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radiance1 · 4 months

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A castle mysteriously appears in Gotham one night.

Nobody who noticed it knows where it came from, nor how it got there as it seemingly appeared overnight. It wasn't anything big, as far as castle's were concerned, it seemed to be on the smaller side of things.

However, no one could truly estimate it's actual size. For there seemed to be an ever-present fog that never seemed to stray past the castle's gates.

Just like the fog, you always seemed to hear the cawing of crows and the flapping of bats whenever you step close enough. Yet their visibility was kept hidden in the fog.

Appearances aside, there did seem to be something... off, about the castle and not just because it appeared from thin air, no. It seemed to have a distinct aura of something... other.

No one knew how to explain it, but they could tell there was nothing natural about it. There was something fundamentally wrong with the castle, it wasn't the way it appeared out of nowhere, nor it's appearance.

===

When Sam finally became an adult, she didn't have to think twice about moving out. It was a bit difficult, with her parents not wanting to let her go just yet, but her grandmother managed to persuade them, thankfully.

When she was younger, Sam had always dreamed of owning a castle. Though its appearance did change in her mind when she grew older, from pretty and pink to one of darker colors and crows, which is why she never got one when she was younger, she realized.

But now that she was an adult, what was stopping her?

Nothing, that's what.

So, Sam buys one that matches her tastes and moves in. There was a lot of space, far more than she really ever thought about and now had to find a use for.

Magic.

Was something that enthralled Sam ever since she was young, that and the occult as a whole. So, for a few months after moving did she try and get her hands on things like magical tomes, items, scripts and learn it.

Surprisingly, she was strongly successful in her attempts of learning magic. It was surprising to be sure, but now that she compares it to the portal to the afterlife, having a half dead friend and having hunted down ghosts, she realizes that magic wouldn't be that much farfetched in the equation.

A fair bit of her time now was spent covering her castle in wards, sigils, and runes, ones that would strengthen themselves over time, various protection wards and multiple others that she found useful. Most of them were ones that she found through text, though others were ones she personally made.

After she finished the entirety of the castle, she studied thoroughly to gain more knowledge and power for herself, she even made a few spells of her own along with various potions. Unfortunately, she was interrupted in her studies by various other witches, because apparently having such a powerful fledgling witch on her lonesome was too tempting of an offer to pass up for the nearby covens.

So she had to... move, before they tried to force her to join them. As for how, well, she moved her entire castle! What better way to refuse, really?

Unfortunately, it was her first time using such large-scale teleportation magic and she messed it up. Not that her calculations on where the castle was supposed to be were wrong, but while in the midst of moving through space she was... thrown off kilter.

She didn't even know how or what caused her to mess up. But her castle both was and wasn't where she wanted it to be. Her original destination was coordinates near Amity Park, and while they were on said coordinates.

This wasn't Amity Park.

To say she worried was an understatement. She scrambled to find something about where she ended up, and realized not only was she thrown off kilter, but she was also thrown off so badly that she ended up in an entirely different dimension. Luckily, she managed to make the philosopher's stone.

To say making it was easy would be wrong, for even she didn't know how she created it. It was by accident and for a while she didn't even know she had made it, when she had and tried to do something with it the stone had, uh, well.

It fused into her skin.

It had placed itself right over her face, on her chest, and it granted her immortality it seemed. Though that wasn't the effect she was currently thankful for no, the effect of making gold would be valuable to her, she wouldn't have the Manson wealth, but she could at the very least sustain herself.

For now, though, she did have her studies to get back to.

#dc x dp #dp x dc #dpxdc #dp x dc crossover #dcxdp #dc x dp crossover #I remembered about my old au somewhere in the Batpham discord #I think it was called Hecate's castle or something?#But that had a hand in this post #Sam is a powerful witch and that attracted the gazes of various covens #So she just took her castle and left #Unfortunately something through off what was otherwise a successful large scale teleportation #And Sam ended up in the DC universe in Gotham #She also made the philosopher's stone but that one was more on accident than anything purposeful #Like she cannot replicate what she did to make it at all #If I see ghost king Danny in this post I will riot.#This is Sam-centric #We don't need that ghost twink in here #Sorry that was mean ily Danny #Not when your ghost king tho downgrade to a prince or non royalty and then we'll talk #AHEM #Anyways #I was thinking of how Sam could be called Hecate here but ahhhh #We'll see about that in the future lol #Wow this is a lot of tags #Anyways I shall stop now

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chironshorseass · 3 months

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what bugs me most about the pjo show is that i know they could’ve done better. i knowwwww they could’ve been as faithful as they wanted to the books. for anyone saying “oh, but it’s an adaptation! it isn’t meant to be the same so stop whining that they took stuff out or that they’re adding things in different order!” well yes, i agree that adaptations aren’t meant to be a carbon copy of the source material for the simple fact that it’s adapting the source material into a different medium (television), yet it’s just that! a form of adapting the things that are unable to be channeled from, say, a book—or on the contrary, adding things that make sense for television but couldn’t be channeled into the books otherwise…all of this in a faithful manner. a good adaptation is one that stays true to the source material by properly adapting its themes, characters, symbolism, context, pacing, and the overall story/plot so as to not only be seen as a sort of love letter to the fans, but also to reach a wider audience.

just look at the hunger games! the movies are so faithful to the books to the point that most of the scenes are taken straight out of the books, dialogue and all. and they’re movies, aka less runtime than a freaking tv show and they still did it better. did the hg movies have to take a few scenes out? yes; they have only so much time to tell the story as it is told in the books. did they resume things, like the games themselves? also yes. but did most of the important scenes and character moments stay in the movies? also also yes. again, THESE ARE MOVIES!!!!! a medium much more limited than a freaking tv series with multiple episodes that have enough run time to add even more scenes from the books than what could be possible in a 2 hour (max) movie!!!!!!!!!!!!!

and yet they STILL changed so much that rly had no business being changed other than that the writers decided they felt like it because…..a lot of it im not even sure. and the worst thing of it all is that freaking rick riordan took part in script writing yet so much of the source material has been watered down???? they make a whole ass episode about a monster fight with the majority of the scenes from said episode not even present in the books instead of sticking to the perfectly good source material???? and by doing so they delete the small details that are very much integral to character development and plot???? huh???? the math isn’t mathing. don’t get me wrong, i do like some changes, but then i think: at what cost do they add these things when there was a perfectly good narrative without it? like, at what cost do we get the whole turning to gold sacrifice scene if they’re gonna take out all the fun details that make the lightning thief the lightning thief? for example the silly water park merch and then annabeth displaying her spider phobia and her mortification at going to the thrill ride of love with percy and then being broadcasted to olympus. this is just one episode, but they’ve been doing it in all of them. and u know, it’s not that i don’t hate-hate most these changes. again, what bugs me is that this was supposed to be a faithful adaptation. again, it’s a tv series, with so much more time to develop everything from the books. rick is behind it, who apparently hated the movies for how unfaithful they were. the cast is great. and yet…the script is so mediocre. the spark is lost. character traits are looked over in place for weird pacing and even weirder changes. if the hunger games could do it, then surely a pjo tv series could as well? apparently not? i really really Don’t Get It.

#pjo adaptation #pjo tv show #pjo tv crit #i wanted to Not Talk about the show but i have so much to say #i’ve given up i’ll keep ranting

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lightwing-s · 4 months

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Could you write a jason x reader (preferably fem) where batfam meets reader?

Jason didn’t plan for it to happen like this, but like everything involving his family, nothing followed a scripted order, being closer to chaos than anything Jason had ever seen.

You were out on a date, just a casual stroll around the city, going to a few shops, getting random food and simply enjoying each other’s company. It was a cold night, and Jason’s arms over your shoulders helped you warm up a little.

He had taken the night off, opting for spending some time with you after an intense couple of weeks. His siblings, though, hadn’t decided the same, and instead chose to sneak around the couple, following them through every place they’d been tonight.

Unaware, Jason was his usual self around you. Sweet, caring, showing off PDA every so often, between kisses on your temples to long make out sessions in an alley he sneaked you two into.

“Hello, brother.” Damian’s voice startled you two, breaking away from the kiss quickly.

“Damian?” Jason questioned, looking at his younger brother dressed in his patrolling outfit. “What are you doing here?”

“Patrolling, since you’re n-”

“He just wanted to say hi.” Dick landed beside him, covering Damian’s mouth with his hand. “Wasn’t it Dami?”

“What are you doing here?” Jason got closer to the two, whispering his anger-covered words as not to frighten you. “I told you I couldn't make it tonight.”

“I know.” Dick said, lifting his hands in defense. “We just saw you around and decided to make sure your date went alright.”

“You’ve been following us.” he whispered-screamed.

“I wouldn’t say following.” Tim’s voice came from somewhere. “More like guarding you.”

“You’re fucking insane.”

Shaking his head, he turn on his heels and went back to you, taking your hand in his and pulling you out of the alley.

“Are those your brothers?” you asked, having been made aware of Jason’s night time activities. He hummed a reply, pulling you faster into the streets, but you stopped at your place, forcing him to do the same. “Why don’t you introduce us?”

Releasing a deep breath, Jason tries to think of a better excuse than “I don’t want to” to give to you alongside his “no”. But he looks into your eyes, pleading him to meet the brothers he so often talks about, wanting to know the bits and pieces of his life he still hadn’t shared with you.

And he can’t say no. He can’t say no because you’ve been so patient with him, so understanding of his boundaries and choices to slowly let you into his life. You’ve never denied him anything, and he felt bad denying you this one thing, especially when it’s been presented right in front of you.

“They may be a bit overwhelming.” he says, giving the trio a quick glance. You, on the other hand, almost jumped from excitement, eyes glowing at his words. “But they’re… nice.”

Entangling your hands, he spins you two around and have you headed in the direction his siblings are standing, curiosity painting their faces seeing Jason’s sudden change of mind.

“Boys.” he called out to his brothers. “This is Y/n, my girlfriend.”

Dick’s smile reached his ear, as he greeted Y/n with his usual charm, happy to finally meet the girl Jason never talked about, but whose existence was clear as day to him, as his brother’s entire demeanor took a drastic change from his usual brooding one.

Tim softly shook your hands upon getting a bit closer, not saying much, but greeting you with such kindness that had you blushing a little.

Damian, on the other hand, did not look impressed, looking you up and down before deciding to just nod his head at you and turn around.

“That was…. Interesting.” Dick laughed. “Well, it was really nice meeting you, Y/n, but I hope Jason brings you around soon so we can actually get to know you a little.”

“I hope he does,” you said, side eyeing your annoyed boyfriend. “I’d love to get to know more about you too. Jason talks a lot about you guys.”

“No I don’t.” he whispered, earning a light kick on his heel. “Y/n, babe?”

He turned to you, desperately begging you to let you two leave. “Our movie session starts in fifteen minutes.”

“It was nice meeting you Y/n.” Dick extended his hand once more, and you shook it with the same joyous excitement. “You know, Bruce will be hosting a dinner in a couple of weeks, if Jason doesn’t mind, you could meet the rest of the family there.”

The two of you instantly turned to you pouty boyfriend whose annoyed face made you cackle. “If mister broody over here agrees, I’d love to.”

Turning back, you watched on as your boyfriend’s brothers disappeared into the darkness.

“I don’t talk that much about them.” Jason chimed.

“Yes, you do.” you said in return, smiling at his now defeated expression.

“Let’s go, or we might miss the movie.” he took hold of your hands again. “And after I can tell you about the dinner.”

Jumping up and down, you got to your tiptoes to give your much taller boyfriend a kiss on the cheek, glad he was slowly but surely letting his walls down, letting you in into the part of his life he was so protective and unsure about.

