribution deal with Icky. And, of course, there is the KinnPorsche situation (so ironic that Icky hosts the highest heat). The interface is a nightmare. They have the WORST app, even when you pay, it serves ads, some of which alpha crash the platform. 
Netflix - here in the states it almost never has new BL content. Sometimes some old stuff. They tested the waters with SOTUS and Love Sick. I have a feeling they aren’t particularly intersted in this market. So if BL is what you watch, don’t bother. At last check they still had Gameboys and Your Name Engraved Herein and Wish You. 
WeTV - acts like LineTV used to, has Manner of Death and We Best Love and a few of the more obscure Thai pulps. But probably not worth it for anyone but a completest. 
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Grey - Unknown or No Distributor 
Indie subbers: there’s some BLs that you can watch by supporting indie subbers who supply private links to their personal versions. This is not legal, but it is a slightly nicer way to get stuff you can’t find anywhere else. I’ve done this for some Thai and Japanese stuff.
I find the leads for these sources here on Tumblr. If someone is giffing and talking about a show and I don’t know how they are getting hold of it, I simply ask.
DramaCool (USA) & Dailymotion (France) & Bilibili (China) and others - AKA the grey space. You SHOULD feel guilty using these sites, you’re stealing, but it’s where many of us go for BL we can’t find anywhere else (in defiance of what few morals we have left). These are BLs that originally sold to very odd platforms or never got international distribution. Unfortunately, some of my favorites are in this category like Great Men Academy or Seven Days. It’s a nightmare. The ads are terrible and the virus/bug risk is high. They get taken down all the time. Or the leads are faked. I use an old computer to access and suggest you take all necessary precautions yourself.
P’ABL SOAP BOX TIME
Look I work tangential to the entertainment industry, so if you thought I wasn’t going to learn you a little on this subject, you got another think coming. 
HERE’S THE THING: 
You watch a show on one of the grey platforms, ESPECIALLY if it actually has distribution on Gaga or Viki - you better review that shit. You spread the word and advocate for that content here, on MDL, on social media, with fan art, I don’t care. You steal it, you find a way to pay back in your time and/or creativity. 
I get it if you’re poor, but don’t be a goddamn scab. Find a way to reward content creators with non-monetary support. If you had the time to watch the thing you stole, you have time to pay it forward in some substantial way. Do this even if you didn’t steal it but got it for free. Do this if you read fanfic. Do this with articles, blogs, books. Do this with podcasts. 
It isn’t hard to be a decent human and support creators. Don’t you dare just TAKE. If you’re that kind of person stop reading this blog immediately. I don’t want anything to do with you and you don’t deserve my words or my spreadsheet of Doom. 
/rant 
MORE ON THIS TOPIC WITH FOLLOW UP QUESTIONS
Original post on this subject that I adapted for this post. 
(source)
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inspectorcrayon · 1 month
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It's about time this gets finished- A compilation of Windell's skins that took months to complete. So why did I spend so much time drawing back sides to his skins? It's the skulls, baybe. Its always the skulls. Me rambling about design notes under the cut- It's Very Long.
Nostalgic Windell's design is in part, made to contrast regular Windell's appearance. Windell wears blue and Nostalgic Windell wore a brown jacket.
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This is what he wore in his last day on earth, right before he gets yoinked to the Constant. He has a festive look as he disappeared during a trip to a carnival. ------ Windell's Guest of Honour was designed really early on, along with his Survivor and Triumphant. Which was around 2017ish.
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GoH Windell never deviated much from his oldest design, I didn't really put much thought on his outfit other than 'Windell, but fancy'. He loves dolling up people but he's not really a fan of partiying himself, that's why he looked really sad here. ---- The Survivor skin was... It was a mess trying to make it not at all cluttered.
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I loved the idea of him looking stitched up and sporting a stubble along with other accessories, but I decided to drop that in his more recent designs because idk, I just personally didn't like how he looked in my new style. I'm just very uncertain with this design in general. The stitched pants was something I think is neat ig. ----- Roseate Windell went through a lot of changes because I didn't know what to do with him for a while??
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My main problem with his earlier deisgns was I was trying to make him feel 'distinct' like a proper skin from regular Windell. And I just struggle to give him a hairstyle that is not only not a pain to draw every time but also... actually nice to look at??.
I hit that sweet spot in his 2022 design and as MUCH as i LOVE his tentacle-like, spiny coat, it just doesn't look good when I imagine them as dst sprites. (It's not like I'm actually gonna make sprites of this skin but making sprites for his mod made me understand dst's design conventions(?) a bit more??)idk.
