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#I remember I wanted to work on composition for this one
starastrologyy · 2 days
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Astrology Notes🌪
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Hi everyone, I have re-opened my chart readings! The link is in my bio for anyone who is interested :)
In one of my older posts I remember saying that couples who have their Composite Mars making a conjunction to their Composite Ascendant can come across as being quarrelsome, as their arguments are often made public. However, I have also found that couples who have Mars conjunct the Composite Midheaven, can also come across as being argumentative ( with each other and with other people). This is most likely because Mars conjuncting the MC would in most cases square the Composite Ascendant.
People with Jupiter in the 8th or Part of Fortune in the 8th house in their natal chart can often find success when trading or investing!
When your Solar Return Mercury makes a conjunction to the Solar Return Midheaven, you may have to travel for work. I have also found this to be true when you have the ruler of the solar return midheaven placed in the 9th house. I want to emphasize that placements can play out many different ways this is just one of the ways I have seen these two placements manifest.
An afflicted Saturn in the 3rd house of a composite chart can often indicate communication problems within a relationship. There can be verbal misunderstandings, silent treatments, or just differences in communication styles as a result of this placement. However, it is always important to remember that a single placement cannot derail an entire relationship, you will need to look at both the composite and Synastry charts holistically.
A Solar Return year in which you have the ruler of your Solar Return 4th house in the 9th, can be the year where you move or relocate abroad.
In synastry, when your North Node makes a conjunction to someone else’s Midheaven vise versa you two have the potential to impact each other’s career trajectories quite significantly. I have actually found that it is often the Midheaven person who introduces the North Node person to people who have the ability to advance them on their career path.
People who have planets that make a conjunction to your Sun/Moon midpoint are likely to have a significant impact on you (especially if the orb is exact). For example, if someone’s Moon makes a conjunction to your sun/moon midpoint you can feel a strong emotional pull towards them vise versa.
Individuals with their natal Venus, Mars, or descendent in Sagittarius can often find themselves in long distance relationships or in relationships with people who are very different to them. There can be a difference in religion, race, nationality, political beliefs etc…
Something I find so interesting is that I personally know someone who met their spouse in the time frame (+- 2 months) that they had their Solar arc Venus making an exact conjunction to their natal descendent! I am thinking of making a separate post about Solar Arcs for those interested to know how to interpret them and what they are!
If you have Uranus in your natal 6th house, you are best suited to work environments that provide you with a lot of freedom and autonomy. Interestingly, people with Uranus in the 6th house, are also more likely to own exotic pets.
Chiron in the natal 3rd house can manifest as having a speech impediment, attention difficulties, or problems in early education. It can also indicate a difficult relationship with a sibling or siblings. In some instances, a 3rd house Chiron can indicate a fear of driving or some kind of ‘wounding’ surrounding cars and short-distance traveling,
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firexima · 16 hours
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YOUR ART IS INCREDIBLE DO YOU HAVE ANY TIPS /nf
Thanks so much!! I’m so grateful to hear you like my work :)
And boy oh boy I could go oooon and on and on about tips, like genuinely pages upon pages or talking hours upon hours but I’ll share a few things!
1: Put your drawing in black and white to check the values
TLDR: It helps check that your drawings are clear and helps figure out what needs to be brighter/darker.
-> First if all, I want to explain what value is. Value is how bright or dark a color is. Every color has value even when fully saturated and those values change depending on the color. Red for example is naturally darker in value than yellow but naturally brighter in value than blue. You want to be aware and therefore deliberate with how you use value in your art.
Push your darks and push your lights— unless there’s a deliberate reason as to why you don’t want to, you want a fairly large range in values: that means that if you were to put your drawing in black and white only, you would be able to see a large range of greys going from very dark to very bright, black to mid/light grey, mid/dark grey to white depending on the mood of your drawing.
This helps to give your art more depth and volume and generally helps to read better and is nice to look at. When you’re creating art it can be difficult to keep track of everything, so by putting your art in black and white you are only focusing on value and it helps you see what’s getting lost and what you can push and pull more to make brighter or darker.
You can do this by either taking a picture of your drawing and editing it in your camera roll to remove the saturation or set it in one of the black and white filters or if you’re working digitally you can create a new layer above all the ones you already have, fill it with black/white/grey and set the layer to “color”. With your layer, you can turn it on and off whenever you want
2: Do multiple small thumbnails!
TLDR: It helps pushing yourself to brainstorm other options and it helps finding out if your composition works before you spend time on it.
-> Obviously not a complete necessity whatsoever and I don’t even do this with all my drawings especially if they’re just to have fun and de-stress but if you have an idea for a drawing and you really want it to get to its full potential, sitting down and forcing yourself to do more than one sketch can be really great! It doesn’t have to be good at all, just enough for you to know what it is supposed to be.