To Jason, albeit a bit anxious, he was left sure, upon this meeting, that letting you in wasn’t such a bad idea after all.

#jason todd x reader #jason todd imagine #jason todd blurb #jason todd #jason todd x you #jason todd fluff

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annabelle--cane · 9 months

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it's fascinating to me the way that different social media platforms result in different types of fandom behavior. while s5 of tma was airing, I spent a good amount of time on tma tiktok (I log back in about once every two months now, going back to in-person school after a year a half of lockdown seem to re-blanace my brain and made me once again not really enjoy the format) while still using tumblr as my main socmed, and while there was a lot of overlap in the fan culture, some things were notably different.

tumblr tma fans had near-encyclopedic knowledge of the source material, but it was kind of an ongoing joke for tiktok tma fans that everyone binged the whole show in a week-long fugue state and lost memory of about 35% of it. tumblr has virtually no character limit and allows posts to be passed around by users indefinitely, which lends itself to fairly in-depth meta analysis being made and shared until most any fan could say "the time and space discrepancies at hill top road? psh yeah, I know all about them, I've read seven scrupulously cited posts that lay out all the details." for the entire time that s5 was airing, tiktok videos could still only be a minute long, and I know from a lot of personal effort that there's only so much you can fit into a one minute script that you also have to memorize and record (and cc manually with tiktok text stickers, as they didn't add the caption feature until april 2021) if you want the process to take less than four hours of your one mortal human life. and then you only see the video if your following or fyp algorithm shows it to you. there were a few tma meta-ish videos that got popular because other people would make their own videos referencing them and tag the account so their followers could see what they were talking about, but it's much harder to circulate content you like there. several times I saw people post videos saying "I got into cosplay to film some [agnes or annabelle or gerry or another secondary character] and I just realized I have no idea what their deal actually is 💀".

a thing that tiktok tma fandom was definitely better at than tumblr tma fandom was accurately remembering certain pieces of characterization and the flow of certain scenes. I've seen a bunch of posts on here where someone is trying to argue a point with excerpts from the text ("x character is nicer than you all give them credit for" "x character is so mean to y character in this scene" "z theory can't be true because y character said a line that disproves it") where the argument only holds up because the poster has gotten these excerpts from a transcript dive and hasn't listened to the episodes they're from recently, because while the text alone can be construed to mean one thing, the way it's delivered on-podcast clearly intends another. tiktok, being an audio and video based medium, allows audio clips to be shared around a lot, and cosplayers would often all make videos acting along to the same show clips of juicy interpersonal drama, and so tiktok fans, though they may have had less overall memory of what characters said, always had a better grasp on how they said it. an average tiktok tma fan might not have remembered melanie's subplot about war ghosts, but they would know the nuances of how the way she talks to jon changes between mag 28 and mag 155.

#prompted by Absolutely nothing #tma #marina marvels at life

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achenetype · 2 months

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loser! luke who sees aphrodite!reader with tons of gifts and letters from admirers and gets a bit insecure about his crush on her but all reader really wants is for him to man up and tell her his feelings 🥹🥹🥹

loser!luke nation rise UPPPP. pathetic men are the best

pairing: luke castellan x aphrodite!reader

content: some suggestive themes, luke being so whipped for reader it hurts, daughter of aphrodite reader, mutual pining, first kiss (let's go luke you finally did it!)

listening to: right here by chase atlantic

you knew he liked you. he wasn't exactly subtle about it, but then again, no one was subtle to you. you were aphrodite's daughter. the goddess of love had blessed you with, among other things, the ability to sense feelings from a mile away. and luke's feelings were strong.

they changed depending on the day. every now and then, talking to him, you'd catch a tiny flicker of love from him. when you'd helped him look over strategy for capture the flag, his emotions rung out companionship, shot through with striations of the kind of love you have for a comrade in battle. mutual respect, and care. so much care.

now, when you're sitting shirtless next to him in the apollo cabin, squeezing his hand as one of the medics stitches up a wound on your arm, his feelings are dark. they're murky, as if clouded by something else. his eyes flick up to yours as you suck in a breath through your teeth, but they don't stay there for long; his gaze falls over your body; your chest, your stomach. the band of skin between your bra and your waistband.

you realize, a little slowly, that what he was feeling was lust.

so yes, you knew luke liked you, as much as any other guy did at least.

other guys at camp would give you gifts, ask you on dates. sometimes, they would write you letters, pages of messy, cramped demigod handwriting about how much they loved you. how they would do anything for you, how they could see themselves kissing you or fucking you or starting a family with you.

luke wasn't like that. he was your friend before he was anything else, and he didn't posture for your attention or try to impress you.

plus, you actually liked luke back.

he squeezes your hand again. "hey," he says, leaning over to look at your injured arm. "it's not too bad. only a few more stitches left."

you nod, biting your lip. luke's thumb rubs tiny circles over your knuckles, little concentric things that ground you to the world.

you wish, not for the first time, that he would lean in and kiss you. at least brush his lips against your hand, the way you can feel that he wants to.

you wish he would do a lot of things.

when the two of you are walking back to your cabin (because luke insists on being a gentleman, and you aren't going to refuse him when he smiles at you) he reaches into his pocket and pulls out a crumpled envelope.

"i was going to give this to you when we won capture the flag," he says, "but you...you got hurt, and i figured it might have been a bad time."

his eyes search your face as he holds out the letter. it's addressed in curving, fluid script to you, and as you open it luke's emotions flicker with uncertainty, with fear.

[Y/N], I think I'm in love with you.

oh. oh.

You're one of the only people who I can really be myself around. I could explain every reason why I love you, but that would take a lot more paper, and I already think this letter is going to be embarrassingly long. I've thought about you-

this sentence is scribbled out, but you can make out the faint outlines of the words even though you probably never give me a second thought imprinted into the paper. you look up at luke, who flushes a soft red.

You make me feel real. You're like a planet, and I'm just a moon orbiting you. Every time I see you, I feel like I can do anything in the world. I want to treat you right, better than anyone else ever could.

"luke," you say.

he looks up, and you swear his eyes are shiny with tears. "c'mere," you murmur, and pull him into a hug. "gods, you took long enough to tell me."

his arms wrap around you slowly, as if he's expecting you to be ripped away from him. when you pull back, one hand draped over his shoulder, he cups your face in his hands and thumbs over your cheek.

"can i kiss you?" he whispers.

I love you, and you are everything. You're the whole world. I would be honored to have you. — Luke.

"yes," you say back.

his lips meet yours, and you feel luke bloom with reddish-purple love. he kisses you like he's waited an eternity to do it, hungry, sloppy.

"i love you too," you murmur, and he laughs against your lips before kissing you again.

#— ash’s writing!#pjo #pjo imagine #pjo x reader #luke castellan #luke castellan x reader #luke castellan imagine #luke castellan fanfic #reader insert #fem reader #aphrodite!reader #fic writing #mutual pining

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ikroah · 4 months

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A girl can get somewhere in spite of stringy hair or even just a bit bowed at the knees if she can show a faultless…personality! —“Personality,” Johnny Mercer and the Pied Pipers (1946)

It Keeps Right On a-Hurtin’ #26 - Ring-a-Ding-Ding V

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Read IKROAH on Archive of Our Own

Notes / Original Pencils / Transcript:

Notes:

ohhhhh my god why did i make this script so long my hand hurts this took forever aaaaagh

Welcome to the Lucky 38! This is a script that has remained basically the same for a long time but went through COUNTLESS extremely small rewrites over the course of production just to really nail Mr. House's dialogue. He's a long-winded guy, this whole issue is basically just him doing monologues, and I wanted to make sure it was all interesting and non-repetitive. I think I took out at least three uses of "merely" from the first draft.

One of the biggest production decisions of this issue was whether or not to cut the scene with Agnes and Cass and Victor, which immediately follows the end of the previous issue. The reason to include it was because it very necessarily established the change in location from the Vegas Strip to the Lucky 38 penthouse, which would have been jarring otherwise; the reason to exclude it was that it the issue was already extremely long and I thought opening right on Mr. House would have been more impactful. Ultimately, I did keep it, which was a good decision, but only because of the literally issue-saving idea to convey it as closed-circuit television footage instead of actual panels. Every single attempt at overlaying them with the lead-in to Mr. House was way too busy, but that idea really tied the page together like a nice rug.

And lastly, the framing device of the tarantula and the tarantula hawk was actually an extremely late addition to the comic. I had already finished the first three pages when I thought of it. My problem was that Mr. House's constant monologuing and Agnes' sad expressions got pretty repetitive. I needed something to break the action up while adding thematic heft and artistic variety. I've become a real enthusiast for wasps and tarantulas over the last couple months, so this one really was just a stroke of luck. It took only minimal revisions to make room for the framing device, with the most dramatic change being the complete replacement of the last page (which was originally just a splash page of the Lucky 38 in Vegas; bookending the first and last pages is so much better). So you see, the only reason for weaving a scene into this issue of a skittish desert-wanderer getting paralyzed and dragged toward a certain demise by a predator almost perfectly evolved to destroy it was just that I like bugs a lot. That's the only reason, yep.

Original Pencils:

Due to all of the photo-collage in the final version of the comic, there's a lot of panels and details that I (thankfully!) didn't have to draw myself. Sorry that the pencil isn't blue on the last three pages, I've been on the move for the holidays so they got scanned in grayscale by accident.

I did experiment with drawing the tarantula framing device myself, but ultimately went with the photo-collage method because the artistic juxtaposition actually made it much more readable when interspersed with the proceedings in the Lucky 38.

Transcript:

EXT. DESERT OUTSIDE OF NEW VEGAS. The city glitters in the distance, nestled between the shadows of mountains, with the spire of the LUCKY 38 towering above all else.

In the wilderness, a TARANTULA emerges from its burrow.

EXT. THE NEW VEGAS STRIP. On closed-circuit television monitors, a SECURITRON ROBOT approaches AGNES SANDS and ROSE OF SHARON CASSIDY, saying

VICTOR: Well howdy, partner! Fancy meetin' again here in Vegas!

CASS: What the fuck?

AGNES: Victor?

Unlike the usual police units, VICTOR's robotic "face" is that of a cowboy.

VICTOR: And heck, ya clean up nice! Sure lookin' a lot better now than when I rustled ya outta the bone orchard back in Goodsprings*--

CAP: *As was explained to Agnes way back in IKROAH #2. --Lou

VICTOR: --so how's about ol' Vic skips the rigamarole, huh? 'Fore all my yappin' makes ya want to go back, heh-heh-heh! I'm the welcome wagon, see. I'm to come and collect ya.

CASS: Agnes--

VICTOR: Boss wants t'see you, is what I'm sayin'.

AGNES: Boss?

VICTOR: Only of all of Vegas, friend!

CASS: Agnes.

MEANWHILE, the TARANTULA crawls beneath the starlight.

VICTOR: So why don't we mosey on over to the Lucky 38? And your good pal can come along, too!

CASS: I need to know what the fuck is going on, right now.

AGNES: I...I don't know.

VICTOR: And y'know, boss ain't ever let a soul inside before, least for not as long as I've been rollin' around on my spurs, so this ain't just an everyday social call, mind...

On the closed-circuit television monitors, VICTOR escorts AGNES and CASS to the entryway of the LUCKY 38.

VICTOR: ...but heck, I reckon ya'll oughta get along like franks on a fire! So come on! Lift's in the lobby here, and up to the top floor--and we can get the formalities out of the way before ya'll get [cut off]

INT. THE LUCKY 38 PENTHOUSE.