Roseate went from 'ew he looks really boring to me' to 'omg a personal fave'.
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Also he looks like this without his extra coat ----- Gladiator Windell... Fun fact: His armor is heavily inspired by Killer Queen from JJBA.
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It really shows in this old portrait pic. Simplifying his design was painful but it had to happen. I had no idea how to color him back when I first designed him so I just did the easy thing and colored him with Windell's existing palette. I made him grey in his final redesign because again, I didn't want him to look too similar to his usual look, but I doooo think the blue looks better on him ngl... -----
I love Snowfallen Windell (Even if his hair will give me grief one day) He took some inspiration from Elsa frozen.
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Though, he did have an older look. As with most of my 2020 designs, as much as I love the older version, his hair just doesn't look like a separate skin. Hence he changed radically in his redesign. The final design is in a way, a fusion between the older designs. ----- Contender Windell is a case of me designing a skin and ending up with a suit. As much as I adore suits, they can begin to look same-y after a while.
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I watched some WWE as a kid and I always found it hillarious to see suited people in the ring. Windell's first design here references that. Also there's the steel chair meme. I like the concept but he looked really plain next to the other contender ppl when I drew him fr. The 2022 design is the result of trying to fit him in with the others and I think he looked great. His final design didn't change much apart from the hair to further make him different from Windell's og hair. ----- Magmatic Windell The Magmatic skin set itself is a bit of a mess when it comes to theming. So I just took reoccuring design features and mashed them together for this.
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Fire nation fashion, gold(?) accessories and flre-like hair. There's little thought involved in the process. Though, the addition of the red tattoo-like markings on Windell made him better to look at ig. I dare say, this design warmed up to me. ----- So many horror icons... but which one would Windell embody? His Hallowed Nights is the Corpse Bride (but genderbent) and I had fun with this one.
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I know, I know this is yet another suit, but he has enough details to offset that. For a dash of irony, he's supposed to have drowned. :) -----
Windell is Irish (Welll, Irish-American to be specific) This is all the notes you'll need-
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His final design have better colors :D ----- I decided to go by a theme among my own ocs with the Merrymaker skins based on A Christmas Carol, since Maxwell is clearly Scrooge. Merrymaker Windell is another one of my personal favorites-
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He's supposed to be the Christmas Ghost of the Past. ----- Windell used to have a proposed mechanic where each skin has several designs and they get cycled every time he gets ressurected through a certain way.
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Victorian Windell's final design is heavily based on a particular alt of his og victorian design that I liked more. I just added stuff to make him look cooler :B ----- There is little in the way of customization in the Line Cook set. But whatever, he still gets a skull on the back of the fit.
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His frock used to be green too. ----- His Halloween Costume is of a tentacle. His favorite mob.
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I made his redesign also akin to a little gnome/witch. Also someone called him Gargamel once and that makes me smile to this day -----
Swashbuckler Windell already existed long before Klei released the set. He was part of a pirate au and he's supposed to be a pirate hunter.
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So ig he became canon when Klei decided to make that set. His cape had to go though. ;-; His final design was also partly inspired by P from Lies of P. ----- Moonbound Windell was a challenge to design as he's supposed to bounce off from his Tri design. This skin is supposed to be everything that Tri isn't and so his colors will have to be mainly white and I had to discard my first design of him
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I loved WX's and Webber's moonbound designs so that also bled onto Windell's. As Triumphant Windell is calm yet menacing, Moonbound Windell is an angrier Windell. Alter whispered forbodden knowledge onto him and that only Pissed Him Off. ----- Maquerader Windell is heavily based on the costumes they wore in Cats (The Broadway one). Particularly Mr. Mistoffelees. I hated doing his lineart, but coloring really endeared him to me. Now, he's also very much beloved. ----- So Klei releases either a Nostalgic skin or a skin that's really out there with it's theming whenever a character refresh happens. This is what Windell would have in that case- Windell's refresh skin would be themed around being a sailor, inspired by Ishmael from Moby Dick. It's kinda a what-if as well. What if Windell decided to confront his fear of the ocean head on, becoming a sailor and joining a group of whalers. He still hyperfixates on the ocean as he does in canon. Also here's an alt design for this particular skin-
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----- And last but not the least- Triumphant Windell OH BOY. Man has history- Way before Klei unveiled the triumphants, I had this idea for a really old rp where Windell decides to join the shadows like Maxwell as Their spy in exchange for shadowy powers and stuff. But the twist is, he Looks Like Everyone else to blend in better. I loved the idea, but then when the triumphants came around. Windell just looked so plain next to them and so I drew this doodle and that was before I became inactive in the fandom until 2020.