Often when I come up with an idea I’m excited about I already have a vision for how I want to do it but making myself brainstorm other ways I could draw the same idea and forcing myself to make them noticeably different has helped me come up with some of my proudest works! You are deliberately considering all options for how you can execute the same thing and realizing ways you could do it that you hadn’t initially thought of. In my experience by doing this I realize that the first idea I thought of isn’t always the best possible one or I merge it with another one and therefore end up making it better. (This can also be applied to other creative processes)
Another good thing about it though, is it helps focus on just the composition. Again, there’s a lot of things that go into making an art piece so isolating just the composition helps you figure out a plan and checking to see that it looks good before you spend hours and hours on it. It’s as if you were to build a house and spend days of work and loads of money on making it beautiful but it isn’t structurally sound and falls apart. You don’t want to spend so much of your time on all the details only to realize it just doesn’t feel right all because the composition itself is off.
3: Remember to have fun and don’t be discouraged!
-> I know it’s something nearly everyone says and at first I kind of always ignored it because it felt like it was something people just added to be nice but it is just as important as anything else. Art takes so much time, even just doing a single piece— let alone time to keep building up your skills over time. We don’t have unlimited time, and what you choose to spend your time on matters. Honing your craft and even wanting tips to help you improve means you care. The reason why is one of the most important things of all, don’t lose sight of that. Whether it’s to have fun, to decompress, to express yourself, to depict something you care about— whatever it may be: remember that and don’t beat yourself up or stress yourself out if you aren’t where you want to be or stressing yourself out to meet certain expectations. It really does impact both your art and your learning process whether you’re having a good time or not.
A few last quick tips:
- Don’t be afraid to start over or completely redo something that isn’t working!
- When drawing from reference, trust what you see and not what you know! Drawing what your eyes are telling you is there instead of what your brain thinks should be there will usually always give you better results.
- Step back from/Zoom out of a piece regularly! It also helps to squint your eyes.
- It’s great to make a folder of pieces/artists/pictures that inspire you!
- When studying other people’s art, be aware that they can also make mistakes so that you don’t repeat those.
- You don’t have to take every tip/rule by heart, as long as you understand why they’re there, you can also deliberately choose to go against it if it enhances what you want to do with your piece. Most rules artists teach can be broken, just make sure it’s a deliberate choice to not do those things and why you’re choosing to do that instead of just not knowing about it!
Hopefully these are helpful! I have way more but this is already long enough as is. I wish you the best! <3
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hychlorions · 25 days
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a what-if i've been thinking about for forever... trucy knowing the truth before anyone could tell her
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martin-tma-liker · 1 year
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Season 3 Jon
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im-still-a-robot · 4 months
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M. It was impossible to make their name look good 😔
Notes:
- Main outfit based off the orginal skin for them (minus capelet). I might do a better design at a later point but I am out of outfit brain power atm
- They like nicer clothes (like sweaters and button ups) but are often annoyed by the lack of mobility
- Mask only comes off when alone or with people they trust. Their headscarf, on the other hand, is used to protect their hair, so they might take it off in public, but usually only briefly, to adjust it.
- The Moofia was important to them. Even after its effective dissolution, cows were very dear to them. Also cow axe :]
- Prone to annoyance and nervousness in equal measure. An asshole on bad days and tricky bastard on good ones.
Thats mostly it. I am going to be thinking about them for weeks to come <3
Diamond (the fox!) belongs to @twodragonsinatrenchcoat
I genuinely don't remember who the child was- feel free to tell me if you know :]
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wombywoo · 6 months
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Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~
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Please enjoy this little step-by-step 💁‍♀️
First things first--references!
Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃
As such, your web browser should look like this at any given point:
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Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅
Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️
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(I will end up not using half of these, alas :'D)
Another reference search for background material, and getting to showcase our models of choice for this occasion~
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When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:
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Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️
Now that we've spent countless hours googling, it's time to start with a rough sketch:
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It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.
The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.
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Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.
It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️
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Next step is just blocking in the figures. Standard. No fuss 👍
Now onto the background!
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It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙
I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️
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Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..
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Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.
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Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏
And now--rendering!
I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪
I've decided to show a brief process of rendering our dear Johnny's face here:
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Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.
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This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪
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A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️
I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~
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Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚
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They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can
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Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~
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The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍
And the final step is adjusting the color and adding some text:
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Tada!! It's done!
All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️
I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~
As a bonus, here is a cute (cursed) image of Johnny without his mustache:
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A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭
Anyway! peace out ✌️
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soular-sisters · 13 days
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✨Astro notes💫
Some small tidbits of info for you today.
1. Placements that are closer to 0° are stronger. (With degree placements and aspect orbs)
2. Jupiter indicates where you will find your husband. This doesn’t have to be in the natal chart, check your astrocartography chart and look for your Jupiter DC line and also how Jupiter is aspected in the natal chart.
3. Inner planet retrogrades, 12th house planets, and intercepted signs/planets are indicators of past life karma.
4. Decans are subsections of the degrees in a certain placement (example: I am a Leo sun at 5° so I fall into the first decan 0°-10°. Second decan would be 11°-20°, third 21°-30°)
5. North node shows us our cosmic destiny. Following this placement can help lead to your highest purpose.
6. Your “part of fortune” shows the area where you can achieve the most success, material wealth, recognition, luck, and abundance.
7. A stellium is when three more planets occur in one sign or house in the natal chart.
8. A persona chart is a deep dive on a specific planetary energy within your chart. (Example, basically a natal chart from the perspective of a specific planet and not from the sun. Remember, we are heliocentric. Our planets revolve around the sun. So if I wanted to see things from a lunar-centric POV, I would look up my moon persona chart, and so on with the other planets.)