AGNES stands awestruck, looking upward, bathed in electronic green light. With horror, she ekes out a single question.

AGNES: ...what are you?

???: A "Hello" would have been preferable, but it'll take more than a crude faux pas to tarnish this moment. Who I am, Agnes--

What AGNES is looking at is a gigantic SUPERCOMPUTER and terminal, flanked by closed-circuit television monitors and guarded on both sides by SECURITRON police units. On the supercomputer's massive screen is the green-lit image of a face. The face

MR. HOUSE: --is ROBERT EDWIN HOUSE. The President, CEO, and sole proprietor of New Vegas--and more to the point, the intended recipient of a long delayed package.

AGNES: Oh, you...you mean the platinum chip?

MR. HOUSE: Correct. It's a...very precious artifact of the old world.

MR. HOUSE: My world, once.

In the back of the room, beyond AGNES, is an oil painting of MR. HOUSE, standing outside in front of what must have been a very large robot.

MR. HOUSE: In that world, I was the founder of RobCo Industries--a titan of innovation. We created a litany of robotic solutions for diverse markets, such as the Securitrons that you see here, and even a line of consumer-grade devices like the wrist-mounted Pip-Boy. But the platinum chip was, more than any other, my design. It was my vision.

MR. HOUSE: But it never left the factory in which it was originally made. Before it could even cool off from its assembly...we had the Great War. An international, thermonuclear bombardment of unimaginable power that annihilated the world in all of two hours.

MR. HOUSE: But not the entire world. Not Vegas. Not my Paradise. From my fortress of the Lucky 38, I saw to that. But as for the rest of the world, and my platinum chip--it took generations.

MR. HOUSE: First for the scarce remnants of humanity to crawl out from under their rocks, and for the world to at least resemble a functioning society again in which to do trade. And then for the work itself--of countless scavengers, treasure-seekers, and the like, all contracted to comb over the wreckage of Sunnyvale. It cost millions of caps, and later, New California dollars. And a not insignificant piece of my pre-war fortune as well. I, quite literally, moved mountains.

MR. HOUSE: I do not believe in providence, Agnes, but I do believe in destiny. How else to explain it? It was pristine when it was found. Neither the bombs nor the passage of time had so much as scuffed its sheen. But still...its value far transcended the mere market price of pure platinum.

MR. HOUSE: Amusingly, despite the discovery, I was still only as close to acquiring the chip as I had been originally in 2077. A final ordeal remained for me: how to ensure the safety of the platinum chip en route to its destination, from Sunnyvale to Vegas, without broadcasting its preciousness to thieves, armies, and raiders--or worse, to heavily armed fetishists for pre-war technology like the Brotherhood of Steel?

MR. HOUSE: Misdirection. Through a network of anonymous liaisons, I contracted the Mojave Express for a batch of deliveries, all superficially similar knick-knacks, to various intermediaries of myself. All but one of the orders were totally worthless decoys. But your identity as the carrier of the one genuine item was somehow compromised, leading to you getting attacked, and to the second disappearance of the chip.

MR. HOUSE: But look around you. Look where you are. You've made it, haven't you?

AGNES, still staring up at the visage of MR. HOUSE on-screen, doesn't respond. She frowns, nervous. The SECURITRONS guarding MR. HOUSE observe her stoically.

MR. HOUSE: Let me clarify: I had nothing to do with Benny's ambush. Heavens no! It goes completely against my interests. It would have been a perfectly quotidian day's work for you if not for his, and I stress, unexpected involvement. The platinum chip...belies its significance. For Benny to have not only discovered its delivery route but possibly enough of that significance to motivate such an act, this constituted a very troubling breach of my security. And I had been looking into it...but in a way, the issue seems to have resolved itself. Hm?

MR. HOUSE: A wild card. Now removed from the deck.

AGNES' gaze sinks to the floor.

MEANWHILE, a small shadow blots out the starlight in the desert outside of Vegas. It flies over the exploring TARANTULA.

AGNES looks back up at MR. HOUSE.

AGNES: I killed him.

HOUSE: So you did. I only wish that we could have spoken before you went rogue on my former protégé: if this story breaks, I can grant you amnesty, but not without controversy. And your infamy as an assassin could make our further arrangements quite difficult.

AGNES: Um...I didn't think there would be more to it than delivering the--

MR. HOUSE: Oh! Of course, of course! My apologies. Two hundred years of anticipation and yet I'm still getting ahead of myself. Well--would you mind? I've been waiting a long time for my mail.

The SECURITRON closest to AGNES wheels forward with its claw outstretched. AGNES reaches her fingers into a pocket beneath the belt of her dress to produce it: the PLATINUM CHIP. She holds it in her hand for a brief moment.

MEANWHILE, the shadow descends; the TARANTULA HAWK engages the TARANTULA.

AGNES relinquishes the PLATINUM CHIP to the SECURITRON.

MR. HOUSE: Thank you--it's a relief to pay for this chip for the final time.

The SECURITRON inserts the PLATINUM CHIP into a slot in MR. HOUSE'S supercomputer, feeding it into the drive with a CLIK.

MEANWHILE, the TARANTULA is fighting the TARANTULA HAWK.

From behind AGNES, another SECURITRON presents her with a stack of NEW CALIFORNIA REPUBLIC DOLLARS, which she gingerly takes in her hand and looks over.

MR. HOUSE: And I trust that you're satisfied with the agreed-upon compensation from the delivery contract, yes?

AGNES: Yeah, it's...it's fine...I'll be going now. Thanks.

MR. HOUSE: Oh? But you've only just arrived. I insist that you make yourself at home.

SFX: KZZSZZZTTT

The faces on the screens of the SECURITRONS in MR. HOUSE'S penthouse suddenly change from policemen to soldiers. AGNES recoils and tries to step away.

AGNES: H-hey, uh--

MEANWHILE, the TARANTULA HAWK pierces the underbelly of the TARANTULA with its stinger.

SECURITRONS surround AGNES.

MR. HOUSE: You are the first guest ever through the doors of the Lucky 38, you know. Nobody has so much as checked a coat inside since the war, so this meeting confers you a significant level of privilege...and inevitable celebrity. The people of Vegas have always gossiped, after all. Many have even clawed at the door desperately with dreams of being where you now stand. Surely you can comprehend how this compulsion to leave after such a deliberate and remarkable invitation risks considerable insult--to both myself and my citizenry? And very deliberate this invitation was. Don't you realize: if handing off my package was all for which you were needed, why wouldn't I have just had Victor relieve you of the chip outside? No, no, you see, as necessary as its acquisition was, the chip is ultimately just a key, for unlocking a new frontier...of possibilities.

MR. HOUSE: Possibilities for prosperity, peace, and technological advancement that haven't been seen in two hundred years. Possibilities greater than anything the New California Republic or Caesar's Legion could dream of, let alone achieve, by playing pretend in the clothes of their forebearers and convincing everyone else that it's statecraft. Possibilities--which if they key is turned by human hands--become certainties.

AGNES (a whisper): Are you not human?

MR. HOUSE: Don't let the video screens and computer terminals fool you: I am a living human. No less so than you. I just live with a particular set of, well...handicaps.

AGNES: You said you'd waited hundreds of years to--

MR. HOUSE: One could argue that the world has been waiting hundreds of years for this moment. Waiting for me. For the chip. For the long-dormant doors of the Lucky 38 to finally open, to a single and specially ordained individual: you, Agnes. And there are tremendous things waiting for us, waiting for us to accomplish them, together. I certainly couldn't do them with Benny. What do you say?

MEANWHILE, the TARANTULA has become completely paralyzed by the TARANTULA HAWK'S venom. The TARANTULA HAWK seizes its prey.

AGNES: ...no.

MR. HOUSE: I'm sorry--"No?"

AGNES: Yes--I mean, no. No! I don't want to help you! I...

Tears well in AGNES' eye.

AGNES: ...I just want to go back home.

MR. HOUSE: ...I see. Hmm.

MR. HOUSE: How do I put this in a way you'll understand?

MR. HOUSE: The die is cast.

AGNES, crying, looks up at MR. HOUSE again. Fear bulges on her face.

MR. HOUSE: Throughout the long delivery of this chip, several precise plans and fortuitous coincidences have aligned in just such a way as to make you, you specifically at this exact juncture, an irreplaceable asset in the ongoing endeavor of this wounded world's recovery from otherwise hopeless ruin.

MR. HOUSE: Your cooperation going forward is not merely crucial to this endeavor's success, but it's utterly non-negotiable. Should you entertain the moral issue of what's at stake, it's obligatory, even. It's why your refusal comes as such a...genuine surprise. Can't you see?

MR. HOUSE: I'm not a fascist, Agnes--I would never force you. But given the circumstances, I'm entitled, wouldn't you agree, to at least a brief demonstration of my vision? The vision that the platinum chip promises? Victor has surely seen your companion to the presidential suite by now--my other Securitrons can escort you to the basement, where I'm sure you can make a...properly informed decision.

The SECURITRONS close in on AGNES, who screams in protest.

AGNES: No! I said no! I already delivered your chip, I--I killed Benny! I-- I-- ...what do you want with me!?

MR. HOUSE: Haven't you been listening? I want what's best for you--for us. I know it's a lot, but bear with me for one moment longer, and I can assure you--that this is the beginning of something very incredible.

MEANWHILE, the TARANTULA HAWK has dragged the paralyzed TARANTULA back to the entrance of its own burrow.

The TARANTULA HAWK shoves its helpless prey into the hole, and then crawls in after it.

The TARANTULA is not seen again.

#fallout #fallout new vegas #fnv #courier six #rose of sharon cassidy #victor #mr. house #agnes sands #ikroah archive #volume 02 #26

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dangermousie · 5 months

Text

2023 End of Year Post - cdrama edition

Yes, we have a lot of December left, but I don't think anything else I want to check out will air before 2024 hits (it's cdrama so caveat is - you never know.)

This is only going to cover cdramas that aired in 2023; if I watched it but it was made in a different year, it's not on the list. This was a pretty good cdrama year, all in all.

DRAMAS WATCHED

(In order of liking from least to most as opposed to pure quality; I am including if I’ve seen enough to make up my mind; yes I realize that’s inaccurate, but that’s my list)

30 legend of twin flower - Not dignifying that drama with capital letters, as the only capital that should be associated with this is capital punishment - which is what watching this feels like.

29 Dominator of Martial Gods - sounds like a bdsm gay porn title. Would probably be better acted and written if it was.

28 Beauty of Resilience - you'd need a lot of said resilience to sit through this incoherent, barely acted mess. The thing that I remember the most other than my annoyance is all the jingly-jangly head gear on JJY. Perhaps they could have sold some of them and spent the money on a better script.

27 Divine Destiny - if you think you have too many brain cells and want to get rid of some, boy do I have a drama for you!

26 Wanru’s Journey - honestly it's probably tied with SEL - I mean it's worse but it has actors who are nowhere as well known and a fraction of SEL's budget. Still, this is a big fat nope. I will not say what I think of Aoi Rupeng's "acting" or I'd have to put money in the curse jar.

25 Snow Eagle Lord - Gulinazha's stone face, nonsense plot, terrible CGI. Take your pick as to why this is terrible.

24 Scent of Time - it was uneven but fun but then that ending was dumb enough to destroy the whole thing. Show me on the doll where common sense hurt you, makers!

23 Royal Rumors - Jeremy Tsui and Meng Ziyi are utterly wasted in this nothing trifle of a drama.

22 Legend of Anle - I had high expectations but alas. This is the drama version of color beige. There is nothing offensive about it but nothing good either. Mediocre actors are mediocre, good actors become mediocre, this is just a waste of our finite time on planet earth.