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His 2020 incarnation was from a joke I made about Windell's 'real' triumphant was this jock who is also a bully and he has an eldritch car that he uses to run over ppl in the Constant. Also he's voiced by Bo Burnham :B Shortly after that I released his non-joke Triumphant design, which was heavily based on his 2017 version. He also can turn into an eldritch creature made of needles and yarn. He's called The Yarn Man because of this. More on Yarn Man- (cw: there is body horror) My problem with Yarn Man is, his hair just changes in every drawing because I didn't know how to properly draw it. Until his 2023 version. _____ THERE YOU GO. THE WINDELL SKIN LORE.
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variousqueerthings · 7 months
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I think it's also interesting to see how things change depending on the time in which they're being engaged with. so I see things about rose today that point out that she's written to be 19 when she meets the doctor and that's a big age difference (which... I understand the point is it's a big age difference because billie piper was 23 and eccleston was 40, and then dtennant was like 34/35 when he started which isn't so big of a shift but anyway the optics I get what people are getting at, but also I think it does oversimplify a lot of what's actually going on in the written dynamic, anyway-)
and also that the rtd run's Themes start coming together properly around s3 (although they are present from day one), and in some ways at this point, because nu!who has been running for... fuckn. actually quite a few years, which is wild to me as someone who started watching as a kid, and I wonder if classic!who fans felt the same way about their show and anyway -- she shifts from being Literally The First Companion You'd Seen For 17 Years (not counting the movie and fan things and the sketch) Who Was Defining A New Era For A New Generation to... a companion
comparable to other companions, comparable to the rest of the show
we sift through the writing to see what worked and what didn't (in our opinion), and we know how the ten-and-rose storyline Really ends, and how the ten storyline ends (sort, of because now that doctor and donna are Back), and we know what happens afterwards, and we talk about tenrose with a 2020s eye, and rose is "just" one of the people that travels with the doctor, one of several, and notably the one who gets most of the sunshiney doctor that buries a lot of the (wonderfully portrayed) angst of the latter half of the rtd show, and doesn't have as much lore as everything after that, so the story is "just" more simple overall
and to me she's kind of incapable of being just that. doctor who was still a risk that first season, it wasn't a done deal that it would have legs at all, never mind that it would continue for as long as it has. rose was created to be the Face of what nu!who was, moreso than nine/eccleston, because even with the extra angst and the eccleston gravitas, we know the doctor, the doctor is established, it's not actually the doctor that needs to sell what the new show is going to become and what the Feel of that new show is going to be (I mean, partly ofc, but-)
rose was doing so much heavy lifting and she succeeded! she was the face of who before dtennant or any other doctor or companion of his era and subsequent eras. she was created to appeal to a demographic of girls who wanted someone relatable in science fiction, because rtd wanted this to be for the girls, and billie piper came into it off the back of being a popstar and it changed her entire trajectory (for the better I think/hope -- there's a lot of bad shit in billie piper's past and I'm always sending her a fond thought)
nine/ten-and-rose were It! not calling it romantic or platonic or any secret third thing (haunting the narrative), but simply It! that's why it has so much staying power as a ship (which, my opinion on shipping has been somewhat *eh shrug* in later years, but in early-days when that was how you engaged with dynamics that got to you, of course it was going to be massive). it's so hard to properly describe how "for the time in which it was made" that this dynamic was written for, and how successful it was. it was rose that breathed doctor who -- and the doctor's character -- to life, as much as herself
she sets the stage for everything that comes next, both within and without the show proper
and I'm always so pleased that rtd at the time was thinking about what was needed to create this character and he opened with a shot from a girl on the estate with messy hair, clumpy eyeliner, and a minimum wage job, and went "that's the girl who's going to go on the adventure of a lifetime, that's the girl we're seeing the story through and relating to, because that's what girls (and uh... those who were girls at the time - and their parents and the boys) should be seeing."
I know rose isn't the first working class companion including classic!who, but she set the tone for nu!who and her family and background are important to why she is who she is, and is explored
"I've got no A-levels, no job, no future-" said the girl about to see the universe
she was very much for teenagers, and so she reads differently when you're an adult watching it back (much like those "teenager saves the world," novels you loved as a kid), but that's why she's 19 at the beginning. that's why she's billie piper (who does a perfect job). she was there to bring a new generation into this story, and it was perfect. and then she grows up. and we grew up. and she had adventures and it was brilliant and she survived and she made a life for herself. that's her story
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digi-lov · 9 months
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how do u even start getting into Digimon?? there so much stuff, i dont even know where to begin. like, there is like a hundred shows??? do i start with the first one that came out??