9. Astrocartography is the study of how your natal chart aligns with various energies on a map. If you are interested in a certain area and would like to know where would be the best places, or not the greatest places for your energy, check your astrocartography chart.
10. Synastry charts show how two individual energies work together, while a composite chart shows how the energies blend together. Both are important to look at for relationship astrology, just different energies. Think synastry as how your energy plays off of each other, and composite as the energy you have together.
-AH
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myfirstandlast · 2 years
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made my first dnd character yesterday :DD
#until 4am lmfao! i have an interview a little later today#no but idec it was rlly fun#im rlly terrible at backstory composition tho it’s been a long time since i’ve been successfully creative#also having a hard time sort of visualising her in a solid way even tho i see her in my head the look is still a little amorphous#but it was still rlly fun ehehehe im going to share#bc it was totally out of the blue and now i’m part of a campaign with no experience just the Smallest bit of understanding#so we decided on a fey wanderer ranger hexblood named cerise carambola obsessed w that last name btw#who’s a sort of fruit person the backstory is still a little in the works i may change some aspects#but essentially she was born of an enchanted fruit tree belonging to a witch requiring many servants/handmaidens/waiting ladies/whatever we#call it which are mostly sourced around guava and peach as far as inspiration#and this is the kind of workshoppy part but somehow as a wee fruit she was separated from the group so origin unknown brethren unknown#and we kind of sillily (sillily?) made up that with the woodcarving trade she was taken in and raised by a caravan of woodworking gnomes LOL#so a bit of a travelling spirit who one day feels compelled to depart and equipped with her skills she leaves the caravan to seek out her#origin. bit of a laugh with that very elf movie aspect but i still like it for now while we develop it#she also does custom engravings! let her whittle on your weapon she can put a heart with mom inside of it#she’s got a two handed crossbow and her little fey token thing i don’t remember are the iron scissors because i just feel like she will one#day need to cut a thread and if it were me i would certainly want the tool for it#as far as looks all i’ve gotten up to so far is very pale sage skin with dark green and brown speckling around the sun spots shoulders elbow#knees etc some might resemble more fruit bruising than speckling#and before we even came up with who the character herself was i was always envisioning this long slim frame like a needle-like silhouette of#being slightly over-exaggerated. im flip-flopping between the needle look and the more curvaceous gourd look to go with the whole guava shsp#shape but all i have on my mind rn are those bustiers that give u big round cleavage cuz they’re pressing u flat LMAO i just love those#um i think that’s basically what we’ve got up to now it was rlly exciting and it was kind of fun being able to sorta lean into the mary sue#of it all since u can literally do be imagine anything and be able to incorporate it. i am especially excited about my syrupy nectary#translucent blood hope that gets to make an appearance#but uh yea! if im able to take on the job i have the interview for it’s gonna fill up my days pretty consistently so i hope this will be#able to fit in comfortably and we can have a fun time. i was kind of nervous abt what sort of party i’d play w for the first time but the#one im in seems like it’ll be pretty interesting tbh and i’m looking forward to seeing how everyone will react in our battles#im kind of expecting a fantasy high everybody dies in the club moment but it’ll still be funny LOL
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pascalcampion · 6 months
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Bernie Fuchs. 1932/2009
Not really sure what to say about him that would be different from anybody else’s point of view. The man was THE man. The legend AND the stuff legends are made of. The enfant terrible of illustration in the late 50’s, all throughout the 60’s and till the slow death of print illustration in the 70’s. I know, Illustration is not dead, far from it, but THIS format of magazine art, the way it was done, commissioned, paid for, the world that went with it is a piece of history now. For better or for worse.
When I discovered the first image in this post I was blown away. I was instantly charmed. The longer I looked at it the longer I was mesmerized. Fuchs had started in the 50’s, working in car ads in Detroit. The job was very specific. There were strict rules. Someone usually did the car and another artist would do the characters. The poses were clear, clean, behind the car. It was all very staged, all very efficient. Fuchs was probably drinking beer or something at the time and asked someone to hold It for him while he went about to completely dismantle this system, going into the streets to capture everyday life, placing people in Front of the cars, overall stepping all over the established codes of the time. He was both admired for it and called a prima Dona for it. He didn’t last in Detroit. Moved to New York and started getting jobs for Mc Call and other well known magazines at the time. The bigger leagues. He was the kid who started taking jobs away from the older, more established artists, and he did it with a smile from what I read.
His work was new, different. It felt alive. The characters weren’t as stiff as they used to be in previous illustrations, there was a looseness to the brush work. Everybody wanted to have him work on their campaigns and every illustrator wanted to be him.
I look at his work. Not as often as I used to when I was younger. I look at it to remind myself that people can draw and paint like this, can tell such strong stories in one images and can push themselves constantly to come up with new ideas, new themes, new compositions Toward the later part of his career, after being incredibly well established, Bernie started experimenting with new techniques, new approaches. This body of work is not often the one that people remember the most but I love seeing his brain at work. Having the courage to leave behind what is a sure success to try something new, untested, unproven, knowing that it could very well be rejected is inspiring. That is the other thing about Bernie Fuchs. He was inspiring. He still is.