21 Romance on the Farm - it's not you, it's me in action. I can see why people would like this wholesome slice of farming family life, but it's tailored to trigger every one of my "nope" opinions.

20 Back from the Brink - if I were 12, it would be my favorite thing. I am not 12.

19 Journey of Chong Zi - objectively a terrible drama with plot holes the size of Mars and a leading lady whose face has apparently frozen when the wind changed. But I am a total sucker for the trope of upright shizun falling for his demonic disciple and going mental so here we are. Objectively, garbage, subjectively my precious!

18 Love you Seven Times - just call poor Ding Yuxi "Atlas," he carried this mess so hard.

17 Blooming Days - trashy dogblood harem fight fun throwback. It's not that great (and the fact that it was shredded doesn't help) but it's probably the last gasp of that genre for the foreseeable future, so I am grading on a curve.

16 The Starry Love - a fun fantasy where the secondary OTP stole the thunder but overall a really solid fantasy xianxia romance.

15 The Longest Promise - it could have been better - the secondaries were unbearable and there was too much of them and what they did with Alen Fang's character still gives me rage fits, but the main couple was impeccable and lovely and I rooted so hard for them.

14 Chang Feng Du/Destined - visually gorgeous, solidly acted, impeccable first half. Bland as hell second half. Win some, lose some.

13 Circle of Love - this drama is a nonsense trash heap on fire. After a typhoon hit it. It was also the most entertaining, addicting drama on this whole list.

12 Hidden Love - the sole modern on this list, this story has barely any plot but it made me care about the young, decent lovers so hard.

11 Choice Husband - starts out wacky, continues with angst and blood and happy ending. I loved it, but I've always had a soft spot for melo and schemers turning devoted.

10 Pledge of Allegiance - bromance, super solid acting, visuals, a really dark take on officials and the world. Insanely underrated.

9 Provoke - a truly fun Republican revenge and love tale, showing that short format can be wonderful.

8 Gone with the Rain - some of the secondary characters are rage-inducing (hi there, cardboard boy!) but the scheming, ruthless, vulgar FL is amazing and her slowburn with her age gap general who is delighted by her out-there-ness is great!

7 Wonderland of Love - Fei Wo Si Cun goes wholesome and the result is surprisingly entertaining. Battle couple, glorious visuals, a fast paced plot. It's the first Xu Kai drama I enjoyed in years (and he plays a rare cdrama ML it would be pretty neat to pair up with in rl.)

6 My Journey to You - that ending is infuriating (and I am OK with open endings if done properly) but what a visual feast, probably the most gloriously shot drama on this list, and that's a tough competition. Also it packs a hell of a lot of couples and familial and adversarial relationships into its slim running time; assassin lady won over by a gentle man is my favorite trope and so this is extra great.

5. Till the End of the Moon - the ending is a rage-inducing disaster for me, but this drama was the most incredibly emotionally intense, visually eye popping experience. It was deeply flawed but when it was amazing, it was like nothing else in its visuals, its characters and its narratives. It took insane risks; some paid off and some did not, but it was glorious.

4. Story of Kunning Palace - I don't often care for reverse harem stories but this one was such fun - the main OTP was glorious (strong FL, unhinged ML) but honestly everything about this was just so excellently done.

3. The Ingenious One - the most adult drama on this list. Smart protagonists, intelligent plot, emotions that felt true, this is a revenge and a mystery and found family and goes into so many directions you do not expect (Su Mengyu's PTSD after his first kill - that is something you never see in dramas, definitely not prolonged and profound - not like this.) If I was to say which drama was objectively the best on this list, as opposed to favorite, it would be this.

1 (tie) Lost You Forever 1 - this is an exquisite emotional jewel of a story about damaged people moving forward, with damage always present - their past informs their present and always will. The narrative about Xiao Yao and three very different men in her life makes me think that it's an equivalent of a neutron bomb going off right before the main narrative starts and now we are watching the survivors wander in the wreckage. This is very high fantasy setting but it's one of the most emotionally human narratives out there.

1 A Journey to Love - everything I ever wanted - assassins, ride or die adult OTP with genuine believable conflicts, great and complex secondaries, beautiful fights. Oh, and yeah Liu Shi Shi domming the hell out of every man in a ten mile radius, as she should.

FAVORITE DRAMA

It's a tie between Lost You Forever Part 1 and A Journey to Love. LYF1 is a bona fide art piece but it's only part 1 and who knows if part 2 will be any good (seeing the huge ep number cut, I have my doubts) and so it's incomplete. AJTL is an old school wuxia romance with incredibly competent, adult people in love and great cast of secondaries. I can't pick.

WORST DRAMA

romance of twin flower - this is a drama that should not exist. If I could hex everyone involved with it, I would. It's a terrible, stupid, shrill, badly acted drama to start with, but where it really is catapulted into stratosphere of horror is that is took my very favorite non-danmei web novel of all time, a smart and complicated tale with incredible protagonists and turned it into that barftastic abomination. Peng Xiao Ran kept making horrible drama after horrible drama but I kept giving her a chance because of Goodbye My Princess but after this disaster, I've had to accept GMP was a fluke and she is on my "if she's in it, I am out” list. Ding Yuxi is not that far yet (his performance in Seven Lifetimes was the one thing carrying that mess afloat) but he's on freaking thin ice. Anyway, I like to pretend this drama does not exist.

FAVORITE MALE CHARACTER

It was hard because there were so many I loved this year - Deng Wei's traumatized, gentle Seventeen from LYF1 (if someone told me I'd swoon and weep for a character played by Deng Wei, I'd have told them to examine their brains asap), Liu Yuning's incredibly capable, deadly, contained Ning Yuanzhou from AJTL, Zhang Linghe's unhinged Xie Wei from SoKP, Chen Xiao's schemer with a heart Yun Xiang from TIO.

But ultimately, it couldn't be anyone else but Luo Yunxi as Tantai Jin/Demon God/Ming Ye/Cang Jiumin in Till the End of the Moon. He was everything - a demon, a saint, a martyr, a monster, a tormented abuse victim, a savior, joyful, unhinged, smart, pitiable. It was the cdrama performance of the year for me. Luo Yunxi even in a mediocre role is impressive but in a complex (series of) role(s) designed for his strengths, he is a force of nature.

FAVORITE FEMALE CHARACTER

Xiao Yao (Lost You Forever Part 1). Once again, there were runner ups - Bai Lu's smart a little evil FL in Kunning, the gloriously unhinged assassin domme Liu Shi Shi in AJTL, Esther Yu's assassin longing for a different life in MJTY etc etc etc. But Xiao Yao's damaged, difficult, very self-aware woman stole my heart. I was skeptical going in because I haven't enjoyed a Yang Zi performance in a long time, but she was the wounded beating soul of this incredible drama.

NEEDS TO BE MURDERED

Where do we start? How about all of Seventeen's (LYF1) monster family? His brother, who tortured him for years physically and emotionally to such a degree his body is a horror map and his personality is permanently altered because "mommy liked you better." Psycho mother who created a situation where the kids were going to turn on each other and "let's get my grandson raped" grandma. Where is a well-placed meteorite when you need one.

FAVORITE SHIP

Xiao Yao/Seventeen, LYF1. Yes, a ship of characters played by Yang Zi and Deng Wei is my favorite. Leave me alone, I am on my tenth helping of crow already. They are both incredibly damaged, barely functioning survivors who find what they need in the other - he finds a savior and someone who sees him as a man and rebuilds himself around her and she finds someone who will always put her first and only, and subsume himself in her. Is it healthy? No. Does it make sense for them and is it making them slowly functional? Yes.

Runner up: Ren Ruyi/Ning Yuanzhou, AJTL - two adults, so competent, so chemistry full. She has so much damage and so little normalcy but is so strong and he is oddly gentle (in between murders) and incredibly self-reflective. They are each other's mirrors and I love them.

FAVORITE SECONDARY OTP

Su Mingyu/Ke Menglan, The Ingenious One - the idealistic merchant who wants to join jianghu until he sees its horrors firsthand and a slave entertainer who wants security but decides she wants him more. They are gorgeous and glorious and wholesome and I adore them.

Runner up: Liu Gong Quan/Ming Zhu, The Ingenious One - that drama was a shippy gift, especially impressive considering it wasn't even romance-centric. He's the officer who has to bring down her treasonous father but loves her. Delicious.

Another runner up is Chao Feng/Qian Kui, the angelic good girl and the scheming bad boy in The Starry Love. They stole the drama from the main OTP for me.

NOTP

Scent of Time endgame. What the hell was even that. It made NO sense.

FAVORITE SCENE

So many good scenes this year - Tantai Jin taking apart Li Susu in prison in TTEOTM, the OTP fighting in perfect sync and insane rhythm in the gorge battle in AJTL, Chen Ruoxuan's character stopping the execution in Pledge, Yan Lin's coming of age in Kunning, the poison/antidote "gamble" in MJTY, Cang Xuan detoxing in LYF1. But I think ultimately, me being who I am, my favorite scene is Xiao Yao kissing Seventeen's damaged, scarred knee to show he is in no way inferior for her. AAAAA!

In terms of pure jaw dropping visuals tho nothing will ever beat Ming Ye’s battle against the Devil God in TTEOTM.

BIGGEST CRUSH

Ning Yuanzhou, AJTL. He's sexy as hell (that height, that way he moves in battle) but he's also so incredibly competent, so adult, so self-reflective and so attracted to a woman for her strength. He also gets whumped on the reg. Anyway, my hormones are ready.

BEST SCENE STEALER CHARACTER

Gong Yuanzhi (My Journey to You) - I loved the unhinged, brocon poison boy. He was everything. Also Yan Lin (Kunning) - talk about sunshine; I totally got why all these people felt they needed to save him.

NEEDS A SEQUEL

My Journey to You - what the HELL was that ending?

NEEDS SCISSORS TAKEN TO IT

legend of twin flower - that is, stab it with scissors like it stabbed the novel until it's dead.

TOO MANY SCISSORS TAKEN TO IT

Till the End of the Moon - they clearly cut stuff to fit into the new regs about runtime and it made the last 1/5 rather abrupt. Gimme!

TROPE THAT NEEDS TO DIE

The emperor cannot be irredeemable. WTF, China, you are a communist country!

FAVORITE TROPE WE’VE SEEN A LOT OF

This is the year of a ML who yearns to be dommed by his FL. Long may it continue.

BIGGEST DISAPPOINTMENT

The Legend of Anle - the novel had a great plot, the cast were all actors I either enjoy a lot or somewhat and we got - whatever that soggy piece of wonderbread toast was.

BIGGEST GOOD SURPRISE

LYF1 - I only checked out to mock because nobody could explain the story to me and nobody in the cast did anything I like either ever or in years. And then I fell utterly and completely in love and had to eat so much delicious crow.

2023 DRAMAS I HAVEN’T SEEN THAT I MOST WANT TO WATCH

Ancient Love Song is the only one on that list. It looks really good, I just need to brace myself.

BEST NON-2023 DRAMA I’VE WATCHED IN 2023

The Imperial Doctoress - best slowburn and pining and glorious character development and adult leads.

MOST ANTICIPATED

Anticipating any nonaired cdrama is a mug's game but if they air, I will definitely check out all the Fox Matchmaker dramas, LYF2, JoL2 and The Last Immortal. If Prisoner of Beauty ever is allowed out of the vault (dubious), it goes on the list too.