Idk man it just happened??
No, but seriously, don't worry about it! There aren't even that many shows if you ask me. I'll put a list below the cut! I'll list all movies too, so it'll look like more than it really is. Also the dates are the japanese air dates.
Obviously starting with the first season, Digimon Adventure is an easy pick, it also has the most sequels and movies.
But aside from the Adventure related media, all other Digimon Seasons are completely self-contained, and you can just go and watch any! They also all explore "Digimon" and the Digital World in different ways. I personally loved them all.
For the anime I also highly recommend watching the Japanese original. I'm sorry for anyone who grew up with it, but I can barely stand watching the English Dub at all. If you know German though, the German Dub is really good. I still prefer the Japanese original, but the German Dub is at least a translation and not a fan fiction.
The same basically goes for the games. You can just pick any of them up! Also, all Digimon games kind of do their own thing in terms of gameplay and mechanics. There's similarities too, but usually each have their own vibe. A lot of the DS titles do work very similar though!
Anime:
Adventure: Digimon Adventure (Movie) (1999) • Digimon Adventure (Season 1) (1999-2000) Digimon Adventure: Our War Game (Movie) (2000) • Digimon Adventure 02 (Season 2) (2000-2001) Digimon Adventure 02: Hurricane Touchdown!! Supreme Evolution!! The Golden Digimentals (Movie) (2000) Digimon Adventure 02: Diaboromon Strikes Back (Movie) (2001) • Digimon Adventure tri. (6 Movies or 24 Episodes) (2015-2018) Digimon Adventure: Last Evolution Kizuna (Movie) (2020) Digimon Adventure 02: The Beginning (Movie) (2023) [Digimon Adventure: (Reboot) (2020)]
Tamers: • Digimon Tamers (Season 3) (2001-2002) Digimon Tamers: The Adventures' Battle (Movie) (2001) Digimon Tamers: The Runaway Digimon Express (Movie) (2002)
Frontier: • Digimon Frontier (Season 4) (2002-2003) Digimon Frontier: Revival of the Ancient Digimon (Movie) (2002)
Savers/Data Squad: • Digimon Savers / Data Squad (Season 5) (2006-2007) Digimon Savers The Movie: Ultimate Power! Activate Burst Mode!! (Movie) (2006)
Xros Wars/Fusion: • Digimon Xros Wars / Fusion (2010-2012)
Appmon: • Digimon Universe Appli Monsters (2016-2017)
Ghost Game: • Digimon Ghost Game (2021-2023)
Games: Generally known Games in bold, more obscure or never released in the West in small I also left out most Phone and Smart Phone games since they're shut down
· Digital Monster Ver. S: Digimon Tamers (1998) (Sega Saturn) • Digimon World (1999) (PS1) · Digital Monster Ver. WonderSwan (1999) (WonderSwan) · Digimon World: Digital Card Battle (1999) (PS1) · Digimon Adventure: Anode Tamer & Cathode Tamer (1999/2000) (WonderSwan) · Digimon Adventure 02: Digital Partner (2000) (WonderSwan) · Pocket Digimon World (2000) (PS1) > Pocket Digimon World: Wind Battle Disc (2000) (PS1) > Pocket Digimon World: Cool & Nature Battle Disc (2001) (PS1) • Digimon World 2 (2000) (PS1) · Digimon Adventure 02: Tag Tamers (2000) (WonderSwan) · Digimon Adventure 02: D1 Tamers (2000) (WonderSwan Color) · Digimon World: Digital Card Arena (2000) (PS1) · Digimon Tamers: Digimon Medley (2001) (WonderSwan Color) • Digimon Tamers: Battle Spirit (2001) (WonderSwan Color / GBA) > Digimon Tamers: Battle Spirit Ver. 1.5 (2002) (WonderSwan Color) > Digimon Frontier: Battle Spirit / Battle Spirit 2 (2002) (WonderSwan Color / GBA) • Digimon Tamers: Battle Evolution / Rumble Arena (2001) (PS1) · Digimon Tamers: Brave Tamer (2001) (WonderSwan Color) • Digimon World 3 / 2003 (2002) (PS1) · Digimon Racing (2004) (GBA) • Digimon Battle Chronicle / Rumble Arena 2 (2004) (PS2 / GCN) • Digimon World X / World 4 (2005) (PS2 / GCN) • Digimon Story / Digimon World DS (2006) (DS) · Digimon Savers: Another Mission / Digimon World Data Squad (2006) (PS2) • Digimon Story: Sunburst & Moonlight / Digimon World Dawn & Dusk (2007) (DS) · Digimon Championship / Digimon World Championship (2008) (DS) · Digimon Masters (2009) (PC) [Korea only] · Digimon Story: Lost Evolution (2010) (DS) [Japan only; Fan Translation exists] · Digimon Story: Super Xros Wars Blue & Red (2011) (DS) • Digimon World Re:Digitize (2012) (PSP) > Digimon World Re:Digitize Decode (2013) (3DS) [Japan only; Fan translation exists] · Digimon Adventure (2013) (PSP) [Japan only; Fan translation exists] • Digimon Story: Cyber Sleuth (2015) (PSV, PS4, Switch, PC) • Digimon Story: Cyber Sleuth Hacker's Memory (2015) (PSV, PS4, Switch, PC) • Digimon World -next 0rder- (2016) (PSV, PS4, Switch, PC) · Digimon Universe Appli Monsters (2016) (3DS) · Digimon New Century (2021) (Smart Phone) [China only] • Digimon Survive (2022) (PS4, Switch, PC, XBO)