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zhongrin · 2 years
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behind the screen
◇ characters ◇ zhongli
◇ tags ◇ yandere, sagau
◇ a/n ◇ ok ok ok story time liSTEN-
i was showing a friend genshin for the first time few weekends ago, and ofc i had zhongli out (she wasn't interested in him tho, sad) to walk around and basically show her around the world. and then we stopped a bit while i explained the whole thing about the usual party composition & the concept of gacha, and ofc zhongli starts talking about osmanthus wine-
so i rolled my eyes (cause i was in the middle of an explanation) and said "zhongli shush" and you know what happened? he. fucking. stopped. talking. the idle animation canceled. i almost pissed myself until i remembered the controller was in my friend's hand and she had moved the joystick. THAT ALMOST SCARED ME TO DEATH SLFJSLJFLS LMAO
so yeah have a drabble 'inspired' by that. toodles~
𝑚𝑎𝑠𝑡𝑒𝑟𝑙𝑖𝑠𝑡 ⬙ 𝑡𝑎𝑔𝑙𝑖𝑠𝑡
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he knows you love his voice.
it's something you always tell him, both directly and indirectly. you would drop in his voiceover menu every now and then, purposefully put him on idle so you can listen to his musings, and whenever he appears on scenes you would visibly deflate if the dialogues involving him are muted from your side. at such times, he takes one step closer to the idea of breaking this world's laws entirely, because if you wish to hear him then you should be able to - you should always get whatever you want, the deity that you are in his eyes.
like now, when you're gushing about him to what seems to be your friend. he's never heard of her before, but you seem close, and he feels the familiar twitch of his fingers, itching to reach out to you, to pull you close and smother you with his presence instead.
from the way you had to explain the basics of his world, he assumes your friend is a complete beginner entirely. but surprisingly she doesn't seem to be too impressed with him, despite the excitement that's filling your voice, and he can sense how agitated it made you. true enough, when he stealthily sneaks a glance, you're pouting a little before you launch into an explanation of how necessary of an addition he is to the team, and the workings behind the gacha system.
adorable.
... but your attention is slipping away from him. now that- he can't have that. he sighs and triggers the idle function with your favorite audio file that he frequently abuses, feeling his body and lips move as per the scripted codes.
"osmanthus wine-"
"zhongli, shush!"
...... what?
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it was a reflex. a force of habit, you could say. no one likes to be talked over by someone else when they're talking, right?
"sorry, he's a little-"
you stop talking because suddenly, it's silent. the hair on the back of your neck rises.
"did you move the joystick?" you ask your friend, eyeing the now-still 3d model of your favorite character on the big tv screen.
"huh? no?" she answered, waving the gadget by its handle with one hand, "uh- didn't you say it has drifting problems? maybe it's that?"
".... yeah........ yeah, that's got to be it. anyway, as i was saying-"
zhongli is needlessly quiet for the rest of your little showcase. you continue to talk with your friend happily, the little event pushed to the back of your mind as you enjoy spending time with one of your favorite people, throwing jokes, laughs, and eventually turning off genshin to move on to celebrity crushes and a cute looking singer that's going to have his little concert in the city soon.
zhongli lets you.
for it would be the last time you could enjoy the such activity before he forcefully pulls you into their side.
to his side, where you rightfully belong to.
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© zhongrin | 2022 ◆ no repost. reblogs much appreciated. feel free to reach out to submit suggestions, feedback, comments, or if you just want to talk!
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◇ taglist ◇ @paintingsofdragonspine | @genshinparty | @abyssmal-skies | @hamdehlesmis | @depressivecomforts | @sophiethewitch1 | @why-am-i-here-someone-save-me | @sunnshineflxwer | @heartonthemoon | @yuutasbabe | @percyval-archives | @carbs-need-more-lovee | @rebeccka | @queen-belial | @stygianoir | @niverine | @silentmoths
ps. if you want to be removed/added from the taglist, just send an ask!
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egophiliac · 6 months
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I was wanting to try doing an art piece in the style of the signature spell poster art pieces you create. But I’m not really the best at coming up with a composition for such a thing.
Do you have a process for how you come up with the compositions for them?
oh, awesome! it is an INCREDIBLY enjoyable style to work in; I hope you have fun with it! :D
I'm not great at putting my thought/art process into words, so my apologies if this doesn't make a lot of sense, but I'll try! my first step is always to do a LOT of thumbnails to figure out both the idea and how I want to show it; not trying to do a real sketch or anything, just little doodles to figure out what exactly I'm trying to portray. (I also call these "garbage passes" because they're not meant to be any good, they're just there to throw things out. aha. ha. ...anyway.) I think it's important during that first stage to really focus on the idea and the layout and not to get too bogged down in the actual drawing yet!