#cdrama #lost you forever #a journey to love #till the end of the moon #my journey to you #choice husband #provoke #the starry love #the ingenious one #wonderland of love #story of kunning palace #gone with the rain

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the-cat-and-the-birdie · 9 months

Text

There are two different versions of ATSV in theatres - and the only difference between them in Hobie Brown.

Okay ya'll I came across something so bizarre.

So I've seen Across the Spiderverse twice now, and my theatre was going to stop showing it this weekened - so I went to see it one more time.

Originally, I had seen version one. I knew there were two out there, but I had only heard of version 2. This time I saw it. And the ALL the differences has to do with Hobie Brown.

My man really hate consistency, I guess.

LOOK: This is the shot of Hobie saying 'I quit' that's most used. - THIS is version one

But when I went this time, this is what I saw:

THIS IS VERSION 2. (omggggggg!!!!)

As you can tell, instead of his normal colors - in this shot Hobie is a violet-pink instead, with a lot more texturing on his model.

And these are common throughout Hobie's screentime!

If you saw the top photo - you saw version one.

If you saw the bottom photo - you saw version two.

Chances are if you watched the movie early in it's release (first week or so), or you watched a fancam you have seen version 1.

I was able to capture most of the changes on camera - and it's kinda jarring to see but omg i find it so interesting!!!

I took photos of all the differences and compare them down below, including an explanation of why this happened.

Please let me know which version you saw, and when you saw the movie! Have you seen both versions? I'm so curious!

For the first half of Hobie's appearance the two version are entirely the same - except for what seems like either a different take or wording of his 'Gwendy, how much have you told him-' line. However, the changes begin at the end of Hobie's scene with Miles.

I spoke here about how in some versions Hobie says 'Don't enlist unless you know what war you're fighting', while others 'Don't enlist unless you know just who you're fighting'.

But the biggest differences are his last scene.

Last week I used THIS screencap that was taken from a Version 1 fancam. In it, Hobie is in full color:

In Version 2, he's pink. Also - it's extremely faint in the photo, but if you look closer you can see there are also red spiderwebs behind the blue ones in Version 2:

You can see his pink color better here:

Later in the scene, Hobie changes colors. In Version 1, he maintains the same normal color scheme for the duration of the scene, however in Version 2 he's changing back and forth - even turning black and white at one point.

Version 1:

Version 2:

And can I just say -

This is to show how Hobie is literally the only one in the room who is 1) Literally and physically 'in Miles' corner, (literally) standing 'in the right' - to the right of Miles,

and 2) the only one being honest to Miles (why he turns black and white, he also turns black and white while talking about Miles' parents.)

As the scene goes on, Hobie stays this color - which leads to one of my favorite differences:

His last shot.

In Version 1 - Hobie is white & black for one shot, as he says 'Here we go'. This is the same.

However - for version one, he returns to his natural color for his final line of the scene - 'Good'. And for Version 2, he turns purple.

So why did this happen?

According to the ATSV there are two (and only two) versions that were released in US theatres. Version 1 was released when Sony shipped early copies to translators so they could translate the script for international viewing. The version sent was about 98% done, and made to give the translators a jumpstart prior to release.

However, that version ended up being released.

Afterwards they swapped it out with the full, correct version - Version 2.

It seems like Hobie wasn't meant to be natural colored for the duration of the Canon-Events scene, and that in the whole film, he was the final thing they were putting touches on.

There are other small changes in version 2 - including when Miguel calls for backup - in Version 1 Lyla points at Miguel, however in Version 2 she takes a selfie with him on a AI cell-phone.

In Version 1 - Miles says 'No, no no!' at Pavitrs chai scolding, and 'Sorry, sorry' in Version 2. There are other small adlibs, and they said they removed Gwen's voicelines when she was searching for Miles and the child in the rubble (?? don't know why).

I also think - and I DON'T KNOW, I haven't checked my recording but I did record it - I THINK the watercoloring in Gwen's scenes have different colors in some shots, or different strokes, but only subtly. It just looked more detailed and vibrant to me, but idk. But the trans colors remain completely untouched in every way.

However, it seems that your best and most obvious way of telling which version you saw is by looking at Hobie's lines and coloring in different scenes.

Mans really hates consistency, damn.

______________________________________________

Outside of some split-second shots and ablids, He's the only things that's largely changed, and when seeing it in the theatre today I was literally shocked as HELL. When he said 'eh, what of it?', I was like 'mfer WHY R U PINK'. I hadn't noticed until right then. But I'm literally over the moon I got to see both, I feel like I found something secret.

Maybe being Hobie obsessed and Neurodivergent pays off.

Oh - and here's two more shots that were also changed that I didn't get footage of. If you have a photo or footage of these shots from Version 2 - PLEASE post or send them to me. Thanks!

Version 1 - 'What of it?' / In Version 2 he is a BRIGHT pink color

Version 1 - Standing behind Miles while talking to Miguel / In Version 2 he is black and white with newspaper around him (also doesnt he look so cute look at that slutty waist ugh)

SO uhhhhh yeah Idk if anyone else finds this interesting but I DO and I enjoyed it so much and I WISH I could get better footage of Version 2.

Had I not watched his scenes everyday for weeks and wrote out a dissertation about every one of his lines I might not have noticed lol

If you're not normal about Hobie Brown and found this interesting like me, thanks! Let me know if you read this far and please tell me what version you saw and when you saw it! Ok thxs again bye :)

#hobie brown #miles morales #across the spiderverse #across the spider verse #atsv #gwen stacy #spiderman #spider man #spider gwen #miguel o'hara #spiderpunk #spider punk

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its-time-to-write · 10 months

Note

Hi!! I absolutely love yo he fics talk about carrying the Jamie tartt fic community 🫶🏻🫶🏻🫶🏻

could you please write something about like the Richmond team being out at a bar and someone kissing Jamie and reader seeing and the chaos that ensues, hopefully with a happy ending but I trust whatever you want to do 🫶🏻🫶🏻

Haha hey, thanks! I write because I have a lot of things in my head, so thanks for enjoying it and for requesting!

Also I literally hate looking for gifs because I can never find the ones I want

wrote all your lines in the script in my mind

“Why did I let you drag me here?” you ask your absolute best friend the whole world, “I hate bars so much!”

Colin grins. “It’s good for you to get out of your flat and into the real world for a change. You’re getting all pasty.”

“I am not!”

You can’t help but catch onto his infectious mood. He’s still happy after scoring a winning goal, so he and Michael convinced you to go out with them even though it was almost a whole week ago.

You and Colin had grown up together, kicking the football around his backyard until age ten, when you declared you were never playing with him again because he was “unbeatable.”

You hate losing.

You two had been inseparable, even at university. Colin was more outgoing, what with football and all. You were too, in your own way, but you hated bars. And going to the club. You said it was too many drunk, sweaty people but both Michael and Colin promised that it would be fun this time.

“If I have to go, you have to go,” Michael had said to you.

You had groaned, but acquiesced. You’re not too sure of your decision anymore, especially because of how many footballers are present.

The last time you were out with them, one of Colin’s teammates had taken it upon himself to flirt with you the entire night. And he flirted very well. Like, so well that you went home that night incredibly flustered. So well that it now occupied a permanent place in your brain. You played the moment he tucked a strand of hair behind your ear on repeat in your mind, like a tab on your laptop that you couldn’t bring yourself to close.

And you told fucking Michael, who told fucking Colin, who then teased you about it mercilessly until you swore you’d tell the press about the Incident when you two were ten.

Colin shut up after that.

Actually, that’s not entirely true. You’d go out to coffee and he’d say, “Saw your footballer today,” and you’d say, “He’s not MY footballer,” and Michael would ask, “Then why are you blushing?” so you’d respond, “I’m not blushing, it’s just hot in here, alright?”

Anyway, you’re at this fucking bar filled with fucking footballers and you catch yourself looking around the room for one in particular, and Michael catches you too. He doesn’t say anything, just winks at you and pulls Colin over to an open booth.

You tell Colin all the time that you like Michael better than him. It’s because Michael knows the meaning of the word discretion.

“I can be discreet,” Colin says.

“And I can play football,” you reply.

Michael says you two bicker like a pair of siblings. He’s not wrong.

Right now, though, you’re not bickering. A few of Colin’s friends are filling in the booth. Sam slides in first, then Isaac, and then finally Jamie.

Michael is sitting opposite Sam, then Colin, then you.

You’re all squished in, ordering drinks and food, swapping stories and laughing like you’ve known each other for ages.

You suppose you sort of have.

You’ve known Colin the longest, obviously, but the next one is Isaac. You met him shortly after university because he was always around Colin. You met Sam once he signed for Richmond, and Jamie when he domineered the little triad of him, Isaac, and Colin.

You really didn’t like Jamie.

You told Colin all the time that he was a prick and a bully, but Colin wouldn’t listen.

It actually was the cause for one of your biggest fights. You two didn’t speak for three months.

Then Roy head-butted Colin and Jamie was gone, and you’re sure there are other details in between but whatever the case, Colin was at your doorstep with takeout and an apology. You watched Look Both Ways and argued about which was was the best. And that was that.

When Jamie showed back up, you were less than thrilled.

“If you fucking act like that prick again, I’ll fucking sabotage this date,” you had said. You were setting up Colin with a friend of yours named Michael. You didn’t know him incredibly well, but you had a lot of mutual friends who absolutely adored him. You were pretty sure he and Colin would click but you didn’t want Colin to act like a douche again.

He didn’t. It worked out for him.

Jamie knew who you were to a certain extent, which you suppose is why he was flirting with you that night at the club. Your distaste for him was evident, but you felt so uncomfortable in that environment. You were sitting alone, trying to make yourself invisible, when a tipsy Jamie found you and began to make it his mission to get you to a) smile and b) not hate him. He succeeded at both, as well as secret mission c) make you blush and fall madly in love with him. (Not that he knew that option existed.)

But he did that with all the girls, so you tried not to let it go to your head.

It did anyway, which is why you’re sitting in this booth in this bar trying not to look at his perfect face for to long and pretending you don’t notice that his foot is resting next to yours under the table.

“I’m gonna go get another drink,” he says, pushing himself up. You can’t help but notice the glint of his thin gold chain and the way his shirt hugs his bicep. Colin pokes you under the table.

You look back to the group and try to immerse yourself in the conversation, but you are far too distracted. Your eyes keep flicking to Jamie.

Jamie, as he orders a drink. Jamie, as he laughs to the bartender, Jamie as he… kisses a fit blonde girl in a tight skirt?

You look back to your table, eyes fixated on the chips in front of you. Oh. You suppose that settles things then.

You close the tab in your mind and try to muster up some of the old dislike you had for Jamie. It’s not really working, because all you can think about is how he drunkenly waxed poetic about your eyes and told you he had liked them even when they were angry.

This is the first time you’ve seen him since that night, so it’s not like it’s that big of a deal. What were you expecting, for him to soberly declare his love? Maybe Colin had over-hyped the way he said Jamie had asked about you the next day. Maybe he was exaggerating when he said he caught Jamie looking at the picture of you and Colin from uni that Colin had taped to his locker.

Maybe you were looking for something real in someone who was just looking for the next good time.

It doesn’t matter though, because it was just a crush. That’s what you tell yourself as you get up and tell the table you’re going to get some fresh air. “Too many sweaty boys,” you say with a nose wrinkle, and a squeeze to Colin’s hand that means I’m feeling anxious and need cold air.

You’re breezing out the door by the time Jamie returns, hair slightly tousled and frazzled expression. Michael and Colin exchange a look.