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xenisstrange · 3 months
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i don't think anyone outside of this fandom will ever understand what this game has done for me
i was eleven years old lying in my bed with my ipad mini and a pair of earbuds. it was around midnight, way past my bedtime at that age.
i scrolled through my youtube home page and came across a video titled something along the lines of "I CAN TIME TRAVEL???" and started watching.
the gameplay opened with the scene of a girl staring at a massive tornado. and then she woke up in photography class. and then she figured out she could rewind time.
and i was hooked.
then came the bathroom scene. the moment nathan shot chloe, i exited youtube. i was too shocked and stunned to continue. so i put my ipad away and tried to go to bed.
that lasted for less than five minutes.
too curious as to what would happen next, i grabbed my ipad and found the video again.
once i was past the initial shock of what had happened, i found myself falling in love with the art style. i fell in love with the music. i fell in love with the concept, the characters, the universe.
i remember thinking chloe was so cool. i remember wishing i could have a clothing style just like hers.
i remember wishing i had a place like the junkyard where i could escape to.
and i remember relating to max. she's artistic and shy. just like i was.
just like i am.
and then i finished watching episode one. i had to wait two months to see what would happen in episode two. and whenever a new episode did come out, it was always the first thing i watched when i came home from school.
it was like i saw myself in the characters.
kate's rooftop scene broke me. and in coming years, i would relate to her depression far more than i ever realized i would at eleven years old.
chloe's anger stunned me. i didn't realize why i felt so connected to the intensity of it then, but knowing what i was to experience in my teenage years, it now makes sense.
max's sensitivity made me feel so seen. and she was just as creative as i wished to be. i bought an analog camera when i was fifteen just because i wanted to take polaroids like her.
i wanted to be in the world of life is strange. i wanted to experience true friendship (and more) like what max and chloe had because up until then, i felt so alone.
this game made me feel understood. this game made me feel like i could make my life an adventure. this game gave me hope for the future.
i finally played the game myself when i was thirteen. it was the second game ever in my steam account.
but throughout high school, i forgot about the game for a bit, only getting re-obsessed for a short while when before the storm came out. i finally played life is strange 2 in the summer of 2020, when i rediscovered life is strange during covid lockdown. and then came true colors. i played that one the day it got released.
even though the new games are amazing, and the characters' relatability is just as strong, the original life is strange will forever hold a special place in my heart. in a way, it formed who i am as a person today. just ask anyone who was in my life when i started saying "hella" in every sentence.
a few days after i turned eighteen, i realized "i am the age of the characters in life is strange."
and that was crazy to me.
i had grown up with these characters, wondering if my life would ever be as interesting or as venturesome as theirs. and now i was the same age as them.
and then i became older than them. and my life has most definitely not been the adventure i'd hoped for.
but i've come to accept this, as max and chloe are video game characters, and i live in the real world.
but that's why i hold the first life is strange game in such a special place in my heart. these characters were there for me when real people weren't.
this game taught me the difference in morals and beliefs, because what one person thinks is wrong might be right to someone else. this game taught me to be kind to others, to show compassion and empathy, because you never know what someone is going through.
this game taught me not to be afraid to love.
because if i were to be chloe, then someday my max would make a return.
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