I tend to save my final thumbnails, so I'll use 'em as examples (I posted the ones up through episode 5 here if you're interested!) (and, uhhh, spoilers through episode 5 also in this post, hopefully that won't be an issue!)
the main thing I try to think about in composition is balance -- not necessarily in terms of symmetry, but in where each element is placed and how much space it's taking up. remember, empty space is still space! it's also really important to think about the parts that don't have anything in them, as much as the parts that do!
personally, I like to divide things up roughly by both halves and by thirds -- there's a lot more in-depth info out there on why the "rule of thirds" in particular works well visually, but in short, our brains tend to focus on things that are placed closer to imaginary division lines, instead of in the exact center of an image. so even when I'm doing something that is very centered and symmetrical, I try to keep that in mind and generally aim around those for landmarks like faces/eyes (or...where they would be, anyway) and other focal points.
it's not a formula of "the character's face should be in this division of this grid" or anything, more like "our minds like to focus on these areas, let's think about how to use that", if that makes sense! and of course rules are made to be broken, art is lawless anarchy, and so on. but it can be a good starting place for deciding where you want to put things!
(blue - thirds, red - half)
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and against the finished versions, because they do usually end up changing a lot (including the empty space of the border):
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(...these actually lined up a lot better than I thought they would. :') it makes me look like I do things way more intentionally than I do.)
other stuff I just try to keep in mind is that our eyes like following arcs and paths, which can be a good way to guide the eye:
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and frame and control the focus:
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honestly, composition is one of those things I feel like I struggle with a lot, so I'm not sure how much of this is helpful or actually makes sense outside of my head. but hopefully it helps a little! it's all just stuff to think about while drawing and not anything hard-and-fast, so don't, like, stress out about making sure things are lining up exactly on the thirds or anything. again, it's more "our brains think these are the dopest parts of the rectangle" than anything else! take advantage of the cool parts of the rectangle!
NOW GO HAVE FUN DRAWING seriously though, it is always super cool that other people like this idea and style enough to want to do it themselves and for other/their own characters! thank you! ❤️❤️❤️
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sabertoothwalrus · 2 years
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How did you get so good at drawing such expressive bodies/faces??? tell me your secrets!! (But srsly your skills are amazing)
AAAA THANK YOU!!
I think my initial inspiration was about 10-11 years ago watching Adventure Time and finding Rebecca Sugar’s boards. Sometimes I get a little frustrated because she gets so much more notoriety than the other very very amazing AT boarders, but….. her expressions man…. she was always able to convey so much with SO LITTLE. (SU’s expressions are on another level of course, but I think AT’s are just so impressive to me because they’re dot eyes)
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But the thing is!! I’m also a fan of deadpan. Which AT also does very well. It’s tempting to want to do BIG, extreme expressions at every moment, especially in comedic comics, but you really don’t need to. I find that characters often feel more expressive if you reel it in more often. That way, when you DO have bigger expressions, they FEEL bigger!
for example, a panel where the contrast between big and subtle expressions sells the contrast:
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I don’t really,,,, know exactly what I do that works, ?? I kind of just like, think of the emotion I wanna convey, make the expression, think about what my face feels feels like, and try to convey that. Using a mirror helps!! You’ll feel a little stupid but it’s funny.
some misc expression tips:
Definitely prioritize eyebrows, eyes, and mouths!
Noses aren’t as important BUT flared nostril can totally sell an expression, so it depends!
Remember that your upper jaw is stationary, and your lower jaw can move, and then your lips and cheeks can move all around that!
Just subtly changing the placement of eyelids and location/size of irises can completely change an expression
Don’t be afraid to make your characters look weird or stupid.
Don’t reinvent the wheel! Take reference from different media you like that stylize expressions in different ways, and find what works for you. I take a lot of inspiration from AtLA
Again, NUANCE! Like, when most people are sad, they do their very best to try NOT to cry. People hold things in. Sometimes what characters don’t say can speak louder than what they do.
some expressions I’ve done that have varying levels of nuance:
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Also framing!! You can use the composition to help project how the character feels:
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As for body language!
Having a better sense of three-dimensional form and anatomy isn’t necessary, but it sure helps a lot
Hands!! I have adhd and my family is italian so I use my hands a lot when I talk. But even still, most people don’t just leave their hands hanging loosely by their sides. People cross their arms and fidget with their zippers and put their hands in pockets.
Head, neck, and shoulders. If you can master the foreshortening of these overlapping shapes at most angles, you will be very powerful
Hips & feet!!!!! People RARELY stand straight with both feet flat on the ground with even balance. Most people will shift their weight to one hip, leaving one leg looser and at an angle. It also helps to practice perspective, because people also rarely stand with their heels lined up side by side. One leg may get kicked foreward or loosely bent backwards. I sometimes cross my legs when I stand.
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Ultimately, if you want more lifelike expressions and poses, study from life!! Don’t worry about your drawing being “good” or “bad”, instead think about what can make it successful. Ask yourself, “is this conveying the expression I want to convey?” and if it’s not, figure out what you need to change to get it there.
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zeldasnotes · 10 months
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ASTRO OBSERVATIONS 28 🐚
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masterlist
Someone whos into men and have Mars Square/Opposite Juno(3) might attract the complete opposite of what they are attracted to. For example someone with Scorpio Mars Square Leo Juno wants a confident, open and funny partner, but they only attract the mysterious , sneaky, obsessive kind of men. Or vice versa.
People with Lilith 3rd house 🤝 having issues with their car.