—

Meanwhile, you’re outside freezing just a little bit. The cold air is a welcome shock to your system, so you don’t mind the way you’re shivering. You take a deep breath, envisioning your lungs expanding to the point of popping. Your breath comes out in a whoosh, and you feel the anxiety beginning to dissipate. You stand, back against the bar wall, puffing cold air into the sky for a long time, tears welling in your eyes but refusing to fall.

You’re outside so long, that when the door opens and you hear footsteps coming toward you, you’re sure it’s Colin or Michael coming to make sure you haven’t been murdered.

“You plannin’ on freezing to death?” asks a voice that is neither Colin nor Michael. The owner of said voice leans against the wall next to you, mirroring your position. He’s so close you can feel heat radiating off his body, but you’re not quite touching.

You shake your head. “No, I’m not,” you hear yourself saying, “I just got a little anxious and the cold air is good for me, so… here I am.”

Jamie makes a concerned hm and nothing else. He just stands there next to you, not touching but still too close.

“Why are you out here?” you ask, breaking the silence. “Thought you’d be inside. Looks like you met someone interesting. She might be missing you.”

There’s no malice in your tone. You’re just stating facts as an observer. As a friend, maybe. The only thing that colors your words is just a hint of sadness. You’re sure Jamie won’t register it.

He grimaces and shakes his head. “Ain’t my friend. Some fan who thinks it’s fucking cool to kiss a footballer. Weren’t paying attention, otherwise I could’ve blocked it. I fucking hate it when that happens. It’s like, they don’t even see me as a real person. Just a sexy lad they can do whatever with.”

You chuckle at the way he says “sexy lad.” It reminds you of the way he had told you he had been a “wee sexy baby.”

“That fucking sucks,” you say. “I’m sorry. I didn’t realize, otherwise I wouldn’t have said it like that.” You’re taking deep, calming breaths, still trying to get rid of that anxious feeling.

Jamie just shrugs. He makes no indication that he’s going to continue speaking so you ask, “So, is that why are you out here, then? Is it to get away from her? Because if anyone should have to leave, it’s her. Pretty sure we could talk to someone and get her kicked out.”

You shiver, cold air beginning to seep through your coat. Jamie closes the gap between you, his bicep pressing against yours. You stifle another shiver, this one not from cold.

“Nah,” he replies, “that’s not why I’m here. Wanted to make sure you were alright.”

Oh. That’s weird. “Why didn’t Colin or Michael come?”

Jamie shrugs again. “Colin said some shit about fuckin whatever and Michael said the same fuckin shit, so…” he trails off.

You look up at him. “Jamie. You’re not making any fucking sense. I don’t know if it’s the cortisol flowing through my body or if you’ve had too much to drink, but you have got to be a whole lot clearer.”

That seems to get his attention, and bring him back to the reality that you two are outside, in the fucking cold, and he’s chatting with you as if nothing is wrong.

Jamie puffs out a breath, watching it coil into the air. He opens and closes his mouth a few times, then settles on: “I ain’t drunk.”

You’re still looking at him. He’s right. He’s stone-cold sober.

“I wanted to make sure you were alright. Colin said that you’d probably rather see me than him so… I dunno, I fucking came out here. I’ve been thinking about you ever since the last time we talked.”

Your cheeks flush bright red, and you’re grateful for the night sky. You keep taking your deep breaths.

Jamie continues, “You flirted with me for fucking five seconds, and it’s like- I forgot you hated me. Didn’t care about anything anymore, you just smiled at me fucking one time and I felt like I was floating.” He stares at the sky. “I fucking hate talking about feelings and shit, and you’re basically Colin’s sister, so I figured I didn’t have a chance. But I’ve been fucking head-over-heels since the first time you glared at me.”

You’re pretty sure this is an anxiety hallucination. That’s a thing, right?

Jamie is no longer staring at the sky, but looking at you. He breathes out a laugh. “Sorry. Didn’t mean to make it weird.” He moves to go back inside but you grab his arm.

“Jamie,” you say. The look on his face when you say his name is so hopeful, that you feel your heart shatter and reform almost instantaneously. “Jamie, you- you like me? You came out here because you like me? And that’s why you were drunkenly flirting with me last month?”

“Yeah, yeah it is.”

Your hand is still on his arm, and you’re standing face to face. You’re still breathing heavily, but so is he. You slowly run your hand up his arm and cup his face. He’s staring at you, mere inches apart, as you stand on tiptoe to reach his lips.

He kisses you back with the hunger of a starving man, arms wrapped around your waist the moment your lips make contact. You’re pulling each other closer, forgetting the freezing cold, when you hear an, “Oi, boyo.”

It’s Colin and Michael, walking out from the bar, headed home.

You and Jamie break apart and Colin points to him. “Break her heart, Michael and I will break your fucking legs.”

Jamie grins and nods, and you just roll your eyes. You’re going to have to tell them everything, but right now they’re walking away and it’s fucking cold, so Jamie’s pulling you back to him again to pick up where you left off.

#jamie tartt x reader #jamie tartt fanfiction #jamie tartt x y/n #jamie tartt x you #jamie tartt imagine #jamie tartt #ted lasso

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centrally-unplanned · 1 year

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The Clarkesworld AI Spam issue is one of those stories that to me really highlights the limits of the tools that hype is obscuring. Clarkesworld is a well-established Sci-Fi publishing magazine that today had to suspend all of its submissions due to being overwhelmed by ChatGPT generated entries:

This inspired a lot of discourse around the idea of a ‘crisis of credibility’ on the internet, AI sweeping away the boundries of authenticity in a flood of forgeries. How can magazines even operate in this new environment, one might ask?

Which is weird because this environment isn’t new at all, as the editor, Neil Clarke, comments on in his blog post around the problem:

Since the early days of the pandemic, I’ve observed an increase in the number of spammy submissions to Clarkesworld. What I mean by that is that there’s an honest interest in being published, but not in having to do the actual work. Up until recently, these were almost entirely cases of plagiarism, first by replacing the author’s name and then later by use of programs designed to “make it your own.”

The issue isn’t that spam exists, its the quantity:

This is undoubtably a gigantic spike, and 100% it is induced by ChatGPT.

But hold on - is ChatGPT actually *better* at this that previous spam tools? Niel doesn’t think so, even if he is worried about the future:

I’m not going to detail how I know these stories are “AI” spam or outline any of the data I have collected from these submissions. There are some very obvious patterns and I have no intention of helping those people become less likely to be caught...

... What I can say is that the number of spam submissions resulting in bans has hit 38% this month. While rejecting and banning these submissions has been simple, it’s growing at a rate that will necessitate changes. To make matters worse, the technology is only going to get better, so detection will become more challenging.

And how expensive was the plagarism before to do anyway? It was copy-pasting text, automated word replacement programs, and done, that is trivial. Its a little harder than ChatGPT, sure, but you could make a thousand in a day no sweat, automated scripts randomizing names and jumbling nouns from a list.

The success rate also seems to be zero! Neither plagarism nor ChatGPT generates any story worth a damn, these aren’t being accepted. Neil is quite confident he is catching 100% of them and I believe him on that, these tools cannot write good fiction of any length beyond a paragraph.

So what is the ChatGPT’s advantage over previous, ‘dumber’ spam that justifies a 100-fold increase in spam usage? I am not seeing one, and I don’t think there is one besides marginally lower per-spam costs. Phrased another way, what was stopping someone from submitted 500 spam entries in one month in 2021? Nothing but interest in doing so.

Which is the rub of why this is happening - it isn’t because ChatGPT is good at this task, its because its the hype thing to do. Everyone is talking about it, everyone is trying it out, everyone is trying to find “delta” so they can ride the hype train. A bunch of people, some who may have even had axes to grind against Clarkesworld, have heard of this brand new fun tool and are flooding into the market to take advantage of it. But there might not be much to take advantage of; hype is fleeting, particularly in the face of no results as this effort is getting. As it fails, unless that axe really needs grinding above all else, spammers will move.

All of this to say that this story is, again, not a story about AI at all. AI is just the reason these already-bad parts of the system are being tested in the public eye.

#ai discourse

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skyeslittlecorner · 1 month

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Guys, we're doing it!

Do you remember this survey? I didn't expect such a great response. If that many of you really want to participate, I guess I'll have to do more than one batch of the draw to choose as much of your MC's as I can.

More info under the cut!

Time for some rules, so we won't get lost

The concept is simple. You give me your precious OCs/MCs, I adopt them for a while, write fanfic (related to WHB, of course) and hand them over to your loving hands.

For now, I plan to choose 3-5 people to write for. This may change if more people apply. If one applies, I will write for one. If 96 apply, I will choose more. We'll figure it out.

You can apply in two ways. One is to reblog this post and describe everything in reply, the second is to create your own post with the hashtag #whbmcshuffle Preferably both at once. I don't want to accidentally lose any application. I also recommend following this tag for the time being because I will post further information under it.

The people I will write for will be drawn randomly. I want it to be fair, and I guess this is the only way I won't be biased when I see mutuals I like or Andrea my favorite demons.

You can apply for one week. Since we may all be in different time zones, submissions will close when this survey ends.

Feed me information. Since I want to write something good, I would like to ask you for some information. Here's the list:

Name and pronouns: Quite obvious. Short bio: Who are they? Any difficult past or traumas? What were they doing on earth? Did they get to hell like in canon? How do they feel in hell? Where they live? Character: What are their main character traits? How do they usually behave? How do they behave in crisis situations? Voice: (Not mandatory, although, very helpful.) What would the narrative look like? More calm or energetic? Confident or not at all? Funny or serious? Calm or nervous? Laid back or distrustful? You can even paste here a song or a link to some story that you think reflect your oc's voice well. Important facts: Free space, you can put whatever you want here and whatever you think is important. Demons to include in the fic: (from 1 to 3) Brief description of relationship with chosen demons: I guess that's obvious. The tone in which it should be written: (i.e. spicy, angst, fluff, funny or other) Narrative type: Second person (addressing as 'you') or third person (addressing with selected pronouns) The script you would like to see: (Not mandatory, although, very helpful) For example, a date on Earth, cooking together, whatever you come up with.

I know it's a lot to ask. This is a minimal list, but the more information you give me, the better I will be able to empathize with your MCs and hopefully imitate their character. If you have already written about them, for example in your other posts, feel free to include links, so I can take a better look at them. Of course, you can add photos, or a song, or memes, anything you want!

I didn't mention the length of the fic, but it depends on how I will feel writing it. But I'll want it to be at least 800 words.

Most important. Have fun! It's mainly about getting to know each other's OCs/MCs. Who knows, if there's a lot of interest, maybe we'll do more draws. 👀

I tried to include everything, but if you have any questions, feel free to ask!

#whb #what in hell is bad #whb oc #whb mc #whbmcshuffle

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rad-batson · 7 months

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THIS IS FOR FANS OF CASSANDRA CAIN! PLEASE READ! I WANT YOUR THOUGHTS

(skip to the bottom if you just want silly headcanons about her :D)

Hello! So first, I want to thank everyone who read the Wayne pilot I made :) I appreciate your feedback, and I love you all.

As I'm preparing to post it on AO3, I decided to make a few (admittedly small) changes to the script, primarily around Cassandra Cain, because I haven't quite fleshed her out yet.

I don't have much experience with writing Cass, so I decided to do a bit of research on her yesterday, and wouldn't you know? I fell in love. 10/10. She didn't play a huge part in the pilot, but she will have a bigger one in the second episode, and there are a few things I think can or should be added so she doesn't feel too one-note.

There wasn't anyone who told me this, by the way. (In fact, I actually got some nice comments about her so thank you.) I just had it in the back of my mind while writing, and now that Cass is getting more screen time, I'm finding that my lack of knowledge might lead to mischaracterization.

SO TO COMBAT THIS, I MADE A GUIDE FOR MYSELF ON HOW TO WRITE CASS

Is this overkill? Probably Think of it as a silly headcanon list for my version of her. And I'm posting it here because I want your feedback before it's set in stone. (I know Cass isn't written well a lot, so this is my attempt to right these horrid wrongs.)

If you're going to give criticism, please be constructive. Tell me what you like or don't like. I'm all ears. Have fun :)

Writing Cass

(Btw I still gotta read Cass’s first Batgirl run by Kelley Puckett)

Has some sass, has a lot actually

Used to be awkward in social settings. she’s better at it when she’s with people so she can match their energy but she still prefers to just dip

Speaks in short-ish sentences, trying her best tho

I WILL BE ADDING THIS INTO THE PILOT, I JUST WANT TO KNOW TO WHAT DEGREE?? OR IS IT REALLY FINE

Mostly just relies on body language though

I WILL BE ADDING THIS INTO THE PILOT TOO, ESPECIALLY WITH THE ASL SCENE (BUT IT’S NOT REPLACING THE ASL)

also yes i know her using ASL isn't canon, it just works best for the scene, it would have been written the same whether she was in it or not, it is still a cute nod to fanon tho

Steph and Cass are extremely close BUT ALSO HAVE SEPARATE LIVES (I HAVE BEEN TOLD TO STRESS THAT AND I AGREE)

Messy, low-key gross. Bad-ish hygiene but she’s good at looking put-together so only those close know this about her (this is just my headcanon)

Often forgets bigger words so she occasionally uses the wrong one, she ALSO mixes up proverbs but no one corrects her because 1: it’s cute and 2: they don’t want to discourage her from speaking with them more casually (also my headcanon)

Cass: So I pulled the door off its…*makes motion with hand*…metal books. Steph: Do you mean hinge— Cass: Metal books.

Dick: Well that was a surprise. I didn’t know The Penguin would be here. Cass, nodding: Well life gives you grapes Dick: Wut Cass: You make grape juice. Get on the same book, Nightwing

I'M ON THE FENCE ABOUT ADDING THIS ONE BECAUSE IDK LET ME KNOW PLEASE

Is a cinnamon bun AND a little shit, it’s a balancing act

Production: She’s Wayne’s darling Princess Cass: *will break your fingers*

She does appear behind the camera crew to scare them on purpose, she thinks it’s funny, she likes seeing them freak out

She is super competitive, but she's always like "Oh I'm not that competitive" *proceeds to be very competitive*

Because she isn't super confident in her writing or speaking (or just uncomfortable communicating without seeing the other person's body language) she prefers to Facetime or simply reply to texts with selfies of her reaction. It is a thing now. when you need an honest opinion about an outfit, text a photo to Cass. She will either give back a photo of a thumbs up or a photo of a grimace and some not-so-flattering emojis

Her princess persona is her public cover persona in this show, parallel to Bruce’s “Brucie” and Dick’s “born for the cameras” thing

Is surprisingly vocal (and sometimes snippy) about her distaste with things but she mostly gets a pass because her morals align best with Bruce’s

Is most snippy when her family uses methods other than violence when violence is clearly the faster option, god they're such pacifists

Tim: *trying carefully to pick a lock* Cass: Just break through the wall? Tim: We can’t do that. We’re trying not to be noticed. Cass: Wimp

Bruce: Cass, why did you have to dislocate that man’s shoulder? Cass: I put it back. Bruce: That’s not the point. Cass: Fine, I’ll dislocate it again.

Is the best fighter, none of this “oh she’s the best fighter so when people do win against her, it makes them look cooler” thing, shut tf up, she could break their bones (not important to the show ofc but I need to add this because it is important in general)

Horrible at drawing, wretched (again a headcanon but I did see someone else mention it somewhere)

Also bad at writing, refuses to study to improve out of principle (i.e. she told Babs she doesn’t need to and now she refuses to admit Babs was right)

(AND SIDE-HEADCANON IF SHE IS HORRIBLE AT WRITING AND ACTIVELY HATED STUDYING HER ALPHABET THEN WHAT IF LIKE ONE DAY SOMEONE SAYS “hey can you grab me one of these files from last week’s case, it’s under M” SHE’S LIKE “fuck you, how could you do this to me” WHILE SEARCHING FOR M OR MORE SIMPLY *throws something at them*)

That's all I have right now. If you'd like to give me any recommendations, please do. I can't promise I'll add in every single one because this show is still about the whole Batfam, not just her, but I want to do her justice, and that definitely involves more fine-tuning on my part

OKAY THAT'S ALL LOVE YOU BYE

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finsterwalds · 1 month

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Got my hands on the script of Anatomy of a Fall, and I couldn't help but compare it with some scenes from the movie because that's how deep I am rn :'D Anyway, here are some of my finds and things I personally enjoyed. I'm sure there are more things to dig out but these are what I wanted to share with the world. The order of my finds will be chronological, for the most part, but keep in mind that sometimes, some scenes were edited to show up later, or earlier than originally intended. Spoilers for the whole movie obviously so you've been warned!

Takes place when Vincent first visits Sandra to discuss Samuel's death. In the movie, Sandra stops Vincent and cuts him harshly, saying "STOP, I did not kill him". Vincent then says a line that I think is pretty iconic in the movie, a sarcastic : "That's not the point. Really". His line is much harsher than on the script, where he's a bit softer. "You don't need to tell me that" implies that he has some deep, loyal faith in Sandra, while "That's not the point" cuts any further discussion. He really doesn't wanna know if she actually did it. Comes from a wish to remain blind still, but with less innocence and a lot of denial. Oh, Vincent.

In the movie, his last line is way better imo, he says "No one's gonna believe that. I don't believe that." I like the emphasis on his opinion rather than the fleeting and impersonal "it's really hard to believe". Truly hits way harder and puts Vincent back in the position of a lawyer.

The rest will be under the cut because I think it's gonna be a wall of text I apologize guys...... This movie does things to my brain.

There's a scene that was cut where Vincent phones Nour while still at Sandra's, which I would have enjoyed a lot but I'll admit it's a bit filler-y. Doesn't add a lot and kinda cuts the serious tone of Sandra's confession, imo, as they discuss the judge's antics in a pretty comical manner. I just love Nour so I'm based......

Another, REALLY long scene that was cut where a medium comes into Sandra's house to feel Samuel's ghost and foreshadows Daniel poisoning Snoop with aspirin. I had a good laugh at that one, honestly. It feels pretty out of place with the tone of the movie, and the personality of the characters even... I can't picture Sandra calling a medium. I'm glad they removed it because the foreshadowing was unnecessary too. It's still interesting that they had planned it however.

This takes place after Vincent finds out about the tape. Interestingly, his whole line was cut after "before he died". In the movie, he never comments on Sandra's affairs/sexuality. He never really asks much about her life at all. He truly is blinded by his wish to shield himself from her inner demons, in order to maintain his undying loyalty towards her. To see what he wants of her...

Another scene that was completely cut (a flashback, I believe?) where Sandra makes Daniel pose for a german photographer to make some money, which Monica dislikes, and then they argue. I think it really frames her as too unsympathetic, so I'm also glad it was cut.

Okay, so now, here comes The Big Change. The scene where Vincent and Sandra drink together after the first trial was heavily altered, because its tone in the movie is pretty tense when compared with the lightheartedness of the script. In the script, they laugh and reminisce together about the past and even kiss at the end of the scene. In the movie, none of was I screenshot happens : instead of playing along with the 'firing Vincent' suggestion, the scene ends with Sandra scolding Vincent for judging her in his head. Vincent backs off and the scene ends. Another instance of him not pressing emotional depth to shield himself.

There are other scenes I liked (many that touch upon Sandra's books) but I'll stop there. Hope you'll enjoy that... I might draw some of these so stay tuned... This movie has absorbed my soul but it feels good to be alive, thank you Justine Triet.

#anatomy of a fall #anatomie d'une chute #justine triet #vincent renzi #sandra voyter #not art #im posting it on my artblog because i wanna find this again and store everything about my lawyer era in one place #i didn't translate anything because that would take some time but hmu if you need a translation or if something's unclear #i didn't proofread this and my native language isn't english so picture a crazy frenchie going about their theories to you okay?#fits the movie imo

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frostfire-17 · 5 months

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What is cuneiform?

@ipsomaniac asked if I could explain the cuneiform system, and so I am going to give it a shot. Here goes! (Update: it got long! But there's pictures!)

Part I: What does it look like? How do we work with it?

This is the cuneiform script:

This is a first-millennium BC text of Sargon II, in Akkadian (specifically Neo-Assyrian). My user icon is a much older Sumerian text. In a second we'll see some Hittite. Just like the Latin script is used for English, French, Turkish, and many other languages today, the cuneiform script was used for lots of languages in the ancient world. It changed a bit over three thousand years of constant use, but it remains pretty recognizable because of the wedges. "Cuneiform" is just Latin for "wedge-shaped," because scholars love giving things banal names and then translating them into Latin or Greek so no one can tell.

This is a Hittite tablet:

This particular tablet is part of the royal funerary ritual (which has many many MANY tablets, many of which are way more broken than this one, and/or missing entirely). It's been pieced together from lots of fragments, all excavated separately. (You can see their excavation numbers written on the fragments, e.g. 39/c.) It's written on clay, like most of their texts were. This is a pretty good amount of preservation for a tablet this size - many are more fragmentary. I wish the picture were better, but tablets are not catalogued by how good the pictures are and it would have taken a million years to find a really hi-res one suitable for our purposes.

You can see that each symbol is made up of a bunch of wedges. These were pressed into the clay with a stylus while it was still wet. If you look closely, you can also spot spaces between words (more obvious at the end of a paragraph).

Here's a little slice of our tablet:

And here's a drawing of that same little slice. This is how scholars usually interact with texts on a day-to-day basis, because taking readable photos of tablets is difficult and going to see the tablets is more difficult. Drawings are made by experts in the presence of the tablets and published so that everyone can look at them.

Here the scholar who did this drawing (published in Keilschrifturkunden aus Boghazköi vol. 39, text no. 4) was working with only some of the fragments, and so has written in the transliteration of the left half, which they weren't copying. So you can see how each cuneiform sign corresponds to a written syllable, sometimes in lowercase, sometimes in all caps, and sometimes in superscript.

What does all this mean? How does it work? Okay. Cuneiform is a really difficult and frustrating writing system to read, for a few reasons. 1) It grew organically from a time before writing existed, so people were just kind of slowly figuring out how to use pictures to represent words; 2) it lasted for thousands of years, so there were all sorts of innovations tacked on without necessarily jettisoning any of the old stuff; and 3) it was borrowed through quite a few languages, almost none of which were related to one another, so it had to twist around and adapt to totally different sounds and word structures. So it's weird! And hard to learn, especially for us, because we are not native speakers of any of the languages that used it, and also we're not a single person existing in a snapshot of time, where cuneiform had a specific form and iteration - we're looking at its whole span of three thousand years.

THAT SAID. I can explain some stuff about it and how it worked! Here goes!

Part 2: How does it work as a writing system?

We start with a picture. Let's use a star. Like this: 𒀭

Or this:

(this is a student text copying the star sign over and over - ignore the leftmost column. I got it from this excellent thread here)

This is the cuneiform sign for the sky, or for a god. In Sumerian, the language that first used cuneiform, the word for "sky" is AN. The word for "god" is DINGIR. So this sign could be pronounced either AN, and mean sky, or DINGIR, and mean god. This sort of usage is called "logographic" - a sign equals a word. It started as just a picture of a star, and came to mean a couple of things associated with the stars.