Venus Square Juno(3) 🤝 Molding their partner into what they want them to be
Ceres(1) conjunct Mars 🤝 Working out as a form of selfcare
Please check the North Node aspects in the composite chart. It can show what kind of relationship it will be.
The annoying part of 10th house placements is attracting attention from people you dont even know exist.
If you have Eros(433) Conjunct Moon synastry just know you will both remember it forever and you know what I mean by it.
Use your transits to get stuff done. I swear I never clean & exercise like I clean and exercise when Sun or Venus are transiting my 6th house.
Women with Lilith Square Moon struggle with the Madonna/Whore complex. They also feel a deeprooted need to be a part of society, have a family and be the kind of woman whos accepted. But at the same time they feel a strong need to rebel against those same things.
Moon conjunct/square/opposite Pluto needs to practice letting go. They be the ones to check a certain persons instagram everyday almost like a routine. Especially when it comes to people they dislike. An obsession with powerstruggles. Especially when the enemy is a woman.
Ive noticed that people with pluto retrogade are less obsessive.
Pisces Suns always have something innocent & youthful about their looks.
People Venus Square Ascendant in their own chart usually get into conflict with people who also have Venus Square Ascendant.
People with Jupiter conjunct personal planets can come across as arrogant even tho they are usually super friendly once you talk to them.
People with Venus Square Saturn care a lot about stability when chosing a partner. They can be very turned off by lazy people.
People with 8th house and 2nd house placements attract the most envy. If you have planets in these houses and you have social media just know that you got a lot of people watching you. I know of someone with placements there and she posted a video of herself eating at a restaurant she works at during her break. Someone called the restaurant and tried to have her fired saying shes high in the video etc(ofc she wasnt).
Mars & Moon in the 2nd house can be a real envy aspect in synastry. From what Ive seen the planet person is envious of the house person.
Sooo many people where the parents are from two different countries/cultures/religions got Sag Rising.
8th house actors are good at playing painful roles. For example Cate Blanchett.
Sag Moons wont do it if you tell them they have to.
Something Ive noticed, wont be true for everyone tho: The difference between Neptunian Venuses (Venus aspecting Neptune/Pisces Venus) and Saturnian Venuses (Saturn aspecting Venus/Capricorn Venus) is that saturnian Venus expects the same perfection from themselves as they expect from a partner while Neptunian Venuses be expecting to marry Beyonce while looking like Shrek.
Neptunian Venuses dream too much and have unrealistic and high standards. Saturnian Venuses have high standards but they are realistic. They dont want a fairytail princess bc they know it doesnt exist, they want someone who looks good on paper and they usually look good on paper themselves.
Saturnian Venuses can also be satisfied with someone who hasnt made it yet as long as they know the person is ambitious and will make it in the end, while neptune energy wants to be saved by someone who already made it.
Mars conjunct Midheaven be having a lot of public beefs. Or might be known for being a winner or ruthless. Beyonce for example got Mars in the 10th house and everyone who messed with her and Jay Z just magically disappeared from the spotlight.
© 2023 Zeldas Notes
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yourpsicodelicbitch · 21 days
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synastry/composite chart observations not the type you wanted though 😝
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joann sfar
synastry
⚘ I’ve noticed every friendship I’ve that ended up other me cutting them out had their Chiron on my 12H. could mean searching for your path, like taking conscious for what direction their friendship is going.
⚘ I have a twin and we have the same birth chart: our synastry is horrible. jk but there’s a lot of conjunctions -exact positions-, conjunctions are not always ideal, a lot less when it’s in excess. not if you’re searching for a deep relationship. there’s a lot of boredom and conflict. for example, ascendant conjunction ascendant can bring superficiality and from one part trying to be peaceful, without expressing themselves truthfully, delivering to boredom from both parts.
⚘ venus opposition moon: venus can feel the moon is too distant, as if they have wall in front of them. the way venus wish the moon shows their love and care for them is not as they expected. venus has to somehow try to understand -if they want the relationship to advance- not everyone shows love the same way. also moon needs to exteriorize or help the moon: not only venus to do all the work.
⚘ their lilith (mean) on 12H means the lilith person embrace what 12H represents on the house persons's life. their spirituality, their subconscious. to be more in tune with it. for example, ik two people with this synastry and the lilith person is very spiritual, they even have payed for medium sessions for the house person -doesn’t have to be that specific, spirituality can be expressed in different ways-.
composite
𑁍 the ascendant says a lot in a composite chart, it’s the vibe, how they unfold between each other. for example, if the ascendant is in aquarius, while time passes, they learn to enjoy and embrace the goofiness of each other, they spend a good time and are comfortable with each other.
𑁍 also, the degree of the ascendant it’s important. it explains how they react to things in general, how they solve their problems in pair. for example, if there’s aries degree, it says that there’s a part of individuality here, aries reminds me of someone who can get carried away by their impulses and leadership traits, they want to do their thing, on their own. one of the pair it’s feeling left out in some kinda way. not saying all the time but in a specific topic, there’s more information if you between the dots reading the chart.
𑁍 jupiter conjunction venus tells in this relationship they can bring positivity and joy between each other, they help each other to get out of hard/emo times. they could have survived together from different groups.