Eventually, there reaches a point where it doesn't just only mean the word "sky," it also means the syllable "an." That is, you could use it to represent a part of a word, or a grammatical element, that was pronounced "an." (E.g., ma-ah-ha-an: mahhan, which is a Hittite word that means "when," and which is written with four signs, including our an.) This is called the rebus principle: like a rebus puzzle, a picture of an eye can also mean "I" because they sound the same. This usage supplements the logograms rather than replacing them: you could still use "an" to mean "sky." You know which usage is in play based on context. (Or at this stage, maybe you don't. Sumerian is real hard and we don't understand it perfectly.)

You can also use signs a third way, which is designed to make reading easier: as what's called a "determinative." A determinative tells you what type of thing a word is. So if you use the star symbol as a determinative, it comes before a word and indicates that upcoming is a god's name. It's not pronounced when it's used like that. Other determinatives include: male and female markers, plural markers, markers to indicate what something is made of, what kind of animal it is, etc.

So any sign you see could potentially be a word (logogram), a sound (syllable), or a soundless classifier (determinative). In practice, only some signs take on all three of these functions.

When we transcribe signs now, we write them in Latin script based on which function they're serving. That's why, in the above Hittite texts, some of the signs were written in all-caps (for logograms), some of them in lowercase (for syllables), and some of them in superscript (for determinatives).

So then Akkadian borrows the system. They like to spell words out a lot more than the Sumerians do, so more and more signs are used primarily for their syllables, rather than their meaning. The signs also take on more syllabic meanings, because Akkadian has different words behind the logograms, and also has different sounds than Sumerian. A lot of signs end up doing double, triple or even-more-ple duty (e.g. the sign for "ag" can also be read "ak" or "aq" in an Akkadian text). Once again, you know how to read a sign from context, and in Akkadian you usually actually do know, because Akkadian is a Semitic language rather than an isolate like Sumerian, so we understand it way, way better.

Akkadian keeps using the symbols as logograms, though, too. Sometimes they'll spell out a word, but sometimes they'll just use the logographic symbol for it - like how sometimes we write out "two," and sometimes just write "2". Sometimes there are full Sumerian words or combinations of words that have become logograms: that is, they're not loanwords. They're not pronounced in Sumerian. They're written as a symbol (like 2), and the Akkadian word would be pronounced underneath (like "two.") The Akkadians also keep using determinatives.

At this point, most signs at least have a logographic value and a few syllabic values. Also (to make it extra difficult) plenty of syllables have a couple of different signs that could be used to represent them. In total there's a bit over a thousand cuneiform signs, incidentally, but usually only a few hundred were in use at any given time and place.

Then Hittite borrows it! They actually overall reduce the number of signs used, and the number of signs doing double duty, so it's generally simpler to read. Hittite's sound system is totally different from Akkadian's, though - which is totally different from Sumerian's - so they do some weird stuff with which signs represent which sounds. (The result of this is that our understanding of Hittite phonetics is somewhat imperfect.) They do use a ton of logograms whenever they're talking about physical objects, especially ritual offerings. Ritual texts are A PAIN IN THE ASS to read because they're full up with obscure logograms, and so you pore over a signlist trying to work out what the bonkers twelve-wedge sign you've never seen before is, and then when you finally find it you're like, "oh ANOTHER kind of bread. cool cool."

Part 3: Let's Read Hittite! (This is probably excessive.)

So finally, let's read some together! This is two lines from the Ten-Year Annals of Mursili II, an account of the first ten years of that king's reign. It's mostly conquering, but this bit is calmer.

(ANNOYINGLY, Tumblr will not do superscript, or I cannot make it anyway, so I will put determinatives in parentheses.)

nam-ma (URU)Ha-at-tu-ši ú-wa-nu-un nu (URU)Ha-at-tu-ši

gi-im-ma-an-da-ri-nu-un nu-za EZEN4.HI.A ŠA MU.6.KAM i-ya-nu-un

That's the text rendered sign-by-sign. Everything that is separated by a dash, a period, a space, or a parenthesis is a separate sign. Words are separated with spaces. Here's a more normalized rendition of the words (still with the logograms, though).

namma (URU)Hattusi uwanun nu (URU)Hattusi gimmandarinun nu=za EZEN4.HI.A ŠA MU.6.KAM iyanun

"Then I went to Hattusa, and I spent the winter in Hattusa and performed the festivals of the sixth year."

The ú in uwanun in the first line is written with an accent because there are several signs that can mean "u" and this is the second one. Similar for EZEN4: there's more than one sign for EZEN, and this is the fourth. Scholars always write logograms and determinatives in Sumerian, because that's where the meanings were fixed. URU, used before Hattusa, is both the determinative for "city" and the Sumerian word meaning the same. ŠA in the last line is italicized and capitalized because it's a logogram that comes from Akkadian: "ša" means "of" in Akkadian, and the Hittites used Akkadian words as logograms just like the Akkadians used Sumerian words.

Anyway, that's how cuneiform works! If you made it this far you're a hero! <3

#hittites yay!#cuneiform

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douceurrrr · 1 year

Text

𝐔𝐍𝐃𝐄𝐑𝐍𝐄𝐀𝐓𝐇 𝐈𝐓 𝐀𝐋𝐋

parings: damian “dame” anderson x creed!reader

summary: you reconnect with your brother’s childhood friend and you childhood lover, that you got disconnected from when he went to jail. turns out he’s got finer over the years.

warnings: SMUT, cursing, angst, unedited, talking about jail, spitting, manhandling, dirty talk, oral (fem receiving), cunnilingus, porn wit plot, mentions of jail, doggy, spitting, manhandling, squirting, critiquing the script a lil, POSSIBLE CREED III SPOILERS!

a/n: ouu child I HAD to get to work after seeing creed III

You watch the ring as Felix Chavez and some other dude fight eachother. you watch the movements of both of them and you noticed that Felix can never be beaten. “he’s good, isn’t he.” your brother says from beside you with his arms crossed, studying the fighters. “definitely.” you nodded your head. suddenly your brother get a phone call. “m’gonna go take this.” he says before leaving the gym, you nodded.

after a while your brother hasn’t came back in the gym so you started to get worried and headed out the the door to check on him and that’s when your saw Adonis talking to some guy who was leaning against his car. “um who’s this donny?” you questioned, Adonis just shrugged while looking at the man. the man smirked when you reach his eyesight. “y’all don’t remember me?” he smirked. you and Adonis looked at him more closely and it clicked in your brain. “dame?” you and your brother spoke in surprise. his smirk became even wider until you noticed he was just looking at you, your face became hot.

you and damien had some history back in the day. you used to be his girlfriend, he was madly in love with you. the relationship was like a hood fairytale until one day you got a phone call that damian got locked up, it ruined everything and your mom thought it would’ve been better if you and adonis just forget him, damien never wrote to you anyways but you did and kept doing until it was just useless.

the tears in your eyes was threatening to fall as you look at the man that was right in front of you, you thought you were never going to see him again.

“h-how have you been?” you hesitated, crossing your arms making your tits squeeze together which damien instantly noticed. “oh I’ve been straight, you know. aside from being locked in the cell I’ve been good.” he nodded, looking down at your cleavage every five seconds. “oh that’s what’s up.” your brother says awkwardly, not really knowing what to say, you did either.

“well I’ll see you around.” damien says while walking away and so did you but you didn’t want him to leave so soon.

“hey” you called, he turns around with a nod. “would you want to get a bite to eat with me? that’s if your not busy or anything.” you bite your lip, hoping you didn’t come off as weird and awkward as you felt. he smiles at you as he looks you up and down before replying. “yeah sure, sweetheart.” he replied. sweetheart. you replayed the nickname in your head over and over again.

meanwhile you took damien to your favorite place to eat which surprised damien, there was a lot of common people there, he thought you were going to take him to a fancy restaurant. “I’m surprised you still come here and eat with the common folk.” he says.

“I mean yeah i’m not a hot shot or anything, I try to do this as much as I can.” you shrug, picking up a fry and eating it. when you looked away for a moments it was a perfect opportunity for damien to examine you, you look the same when you two were kids but more mature and “developed” *smirk*.you look back over to see damien looking at you. “what?” you grinned. “nothing y’just haven’t changed that’s all.” he replied with a little grin, but it wasn’t any kind of grin it was a lustful kind of grin.

“you know, I would write to you all the time.. I guess you never got ‘em.” he says before eating another french fry. your breath hitched after him saying that, you thought he was just ignoring you. damien took some time to admire you some more.

you start to get nervous underneath his stare, looking down at your lap. “don’t get all nervous now, sweetheart.” there goes that name again, sweetheart. dame smirked as he knew what kind of effect he had on you. you were starting to get anxious, “okay dame, my place or yours?” you asked with you leg bouncing up and down in anticipation.

“you don’t know how long I wanted to do this.” you moaned as damien’s lips travel the valley of your neck as he walks you over to your bed then forcefully pushing you down on the bed before climbing on top of you. He began to unzip your pants while you pulled your shirt over your head, leaving you in your black-laced panties and bra, you covered yourself in embarrassment. “don’t hide yourself.” he says before pulling your arms and pushing them down by your head. he kisses you again, more sloppier than before. his hands travel down your panties and yanks them down.

he levels down to you cunt. “so fucking wet” after he finished his sentence, he spit onto your clit them licked a wide strip up your entire pussy. from the bottom and all the way to your aching clit. making out with bud messily before sucking it, you let out a broken sob as he tongue flicks over your clit. “you like that, babygirl?” he mumbled, when you didn’t answer he slapped you thigh making you yelp. “yes!” you nodded, biting your lip, his tongue felt like ecstasy on your throbbing clit, desperate for him to make you cum over and over again. the only sounds in the room were your loud whines and whimpers and the squelching sounds of dame sucking and licking at your clit.

“h-holy shit” you mewled brokenly once you came in his mouth. he didn’t even give you chance to calm down and starting taking off his pants so you started to unclip your bra. then he flips you over making you squeal in surprise. he ran his leaking cock up and down your slit, teasing your entrance with the tip of his cock.

“fuck just put it in alre-”

he smacked your ass, shoving his length into you, forcefully. you yelped loudly, causing him to cover your mouth with his big-veiny hand, knowing your neighbor probably heard that. “shut your pretty mouth.” he grunts as he began to thrust. the bed began to squeak, matching his powerful thrusts.

he grabs onto your hair causing your back to arch more as you mewl in euphoria. “fucking missed this wet pussy, I know you missed me too huh?” dame says as his hips and the feeling of his abs hits your ass in the right angles. “mm yes fuck I missed you.” you barley replied, he chuckled.

you began to feel the knot in your stomach pulse as he speeds up his thrust. “fuck! m’gonna-” your moans cut you off as you came all over dame’s cock making him come over the edge as well. he flops over on the bed next to you as you scooted over in his inviting arms, underneath the covers

“you know, I never thought I would ever see you again.” you spoke, drawing invisible circles in his abs. he tensed at the subject. “yeah well in here now and I wanna finish what we started.” dame replied. “finish what?” you asked.

“I still love you y/n ever since we were kids I still loved you.” he confessed. you smile at his words. suddenly you leaned up from the bed and straddled him making his hand come up to your hips. “well I wanna start this.” you smirk. he chuckles and shakes his head. “well don’t start something you won’t finish, girl.” he says, caressing your hips.

“oh don’t worry, I’ll finish.”

#woc #black!reader #creed #creed iii #damien anderson #damien anderson x reader #damien anderson x creed!reader #imagine #fanfic #dame

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