𑁍 10H stellium can tell they share the same vision, goal drive. the both of them are focused on their careers and success, they agree that’s first on their life.
𑁍 saturn square neptune 1° orb: there’s tension between focusing on what’s necessary and what’s what they want, their dreams or main goals can be postponed or realized later on life, together. lack of discipline?
𑁍 north node opposition saturn: they’re meant to have difficulties with understanding the order of the other, their attitude towards authorities, their goals, their ethics are different.
𑁍 taurus 11H stellium can tell this relationship is build by the same values and it’s more likely to be a friendship than another type of relationship. they’re more conservative and protective of each other, I’ve also noticed they’re able to give each other space when the other needs it or to not be too persistent between each other. also they can gossip A LOT. they can literally see each other just for the yap.
𑁍 chiron square mars 0° orb: there are issues to being direct in what they’re annoyed, to fight and to not escape, they probably want to be in peace and focus on it, not remembering that treating the problem together can be more beneficial. the orb makes an emphasis. while time passes, they’re meant to reach balance, in other words, to learn from this and take action.
(*ᴗ͈ˬᴗ͈)ꕤ૮꒰ྀི⸝⸝> . <⸝⸝꒱ྀིა ∗ ࣪ ˖༺ ♡ ༻˖ ࣪ ∗ */ᐠ - ˕ -マ✩ (˶˃ᆺ˂˶)∗ ࣪
♡ Based on personal experience and I’ve analyzed in my surroundings.
♡ English is not my first language.
♡ I’m not a profesional astrologer.
Thank youu. baibaiii🫣🫶🏼💋
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mechaknight-98 · 20 days
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Aftermath (NSFW) FT Sejeong
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Authors note: had to do a bit of world building as I try to figure out what the world looks like now that I don't want to use Karina or Jiyho anymore due to the dating thing…it would be weird ya know.
"Hey, Danger can I ask you something," Seji asks me with a clear and concerned tone,
"Yeah, sure," I answer hesitantly. Sejeong smiles brightly.
"Why did you run away from me," She asks. I bite the inside of my cheek as I consider my response.
"I figured it would be better than dealing with any of the repercussions of my feelings. I have a limited time left to live and I didn't want to put anyone through the sorry of losing someone they care about. So I figured dipping before that would be a cleaner cut-off than this going too deep instead," I reply
"You coward," Sejeong teases.
"I...yeah you're right. I should have let you choose," I reply
"At least you're a reasonable coward," Seji teases further
I squint at her causing her to smile wide, "I am not a coward, nor am I reasonable," I reply. Seji beams
"Oh really and why don't you think so," Sejeon asks sternly.
"You'll see soon enough," I replied.
Three weeks later Sejeong bought my little photo studio and shop. she was okay with not paying rent as long as I became her "personal photographer", and so I went with her all on these trips and events to snap pictures of the beautiful girl, but honestly she used it as an excuse to relentlessly fuck. I would spend hours cutting angles and working on shop composition to make sure the photos were perfect, and looking at her face always led to a visceral response. I'd be hard for hours, and like clockwork, she'd come into my office give me a warm-up blowjob then have it lead right into mindblowing sex.
As I worked on photos there was a knock on the door. I assume it's Sejeong as she's the only one who comes in here typically. The door opens to a tall dark-skinned man he smiles at me with malicious intent.
“Well, I didn't think I'd ever see you again,” he says as aggression rises in his tone.
“What do you want Alistair,” I ask
“Oh remember call me AL or Tahm,” Alistair replies
“Oh well you know I'm just checking in on my favorite curse bearer. I truly thought you'd come hunting for me, but you never did. I wanted to know why, but you were hard to find. When you said I want to disappear I guess you meant it,” Alistair adds.
“Are you here to kill me, because if so I'm not going down without a fight,” I reply
“What heavens no! I'm here to give you something you want more. Freedom,” Alistair replies.
“What is the catch,” I ask.
“No catch at least this time. I can't beat the curse bearer chasing me as he is using holy relics, but you have a myriad of experience so I figured I'd make a deal,” Alistair answered.
I look at the photo on my desk of Sejeong and I, “Fine I’ll draw up the contract.” I reply
30 minutes later I procured a draft of the deal between Alistair and me. He's excited as deals are like his favorite thing to make something about the ability to bind and
Making rules that can't be broken makes him feel safe. After we sign he smiles and hands me my Maxos Cards. I look at him surprised
“Why,” I asked
“I am asking you to hunt someone using holy weapons and not give you your best tools against holy weapons. I'd be a fool, besides I have to give them back to you anyway.” Alistair replies nonchalantly. I nod and grab them.
“So where was the last reported location of this curse bearer,” I ask
"So there I was, in Minnesota of all places, following leads to my ex, Janie. The trail led me to a scene that raised my concerns: golden ichor staining the ground. I knew this was about to get more complicated. As I concealed myself, the door creaked open, accompanied by ominous sounds of groans and a knife piercing the wall.
"Step out from your hiding spot," a familiar voice demanded. I cautiously emerged, armed with my card and sword, only to face Janie.
"Dangerfield? Of course, he'd send you," Janie muttered with evident annoyance.
"What brings you here?" she interrogated, her accusatory tone emphasizing the revelation that my ex was now a full-blown witch, a fact I was still processing.
"I'm here for the holy weapon, nothing more," I asserted, my mind grappling with the revelation of Janie's newfound identity.
"And what were you promised in return?" Janie probed further.
"Freedom," I replied succinctly.
"Freedom? From whom?" Janie's disbelief was palpable.
"Alastair," I confessed, bracing myself for her reaction.
"Alastair? Did you strike a deal with him? You're unbelievable," Janie's frustration simmered.
"He promised Morrigan would leave me alone," I explained, hoping to justify my actions.
"You never think, do you? Your recklessness causes chaos for everyone," Janie scolded, her frustration evident.
"I'm only here for the weapon. Give it to me, and I'll leave," I urged, attempting to end the confrontation.
Janie's gaze hardened as she considered my request. "What if I refuse?" she challenged, prompting me to reveal my trump card - my maxos card.
Her eyes widened at the sight. "You wouldn't dare," she uttered, realizing the seriousness of my intent.
Taking a defensive stance I watched as Janie's eyes widened
With a mixture of resignation and menace, Janie relented, handing over the holy weapon. "You'll regret this, selling out a friend for your gain," she admonished.
"If I were truly betraying you, I'd have handed you over to Alastair," I retorted, stowing away the cards.
"This is why I despise dealing with your kind," Janie spat bitterly.
"Careful now, insults might provoke me to take action," I teased, though the underlying tension remained palpable.
"Pathetic," Janie scoffed, as I left her house, her warning lingering in the air.
Returning to Alastair, I handed him the weapon, cautioning him against its use.
"Why not?" he inquired, intrigued by my warning.
"It's not just holy; it's a fusion of divine and demonic energies, a result of a battle between a demon and an angel," I explained,
"so why is the blade okay with you," Alastair asked
"Because I am Fomori," I answered.
"Oh...Interesting," Alastair said. Alastair's grin widened at the revelation. "Morrigan's favored, no wonder you sought to disappear quietly," he mused, anticipating the chaos to come as he reveled in it.
"I look forward to seeing the next part of your tale," Alastair replies. "Our deal is done," He says calmly as he conjures two contracts that burn themselves up before me. I feel the burden of my curse lift and Alastair smiles.
"I look forward to the damage you will cause. That will be more interesting than anything I could ever do with such a weapon. I see it has bound itself to your soul so using it would only garner your strength." Alastair adds. I shrug at his point to which he smiles.
The next day I arrived at my office to see a pouting Sejeong
"Hey, Seji. are you ok..." Before I could finish she had me cornered in a kiss.
"I got your not but I was worried sick for you," She replied. As she she ran her arms through my body she gasped,
"You're curse-free," she exclaimed with surprise.
"Yeah," I nodded.
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strwbi-laces · 9 months
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Sirius always insists he has a terrible memory. "Really terrible," he'll laugh. "Actually, what was your name again?"
Remus doesn't see it though. Not when Sirius always knows exactly where James left his socks, or what obscure extracurricular Pete's packed into his schedule now. Especially not when he learnt the dates for every full moon in the next fifty years when researching lycanthropy.
"You know, I don't think your memory is as bad as you say Padfoot," he mentions while they're alone in the dorm. Remus doesn't have a clue where James and Pete are but Sirius wouldn't even have to check the map.
"What're you on about? It's literally rubbish."
Remus raises a brow. "You had every single possible quidditch infraction stuck in your brain - before James did!"
"Yeah well," Sirius shrugs. "That's quidditch. It's just for stuff I care about."
Reaching over and grabbing the nearest textbook, History of Magic: Year 3, Remus flips to a random chapter. "Really? You cannot convince be you care about, hmm," he clears his throat and in his poshest, most snooty voice, says "Changes in potion composition during the French occupation of England." No one could care about that. Not even he did and he actually liked History of Magic.
At least the voice made Sirius giggle. "Shut up. History is easy, it's just dates."
"Then what isn't?"
"Uhh, I don't know," Sirius goes quiet more a moment, then laughs again. Though this time it doesn't quite reach his eyes. "See, this is what I mean."
Remus waits while Sirius works his tongue into words.
"I can't really remember much from my childhood. Sometimes my mum will say something, like 'you were such a difficult child, remember when you did so-and-so' and I pull up a complete blank. Merlin that's bad of me, huh? Forgetting how I hurt people."
Sirius' fists ball up in his lap and Remus wants nothing more than to take them between his hands and smooth them out. He settles for shuffling closer and pressing their sides together.
"And I make things up. That feels like a memory thing too. It's not out of thin air but in my head I'll make something my mum said seem a lot worse than it was. Or I'll forget what prompted it so she seems like the bad guy. Usually I'd call her a lying cunt y'know, but even my dad and Reg agree that it's something I do a lot. Making myself the victim."
He's shaking now, Remus can feel his tremors ripping through him as well. "Sorry," Sirius sniffs. "I'm doing it right now-" he tries to say but Remus cuts him off.
"I think," he whispers, taking hold of Sirius' hand in his palm and tracing the heart line with his finger, "that you're a far better person than you give yourself credit for. And maybe your mum is a bit of a lying cunt."
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